- 2 days ago
Taken from a Clive Barker original screen story, tells the tale of a novelist who discovers there are fates worse than literary anonymity in this charged tale of terror.
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Short filmTranscript
00:00To be continued...
00:30To be continued...
01:00To be continued...
01:30To be continued...
02:00To be continued...
02:29To be continued...
02:59To be continued...
03:29To be continued...
03:59Between you and me?
04:01Piece of shit.
04:02But Terry's heart was in it.
04:05Your application states that...
04:08You've never been published.
04:10That's right.
04:11Don't be embarrassed.
04:12That's why you're here in the first place.
04:13Old Cap Highberger took the building over in the 30s as a place for unpublished writers to work, to hone their craft, to become published writers and move on.
04:23He was a frustrated author himself.
04:27Those are his unpublished manuscripts over there.
04:30All 47 of them.
04:31What do you write, what do you write, horror stories, that gruesome stuff?
04:35No.
04:36No, I just want to write stories that touch people's hearts.
04:39Oh, people's hearts kind of guy.
04:42I had a few of those.
04:44How many books have you written?
04:46How many books have you written?
04:47Five.
04:48Well, I'm working on number five now.
04:51You got family, girlfriends, and boyfriends?
04:55Are you in love?
04:56The hell with love.
05:03I'm going to live my life for my books.
05:06Good for you.
05:08Welcome to Highberger House.
05:09Sign here.
05:13This opportunity marks a big change in my life.
05:16I'm going to be published if it's the last thing I do.
05:19Careful.
05:19Terry said the same thing.
05:21This place is all about keeping you away from distractions.
05:24It'll be a nice, quiet place to work.
05:27Here's your key.
05:28Room 217.
05:30One flight up.
05:31It's not the Four Seasons, but free room and board as long as you're here.
05:36Once you're published, you're out of here.
05:37You understand?
05:38And then the next unlucky bastard takes your place.
05:41I understand.
05:42And really, I can't tell you how much I appreciate the opportunity.
05:44Just write the goddamn great American novel, okay?
05:48Deal.
06:18Get ever so humble.
06:48Hello?
06:58What the fuck?
07:13What the fuck?
07:43What the fuck?
07:58What the fuck?
08:13What the fuck?
08:28What the fuck?
08:49I had only briefly shaken hands with love, and then I found that that hand was a claw.
09:02I had only briefly shaken hands with love, and then I found that that hand was a claw.
09:16Who is it?
09:31What the fuck?
09:50What the fuck?
10:05What the fuck?
10:06What the fuck?
10:10Hello?
10:12What the fuck?
10:33Hello?
11:03You're welcome.
11:33What's wrong?
11:51What is it?
11:54Help me.
12:00Please.
12:03Hello?
12:10What's the matter?
12:19I thought I saw.
12:21What?
12:24What did you see?
12:26I'm not sure.
12:28Who the fuck are you?
12:31This is Rob Hennessey.
12:33He's in Terry's old room, Rob.
12:35This is Edward Neely and Patricia Dunbar.
12:38And this is...
12:39So he's just another miserable fuck-up like the rest of us.
12:42Will you owe me, Hennessey?
12:44For what?
12:45I was on the verge of ecstasy before you started banging on the wall, and I dropped my fucking
12:50vibrator, and now the goddamn thing doesn't work anymore.
12:54Jesus, I hate this dumb.
12:57Man, I hate happy little fucking faces like yours.
13:00So give up writing, then.
13:01Become a nun.
13:02I was a sister of fucking mercy for seven fucking years, you little cocksucker know-it-all.
13:08So don't you get smart with me.
13:13She does have a command of the language, doesn't she?
13:16Do try to keep it down, Mr. Hennessey.
13:25We appreciate the quiet here.
13:32Fuck them.
13:33If anybody gives you any shit from now on, you come see me, Bruce Sweetland.
13:36I'll set him straight.
13:38You want to just shoot the shit or learn the lay of the land?
13:40Come on down.
13:41And, uh, welcome to Heiberger House.
13:47Thanks.
13:47Oh, hey, uh, Bruce?
13:50Yeah, man.
13:52Uh, is, uh, is this place haunted?
13:59Only by the specter of failure.
14:00Ha, ha.
14:11Yeah, I'm sorry.
14:12I'm sorry, bro.
14:18I caught up.
14:23I got nothing wrong.
14:25I got to know.
14:35girl took a whole life.
14:39I don't know.
15:09I don't know.
15:39I don't know.
16:09I don't know.
16:10I don't know.
16:11I don't know.
16:13I don't know.
16:15I don't know.
16:16I don't know.
16:17I don't know.
16:18I don't know.
16:19I don't know.
16:20I don't know.
16:21I don't know.
16:22I don't know.
16:23I don't know.
16:24I don't know.
16:25I don't know.
16:26I don't know.
16:27I don't know.
16:28I don't know.
16:29I don't know.
16:30I don't know.
16:31I don't know.
16:32I've come back.
16:33I want to help you.
16:35Yes.
16:36Please.
16:37I need you.
16:39I need your help.
16:41Who are you?
16:43What's the matter?
16:45No.
16:46No.
16:47He'd better go back.
16:49Why?
16:50I want to help you.
16:52He's coming.
16:53Who?
16:54Who's coming?
16:55Oh God no.
16:56Please.
16:57What do you want me to do?
16:58Please help me.
16:59No.
17:00No.
17:01No.
17:13I heard you typing.
17:15Well.
17:16You said.
17:17Come on in man.
17:18I'm a nice guy.
17:19Could you use the company?
17:28You got a lot of sisters?
17:30Oh.
17:31Yeah.
17:32Girlfriends.
17:33Well.
17:34Ex-girlfriends.
17:35Even got an ex-wife or two.
17:36I can relate.
17:37The ex part I mean.
17:38Yeah.
17:39Care to partake?
17:40No.
17:41Thanks.
17:42Well.
17:43Don't worry.
17:44I'm not gonna get you high and fuck your ass.
17:46Even if I did swing that way.
17:48Now don't shoot the creative juice man.
17:50I can't waste a drop.
17:51I'm saving it all for the book.
17:52You know.
17:53A fuck.
17:54Quick handjob.
17:55It's like throwing a chapter with a Kleenex man.
17:57You're probably squandered a dozen novels and the beauty's on the wall already.
18:01No sir.
18:02I'm a fucking monk man.
18:03I'm a fucking monk.
18:06No.
18:07No.
18:08Alright.
18:09Alright.
18:14It's quiet in here.
18:15Ugh.
18:16Yeah.
18:17Like the proverbial fucking tomb.
18:18A lot quieter than my place.
18:20Oh yeah.
18:21Really?
18:22What do you uh.
18:23What do you hear?
18:24Um.
18:25Some kind of uh.
18:26You know.
18:27Noises in the walls.
18:28Ah.
18:29It's probably the pipes or something.
18:30As you might have noticed there's not a lot of maintenance that goes on in this place.
18:34Ugh.
18:35You ever hear anything like that?
18:37No.
18:38You ever heard any uh.
18:41Voices?
18:42What kind of voices?
18:44Like uh.
18:45Like uh.
18:46Crying.
18:53There's a signpost.
18:54Up ahead.
18:55Your next stop.
18:57The Twilight Zone.
18:59You're right.
19:00Ah ha ha ha ha ha.
19:01You're right.
19:02You're wrong.
19:03Oh yeah.
19:04Man.
19:05It's easy to see and hear weird shit in this place man.
19:07It's a weird fucking place.
19:08Full of weird fucking people.
19:10I mean.
19:11We're writers man.
19:12I wouldn't worry.
19:14Besides.
19:15Sounds as if you're singing ghosts or anything.
19:17That's what you said.
19:47That's what you said.
20:17That's what you said.
20:47I had only briefly shaken hands with love.
20:53That was a claw.
20:55That claw had held me in its thrall.
20:58It threatened not only my heart, but my life.
21:00I would kill or be killed for her if need be.
21:02So great was my love.
21:04And that love was to be tested.
21:06And a life was to be given.
21:07As if in sacrifice to an angry god.
21:09Jesus, did I write that?
21:17No.
21:19No, no.
21:23Come on.
21:25Shit.
21:29Shit.
21:31Help me.
21:34I don't know.
22:04Hey, hey, hey, Rob.
22:15What was your first night in the old, uh, hamburger house?
22:18Okay, thanks.
22:19Good.
22:19Did you, um, did you get any writing done?
22:22Uh, not a whole lot.
22:23Just getting acclimated first.
22:28So, what are you writing?
22:31It's a romance.
22:32A dark romance.
22:33Hmm, a doomed romance?
22:36It's the best kind.
22:37Just what the world needs, another bodice ripper.
22:41Well, I wouldn't call it a bodice ripper.
22:43It's very contemporary, very real world.
22:46Oh, I see.
22:48Autobiographical, I assume.
22:51A litter of conquests by the great lover.
22:54No, no, nothing like that.
22:55It's something personal, intimate, really on a small scale.
23:07Listen, don't worry about them.
23:10Just a bunch of failures.
23:12But you are going to have to be the new guy, at least for a while.
23:14Oh, thanks.
23:19I'm going to go up to my room.
23:19I've got some work to do.
23:20Cool, cool.
23:22Well, good luck with the men.
23:24Thanks.
23:27Right good.
23:27Right well.
23:32Thanks.
23:34Mmm.
23:50Let's go.
24:20Are you okay?
24:43Hello?
24:50I'm afraid.
25:00Where are your clothes?
25:09He took them.
25:11Who?
25:13Are you in pain?
25:18What did he do to you?
25:23Oh, God, no.
25:27He's here.
25:48We shouldn't speak again.
25:51He doesn't want you near me.
25:53Who doesn't want me near you?
25:54Shh.
25:59Touch me.
26:00Honey.
26:14Am I real?
26:16What?
26:19Am I real?
26:22Am I here with you?
26:23Of course.
26:24Of course you are.
26:26And feel me as I feel you?
26:30Yes.
26:31Yes, of course I can.
26:36I'm here with you.
27:07Wait.
27:08Tell me your name.
27:12I'm Valerie.
27:19Valerie, please don't go.
27:21Please don't go.
27:34Stay away.
27:36He'll hurt you.
27:38Please.
27:39Just forget about me.
27:41No.
27:42No.
27:43No.
27:45No, no, no, no.
27:49I gotta let you son of a bitch.
27:51Let her out!
27:54Gettin' old, lovey boy.
28:01There was a woman on these stairs.
28:03Mr. Hennessey, I will not tolerate one more escapade like tonight.
28:08We do it again, and you're out.
28:11Do we understand each other?
28:13All right, fine. I'm sorry.
28:15Good. You've been warned.
28:18What's behind these walls?
28:22The portal to another dimension.
28:24You're kidding.
28:25Jesus Christ, of course I'm kidding.
28:27You think I'm out of my mind? It's a crawl space.
28:30What do you think? Hot water pipes, electrical wires.
28:32More than a few dead rats, I dare say.
28:35And that's it?
28:36That's it. That in your imagination.
28:39Are you sure?
28:40Do not press me, Mr. Hennessey.
28:43The gutter is full of young men just one step away from where you are now.
28:49Let's all let this young man get back to work, shall we?
28:54You're a tough old bitch, ain't she?
29:04You've, um, you've never seen anything up there on the stairs?
29:08Anything strange?
29:10There's nothing in Heiberger House that isn't strange.
29:13Why? You've seen ghosts after all?
29:16Um, I think maybe, uh, I think maybe I am.
29:23That'd be cool, wouldn't it?
29:25Why don't you come on down and we can crack a few beers?
29:27Hey, man. Come on in.
29:33Just, uh, wondering, the person who had the apartment before me,
29:39how did, um, how did Terry die?
29:42Suicide. Razor blade.
29:44Shk, shk, thick. In the tub, man. There's blood everywhere.
29:47It's a real mess.
29:49What have you been seeing up there, man? Like, a person?
29:54I-I saw a woman.
29:56A woman?
29:57Did a young woman named Valerie ever live here?
29:59Or die here? Long hair, blue eyes, beautiful?
30:02Not that I know of, man. Damn it!
30:05Well, she's here now.
30:06Jesus.
30:08The beautiful ghost of Heiberger House.
30:11Ooh-ee-oo-ee-oo!
30:14You know, I think I have a picture of her in my room.
30:17I-I-I'd love to see it, man.
30:20What's that, the new book?
30:22Yeah, that's right. Draft 15.
30:28What's that? Draft 16?
30:30Oh, that's, uh, just something I've been playing around with for a few years.
30:36I don't know if it's worth a fire and a windstorm, but...
30:38Well, look, why don't I get those beers and you, uh, get that picture for me, all right?
30:42Okay.
30:43Cool.
30:47No.
30:48No.
30:49No.
30:56Is, uh, light all right?
30:58Fine.
30:59Wow.
31:00Let's do it.
31:01What the fuck are you doing?
31:02Ah!
31:03Ah!
31:04Ah!
31:06Ah!
31:07Ah!
31:08Ah!
31:09Ah!
31:10Ah!
31:11Ah!
31:12Ah!
31:13Ah!
31:16Ah!
31:17Ah!
31:18Ah!
31:19Ah!
31:20Ah!
31:21Ah!
31:22Ah!
31:23Ah!
31:24Ah!
31:25Ah!
31:26Ah!
31:27her would behave what the fuck do you know about what real writers do you're kidding yourselves
31:32this place is a fucking asylum and you're all a bunch of fucking lunatics before you say a thing
31:36miss bloom don't worry i'm packing up and getting the fuck out of this high burger freak show as
31:40fast as i can who the fuck is valerie tell me a product of your wild imagination young man
31:50bullshit did she die here
31:58did you kill her now you're just being silly
32:06run away
32:20it's your fucking blood on our masterpiece
32:34valerie
32:45fuck it's you
32:47you've come
32:54you're really here
33:03take him put an end to this
33:06who are you talking to
33:18oh god no
33:19you spineless little man
33:27you only yourself to blame
33:33it's all for you
33:42my
33:49is all this death the price of freedom
33:52all for you
33:53no not for me
33:57it's your hunger not mine
34:00i'm so sorry
34:02i thought you loved me
34:04i thought you loved me
34:06i do
34:08i worship you
34:11i adore you
34:14i want to wash you with my tongue
34:28you
34:41oh
34:42Can we talk?
35:12Sit down, sit, let me give you some advice, get out of this place, you're a young
35:39man, you can do anything you want. Fuck writing, nobody reads anymore anyway. Thanks.
35:51There's a poster. Yes, a piece of my past. I've seen that creature before. I knew someone
36:04had to have seen a piece of shit movie. Adapted from the novel by Neil Everest? Neil Everest?
36:11Deborah Neely? Not exactly subtle. My guilty little secret is out. Yes, I wrote a very bad
36:18horror novel in my youth and they made it into an even worse hunk of celluloid. My one little
36:25claim to fame staring at me from the wall. Pathetic, isn't it? I'm telling you, get out,
36:34son, and never come back. That monster, the creature. You want the poster? It's yours. Just don't
36:46tell that blue bitch I'm a published author or I'm out of my ass. I want to know about
36:53Valerie. The girl in the book, the girl on the stairs. Valerie doesn't exist. Bullshit. I've
36:59seen her. I've actually touched her. Touched her? That's not possible. There is no Valerie.
37:05She isn't alive. She doesn't exist. She does and she's in Heiberger House. Heiberger House
37:10is filled with the failed dreams of rotted imaginations. Like your monster? For example.
37:17What does he call? Othakai. The blood fiend from hell. That was the title of the novel. My
37:26great contribution to culture. Your blood fiend from hell? It's here too. In the walls. I saw
37:34him. That's not possible. He's a pituitary case in a shitty rubber suit in a shitty old
37:41monster movie. He's got Valerie. I said he doesn't exist. How did she die? I need to
37:46know how she died. She never died. She never lived. She isn't real. She is, goddammit.
37:51I've seen her ghost. This is not a fucking ghost story. Then who is she? Get up. That's enough.
37:58Jesus. Everybody in this fucking place is fucking crazy. Including you, young man. We're
38:03righteous. Holy shit. Nothing behind the walls, huh? Just my imagination? Some things are just better left alone.
38:10I don't think this has anything to do with my imagination. Don't touch anything.
38:17I'm gonna call the police. Fuck the police.
38:24Don't touch anything. Don't touch anything. I'm gonna call the police. Fuck the police.
38:30Valerie on the stairs. It took three writers to construct. Bruce, Neely, and you. I've seen the monster, Patricia. Neely's beast, his great creation.
38:45What about you? What about you? What did you contribute? Don't blame this on me. What's that hammering? It's your fiend, Othakai. Your monster from hell is fed up living inside the walls.
38:58It killed Bruce, and now it wants out. Nonsense. We call it bullshit on my farm. I think that between all three of you working on your secret masterpiece, you brought it to life.
39:07That's ridiculous. Is it?
39:11Think of all the lost dreams that have been dreamed in this place. Think of the energy that must be stored here. Bruce's famous creative juices never released. Decades of imagination trapped in Heiberger House.
39:26What?
39:27What?
39:28What?
39:29What?
39:30What?
39:31What?
39:32What?
39:33What?
39:34What?
39:35What?
39:36What?
39:37What?
39:38What?
39:39What?
39:40What?
39:43What kind?
39:57What?
39:59What?
40:00But your eyes are brown, getting out of this fucking madhouse.
40:07I need to see Valerie again.
40:09She isn't real.
40:11Go write your own, cream girl.
40:13Where is she?
40:14I can't have her.
40:16She belongs to the Beast.
40:18Why?
40:19Because we wrote her that way.
40:30Oh, Jesus.
40:42It's true.
40:44You live.
40:46You've come.
40:49One kiss before you go.
40:52It was the one that made you beautiful.
40:56I know.
41:00You're the only woman who can't say no to me.
41:04A kiss.
41:18Oh, Valerie.
41:20The times I've imagined this.
41:23Wow.
41:25So why did you let me be punished?
41:28Over and over and over.
41:35Me and all the others.
41:38I was a sad, lonely, angry bitch.
41:44He was right.
41:45I poured all of my rage into that book.
41:48And I loved you.
41:51Valerie, I'm so sorry.
41:53I didn't know that you could be touched.
41:56That you could be hurt.
41:58I'm sorry.
42:00I'm sorry.
42:02My sweet Valerie.
42:06My sweet, healthy Valerie.
42:08No.
42:10Not yours.
42:13What do you mean?
42:14Of course you're mine.
42:15I made you.
42:17No.
42:18Valerie, don't go.
42:19No, don't go, please.
42:21I love you.
42:23I love you.
42:24I love you.
42:32Patricia.
42:33Patricia!
42:34Holy shit.
42:40Patricia.
42:44You should go.
43:09Give me the gun.
43:10I need to see it.
43:13I need to see my beast.
43:15My creation.
43:16Not some guy in a rubber suit.
43:19The real.
43:20Oh, that guy.
43:22Look, it's killed Sweetland and Patricia.
43:24You're next.
43:25But why?
43:27It wants to be free.
43:29I think they both do.
43:30They don't want you to write their ending.
43:31They want to live it for themselves.
43:35They've become real.
43:37Too-ended.
43:37They've become real.
43:37Too-ended.
43:38Haven't they?
43:39They are my children.
43:40Let me help you destroy them.
43:46Fine.
43:47What's down there?
44:08Come on, you wrote it.
44:09What's down there?
44:09Hello, the Fiend's private torture team.
44:15Sick fucks.
44:17The torture stuff was Sweetland.
44:20He was a big fan of Desaad.
44:22Why didn't you just finish your fucking book and try to find a publisher?
44:24Why did you keep going year after year?
44:26It was an addiction.
44:27Every night, picking up where Bruce or Patricia had left off, running on, leading it on to
44:36a darker and darker place.
44:38The body count rising.
44:39We couldn't stop.
44:41What body count?
44:42I thought there was only Valerie.
44:44She was the only one alive.
44:45But there were others.
44:46Sweetland would pick them up.
44:48Runaways.
44:49Prostitutes passed their cell date.
44:51Girls who'd never be missed.
44:53The lonely ones.
44:55And you fed them to your monster?
44:56Oh, God, no.
44:58Bruce would get them high.
45:01Get them to tell him their hard luck stories.
45:03And he'd fall asleep.
45:05When he woke up, they were gone.
45:07Like smoke, not a trace.
45:10And why not Valerie?
45:11Why didn't he kill her?
45:13Oh, if you could create Valerie, would you kill her?
45:19Hmm?
45:20And it's all in your book.
45:22Oh, of course.
45:24The power of the imagination.
45:25You're a despicable piece of work, Neely.
45:27I am, I am, I am.
45:28Of course, I am.
45:29But I didn't know that it would come alive.
45:31None of us did.
45:32It was a story.
45:33My last chance to make something that would last.
45:36Valerie on the stairs.
45:38Ah, that was my idea.
45:41And you're proud of it?
45:42Oh, it's not like they were murdered in front of me.
45:47It's not like I truly knew.
45:48Are you telling me you don't know the difference between something that you imagine and something
45:51that's real?
45:52Do you?
45:54Is there any difference, really?
45:56They were all in my head.
45:59The life I lived yesterday, the dreams I dreamed last night, the words I put to paper.
46:07All in here.
46:10Mixed up together.
46:12You are out of your fucking mind.
46:14And you're not.
46:16You love her, don't you?
46:17The girl we made up.
46:20The girl we wrote.
46:23You want to be her hero.
46:25I'm going to finish your fucking story for you.
46:29Of course you are.
46:32That's why you're here.
46:34To bring it all to a close.
46:36To end it.
46:37I never saw Bruce's final pages.
46:40Maybe he wrote you.
46:42Did you think of that?
46:44Yes, maybe.
46:45If you survive this and you try to leave Iberga House, you won't be able to.
46:51Bullshit.
46:51I had a life before I came here and I'll have a life after it's all over.
46:54Will you?
46:56You need a fucking shrink.
46:58No.
46:59I need a bestseller.
47:02Give me my ending and we'll all be happy.
47:15Is this place your creation too?
47:27No.
47:28This was mostly Sweden's.
47:30He specialized in the old trade here.
47:39You shit!
47:40Come on.
47:51Oh fuck.
47:59Oh.
48:01Oh.
48:01Oh.
48:03Oh.
48:04Oh.
48:05Oh.
48:06Oh.
48:07Oh.
48:08Oh.
48:09Oh.
48:10Oh shit.
48:26Oh, shit.
48:43Neely.
48:45You're supposed to save her.
48:51Neely.
48:56You're supposed to save her.
49:08You're supposed to save her.
49:10I'm sorry.
49:12I don't know.
49:42I'm here.
49:50For Valerie.
49:51Of course you are.
49:54And I'm here to stop you.
49:57They're all dead now.
50:00All of them.
50:01And we're free to...
50:04write our own lives.
50:07Or deaths.
50:09We shall see.
50:11We, won't we?
50:13It's the victor who writes history.
50:26It's just you and me now.
50:29The hero.
50:31And the beast.
50:32The tale of the toad.
50:40Valerie.
50:45Valerie.
50:48What are you doing?
50:50Get away from them!
50:51Help me.
50:53We both knew it would come to this.
50:56You and me fighting to the death over my beautiful Valerie.
51:02You do want her, don't you?
51:07Please help me.
51:08Leave her alone.
51:09Take my hand, Valerie.
51:10I love the way I touch it on him.
51:17Yes.
51:18Yes.
51:19Oh, my God.
51:21No.
51:22No!
51:22Oh!
51:25Valerie, run!
51:26Run!
51:31Oh, fuck.
51:32Oh!
51:33Go ahead.
51:48Shoot.
51:49And I'll spit the bullet right back at you.
51:51Fine.
51:52Then I'll spin the bullet where it counts.
51:54And this little prick tease.
51:55And you can rip me up and send me to hell.
51:57I'll die happy once this bitch is dead.
51:59No!
51:59You killed the others with him.
52:01Now you want me dead, too?
52:02No!
52:03No, I swear.
52:03I just want you.
52:04No!
52:05You'll find another woman.
52:06What's the big deal?
52:07Look at the harem you got hanging here.
52:09I'll kill her and then you can do whatever you want with me.
52:11Rob, please don't.
52:12Don't you dare hurt her.
52:13What's the matter to you?
52:15She's just another flesh garden.
52:16No, not Valerie.
52:18The party of the blood was set for her.
52:20And she loves me for it.
52:22She's mine!
52:23No.
52:25She's mine.
52:29My Valerie!
52:31Run!
52:32Don't!
52:35Valerie!
52:36Come on.
52:42Come on.
52:43Come on.
52:44Let's go.
52:47Come on, Valerie.
52:48Where are you taking me?
52:50I'm taking you out of here.
52:50I'm not going to lose you.
52:51I can't leave here.
52:53Yes, you can.
52:53It's over.
52:54You're free.
52:55It's not your choice.
52:57We're not free.
52:57Don't you understand?
52:58They finished it.
52:59No, we finished it, Valerie.
53:00You're free, you're real, and you're with me.
53:02Come on.
53:03We've got to go.
53:03No.
53:04I can't go out there.
53:05Please, Valerie.
53:06I can't do this.
53:07Please.
53:07Come on.
53:08It's our only chance.
53:09Come on.
53:10No, no, no.
53:10Come on.
53:11No, no, no.
53:11Valerie.
53:12No, no.
53:12Valerie!
53:13No!
53:13No!
53:14No!
53:14No!
53:15No!
53:15No!
53:16No!
53:16No!
53:16No!
53:17No!
53:17No!
53:18No!
53:19No!
53:19No!
53:20No!
53:21No!
53:22No!
53:23No!
53:24No!
53:25No!
53:26No!
53:27No!
53:27No!
53:27No!
53:43Addison!
53:44Addison!
53:45Come on down, son.
53:47We don't want anybody else to get hurt here today.
53:49Put down the gun.
53:50Put your hands up!
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