Hatchet for the Honeymoon 1970

Cult Moviez

A cleaver-wielding bridal designer murders various young brides-to-be in an attempt to unlock a repressed childhood trauma.    #HorrorMovie  #HorrorFilm  #ThrillerMovie  #ThrillerFilm  #SlasherFilm  #GialloFilm  #HatchetForHoneymoonFullMovie  #HatchetForHoneymoon1970FullMovie

Transcript

00:00:29Satsang with Mooji

00:07:31The difference is that you don't think, and you don't need to remember.

00:07:37You don't fear death because you ignore it.

00:07:40Your insignificant life is a mere biological accident.

00:07:45But death exists, I can assure you.

00:07:47And that is what makes life, but the fact that I have killed, but the fact remains that I

00:08:16...

00:08:17Margaret, they were the friendliest, the most attractive ones.

00:08:22There is one problem.

00:08:26I must go on wielding the cleaver.

00:08:30It's most annoying.

00:08:32But when I begin to hear those footsteps,

00:08:36those stealthy footsteps,

00:08:39I know I must kill.

00:08:42And I shall have to continue killing

00:08:44until I find out the whole truth.

00:08:47That's it, until I find out the whole truth.

00:09:12Good morning, Mildred.

00:09:13Good morning, Mildred.

00:09:16Did you sleep well last night?

00:09:19You know I never sleep well.

00:09:22It's pointless to ask me the same question every day.

00:09:25How sad another bride killed.

00:09:28Sad.

00:09:30But fortunately,

00:09:33she paid for her wedding dress in advance.

00:09:39Have you made any decisions about what we spoke of yesterday?

00:09:43I'll never give you a divorce.

00:09:46Never.

00:09:47We shall stay married until death do us part.

00:09:59That's a vague answer.

00:10:00They didn't suspect that death was going to part them so soon.

00:10:04They're in my power, John.

00:10:07The bangs,

00:10:08the wholesalers.

00:10:10Everything works thanks to my money.

00:10:14None of this would exist

00:10:15if it weren't for little old me.

00:10:23Yes, but don't forget.

00:10:26I inherited the house and the fashion business.

00:10:29From my mother.

00:10:30A mountain of ruins buried in death.

00:10:34That's all it was,

00:10:36and you know it.

00:10:39That's when I had the misfortune

00:10:41of finding a completely useless husband.

00:10:46I have records right down

00:10:48to the last penny I've invested.

00:10:50Stop that!

00:10:54Better listen to me

00:10:55carefully,

00:10:57John Harrington.

00:10:59I will never give you a divorce.

00:11:02Never.

00:11:03Do you understand?

00:11:04Never.

00:11:05As you wish, Mildred.

00:11:07I won't insist.

00:11:09John!

00:11:11Dr. Calloway has invited me

00:11:13to a séance tonight.

00:11:16I want you to come with me.

00:11:21Are you trying to communicate

00:11:22with your first husband?

00:11:24If he was really as intelligent

00:11:25as you say he was,

00:11:26I don't think you'll be able to manage it.

00:11:29At least while he was alive,

00:11:31he was a man.

00:11:32But you.

00:11:34How easily one is deceived

00:11:36by appearances.

00:11:38I could compete

00:11:40with your deceased husband easily.

00:11:43If it was worth the trouble.

00:12:11Mr. Harrington,

00:12:12we'd like to have you

00:12:13take a look at these sketches.

00:12:14Another time.

00:12:25Who are you?

00:12:26Hello.

00:12:27My name is Helen Wood.

00:12:28I'm a professional model.

00:12:29I heard you had a vacancy.

00:12:30How'd you find out?

00:12:31Oh, a friend of Rosie's told me.

00:12:33Rosie.

00:12:35She worked for a year here.

00:12:37Left us without warning

00:12:38a couple of weeks ago.

00:12:41Have you worked before?

00:12:42Here are my references.

00:12:47Your last job was at Regents.

00:12:49Why did you leave there?

00:12:51For personal reasons.

00:12:55Height, 5'7".

00:12:56Weight, 122.

00:12:5937, 22, 37.

00:13:01You're half an inch out.

00:13:03My waist is 21 and a half inches.

00:13:05Have you ever modeled wedding dresses?

00:13:07A few times.

00:13:08Well, here you'll have to do it constantly.

00:13:10And pajamas, lingerie.

00:13:13We specialize in everything

00:13:14a bride might use on her wedding day.

00:13:17Including the bridegroom.

00:13:19You seem to be very intelligent.

00:13:21And rather witty.

00:13:24I think I am.

00:13:26I can offer you a month's trial

00:13:28at 500 francs a week.

00:13:30And we have to have an exclusive.

00:13:32Taxes and insurance are both included.

00:13:35I'll take it.

00:13:37You'll report to Miss Louise.

00:13:39All right.

00:13:40She'll show you the routine.

00:13:45Welcome to Harrington and Company.

00:13:47I hope you'll enjoy working with us.

00:13:48I hope so.

00:14:18So what do you think?

00:14:20What do you think?

00:18:09I begin to perceive some kind of message with increasing intensity.

00:18:14This room is being filled with pity, with forgiveness, with compassion.

00:18:19Who are you?

00:18:21Who are you?

00:18:22Whom do you seek?

00:18:42Oh, John?

00:18:45Oh, John, behave yourself.

00:18:49Leave me alone.

00:18:54Don't be naughty.

00:18:57I love you, John.

00:19:04I love you, John.

00:19:06I love you, my baby.

00:19:08I love you, my baby.

00:19:08You, my baby.

00:19:19I love you, my baby.

00:19:44I loved you so much, John.

00:19:52Stop it! Stop it!

00:20:04Good morning, Mr. Harrington.

00:20:07Good morning, Inspector Russell.

00:20:11Do you want to ask me some more questions?

00:20:14I'll do anything I can to help you.

00:20:17Only I'm afraid I've told you all I know.

00:20:19Just passing this way.

00:20:21I thought I'd drop in and pay my respects.

00:20:23This place fascinates me.

00:20:26It's only a hothouse.

00:20:29I'm attracted to everything that is an alteration of nature.

00:20:33Like the brain of a mental patient.

00:20:36And even that must be something like your hothouse.

00:20:38Don't you agree?

00:20:41A curious analogy, Inspector.

00:20:45An impressive atmosphere.

00:20:47Flowers that are strange.

00:20:50And the birds of crime fluttering about in his brain.

00:20:57A special hybrid.

00:21:03Heat and watering and the right fertilizer.

00:21:10We've drawn a blank regarding those murders.

00:21:12In less than a year, there were three women killed.

00:21:15And on their wedding night.

00:21:16Not to mention the four missing.

00:21:18Maybe their husbands weren't too keen about marriage.

00:21:22I can accept any crime.

00:21:24If I can understand the human impulse that motivated it.

00:21:27When you're dealing with a demented mind.

00:21:32Why do you say that?

00:21:34Is there another possibility?

00:21:35A madman can also have good reasons.

00:21:38For him.

00:21:40But I'm sure in the dark.

00:21:42That's the advantage the criminal has.

00:21:44He operates without logic, you see.

00:21:48Who knows who his next victim will be.

00:21:51More than 200 couples.

00:21:53Get married in Paris every day.

00:22:05The leaves, you burn here, huh?

00:22:08Yes.

00:22:09Only leaves.

00:22:13Have you had any word from Rosie Miller?

00:22:17No, she left without notice.

00:22:23Look at these lovely flowers, Inspector Ron.

00:22:26They're beautiful, aren't they?

00:22:30Rosie was also quite beautiful.

00:22:34But Inspector, she wasn't planning to get married.

00:22:40At least she wasn't just before she left.

00:22:48I think I've mentioned before that girls who work in fashion are beautiful and ambitious.

00:22:54Husbands sometimes buy the garments for their wives and use the models for themselves, if you understand.

00:23:02Y'all get the same photographs in color.

00:23:04Yeah, okay.

00:23:07Do you think Rosie is taking a secret vacation?

00:23:10Why not?

00:23:13Beautiful.

00:23:25Miss Wood.

00:23:29Excuse me.

00:23:30Mrs. Helen Wood, she filled the vacancy left by Rosie's departure.

00:23:37Inspector Russell, I'd like to introduce you to Miss Helen Wood.

00:23:40It's a pleasure, Miss Wood.

00:23:42There ought to be a law against pretty models going away without leaving her forwarding address.

00:23:46I'm not going anywhere.

00:23:48Miss Wood.

00:23:49I'll have to leave you.

00:24:06These husbands of your clients are very fortunate men indeed.

00:24:13Oh, uh, I, I may have to trouble you again.

00:24:20Just routine, is that right, Inspector?

00:24:26Simply routine.

00:24:28Oh, Inspector, don't worry about those girls.

00:24:33I'm sure you'll find them.

00:24:54I'm sure you'll find them.

00:25:00Mr. Harrington.

00:25:05Mr. Harrington, I wanted to notify you that I'm going to have to quit working for you.

00:25:13Why?

00:25:15Because I'm getting married.

00:25:24I want you to stay after the other girls leave tonight.

00:25:39Come on, come on, hurry up.

00:25:42What are you doing tonight?

00:25:43Have an appointment.

00:25:48See you in the morning.

00:25:49Good night.

00:27:35Here you see all the dresses created by the House of Harrington since my mother founded

00:27:39the organization in 1927.

00:27:42I adored my mother, and I decided to carry on her work.

00:27:48You're so young and so lovely.

00:27:52Choose whatever dress you like.

00:27:54It will be my wedding gift.

00:28:09Go ahead.

00:28:09Choose one.

00:28:28This is the prettiest, isn't it?

00:28:30Put it on.

00:28:31Now?

00:28:32Yes.

00:28:34Now.

00:28:37I want to see you in your wedding dress.

00:28:41As if tonight really belonged to us.

00:29:09A woman should live only until her wedding night.

00:29:12Love once, and then die.

00:29:33I want to see you in your wedding dress.

00:29:33I love you.

00:29:34I love you.

00:29:35Oh, my God.

00:30:05Oh, my God.

00:30:49Oh, my God.

00:31:02John.

00:31:04John.

00:31:06John.

00:31:08John.

00:31:10John.

00:31:11John.

00:31:13John.

00:31:15John.

00:31:18John.

00:31:48John.

00:32:02John.

00:32:03John.

00:32:04John.

00:32:06John.

00:32:07John.

00:32:09John.

00:32:11John.

00:32:12John.

00:32:16John.

00:32:18John.

00:32:23John.

00:32:30John.

00:32:34John.

00:32:42John.

00:32:44John.

00:32:47John.

00:32:51John.

00:32:52John.

00:32:54John.

00:32:59John.

00:33:04John.

00:33:05John.

00:33:06John.

00:33:13John.

00:33:23John.

00:33:24John.

00:33:25John.

00:33:32John.

00:33:33John.

00:33:37John.

00:33:47John.

00:34:08John.

00:34:46John.

00:34:47John.

00:34:48John.

00:34:50John.

00:34:52John.

00:34:55John.

00:34:56John.

00:35:03John.

00:35:14I was only trying to make your toast edible.

00:35:21Did I tell you I received a letter from my cousin Gladys?

00:35:25No.

00:35:30Aren't you going to ask me what she said in it?

00:35:33You're going to tell me anyway.

00:35:36She's not feeling well, and she asked me to pay her a visit to keep her company.

00:35:44So, if you have no objections, I'll go tomorrow.

00:35:48I have no objections.

00:35:50Of course, you have no objection.

00:35:53For a whole week, you can pretend you're divorced.

00:35:57But I promise you, I will come back, my dear.

00:36:11You can be certain of that.

00:36:13You can be certain of that.

00:36:34You can be certain of that.

00:36:48Hello, Mr. Harrington.

00:36:52Hello. What are you doing here?

00:36:55What do you think I'm doing?

00:36:57I could tell you I knew your wife was going away.

00:37:00I've come because I wanted to be alone.

00:37:03I might be a model whose sole purpose is to capture her boss.

00:37:07Or Rosie Miller's sister, for example, who wants to ask you,

00:37:11what did you do with my sister, Mr. Harrington?

00:37:15As a matter of fact, I...

00:37:18I killed her,

00:37:20raped her,

00:37:22and buried her in the hothouse.

00:37:26Must have been marvelous.

00:37:29What motive would you prefer to have brought me here?

00:37:34The real one.

00:37:37That'll be the most interesting.

00:37:41Are you really Rosie's sister?

00:37:48Would it matter to you if I were?

00:37:52No.

00:37:53How often have you been unfaithful to your wife?

00:37:56Three, four times?

00:37:59You ask a lot of questions.

00:38:02That's the only way that you're like other women.

00:38:06The only way?

00:38:09There's something different about you.

00:38:13I don't know exactly what it is.

00:38:17Perhaps your eyes.

00:38:21Or your skin.

00:38:24But for me you're different from any woman I've ever known.

00:38:28I'm just an ordinary girl, I adore luxury, I'm terribly lazy.

00:38:32And I like to amuse myself doing crazy things.

00:38:35Oh, what kind of things?

00:38:37Well, I just turned 23 and I've had several lovers.

00:38:42How many lovers have you had?

00:38:44Oh, I never counted them.

00:38:46Not many.

00:38:50Why aren't you happily married?

00:38:55Why aren't you married?

00:38:55Every man needs women for different reasons.

00:38:58Apart from love.

00:39:00Apart from love?

00:39:02Why do you need them?

00:39:07Perhaps to find out something about myself.

00:39:11You know, I could help you find out about yourself.

00:39:15I wouldn't want to.

00:39:18To use you in that way.

00:39:27I don't want to harm you.

00:39:29I know how to take care of myself.

00:39:32Do you live here?

00:39:35Yes, I do, alone.

00:39:38Well, good night, Helen.

00:39:43Do you mind if I ask you another question?

00:39:47Why haven't you kissed me yet?

00:40:35I don't want to.

00:40:37Come away from here. Come with me. He'll be all right.

00:40:41No. Please.

00:40:46I beg you to come. I can't leave you here.

00:40:49I don't want to leave you here.

00:40:51Listen, Mary, she knows best.

00:40:54No.

00:40:56You've got to understand.

00:40:58It's for your own good. You must.

00:41:00I don't want to understand anything.

00:41:06All I know is that he's going to the door.

00:41:16It was the only thing I ever loved in the world.

00:41:34I don't know.

00:42:17I'm not a ghost, my dear.

00:42:20I took the first plane back.

00:42:28I wanted to surprise you, and apparently I did.

00:42:36Where have you been? With some woman?

00:42:40What were the two of you doing?

00:42:43Did you tell her how much you loved your mother?

00:42:46Mildred.

00:42:50Did you think I was going to leave you here alone?

00:42:59I think that he's a telegram saying I wasn't coming.

00:43:02I don't intend to leave you here alone for a week.

00:43:05Do you hear?

00:43:06Don't even bother dreaming about it.

00:43:08Are you listening?

00:43:10Not a week.

00:43:11Not a day.

00:43:12Not even a minute.

00:43:13I'll always be here at your side, whether you like it or not.

00:43:16Always.

00:43:17Always.

00:43:18Always.

00:43:20Always.

00:43:53Why do we torture each other?

00:43:57Who's torturing whom?

00:44:00There was a time when we were...

00:44:02We were happy.

00:44:06Before we got married, to be exact.

00:44:09We laughed together.

00:44:11Made plans.

00:44:15Had dreams.

00:44:18But you were never my husband.

00:44:21I know, but I wanted you so much.

00:44:26John.

00:44:32Something happened.

00:44:34Right on a wedding night, I...

00:44:37I heard those footsteps.

00:44:39What footsteps?

00:44:42Mildred, I know I should have done something that night.

00:44:46But...

00:44:47I was afraid.

00:44:50John.

00:44:51John, don't leave me like this.

00:44:54Have pity, die.

00:44:56Don't leave me.

00:44:57I'll be back in a minute.

00:45:00I promise.

00:45:01Don't leave me.

00:45:30Don't be back in a minute.

00:45:30Don't leave me like this.

00:45:31Don't leave me like this.

00:45:40John?

00:46:02Mildred, you don't want to separate from me. And I don't want you around my neck. What other solution is

00:46:12there? I hated these last years with you. And now, finally, it'll be all over.

00:46:22But why? Why?

00:46:24I think it's necessary. It's inescapable.

00:46:31I'm sure of it.

00:47:01John! John!

00:47:41John!

00:47:43John!

00:47:46John!

00:47:49John!

00:47:50John!

00:47:52John!

00:47:53John!

00:47:54John!

00:47:55John!

00:47:57John!

00:48:07John!

00:48:19You're right...

00:48:24John!

00:48:25Norton, I know she's in this house with you. Alice Norton is mr. Cain's fiance

00:48:31We heard a woman screaming

00:48:33Screaming, yes, we certainly heard. Oh inspector. You're allowing yourself to be influenced by a very impressionable young man

00:48:41I'm surprised at you

00:48:43It's not worthy of you, you know

00:48:59Oh

00:49:13Were these the screams you heard very interesting

00:49:17You like horror films, do you I?

00:49:21Don't find them very entertaining

00:49:23I keep thinking that reality is more terrifying than fiction

00:49:29Wouldn't you agree?

00:49:31Another strange disappearance of one of your models mr. Harrington Alice Norton who hasn't been seen in a week

00:49:38Since she works at your fashion house and no one saw her leave. Well, I thought you might

00:49:44Be able to help me

00:49:48Logical no, it's hard to believe she wouldn't leave word with someone

00:49:52Alice Norton and Jimmy Cain were to be married before long

00:49:56Did you know that mr. Harrington?

00:50:00Your visits are becoming too frequent inspector

00:50:03They begin to annoy me

00:50:06If you wish to continue this investigation, you'll have to make a formal charge against mr. Harrington

00:50:11So you don't know anything about it, no, I must apologize it was a misunderstanding isn't that so mr. Cain,

00:50:17I think so

00:50:19Hmm good night mr. Harrington good night

00:50:29Oh

00:50:30Oh

00:50:33It's very cold tonight isn't it

00:50:36Yes quite cold hmm

00:50:38It's curious you seem to be sweating

00:50:43Very curious

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00:59:54Mildred, where have you gone to?

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01:17:01I didn't expect you to be here, Harrington. What do you want, Inspector?

01:17:19The killer tried to get to Lady Worcester's daughter at her house tonight. You were at the reception, weren't you?

01:17:26Yes. How long were you there? Not long. I

01:17:29Mr. Harrington and I have been here all evening. We decided to spend the night together. Any objections? Oh, no,

01:17:39of course not Miss Wood. You won't be long with you. You seem to be a very lucky man Harrington.

01:17:48I must say very lucky. If I were you, I wouldn't press my luck. Pardon this interruption.

01:17:59You are certainly very fortunate. I envy you.

01:18:09I'd visit a doctor if I were you. You were sweating again in the cold air. And I can turn

01:18:16into a nuisance. Good evening.

01:18:24Helen, what are you doing here?

01:18:33Can't you guess? You don't mind my using your bath, do you? Or getting into your dressing gown?

01:18:46Can't you guess? You don't mind my using your bath, do you? Or getting into your dressing gown?

01:18:48I wanted him to leave so that we could spend some time alone.

01:18:54You're not afraid to be alone with me? Me afraid? Not a chance.

01:19:07Go away. Please. Please go away.

01:19:16Do you mean it? Really?

01:19:22Yes. Something unforeseen has happened. Go. Go now. Before it's too late.

01:19:34I don't want to go. I want to stay. I want to be with you.

01:19:49Go away.

01:20:00THE END

01:20:29THE END

01:20:58THE END

01:21:27THE END

01:21:29THE END

01:21:31THE END

01:21:39THE END

01:21:40THE END

01:21:42THE END

01:21:44THE END

01:21:55THE END

01:21:57John

01:22:12That's dead

01:22:24The END

01:22:50The END

01:23:00I never wanted to harm you, Helen. No, I didn't. But I must fit that last piece into place. I

01:23:09must know who did it.

01:23:26John!

01:23:29John! John! John!

01:23:45I killed my mother. I didn't want her to marry again. I killed her.

01:24:05I killed her. I killed her.

01:24:09I killed her.

01:24:11I killed her.

01:24:34Helen

01:24:34him.

01:24:57Helen was the pawn you introduced into the game.

01:25:03Am I right, Inspector?

01:25:09It could have been so nice, I think, although I suppose it couldn't be.

01:25:22Let's go, Inspector.

01:25:27Let's go.

01:25:33Let's go.

01:25:42Let's go.

01:25:44Let's go.

01:25:49Let's go.

01:25:56Let's go.

01:26:06Let's go.

01:26:17Let's go.

01:26:46Good evening, John.

01:26:48At first you couldn't see me, and now nobody will see me except you.

01:26:55And we'll always be together, at first in the insane asylum, and then in hell for eternity.

01:27:05No.

01:27:07Go away.

01:27:10I don't want you with me.

01:27:14No.

01:27:15No.

01:27:17Let me go.

01:27:18No.

01:27:19Make her go.

01:27:20Make her go.

01:27:21No.

01:27:23Come back here.

01:27:24I killed her.

01:27:25I don't want to have to kill her again.

01:27:28No.

01:27:29No.

01:27:29Get her go.

01:27:30Get out!

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