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01:24something terrestrial gotta be bouncing off the moon gee never thought to check that
01:36look at that slope man you could ski down that thing it is drifting look here zoom in zoom in
01:45see that variation and look this gap here this is where it stops then starts over
01:50it repeats every 78 seconds the whole entire thing three hours straight and no end in sight
01:57it can't be
02:03it's got to be something bouncing off the off the it's not bouncing off the moon Dave
02:20maybe it's those chatty Cathy's at the Forest Service I hate those guys always on the radios
02:25talking about trees Dave it's not Smokey Bear we're picking up look at that signal it's drifting
02:30what is it then
02:35looks like simple pulse width modulation old school like Morse code maybe somehow it's the
02:46time signal out of Fort Collins they use pulse width modulation it's not the atomic clock the
02:51atomic clock changes every minute because it's a clock this is the same exact data repeated every
02:5578 seconds plus this is coming from 600 light years away this Morse code of yours seems to be split four
03:06different ways the pulses are of equal duration but they're positioned across four different frequencies
03:13looks like a player piano so not binary but base four quaternary oh this won't be easy to crack
03:21what do you think it says maybe just hello hey we're out here what we put on voyages one and two Chuck Berry maybe this is just their version of Johnny B good
03:28what do you think it says maybe just hello hey we're out here what we put on voyages one and two Chuck Berry maybe this is just their version of Johnny B good
03:35imagine the power it took to send it megawatts gigawatts and that's if it's pointed only at us
03:43antenna the size of Africa bigger you go to all that trouble to send a message it's got to be more than just hello
03:54and why make it hard to understand quaternary
03:58it's got to be more than just hello
04:07and why make it hard to understand quaternary
04:09And why make it hard to understand? Quaternary? It's like encryption. Why would you bother to...
04:25It's not quaternary.
04:31I think I know what it is.
04:39I think I know what it is.
05:09The twin moons hung low and full, two wine-green eyes peering over the horizon as if to steal
05:22a glimpse into Lucasia's soul. She paced the blood-soaked decks of the Mercator looking
05:27for something, anything, that might take her mind off Rabanne. Ascending the fo'c'sle,
05:33her gaze lingered over a bare-chested young sailor. On hands and knees, he scrubbed his
05:38sinewy forearms stretched taut as he washed away all trace of the day's fight. With a languid nod,
05:47Lucasia bade him follow to her cabin. Little did this callow deckhand know that serving at his
05:52captain's pleasure might take on such sweet meaning, or, regrettably, that it would last
05:59but a single night. Later, at four bells, Lucasia stood by the mizzenmast. Once again,
06:08she was alone. She pulled her topcoat tighter, fingering its coarse wool, as her thoughts flashed
06:16back to Rabanne. It had been he who first wrapped the coat around her, whispering in her ear,
06:22may this keep you warm in my absence, my shy. With that, Rabanne, proud, haughty Rabanne,
06:31her arm, mounted the plank and leaped from sight. The amaranth in slip sand closed over him, leaving
06:40Mary a whipple.
06:41Mary a whipple.
06:47Attention, lovers of speculative historical romance literature, best-selling author Carol Sturka,
06:59will now sign her new novel, Bloodsong of Wiccaro, the fourth book in her Wins of Wiccaro trilogy.
07:05Wiccaro, please, the tens of Wiccaro. And Bloodsong is the best yet. God, are you in for a treat.
07:12Let's go sign books!
07:18Rabanne is alive, right?
07:21Maureen.
07:22You can read it.
07:23Why, well, tonight, I've already unplugged the phone.
07:26Just, no, Rabanne's not on the cover.
07:29No, he's not.
07:30Yeah, he's never not been on the cover, Carol.
07:34If Rabanne doesn't come back, I'm done.
07:38Page 218.
07:46Okay.
07:47Bye.
07:48Thanks, Maureen.
07:50Hi.
07:51Hi, Olga.
07:53Lately, I can't take your ideas.
07:56Hi, man.
08:00Love it.
08:02Happy reading.
08:04This is Nikki with her pillow.
08:06Nikki with her.
08:07Oh, my gosh.
08:07You made this?
08:09Yes.
08:10This is Christine.
08:11This is Paulina and support person.
08:13This is Carlotta.
08:14Say Rabanne.
08:16Rabanne.
08:18When Rabanne and their galmo fell in the cargo hold, do you remember what it was loaded with?
08:22Madovian Spice Fruit.
08:23Which Lucasia is...
08:26Deathly allergic to.
08:29Oh, you guys want a picture too?
08:30Of course.
08:34Thank you so much.
08:35Hi, Tanya.
08:36Are you excited?
08:38Hi, Eva.
08:39I got two books.
08:40One for the tub.
08:41This is an authentic pet list, just like LeBond's.
08:44Okay.
08:44Careful, it's really sharp.
08:46Okay, so three things.
08:47A, when finally are they going to make a Waikaru movie?
08:50Please tell me it'll be an actual theater, it's not on the Lifetime Network.
08:53B, you've got to get ILM to do the slips in, otherwise it's just going to look like mail.
08:58It's part of my French.
08:58And C, at a small but very crucial point, as a two-masted scooter, the Mercator would not
09:05possess a mizzenmast.
09:07So...
09:07Craig, I'm going to need you to put this back in the bag before the store manager sees it.
09:12Oh.
09:12Right?
09:13Your humble servant.
09:16Oh, that's the one.
09:18Oh, love you.
09:18Thank you so much.
09:20See you guys in the next room.
09:22All right.
09:23All right.
09:28Hi, ladies.
09:29I have us going to the Hyatt Regency of Dallas.
09:32Yeah.
09:33Thanks.
09:33Perfect.
09:35That was quite a send-off.
09:37I'm sorry, should I know who you are?
09:38Uh, depends.
09:40You a big fan of mindless crap?
10:08Morning, Doc.
10:17Oh, it certainly is.
10:20Hey, Mel.
10:21Hey.
10:22Oh, where'd those come from?
10:24Yours truly.
10:26Help yourself.
10:27I think they're mostly glazed, but one box ought to be sprinkled, powdered, and all that.
10:31What did we do to deserve this?
10:33Uh, my 14-year-old son from March and Ban.
10:36Oh, aren't you a good dad?
10:39What does she play?
10:41Trombone.
10:43Dr. D.
10:44Good evening, morning, whatever.
10:47Look what Mel brought.
10:48Ooh, for us?
10:49Yeah, please.
10:51They got you two working late.
10:52Yeah, I gotta guess a bunch of rats.
10:56So how goes the big project?
10:58What have you heard?
11:00I don't know.
11:01Thanks?
11:03Well, our team's fairly certain we've got a sequence that encodes for a lysogenic virus,
11:08but after eight whole months of animal testing...
11:10Macaques, rabbits, mice...
11:12Guinea pigs.
11:12Guinea pigs.
11:13Now rats.
11:15No clinical signs whatsoever.
11:19Put another way, we got bupkis.
11:23We got bupkis.
11:24Okay, how do you want to do this?
11:42Uh, I can put him to sleep if you want to do the cardiac sticks.
11:46I hate the cardiac sticks.
11:48You're more than welcome to gas him.
11:51I hate gassing him.
11:52Might be in the wrong career.
11:55All right.
11:56Cardiac sticks it is.
11:58Let's get it over with.
12:02Uh-oh.
12:04Check it out.
12:06Oh, damn.
12:08What do you figure happened there?
12:16I don't know.
12:17He's looking pretty dead to me.
12:41You got a heartbeat?
12:45Can't feel jack shit in these gloves.
12:55Huh.
12:56Huh, what?
12:59He's absolutely got a heartbeat.
13:01Strong one, just bam, bam, bam.
13:02It's weird, if I didn't know any better, I'd...
13:04Oh, God, oh, shit.
13:06Oh, no.
13:07You've got to be kidding me.
13:10Did he break the skin?
13:12Um, yeah, I don't...
13:13Yeah, it's through the glove.
13:14Shit.
13:15Uh, soak it quick.
13:17It's a murk.
13:18If it's bleeding, make sure to squeeze it out good.
13:21I'm going to call this in as soon as I catch him, okay?
13:23Okay.
13:25Okay.
13:26Let's mark 336.
13:48And, uh...
13:50Jen?
13:53Talk to me, Jen.
13:58Jen?
13:59Jen?
14:00Jen?
14:00Jen?
14:00Shit.
14:02Hang on right now.
14:04I got you.
14:06Okay, come on.
14:07I got you.
14:13Oh, God.
14:17Jen, can you hear me?
14:19It's going to be fine.
14:20You're going to be all right.
14:20You're going to be all right.
14:24You're going to be all right.
14:25You hear me?
14:26Come on.
14:27Come on.
14:27Come on.
14:27Talk to me.
14:28Come on, Jen.
14:28Come on.
14:29Jen?
14:30You all right?
14:32Jen?
14:34Did you say something?
14:35Jen?
14:36I got you.
14:37I got you.
14:39Jen?
14:42Hey, hey, hey, Jen.
14:43Can you hear me?
14:45Jen, say something.
14:46Shh.
14:47Shh.
14:48Shh.
14:48Shh.
14:48Shh.
14:48Shh.
14:48Shh.
14:48Shh.
14:48Shh.
14:48Shh.
14:48Shh.
14:49Shh.
14:49Shh.
14:49Shh.
14:49Damn it.
14:59Kidding me.
15:13Really?
15:17Shh.
15:18Can you believe this thing?
15:31You got skinny arms,
15:32maybe you could maybe...
15:34Hey.
15:48Hey.
16:18Yes?
16:48I don't know.
17:18I don't know.
17:48I don't know.
18:18I don't know.
18:48I don't know.
19:18I'm going to get some gum.
19:48I don't know.
20:18I don't know.
20:48You need a drink.
20:50I don't need a drink.
20:51I call bullshit on that.
20:53I need sleep.
20:54That's what I need.
20:55Hey, cheers to the best tour yet.
20:59You leave me hanging here?
21:00I do not clean.
21:01I do not claim buses with fucking Diet Pepsi.
21:02Best book tour.
21:05What is that?
21:06Is that like best stomach cancer?
21:08You endure it.
21:09You do not toast it.
21:10Oh, how I hate all those paying customers showering me with love and respect.
21:14Why do I have to make so much money?
21:15Where?
21:16How do you bear it?
21:18How do you bear it?
21:18How do you bear it?
21:22Bunch of dummies.
21:28Wow.
21:29It's a ship that sails on sand?
21:32It's a ship that sails on sand?
21:32It's a ship that sails on sand?
21:32It's a ship that sails on sand?
21:33Purple sand?
21:34That is, uh, that's brilliant.
21:36The world needed that.
21:38And the world needed yet another female character who spends all her time mooning over some fucking
21:43proud and haughty pirate.
21:45He's a coarser.
21:46Not a pirate.
21:46Mm.
21:48Mandovian spice fruit.
21:51Jesus, that, it's like a bad episode of Star Trek.
21:55All right, so how about you throw everybody a changeup?
21:56Hmm?
21:57Green sand?
21:58Is that a purple?
22:00Maybe it's time for your serious book.
22:04Why not?
22:05You've been plugging away on it for five years.
22:07Four and a half, barely.
22:09Pardon me.
22:09So put it out already.
22:11I can't just, it, it needs polishing.
22:14Obviously, I mean, it does, right?
22:17But okay, take the next few months and polish.
22:20I'll work it out.
22:21I'll buy you some more time before your next wicaro.
22:25You really think bitter chrysalis is that good?
22:30I think people will love it.
22:37You ever read, um, Finnegan's Wake?
22:39No.
22:41I tried, too.
22:43In grad school.
22:44It's probably great.
22:48I don't know.
22:50All I know is it made me miserable trying to get through it.
22:56I figure you're...
22:58You make even one person happy.
23:01Maybe that's not art.
23:04It's something.
23:05It's something.
23:05Of course.
23:13It's something.
23:15It's something.
23:15ährd.
23:15It's something.
23:16It's something.
23:17That's not art.
23:18Did you bring your cigarettes?
23:27Since when do you smoke?
23:29Since now?
23:29Are you trying to start a forest fire?
23:53Stop wasting my butane.
23:56Stop telling me how to smoke.
23:57I used to smoke in middle school.
23:59You know, you're supposed to light the other person's cigarette first, by the way.
24:01That's etiquette.
24:02Yeah?
24:02On a plane, do you put your own oxygen mask on first?
24:08Ooh.
24:10You're going to hear it.
24:10Houston Mom, 78, says about Bloodsong.
24:13Best Waikaro ever.
24:15All caps.
24:15And, uh...
24:1816, 17, exclamation points.
24:21Wow.
24:21Is that a new record?
24:22It's got to be.
24:23Spoiler alert.
24:24Rabanne is back.
24:25And yummier than ever.
24:26Yummier than ever.
24:27I think she means.
24:28Mm-mm.
24:29You better belief he's got my permission to come aboard.
24:33I'd walk his plank anytime.
24:34I'm sensing an auto-comotif.
24:36A little bit.
24:36Think Houston Mom's off for meds again?
24:38I think Houston Mom would spread her legs for a grilled cheese sandwich.
24:43Huh.
24:46Look at that.
24:48What?
24:50What do you think they're doing?
24:52What's what doing?
24:53Oh, the planes.
24:54Oh, look.
24:58I don't know.
24:59What, is that weird?
25:00Yeah, it's weird.
25:01Isn't it?
25:02All of them kind of parallel like that?
25:05Huh.
25:05Anybody else weigh in?
25:20That's all the usual suspects.
25:21Plus, a few new ones.
25:23Everybody loves it.
25:24Do you want to answer a few questions for them?
25:38What, now?
25:39No, no, no.
25:40Do a quick one.
25:40Let them know you're paying attention.
25:41Carol, my husband says Robon can be my hall pass, which I don't think is fair, since Robon's
25:48not a real-life person, although I wish he was.
25:50In real life, was there an actual man you were thinking of when you came up with Robon?
25:56That's hilarious.
26:00You want to tell the truth?
26:04What do you have to lose?
26:09Put down George Clooney.
26:10What?
26:11What's wrong with him?
26:12Nothing.
26:13Just, I mean, how about a hot Brazilian soccer player, someone with dreadlocks?
26:17Hip it up.
26:19Just put George Clooney.
26:23It's safe.
26:30Shit!
26:30Shit!
26:38Shit!
26:40Did you?
26:40Shit!
26:45Oh.
26:52Buddy, you?
26:53You OK, buddy?
27:00Oh, Jesus.
27:01Shit!
27:01Shit!
27:02Shit!
27:03Shit!
27:04Shit!
27:04Shit!
27:05Shit!
27:05Shit!
27:06Shit!
27:07Shit!
27:07Shit!
27:07Shit!
27:08Shit!
27:09Shit!
27:09Helen, should we call someone?
27:13Helen!
27:15Helen, stop looking at the goddamn phone!
27:19Helen?
27:23Oh, my God, Helen!
27:27Oh, my God!
27:29Helen?
27:33Oh, my God, Helen!
27:37Helen?
27:39Helen?
27:41Helen?
27:43Help!
27:45Help!
27:47Somebody help us!
27:49Help!
27:51Just hang in there.
27:53Hang in there.
27:55Just hang in there.
28:01Oh, my, my, my!
28:07Oh, my, my!
28:09Oh, my...
28:11I can't.
28:13I can't.
28:15What's wrong?
28:17Oh, my!
28:19Oh, my, my!
28:21Oh, my, oh, my!
28:23Oh, my, oh!
28:25I don't know.
28:55I don't know.
29:25Please remain on the line.
29:27An operator will be with you shortly.
29:30Be free to be out.
29:31Be free to be out.
29:33Be free to be out.
29:39Be free to be out.
29:42Be free to be out.
29:52Come on, come on, come on, come on, come on, come on, come on, come on, come on, come on.
30:20Come on.
30:22Come on, come on.
30:28Fuck you.
30:30Fuck you, fuck you, fuck you, fuck you, fuck you.
30:36Fuck you!
30:47You gotta get out. Come on, get out.
30:49Get out, get out!
30:55No! Fuck!
30:59Fuck it, go!
31:01Fuck it.
31:03Fuck it.
31:05Fuck it.
31:07Fuck it.
31:09Fuck it.
31:15Fuck it.
31:17Fuck it.
31:19Fuck it.
31:21Fuck it.
31:27Fuck it.
31:29Fuck it.
31:31Fuck it.
31:33Fuck it.
31:35Fuck it.
31:37Fuck it.
31:39Fuck it.
31:41Fuck it.
31:43Fuck it.
31:47Fuck it.
31:49Fuck it.
31:51Fuck it.
31:53Oh, my God.
32:23Oh, thank God.
32:30Oh, thank God.
32:53Oh, my God.
33:23Oh, my God.
33:53Oh, my God.
34:23Oh, my God.
34:53Oh, my God.
35:23Oh, my God.
35:53God damn it!
36:20Ah, okay.
36:26Come on.
36:34No, no, no. God, no. Come on.
36:36Please.
36:38Please, no.
36:50Help me.
36:52Help me.
36:54Help me.
36:56Help me.
37:02Help me.
37:08Oh, my God.
37:38Oh, my God.
38:08Oh, my God.
38:38Oh, my God.
38:44Hey, hey, don't touch her.
38:46You put her down.
38:47Put her down.
38:48Get out.
38:49Go away.
38:50What the hell is wrong with you people?
38:58We just want to help Carol.
39:00Oh, my God.
39:07Oh, my God.
39:37Come on.
40:07Come on.
40:37Come on.
41:07Come on.
41:37Come on.
42:07Come on.
42:11Oh, Christ.
42:25Come on.
42:29Come on.
42:31Come on.
42:32Come on.
42:33Come on.
42:35Come on.
42:43Come on.
42:44Come on.
42:45Come on.
42:46Come on.
42:47Come on.
42:48Come on.
42:49Come on.
42:50Come on.
42:51Come on.
42:52Come on.
42:53Come on.
42:54Come on.
42:55Come on.
42:56There's a spare key.
43:05We can show you.
43:07No, no, stop. Don't, don't, don't, don't come any closer.
43:10We don't mean to scare you, Carol. You're in no danger.
43:14We really do want to help.
43:16Remember, April 2016, the last time you got locked out?
43:20You put a spare key under the flower pot.
43:23The one on the right.
43:25Back there.
43:33There you go.
43:42Leave me alone. Please.
43:44Sure, Carol. Just give us a couple of minutes to clear out.
43:55No.
43:59No.
44:03No.
44:07No.
44:08No.
44:09No.
44:10No.
44:11We're very sorry for your loss.
44:41We're very sorry for your loss.
45:11We're very sorry for your loss.
45:41We're very sorry for your loss.
46:11We're very sorry for your loss.
46:41We're very sorry for your loss.
47:11We're very sorry for your loss.
47:41We're very sorry.
48:11We're very sorry for your loss.
48:41Hi, Carol.
48:42Thank you for calling.
48:49Yep.
48:50This must be so bewildering for you, so terrible, all the death and destruction you've witnessed tonight, especially Helen's passing.
48:59Please know, none of that was intentional.
49:01You have our deepest condolences.
49:04And to say it again, you are in no danger.
49:06You are perfectly safe.
49:08Okay.
49:09Okay.
49:10Your life is your own.
49:11Please know that.
49:13Your well-being is of utmost importance to us.
49:17Okay.
49:18Completely up to you, of course, but you might want to stick close to home for the next few days.
49:23We have a lot to clean up, and it may be distressing for you to see.
49:27But we will put things right to that end if we may be of assistance with Helen's remains.
49:34Nope.
49:35Okay.
49:36If we can help you in any way, please let us know.
49:39We can deliver food, medicine, whatever you need.
49:43Just dial zero, day or night.
49:45You will want to call from a landline as all the cellular networks are down.
49:50But we are here for you.
49:51We feel like we're doing all the talking here.
49:58Are there any questions you might have for us, Carol?
50:02Anything at all?
50:06Uh, uh, yeah.
50:10Yeah, sure.
50:12I guess to start with, what the fuck is happening?
50:19Well, basically...
50:20It's an alien invasion, right?
50:22I mean, obviously, it's an alien invasion.
50:23Actually, no, it is not.
50:25What the fuck it isn't?
50:26You know my name.
50:28You know Helen's name.
50:30You are talking to me from my TV.
50:35And what the fuck is everybody's shit like this and those two weird neighbor kids.
50:42And next door, they know we're some goddamn kid.
50:45How would they know that, huh?
50:48Are you reading my mind?
50:50No.
50:50Absolutely not.
50:52We couldn't do that if we wanted to.
50:54Who is we?
50:55Why is everybody suddenly we?
50:56You know, we could continue this after you've had a good night's sleep.
50:59Who is we?
51:01We is us.
51:03Just us.
51:04Who the fuck is us?
51:05Us.
51:05There are no aliens.
51:06There are no aliens.
51:07None on this planet.
51:10We are, however, beneficiaries of extraterrestrial technology.
51:1414 months ago, astronomers discovered a radio signal from 600 light years away.
51:20There's no telling how long it's been repeating, maybe throughout all of human existence.
51:25This signal, it's made up of four tones, representing guanine, uracil, adenine, and cytosine.
51:34It's a recipe, it turns out, for a nucleotide sequence, RNA.
51:39Scientists have created this sequence in a lab.
51:43It is not a living thing, per se.
51:46It is more akin to a virus.
51:49Though it's not that exactly, either.
51:51It's kind of a psychic glue, capable of binding us all together.
51:55So, if you're not aliens, who am I talking to right now?
52:05Who are you?
52:06This particular individual, this is Davis Taffler, Undersecretary of Agriculture for Farm Production
52:13and Conservation.
52:14But you are currently talking to every person on Earth, including Davis Taffler.
52:21We're all one.
52:22How does that work?
52:24We don't know exactly.
52:26It just does.
52:29Can I talk to the President?
52:31That individual passed away this evening, unfortunately, along with quite a few senior members of the United States government.
52:38Davis Taffler happened to be nearby and intact, and he was wearing a suit.
52:44So, you're in charge now, the Undersecretary of...
52:49No, nobody's in charge, or everybody's in charge.
52:52Really, there's no such thing anymore.
52:55But, but, there has got to be others like me.
52:58Your situation is a rare one.
53:00There appear to be 11 other individuals like yourself.
53:03In, in Albuquerque?
53:05No, in the world.
53:07We have reached out to them.
53:09Like you, they are disoriented, understandably.
53:12Rest assured, Carol, we will figure out what makes you different.
53:19Figure it out, why?
53:21So we can fix it.
53:23So you can join us.
53:25Carol, you still there?
53:37You said my life was my own.
53:41It is.
53:43One hundred percent.
53:46So what happens when I say no?
53:48Carol, once you understand how wonderful this is...
53:55Carol?
53:57Carol?
54:15Hi, you've reached 505-796-6933.
54:19We're on the French Riviera, drinking champagne.
54:21We are not here in our sweatpants, screening your call.
54:25Make it a good one.
54:27Carol?
54:28Hello?
54:29It's us.
54:31Hello?
54:33We're sorry we upset you, Carol.
54:35We only want to make you happy.
54:37Shut up, shut up, shut up, shut up!
54:39We're sorry we got it.
54:51I haven't seen you yet.
54:54I can't see you yet.
54:57I can't see you yet.
54:59I can't see you yet.
55:02I can't see you yet.
55:03You're on the same spot.
55:05I can't see you yet.
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