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00:00Far from the coast of Portugal, there exists a world apart.
00:18A world described as high, immense, and enigmatic.
00:22Such are the words of the poet Miguel Torga.
00:30A world named Serra de Estrela, the mountain of the star, for no other mountain in Portugal
00:40is so daring in their approach to the sun.
00:48A world inhabited by shepherds since time immemorial.
00:53A world where time knits itself with the threads of the past.
00:57And like a guardian of history, Casa de Sao Lorenzo watches over the vestiges of the past
01:07that enrich this world.
01:08A world's greatest feat.
01:10And like a man of the pregunt.
01:12Transcription by CastingWords
01:42Transcription by CastingWords
02:12Transcription by CastingWords
02:42Transcription by CastingWords
03:12Transcription by CastingWords
03:42we have the privilege of this extraordinary view.
03:46We have these rooms with these panoramic windows,
03:51we have the restaurant with this enquadramento,
03:55which allows us to be in a mountain without leaving home.
03:59It's a little bit this idea.
04:06We are at the top of the sea,
04:08we are very close to the sea,
04:11so we are touched.
04:14We have a great responsibility
04:16to observe what is beautiful with the beautiful.
04:19The nature itself,
04:21the logic is not to be a hotel,
04:23but to be a nature.
04:25So this nature, this beauty,
04:27makes it unique place.
04:41The nature of the living room has the STATES
04:46and it's important to discover the fairies.
04:48You've got it, friends,
04:49and the nature of the living room.
04:50The nature of living room
04:51is equally close to the living room with a living room.
04:54THE END
05:02Denise, I aspire.
05:05I aspire.
05:06And you're going to take a look at that bathroom house.
05:09I'm going to do the recording.
05:10I've already done the bed.
05:12Okay?
05:13Okay.
05:20I worked in a factory.
05:22It was a sewing machine.
05:26I worked there for 35 years.
05:28After the factory started working well.
05:31Until it was a failure.
05:33I was at the end of the job.
05:35I was at the end of the job.
05:37I was at the end of the job.
05:39Then I asked if I wanted to come here to help.
05:45And I told him I would like to see.
05:48I went home, talked with my husband.
05:50And I told him I would like to try it.
05:52If he wanted, he would stay.
05:53If he wanted, he would stay.
05:54If he wanted, he would stay.
05:55If he wanted, he would leave.
05:56The auto 14 and the 12 here on the top.
05:59Go ahead, clean it.
06:00And they also have already left.
06:02Okay?
06:03Okay?
06:04Okay.
06:05Is it working well?
06:07Yes.
06:08Okay.
06:09Let's see.
06:11She's spry.
06:12She's not going Davy.
06:14Not.
06:15Not a rat, but a head.
06:16Even now I will take the head.
06:18And the jaw.
06:21Not really?
06:22How is she doing?
06:24That is my boy.
06:25A few days it was bad, a few days it was bad.
06:27I stayed as I was.
06:29But...
06:30But that's it.
06:31Here I am.
06:34One day I have to leave, because I'm a little old.
06:40That's how life is.
07:04When we started to see what there was in the city that could generate jobs, new businesses,
07:13that it was important to maintain and activate in terms of cultural and heritage,
07:18one of the places we found was the Lenefices Império,
07:21which was a factory that was in Leof.
07:23After that, it was even a failure,
07:26and we stayed with the factory and recovered.
07:30It was a little bit of what we could do, or create new,
07:36to keep these old machines so old to work.
07:39A launch machine produces six mantas per day.
07:43That doesn't have economic and sustainable value,
07:48unless it tells a big story and adds much value.
07:52That's why it involves design, art.
07:56As peças passam a não ser uma peça de simples funcionalidade,
08:02mas sim de simples funcionalidade com valor de história e de arte,
08:06ligada a uma localidade, ligada a uma máquina,
08:10ligada a uma pessoa que a faz, à paixão de a fazer,
08:13porque há o conhecimento de saber trabalhar com as máquinas,
08:16de saber trabalhar com a arte,
08:18e por isso nós temos a obrigação de a manter.
08:20Os meus pais eram pastores.
08:25Eles tinham uma quinta, tinham ovelhas,
08:28e eu já conhecia o que era o Burel,
08:32mas nunca pensei que pudesse entrar num mundo do Burel
08:35e depois do Burel vir a surgir trabalhos e coisas incrÃveis,
08:40deixar de ser só as capas que nós usávamos, os casacos,
08:43que os meus pais usavam.
08:45E hoje não, hoje temos o Burel, é mais alguma coisa.
08:54Por exemplo, o hotel é uma amostra daqueles produtos
08:57que nós fazemos aqui na fábrica.
08:59É desde os tetos, bordados, daquelas estrelinhas,
09:03dos fundos de cama, tudo feito por nós.
09:07E isso, para nós, ficamos orgulhosos,
09:10porque, ao fim e ao cabo, o hotel também tem os nossos produtos expostos.
09:15Música
09:17Música
09:21Mira-me, Miguel, como estou de bonitica.
09:24Saia de Burel, camisica de estupica.
09:28Mira-me, Miguel, como estou de bonitica.
09:32Saia de Burel, camisica de estupica.
09:36Sou música, mais concretamente etnomúsica,
09:41porque faço música ligada à s raÃzes,
09:45à música tradicional portuguesa.
09:53Na festa da Transumência e dos Pastores,
09:55fui convidada para apresentar uma pequena performance musical.
09:59E Isabel estava lá, e gostou muito desta música.
10:04Contactou-me, disse-me que gostaria que eu apresentasse aqui o mesmo trabalho,
10:09e eu fiz isso.
10:11E a partir daÃ, foi quando eu me apercebi
10:15da grandeza, da riqueza do projeto da Isabel e do João.
10:19E fiquei encantada com a força dela,
10:21aquilo que ela fez aqui, o que ela desenvolveu aqui,
10:24não só em termos destas casas onde as pessoas vêm,
10:30que têm um conforto e uma estética incrÃveis,
10:36mas o que fez também em relação à indústria dos lanefÃcios,
10:40que recuperou uma atividade que estava morta.
10:46Nós agora temos outra relação que é pela parte da lã,
10:54porque nós temos uma quinta com um pequeno rebanho,
10:59e a Isabel agora quer trabalhar com lã da raça das nossas ovelhas,
11:03que é uma raça autóctona em vias da extinção.
11:06E agora a parceria passa também pela lã,
11:09portanto isto há aqui muitas dimensões.
11:11É lã, é música, e começa a ser amizade.
11:15Também.
11:17Música
11:30Música
11:32Música
11:33Música
11:34Música
12:04Música
12:06Música
12:08Música
12:10Música
12:12Música
12:14Música
12:24Música
12:26Música
12:28Música
12:42Música
12:46Música
12:48Música
12:50Música
13:02the maintenance of the species,
13:04the products that they wanted,
13:06whether the cheese, the meat, the lãs, the ovelhas,
13:08because they have an incredible role in our planet.
13:22My history comes from my grandparents, my parents.
13:26I started there with 7 or 8 years,
13:28I was there for 2 months without coming home.
13:32My life is done in a way of life.
13:39I've been there for almost 4,5 months,
13:42alone, when I was around 700 and 800 years old.
13:47It's already very different.
13:49The solitude starts to reach,
13:51people start to fill up the stomach of there for a long time.
14:02The few people who are here are the ones who don't receive any support.
14:16We started to relax.
14:18So I went to the Borella factory,
14:20who came and took the land,
14:22and did the tusk.
14:24Because before I tusk,
14:26it was for a little bit.
14:28It was one of our area
14:30that came to us,
14:32to give us a walk.
14:34It's not a lot, but it's a great help.
14:36It surprised me that it was a woman
14:39who came to us,
14:40without any help,
14:41and threw her hands without any problem.
14:43It's like if she had already known us.
14:46And we did the same for her,
14:48because she felt comfortable with us.
15:00For us to buy this land,
15:14and use it in our products,
15:16and make it with it,
15:18it's more than a final product,
15:20it's to protect that species continue to exist,
15:22and that species will exist,
15:24because it's the only one in the world.
15:26For us, we have a very big responsibility.
15:28For us, I personally,
15:30to be in tusk,
15:32to be separated from the land,
15:34to meet people,
15:35to start creating a relationship.
15:37Because it's not just to buy
15:39the land that we are sold.
15:41It's to buy the land that comes from the Luiz,
15:44to buy the land that comes from the Paulo,
15:46to buy the land that comes from the Churra,
15:48to the Nuno.
15:49This is very important in the value of the product,
15:52but more important than all,
15:53they know that there is someone
15:56who can value the land of their land.
15:58Therefore, they want to continue.
16:19So,
16:23we have,
16:25so we have,
16:26at the point of the quarter term,
16:27our Lua de Mel.
16:28Exactly.
16:29Yes.
16:30Let's put the Mimo-
16:31Very good,
16:33but still have any questions?
16:34They're asking,
16:35they're starting to their turn?
16:36For now we have the protein.
16:38OK,
16:41all of the questions confirmed.
16:42Exactly.
16:43All of the questions?
16:44We're saying?
16:45Nothing,
16:46if you put the question?
16:47All of the questions?
16:48If you have any doubts, tell me.
17:09So what do we have here?
17:11We have a pão recheado with the Beira Baixa,
17:14and we have the Cebelinho.
17:16It's our cover 2.
17:18It serves as a second pão.
17:20And our Amusebush.
17:21It's an emulsión de bacalhau
17:22with salada de couve rocha
17:23and pimentos assados.
17:25Okay.
17:26It's done. Let's go.
17:28Thank you, Chef.
17:31I'll send the cover to the 12th and 5th.
17:33Trutas.
17:44We managed to make a game between the traditional
17:50and the new approach.
17:57Some of the many products that we serve
17:59and that we are trying to implement
18:01in our cards
18:02were falling apart from all of us.
18:05Because they are a lot of time to be confeccionated.
18:08They are a lot of work.
18:09And people stopped to make them.
18:11And we, giving them a new approach,
18:13we were able to, in a certain way,
18:14cativate people.
18:15In the background,
18:16we are trying to recover
18:17what was done before.
18:18And before,
18:19it was done so well
18:20that I think it makes sense.
18:22And there is no better tribute
18:24to the Portuguese cuisine
18:26and to the traditional cuisine
18:28to do as it was done before.
18:29To bring the products
18:30proud to the front
18:31and show them to all the people
18:33because they are of great quality.
18:34Let's go!
18:35Let's go!
18:36Let's go!
18:37Let's go!
18:38I work at the hotel
19:08and do the hikes.
19:10Yes, I'm the responsible for the activities.
19:15I'm the front office manager also.
19:21When the hotel is open in winter,
19:23people come, what do they do?
19:26Yes, we have hikes along the year.
19:30We make some changes of the places
19:33because it's more interesting to make the spring
19:36in the flowers, the winter here, for example.
19:39In the summer, again in the lakes,
19:42we change a little bit along the seasons.
19:50The grass is a special grass for us.
19:53Very important to fix the water here in the mountain.
19:57So the stone here is granite.
20:05Okay.
20:12Now we change the landscape.
20:14Pinhas Douradas today is a cute place.
20:21It's the first place in Portugal to make ski,
20:24for example.
20:25It's the beginning of the ski in Portugal.
20:27And today we have the ski lift here on the top.
20:311
20:341
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20:442
20:461
20:481
20:491
20:502
20:511
20:522
20:542
20:561
20:573
20:583
20:59The idea is to give people this natural park, which is also a geopark,
21:11which is classified as a UNESCO.
21:13But it's also a concern to involve people in local communities.
21:18Local communities are very interesting,
21:22they have very different traditions.
21:26If we spend a year here in the Serra, we can visit the villages
21:31and they have all the pretexts for festivals and traditions very genuine, very authentic.
21:56Hello!
22:09Oh, oh, oh!
22:11Good morning!
22:13Hello!
22:14So we were here to transform, and we were here to transform.
22:17We were here to transform a little bit.
22:20We were here to go through the beach.
22:22We were here to go through the beach.
22:25That's a great deal.
22:35This one is this, this one is this.
22:37This one is this one.
22:39It's so beautiful, isn't it?
22:46It's so beautiful, isn't it?
23:02Look at the woman and the girl.
23:05The family, with him.
23:12Fantastic.
23:14Wow, until soon.
23:17Let's go with these?
23:18There are still more.
23:20Let's go.
23:35.
23:45.
23:46.
23:52.
24:28We have the obligation to protect the destination in tourism.
24:43It's a beautiful destination, which has to be protected,
24:46because we, human beings, have the ability to destroy when it's beautiful.
24:51We want everything, we want everything, we want it in great dimension.
24:55And here, there is a great obligation to protect the destination,
24:59which is a destination of nature, of tranquility, of customs, of culture.
25:06We try to respect what exists,
25:10because we understand that without the past we don't have a future.
25:14That's a bit this idea.
25:16And the past has a huge value.
25:19We are part of a whole, part of an ecosystem,
25:24a dialogue with preservation, with valorization.
25:28And this principle of recuperating heritage,
25:31preserving knowledge,
25:34innovating and valorizing
25:36are perhaps the four things the most important thing.
25:38Of course, the most important thing are the people, the teams.
25:41But the most important thing is to do different things.
25:46Democratic body.
25:47Music is closed up.
25:50In my picture.
25:52Music is closed down.
25:54Don't shake it,
25:55and you hear it.
25:57New cord Tie Go!
25:58Music is closed down.
25:59I'm losing my handle.
26:00My handle is closed down.
26:04In my picture.
26:06Por falta de tocador
26:12Anda, roda, anda, roda
26:19Pelo cabo, ó meu amor
26:36Pelo cabo, ó meu amor
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