- 7 weeks ago
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00:00This sprawling city requires the summoning of illustrious thinkers.
00:30As Chris Marker writes, Tokyo is a city traversed by trains and sewn with electric wires.
00:37It exposes its veins.
00:42The unchanging city still manages to make room for new buildings that have sprung from a land that must be very solid to support it all.
00:51And then another quote from the famous Japanese writer Yasunare Kawabata, taken from Snow Country, the story of a city dweller who goes to a hot springs resort to find salvation for his soul.
01:11Mr. Kawabata stayed at the Oshiyonsen Ryokan three hours from Tokyo, the destination of this rapid train.
01:19And so began the book.
01:22A long tunnel between the two regions.
01:25And here we are in the land of snow.
01:31And here we are in the land of snow.
02:31The English clock on which Kunio, the younger brother of the Okamura family, is working, is
02:45as old as the Oshi Onsen Ryokan.
02:54For nearly half a century, like a copper and wooden rooster, it has woken the inn from its
02:59slumber.
03:06The Ryokan dates back to the Meiji era and is a solemn example of traditional Japanese
03:13architecture before the country opened itself to Western influences.
03:19This landscape is in all respects identical to the inn as it was in winter 1895, with snow
03:26graciously coating the scene.
03:28Today, the tribute paid to it by Japan is to classify the structure of the buildings as
03:35cultural and material heritage, and the surrounding mountains of Yoshinetsu National Park.
03:42the surrounding mountains of Yoshinetsu National Park.
03:49the surrounding mountains of Yoshinetsu National Park.
03:56the surrounding mountains of Joshi-Netsu National Park.
04:26I was given to the owner of the village,
04:31and I was given to the owners of the village of the village.
04:35And the property of the village was given to the village for the village.
04:40So we lived as a poor family of the village.
04:47ๆธฉๆณใใใใฐๅญไพใใกใไธๆใๆฎใใใฆใใใใ ใใใจใใใกใฎๅ
ใฎ5ไปฃ็ฎใซใชใฃใฆใใใฃใจใงใใญใๅฉ็ใๅบใไผ็คพใซใชใฃใใใงใใญใ
05:06ใงใใฎใงใใใฎๅ
็ฅใฎใใใใๆใใใงใใญใๆใ
ใฏๅคงไบใซใใชใใ็ๆดปใใใฆใใใใใชใฎใใชใจใ
05:36ใใคใๅฌใซๆฅใใฎใงใไพต็ฅใฎๆใจใไปๅบฆๆฅใใปใใใ
05:49ใใฎใไปใพใงใฎๆ
่กใฎๅใใใใคใใใใ ใฃใใใงใใ
05:54ใงใ1ๆใฎ14ๆฅใจใใ
05:58ใใใชใใใใใใงใ้ค
ใใฉใใฉใ็ผใใฎใ
06:02ใงใใใใใ้่ปขใใใฎใซใใใ้ฃฒใใงใใใฎใใชใฃใฆใ
06:06ใใใฏๆจชๆบถใใ ใฃใฆใ
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07:13poems or tanker were born here. Solitude is preferable. Nothing is sadder than two lonely
07:20souls in the same room.
07:34And does our young friend, a villager from Minakami on his first internship here, know
07:40that the Nobel Prize-winning author, Yasunari Kawabata, stayed in this room in the 40s?
07:55The same calm and order must have governed the inn's staff. The turmoil of the world
08:01seemed so far away from the mountains of Kuma.
08:06This was before Pearl Harbor and Hiroshima. The ancestors of the Okamura family were witness
08:12to it, and the underground sources must have found the strength to erase the horror and
08:18the terror.
08:36I turn the bolt of reflection. I lower the latch of attachment. The softness of the water
08:48smooths my skin of all impurities. Nothing is as immune to suffering as floating.
08:57I lay my head on the edge and let myself float in the transparent water, abandoning my body
09:07completely.
09:09I watch the waters from an unknown source overflow pleasantly from the basin.
09:22The steam that fills the room rises to the ceiling. The mist that stretches in long tranquil
09:29streaks carries my ephemeral existence. My mind also floats, vaporous like a jellyfish.
09:39Am I truly myself?
10:07Ryo Kan tradition dictates that a woman manages the reception of guests at the Oshi Onsen.
10:13The role is assigned to Mr. Kunio Okamura's wife, Mrs. Tanabe Kaizo.
10:23Sophia household minutes.
10:24Thank you, Mrs. Tanabe Kaizo.
10:25So welcome.
10:27Yes.
10:29Thank you for the presentation.
10:30here.
10:32You've received a newdenzie.
10:33And this question is a part of the water.
10:35Here you go.
10:37You see, Mr. Tanabe Kaizo is.
10:38Here you go.
10:39Here you go.
10:40You're right, Dr. Tanabe Kaizo.
10:42I'm talking about a little bit about this.
10:43It's really special.
10:44It's just a nice experience.
10:45It's a good experience.
10:49There you go.
10:51So and his wife have come to learn and be inspired by the customs preserved in this
11:08ancestral ryokan.
11:11Their dream is to open a traditional Japanese inn in the heart of Paris.
11:17As is often the case in Japan, introductions are made formally and with great deference.
11:34The history of the inn is recounted in great detail.
11:40This painting from the beginning of the last century is inspired by the landscapes of the
11:45ryokan.
11:46As the fifth generation, a curse seems to have befallen the inn.
11:51The women's lives were cut short, leaving the two brothers of the Okamura family to manage
11:55the establishment alone.
11:58Kotaro Okamura is the eldest of the family.
12:03In fact, he's the president of the Oshionsen.
12:06He's fought all his life to preserve the timeless atmosphere of the ryokan.
12:12His younger brother Kuoni remembers the surprise of seeing him one day on television protesting
12:17against the plan to install a ski resort.
12:32He has a few years ago, having a few days ago.
12:34For a while, it's been a while.
12:38It's been a while.
12:41I've been a while.
12:42It's been a while.
12:45It's been a while.
12:49Okay, now.
12:50Here we go.
12:51Okay, let's see.
12:56This is when we were looking at picture.
13:01This is from the beginning of the year.
13:03I think it was about 30 years ago.
13:06I think it was two of them.
13:09You bought it?
13:10Yeah.
13:11I bought it.
13:12I bought it.
13:14I bought it all in the store.
13:16I'm not going to be able to organize and progress.
13:29I'm not going to be able to build the world in Japan, but I'm not going to be able to build the world in Japan.
13:38When you came to school, what did you think about this kind of environment?
13:53Well, I grew up in this environment.
13:59In the first place, I was doing a lot of things like this.
14:13It's like a mountain in the mountains, so it's hard to get to it.
14:18But in my opinion, I always thought it was like that.
14:25At high school, everyone is doing a job at school.
14:31I thought I was going to choose a lot of jobs.
14:37I thought I was going to choose a lot of jobs.
14:40I thought that I was thinking about myself.
14:42But I thought I wanted to do it, and I wanted to do it.
14:45So I wanted to start looking at my job.
14:48I don't know if I didn't get to work in my home.
14:54I didn't get to work in Tokyo.
14:57And I got to call back to the house,
15:01and I had a little bit of a feeling that I was thinking about.
15:06I had to fight for the first time in the early days.
15:13I don't have to do the best in that time, but I don't have to do the best in that time.
15:36The underground source continues to feed the baths with pure water,
15:40as it has for generations.
15:45Today, the jovial Mr. Kitaro is responsible for inspecting the quality of the water.
15:52But the temperature continues to drop, with the development of geothermal energy
15:57as an alternative to nuclear power.
16:00The sacred hot springs hidden underground are destined for other uses,
16:05and the centuries-old tradition of the onsen is in danger of disappearing.
16:10Here we go as a museum.
16:12I don't have to wait until the vista is ribbons to land.
16:14I'll tell you my name's Otsukauka.
16:18I'm 21.
16:19I'm growing up on the house of the year.
16:22This is the first time I'm growing up.
16:27The first time I do is waiting for the living room.
16:29We're very happy to be able to get to the bathroom.
16:32They say it's the same way.
16:34I'm 21 years old.
16:39There are a lot of people who come here, but
16:42when I first visit theๅฎขๅฎค,
16:45when I first visit theๅฎขๅฎค,
16:47I don't know what to do.
16:49But,
16:51all of the people who come here,
16:53they say,
16:55they say,
16:56they say,
16:57they say,
16:58they say,
16:59they say,
17:01they say,
17:05they say,
17:07they say,
17:10they say,
17:13they say this period of time.
17:15But,
17:17that's because
17:19they say this period of time is a little tire fit,
17:21but
17:24the people feelัะนCI.
17:25niches
17:29I'm a farmer, and I'm a farmer, and I'm a farmer and I've learned a lot ofๆ่กs, so I've learned a lot.
17:59That's what I'm trying to do with the goal of studying.
18:29The most fun thing is to feed the fish.
18:37The concept of the hotel, the fish, the fish, and the kinos.
18:55This is a fish.
19:07If you use a fish, you can't use any fish.
19:13It's a hard time for the hotel and hotel.
19:19This is a fish.
19:21It's different from the price.
19:28This is the shape.
19:30If you have a wife, you can see it.
19:33This is the shape.
19:42So much has been written about Japanese cuisine.
19:45Harmony in proportions, perfection to the touch.
19:49Everything must imitate the order or disorder of nature.
20:07The chaos and balance of the texture of a miso soup,
20:11presented in a pearly black bowl, for example,
20:14is the object of fascination that goes beyond Western perception.
20:19So one can stick to the core concepts.
20:23Precisely five colors must be presented on the table.
20:26Green, red, yellow, black and brown.
20:29Food must provoke five sensations.
20:32Seduce the eye of the beholder, of course,
20:34but also go as far as soothing the ear with the soft crunch of a vegetable.
20:39It's amazing.
20:40The color is really good.
20:41It's like a chicken.
20:42It's like a chicken.
20:43It's good.
20:44It's good.
20:45It's good.
20:46It's good.
20:47It's good.
20:48It's good.
20:49It's good.
20:50It's good.
20:52It's good.
20:53It's delicious in the middle of the river.
21:00It's a river.
21:03It's a river.
21:08It's a mountain.
21:13It's a river.
22:31When I was young, I had a lot of friends with my family.
22:41When I was in Tokyo, there was no water in my house.
22:56First of all, I'd like to see the water from the eyes of my eyes.
23:08I'd like to see the water from the sky.
23:23I was feeling the energy.
23:25I was using the water in the air.
23:28I was feeling the energy in the water.
23:31It's a very strange thing.
23:42I've seen myself, and I've seen myself.
23:51I've seen the sea of the sea, and I've seen the sea of the sea,
23:57It's really natural, and it's almost impossible for me to be able to do it.
24:27I don't know.
24:57ใใฃใ้ป่ฒใๆฒใใฃใฆใใ
25:04้ฃในใใใงใใญใ
25:06ๅบๆฅไธใใฃใฆๆจใซๅบใใจใใชใ้ฃในใใใพใใ
25:13ไปๆฅใใ้ฃในใใพใใ?
25:16ไฝใใฐใชใ
25:17ไฝใใฐใ
25:18ไฝใใใพใใ
25:21ใฉใใ ใ้ฃใใใใใ ใ
25:24ๆฅๆฌใฎๅคงๅญฆใฎๅคงๅญฆใฎๅคงๅญฆใซใใใจใชใใใใใ่ฆใใ
25:30ใใฎๅคงๅญฆใฎๅคงๅญฆใซ่ฆใคใใฆใฏโฆ
25:34ใใฎๅคงๅญฆใฎๅคงๅญฆใซ่ฆใใใ
25:35ๆใใกใๅคงๅญฆใใใ่ฆใใใใใงใใ
25:37ใใใ์์ใฎใใจใฏ่ฆใใใใจใ่ฆใใใใจใฏใงใใชใใ
25:43and then the left, with an interval of one year, while formulating a wish.
25:50These are carried by the daruma throughout the year.
25:53And when the ceremony of January comes, they're sacrificed on a bonfire to make way for the next daruma.
26:00This tradition encourages perseverance, encourages daily work towards the fulfillment of dreams.
26:13For those who struggle to make sense of these insoluble dreams, lost in the countless codes of Japanese culture,
26:37here is the life that runs through the old wooden walls that go back to the daruma.
26:42Long live Oshie Onsen. Long live future generations.
27:12Long live Oshie Onsen.
27:21Long live Oshie Onsen.
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