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Short filmTranscript
00:00I had truly blocked Mozart for the first time,
00:04and I awaited God's response to my challenge.
00:08But he did not seem to defend his creature.
00:12Amadeus lost more pupils,
00:14money became so tight he had to downsize his apartment.
00:19Even my introduction of Herr Susmeyer
00:21had yielded more than I expected.
00:23Well, I love his music.
00:25I do.
00:26Ever since I heard it through the flowers of my mother's house,
00:29I loved it, but...
00:31What?
00:34It's not enough.
00:47Wolfgang?
00:51My leg has been troubling me,
00:53and the doctor thinks some time away would be good for me.
00:56He thinks I should take the waters in Barton.
00:59Does he?
01:01Just for a month or two, maybe.
01:06Carl can go and stay with my mother and sisters for a while,
01:08and I'll send for him later on.
01:15Well, you can have one of these if you like.
01:18Mmm.
01:19I'll send word to you when I get there.
01:27Okay, Carl, before you go,
01:29should I show you a little magic trick?
01:30Okay.
01:30Okay.
01:30Are you listening?
01:43One more time.
01:45One more time.
01:45One more time.
01:59You see?
02:01Now that's in your head,
02:02when you go down for bed tonight,
02:04you might hear it,
02:05and then you'll think of me, won't you?
02:07You might hear it, too.
02:18Oh, my God.
02:20Oh, my God.
02:21Oh, my God.
02:37What do you mean, you're...
03:04I heard some news this morning.
03:07From my lodge, the Masons.
03:08I'm a brother there, you know.
03:10Yes, I had heard that.
03:11We'd be very keen in having you join us, by the way.
03:14Bless you.
03:15But I serve only one master.
03:17Yes, of course.
03:18Well, this morning, I heard that one of our brotherhood
03:21had passed away suddenly.
03:23Oh dear, who?
03:28Who?
03:31Antonio.
03:32They told me this was...
03:34Well, they told me this is where you're living now.
03:36Yes, what do you think?
03:39I'm joking, it's a shithole.
03:41I know it is.
03:42Don't worry, we'll be back somewhere nicer soon.
03:44It's, er, as long as I hear, no?
03:47She's in Baden.
03:48Do you know Baden?
03:49It's a lovely spa town.
03:50She gets this thing with her legs that waters help, apparently.
03:54I don't know.
03:56Well, it's sad.
03:59Your father has died.
04:00I received the news this morning from the brotherhood.
04:14Right.
04:14I see.
04:30Uh, when?
04:31When did he...?
04:31Two days ago.
04:33I wanted to be the one to tell you.
04:37I thought it might help to have the news delivered my friendly face.
04:44Is that what you are?
04:47Not so.
04:47Not so bad.
04:49Many composers view the cap on my stairs as an adversary, but I'm not.
04:53I'm really not.
04:57Of course.
04:58Well, thank you for letting me know.
05:07I prefer to be on my own now, though, I think.
05:12Of course, absolutely.
05:18If you need anything, anything, my condolences, Wolfgang.
05:28I do not know.
05:29Uh, my friends.
05:31I'll take it.
05:33That's you.
05:34You're not.
05:36Of course, Wolfgang is a goddess-style podcast.
05:38Long live.
05:39I'm sorry.
05:41I'll take it.
05:41I've also seen a lot of kids.
05:42I've also seen a lot of kids.
05:43I have a lot of kids.
05:44Not that much.
05:45I can't help your dad.
05:46It's enough.
05:48Oh, my God.
05:49Well, my brother, I can't help you.
05:50I've always seen a lot of kids only once again.
05:52I've already seen a lot of kids.
05:54It's just a lot of kids.
05:55It's very little kids.
05:56I've never seen a lot of kids.
05:57I've never seen a lot of kids.
05:57I've never seen any day.
05:57Here rests a bird called Starling, a foolish little darling.
06:13He was still in his prime when he ran out of time,
06:17and my sweet little friend came to a bitter end.
06:22Gentle crowd shed a tear, for he was dear.
06:27I bet he is now up on high, praising my friendship to the sky.
06:34For when he took his sudden leave, which brought to me such grief.
06:48To a good companion.
06:57That's the first time I've been to a bird's funeral, that's for sure.
07:03Well, he was quite a creature.
12:29Don Giovanni,
12:37acen arteco,
12:44min vitesti,
12:50esam ganuto.
12:57I watched that performance on opening night, I heard those words, I listened to that music and I knew he'd opened himself up, revealed the darkest parts of his being.
13:21I saw it then, his damaged mind, the naked ugliness, his grief and guilt.
13:29There in that demonic figure on the stage was his own father,
13:35and in that poor, rachid philander of Mozart himself, punished for his sins, his puckish ebullience, his insolent virility.
13:45I saw it then.
13:55I saw it then.
13:59I saw it then.
14:09I saw it then.
14:11I saw it then.
14:21I saw it then.
14:23I saw it then.
14:33I saw it then.
14:41I saw his open wound.
14:43And through it, his barely beating heart.
14:49And I knew exactly where in time I would place the final blade.
14:53Bravo, maestro.
14:59It's...
15:00Well, it's a triumph.
15:03You don't seem well, sir, if you don't mind my say.
15:07Oh, I'm fine.
15:12I...
15:13I didn't see your wife in the audience.
15:15No.
15:17She's, er, still away, sir.
15:19Oh, she's been gone a long time.
15:22Well, I hope you're looking after yourself.
15:25The, er...
15:27Brotherhood has been looking after me.
15:31The Freemasons?
15:33Yes.
15:34They've been keeping me afloat since father died.
15:37A few commissions.
15:38It's all charity, really.
15:40But, er...
15:41I'll pay them back when I can, obviously.
15:43Well, I'm just glad to see you still have some old friends looking after you.
15:48That's...
15:49That's wonderful.
15:52You really liked it?
15:58It was as though I were looking into your soul.
16:01He had written a masterpiece again.
16:15And I was nothing but a spectator.
16:18But my power was undiminished.
16:21My influence remained.
16:23And I used it to ensure that Don Giovanni played only five times.
16:30Of course, I saw every one of those five performers.
16:36And I wasn't the only one.
16:38One.
16:43Your Majesty.
16:46And I do.
16:50I wondered whether you were here to come and say hello.
16:52I'm sorry, Your Majesty.
16:53I...
16:54I didn't know if you want to be disturbed.
16:57It's all right.
16:58How...
16:59How is the war?
17:03How is the war?
17:05How is the war?
17:11I have all the music manuscripts sent to me at the front.
17:16All the new work.
17:18I, uh...
17:22I sit and try and read and...
17:24And hear the music.
17:27As I know you can.
17:28But, uh...
17:30My ears.
17:33I'd love to be able to have your ear.
17:36To be able to sit and...
17:38Hear the music and truly understand it.
17:43My great regret.
17:48What about this boy?
17:57My God, Antony had listened to us.
18:00Do you ever marvel?
18:02How lucky we are.
18:04Out of all of human history to have...
18:07Shared our time with music such as this.
18:13I do.
18:14I do.
18:24You promised me one thing.
18:28That you'll continue to commission new work.
18:33For the people left behind.
18:35And the men who return.
18:39Let there be music for them at least.
18:42Of course you'll notice.
18:50There's so much I wanted to do, Antonia.
18:51That was the last time I ever saw the emperor.
19:11He returned to the front.
19:13Died six months later in his bed.
19:14And with him went your husband's most powerful ally.
19:22Well, it's not we have to shut down.
19:26We love it.
19:27We believe in it.
19:29I advocated for it, but...
19:31With budgets as tight as they are, I'm afraid it's just more cost effective to scrap it.
19:36Well...
19:41The next one will be even better.
19:43The next one?
19:45Yes.
19:47Wolfgang.
19:49Figaro.
19:50Don Giovanni.
19:52Your work is strong.
19:54We both know that.
19:55The Imperial Opera.
19:56It's not for everyone.
19:59These big old holes, they can be unforgiving.
20:02It's not just you.
20:04Everything's been cut.
20:05I'm sorry.
20:09Why can't they hear it?
20:15These are dark times, Mozart.
20:16Perhaps the people desire light.
20:27Light.
20:30Light.
20:32Fuck off, please.
20:34Fuck off!
20:40Cheers!
20:46Highstroke, we would like to formally invite you to the wake of Don Giovanni.
20:57Thank you for inviting us in.
21:04Down, gentlemen, please.
21:06Oh!
21:14To another dead darling.
21:16Yay!
21:18To another dead darling.
21:19Yay!
21:20To another dead darling.
21:21Yay!
21:35Excuse me.
21:36I'm not sorry.
21:38I'm sorry.
21:39I'm sorry to be bothering you.
21:41Why are you doing it, then?
21:43I'm a huge, huge admirer of yours.
21:48He doesn't write the words, you know.
21:50Sorry, who are you?
21:52Yeah, sorry.
21:53I'm Gregor, sir.
21:55I'm Gregor Braun.
21:56I work backstage, so we've never spoken.
21:59Please.
22:01So which of my works have you seen?
22:04Ah, all of them.
22:06I mean, as many as I've been able to.
22:08And I bought all of the pieces that I could find.
22:12So I've bought the six piano sonatas,
22:15published in Paris,
22:16and the 12 variations on La Belle Francoise.
22:20And then the Turkish March,
22:21the piece from the A major sonata.
22:24Wow, you really are an expert on him.
22:27What did he have for dinner last night?
22:30Ooh.
22:31How low do his balls hang?
22:32I don't, I don't know everything about you, Maestro.
22:39I just really, um, I really dream of emulating you.
22:45I was ten years old when I first heard your work.
22:49And it just felt as though...
22:53Yes?
22:55We have felt as though the heavens were talking to me.
23:05As though God was speaking through me.
23:09Yes.
23:14Well, let's see if you can speak back, shall we?
23:17Be rude not to.
23:18What did you say your name was again?
23:20Um, Gregor.
23:21Ah, Gregor, that's funny.
23:22My father had a dog named Gregor.
23:23Can you do tricks too?
23:25Uh.
23:26Come on, make yourself comfortable.
23:27Show us what you can do.
23:28Gather round, everyone.
23:30This is Gregor.
23:31He's gonna play us some tunes.
23:33Please, don't be shy.
23:34Come forward.
23:35Come forward.
23:37In your own time.
23:38Shh, shh.
23:40You're welcome.
23:41Welcome.
23:42Thank you, guys.
23:43Thank you, everybody.
24:18Oh, gosh. Well, there it is. What did everybody think? I'll tell you what I made of that. I recognise the notes, but very little else. As if the soul had been ripped out of it. Go on, please. Let's try another one. Surprise me.
24:39Uh, okay. I, uh, actually, this one's quite fun. I just, um, had an arrangement of one of your, uh, Serenades for Forte Piano. Please.
24:49No, no. No. If you're going to play that one, it's not like that, is it? It's like this. Can you hear the difference? Okay, start again.
25:05Wolfgang, why don't... Start again.
25:06Gregor. You tell me that you want to be a musician, and then you embarrass us both with this half-baked shit. I didn't say stop, keep playing, but fuck's sake, Gregor, do it properly.
25:23I thought you liked my music. Why are you butchering it? Not like that. You're getting distracted. You have to focus on the music.
25:32Do you want my advice, Gregor? Find another dream. Find something you can actually do, and find some other composer to fawn over. Maybe you can waste his time instead.
25:41Did it make you feel good, humiliating that poor boy in front of everyone?
25:58When did you get back?
26:00This afternoon.
26:01So did you see it?
26:02What?
26:04Don Giovanni, my opera. Did you see it?
26:06Yes.
26:08And?
26:09What did you think?
26:111003 in Spain.
26:14Well, Lorenzo writes the words, so...
26:17Well, I know how you inspire him.
26:22Your leg seems much better.
26:25How was Barden?
26:27Good.
26:29How was Franz?
26:31Oh, so I'm the subject of gossip, am I?
26:33Well, you make yourself the subject of gossip.
26:35Do I?
26:35Yes.
26:36How?
26:36By carrying on.
26:38Like a...
26:39Like a what?
26:39Like a whore.
26:41Like a cheap...
26:43A fucking whore.
26:44Well, a cheap fucking whore is the only kind of whore you'd be able to afford, Wolfgang.
26:49Mother said you haven't been to see Carl at once.
26:51She said she saw you one morning and you were too drunk to even recognise your own son.
26:58Well, I would see more of my son if his mother wasn't constantly running off to moisten the balls of every inadequate fucking student musician to look her way.
27:04Well, yes, Franz did. He did look my way.
27:07He looked at me, yeah.
27:08He saw me.
27:09He spoke to me.
27:10He bothered to ask my opinion on things in the world beyond.
27:15What did you think of my fucking opera?
27:18What did you think of my fucking opera?
27:20I thought it was too fucking long.
27:21It made me sad.
27:40Like I was intruding on something I wasn't supposed to see.
27:43It made me realise everything I know about you.
27:49I've had to learn through your characters.
27:57And I wondered if you...
27:59If you could ever open up to me.
28:01Or just be stuck hoping that...
28:05Tiggerau or Don Giovanni would tell me the things that you weren't.
28:10You are supposed to see him.
28:13You're supposed to see him.
28:28You can't stay with me.
28:33It isn't good to hear.
28:43It's good to see you.
29:08It's good to hear.
29:08We'll go again. We'll write something else. You'll write something else.
29:28You shouldn't do this. Keep working with me. I'm cursed.
29:32Oh, please, don't be a fucking martyr.
29:34Go write for Salieri or fucking Regini or anyone else.
29:37If you're having a small run of bad luck, I'll give you that.
29:41Look, I don't want to write for any of them. I want to write for you.
29:47It's different with you, and you know that.
29:49And that's as much of a compliment as you'll get out of me, so don't look for any more.
29:58I hate this.
30:01What?
30:04The end of a party.
30:07I mean, obviously, Wolfgang, I'd be delighted to have you put something on here.
30:10I just assumed you'd be staging your next one at the Birdseer again.
30:13Oh, no, it's too stuffy.
30:16I feel like I need something more alive.
30:19Oh, wait, that's us.
30:22Wait, we're alive all right.
30:23No, we're packed every weekend.
30:25Wolfgang, I can guarantee you a full house of excited music lovers.
30:30Desperate, desperate to be entertained.
30:32Right, they won't just sit there like the aristocrats.
30:35No, they sing along, they dance.
30:38Like, they laugh.
30:40And on the takings, I can give you off.
30:43Oh.
30:43Well, if that's the best you can do, I suppose we'd better shake on that.
30:48Oh, I'm so pleased.
30:50He's very excited.
30:52I'm sure it's going to be a hit.
30:53And actually, between you and I, the Brotherhood owns the lease on the place,
30:56so it gets a cut of the takings as well.
30:59Everyone's doing very nicely.
31:00Mozart might be able to pay off his debts.
31:03Get back into the city.
31:04OK.
31:04You're very quiet this morning, dear.
31:12Oh.
31:13Just in my thoughts.
31:16What are you thinking about?
31:20The Masons.
31:23Wolfgang!
31:25Cabermeister!
31:25I wanted to find you and congratulate you on your new commission.
31:29Oh, thank you.
31:29You were right, by the way.
31:30Much better to get away from the Burke Theatre.
31:32Well, I think it's wonderful news.
31:34Let's celebrate.
31:35Yes.
31:36So, tell me.
31:38What have you got so far?
31:40Love, sire.
31:41Excuse me?
31:43Do you remember?
31:44The first time I ever went to the Emperor's Palace,
31:46he asked me what a good German virtue might be.
31:49Ah, yes, yes, yes.
31:50You said love, sire.
31:51Yes.
31:54Love.
31:55I want to write about love.
31:57And light.
31:59I think it's a wonderful idea.
32:01Although it strikes me there are different kinds of love, aren't there?
32:05There's romantic love, certainly, but that feels pretty played out at this point.
32:11But what of maternal love, familial love, fraternal love?
32:16Fraternal love.
32:17Brotherly love.
32:18That's a thought, yeah.
32:19Brotherhood.
32:19I mean, that's what the Masons are all about.
32:22My father used to talk about it all the time.
32:24The sucker that we got from them.
32:25Perhaps.
32:27No, that's too much.
32:28What?
32:29No, no, no.
32:30It's a bad idea.
32:31What?
32:31Well, I was just thinking, why not put them into it?
32:38Into it?
32:38Show them in all their generosity.
32:40Let people see the kindness of the Masons.
32:43Well, the Brotherhood's rituals are a secret, of course.
32:46Needn't copy them exactly.
32:48You could adapt them, change a few details here and there, one step away, but they're still recognisable.
32:53Change a few details, but keep the intention.
32:55I like it.
32:59In fact, I'm going to speak to DePonte.
33:09Antonio.
33:10What a surprise.
33:13You've caught me at an inopportune time.
33:16Well, it's hard not to.
33:25Oh.
33:28Entertaining.
33:29Very.
33:30Um.
33:32Please.
33:33Sit soft.
33:35No, no, I think I'll come straight to the point, Lorenzo.
33:39There were people who were disturbed by your presence when you first arrived in Vienna.
33:43But I vouched for you.
33:44I saw something in you, and the Emperor was moved by your work.
33:47We all have been.
33:49Times are changing.
33:51The Emperor is unwell.
33:53He won't recover.
33:53His brother stands ready to take over when the time comes.
33:57It will be a rude awakening for many of us.
34:00He has none of Joseph's love of the arts.
34:03I expect budgets to tighten.
34:06I expect there to be a less liberal outlook.
34:11Formal notice that you were to be removed from your position as court poet and dismissed from Imperial service.
34:18Now, I'm afraid with the loss of both your patron and your position, questions have been raised about your continued residence here in Vienna.
34:27Figaro.
34:32Politics.
34:33How long do I have?
34:40Oh, I wouldn't linger.
34:43The mood is changing.
34:47You're a man out of time.
34:48Lorenzo?
35:11What?
35:11What?
35:12Let's go.
35:42Let's go.
36:12Hello, Wolfgang.
36:24Hello.
36:24Hello.
36:26Mother took Carl up to Baden to see Stanza.
36:28Oh.
36:29We would have told you, but you haven't been to visit, so...
36:32Would you like a seat, Wolfgang?
36:38How is Carl?
36:53He's well.
36:54He can basically talk now.
36:56And Sophie's been giving him piano lessons.
36:59He's very bad, but so am I.
37:01Have you heard from Constanza?
37:05She writes.
37:08Is she happy?
37:12She is.
37:13He's happy.
37:14He's happy.
37:15He's happy.
37:15He's happy.
37:16Come on.
37:16He's happy.
37:17Here we go.
40:42What's that?
40:55Why are they so angry?
40:57What's that?
40:57I spoke to the Broncos.
40:59I thought you were only going to make a nod to the Masons.
41:01I did that.
41:02I changed all the symbols.
41:03I called it the Order of Eternal Priests.
41:05I thought that would be okay.
41:06To hint at.
41:06Yes.
41:07What were you thinking?
41:08Listen to the Order.
41:09They love it.
41:10Listen to them.
41:10This can't happen again.
41:11I need to talk to Shikinada, the box office.
41:13The Masons own the lease on the theater.
41:15They also control the box office.
41:16And I don't think now's a good time to ask them for more money.
41:19You told me to do this.
41:20No.
41:21No.
41:22This was your idea, Mozart.
41:23This was you, remember?
41:26Mozart, I would make haste for home.
41:28I'll find them.
41:29I'll calm them down.
41:30They'll be away, Mozart.
41:31No.
41:31They'll be away.
41:32No.
41:41They'll be away.
41:50No.
41:51They'll be away.
41:51They'll be away.
41:53No.
41:53Have a vehicle 바�za.
41:55No.
42:00No.
42:01No.
42:02otic evil
42:04No.
42:04No.
42:04No.
42:05No.
42:05No.
42:05No.
42:06No.
42:06ingredient.
42:07For the brotherhood.
42:37A commission.
43:07A mass for the dead.
43:16You have seven days.
43:27The pieces had fallen into place.
43:33He was weak, broken, and alone, teetering on the edge of a precipice.
43:47And all that was needed was my hand to finally guide him over.
43:55So, into the darkness we go.
44:07So, into the darkness we go.
44:19So, into the darkness we go.
44:29So, into the darkness we go.
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