Taylor Swift- The Eras Tour - The End of an Era - Season 1 Episode 02- Magic in the Eras
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00:00When we reached the last night at Wembley Stadium in London,
00:05all of us felt such satisfaction.
00:10We've had so many special moments where it just reminds me
00:15what a concert can do if you give it your all.
00:22Then again, no matter how good a tour is,
00:25it's a huge, massive undertaking.
00:28It's hard work.
00:30That's the challenge, that's the adventure,
00:33and that's what every person on this tour is doing.
00:41Every single night, no matter what's going on,
00:45we're gonna do everything in our power to blow your mind.
00:58My goal for the Ares tour is that I didn't want the fans to leave thinking that they missed out on anything.
01:17One thing I've always tried to do is, like, give something to the fans that they didn't expect.
01:22When we had done the first half of the tour, what the fans didn't know at the time was that I was writing a brand new album,
01:30The Torture Poets Department, and in the middle of me releasing the album,
01:35We had to be all hands on deck, creating a brand new era to put into the show, to represent that album.
01:40This is so fun! We're doing theater!
01:50Doing all of this completely secretly, all in like a tiny little break that we had between Asia and Europe.
01:56Are there sounds from Fortnite that are not the synth sound?
02:01Or do we go into, like, strings?
02:03Like, this feels like a highly elevated chapter.
02:07We build this top-secret rehearsal facility for us to lock in the setlist.
02:13Go, who's afraid, a little bit of down bad,
02:18probably a verse and a chorus, or a pre-chorus and a chorus, that might be it.
02:23Like, I would kind of do surgical tweakings to each song, be like,
02:27okay, these songs, but cut out the bridge and the second verse of this.
02:30And then, so tell me everything is not about me.
02:37To make it so that we could fit this many songs in the show.
02:41And say they didn't do it to hurt me. Everyone in, and I want...
02:49And double as big for, I want a snarling.
02:52I'm going to have a mental breakdown during this song.
02:54Like, it's going to be so fun.
02:56And then we put together all new choreography.
03:01Learning choreography, all just hearing it in our heads,
03:05because they can't play the music on speakers because it's not out yet.
03:08The first line is, did you really beam me up?
03:11What I want is for a light to spot, like, right on me, like it's the alien ship.
03:18Right into this, like, crazy, like, alien light.
03:23And then, down that way.
03:27Yeah.
03:29There's an entirely new order of the chapters.
03:33So I'm relearning the entire show, essentially.
03:35It feels crazy to, like, take all the pieces apart
03:39and then put them together in different order.
03:41Yeah, and I think I'd rather feel this way,
03:44where I'm a little bit confused, a little bit, like, what...
03:48than being, like, on autopilot.
03:50Yeah.
03:51Because I could do...
03:52The show we were doing in Asia, I could do with myself.
03:54Yeah, at first we're all like, we all fear change.
03:56But then you're like, we got this.
03:58Yeah, but we're here because we accepted challenges our whole lives.
04:01Oh, my God, that was a risk.
04:03That could have gone so bad.
04:05There was the danger that we...
04:06It could have felt like we had sort of shoehorned something in,
04:09or that, you know, people didn't like the new show
04:12as much as they liked the old show.
04:14I swear to God, if I heard people online being like,
04:16I miss the old show, I was gonna be like,
04:18oh, my God, you have no idea how hard this was to do.
04:21We're gonna get to watch 45,000 people
04:24experience the fact that they're seeing something
04:27that's never been seen before.
04:29We're going out to play our first show
04:31of the new set in Paris.
04:34The crowd has no idea that we've added a completely new section
04:37and rearranged things,
04:39and I am so, so excited.
04:43I love having a good secret.
04:45When we brought out this new show in Paris,
04:48it was so rewarding because...
04:51all of that secrecy and all of that working
04:54during our only time off paid off so much
04:58because the fans were so excited.
05:00It was such a dynamic new addition to the show.
05:06Now, going into the last show in London,
05:08I have the opportunity to add to their experience,
05:12even on top of that.
05:15Taylor wants to make the last London show
05:17as powerful as possible.
05:20She's like, I wanna blow this thing out.
05:22We're gonna do this right.
05:23She wants to do Florida with Florence Welch,
05:26Florence and the Machine.
05:28Performing Florida with Florence is something
05:31I've wanted to do ever since the two of us wrote that song.
05:34And then it just so happened that she was gonna be available in London.
05:37You're not nervous about the show.
05:39You know, you know how it runs,
05:41and suddenly it's something like Florence coming to do Florida.
05:44The choreography meets the music,
05:48meets automation, which is the stage movement
05:51and is starting from scratch again.
05:54I know that when I say to them,
05:55I wanna perform Florida with Florence,
05:57and I really wanna do it with full production.
05:59I know that it's some kind of creative brainstorming sessions,
06:02but I know it's doable because all the dancers,
06:05the choreographers, the production designers,
06:08the crew, the entire band,
06:10every person we have is the best one doing it
06:14in the entire industry.
06:15This is kind of funny.
06:25We have to rehearse the song.
06:27We kind of do what we usually do in the comfort of a studio from the road,
06:35but also trying to keep things from leaking before the surprise.
06:39It's a stadium with no roof, so there's like fans outside,
06:42and so you have to turn the PA off,
06:44and we have to do it quietly, you know?
06:46It is so much extra work to keep things a surprise.
06:55Let me tell you, I need a nap just thinking about it,
06:59but it's so worth it when we can actually pull it off.
07:02Time's shut down and destiny.
07:04You're programming sounds.
07:05At Soundcheck, the dancers are finding a place
07:08to work on choreography for it
07:10where people can't find out what's happening.
07:12You know, before you know it,
07:13I'm in a random ballroom in the middle of a hotel
07:16with Amanda at like 9.30 at night.
07:18And my friends all smell like we do.
07:21Maybe then she, maybe you come off there.
07:25Flores open up on the, into the diagonals maybe?
07:28Yeah.
07:29With choreography, I asked one of my friends, Emma Stone,
07:34who's done a lot of work in dance in her films,
07:36you know, who have you worked with
07:37that you would recommend for this?
07:38And she's like,
07:39there's only one person that needs to be on your list,
07:41and it's Mandy Moore.
07:42I never would have thought that I would be
07:45in the same sentence as Taylor Swift ever in my life.
07:48You know, I've always been a big fan,
07:50but I, funny enough, I come from really more film
07:53and television.
07:54I don't really do artist performance.
07:56Now I understand why I was brought in,
07:58because she really wanted to do something different.
08:00And she likes the storytelling.
08:02I mean, her songs are mini movies.
08:04So when I listen to them,
08:06it's just lyrics and melody swirling
08:09with ideas in my head,
08:11and then you just start making something.
08:13Yeah.
08:14Is there something about that, like, thought?
08:16Yeah.
08:17And then all of a sudden, it comes out.
08:19Like we are a little baby
08:22Yeah.
08:23Do you want to do?
08:24Two.
08:25Seven.
08:26Beautiful.
08:27Gorgeous, Amanda.
08:28Love.
08:29Like, one, two, three.
08:30Amanda Balin, the first time
08:31that I saw her do her thing,
08:33Here we go!
08:34She was choreographing the tour.
08:36She was not a dancer.
08:38Her job was to show me
08:39what I'd be doing with the dancers.
08:41In the middle of the night, in my dreams
08:44I would just get so much inspiration
08:47from what she was doing as a performer.
08:49I just kept saying, like,
08:50you're such a pop star, Amanda.
08:52In the middle of the night, in my dreams
08:56This was my dream.
08:57Truly.
08:58It was my dream to do live shows and tour like this.
09:00More so than Broadway or anything.
09:02I just, I always was drawn to this.
09:05I actually haven't looked at these.
09:08I just keep throwing them in.
09:11I started out by doing small things.
09:13And then I booked a job as a swing
09:15for a Janet Jackson tour, which was...
09:17I'd always wanted to dance for her.
09:19I went on to tour with Celine Dion.
09:22What else have I done?
09:24Oh, oh!
09:25I danced for Lady Gaga for five-plus years.
09:28I toured for five years straight.
09:30I worked on Glee, which was a long-standing
09:32dancing TV show for a while.
09:34That was a wonderful job.
09:35I went on to do some films like La La Land.
09:38I've performed at probably every major award show
09:41with different artists.
09:42And I've been a part of many tours.
09:49As much as you want it to last forever,
09:51dance isn't a forever career.
09:54The demand on your body is not sustainable.
09:57If we can get this strong when you do all those,
09:59you know, wild movements,
10:01then this can stabilize your spine, helping...
10:04I have two labral tears in my hip flexors.
10:06Like, things were just breaking down.
10:09I kind of just decided, it was a very tough decision,
10:12but to gracefully start to peel myself away
10:16from being a professional dancer
10:18and to do things behind the scenes.
10:21I remember asking Mandy, I wonder if Amanda would ever dance with us.
10:28And Mandy was like, ah, she's retired.
10:30She hung up her dancing shoes a while ago.
10:33At some point, Mandy came to me and said,
10:36hey, the team wants to know if you want to do the show.
10:39My first response to being asked to do the tour was a chuckle
10:42and a, oh, hell no, I don't even know if I could do it.
10:45Being involved in the behind the scenes
10:47and then doing it on stage, those are two different things.
10:51I had doubts in my ability.
10:53I was worried that I wasn't going to be as good as I was
10:56when I was dancing.
10:58But at the end of the day, even though there was a lot of fear,
11:01it was just too wonderful of an opportunity.
11:05A second chant, I get chills.
11:07It was a second chance that most people don't get to have.
11:15We're counting this song in fast state.
11:17So it'll be a one, two, three, four, five, six, seven, eight.
11:21Oh, one, two, three, four, five, seven, eight.
11:24She says, um, and a five, two, three, four.
11:27On five, it's the word weed.
11:29And you guys are going to kind of do like a little bit of a deflate.
11:32And my friends all smell like weed.
11:34Yeah, yeah, yeah.
11:36Weed or little babies.
11:39And you'll roll up.
11:40Uh-huh, uh-huh.
11:41And on the five of the fifth.
11:42And my friends all smell like weed or little.
11:45One, two, three, four, five, six, seven, eight.
11:48Okay?
11:49Just so you have an idea.
11:50And then guys went loose.
11:51Yes!
12:00Hey, Dewey.
12:01Amanda and I were in like an empty ballroom last night.
12:03And I was like, okay, let's just go.
12:04Like idiots.
12:05You just sing Amanda and I.
12:06As you can imagine, it's the normal.
12:08Okay.
12:09Florida won.
12:10Gang, gang, gang, gang.
12:11It's a hell of a drug.
12:15It is always weird, I think, with choreography.
12:17Because it is true.
12:18It's like literally a week ago, this thing didn't exist.
12:20And my friends all smell like weed.
12:22Okay, so with the exact...
12:23Oh, do you want to do this?
12:24Just roughly, but...
12:25Oh, freaking great.
12:26I was like, why did they all just do this?
12:28And then, like the dancers become the accessories to Taylor,
12:34and to the stage, and to the whole experience.
12:36So it's a really important thing.
12:38And I take it very seriously.
12:40You know, I always get nervous when I'm showing Taylor something for the first time,
12:45because I...
12:46Ultimately, I just want to do well.
12:48You know, like I want to make her happy, because I just, you know, so much respect for her.
12:52I love her.
12:53I mean, I was really terrified the first time I had to show her something.
12:56We can figure this out together.
12:59But luckily, you know, since the very early stages of this, her and I have a really nice communication.
13:11Actually, I'm going to need to travel back to the A stage during this part.
13:14Okay, great.
13:15Taylor can give me thoughts or colors or ideas, and I think I'm able to understand what she wants visually.
13:20I want to kind of channel like a Rites of Spring Florence machine.
13:24Love it.
13:25Like, it's taking our bodies.
13:27Yeah, like, like, fully, like, like, reaching.
13:30Love it.
13:31You know, like, love it.
13:32Like, kind of like, um, like, girl in an insane asylum slash wood nymph.
13:37Love it.
13:38Yeah.
13:39I love it.
13:40So, I mean, yes.
13:41Was I nervous?
13:42I'm always nervous.
13:43I'm always sweating.
13:44I'm like, oh, God, did I make the right thing?
13:45Is this bad choices?
13:46Hello.
13:47How are you?
13:48Really good.
13:49How are you doing?
13:50I'm good.
13:51Alright, I'm excited.
13:52Do you want to watch one?
13:53Do I have my ears?
13:54Uh, we're just doing the speaker right here.
13:55Yeah.
13:56Love it.
13:57Yeah.
13:58Okay, guys, ready to move?
13:59Yes.
14:00Okay, go for 43.06.
14:01One, two, three.
14:03Stand by.
14:044306.11.
14:05Stand by.
14:064306.11.
14:10They said I was a cheat.
14:12I guess it must be true.
14:16And my friends all smell like weed or little babies.
14:22Oh, I love that.
14:23Go.
14:24And the city reeks of driving myself.
14:26Go.
14:27Go.
14:28Go.
14:29Go.
14:30Go.
14:31Go.
14:32Go.
14:33Go.
14:34Go.
14:35Go.
14:36Go.
14:37Go.
14:38Go.
14:39Go.
14:40Go.
14:41Go.
14:42Go.
14:43Go.
14:44Go.
14:45Go.
14:46Go.
14:47Go.
14:48Go.
14:49Go.
14:50Go.
14:51Go.
14:53Go.
14:54Go.
14:55Then whatever is here say that.
14:56My son.
14:57Go.
14:58Oh.
14:59Go.
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17:43Tek
18:11My mother sacrificed a lot for my brother and I to just have experiences.
18:19And so my brother, he fell in love with sports.
18:23I fell in love with dance.
18:25And we were sort of navigating our training at the same time, middle school, high school, college.
18:31And it has been the joy of my life to watch him thrive in something that he loves so, so much.
18:41Now he plays in the NFL.
18:43And I watched my brother go to the Super Bowl three times.
18:48I graduated college and thought I was going to be teaching dance for the rest of my life.
18:53And I remember getting an email that said, there's a closed audition.
18:58We cannot disclose who the artist is, but it's being choreographed by Mandy Moore.
19:02I didn't have like a dollar to my name at the time.
19:05And I called my brother.
19:08I was like, listen, I don't know what this is, but something is telling me that I have to be in this room.
19:20He was like, okay, we will make it happen.
19:23And he bought me a flight.
19:24When he came into the audition, I was just like, he's magnetic.
19:35I mean, he's a great dancer.
19:36His smile is like the thousand watt smile.
19:39You know, he's really well trained.
19:41He just embodies what I felt was like the spirit of what these people need to be.
19:46Cam is someone who absolutely lights up not only the stage, but just our entire vibe as a tour.
19:54He's just so himself.
19:57I don't want dancers that blend in.
20:00I don't care about them pulling focus.
20:01I want them to pull focus.
20:02I want you to feel like you saw an entire crew of individual stars on the stage.
20:09Now, knowing that spaces like this do exist for me that allow me to be the fullest version of me
20:23with all I have to offer in this body as it exists right now, this feels like my Super Bowl.
20:32Well, I didn't leave my hotel room.
20:43Woke up with a cat on my head.
20:44Oh, good hat.
20:46We'll get you to everyone today.
20:48Good morning.
20:49Morning.
20:50Hi.
20:50Hi.
20:51Hi.
20:52Bonus day is so important because setting a precedent with the heiress tour is really important to me
21:06because people who work on the road, if the tour grosses more, they get more of a bonus.
21:11And these people just work so hard and they are the best at what they do.
21:16So every single person on the crew, I've handwritten them a note.
21:20It took me a couple of weeks, but it's fun to write the notes.
21:24It's like fun to think about everybody's lives that they're going to go back to
21:29and the time off they're going to have and, you know, the kids they haven't seen
21:32because they've been away for months.
21:33And it's just making that worthwhile for them is like really, it just, it feels like Christmas morning
21:40when you finally get to say thank you.
21:44I love bonus day.
21:46I love bonus day.
21:47Okay.
21:47So each one is in its own baggie.
21:50And I was thinking we can lay them out.
21:53Oh, let me see the wax seal.
21:57You wax sealed every one of these things?
21:59Yeah.
22:00And I, and the fire department almost had to come.
22:04I want to show you this, Taylor.
22:06Six of the audio guys got this tattoo.
22:09It says Cruel Summer, 152 shows.
22:11Oh my God.
22:13And then I don't know if you remember, but on Reputation, they all go to stake.
22:17Why is it a grim reaper?
22:19I have no idea.
22:20They have to keep it like scary.
22:22They can't like have like a tattoo of like a butterfly and a kitty cat.
22:26I think what that means is 152 dates almost killed them, but they made it.
22:31Oh my God.
22:32That is exactly what it is.
22:33That's what it means.
22:34That's the reality of it.
22:34Yeah.
22:35Jesus.
22:35Yeah.
22:36I'm going to go behind today.
22:37Get rid of the bags.
22:38It's a bit forensic.
22:39Everybody has the same message on their card.
22:58So I was hoping you could open it.
22:59But before, before you look at yours, I just wanted to say guys, this, this leg of this tour
23:04has been harder than anything I've ever done in a live setting.
23:09And you guys have taken this on with such excitement and such curiosity and such the endurance
23:16you've shown.
23:17But the spirit you've shown, how much you've given to these crowds, that gives to me every
23:21single night.
23:22The tour has done really well.
23:24Thanks to all of our hard work.
23:26So if you will kindly read this message.
23:31Taylor Swift.
23:34Okay.
23:36Oh.
23:36There's Cam.
23:39We've traveled the world like we set out to do.
23:42We've dazzled the crowds, but we've missed family too.
23:46My full gratitude doesn't come from a thing.
23:48But here's...
23:50Father was the one that presented the checks to our drivers, and he presented handwritten letters
24:18from Taylor.
24:19It's incredible.
24:20I know tour truck drivers, and I've asked...
24:22Do artists usually give out these big bonuses?
24:24Unheard of.
24:28What's wrong, Max?
24:31He's emotional.
24:32Oh my God, do you need a hug?
24:33Are you okay?
24:33I'm not falling, I'm not falling, I'm not falling, I'm not falling, I'm not falling, I'm not
24:38I'm not falling.
24:39Everyone, leave me here!
24:46I love you guys so much.
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26:49abone olabiliyor.
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26:57abone olabiliyor.
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27:08Teşekkürler.
27:11Oh.
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30:30Bütün şarkı.
30:31Bu neki şarkı.
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30:33Güzel bir şey.
30:36This is so big.
30:37No, it is.
30:38It is and it's also a lot of ground to cover here.
30:41So we're going to show you and then like the choreography is like
30:44we do something and it affects them.
30:47Like where we're just like Florida but and they're like.
30:51I have performed on big stages but this is not like
30:54I thought I'd just show up and I run around.
30:57Like because that's what I do at my own shows.
30:59I just show up and I run like I just run around.
31:01You're going to come up on that back lift but you'll see it.
31:04And I have never done a lift.
31:06You haven't?
31:07Oh, they're so fun.
31:08You're going to have so much fun.
31:10When I got there, I was like, okay, now this is your choreo.
31:13I was like, oh, no, no, wait, wait.
31:14You want me confused.
31:15I don't do this.
31:16I'm going to fuck this up.
31:20Jenny, one, two, three.
31:23You split.
31:34Good.
31:35You're good.
31:36Good.
31:37You're good.
31:38All my girls got their laces and their crimes.
31:41I'm watching my husband this year.
31:44No one asks any questions.
31:47Great.
31:48Okay.
31:49Great.
31:50So now this is Karen and Nat and Tamia's behind you and Roff here.
31:54So you guys are nice and safe.
31:55This is going to start rising up on So I Did My Best, okay?
31:58Oh, great.
31:59And she's going to lay down or she's going to kind of come into if you're okay with this.
32:02Yeah.
32:03And she's just going to lay her head here.
32:05And it'd be great if you wanted to connect to her head.
32:07On like, I did my best to lay to rest all of the bodies that have ever been on my body.
32:11So it kind of makes sense.
32:12So I did my best to lay to rest all of the bodies that have been on my body and in my mind.
32:20They sink into the swamp.
32:22Raise your arm up.
32:23Beautiful.
32:24No, sorry.
32:25Is that a bad thing to say in the song?
32:27I'm sorry about that.
32:28Yeah.
32:29So sink into the swamp.
32:30You're still down.
32:31Yes.
32:32Yes.
32:33Sink into the swamp.
32:35Song up.
32:36I've got it.
32:37Okay.
32:38Good.
32:39Now.
32:40Good.
32:41Now you're going to initiate this.
32:45Boom.
32:46Beautiful.
32:47One hell of a drum.
32:49Center.
32:50Do it again.
32:51Throw it on.
32:53Then I use you.
32:54What a treat.
32:56We're similar in that the persona is huge, but the person is soft.
33:01And so I think that's why we get along.
33:03Externally, the thing is really big.
33:06But like when we're together, we're just like silly and goofy.
33:11Seeing the show, the most beautiful thing was the crowd.
33:16I like, it was just like the love and the vibe.
33:20Yeah.
33:21I was just like this, all the pockets of like girls in their dresses like dancing.
33:26I was like this is so amazing.
33:27There's so much joy and like, like femininity that's not, there's no shame around it.
33:33I know.
33:34It was so beautiful.
33:35Yeah.
33:36Natalie and Odie are standing right here.
33:37So you just head to the back two girls.
33:40And then you're going to have your footprints.
33:42Right there.
33:43And you just got to go in the middle.
33:44And I think turn back front.
33:45Yeah.
33:46And then we'll take you down.
33:47And then Dewey will be there to get you at the end.
33:50Okay?
33:51Yeah.
33:52Oh God, this is going to be so fun.
33:54Can we?
33:55Yes.
33:56Taylor, are you good to run this too from the top with the lifts and everything?
33:59No, that was all we got.
34:00Can you imagine you're like, Lawrence, good luck.
34:02It's going to be great.
34:03Yeah.
34:04I'm sure you'll be fine.
34:05Good.
34:06You want to try one?
34:07All right.
34:08Yeah, Lawrence.
34:09Great.
34:10Ready to go down?
34:12Let's go in my first lift.
34:14And are you okay if I kind of talk you through and I say go right?
34:17Yes, please.
34:18Perfect.
34:19What?
34:20Ah!
34:49And then you just you.
34:50Never have to be alone.
34:51I love you and that's all I feel to know.
35:04I talked to your dad, go past out a white dress.
35:07It's a love story.
35:09Baby, just.
35:12Ever, ever, ever, ever.
35:15Getting back together.
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40:09Of shimmer and glitter and confetti and girlhood and friendship bracelet beads and, you know, magic in the eras.
40:39Thank you.
41:09Thank you.
41:39Thank you.
42:09Thank you.
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