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Short filmTranscript
00:00Mozart, your father has died.
00:08I thought it might help to have the news delivered my friendly face.
00:13Is that where you are?
00:15There, in that demonic figure on stage was his old father.
00:19And in that poor, wretched philander of Mozart himself.
00:23And I knew where in time I would place the final blade.
00:27How long do I have?
00:28I wouldn't linger.
00:30The mood is changing.
00:32You're a man out of time.
00:34I'm enjoying it.
00:36I found it rather, um, tuneful.
00:40And I'd say the whole thing's rather thin so far.
00:42You're getting distracted.
00:43You have to focus on the music.
00:45You made me realize everything I know about you.
00:47I've had to learn through your characters.
00:49And I wondered if you could ever open up to me.
00:52You can't stay with me.
00:54It is a good idea.
00:55There is always a reckoning.
00:58You told me to do this.
01:00This can't happen again.
01:01This was your idea, Mozart.
01:03He was weak, broken, and alone.
01:06So, into the darkness we go.
01:10From her, sir.
01:38Yes?
01:40Oh, thank goodness.
01:44My name is Alexander Pushkin.
01:47I've been searching for you.
01:49I, um, I've asked around everywhere.
01:52Cafes, bars, concert halls.
01:54And then finally I tried the post office.
01:55I don't know why I didn't start there.
01:56But, uh, here we are.
01:57What is it that you want, Mr Pushkin?
02:02What is it that I want?
02:03Yes.
02:03Well, uh, I'm a writer.
02:11You might have heard of me.
02:15Or you might not.
02:15Anyway, I'm writing a play.
02:18Or rather, I'm hoping to write a play.
02:20Are you going round to everyone's houses to tell them individually?
02:22No.
02:25No.
02:26I came to find you because I'm hoping to write about your husband.
02:30Oh, which one?
02:32I think you know which one.
02:35And what are you hoping to write about him?
02:37Well, I...
02:38I want to write about his death.
02:41He died of a fever.
02:43People think his music should have been some kind of shield.
02:46But he was flesh and blood, just like the rest of us.
02:51He got ill.
02:53Hmm.
02:56I heard something different.
02:58And what did you hear?
03:00I heard it was murder.
03:03You heard that?
03:04Yes.
03:05From who?
03:07The old Hofkappermeister, Salieri.
03:11He ended up in an asylum.
03:13He lost his mind.
03:14Did you know that?
03:16I did.
03:17Presumably, you heard he died last year?
03:19Yes.
03:20And they say he was ranting and raving.
03:24Screaming like a baby towards the end.
03:27And they say in the weeks before he died,
03:29it was mostly incomprehensible, mostly nonsense.
03:32Hmm.
03:32Except for one thing.
03:35One thing he kept saying.
03:39He told them
03:40that it was he
03:42who killed your husband.
03:46Apparently they say he confessed.
03:50And apparently he confessed to you.
03:54What do you think of that?
04:01Because I can tell you what I think.
04:02I think
04:03that would make a pretty good story.
04:06that was too much for you.
04:23Lord.
04:24I haven't seen it yet.
04:25I mean,
04:26I don't think it's true.
04:27I wish I felt there was nothing.
05:03I state merely as a fact that I, on the 5th of December in the year 1791, killed Wolfgang Amadeus Mozart.
05:17What am I to glean from all of this, Antonio?
05:21You still don't believe it.
05:23Oh, it's lacking something.
05:24What?
05:25Specificity.
05:26Oh.
05:28How did you do it?
05:30Poison?
05:31Strangulation?
05:32You desire details.
05:34Well, you have given me details of every other damn aspect of your life so far.
05:38I apologize.
05:39I thought I'd been providing context.
05:41Well, then, let's get to it.
05:43Your confession.
05:46You want me to let the world know that you killed my husband?
05:50I need to know how.
05:51And I need to be convinced.
05:54You want me to know how.
06:14You want me to know how.
06:18Where is it that you go?
06:36I used to be more certain of your indiscretions.
06:40Is it his carnal desires that he feeds tonight?
06:44You are inflicting wounds on me, but they were survivable.
06:49But this spectre walking through my house, what am I to make of this?
06:55I have known, Antonio.
06:59I have known everything.
07:02And every time I have looked at you, I have seen a fallible, ruined man, and that has brought me sadness.
07:09Now I see no man at all.
07:12The sins of the flesh are at least human.
07:14But what sins are you looking for when you creep out of here?
07:21I'll lock our bedroom door tonight and hope you don't think to look for me when you return.
07:25A fever was cutting through Vienna, killing those who didn't have the strength to fight it.
07:37And so night by night, I returned and weakened him further.
07:44His spirit, his body, and his mind.
07:50Good night.
08:01Good night.
08:01Good night.
08:14Good night.
08:16Come on, come on, come on, come on!
08:46I've been playing this little game, inspired by Don Giovanni.
08:57I stood outside his window every night for a week.
09:03The masked man come to drag him to hell.
09:09It's remarkable, really.
09:15How fragile the mind is.
09:20How quickly it unravels.
09:25Yes, that was him.
09:28Unraveled.
09:31Unsure.
09:34And alone.
09:40What's up?
09:45May I come in?
09:47Please.
09:50Sorry to call on you so late.
09:56Well, I've been worried.
10:01You have a new commission?
10:04Did you speak with the Masons about the magic flute?
10:08Ah, I did.
10:09I'm afraid they've taken it rather badly.
10:12Symbols were intended as a tribute.
10:15I know.
10:16I explained that to them.
10:18I must admit, I was surprised by the force of their feelings on the matter.
10:22Don't worry.
10:23They'll calm down in time.
10:25I'm not sure I have that.
10:28You don't look well, Maestro.
10:31I haven't been sleeping.
10:34I try, but I can't.
10:36Why not?
10:37Do you believe in hell, Antonio?
10:43Yes, I do.
10:45Do you?
10:50I remember when I was staying in London as a child.
11:00My father became ill, bedridden for a few weeks.
11:06There was one night where his fever was particularly bad.
11:11I could hear something in the street outside, sort of singing.
11:21Thought perhaps it was the angels come to take him away.
11:25Or if not the angels, then something worse.
11:29Just the first time I can remember having this feeling.
11:35Like I was being shown.
11:40Death?
11:41Can feel the end is close, Antonio.
11:45I'm writing a requier.
11:49You'll just need to eat, Maestro.
11:55Nourish yourself with something other than wine.
11:59I'll get you something.
12:01I'll be back soon.
12:07Your vessel is weak.
12:10Silence is coming.
12:14Let's see if you can speak without a tongue.
12:18I can stop it.
12:21I can.
12:22I can.
12:23I can stop it.
12:24Let me.
12:25Give up your stomach.
12:28God, just give me a sign.
12:33I'll end it all.
12:35All right.
12:36Is this what you want?
12:48Please give him.
12:49Please give him.
12:50Please.
12:51Speak for me once more.
12:52Let me stop.
12:53Let me stop.
12:54Let me stop.
12:55Let me stop.
12:56Let me stop.
12:57Let me stop.
13:01Speak for me once more.
13:06Let me stop.
13:09Let me stop.
13:14Let me stop.
13:30Hello?
13:31Hello?
13:39Hello?
13:40Leave.
14:04Sorry.
14:06Thanks.
14:10Let.
14:15Let.
14:19Let.
14:20Let.
14:22Let.
14:24Let.
14:27Let.
14:33And what do you want from me?
15:01I want to know the truth.
15:05If there really was a confession?
15:07If I'm to write it, condemn a man, even a dead man,
15:11I want to know he was guilty of the crime I'm attributing to him.
15:16I don't want to be sued.
15:26Did the capital master talk to you about the death of your husband?
15:30Yeah.
15:34And when was the last time you saw him?
15:37Salieri.
15:39It was after my husband's passing.
15:42He conducted a memorial concert for him.
15:46What are these?
15:51Oh, old letters.
15:53From Amadeus. Could I...?
15:55No.
16:00It's a very nice apartment.
16:02And you live alone?
16:06No.
16:07No.
16:08I live with my sisters, Sophie and Aloysia.
16:11It's a comfortable life.
16:13Looks it.
16:15But your husband never made much when he was alive.
16:22For a while, he almost made as much as he spent.
16:25But then it dried up.
16:26Don Giovanni?
16:27The marriage of Figaro?
16:29The magic flute?
16:30How does the man who writes all of that end up penniless?
16:37Sabotage?
16:40What other reason could there be?
16:44Wolfgang, where are you?
16:48Feeling better?
16:49You get the basket I sent?
16:52The basket?
16:56Basket?
16:57Bread and eggs and milk.
16:58I left it outside the door.
17:00You didn't get it?
17:01I felt a bit distracted.
17:06Hello, Frau Cavalieri.
17:09Yes, Katarina.
17:10You remember Katarina?
17:11I wanted to bring her to see the great maestro again.
17:14In fact, we're off to see your opera.
17:19My opera?
17:20The magic flute.
17:21Katarina hasn't seen it yet, have you?
17:23No, I've heard wonderful things.
17:25Oh, it's really wonderful.
17:26I thought the masons were closing it down.
17:28No, no, no.
17:29On the contrary.
17:30Once they saw how lucrative it was,
17:31they found a place in their hearts to let it play on.
17:35Why didn't nobody tell me?
17:36Actually, you should...
17:37Where's your coat?
17:38You should come with us.
17:40No, I can't.
17:41Oh, come on.
17:42Three old friends and colleagues sharing the joy of your music together.
17:46When might we get another chance?
18:12What are some women waiting for me?
18:15This way?
18:16Don't talk about theination of a beautiful American physique.
18:18I wish they had a great place to tutors.
18:20What kind of mapped me,
18:22You are still in the espeices.
18:24It's like a Japanese women's lives and peace.
18:27That's like this.
18:28I keep in mind.
18:29I'm walking by the trees.
18:32I met one of these,
18:33A-G secure and friendly built for friends.
22:33No.
22:35You can't sleep.
22:37Not yet.
22:39The work must be finished.
22:41Diminish the man. Diminish the God.
23:05There you are.
23:06You took me there so people could see what I've become.
23:12I took you there because I thought it might raise your spirits to see your great success.
23:22May I?
23:24To God.
23:36I've always wondered.
23:42With Figaro.
23:46Don Giovanni.
23:49The Masons.
23:50It's always felt as though some invisible hand was steering me to the rocks.
24:05Did I offend you so much?
24:09Did the music offend you so much?
24:12Yes, you offended me.
24:18You're obscene.
24:20Your nature, it's obscene.
24:24But your music.
24:29No.
24:32Not for it to come from such a creature.
24:35How could I not take it as an insult?
24:38How could I not see the provocation in that?
24:41No, this time it just comes to you.
24:46It just comes to you.
24:47It just flows out of you like a stream running down a mountain.
24:51And you give nothing in return.
24:52You make no sacrifice.
24:54No sacrifice.
24:58Look at me, Antonio.
24:59Do you remember when we sat on that stage and you asked me if I think music comes from God?
25:12Yes, and you said when you write it's not to capture the voices of angels, they're just instructions.
25:17For an oboe player or something, yes.
25:20But you were right.
25:24I knew it.
25:25I knew it then, but I was scared.
25:27I was scared? Why? Why were you scared?
25:29Because I don't understand.
25:31You must understand it. You must know how you do it. I need to know.
25:47I wish I could tell you.
25:49If only to unburden myself.
25:51Unburden yourself?
25:52Yes. For music.
25:55For some peace.
25:58It never stops.
25:59Oh, my God. Can you hear yourself? You are unbearable.
26:02I'm surprised you can't hear it in this room.
26:05I'm surprised the walls don't shake with it.
26:08I want to hear it!
26:10For a moment, a minute, a second, I would do anything to have your gift.
26:14You wouldn't want this. You don't know how it feels.
26:17You wouldn't know what to do with it.
26:19I don't know what to do with it.
26:20You stalked me like I'm praying, but what would you do with this thing that you covered so much?
26:25You wouldn't kill me.
26:27Like it's killing me.
26:29What would you do with the silence I've suffered through?
26:33You're driving mad!
26:34I couldn't stop thinking about you.
26:36I couldn't stop thinking about you.
26:38I couldn't stop thinking about you writing your requiem.
26:44And so I kneeled down and I prayed to a God I hadn't spoken to in years to speak through me one last time.
26:54And if he did in return, I would offer him my own requiem for my own death.
26:58First I offered him my love.
27:01Then I offered him my hate.
27:03And then finally I offered him my whole life.
27:06And you know what I heard?
27:10I heard nothing.
27:11I heard nothing.
27:14I heard nothing.
27:18Oh God.
27:22Oh God.
27:26Come here.
27:30Come here Antonio.
27:31Come.
27:56Oh man.
27:59Close your eyes.
28:01Close your eyes.
28:04And Troitus.
28:06C minor.
28:08Requiem maternaum to aeus dominae.
28:12Start low.
28:14Grant them eternal rest, O Lord.
28:16Grant them eternal rest, our Lord.
28:46Grant their home, Christ our Lord, Christ our Lord, Christ our Lord, Christ our Lord, Christ our Lord.
29:14You're Requiem, Maestro.
29:19Offer that to God and see what he says.
29:23You need to talk to him, what's that?
29:27It's too late.
29:32What did I do?
29:38Why did he not let me stop?
29:41He doesn't listen to us, Antonio.
29:44What did he do?
30:14For a moment, I was the only man on earth who knew, who knew that we had lost the finest
30:24composer to have ever lived.
30:27God's tongue cut from his mouth, and only jealous Salieri there to mourn him.
30:44I was the only man on earth who knew, who knew that we were living in the world.
31:13My confession claims murder, and it's true enough.
31:17I'm responsible for his death.
31:19Without me, he would have lived longer.
31:22But I loved him.
31:24We wrote together.
31:26You wanted the details.
31:28You wanted the specifics.
31:32Well, there they are.
31:35The rest you know.
31:43The rest you know.
31:44The rest you know.
31:45The rest you know.
31:46The rest you know.
31:47The rest you know.
31:48The rest you know.
31:49The rest you know.
31:50The rest you know.
31:51The rest you know.
31:52The rest you know.
31:53The rest you know.
31:54The rest you know.
31:55The rest you know.
31:56The rest you know.
31:57The rest you know.
31:58The rest you know.
31:59The rest you know.
32:00The rest you know.
32:01The rest you know.
32:02The rest you know.
32:03The rest you know.
32:04The rest you know.
32:05The rest you know.
32:06The rest you know.
32:07The rest you know.
32:08The rest you know.
32:09The rest you know.
32:10The rest you know.
32:11The rest you know.
32:12The rest you know.
32:13CHOIR SINGS
32:43CHOIR SINGS
33:13CHOIR SINGS
33:18CHOIR SINGS
33:23CHOIR SINGS
33:28CHOIR SINGS
33:33CHOIR SINGS
33:38CHOIR SINGS
33:43CHOIR SINGS
33:48CHOIR SINGS
33:53CHOIR SINGS
33:58CHOIR SINGS
34:00CHOIR SINGS
34:05CHOIR SINGS
34:09CHOIR SINGS
34:14CHOIR SINGS
34:16CHOIR SINGS
34:18CHOIR SINGS
34:20CHOIR SINGS
34:21CHOIR SINGS
34:22CHOIR SINGS
34:23CHOIR SINGS
34:24CHOIR SINGS
34:25CHOIR SINGS
34:26CHOIR SINGS
34:27CHOIR SINGS
34:28CHOIR SINGS
34:29CHOIR SINGS
34:30CHOIR SINGS
34:31Well, there we are.
34:35What a story.
34:42I wonder what he's doing.
34:44Going to go home, go to bed.
34:46No, you can't.
34:47It's late.
34:48And I'm old.
34:49Tired?
34:50But what about my confession?
34:51What do you want me to do with this, Antonio?
34:54Run through the streets proclaiming your lies.
34:57You didn't kill him.
34:58You didn't compose with him.
35:00And you certainly didn't love him.
35:02I will leave you in peace now.
35:03Leave me in peace?
35:04I mean, everybody's left me in peace.
35:08Do you know what it's been like to watch myself disappear,
35:11to see my name and reputation fade as your husband's has grown?
35:15But there it is.
35:16This entire story has been a pathetic attempt
35:18to tie your name to my husband's legacy.
35:20I'm asking to be remembered.
35:24Just remembered.
35:27I have sat in your husband's shadow and it is cold and it is dark.
35:33I have lived long enough to see myself become extinct.
35:37Forgotten.
35:38It's sadieri, his life, his music, poor girl.
35:45They won't remember your music.
35:49If this confession gets out, you'll live on immortal.
35:53Trapped in a story you do not control.
35:56Told by people who do not care about the truth.
35:59Is that really what you're asking me to do?
36:02I'm begging you.
36:11To be forgotten is a gift.
36:29I looked up Wolfgang's burial records, his funeral.
36:56It was a modest affair.
36:58The funeral mourners.
37:00You didn't go.
37:01It was December, Herr Pushkin.
37:03It was a storm.
37:04I said goodbye to Wolfgang later.
37:06My own way.
37:08Some people did go to the burial.
37:10Did you know that?
37:11Yes, Franz went.
37:12Yes, Herr Sussmaier went.
37:14And did he ever tell you who else was present?
37:16No.
37:18A record shows six mourners present at your husband's funeral.
37:22Sussmaier von Strack, three junior members of the Viennese Opera,
37:26and one Antonio Salieri.
37:32You didn't know?
37:35What drove him there, do you think?
37:37Love?
37:38Hate?
37:41Guilt?
37:42God, I don't know.
37:43And what about Salieri's funeral?
37:47I wasn't invited.
37:48No.
37:49Well, sparsely attended, I believe.
37:50Not many friends in the end.
37:52But a much more lavish affair.
37:55The old Hofkapelmeister still demands a grand send-off.
38:00He'd even prepared his own composition.
38:05His own requiem to be played.
38:11Taken from the conductor at Salieri's funeral.
38:13Played only once.
38:19At his request.
38:22Have a look.
38:30Why are you showing me this?
38:32Just keep looking.
38:33Do you see it?
38:43Both their hands.
38:44Both their hands.
39:00You knew these two meant better than anyone from outside.
39:05What is the truth?
39:14No.
39:16No.
39:19No.
39:20No.
39:22No.
39:26No.
39:33No.
39:38No.
39:39I can tell you a story, Mr. Pushkin.
39:52How silly he killed Mozart.
39:55But the truth of it, the real truth,
40:00that will die with me.
40:02I hope you're all jinxing to it soon.
40:09I hope you're all jinxing to it soon.
40:11I hope you're all jinxing to it soon.
40:31Dawn has come.
40:34And I must release you.
40:36And myself.
40:39One moment's violence, and it is done.
40:43You see, I cannot accept this.
40:45I did not live on this earth to be his joke for eternity.
40:48I will be remembered.
40:51If not in fame, then in infamy.
40:55One more moment, and my battle with him is won.
41:00I shall be immortal after all.
41:05For the rest of time, whenever men say Mozart with love,
41:10they will say Salieri with love.
41:13And now I go to become a ghost myself.
41:23But I will stand in the shadows when you come here to this earth in your terms.
41:28And when you feel the dreadful bite of your failures,
41:34and you hear the taunting of an uncaring God,
41:39I will whisper my name to you.
41:41Salieri.
41:42The patron saint of mediocrities.
41:43And in the depth of your downcastness, you can pray to me.
41:56I will forgive you.
42:00I will forgive you.
42:09Vi saluto.
42:26Vi saluto.
42:28Vi saluto.
42:29Vi saluto.
42:30Vi saluto.
42:31Vi saluto.
42:32Vi saluto.
42:33Vi saluto.
42:34Vi saluto.
42:35Vi saluto.
42:36Vi saluto.
42:37Vi saluto.
42:38Vi saluto.
42:39Vi saluto.
42:40Vi saluto.
42:41Vi saluto.
42:42Vi saluto.
42:43Vi saluto.
42:44Vi saluto.
42:45Vi saluto.
42:46Vi saluto.
42:47Vi saluto.
42:48Vi saluto.
42:49Vi saluto.
42:50Vi saluto.
42:51Vi saluto.
42:52Vi saluto.
42:53Vi saluto.
42:54Vi saluto.
42:55Vi saluto.
42:56Satsang with Mooji
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