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Stranger Things - Season 5 Episode 04- Chapter Four- Sorcerer
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Transcript
00:00:00Hey, I know you're scared, and I know you're angry, but I promise you, we are here to help you.
00:00:20Derek, Derek.
00:00:22If you keep doing that, you're just going to hurt yourself.
00:00:24You just calm down so we can talk, okay?
00:00:27Do you know who I am?
00:00:31An evil child kidnapper.
00:00:34Okay, I understand why you would think that, but I'm not evil.
00:00:39I'm just a mom, a regular mom.
00:00:42That's my son, Will.
00:00:45Zombie boy.
00:00:47You know why they call him that?
00:00:48Because he died and came back to life.
00:00:50But what people don't know is that when he went missing, he was taken by a terrible, scary monster.
00:00:58And now that scary monster is after you.
00:01:01Yeah, I know.
00:01:02Mr. What's It told me.
00:01:03Which is why you need a...
00:01:04No, no.
00:01:05Mr. What's It is not who he says he is, okay?
00:01:09He is lying to you.
00:01:10All these monsters, they work for him.
00:01:12Now, that's why we took you here to this barn.
00:01:14We thought this barn was safe, but he's found us, so we have to move you again somewhere he can't find you.
00:01:19So if I untie you, will you cooperate and come with us?
00:01:25Please?
00:01:27Okay, great.
00:01:29You're a very brave kid, Derek.
00:01:31I want you to know that.
00:01:33Very brave kid.
00:01:34Let me go!
00:01:43Get off of me!
00:01:44Please, the door!
00:01:45Get the door!
00:01:46Let me go!
00:01:47Help me!
00:01:49Get away!
00:01:51Somebody help me!
00:01:52Get in there!
00:01:53Get away from me!
00:01:54Let me go!
00:01:56Mom, the rope!
00:01:57I need the rope!
00:01:58Don't fool me!
00:01:59Let me go!
00:02:00Easter!
00:02:04Come try us, dipshit!
00:02:06Shit!
00:02:18Dude!
00:02:19Oh!
00:02:19She's not lying to you, okay?
00:02:21Mr. What's-It is a very bad guy.
00:02:22He sent the monsters after you.
00:02:24Suck my fat one!
00:02:26Jesus, what?
00:02:27You just signed your death warrant, dipshit!
00:02:29You're just a psycho and you're going to jail!
00:02:31There is a monster coming.
00:02:33I fell in jail!
00:02:34Derek, please!
00:02:35You've got to be killed!
00:02:37I've got a little bit of my ass!
00:02:39I'm sorry I'm not with this game!
00:02:40I don't know.
00:02:41I don't know.
00:02:43I don't know.
00:02:46No, no, no!
00:02:54No!
00:02:54No, no!
00:02:55No, no, no!
00:02:56No, no, no!
00:02:57No, no, no!
00:02:58No, no, no, no!
00:02:59No, no, no!
00:03:00No, no, no, no!
00:03:01Stay back!
00:03:12You want him? You're gonna have to come through me!
00:03:31We got him! We got him!
00:04:02It flipped! It's headed back towards us!
00:04:04Come on! What are you doing, man? We gotta turn around!
00:04:06Wait, the gates are kinda like peanut butter boppers, right?
00:04:08What?
00:04:09The outside is, like, crunchy and tough,
00:04:11but then you bite down on it, it gives way to a gooey, creamy core.
00:04:14Dude, what the hell are you talking about?
00:04:16I drive fast enough, I think the Beamer could punch a hole straight into the gate,
00:04:18and then we could track the demo on its home turf in the upside down,
00:04:21and follow it straight back to home.
00:04:23We're losing the signal!
00:04:24We're not gonna be able to follow anything if we crash!
00:04:26We're not gonna crash if it's like a bopper!
00:04:27It's almost gone!
00:04:31Do it!
00:04:37Oh my god!
00:04:38Oh my god!
00:04:39I got it!
00:04:40I got it!
00:04:41Oh god!
00:04:42It's gonna work!
00:04:43It's not gonna work!
00:04:44We're not gonna make it!
00:04:45It's not gonna work!
00:04:46It's not about to stop!
00:04:47Jesus Christ!
00:04:48Oh my god!
00:04:49Come on!
00:04:58You did it!
00:05:00I got it!
00:05:01Woo!
00:05:02Woo!
00:05:06Oh my god!
00:05:07Get, you son of a bitch!
00:05:08We got you!
00:05:09I got you.
00:05:32I got you.
00:05:33I got you.
00:06:03I got you.
00:06:33I got you.
00:07:03I got you.
00:07:07Alan Miller?
00:07:08I'm sorry.
00:07:09What is this about?
00:07:10It's your daughter, sir.
00:07:12I got you.
00:07:19I got you.
00:07:20I got you.
00:07:26I got you.
00:07:27I got you.
00:07:33I got you.
00:07:34I got you.
00:07:35I got you.
00:07:40I got you.
00:07:41I got you.
00:07:43I got you.
00:07:44I got you.
00:07:45I got you.
00:07:46I got you.
00:07:47I got you.
00:07:48I got you.
00:07:49I got you.
00:07:50I got you.
00:07:51I got you.
00:07:52I got you.
00:07:53I got you.
00:07:54I got you.
00:07:55I got you.
00:07:56I got you.
00:07:57I got you.
00:07:58I got you.
00:07:59I got you.
00:08:00I got you.
00:08:01I got you.
00:08:02I got you.
00:08:03I got you.
00:08:04Wait, I'm picking up some interference.
00:08:05How is that important right now?
00:08:06It means I can't hear the signal.
00:08:07Then listen harder Henderson.
00:08:08You want to try to put these on?
00:08:10I'm driving here.
00:08:12You do the driving.
00:08:12I'm driving man.
00:08:13What is that?
00:08:14I don't know.
00:08:15Steve?
00:08:16Slow down!
00:08:17Steve!
00:08:18Steve watch out!
00:08:19Steve watch out!
00:08:20Steve watch out!
00:08:21Jonathan, it's Mom. Answer me, please. Over.
00:08:32Jonathan, please answer.
00:08:34Jonathan, Nancy, Dustin, it's Joyce. Please answer me.
00:08:40Hey, any luck?
00:08:44Well, on the plus side, I guess that means they made it through.
00:08:47You want to see where they're headed?
00:08:51What is it?
00:09:20I don't know, but I could feel it's important to him.
00:09:28It's Mr. What's-it?
00:09:31His real name is Henry.
00:09:32A.K.A. Vecna.
00:09:33A.K.A. One.
00:09:34That's too many names.
00:09:36Why won't you just zip it and listen, dipshit?
00:09:39I had this feeling he didn't want me there.
00:09:42I wasn't supposed to see it.
00:09:46You've never been this close to the hive mind before.
00:09:49I mean, that thing was, like, feet away.
00:09:51Sometimes at the squawk, when a signal comes in too strong, it overloads the whole system.
00:09:58Um, I think that's what this was, an overload.
00:10:01You didn't just tap into the hive mind.
00:10:04You jacked right into the goddamn control center.
00:10:07And Holly, where was Holly?
00:10:10Holly.
00:10:11Holly, she was attached to this spire.
00:10:16She became a part of it somehow, like it was doing something to her.
00:10:23And-and there were others.
00:10:25There were three others.
00:10:30I thought Vecna was just coming for dipshit.
00:10:33So did I.
00:10:33But I only knew about Derek because he walked right past me.
00:10:39Serendipitous timing.
00:10:40You hear that?
00:10:41Serendipitous.
00:10:42I don't know what that means.
00:10:43I'm really not loving all of these extra spires.
00:10:46I mean, night one, Vecna kidnaps Holly.
00:10:48Night two, he takes three more.
00:10:50He's escalating.
00:10:51And he's coming for more.
00:10:52Yeah, eight more, if this is accurate, which brings him to a total of twelve.
00:10:56What does he want with them?
00:10:57And why kids?
00:10:58And why swell?
00:10:59I don't know.
00:11:00But we have to stop him before he takes any more and buy Dustin and the others' time to find this place.
00:11:04To find Holly.
00:11:05Maybe if we can pinpoint his exact targets, we could get them out of Hawkins.
00:11:09And out of Vecna's reach.
00:11:10Did you forget we're quarantined?
00:11:12That's not all!
00:11:12There's another problem.
00:11:14On the way here, we saw soldiers load Debbie Miller onto a bus with a bunch more kids.
00:11:18And then we followed them for two blocks more, and they loaded more kids onto it.
00:11:22I don't think they were taking them to school.
00:11:25Vecna's not the only one that wants these kids.
00:11:27Eleven was at the Wheeler house the same night Holly was taken.
00:11:37Twenty-four hours later, we've got three more missing kids.
00:11:40There's seventy-three children in Hawkins between the age of nine and ten. If the pattern holds, our next target will be from this group.
00:11:48And you believe eleven has taken these kids? For what purpose?
00:11:53Killing them, protecting them, the reason doesn't matter.
00:11:56And these children? Where are they now?
00:11:58Arriving at the Max-Z any moment, which is where I want you.
00:12:02I should be looking for Lieutenant Akers. I find Akers, I find-
00:12:04You'll find a dead man. Report to the Max-Z, Colonel. That's an order.
00:12:16Major General.
00:12:20With all due respect, these kids are in danger. To use them as bait seems...
00:12:25Seems... what, Sergeant?
00:12:31Reckless.
00:12:31It's only reckless... if you fail to protect them.
00:12:38Are you telling me you can't protect them, Sergeant?
00:12:42No, ma'am.
00:12:46Good.
00:12:47I'm sorry for scaring you.
00:13:03I haven't seen anyone in a really long time, so...
00:13:08I guess I got excited.
00:13:10Good news is, it doesn't look that deep. Not enough for stitches.
00:13:17I bet it stings though, huh?
00:13:19You can talk to me, you know.
00:13:23I won't bite.
00:13:25You do remember me, right?
00:13:27I've been to your house.
00:13:28Like, a lot.
00:13:31You're Max.
00:13:32Max Mayfield.
00:13:33You skateboard and never take off your Walkman.
00:13:35That's me.
00:13:36But how am I in here when I'm in a coma in Hawkins General?
00:13:40That's a very reasonable question.
00:13:44We should get going.
00:13:46It's not safe here.
00:13:47Come on.
00:13:48Where are we going?
00:13:49My home.
00:13:50Well, I can't go far.
00:13:51I came here to meet Henry.
00:13:52Do you know Henry?
00:13:53Yeah, you could say that.
00:13:54Well, he left me this note here, see?
00:13:55And he told me to meet him right here at the X, right here.
00:13:57I think he's in trouble with the monsters.
00:13:58Henry is a lot of things, but in trouble with the monsters is not one of them.
00:14:00No, but look.
00:14:01Look, the note says...
00:14:02Holly, I know what the note says.
00:14:03Then how do you know he's in trouble?
00:14:04Holly.
00:14:05He said hurry!
00:14:06Holly, I know what the note says because Henry didn't write it.
00:14:08I did.
00:14:09I...
00:14:10I...
00:14:11I...
00:14:12I...
00:14:13I...
00:14:14I...
00:14:15I...
00:14:16I...
00:14:17I...
00:14:18I...
00:14:19I...
00:14:20I...
00:14:21I...
00:14:22I...
00:14:23I don't...
00:14:24I don't understand.
00:14:25I'm sorry.
00:14:27I didn't want to lie.
00:14:30I...
00:14:31I just...
00:14:32I had to make sure that you came here.
00:14:33You're one of them, aren't you?
00:14:36One of what?
00:14:37The monsters.
00:14:38Do I look like a monster?
00:14:39I don't know.
00:14:40Maybe you're in disguise, you're dressed weird, and you're in a coma.
00:14:43Okay.
00:14:44Well, would a monster know that your brother tried to get a mohawk until your sister stopped him,
00:14:50saving him from possibly the greatest social humiliation that a freshman has ever experienced at Hawkins High?
00:14:56What color was this mohawk?
00:14:58Hot orange.
00:14:59And personally, I think the use of the word hot is a bit ironic, but people say I'm too negative.
00:15:05I just think I'm honest.
00:15:07I don't know.
00:15:08I don't know if I can, but I don't know if I can.
00:15:09I'm not.
00:15:10I don't know if I can.
00:15:11I'm not.
00:15:12All right.
00:15:13Come on.
00:15:14Come on.
00:15:31Welcome.
00:15:41Hey, it even comes with a view.
00:16:09Where are we?
00:16:14In a memory, which exists inside a world of a thousand memories.
00:16:21I know it might look nice, but it's not.
00:16:26This place, this world, it's a prison.
00:16:30Henry's prison.
00:16:42Henry's prison.
00:16:51Henry's prison.
00:17:03Henry's prison.
00:17:17It's okay, sweetie.
00:17:19These are the good guys.
00:17:21They're gonna keep everyone safe.
00:17:23Just try and think of this as a field trip.
00:17:26A learning expedition.
00:17:42Cargo has arrived.
00:17:44They're taking them into a barrack second from the library.
00:18:00The tunnels.
00:18:07Yeah, see?
00:18:08The north tunnel of the Mach Z runs right underneath the barracks.
00:18:12Lucky break.
00:18:13We're gonna need a lot more luck if we want this plan to work.
00:18:16If we're right, the military is trying to protect these kids.
00:18:19So this barracks is gonna be heavily guarded.
00:18:20I mean, we have to dig up into the barracks unnoticed.
00:18:23Grab the kids.
00:18:24Get them to Murray.
00:18:25Smuggle them out of Hawkins.
00:18:26All before anyone notices they're gone.
00:18:28Dick.
00:18:29What?
00:18:30What?
00:18:31Oh.
00:18:32Sorry, did I say that out loud?
00:18:33I thought I was talking in my head, but you guys know Tom, Dick, and Harry, right?
00:18:39Seriously?
00:18:40None of you have seen The Great Escape?
00:18:43Well, basically, it's about these POWs, right?
00:18:46And they're stuck in a barracks just like this one, and they need to escape.
00:18:49So they dig these tunnels, and they call their tunnels Tom, Dick, and Harry.
00:18:53They have to hide the tunnels from the Nazis, so they put Tom in this dark corner,
00:18:57and they put Harry under the stove, and they put Dick in the washroom.
00:18:59And personally, for us, I like Dick.
00:19:05Oh, um, sorry.
00:19:07The washroom.
00:19:08I actually don't even...
00:19:09Never mind.
00:19:10Okay.
00:19:11Say we go with Dick.
00:19:12How do we find the washroom?
00:19:14And how do we get the kids to it?
00:19:16How do we even know which kids are being targeted by Vecna?
00:19:18We use an inside man.
00:19:20Someone who could get into the barracks, measure the distance,
00:19:22to the washroom, find out which kids have actually seen Mr. What's It,
00:19:25and somehow avoid the military altogether.
00:19:27Well, that's a lovely plan, but isn't it a tad...
00:19:30Missing impossibly.
00:19:31Yeah.
00:19:32I mean, Mike, who are you gonna get to do this?
00:19:35Bond?
00:19:36Magnum?
00:19:37No, no.
00:19:38We don't want a super spy.
00:19:39We want the opposite.
00:19:40We want someone no one would suspect.
00:19:41Someone that could just walk in, no questions asked.
00:19:43The one kid the military failed to wrangle?
00:19:53What?
00:20:13Two grunts in the tower by the west gate.
00:20:28One more in the tower by the east gate.
00:20:31One, two, three, four on the ground.
00:20:33I hope to God you're right and Vecna is in there.
00:20:36Because we might just die trying to break in.
00:20:39I am right.
00:20:40Well, you can't be right about everything,
00:20:41because your theories aren't exactly lining up.
00:20:43Why not?
00:20:44You heard Kryptonite.
00:20:45He's affecting us in there.
00:20:46He doesn't have his powers, and if he doesn't have his powers,
00:20:48how could he have anything to do with Holly's kidnapping?
00:20:51You can ask him before I kill him.
00:20:53How high is that fence?
00:20:55Hey, you're not jumping that.
00:20:58Why not?
00:20:59Because this is not training.
00:21:01This is a real-world situation.
00:21:03And that roof is metal.
00:21:06You hit that on a jump, you're gonna alert the whole damn base.
00:21:09Not if I time it with the thunder.
00:21:11Yeah.
00:21:12It's seven seconds.
00:21:18One, two, three, four, five, six.
00:21:29Seven.
00:21:30Okay.
00:21:31You got lucky.
00:21:33Hopper, you copy.
00:21:34Dustin!
00:21:35Hopper, you copy.
00:21:37Dustin.
00:21:38Hey, hey, uh, it's Hop.
00:21:40I copy.
00:21:41Who is it?
00:21:42Okay.
00:21:43Well, they're alive.
00:21:44Elle!
00:21:45Ask about Elle.
00:21:46Elle, Elle.
00:21:47Is Elle with you?
00:21:48Over.
00:21:49Yes, I'm here.
00:21:50Over.
00:21:51Okay.
00:21:52Yay.
00:21:53Terrific.
00:21:54I don't know what you're doing right now,
00:21:55or if you're caught up in something important, but...
00:21:56Dustin, meet us.
00:21:57Meet us at Rhone Cemetery Church, please.
00:21:58How the hell are you contacting us?
00:21:59It's from there.
00:22:00Right.
00:22:01You don't know.
00:22:02We're in the Upside Down.
00:22:03What?
00:22:04Long story short,
00:22:05we're in here to track a Demogorgon using our telemetry tracker,
00:22:07only to then hit a wall.
00:22:09Literally.
00:22:10Now, Steve's Beamer is stuck, so we need Elle to come and pry it loose using her power,
00:22:12so we can then resume the search for said Demogorgon, which will, in theory, lead us to Holly.
00:22:16Does any of this make sense?
00:22:17Do you need additional details?
00:22:19Questions?
00:22:20Concerns?
00:22:21Over.
00:22:22You hit a wall.
00:22:23What kind of wall, exactly?
00:22:25Uh, it's a bit hard to describe.
00:22:30Sort of.
00:22:31Huge.
00:22:32Disgusting.
00:22:33Smells like Henderson's armpit.
00:22:34Yeah, we hit the same thing, but not at the Roan Cemetery.
00:22:35We hit about a quarter mile southeast of the Old Hagen Bridge.
00:22:36That's the opposite side of town.
00:22:37Fascinating.
00:22:38We don't know what it is, but we think that Holly's behind it.
00:22:39Don't bother trying to break through.
00:22:40You, you can't.
00:22:41We're working on a solution.
00:22:42An answer.
00:22:43Solution?
00:22:44What kind of solution?
00:22:45Wait, what kind of solution?
00:22:46Hopper!
00:22:47Listen, we gotta keep the airwaves clear, all right?
00:22:48We'll come get you.
00:22:49Just stay put.
00:22:50You think they're safe?
00:22:51I mean, compared to us, yeah.
00:22:52Okay.
00:22:53Okay.
00:22:54Okay.
00:22:55Okay.
00:22:56Okay.
00:22:57Okay.
00:22:58Okay.
00:22:59Okay.
00:23:00Okay.
00:23:01Okay.
00:23:02Okay.
00:23:03Okay.
00:23:04Okay.
00:23:05Okay.
00:23:06Okay.
00:23:07Okay.
00:23:08Okay.
00:23:09Okay.
00:23:10Okay.
00:23:11Okay.
00:23:12Okay.
00:23:13Okay.
00:23:14Okay.
00:23:15Let's go see if that training is paid home.
00:23:18You're gonna let me jump?
00:23:20Let's go.
00:23:22Before I change my mind.
00:23:31Dechna's curse.
00:23:33It never goes away.
00:23:35It never leaves you.
00:23:37With each victim that he took, he created a new gate.
00:23:41A gate to the upside down?
00:23:43When he took me, he opened the fourth, final gate, splitting Hawkins in two.
00:23:50Wait, but if Mr. What's It, I mean, Henry, took you, how are you here?
00:23:58You mean, shouldn't I be dead?
00:23:59It's okay.
00:24:00It's a fair question.
00:24:01It's okay.
00:24:02It's a fair question.
00:24:03I definitely should be.
00:24:05And for a moment, I was.
00:24:10I don't know how long I was gone, but then I felt something calling to me.
00:24:19What?
00:24:20What?
00:24:21What?
00:24:22What?
00:24:23What?
00:24:24What?
00:24:25What?
00:24:26What?
00:24:27What?
00:24:28What?
00:24:29What?
00:24:30What?
00:24:31What?
00:24:32What?
00:24:33What?
00:24:34What?
00:24:35What?
00:24:36What?
00:24:37What?
00:24:38What?
00:24:39What?
00:24:40What?
00:24:41What?
00:24:42What?
00:24:43What?
00:24:44What?
00:24:45What?
00:24:46What?
00:24:47Oh, my God.
00:25:17One night only. Don't miss it. Tickets are only 50 cents.
00:25:23That's two quarters for your point, Dexter.
00:25:25Joyce! Is that stupid play of yours?
00:25:28Better see you there, Harrington.
00:25:30Friday night? You wish.
00:25:35Nice shot, jerk.
00:25:40Somehow, I was in another time. Hawkins.
00:25:4630 years ago.
00:25:47Time travel. Only, I wasn't actually there. Not really. I was just... an observer.
00:26:00And that's when I understood. I was trapped inside Henry's mind. His memories.
00:26:07Like a nightmare prison world ruled by an evil, psychopathic piece of shit.
00:26:15Like Camazox.
00:26:16Cam... what?
00:26:18Camazox. From Wrinkle in Time.
00:26:21Never read it.
00:26:21You should. It's amazing. Camazox is like this dark planet that's under the control of It,
00:26:25which is this giant disembodied evil brain.
00:26:27Anyways, Meg's dad, Meg's the main character. He gets taken prisoner there. So Henry's kind of like it and you're kind of like Meg's dad.
00:26:34Okay, well, I don't know if Meg's dad would agree, but the way I see it, when you're a prisoner in a messed up prison world, you really only have a few doors open to you.
00:26:45Door one, you take your own life. Door two, accept your fate. Or door three.
00:26:55You escape. I chose door three. That seems like the best door.
00:27:00So I kept moving from memory to memory. Only this place is a maze. I became lost. Turned around.
00:27:12And I got so turned around, I actually ended up right back at the beginning.
00:27:27And that's when I heard her.
00:27:28I heard Kate Bush.
00:27:34Is she one of your friends?
00:27:37You could say that.
00:27:42Music has a way of finding you, even in the darkest of places.
00:27:46Lucas had used it before to reach me, to guide me out of Vecna's mind. Back to the light.
00:27:58So, this music was coming from Lucas. From the real world.
00:28:13Even after all this time, he hadn't given up on me.
00:28:18If you followed this music...
00:28:21Then what?
00:28:23Then it would lead me out of here.
00:28:25Back home.
00:28:30At least that's what I thought.
00:28:35Then...
00:28:38Everything went wrong.
00:28:41Come on, Angel. Come on, come on, darling.
00:28:46Let's exchange...
00:28:48Hey!
00:29:08What the hell are you doing?
00:29:12Can't you read, kid?
00:29:14No trespassing.
00:29:16Right. I see that, officer.
00:29:18It's just...
00:29:19My school is missing.
00:29:27Let's go.
00:29:35Move it.
00:29:39Holy shit.
00:29:46Are those laser blasters?
00:29:47Might just be.
00:29:49And the blaster, if you don't keep it moving.
00:29:55Boys.
00:29:56Can't get me.
00:29:58Boys.
00:30:00All right.
00:30:01Absolutely enough.
00:30:04Whoa, whoa, whoa, whoa, whoa, whoa.
00:30:05This is a private chat.
00:30:07You do exactly as he says.
00:30:09If you got any questions, direct them to him.
00:30:12Where might I relieve myself?
00:30:17Breaking bar.
00:30:20Shovel.
00:30:22Five safety goggles.
00:30:25A surveyor's wheel.
00:30:26And hold for applause.
00:30:33Santa's sleigh is ready for his reindeer.
00:30:36We got built-in benches, seatbelts, foam padding.
00:30:40Everything a kidnapped child could desire.
00:30:43Foam padding.
00:30:44Don't want to break any eggs en route now, do we?
00:30:48I'm in.
00:30:49You copy.
00:30:50Repeat, I'm in.
00:30:51You copy.
00:30:52Yes, yes, we copy.
00:30:54We copy.
00:30:54Where are you?
00:30:55Bathroom.
00:30:56Backstall.
00:30:56Forty-five of my paces from the front entrance.
00:30:59Good job.
00:30:59Now round up anyone who's seen Mr. Wetted.
00:31:01And we'll be there soon.
00:31:03And remember, you're not dipshit Derek.
00:31:06You're delightful Derek.
00:31:19Okay, once you get that gate open and I'm inside.
00:31:23You lead.
00:31:25That's right.
00:31:26And you?
00:31:27I will destroy your crypt tonight.
00:31:30Don't worry.
00:31:31Okay.
00:31:33All right.
00:31:33What are you doing?
00:32:03Alright, come on. Come on, you got this, you got this.
00:32:33Wait, you're too early, you're too early.
00:32:57God.
00:33:01Sorry.
00:33:03You're trying to give your old man a heart attack? Nice job, by the way.
00:33:18Pop.
00:33:20Yeah?
00:33:24For what?
00:33:24For teaching me.
00:33:28And trusting me.
00:33:31Always.
00:33:31Always.
00:33:32The day of reckoning has arrived.
00:33:41With this in mind, I've been sent by Mr. What's-It to gather the Chosen Ones.
00:33:45If you've been visited by Mr. What's-It, speak now.
00:33:48And when night falls, follow me to the latrine.
00:33:50And I will lead you to our savior.
00:33:52To safety.
00:33:53Derrick's gone mental.
00:33:56The monsters are coming and you're all gonna die.
00:34:01Ha, ha, ha, ha, ha.
00:34:02Derrick?
00:34:03Were you talking about Henry?
00:34:06Anywhere from Derrick yet?
00:34:19Not yet.
00:34:21Just give him time.
00:34:23It hasn't been that long.
00:34:24I just can't get over the fact that the fate of the world rests on Derrick freaking Turnbow.
00:34:31When you look in the mirror, do you see a Navy SEAL looking back at you?
00:34:33Sometimes people need someone to believe in them, and they can do amazing things.
00:34:40Your mom and Robin are getting along better.
00:34:43Well, it didn't hurt that mom scared off that demo, it saved Robin's life, everybody's life.
00:34:53So, when your mom, when she had her axe, you could see her, like, through the demo's eyes?
00:35:00Yeah, and I was so close to the hive, it's like I could-I could feel what it was feeling,
00:35:06like-like this anger, that I was still in there too, and I was afraid.
00:35:11I was afraid, I was afraid for my mom.
00:35:13You wanted to protect her.
00:35:14Yeah, but-but I-I-I just couldn't.
00:35:16It was like this-this scary movie you just can't turn off.
00:35:24Open sesame.
00:35:26Oh, well, have fun.
00:35:30Thanks.
00:35:32Are you positive you didn't?
00:35:34Didn't want-
00:35:35Turn off the scary movie.
00:35:36Protect your mom, not the other way around.
00:35:38I mean, no offense, I know she's badass and everything, but you know.
00:35:40Yeah, she's five foot three.
00:35:42Yeah, and Vecna likes to control the hive mind like a puppet master.
00:35:45So, maybe when you tap into the hive, you can pull the strings too.
00:35:49Except I'm not Vecna.
00:35:51You sorta are.
00:35:52You're trying to say that I'm evil and hell-bent on destroying the world?
00:35:55Totally.
00:35:56No, I'm just saying that, you know, you're like a wizard, like him.
00:36:00In D&D, Mike, not real life.
00:36:02True.
00:36:03In real life, you're more like a sorcerer, because your powers don't come from a book of spells, they're innate.
00:36:07Ugh.
00:36:08Listen, as far as crazy theories go, I've had crazier.
00:36:11And with Eleven in the Upside Down, we really need some magic up here.
00:36:14We really need some magic up here.
00:36:21It's a theme, even though I've had a great idea.
00:36:22Isn't it?
00:36:23I think I want to go right here.
00:36:24So, let's go right back.
00:36:25It's an open source.
00:36:26There's no magic up here.
00:36:27Can't go right here.
00:36:28Oh no.
00:36:29Oh no.
00:36:30Oh no.
00:36:31You can't go right here.
00:36:32I can't go wrong.
00:36:33Oh no.
00:36:34Oh no.
00:36:35Oh no.
00:36:36Oh no.
00:36:37Oh no, you can't go right here.
00:36:39And I'm so sorry.
00:36:42Ever since have I got him a sweet hatchet.
00:36:44Oh no.
00:36:46Oh no, you can't go right here.
00:36:48working on a solution i mean if hopper has a solution to get through this and to get to holly
00:36:59he should he should share it with us i just say we ignore the old man we keep moving look for a
00:37:05door or something yeah and um but just curious uh this door yours why it's soft like a peanut
00:37:10butter bopper you got something to say bars why don't you just come out and say it man i'm just
00:37:14saying that maybe you shouldn't be making the calls from now on it was not just his call it
00:37:17was mine because it's my sister and i agree with steve okay we can't just sit here i don't know
00:37:25about a door but this wall can't go on forever there has to be a way around it there isn't
00:37:32this wall is a circle a circle completely surrounding the upside down oh yeah and how
00:37:38exactly do you figure that because unlike you i didn't sleep through algebra one
00:37:42so my telemetry tracker picked up a weird frequency coming from the wall and it took
00:37:49me a bit to place but i've heard it before rather we have you remember when we were out looking for
00:37:55hop and you heard that sound off of erwin road yeah you said it was an interference it was but
00:37:59this interference it wasn't coming from a military broadcast or an emi it was coming from this wall
00:38:04which is important because that gives us three known locations so i connected the dots measured the
00:38:10midpoints drew the perpendicular by all right yeah we're not your teachers we don't need to see
00:38:15your work we get it you think it's all a big circle i don't think i know i triple checked and
00:38:20my calculations jesus whatever still don't say how this gets us any closer to finding holly because
00:38:25it's not about the circle it's about the center
00:38:27the doE the department of energy that's hawkins lab what are the chances that the center of this
00:38:38wall just so happens to be in the very place where all of this started where the upside down
00:38:41was created so the lab created the wall no idea but i think we should find out don't you
00:38:49the music it led me to a new memory only something was different about this memory
00:39:01i was there
00:39:03it was the day that henry cursed me it was his first memory of me
00:39:10i know as if this goddamn place wasn't heady enough right
00:39:14but i still had the music to guide me so i followed it and it led me through new memories
00:39:25terrible memories
00:39:33let go follow me into death
00:39:37and it felt like they would never end
00:39:53but then eventually they did
00:40:00it was the night that beckna killed me
00:40:04the night he took me prisoner
00:40:11i finally found it
00:40:16the way out
00:40:22the way out
00:40:30the way out
00:40:42and i was so close
00:40:47so close that i could feel his hand on mine
00:40:53it was like i was there
00:40:56like i was with him
00:40:58in that hospital
00:41:00No, no, no, no, no, no, no.
00:41:30No, no, no, no, no, no.
00:42:00No, no, no, no, no, no.
00:42:30No, no, no, no, no, no, no.
00:43:00No, no, no, no, no.
00:43:30And when he does, he cannot know that you're gone.
00:43:33You want me to go back there?
00:43:36Back to him? Back to Henry? No, I know.
00:43:38It's scary.
00:43:40But if you want to get out of here,
00:43:42if you want to escape Camizot's,
00:43:45this is the only way.
00:43:46It's the only way
00:43:50Tell me what I need to do
00:44:16Wait, wait
00:44:16Hey
00:44:17Hi
00:44:18Do you, um, play any chance
00:44:23Remember Tammy Thompson?
00:44:25Yeah, isn't she that terrible singer?
00:44:28Yeah, but in the ninth grade
00:44:31I thought that she sounded like Whitney
00:44:32Goddamn Houston
00:44:34I mean, the first time I saw her
00:44:36Oh my God
00:44:37Like, time slowed down
00:44:40It was like a scene from some label movie
00:44:43You know, her hair blew in the wind
00:44:44And she just looked perfect
00:44:46So goddamn perfect
00:44:49And, uh, it was right then and there
00:44:51That I knew she was the one
00:44:52That with Tammy
00:44:54I would finally be able to be myself
00:44:57You know, all of myself
00:44:58Because there was always this part of me
00:45:00That kind of scared me, you know
00:45:02But I thought that if Tammy loved me
00:45:05All of me, you know
00:45:08I wouldn't be so scared anymore
00:45:10And then he showed up
00:45:12Steve the hare, Harrington
00:45:14Oh God
00:45:15You probably can't guess the rest
00:45:17Tammy fell for him hard
00:45:20And my entire fantasy life with her
00:45:24Along with the rest of my life
00:45:26Pretty much imploded before my eyes
00:45:28I mean, my grades plummeted
00:45:29I got grounded
00:45:30I had to stay home every weekend doing chores
00:45:32But then one day
00:45:33I was cleaning that shit out of my parents' garage
00:45:36And I found this
00:45:36This eight millimeter film reel
00:45:38You know
00:45:38And it was just from this silly movie
00:45:39That I made in the fourth grade
00:45:41But I got it up on the projector
00:45:43And all of a sudden
00:45:45I was looking at this
00:45:46Little version of myself
00:45:48And that little me
00:45:50I could hardly recognize her
00:45:52You know, she was so carefree
00:45:55And like fearless
00:45:58She just loved every part of herself
00:46:01And that's when it hit me
00:46:04It was never about don't have to him
00:46:07It was always just
00:46:09About me
00:46:11I was looking for answers
00:46:13In somebody else
00:46:14But
00:46:14I had all the answers
00:46:18I just needed to stop
00:46:20Being so goddamn scared
00:46:22Scared of
00:46:24Who I really was
00:46:26Once I did that
00:46:29I felt so free
00:46:32It's like I could fly, you know
00:46:35Like I could finally be
00:46:37Rock
00:46:37Rock
00:46:38Rock
00:46:41Rock
00:46:41And
00:46:41Rock
00:46:42Hey guys
00:46:44Take your time, will you?
00:46:51You finally hit dick
00:46:53Hit the dick
00:46:54Yep
00:46:54Let's just hope it's not too hard
00:46:56If it is
00:46:57I'll soften it
00:47:00Hey!
00:47:06Hey!
00:47:08Hey!
00:47:08Hey!
00:47:08Take me to K
00:47:13Take me to K
00:47:14Make a sound, it'll be your last
00:47:28Make a sound, it'll be your last
00:47:42Not if you understand
00:47:44Come on, let's go
00:47:50Come on
00:47:51It's not working
00:47:54How do we get through?
00:47:57I don't have clearance
00:47:58I didn't ask if you have clearance
00:48:00I asked how do we get through
00:48:01You can't
00:48:02Dr. K, your boss
00:48:04She got clearance?
00:48:06I don't know
00:48:07I don't know
00:48:09Thanks for your help
00:48:10Plan B
00:48:13I don't know
00:48:29I don't know
00:48:34I don't know
00:48:34How do we get through?
00:48:35Come on
00:48:36No, no, no, no, no.
00:49:06We're through.
00:49:36Oh, shit.
00:49:54Close your eyes and focus on your breathing.
00:50:04Breathe in and out.
00:50:07As you continue breathing, I want you to picture yourself on a beach.
00:50:12The water is blue, blue as a smurf.
00:50:15You listen to it lap the sandy shore, like a dog slurping from his bowl.
00:50:27It's called visualization.
00:50:30Mom does it when she's out of Valium.
00:50:32Mom does it when she's out of Valium.
00:51:02Mom does it when she's out of Valium.
00:51:32feel the sand under your butt it feels cool and soft it's fine there you go
00:51:44all right hey sweetie um what's your name debbie do you work for mr. what's it mr. what's it
00:51:56oh um yes of course i'm one of his elves you know like a magic elf
00:52:02right here a couple more steps all right nice good all right
00:52:25great job step by step
00:52:28shit
00:52:55uh
00:53:0211 i have been looking for you for a very long time
00:53:28my name is dr k
00:53:31i know who you are
00:53:36know who you've taken
00:53:40and i also know
00:53:46that you and your men
00:53:50are going to die
00:53:54so
00:54:01What the hell?
00:54:31What the hell?
00:55:01It's best not to
00:55:31struggle. The greater the perceived threat, the more aggressive its response.
00:55:43Miss Robin, what about the others?
00:55:45Uh, just Robin. And don't worry, they're right behind us.
00:55:48Something's wrong, isn't it?
00:55:49No! No, Siree, everything is going exactly according to plan.
00:55:53Carol, just with your dad, already with your dad!
00:55:56Hold it, hold it, hold it, hold it!
00:55:58Sorry, we have a plumbing problem here.
00:56:04Are you by chance looking for Mr. What's-It?
00:56:07Right through there.
00:56:09There's a little breeze in the air telling you to see it.
00:56:23You look up at the sky, searching for clouds, but all the-
00:56:26Mr. What's-It?
00:56:41Mr. What's-It?
00:56:44Mr. What's-It?
00:56:50Shit!
00:56:51Officer! Officer!
00:56:52Whoa, whoa, whoa. Hey, calm down. What's going on?
00:56:54Shitballs.
00:56:55Good job, man.
00:56:56Lucas! We've been spotted!
00:56:58Oh, no, no!
00:56:59Just get him out of here!
00:57:00Just go!
00:57:01Go, go, go, go!
00:57:02Damn it!
00:57:03Okay, come on, guys!
00:57:04Go, go, go, go, go, go!
00:57:06Go, go, go, go, go!
00:57:08Go, go, go, go, go, go, go, go, go, go, go, go, go, go!
00:57:12Hey, stop right there!
00:57:14Ashley Clyde is a stench!
00:57:16Hey!
00:57:17Hey!
00:57:18Hey!
00:57:19Hey!
00:57:20Hey!
00:57:25Hey!
00:57:26I've got their door!
00:57:34So you're the reason, the reason she's been so hard to track.
00:57:42The thorn in my side.
00:57:45And after all that effort to hide her, you bring her here, of all places?
00:57:54Why?
00:57:56Why risk her life for the other?
00:58:01What do you know that I don't?
00:58:10It's actually holding back, if you can believe it.
00:58:14That heat you feel, we can do it.
00:58:23But in the cold, it thrives.
00:58:31I can stop it, but you're gonna have to start talking.
00:58:44Come on.
00:58:56In your current state, I'm afraid that won't work.
00:59:14Oh, not the sharpest, are we?
00:59:26You're too late.
00:59:47Cavalry's on its way.
00:59:48That's all right.
00:59:51I'll be quick.
01:00:05Grocery delivery.
01:00:06Where's everyone else?
01:00:08Coming.
01:00:08Come on, sweetie.
01:00:13Come on down.
01:00:15Come on.
01:00:16You get down here right now or a monster's gonna eat you.
01:00:19Get down here right now or a monster's gonna eat you.
01:00:20Get down here.
01:00:21Get down here.
01:00:22Get down here.
01:00:23Get down here.
01:00:24Get down here.
01:00:25I got you.
01:00:26That's good.
01:00:27Good, good.
01:00:28Hey there.
01:00:29Where do you think you're going?
01:00:31What are you doing?
01:00:32Hey.
01:00:33You gotta go.
01:00:34Oh, you gotta go.
01:00:35Come on.
01:00:36Come on.
01:00:37I got you.
01:00:38That's good.
01:00:39Good, good.
01:00:40Hey there.
01:00:41Where do you think you're going?
01:00:44What are you doing?
01:00:57Hey.
01:00:58You gotta go.
01:00:59You gotta go.
01:01:00You gotta go.
01:01:01Come on.
01:01:04We're gonna get to the woods?
01:01:06That kryptonite shit can't get you there.
01:01:08We can't.
01:01:09We can't leave.
01:01:10We came for Henry.
01:01:11Hey, you're gonna take this compass.
01:01:12Yeah.
01:01:13You're gonna follow it northeast.
01:01:14That'll take you to the graveyard.
01:01:16You're gonna find Nancy and the others.
01:01:18Whoa, whoa, whoa.
01:01:19Hey, hey.
01:01:20Hey.
01:01:21What is that?
01:01:22It's just a failsafe, okay?
01:01:23No.
01:01:24It's a failsafe.
01:01:25If anything happens, I gotta make sure that he goes down with me.
01:01:27No.
01:01:28It's the only way.
01:01:29It's the only way.
01:01:30It's the only way.
01:01:31I'm not gonna risk losing you.
01:01:32I will not risk it.
01:01:33Hopper.
01:01:34No.
01:01:35I want you to know something.
01:01:36From here on out, I want you to know how proud I am of you.
01:01:39I am so proud of you.
01:01:41I am so proud of what you've overcome.
01:01:42I'm proud of who you are.
01:01:43No.
01:01:44No.
01:01:45No.
01:01:46No.
01:01:47No.
01:01:48Hopper.
01:01:49I love you, Jane.
01:01:50Hopper.
01:01:51Hopper.
01:01:52Hopper.
01:01:53Hopper.
01:01:54Hopper.
01:01:55Hopper.
01:01:56Hopper.
01:01:57Hopper.
01:01:58Hopper.
01:01:59Hopper.
01:02:00Hopper.
01:02:01Hopper.
01:02:02Hopper.
01:02:03Hopper.
01:02:04No!
01:02:05Jennifer!
01:02:09Help her!
01:02:12Help her!
01:02:19Help her!
01:02:21Help her!
01:02:22Help her!
01:02:31So doctor's calling.
01:02:34All right, kids.
01:03:00Come on, find a seat in the back.
01:03:04All right.
01:03:09Okay, let's have some fun, huh?
01:03:11This is going to be great, huh?
01:03:13Okay, let's get our seat belts on, hmm?
01:03:15Safety first.
01:03:16Come on, time's a-wasting.
01:03:17Pretty comfy, huh?
01:03:19Not really.
01:03:20Oh, sorry.
01:03:22Robin, Lucas, do you copy?
01:03:24Over.
01:03:25Copy, it's Robin.
01:03:26Lucas, I copy.
01:03:28We've got a problem here at the Mac.
01:03:30What kind of problem?
01:03:31Let go of me, you asshole!
01:03:35You want to explain to me what in God's name is going on here?
01:03:37Get the hell off me!
01:03:38We've got five missing kids, sir.
01:03:40You've lost five kids?
01:03:41How is that possible?
01:03:42This woman-
01:03:43Joy Spires?
01:03:44She broke into the barracks.
01:03:45She's been helping them escape through some kind of tunnel.
01:03:48I'm sorry.
01:03:49Can you repeat that?
01:03:50Listen, these kids, they are not safe, okay?
01:03:54They are in danger.
01:03:55And why exactly do you think they're here now, hmm?
01:03:57They're under our protection.
01:03:59If I may reject, officer, I've seen what's coming.
01:04:02And no disrespect meant, but you and your men can't protect shit!
01:04:06Hey, get off!
01:04:09Hey, get off!
01:04:09Hey, get off!
01:04:11Hey, get off!
01:04:12Hey, get off!
01:04:18Hey, kids!
01:04:20Hey, kids!
01:04:20Will!
01:04:21Will!
01:04:22Will!
01:04:23Will!
01:04:23Are you okay? Baby, are you okay?
01:04:32They're here.
01:04:53Take the nearest threat! Engage on sight!
01:05:12We're all gonna die! We're all gonna die!
01:05:20Get behind me! Get behind me!
01:05:23Get behind me! Get behind me!
01:05:25Get behind me! Get behind me!
01:05:27Get behind me! Get behind me!
01:05:29Get behind me! Get behind me!
01:05:31Get behind me! Get behind me!
01:05:33Get behind me! Get behind me!
01:05:35Get behind me! Get behind me!
01:05:37Get behind me! Get behind me!
01:05:39Get behind me! Get behind me!
01:05:41Get behind me! Get behind me!
01:05:43Get behind me! Get behind me!
01:05:45I'm in the back! I'm in the back! I'm in the back!
01:05:47I'm in the back! I'm in the back!
01:05:49I'm in the back! I'm in the back!
01:05:51Stay behind me, stay behind me.
01:06:05Move, move, move.
01:06:08No, no.
01:06:21We are under attack, I repeat, we are under attack.
01:06:36We gotta go.
01:06:37We gotta go!
01:06:38What about the other kids?
01:06:39Shit!
01:06:51Go, go, go!
01:06:55Come on, shit away!
01:06:56Please, get out!
01:07:21Hey, we're getting out of here, alright?
01:07:33Eyes on me!
01:07:34Stay close!
01:07:35We'll see.
01:07:36Come on, come on.
01:07:43Wait, wait, wait, wait, wait!
01:07:45I'm not running in time, I'm not running in time!
01:07:47Wait up, wait up!
01:07:48Stay close, stay close!
01:07:49Ah, Derek!
01:07:50Hey, go, get up!
01:07:55Is everybody okay?
01:07:56Are you guys okay?
01:07:57We need to have it!
01:08:00Okay.
01:08:01The radio shack.
01:08:02If we move quick enough, I think we can make it.
01:08:04Get into the tunnels and get the hell out of here.
01:08:06Okay?
01:08:07Eyes on me, remember?
01:08:08Yeah.
01:08:12Go, go, go, go, go!
01:08:16Alright, go!
01:08:17Get down!
01:08:19Ah!
01:08:20Get down!
01:08:22Get down!
01:08:23Let him go!
01:08:24We'll get down!
01:08:25Oh, my God!
01:08:26Ooh, my God!
01:08:33Oh, my God!
01:08:35My boy!
01:08:36Don't move, oh, my God!
01:08:37Come on!
01:08:38Don't move, oh.
01:08:39Oh, my God!
01:08:40Oh, my God!
01:08:41Oh, my God!
01:08:42Oh, my God!
01:08:43Oh, my God!
01:08:44I have no idea, but I love it!
01:09:14I have no idea, but I love it!
01:09:44I have no idea, but I love it!
01:09:54I have no idea, but I love it!
01:10:04I love it!
01:10:14I love it!
01:10:24I love it!
01:10:52Sister...
01:10:54Sister...
01:10:56Sister...
01:10:58Sister...
01:11:00Sister...
01:11:02Sister...
01:11:04Sister...
01:11:06Sister...
01:11:16Sister...
01:11:18Sister...
01:11:20Sister...
01:11:22Sister...
01:11:26Sister...
01:11:28Sister...
01:11:30Sister...
01:11:32Sister...
01:11:42Sister...
01:11:44Sister...
01:11:46Sister...
01:11:56Sister...
01:11:58Sister...
01:12:00Sister...
01:12:02Sister...
01:12:12Sister...
01:12:14Sister...
01:12:16Sister...
01:12:18Sister...
01:12:30Sister...
01:12:32Sister...
01:12:46Oh, shit, shit, shit!
01:13:00The camp!
01:13:01Hold on!
01:13:16Hold on!
01:13:25Go, go, go, go, go!
01:13:26Go, guys!
01:13:32Back up, guys! Back up!
01:13:46Go, go, go, go, go!
01:14:16Stay away from him!
01:14:22You stay away!
01:14:46Go, go, go, go, go!
01:15:06Can you see them?
01:15:09William?
01:15:13Can you see the children?
01:15:16Do you know why?
01:15:21Why I chose them to reshape the world?
01:15:30Because they are weak.
01:15:38Weak in body and mind.
01:15:42No!
01:15:43No!
01:15:44No!
01:15:45No!
01:15:46No!
01:15:47No!
01:15:48Please!
01:15:49No!
01:15:50No!
01:15:51No!
01:15:52No!
01:15:53No!
01:15:54No!
01:15:55No!
01:15:57No!
01:15:58Yeah!
01:15:59The perfect missiles.
01:16:05And you...
01:16:07Well...
01:16:09You were the first.
01:16:13And you broke...
01:16:15So...
01:16:17Easily.
01:16:23You showed me...
01:16:27What was...
01:16:29Possible.
01:16:31What I could achieve.
01:16:35Some minds, it turns out...
01:16:39Simply do not belong in this world.
01:16:49They belong in my...
01:16:57Hmmmm...
01:17:07Hmmmm...
01:17:09Let's go.
01:17:39I was looking for the answers in somebody else, but I had all the answers.
01:17:59Do you want to be friends?
01:18:01I just need to stop being so goddamn scared.
01:18:11Scared of who I really was.
01:18:21Wow, it's so good.
01:18:31And once I did that, I was so free.
01:18:57It's like I couldn't fly.
01:18:59I couldn't fly.
01:19:07I couldn't fly.
01:19:13I couldn't fly.
01:19:17I couldn't fly.
01:19:21Oh, my God!
01:19:51Oh, my God!
01:20:21Oh, my God!
01:20:51Oh, my God!
01:21:21Oh, my God!
01:21:51Oh, my God!
01:22:21Oh, my God!
01:22:51Oh, my God!
01:23:21Oh, my God!
01:23:51Oh, my God!
01:24:21Oh, my God!
01:24:51Oh, my God!
01:25:21Oh, my God!
01:25:23Oh, my God!
01:25:51Oh, my God!
01:26:21Oh, my God!
01:26:23Oh, my God!
01:26:27Oh, my God!
01:26:29You
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