- 5 weeks ago
Step into the vibrant world of American college life, where friendships are tested, romances blossom, and every day brings new challenges. Campus Dreams: All-American Edition is a heartwarming and fun journey through the ups and downs of student life.
Category
π₯
Short filmTranscript
00:00The
03:04Hey, Tiger, you're out of step.
03:12Hey, Tiger, you're out of step.
03:25Hey, Tiger, you're out of step.
03:29Hey, Tiger.
03:31Hey, Tiger, you're out of step.
03:41Hey, Tiger, you're out of step.
03:51Hey, Tiger, you're out of step.
03:53Hey, Tiger, you're out of step.
03:55I'm a chap with a chip on my shoulder
03:57When anyone looks at you
03:59How my muscles swell
04:01In the throes of jealousy
04:05I may not be six feet two
04:07Having Samson's hair is true
04:10But I'm a chap with a chip on my shoulder
04:13When anyone looks at you
04:18That's it, ma'am.
04:19And the audience gave him a great big hand, too.
04:21Of course, for the boys, it was just another show.
04:23But for Christian, it was great publicity.
04:25How the... empty.
04:27That's very interesting, Mr. Holden.
04:29Pardon?
04:30Coming from a newspaper man.
04:31But I'll have no cheap, undignified publicity at Marbury.
04:36But it isn't undignified, Auntie.
04:38I can't understand why we don't have more students.
04:42Well, it's because our girls are...
04:44Well, men won't even come to our proms.
04:46Sure, you need regular girls.
04:48Not a lot of petunia putters.
04:49Girls with zip.
04:50Let me remind you both
04:52That through the study of nature
04:54My girls develop well-rounded minds.
04:57Minds they can live with the rest of their lives.
05:00But, Auntie, a girl doesn't want to live with a mind.
05:03She wants to live with a husband.
05:05But, Jill!
05:07Uh, listen.
05:08Would you be willing to give away twelve scholarships?
05:10To twelve unusual girls?
05:12Well?
05:13If it would help my school?
05:15Yes.
05:18It will.
05:19I hope so.
05:21But I wonder...
05:22You don't have to wonder any longer.
05:23There they are.
05:24You need girls like that.
05:25Look them over.
05:26There's the Watermelon Queen,
05:27The Pumpkin Queen,
05:28The Orange Queen,
05:29The Lemon Queen,
05:30The Strawberry Queen.
05:31Millions of them.
05:32What lovely tomatoes!
05:34Why is she called the Tomato Queen?
05:36Because she grew them herself.
05:38That's how she won the title.
05:40Really?
05:41Mm.
05:42She's a very pretty girl, too.
05:44Empty.
05:45Sure, there's queens like her all over this country.
05:48We could pick twelve and give them memberships and scholarships to Mar Brin.
05:52Yes, Annie.
05:53And they'll all be so outstanding.
05:55Well, it doesn't seem beneath the dignity of Mar Brin.
06:01We could call them the girls most likely to succeed.
06:06That's swell.
06:07Now, all we need is some quick notoriety.
06:08Enough to get...
06:09Triety!
06:10But dripping with dignity.
06:11Like a public announcement.
06:12You know, the way Harvard lampooned Hollywood.
06:14Let me think.
06:15Let me think.
06:17I've got it.
06:20We'll pick on the men least likely to succeed.
06:25Do you mean those mentally undernourished males at Quinston, cavorting as girls?
06:30The Zeta boys!
06:31Great, Annie!
06:32I mean, pardon me.
06:33Write an article for your paper about them.
06:35And spread it on thick.
06:36Call them dumbbells.
06:37Call them anything you like.
06:38And I'll see if the press picks it up.
06:40Now, make them look ridiculous.
06:41And we'll head the article, Men Least Likely to Succeed.
06:45But do you think we should?
06:47Perhaps they will succeed.
06:48Oh, don't be silly.
06:50Everybody knows that Quinston men don't succeed.
06:53They inherit.
07:04Hey, fellas.
07:06Get a load of this.
07:07Can you imagine that?
07:08Some heck girls' college is putting us on the pan.
07:11Where's Henry?
07:13I'm coming, Mother.
07:14Hey, Mother!
07:17Now, look.
07:18We know you're the world's greatest dramatic actor.
07:19But this is serious.
07:20Quit hamming, will ya?
07:21Listen.
07:22Girls, are you interested in horticulture?
07:24Perhaps you will be one of this season's festival queens to win a scholarship to Marbury.
07:28Send us your pictures and credentials.
07:30They're just taking a crack at us to advertise their scholarship award.
07:33And we gotta do something about it.
07:35That's right.
07:36Yeah!
07:37I know what Gary Cooper would say.
07:39He'd, uh...
07:40He'd say, uh...
07:41I, uh...
07:43I don't know how you people do things here, but...
07:47Well, uh...
07:48Well, back where I come from, we act.
07:51Yeah.
07:52Now, uh...
07:53Now, wouldn't it be too bad if this scheme of theirs should backfire some way?
07:57Yeah!
07:58Backfire!
07:59What's on your mind?
08:01Why, uh...
08:02Why, some way to turn the tables.
08:05On account of we won't let ourselves be treated that-a-way.
08:08That's it.
08:09And we've had plenty of experience.
08:11We all just finished impersonating girls.
08:13Suppose one of the Marbury candidates turns out to be a boy.
08:18Then one of us would go to Marbury as a contest winner.
08:25And you, Henry...
08:26You and me are great at invitations.
08:28Mm-hmm.
08:29Oh, no, not me.
08:30I only impersonate men.
08:31Well, get a pack of cards and we'll cut for it.
08:39That was a great idea, Bob.
08:41Do you think it's possible?
08:43Oh, wouldn't that be something?
08:45Gee!
08:47Can you imagine being in a girl's school?
08:52Huh? Oh!
08:57I don't want to go.
08:58I'll frame him.
08:59You will think of something dirty, Mr. Bergen.
09:02You always do.
09:04Yes, but what?
09:05He's the one to go.
09:06Well, give him the business.
09:07Give him the business.
09:08Give him the business.
09:09Now, if I were in your place, I'd certainly...
09:11Charlie, nothing crooked.
09:13Why, Mr. Bergen, I'm a man of high honor.
09:15How could you even...
09:16Charlie, answer my question.
09:17Yes, but you don't, Charlie.
09:19Oh, well, Charlie.
09:20Oh, well...
09:24Yes, Dicey.
09:27And besides, you got a deck of cards, haven't you?
09:31Charlie McCarty.
09:34Charlie McCarty.
09:37We'll fake a swell picture of a girl with her arms full of flowers.
09:40Which, naturally, she grew herself.
09:42You know, the beauty type...
09:43Well, uh, we're willing to take our chances.
09:47And, uh, Bob, as president of the fraternity, I think it's only right that you take the first card.
09:52Oh, well, there's no...
09:53Yeah, and the one who gets the first ace goes.
09:56First ace?
09:57Yeah.
09:58Agreed?
09:59Right.
10:00First ace.
10:01Take your pick.
10:02Well...
10:03Be afraid.
10:04Yeah.
10:05It's kind of important, you know.
10:11Well, uh, let's make it two out of three.
10:13Oh, no, no.
10:14You one and you go.
10:16As queen of the flowers.
10:17Gee.
10:18Madame.
10:19And Mar Brent expects you to do a good job.
10:21And we know you won't let us down.
10:23Oh, I'm hooked.
10:24Well, that's all right, Bob.
10:26After all, it should be right up your alley.
10:28Ah.
10:29Hey.
10:30Hey, look.
10:31Ace.
10:32Ace.
10:33Ace.
10:34Ace.
10:35Ace.
10:36Ace.
10:37Ace.
10:38Ace.
10:39Ace.
10:40Ace.
10:41Ace.
10:42Ace.
10:43Ace.
10:44Ace.
10:45Ace.
10:46Ace.
10:47Ace.
10:48Ace.
10:49Ace.
10:50Ace.
10:51Ace.
10:52Ace.
10:53Ace.
10:54Ace.
10:55Ace.
10:56Ace.
10:57Ace.
10:58Ace.
10:59Ace.
11:00Ace.
11:01Ace.
11:02Ace.
11:03Ace.
11:04Ace.
11:05Ace.
11:06Ace.
11:07Ace.
11:08Ace.
11:09Ace.
11:10Ace.
11:11Ace.
11:12Ace.
11:13Ace.
11:14Ace.
11:15Ace.
11:16Ace.
11:17Ace.
11:18Well, we have fruits and vegetables.
11:21Flowers must be represented.
11:25I'll take this one.
11:27Queen of the flowers.
11:29Bobby DuBois.
11:31That's a very interesting face.
11:33That's fine, Auntie. Don't call me Auntie.
11:36I'm sorry, but what I was going to say was, uh,
11:39with all these pretty girls, you'll have to relax a little
11:41and let some boys on the campus.
11:43Never!
11:44No men on the campus during school hours.
11:46Not while I'm president of Marverine.
11:49Well, I'm a man.
11:51You're safe.
12:02Here is you, guys. Come here. Come here. I want to show you something.
12:05Hey, shh, fellas. Here he comes.
12:07He's coming. Is he in a good mood?
12:09Oh, I don't know, but it sure wasn't when we were helping him into her clothes.
12:13Let go of me, will you? I'm not going to run away.
12:18The fraternity will never forget this.
12:20It was your idea, and you're the only one that could do it.
12:23Make Marverine look like a sucker.
12:25Yeah, sucker is right, and I'm it. And I'm not going to go through it.
12:28Oh, yes, she will. Oh, oh.
12:38Don't trip again there, dearie. Or we'll give you the words.
12:42Watch your little temper.
12:43Oh, you can't back out now. Besides, you look like Ginger Rogers.
12:47More or less.
12:48And think of all the fun you'll have.
12:50Yeah, fun.
12:51I'll probably land in jail.
12:52Oh, now, wouldn't that be too bad?
12:54Now, remember, you're doing this for Zeta. We'll all be rooting for you.
12:58Come, come.
12:59We know you can do it, so don't let us down.
13:01And don't forget the writers.
13:06Bobby, look, look.
13:07That must be she there.
13:16Yes, sir.
13:17Yeah, and a honey.
13:20Miss Bobby DeWolf from Quiston Community.
13:23Queen of the flowers.
13:26Welcome to Marverine's special.
13:28Now, don't forget. Keep that baritone trap ears shut.
13:31Pretend like you've got a sore throat or something.
13:33Come, come, Mr. DeWolf.
13:35Gotta be going.
13:36Oh, maybe you'd better kiss your friends goodbye, huh?
13:38Yeah.
13:41Goodbye, dear.
13:44There we go.
13:45Now we're off.
13:46My goodness, but you do have a lot of boyfriends.
13:49Just brothers.
13:50Just brothers.
13:53My, my.
13:58All aboard.
14:00Oh, hello, honey.
14:01Hello.
14:02Here you are, right up here at number two.
14:04Now, listen.
14:05I want you to get a good night's rest and take care of that throat, Bobby.
14:09If I may call you that.
14:11Uh.
14:12Honey.
14:13You know you're different than these other girls around here.
14:16Good, good, good, good, good, good, good, good.
14:17Oh, you go on.
14:19Let me help you up.
14:21Oh, no you don't.
14:23I'll get a letter.
14:24Yes, sir.
14:25Yes, sir.
14:26Yes, sir.
14:27Yes, sir.
14:28Yes, sir.
14:29Yes, sir.
14:30Yes.
14:33Yes.
14:34Yes.
14:35Yes, sir.
14:53Oh, early to bed and early to rise.
14:56Early to bed and early to rise, that surely applies to me.
15:01Don't have to count sheep to put me to sleep.
15:05It's easy as ABC.
15:08When I rise and open my eyes, don't need an alarm clock's chime.
15:14Believe it or not, I'm up like a shot when it's past my dreamin' time.
15:23I'm up at the crack of dawn whistlin', singin'.
15:30Cheerful as the sunbeams peepin' through after dreamin' all night of you.
15:37I'm up at the crack of dawn whistlin', singin'.
15:43Never saw the sky look quite so blue after dreamin' all night of you.
15:49When I wake with your kiss on my lips, all my cares are in a total eclipse.
16:00I'm up with a cheery yawn whistlin', singin'.
16:07Oh, you're sweet and racist in your arms, so whistle and sing,
16:12cause there isn't a thing that I lack at the crack of dawn.
16:16I'm up at the crack of dawn whistlin', singin'.
16:22Da-di-da-da-da-da-da, cheerful as the sunbeams peepin' through after dreamin' all night of you.
16:29I'm up at the crack of dawn whistlin', singin'.
16:34Da-da-da-da-da-da, never saw the sky look quite so blue after dreamin' all night of you.
16:41When I wake, I's awaking with your kiss on my lips, on my case, off of gatherin' a total eclipse. I'm up with a cheery yawn, whistling, singing, oh daddy, all your sweet embraces linger on.
17:02Whistling, singing, there isn't a thing, like at the crack of dawn. Whistling, singing, cheerful as the sunbeams peepin' through, after dreamin' all night of you, we're up at the crack of dawn, whistling, singing, da-da-da-da-da, never saw the sky look quite so blue, after dreamin' all night of you.
17:32When I wake, I'm up with a cheery yawn, whistling, singing, all your great kisslinger, don't blow the whistle and sing, da-da-da, the rhythms and sing, and relax, and the crack of dawn.
18:00Come, come, dear yawn, we're here now.
18:14Coming, coming.
18:15Coming, coming.
18:31And now, girls, to your dormitory assignments.
18:54And I hope you'll all be very happy at Margaret's.
18:57Well, I'll be seeing you all.
18:59Or will I?
19:00Now, Bobby dear, come with me.
19:02We're very much concerned about this throat of yours.
19:05Oh, not that door, my dear.
19:07That leads to the basement, the one opposite.
19:10Do we feel like sharing a room, or would we rather be alone?
19:13Alone, please.
19:14It's a very nice little room, right next to mine.
19:17Do we feel well enough to stay up, or would we rather go right to bed?
19:21To bed?
19:22Of course, if you'd rather, we can send you up to the infirmary for a complete examination.
19:26Oh, no, no. I'm just a little hoarse.
19:29Of course.
19:30We do sound more like a mule.
19:32I feel more like a jackass.
19:38Gosh.
19:39Boy, I'm gonna get out of here.
19:41Oh, goodness me, Bobby. What are you doing?
19:56Well, my throat is cold. I'm just keeping it warm.
20:00Oh, is that all?
20:02Well, look, do something for me, will you? I just can't seem to do anything with these.
20:05Fix them for me, please.
20:07Well, what do you want me to do with this?
20:09Well, just fix my hair, silly.
20:12Say, you know what? I met a Zeta at Midwest over the phone. Gee, he sounded grand. He asked me for a date Saturday night. He has a friend. Want to come?
20:27Well, we could sneak out of here, I bet you.
20:31I know how those Zetas work.
20:35Well, you do have to be quick, but old boy, it sure is fun.
20:39Well, good-bye now. Good-bye. You look very lovely. Good-bye.
20:54I'm Virginia Collins. Welcome to Marvren.
20:58Is there anything I can do for you? I hear you have a pretty sore throat.
21:02Yes, very pretty. I mean, yes, it's very sore.
21:07Have you gargled? What on earth do you have here?
21:11It's just sort of, well, just laundry.
21:15Oh. Well, I came to tell you about the staying over by the bell tower.
21:19Too bad you can't come because of your throat.
21:21Oh, it feels much better.
21:23Well, if you do come, be quiet. It's against the rules, and Andy doesn't like it.
21:27Well, I'm awfully sorry about your throat, and I can understand why you want to be alone.
21:32But it's too bad, because we were supposed to be roommates.
21:36What the earth are you doing?
21:42Oh. Oh, just, just breaking in a new pair of pajamas.
21:46Oh, naughty, naughty, with your throat. To bed with you. Come.
21:50Oh, no. Oh, yes, yes. Your very serious condition.
22:04I'm going to bed with you, come.
22:06Oh, no!
22:07Oh, yes, yes.
22:08You're in very serious condition.
22:12Let me tuck you in.
22:15Shall I rub your chest?
22:21Everything is so messy.
22:24Don't you dare get out of that bed, young lady.
22:34I'm going to get out of that bed.
22:49Get your clothes.
22:50Get your clothes around here.
22:52Look.
22:53What is this?
22:54Well, these are men's pants.
22:56What they doing here?
22:57They ain't got no business here.
22:59In a man's coat?
23:01Well, where'd these things come from?
23:03Uh-oh, here's his shoes.
23:05I'm going to call Miss Matilda and tell her all about this.
23:11Hello?
23:12Uh, Miss Matilda?
23:14There's a man's clothes that come down this chute.
23:17Uh, what, ma'am?
23:19Mm-mm.
23:21Uh-uh, no, no, ma'am.
23:23I'm sure, of course I'm sure.
23:25These here clothes ain't made out of no organdy.
23:28Mm-mm, no, ma'am.
23:33Uh, excuse me, Miss Matilda.
23:35I must have left the washing machine going.
23:38At least I hope so, I did.
23:52Uh, Miss Matilda, as I was saying, there was a man's shoes.
23:56They were shoes, but they must have walked off by themselves.
23:59Uh, listen, Miss Matilda, there's something going on here that ain't the way I lights it.
24:04Now the ironers are going.
24:06My, my, Miss Matilda, it must be my nerves.
24:11Uh, hold a while while I turns off the ironer.
24:28No, ma'am, I ain't crazy.
24:30Miss Matilda, did y'all ever find your hoodie or the collar?
24:33I think he's here or somebody's here.
24:35Yes, ma'am.
24:36I goes to cut the ironer off and the shirt and the shoes is gone.
24:40Yes, ma'am.
24:41It was just like this.
24:42See?
24:43I goes over to the ironers and cut it off and the shirt's gone.
24:46And then I goes to the washing machine and the shoes is gone.
24:50Ah, this place is haunted.
24:52Miss Matilda, before your ex-wash lady leaves, you all better come down here and get these pants.
24:57I just can't stay in this place no longer.
25:00I go crazy.
25:01I just can't stay here.
25:03Ah, this is awful.
25:05Now, yes, over to the washing machine and going.
25:07Ah, I can't see the brakes like this.
25:13Miss Matilda, it's my Miss Gossman.
25:15Oh, yeah, I'm going to cut me.
25:17Ah, Miss Matilda, come get me, please.
25:20Miss Matilda!
25:21What is going on in here?
25:22Are you crazy?
25:23What on earth is wrong?
25:25Now, what's all this talk about pants?
25:27Where are they?
25:28I don't know where they is, but I sure know where they ain't.
25:31What is the matter with you?
25:33Ain't nothing the matter with me.
25:34This here place is haunted.
25:35First the shirt and the shoes goes by itself, then the washing machine and the iron goes by itself,
25:40then the pants go by itself, now I'm going by myself.
25:42Goodbye, Miss Matilda!
25:44Out of the silence, come and cling to me.
25:56Out of the silence, come and bring to me.
26:08Out of the silence, come and cling to me.
26:09Out of the silence, come and cling to me.
26:13Out of the silence, come and cling to me.
26:14Out of the silence, come and cling to me.
26:18Out of the silence, come and bring to me.
26:19Out of the silence, come and cling to me.
26:23Out of the silence, come and cling to me.
26:24Out of the silence, come and bring to me.
26:28Out of the silence, come and cling to me.
26:29Out of the silence, come and bring to me.
26:35Out of the silence, come and cling to me.
26:36Out of the silence, come and cling to me.
26:37Out of the silence, come and cling to me.
26:38Out of the silence, come and cling to me.
26:40Out of the silence, come and bring to me.
26:42Out of the silence, come and bring to me.
26:45to me, that feeling of contentment when you're near, and that feeling of resentment will
27:00disappear. When out of the silence comes the sound of your voice, my heart goes leaping,
27:18I can't help but rejoice. I'm up in heaven from the bottom of the sea, when out of the silence
27:40you've come to me.
27:50Sound of the silence comes the sound of your voice, my heart goes leaping, I can't help
28:03I'm up in heaven from the bottom of the sea, when out of the silence you come to me.
28:27Sound of the silence comes the sound of your voice, my heart goes leaping, I can't help
28:47but rejoice. I'm up in heaven from the bottom of the sea, when out of the silence you come
29:09come to me.
29:16When out of the silence you come to me.
29:32Girls, we'd better hurry. Miss Latilla's coming.
29:35Back to the dormitories, girls. Hurry, back to the dormitories.
29:42Shhh.
29:44What are you doing here?
29:45I came to see you, but right now I'm holding the bell cord.
29:48Quiet or she'll hear you.
29:51I never saw you in my life before.
29:54Well, I've seen you.
29:56I want to help you with this presentation. My name's Bob Shepherd.
29:59You see, I'm interested in a way through, through Bobby DeWolf.
30:02Oh.
30:04Oh, that is just professional. I taught her to sing and dance.
30:07Confidentially, though, I don't like her much.
30:09Not after I saw you, Virginia.
30:12How did you know my name?
30:14Oh, I know a lot of things.
30:17Say, say, would you mind holding this just for a minute?
30:20Careful now, it's heavy.
30:22Now, you know, you can't let go of that or the bell will ring and wake up the whole town.
30:29And the old girl will hear it and come and find us here together.
30:33What's the matter with you? You aren't going, are you?
30:35No, no, no, no, no. Just trying to resist temptation.
30:38You see, there's a little red man with horns behind me, egging me on.
30:41Pushing me with his pitchfork, shoving me forward, forward.
30:45Like this.
30:48I don't see him.
30:50Well, he's there.
30:58Now, was that nice?
31:00Elegant.
31:02Well, wait.
31:03I mean, uh, perhaps I'd like to get in on this myself.
31:08Oh, lady.
31:12Now, you can hold it for the rest of the night.
31:15What a dirty trick.
31:17Well, goodbye, Bob.
31:18Listen, if you leave, so help me. I'll let go of this rope.
31:20You can let go any time. That bell hasn't worked in 14 years.
31:35Boy, how do you like that, huh?
31:37It's terrific.
31:38Gee.
31:41Glamorous addition to more Brim's Fall Festival.
31:45Get a load of that guy. He's doing all right.
31:49Good morning.
31:50Good morning.
31:51Well, it's like all our little girls are as busy as be...
31:54Good morning, Mr. Holden.
31:55Good morning, honey.
31:56You know, we're going to rehearse our presentation in here.
31:58Is that so? Well, girls, are we all ready?
32:03Oh, Mr. Holden, do you really think these spots mean anything?
32:06I don't know, but I called a doctor.
32:10You wouldn't get spots at a time like this.
32:13Has anybody seen Bobby?
32:14I'm worried about her. She was out all night.
32:16Well, don't say anything. Keep it quiet.
32:19Hello, fellas.
32:21Look, fellas, be reasonable, can't you?
32:23I know I promise, but I've fallen in love with the girl.
32:26She's like orchids covered with dew.
32:28Like...
32:29Oh, like moonlight and violin. She's...
32:32Hey, now, wait a minute, Bob.
32:34Hey, fellas.
32:35Looks like love has crossed us up.
32:37Hey, we're getting a little quick now.
32:40Now, look.
32:41You took an oath in love or no love, we can't let you get out of it.
32:44We'll send some of the local Zeta boys over to keep him from walking out.
32:47Right.
32:49Now, listen, Bob.
32:51Wait a minute.
32:53It's only me, Virginia. I'll be there in a minute.
32:56I gotta quit. I'm caught in the hothouse. Spent the night here.
33:02Wait a minute, Virginia.
33:04I thought Bobby was...
33:10Oh, look, Virginia, I know it looks bad, but...
33:14Well, just trust me, huh?
33:16And I believed you last night.
33:17Oh, now.
33:18For Bobby's sake, you'd better get out of here right now.
33:21Virginia.
33:25Are you sure those spots mean what you said?
33:27You can't quarantine the whole school, you know.
33:28What about our presentation?
33:30There's nothing I can do.
33:31Miss Bunny has measles.
33:33Must be put to bed at once.
33:34And the school is under quarantine.
33:36It's all right.
33:38It's too bad.
33:39It's just too bad.
33:41Poor kid.
33:50Oh, it just wrecks all of our plans.
33:52That's a pity.
33:53It's an awful pity.
33:54The very first time we try something like this.
33:58Well, couldn't we postpone the presentation?
34:00No, no, you can't do that.
34:01We spoiled the publicity angle.
34:03We'll just have to make the best of it.
34:05I just knew something like this would happen.
34:08I'm sorry, Andy.
34:09There must be something we can do.
34:11There it is.
34:13You can have your presentation.
34:14Have it in here.
34:15You know, you can't catch measles from behind glass.
34:19Who are you, young man?
34:20I'm qualified to stage your presentation.
34:21I figured a presentation to my own.
34:22I know what to do and how to do it.
34:24Now, we could move all these ferns and plants out of one end and have sort of a stage.
34:29Why, we might even make costumes out of the plants.
34:32Yeah, this is the place, all right.
34:35Well, what do we do now?
34:36Oh, now, look.
34:37Our Zeta brothers at Quinston say the guys here disguised as a girl.
34:41We just keep our eyes peeled and when we find him, we give him the work, see?
34:48Get a load of that over there.
34:50Yeah.
34:55Well, how do we get in?
34:56Huh?
34:58Oh, oh, get in.
34:59Well, here, I got it.
35:00We'll grab one of these.
35:01Come on, you get one.
35:07Come on.
35:08Oh, wait a minute.
35:11I can't get in that way.
35:29Hey, we should quit playing around.
35:39Say, we've been here three days and we haven't found that phony dame yet.
35:43I know, I know.
35:45I've been trying though, ain't I?
35:46Yeah, trying to make dates with them.
35:50Goodbye, now.
35:51Goodbye, Bobby.
35:56Hey, wait a minute.
35:58I got an idea.
36:03Ahem.
36:05How are you, beautiful?
36:07Oh, hello.
36:09Go on, get out of here, will ya?
36:11Um, Bobby.
36:13Yes?
36:14Why don't you like me?
36:16Oh, I like you.
36:18But I've seen you with the other girls.
36:21You play too rough.
36:25Uh, Bobby.
36:27Yes?
36:28Can you keep a secret?
36:29Uh-huh.
36:30Well, uh, I, I had to do that, you know, be a little rough with the girls.
36:35Oh.
36:36You should learn to control yourself.
36:38No, no, no.
36:39It's nothing like that, but, Bobby.
36:41Yes?
36:42You know, there's a man here disguised as a girl, and I gotta find him.
36:47A man?
36:48Oh!
36:49Oh!
36:54Will you please get out of here?
36:56Go on, scram.
37:01Oh!
37:02Where am I?
37:03Well, you could kill with me, baby.
37:05Oh, dear!
37:09Oh!
37:11Oh!
37:13What's the matter, Bobby?
37:14I, I won't hurt ya.
37:15That's what I'm afraid of.
37:18Will you scram your cramp in my style?
37:20Yeah.
37:21I get it.
37:22Oh, Bobby.
37:23You're such a lovely girl.
37:25Oh, Bobby.
37:27Ow!
37:28Oh, Bobby.
37:29You play so right.
37:30I know you don't.
37:32Oh, no, Bobby.
37:33Now cut it out.
37:34I know you're tired.
37:36Bobby, now wait a minute.
37:38Oh, Bobby.
37:40Oh!
37:41Hey!
37:42Bobby!
37:43Bobby!
37:44Oh!
37:47Oh!
37:48That'll teach you not to play fast and loose with me.
37:50Oh, Bobby.
37:51Let me up.
37:52Please let me up.
37:54I don't see why you have to be so rough.
38:04Tiki!
38:05Oh, Bobby!
38:06Tiki, Tiki!
38:07Oh!
38:08Tiki, Tiki, Tiki!
38:09Oh!
38:10Please let me up, won't you, Bobby?
38:11Will you promise to be a gentleman?
38:13Oh, yeah.
38:14Bobby, I'll promise anything.
38:16All right now, but remember your promise.
38:18Oh, I'll...
38:25You little dickens.
38:27Now I got you.
38:28No, no, no, no!
38:29No!
38:30Hey, hey, hey, hey.
38:31What's the matter with you?
38:32What do you always keep coming around for just when I get going good?
38:35Didn't I?
38:36Yes!
38:37Ha-ha!
38:38Ha-ha!
38:39Ha-ha!
38:40Ha-ha!
38:41Ha-ha!
38:42Ha-ha!
38:43Ha-ha!
38:44Ha-ha!
38:45Ha-ha!
38:46Ha-ha!
38:47Ha-ha!
38:48Ha-ha!
38:49Ha-ha!
38:50Ha-ha!
38:51Ha-ha!
38:52Ha-ha!
38:53Ha-ha!
38:54Ha-ha!
38:55This is a meat-eating plant to you?
38:56Mm.
38:57Poor darling, it's hungry.
38:58I've been so busy, I haven't had time to feed it.
39:00Ha-ha!
39:01Ha-ha!
39:12NaΓ«na?
39:13Ha-ha!
39:18Ha-ha!
39:22Start introduction!
39:24Are there, you know clear?
39:25Virginia, please. I want to explain.
39:28Explanations are not necessary.
39:30Oh, but Bob Shepard is...
39:31Please, you're only making matters worse.
39:33I am grateful to Bob Shepard for what he's done for Morrowind,
39:36but it ends there.
39:37Get into your costume. There's the overture.
39:39Virginia.
39:51Hurry up, operator, will you please?
39:55Hello, Quinston? Zeta House?
39:58Hello, you lugs.
39:59Thanks to you, I lost a girl.
40:01Yeah.
40:03Yeah, yeah.
40:05Yeah, I know.
40:07Am I? Of course I'm going through with it.
40:09I'll get revenge and plenty.
40:11Where do you see the papers?
40:13Where's Bobby?
40:14Probably in there with her boyfriend.
40:16Well, you better get on the stage and follow this first number.
40:19Quick, quick, quick, quick, quick.
40:21Come on, we're ready.
40:23Yeah, all right.
40:24Right there.
40:37Great start.
40:38But what a finish.
40:39Mm-hmm.
40:40Tell your best photographers to get up overhead.
40:41It'll make a sensational finale shot.
40:43Now go ahead.
40:54Virginia, listen, I want to explain.
41:06I was going to forgive you, but a moment after she...
41:09Well, you were with her.
41:10What are you planning to do to this show?
41:12Nothing, Virginia. It's just a...
41:13That's my music.
41:14Our peaceful countryside is lonely as can be, someone I shall mention merits the attention
41:27of the men who write our history.
41:34The poor farmer's daughter.
41:36She's wasting her glamour and charm.
41:39Old Dobbin and a plow and a piggy and a cow are the only ones left on the farm.
41:44Oh, the poor farmer's daughter.
41:45Oh, the poor farmer's daughter.
41:46She once had a bow on each arm.
41:49They took it on the lam, went to trade for Uncle Sam, and they left her alone on the farm.
41:54Her papa says the crop of the year is the top, but that doesn't ease her slumber.
41:59What good is a crop when you beat one a hop, you get rumber.
42:04With an old cucumber, oh, the poor farmer's daughter.
42:09She really has cause for alarm.
42:12Old Dobbin and a plow and a piggy and a cow are the only ones left on the farm.
42:17The poor farmer's daughter.
42:30She's wasting her glamour and charm.
42:33Oh, boy, what a job.
42:34I'm gonna get myself in a mess like this again.
42:37Corsets, garters.
42:39I'm gonna get home.
42:49Why, Auntie, it's going great, isn't it?
42:52Yeah.
42:53But I better tell you, Bunny got out.
42:56Who?
42:57Bunny.
42:58What's out?
42:59Bunny.
43:00Where?
43:01Where?
43:02Darn.
43:09What's left on the farm.
43:10Did you see that?
43:11Canned bananas.
43:12It's a double cross.
43:13Bobby.
43:14Bob.
43:15He's she.
43:16She's he?
43:17There's a man loose in my school.
43:18Let the photographer see him.
43:19We're sunk.
43:20Cheers.
43:25Bunny.
43:26Well, catch her.
43:27Catch her.
43:28When you beat one a hop, you can't rumble.
43:31With an old cucumber, oh, the poor farmer's daughter.
43:36She really had salt for a lawn.
43:39Old Dobbin and a plow and a piggy and a cow are the only ones left on the farm.
43:54Grab a toadstool and park it.
43:56See the models from the farmer's market.
43:59You'll find the price within reason.
44:01Get a load of what's cooking this season.
44:04Number one on the stop.
44:09Parade shops will soon be sellin'.
44:11Folk has named it Le Mordeau watermelon.
44:32Hi, Bobby.
44:33Oh, Bobby, I wanted to tell you something.
44:35Ah, go jump in the lake.
44:36Ah!
44:40Hey!
44:41Tiny!
44:42Tiny!
44:43I found him!
44:44That's him!
44:45That's him with those glasses on!
44:46Number two on the stop parade, not by Schiaparelli.
44:51Get that cabbage around my lady's shoulder!
44:56That's me and the train from a boy's heart in this lonely garret.
45:01Take some tail with that sheep, shop andθ―, a carriage.
45:05Come with me.
45:26I got a great idea.
45:27Now we offer a symphony, every note staccato.
45:33Our creation, temptation of tomorrow.
45:38Now, here's one little rave, a cop named Two, California.
45:43Get that rhythm.
45:46It's in the groove, yet it's corny.
45:49Remember, my kids, we're sitting down Zeta Trek on the last note of music.
45:53Now, don't let me down.
45:54Okay.
46:03What's the meaning of this?
46:16Oh, sorry.
46:17Awful sorry.
46:18Get out of here.
46:19You realize now there never has been a Bobby DeWolf.
46:22And honey, don't worry about your show.
46:26Oh, poor bunny's daughter.
46:29We got you now.
46:30We got you now, Bobby.
46:31Oh, Dobby and a flower and a piggy and a cow are the only ones left on the farm.
46:37For the poor bunny's daughter.
46:39She once had a boy on each arm.
46:42But they took it on the lam.
46:44Come on, Bobby.
46:45We got you now.
46:46Bunny, you shouldn't be here.
46:47You've got the measles.
46:49Bunny?
46:50Measles.
46:51What could it happen?
46:52When you get from the bar with that old beautiful cover.
47:02Oh, poor bunny's daughter.
47:03She really had her come for a long show.
47:06Dobby and a flower and a piggy and a cow are the only ones left on the farm.
47:12Are you happy with the show?
47:13Yes.
47:14But there's something I want to say to you.
47:17I'm sorry you lost your revenge because of me, but you shall have a public apology for
47:47Zeta. Oh, getting you is enough for me. But don't you think your friends will be angry when they see those publicity pictures? Oh, they'll understand. Boy, oh boy, how do you like that, huh? It's terrific. Gee.
48:17Oh, I'm sorry.
48:24Oh, I'm sorry.
48:26Oh, I'm sorry.
48:29Oh, I'm sorry.
48:33Oh, I'm sorry.
48:34Oh, I'm sorry.
48:35Oh, I'm sorry.
48:36Oh, I'm sorry.
48:37Oh, I'm sorry.
48:38Oh, I'm sorry.
48:39Oh, I'm sorry.
48:40Oh, I'm sorry.
48:41Oh, I'm sorry.
48:42Oh, I'm sorry.
48:43Oh, I'm sorry.
48:44Oh, I'm sorry.
48:45Oh, I'm sorry.
48:46Oh, I'm sorry.
48:47Oh, I'm sorry.
48:48Oh, I'm sorry.
48:49Oh, I'm sorry.
48:50Oh, I'm sorry.
48:51Oh, I'm sorry.
48:52Oh, I'm sorry.
48:53Oh, I'm sorry.
48:54Oh, I'm sorry.
48:55Oh, I'm sorry.
48:56Oh, I'm sorry.
48:57Oh, I'm sorry.
48:58Oh, I'm sorry.
48:59Oh, I'm sorry.
49:00Oh, I'm sorry.
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