- 2 days ago
Step into a world beyond the veil in Whispers of the Supernatural, a haunting tale filled with mystery, suspense, and chilling encounters. As eerie voices echo through the darkness, secrets long buried begin to surface, revealing a realm where the line between the living and the dead fades away.
This classic-inspired supernatural thriller captures the essence of vintage horror cinema with its atmospheric storytelling, shadowy visuals, and spine-tingling suspense. Perfect for fans of old-school horror, paranormal mysteries, and timeless gothic tales, this film invites you to uncover the unknown—if you dare.
Prepare yourself for a journey into the unseen, where every whisper tells a story and every shadow hides a
This classic-inspired supernatural thriller captures the essence of vintage horror cinema with its atmospheric storytelling, shadowy visuals, and spine-tingling suspense. Perfect for fans of old-school horror, paranormal mysteries, and timeless gothic tales, this film invites you to uncover the unknown—if you dare.
Prepare yourself for a journey into the unseen, where every whisper tells a story and every shadow hides a
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Short filmTranscript
00:02:22You wanted me too.
00:02:24I'd do it again.
00:02:26And again.
00:02:28And again.
00:02:29Ha, ha, ha, ha.
00:02:31Ha, ha, ha, ha, ha.
00:02:45Ha, ha, ha, ha, ha, ha.
00:02:48It's my funeral.
00:02:49Keeping me healthy to kill me.
00:02:51I'm famous, Babian.
00:02:53Painters all hate me, don't they?
00:02:54No, I'm not sorry.
00:02:55One week more.
00:02:57Six days.
00:03:00Five days.
00:03:01It goes fast, doesn't it?
00:03:02Did you mail my letter to Paul Babian?
00:03:03Three more days.
00:03:05One for each man.
00:03:08Why doesn't he come?
00:03:09Why doesn't he come?
00:03:11Why doesn't he come?
00:03:13Stop it.
00:03:14Stop it.
00:03:15Stop it.
00:03:21But doctor, if you were trying to tell me Ruth Rogan's insane, you're too late.
00:03:27The courts have held otherwise.
00:03:28I'm not.
00:03:30I'm telling you she might be the cause of other people going insane.
00:03:33What do you mean?
00:03:36Warden, have you ever noticed that when a criminal is executed for some unusual crime,
00:03:41there is frequently an epidemic of similar crimes?
00:03:44Sure.
00:03:45A lot of imitators.
00:03:47I wonder.
00:03:51I wonder if they are imitators.
00:03:55Perhaps their will has been subdued.
00:03:58Now, doctor, just because you were supposed to have psychic power...
00:04:02Now, just a moment, please.
00:04:04Perhaps they've been possessed by another personality.
00:04:07A powerful, malignant personality without, well, without a body of its own.
00:04:13Like Ruth Rogan?
00:04:14Precisely.
00:04:16Like Ruth Rogan will be tomorrow.
00:04:18Well, that's a very interesting theory, doctor.
00:04:20If you can prove it.
00:04:21I'm not trying to convince you of what, and I only want your help.
00:04:24But what do you want of her body after the execution?
00:04:26I've been experimenting lately with mitrogenic rays.
00:04:29What are they?
00:04:31Ultraviolet rays given off by the body.
00:04:33Now, if my experiments are correct,
00:04:36I might be able to prevent her personality from escaping after death
00:04:40and committing other crimes.
00:04:42But why Rogan?
00:04:44She should prove a remarkable subject.
00:04:46So notorious a criminal, should I imagine,
00:04:49have quite a number of what you would call imitators.
00:04:55Now, here's my point, Warden.
00:04:58If there are no similar crimes committed,
00:05:01well, I should at least have negative proof that my theory is correct.
00:05:06Hmm.
00:05:08Seems sort of creepy when you think of it.
00:05:13Well, we'll see what we can do.
00:05:15Have to get her permission, of course.
00:05:17Naturally.
00:05:17Now, she's rather difficult to handle.
00:05:19You better let me do most of the talking.
00:05:20All right.
00:05:21Come on.
00:05:22Let me alone.
00:05:23Let me alone, I tell you.
00:05:25Can't I have any peace?
00:05:31Get out.
00:05:32Get out of here.
00:05:35I'm sorry.
00:05:37I thought I might interest you.
00:05:40Nothing is going to interest me
00:05:42except a message from the governor.
00:05:45And I won't get that.
00:05:48No.
00:05:51I'm afraid you won't.
00:05:55You have nothing to lose by doing what I ask.
00:05:58No, and nothing to gain.
00:06:01Listen to me.
00:06:02My body's my own.
00:06:03The law gives me that much.
00:06:05Take my body away and then guarantee I can have it forever.
00:06:09Funny, isn't it?
00:06:10You do the laughing.
00:06:12I'm offering you a chance to do something for humanity.
00:06:15Humanity?
00:06:16There's only one of them I want to do anything for.
00:06:18Just one.
00:06:21I wrote for him to come here, but he's too smart.
00:06:23The doctor may be giving you a chance for even that.
00:06:27I suppose he can bring me back after I'm dead.
00:06:29No, no, no.
00:06:30I didn't say that.
00:06:30I'm, I'm...
00:06:31Well, you can't tell what he'll do.
00:06:34Dr. Hewson is one of the world's greatest psychologists.
00:06:36He's too modest to tell you everything.
00:06:41If I thought I could come back and walk around and talk.
00:06:47If I could use my hands.
00:06:50If I could use my hands just for a few minutes.
00:06:54Nothing to lose, Ruth.
00:06:57No, I've nothing to lose.
00:07:01Nothing to lose.
00:07:05I'll send you a paper to sign.
00:07:11Thank you, sir.
00:07:13Thank you, sir.
00:07:29Thank you, sir.
00:10:43What if I have?
00:10:46I'm thinking of that poor girl.
00:10:48She's waiting there.
00:10:50Waiting in jail.
00:10:52Into the desk chair.
00:10:54Waiting for him to come and fetch her.
00:10:56Go to bed and sleep it off.
00:10:58You're no gentlemen.
00:11:03You're no gentleman.
00:11:25You're no gentleman.
00:11:35Oh, there are all my pets out again.
00:12:00Oh, there are all my pets out again.
00:12:27Oh, there are all my pets out again.
00:12:57Oh, there are all my pets out again.
00:13:37Oh, there are all my pets out again.
00:14:11Why don't you clean the transom once in a while, then you can see more clearly.
00:14:14Well, I just looked in because of the...
00:14:16Why, you might have been in bed.
00:14:18What do you want?
00:14:19There's a letter for you.
00:14:20Why, it's been here the whole afternoon.
00:14:35It's from the poor creature.
00:14:37How do you know?
00:14:39The handwriting.
00:14:42The handwriting.
00:14:56This is a lie.
00:14:58Her finger marks were found in his throat.
00:15:00She must be crazy.
00:15:01Why should I tell the police?
00:15:03She may be crazy, but you're not.
00:15:06What do you mean?
00:15:08You're not going to get within reach of those hands of hurt, are you, dearly?
00:15:14You're not going to get me.
00:15:37You're not going to get away.
00:16:08Roller.
00:16:11Can I do anything?
00:16:12No. Thanks, Grant.
00:16:17Better alone for a while, Grant.
00:16:27Well, that's over.
00:16:29How about a little snack?
00:16:32I starved all through the funeral.
00:16:36No.
00:16:42Grant, we've got to do something to help Roma.
00:16:44I know we have, Doctor.
00:16:46What about a trip, a sea trip?
00:16:48Fine. We can take the yacht.
00:16:51What about Bermuda?
00:16:52Yes?
00:16:54Say, have you ever eaten truffles in Bermuda?
00:16:59No, I can't say I have.
00:17:02Oh, Smith!
00:17:03Smith!
00:17:05Smith!
00:17:06Yes, sir?
00:17:10Tell Henri to fry me some truffles.
00:17:13Truffles, sir?
00:17:14With butter and cinnamon.
00:17:17Hmm. Very good, sir.
00:17:30Listen to me...
00:17:32Follow me.
00:17:34When's the Empress sooko...
00:17:36...
00:17:37...
00:19:16Sure you won't have anything?
00:19:18No, thanks.
00:19:22Seems strange that I should get back just in time to see him die.
00:19:26Long trip from South America.
00:19:28Guess you had a reason for it.
00:19:32Did you ask her yet?
00:19:34Asked of what?
00:19:36To marry you, of course.
00:19:38After what's happened?
00:19:40Why not?
00:19:42Might be the best thing for her.
00:19:59See you.
00:20:05I'll go.
00:20:18Ladies and gentlemen, you will now hear the celebrated Courtney twins
00:20:22in their famous number entitled
00:20:23Carry Me Back to My Old Irish Mammy in Sunny Vladivostok.
00:20:29Oh, shut up, Johnny. You're wasting this record.
00:20:32I want to sing.
00:20:33All right, beautiful. Hit that uke.
00:20:36Lay your head on my shoulder, dear, as we'll let the world roll by.
00:20:47There's nothing in this world to fear, for our love will never die.
00:20:58Just as long as we're side by side, we'll let our true love rise.
00:21:06This message just came for you.
00:21:07So lay your head on my shoulder, dear.
00:21:47Well, that closes that case.
00:21:49Oh, say, Doc.
00:21:50This paper says you were at the execution of that Rojan woman this morning.
00:21:54I was.
00:21:56Says she insisted you walk to the death chamber with her.
00:22:01I guess she had a crush on you.
00:22:07It's a good thing you didn't meet sooner, eh, Doc?
00:22:12Tell me, Doctor, was she really crazy?
00:22:15Grant?
00:22:17I believe she was quite sane, but undoubtedly one of the most dangerous women in criminal history.
00:22:23Well, she's not dangerous anymore.
00:22:26No?
00:22:28She may be more dangerous now than when they had her locked in a cell.
00:22:33Oh, now, listen, Doc.
00:22:35That's too much.
00:22:38Oh, hello, Roma.
00:22:40What's this?
00:22:43First of the vultures.
00:22:46Well, I'm not surprised.
00:22:48There'll be a regular campaign to get your money, but I have other plans for it.
00:22:54Paul Bavion.
00:22:56Spiritualist.
00:22:58Frog.
00:22:59Why are you so sure?
00:23:01Now, listen, Roma.
00:23:02This fellow is simply playing on your misfortune.
00:23:06Why, it's a business with him.
00:23:09Doctor, do you believe I could talk to John if I gave him the chance?
00:23:14Roma, my dear, life does continue after death.
00:23:19There's not a doubt of it.
00:23:23But communication.
00:23:26Well, that's a different matter, unfortunately.
00:23:28Why, of course.
00:23:30John can't talk.
00:23:32Here.
00:23:33I'll put a name to this right now.
00:23:36Say, look here, Mr. Baboon, or whatever your name is.
00:23:41My name's Hammond.
00:23:42What's that?
00:23:44Hammond.
00:23:46If that doesn't mean anything to you, I'm the manager of the Courtney estate.
00:23:52I understand, yes.
00:23:55And you're not going to get one cent from this estate, not while I'm alive and running it.
00:24:00You understand?
00:24:02Perfectly.
00:24:03Oh, I know your game.
00:24:06Niddows and orphans, eh?
00:24:07Well, now, just let me tell you that...
00:24:10Hello?
00:24:11Hello?
00:24:13Hello?
00:24:17Thank you for everything, Doctor.
00:24:18Anything.
00:24:20Anytime.
00:24:22I'll see you to the door, Doctor.
00:24:24Thanks.
00:24:26Excuse me, Roan.
00:24:28Excuse me, Roan.
00:24:46Hello?
00:24:55Grant, I've been thinking about that letter.
00:24:57You heard what Nick and the doctor said.
00:25:01Dr. Huston said there was an afterlife.
00:25:05I'm going to that medium.
00:25:07Roma, you're only making things harder for yourself.
00:25:11I don't care.
00:25:13Will you go with me?
00:25:15Of course I will.
00:26:10I just dropped in to see if you got your phone message.
00:26:13Yes, I did. Thank you very much. Now drop out again.
00:26:17Miss Roma Courtney is calling on you. Half past nine.
00:26:22Ain't that nice?
00:26:26You ain't going to forget your old landlady, are you?
00:26:30Never.
00:26:30Sure.
00:26:30Is that a promise?
00:26:31Absolutely.
00:26:32Now get out and hurry. I have a lot of work to do. Come.
00:26:35Work to do, eh?
00:26:36Yes, I suppose you've got to get all your wires in order
00:26:40so that you can give a fake message from my brother.
00:26:43Fake message?
00:26:48Fake message, huh?
00:26:56What do you mean by that?
00:26:57I know all about Miss Courtney.
00:26:59Poor thing.
00:27:01With all her sorrow, she doesn't know what she's doing.
00:27:04I think I ought to tell her, as one woman to another.
00:27:11She's got a lot of money. She'll never miss it.
00:27:14How much are you going to get? Enough for both of us?
00:27:18Eh, dearie?
00:27:19So you're going to try blackmail, huh? Now, is that nice?
00:27:22Blackmail? Oh, no, dearie. I wouldn't do anything dishonest.
00:27:27With all I know about you, I wouldn't tell the police.
00:27:31We're partners.
00:27:35Partners, eh?
00:27:39I knew I wouldn't have to force you, dearie.
00:27:42You're a gentleman.
00:27:48Shake.
00:27:56What you got in your hands, you young devil?
00:28:04It's all right.
00:28:05It's only a scratch.
00:28:10You wouldn't have an old friend, would you, dearie?
00:28:18It's only a joke, isn't it?
00:28:25It's only a joke!
00:28:28Joke!
00:28:43It's only a joke.
00:30:02Mr Wilson, many distinguished people have signed this register.
00:30:14You were very wise to come, Miss Courtney.
00:30:16The invisibles who speak through my lips have given me no peace.
00:30:20Your brother John has been most persistent.
00:30:23Are you sure?
00:30:25Are you sure it is my brother?
00:30:27Well, perhaps you'll be the best judge of that yourself.
00:30:31All right, we will.
00:30:35What do we do now?
00:30:37Mr Wilson, if you'll pardon me, I'm very sensitive as well as being psychic.
00:30:42Hostility affects me the same as static affects radio reception.
00:30:46So if you'll pardon me, for Miss Courtney's sake, would you please keep an open mind?
00:30:50Please, Grant.
00:30:52All right, I'm sorry.
00:30:54When I see it, I'll believe it.
00:30:57Well, perhaps tonight you may even see.
00:31:05We were stupid to come, Roma.
00:31:07Why, this fellow's a fake.
00:31:09Maybe.
00:31:11I must be sure.
00:31:22I must ask you, Mr Wilson, to please turn out the sleight when I go into a trance.
00:31:38I must warn you, listen carefully.
00:31:41The message may be brief.
00:31:54I suppose that's my cue.
00:32:37Roma, Roma, can you hear me?
00:32:43Listen, you must guard yourself.
00:32:47Hammond wants our money.
00:32:49He murdered me.
00:32:52You are next.
00:32:54John!
00:32:55John!
00:32:57John!
00:33:19Roma, are you all right?
00:33:21Did you see?
00:33:22It was John.
00:33:23Yes, dear.
00:33:23I saw.
00:33:24What happened?
00:33:26Do you know what happened, you cheap fakele?
00:33:28Almost scared to death with your phony tricks.
00:33:31Miss Courtney.
00:33:32Grant, wait.
00:33:35What happened?
00:33:36I'll call you.
00:33:55Phil.
00:34:11Cheap faker, eh?
00:34:23Cheap faker, eh?
00:34:28What happened?
00:34:53Miss the wait for morning, Roman.
00:34:55He's probably gone to bed.
00:35:01Good evening.
00:35:02Reynolds, Dr. Hustening.
00:35:03He's in the laboratory, miss. He can't be disturbed.
00:35:06Please don't go in there.
00:35:07Dr. Hustening gave strict orders.
00:35:09You can't go in there, please.
00:35:30We'd better wait outside.
00:35:37Come on, we shouldn't be here.
00:35:43Doctor!
00:35:47Homer!
00:35:53What are you doing here?
00:35:53I'm sorry, if we...
00:35:54Get back, please.
00:35:57Doctor!
00:35:58That woman, she just moved.
00:36:01No, dear.
00:36:02She's dead.
00:36:04That was merely galvanic action.
00:36:07Now, woman, please go.
00:36:09Homer, I must talk to you.
00:36:10Not here, dear, please.
00:36:11Why, doctor, what's the matter?
00:36:13I've been conducting a very trying experiment, Grant.
00:36:17The woman in there was Ruth Roger.
00:36:21You remember the case?
00:36:23Yes, I do.
00:36:24Well, it may sound crazy, but...
00:36:27there's danger of contagion.
00:36:30No, dear, not from the body.
00:36:32That's harmless.
00:36:35But there's...
00:36:37there's something else.
00:36:40Please.
00:36:42Please, Homer.
00:36:49Tell me, Homer, why did you come here tonight?
00:36:52We went to see that spiritualist, then.
00:36:55And I saw John.
00:36:57But it was all staged.
00:36:58I've been trying to convince, Homer.
00:37:00It couldn't have been.
00:37:01I saw John, and so did you, and you know it.
00:37:03Wait a moment, dear.
00:37:06How do you know it was staged, Grant?
00:37:07He said John was murdered by Hammond.
00:37:10Isn't that enough?
00:37:11Murdered by Hammond?
00:37:12That's absurd.
00:37:14Homer, you don't believe anything like that for a moment.
00:37:17I don't know what to believe.
00:37:18It was John talking, and...
00:37:20Hammond was listening when he died.
00:37:23Oh, I don't know.
00:37:30Homer, dear girl, we've all known Mickey Hammond saw it too long to believe anything like that without real proof.
00:37:35Of course.
00:37:36The whole thing's a trick to get money out of Homer.
00:37:38I wonder if it is a trick.
00:37:40Homer.
00:37:43Invite him to your house for another seance.
00:37:46Then, if it should...
00:37:50Well...
00:37:50Let's wait and see.
00:37:59That's strange. Those windows are shut.
00:38:01And cold as ice.
00:38:04Romeo is go at once.
00:38:06I'll arrange for your seance.
00:38:09What did you say the name of this man was?
00:38:10Paul Bevin.
00:38:20Paul?
00:38:20Come on.
00:38:22Get her out of here, Grant.
00:38:23Quickly.
00:38:40What are those marks?
00:38:41Ruth Rosen.
00:38:43She tried to get possession of Homer's body.
00:38:45Thank heaven she failed.
00:38:58Hello, it's Circle.
00:39:00Seven, nine, nine, seven, oh.
00:39:03Wigman?
00:39:05This is Dr. Houston speaking.
00:39:07Will you please send immediately for the body of Ruth Rosen.
00:39:11Yes, I've finished.
00:39:13At once, please.
00:39:22Yes.
00:39:24At Miss Courtney's house.
00:39:26At eight o'clock.
00:39:28Tonight.
00:39:30Yes, I understand.
00:39:31I'll be there.
00:39:33Yes.
00:39:35Goodbye.
00:39:58Now the contact is completed.
00:40:00As you know, spirit communication may take any one of many forms.
00:40:04Levitation, moving lights, voices, raps, materialization, or automatic writing.
00:40:11In automatic writing, the medium himself, while in a trance, writes the message.
00:40:17Consequently, this method may be open to question.
00:40:20Independent writing, the message is received independently of the medium.
00:40:25Consequently, tonight, we will experiment by this means.
00:40:29But I warn you again, I promise you nothing.
00:40:31The invisible that you wish to hear from may not be able to reach me.
00:40:36But if I succeed, my reward lies in the knowledge that I have been of service to a gracious lady.
00:40:42And also, I feel very flattered that so eminent a scientist, such as Dr. Houston,
00:40:48would be present at a seance conducted by so humble a person as myself.
00:40:55I would like to have a handkerchief from you, if you please.
00:40:58One of yours will do.
00:41:00Hmm.
00:41:02It will eliminate any idea of trickery.
00:41:15If you'll excuse me a moment, I want to light the incense.
00:41:19It will assist me in concentrating.
00:41:37Will one of you be good enough to turn out the overhead lights?
00:41:44It's all going to turn into a charm.
00:41:48Mmm.
00:41:51Mmm.
00:41:52Mmm.
00:41:54Mmm.
00:41:58You.
00:42:05Mmm.
00:42:08Oh.
00:42:10Mmm.
00:44:13Roman.
00:44:15I'm going to take her over to the sofa.
00:44:17Quickly.
00:44:18Quickly.
00:44:23No, no, no.
00:44:24Here.
00:44:26I knew something like this would happen.
00:44:39Here.
00:44:40Here.
00:44:41Here.
00:44:42Here.
00:44:43Here.
00:44:46Here.
00:44:54Here.
00:44:56Here.
00:44:58Here.
00:44:58Here.
00:45:00Here.
00:45:01Here.
00:45:20Doctor, what's the matter with her?
00:45:32Doctor, what's the matter with her?
00:45:50Dear?
00:45:56Mom?
00:45:59Doctor, what's the matter with her?
00:46:27Thank you for a wonderful seance.
00:46:30Well, it's a pleasure to serve you.
00:46:32The whole thing's nothing but trickery.
00:46:34Now get out!
00:46:36You keep out of this.
00:46:39Why?
00:46:41Roma!
00:46:42Doctor Huston!
00:46:44Doctor Huston!
00:46:45Why?
00:46:45Something terrible has happened.
00:46:46It's Mr. Hammond.
00:46:48I think that he's dying.
00:46:49Dying?
00:46:56I think perhaps I'd better go.
00:46:58Let's go still.
00:47:10Ed.
00:47:14Come on.
00:47:26Where's Miss Cotman?
00:47:27She's just leaving with that gentleman, sir.
00:47:29Leaving?
00:47:32Roma!
00:47:33Come back!
00:47:34Roma!
00:47:37093544.
00:47:37I've got the license number.
00:47:38We can trace it.
00:47:39We've got to.
00:47:40Come on.
00:47:40Come on.
00:48:01This...this isn't the place, is it?
00:48:03Yes.
00:48:04Wait there for me.
00:48:19How much is this?
00:48:21A dollar and a half.
00:48:22Too much.
00:48:23Make it a dollar.
00:48:59Well, this can't be yours.
00:49:01Of course it is.
00:49:10Nice, isn't it?
00:49:11Come in.
00:49:19How did you know about this place?
00:49:25It belonged to a friend of mine.
00:49:37Ruth Roach.
00:49:38Did you know her?
00:49:41Why, yes.
00:49:42I did.
00:49:44Oh, interesting.
00:49:45How well did you know her?
00:49:47What?
00:49:47What?
00:49:51If you don't mind, I'd rather not discuss that.
00:49:54Why not?
00:49:54There's nothing to be afraid of now, is there?
00:49:57Why should I be afraid?
00:49:58I'm afraid of them.
00:50:00Some men were, I hear.
00:50:02She told me of one.
00:50:03I was so much afraid of her, he gave her away to the police.
00:50:08Do you suppose he'd be afraid now if he thought Ruth Roachan were alive?
00:50:13I...no.
00:50:15Suppose you were that man?
00:50:18As a matter of fact, I was.
00:50:20She threatened me.
00:50:21She refused to give me up.
00:50:22And she meant it.
00:50:23I can believe that.
00:50:25Miss Courtney, how did you ever come in contact with such a woman?
00:50:29It doesn't matter.
00:50:31Why the formality?
00:50:32All right, Roma.
00:50:34It's bitter.
00:50:49Do I remind you of her?
00:50:53I don't know.
00:50:54Perhaps it's being in this room.
00:50:58No, you're nothing like her.
00:51:13Isn't she beautiful?
00:51:15Yes, but repulsive.
00:51:17Like a female spider that kills her mate when she's through it.
00:51:22She would have killed me too if I hadn't got rid of her first.
00:51:27You did get rid of her.
00:51:32Aren't you lucky?
00:51:33Lucky? Yes.
00:51:34To be here with you.
00:51:38You do care for me, don't you, Roma?
00:51:42Yes, haven't I shown you I do?
00:51:52What do you mean by coming in here?
00:51:54What are you doing here?
00:51:57Get out.
00:51:58Get out of my house.
00:51:59This isn't your house.
00:52:00I'm in charge here.
00:52:01Get out and let me alone, can't you?
00:52:02Get out!
00:52:03Roma!
00:52:04You're crazy!
00:52:05You're crazy, I'll kill you!
00:52:06Roma!
00:52:09I'm sorry I lost my temper.
00:52:11Sorry?
00:52:12I'm going to call the police!
00:52:13Wait a minute.
00:52:14Ruth Rogen was a friend of mine.
00:52:17It's all right that we're here, Max.
00:52:19How do you know my name?
00:52:21I never saw you before.
00:52:22Are you sure?
00:52:24Yes.
00:52:25I'm sure.
00:52:27Get out!
00:52:28Wait a minute.
00:52:29I'm going to call the police.
00:52:31Let's go.
00:52:34Where do we go?
00:52:37Why not go aboard your yacht?
00:52:40Yacht?
00:52:44Oh, yes.
00:52:46Let's go.
00:53:22Are you sure we're alone?
00:53:24Yes.
00:53:25There's no one aboard now.
00:53:28Let's go.
00:53:44Let's have a drink first, Paul.
00:53:48All right.
00:53:49Where, where's the bar?
00:53:50Over there.
00:53:58Houh.
00:54:13What time?
00:54:17Hello.
00:54:22There was just one more thought I'd run.
00:54:23Oh, yes.
00:54:24Oh, my God.
00:54:25Who is at your home there?
00:54:25Have a spare time with flavor.
00:55:41Are you sure this is the place?
00:55:42Yes, sir. This is where I brought them.
00:55:45All right. Wait for us.
00:55:46Okay.
00:55:50Have you seen two people coming here tonight? A man and a girl?
00:55:53Yeah. What about them? Where are they?
00:55:55Well, how should I know? I found them in Ruth Rogen's apartment when I kicked them out.
00:55:59Ruth Rogen?
00:56:00What were they doing there?
00:56:02They were drinking.
00:56:03The girl stole the key when I wasn't looking.
00:56:06The girl?
00:56:07Are you sure it was the girl?
00:56:09Yeah.
00:56:12Grant, I knew it.
00:56:13It was the girl who brought him here.
00:56:16Roma couldn't have done it.
00:56:17She didn't even know about the place.
00:56:19But the other one did.
00:56:21The other one...
00:56:23Dead.
00:56:26Grant, we've...
00:56:27We've got to find a doctor.
00:56:31Give me a hand, will you?
00:56:32Give him into this chair here.
00:56:38Doctor.
00:56:40Take it easy now.
00:56:42Don't worry.
00:56:43It wasn't your fault.
00:56:46We'll find Roma.
00:56:47I know we will.
00:57:15That's it.
00:57:17That's it.
00:57:18Look after him and see that he gets home.
00:57:21Sure he get home.
00:57:24But what about my boat?
00:57:44Wonderful wine.
00:57:46And right off your own boat.
00:57:59What are you trying to do?
00:58:01Get me drunk?
00:58:02No.
00:58:03Watch for not.
00:58:04Exactly.
00:58:04Why should you?
00:58:08A beautiful girl like you...
00:58:10I assure you, it isn't necessary.
00:58:12I assure you, it isn't necessary.
00:58:20You know, Roma...
00:58:21Eddie, you're a lucky girl.
00:58:25You have beautiful pearls.
00:58:27You have beautiful pearls.
00:58:28You have a yacht.
00:58:29And you have me.
00:58:30I'll see you, I'll see you.
00:58:37I see you.
00:58:41Heh heh heh.
00:58:42Wait, Paul.
00:58:42What's the matter?
00:58:45For a moment when you did that, you made me think.
00:58:47I thought we weren't going to talk about her.
00:58:50Somehow everything that you do makes me think of her.
00:58:56You're still afraid of Ruth Rodman?
00:58:58No, at times I'm afraid of you.
00:59:01Afraid of me?
00:59:02Why did you ever take me to her, please?
00:59:05How did you ever happen to know her?
00:59:07Why is it that sometimes you look like her?
00:59:10Answer me.
00:59:11You're imagining things.
00:59:24I think we'd better go.
00:59:28Just one last drink.
00:59:53This isn't a new experience being turned down by you.
01:00:18Now do you recognize me?
01:00:19I am, Ruth Rodman.
01:00:21I'm going to kill you before I leave this body you like so much.
01:00:24Stop.
01:00:33Roma! Roma!
01:00:37Roma!
01:00:39Roma!
01:00:40Roma!
01:00:49There he go!
01:00:50There he go!
01:00:51You don't know what you're doing.
01:00:51There he go.
01:00:52Stop it!
01:00:54Now you listen to me.
01:01:00All right.
01:01:01Oh
01:01:57Oh
01:01:58Oh
01:02:04Oh
01:02:07Oh
01:02:08Oh
01:02:09Oh
01:02:09Oh
01:02:12Oh
01:02:12Oh
01:02:13Oh
01:02:17Oh
01:02:19Oh
01:02:20Oh
01:02:21Oh
01:02:31Oh
01:02:32Oh
01:02:34Oh
01:02:40Oh
01:02:41Wake up
01:02:42I am awake
01:02:44What are we doing here?
01:02:45Why don't you remember?
01:02:47No
01:02:47In Shanghai, Jim, then you fell asleep.
01:02:51Where are the others?
01:02:53They left.
01:02:54Oh, I'm sorry.
01:02:58Are you?
01:03:04Oh
01:03:08Oh
01:03:09Oh
01:03:12Oh
01:03:12Oh
01:03:14Oh
01:03:20Oh
01:03:22Oh
01:03:42THE END
01:04:03THE END
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