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00:00:00We're young. Why don't we live a little?
00:00:06Put it all into stocks and shares. Let the money work forward.
00:00:11The stock market has never had a worse day.
00:00:15We've got to sell this house, scrape together everything we've got, and buy a couple of pubs.
00:00:24Jordy, it's Nicky.
00:00:27Couple of quid, sir.
00:00:30I have decided, therefore, that the best course will be a merciful sentence of life imprisonment.
00:00:39Nicky, what's going wrong?
00:00:42Nothing.
00:00:43It'll break my heart if this goes wrong.
00:00:46I think I love you.
00:00:48I know you think you love me.
00:00:50If you're gonna walk, then walk!
00:00:53Just keep walking!
00:00:56I've done my best, son. I can't cope with him anymore.
00:01:05See ya!
00:01:06See ya, man.
00:01:18I'm notussu Scanlan!
00:01:20Thanks.
00:01:23This is more than obviamente what we are discussing.
00:01:25My dear son, here are a few photos from the trip, just back from the chemist.
00:01:52The one of the Holy Father is a bit fuzzy, but you can't just make him out on the balcony.
00:01:58Well, I know they're not up to your standard, but they'll have to do.
00:02:03Thank you, Nicky, for the trip of a lifetime.
00:02:07Easter Sunday in Rome? I never thought I'd see the day.
00:02:17What else to report?
00:02:18Your dad is the same. I'll see him in about half an hour or so.
00:02:24And I've got some good news for him.
00:02:27He's going on a little trip. It's something he always wanted to do.
00:02:33A full report in my next letter.
00:02:36Guess who came to tea?
00:02:39Mary.
00:02:39Since she went to the commons, we don't see so much of her up here these days.
00:02:46She looked well, and we had a good old chat, Mary and me.
00:02:51And she said nothing but good words about you, son.
00:02:55Now, don't go getting angry with me.
00:02:59But if you ask me, she loves you as much as ever, if she only knew it.
00:03:03You should put the past behind you both and waste no more time.
00:03:10Don't be afraid.
00:03:12Never be afraid to go back.
00:03:15Do it soon, Nicky.
00:03:18Take care of yourself.
00:03:19See you at Christmas Day over Lent, your loving mother.
00:03:23P.S.
00:03:25I mean it, Nicky.
00:03:27Tomorrow's too late.
00:03:28I've told Felix about Glory's death, but I'm not sure he understands.
00:03:44Did she talk about him much?
00:03:46Oh, yes, all the time.
00:03:48She never let go of him.
00:03:50She could always see flashes of the old Felix, but nobody else could.
00:03:54And, you know, when you have Alzheimer's, the here and now seems to vanish,
00:03:57but the past keeps coming back.
00:03:59And with it came that acute sense of failure he's had all his life.
00:04:03Failure?
00:04:06Well, ever since the Jarrah March, I think.
00:04:09Because the march brought no work to the town.
00:04:13To the town that was murdered.
00:04:16They were treated badly.
00:04:18They marched all the way to the House of Commons to ask for justice,
00:04:22for jobs for a town that had 77% unemployment.
00:04:25Only to be told, they must go back to Jarrah and work out their own salvation.
00:04:34So they failed, as Felix saw it.
00:04:43Have you seen Mary at all?
00:04:46No.
00:04:46The last time was four years ago, to email my dad's golden wedding.
00:04:51I suppose I'll see her at the funeral.
00:04:59Thank you, Father.
00:06:13You'd like that, would you?
00:06:28Yeah, I could set fire to it.
00:06:33Yeah, that's another possibility.
00:06:36Or you could just go home and watch TV.
00:06:39I saw my dad the day.
00:06:45Your dad?
00:06:46Yeah.
00:06:48How's he doing?
00:06:50Well, I was up in this good big Cadillac.
00:06:53I was sitting on the wild side of our house.
00:06:56He says, now I am.
00:06:57I says, yes, you're my dad.
00:07:01He says, yeah.
00:07:03Drives off again.
00:07:05Guess he's too punt.
00:07:07I knew it was him.
00:07:08My mom's got this foot in one of the paper.
00:07:11Why was he in the paper?
00:07:13The cop I shot him.
00:07:15Yeah?
00:07:18Guess if I can, I'll stick a knife in your leg.
00:07:22What knife?
00:07:23The one in my pocket.
00:07:24Well, you'd better go on with it, because I haven't got any money.
00:07:29Why not?
00:07:32Because I've just escaped from prison.
00:07:36I used to get us on that boat with the rest of the poses.
00:07:38Yeah.
00:07:41Thanks for the tip.
00:07:44Nice to talk to you.
00:08:08All ship-shape, then.
00:08:15I mean, I've carried out every improvement you asked for.
00:08:25Well, can I open the place or not?
00:08:27I've got 300 people booked in for a garden night on Friday.
00:08:31It's time I got a definite decision.
00:08:37Jesus, what now?
00:08:39We'll be writing a report.
00:08:44Can you smell Burnham?
00:08:48Right, this is all I need.
00:08:51The opening night will be like the bloody married Celeste at this rate.
00:08:55Hey, you!
00:08:56More like the Towering Infernal, if you ask me.
00:08:58You tell your gaffer to get himself up here.
00:09:01I want these lights back on now.
00:09:03I'm not sitting here all day like a duck egg.
00:09:07Good.
00:09:08Are you dirty cops?
00:09:12Yeah, boy.
00:09:12Who are you?
00:09:16Are you supposed to be who I think you're supposed to be?
00:09:19The artificial animals.
00:09:20I thought you said they looked like them.
00:09:26Yeah, as long as they sound like them.
00:09:29I wasn't expecting us till tonight, actually, because...
00:09:32Hang on.
00:09:33There's only four.
00:09:34Where's the fifth one?
00:09:36Hospital.
00:09:37Like we said.
00:09:37Well, it's only keyboards.
00:09:48Why not?
00:09:49Yeah!
00:09:50Yeah!
00:10:00Yeah!
00:10:06Yeah!
00:10:08Yeah!
00:10:08Yeah!
00:10:08Well done!
00:10:21Yeah!
00:10:38Come on!
00:10:40Come on!
00:10:42Come on!
00:10:44Come on!
00:10:45Come on!
00:10:46Come on!
00:10:48Come on!
00:10:49Come on!
00:10:57Get away from the park!
00:10:59Come on!
00:11:00Oh.
00:11:08You're a good runner, Sean.
00:11:17Been in two now that day.
00:11:19My dad took us to the pitchers.
00:11:22You know, a lot of people are getting pretty unhappy about the way you're going on.
00:11:27They're focusing on you and one or two others.
00:11:29I didn't do anything.
00:11:30I just get picked on.
00:11:32I just need somebody to blame.
00:11:34You do get the blame, I know.
00:11:36But you can't see you never do anything.
00:11:39You're lucked out again.
00:11:42Where's your ma?
00:11:44What?
00:11:46You cannot sit here all night.
00:11:49I'd write a winner in the back.
00:11:51I'm okay.
00:12:02Sean, will you come to this meeting?
00:12:05You can sit with me.
00:12:07You can stick up for yourself.
00:12:09Fuck off, you dumb bastard.
00:12:11Fuck off, you dumb bastard.
00:12:41You live abroad, Mr. Hutchinson?
00:12:44Italy.
00:12:45Lovely.
00:12:46Nice weather.
00:12:48Do you think you'll stay out there or...
00:12:50Will you come back?
00:12:52Do you live abroad, Mr Hutchinson?
00:12:54Italy.
00:12:56Lovely.
00:12:58Nice weather.
00:13:00Do you think you'll stay out there, or...
00:13:02will you come back?
00:13:04I don't know.
00:13:10Well...
00:13:12never mind.
00:13:14We'll do our best for him.
00:13:16Won't we, Felix?
00:13:18Now, what do we do?
00:13:22Come on.
00:13:26That's right, Felix.
00:13:28Good lad.
00:13:42Now, your son's going to take you out for a drive.
00:13:44So we're going to give you a nice clean chin.
00:13:46OK?
00:13:52Can I do that?
00:14:08Do you understand about Flory, Dad?
00:14:10Flory?
00:14:12My wife.
00:14:14Do you know where Flory is?
00:14:20Where?
00:14:22Where's Flory?
00:14:24She's gone.
00:14:26Gone.
00:14:28He's gone to the butchers from St Savaloys.
00:14:32Flippin' echo, eh, Moses.
00:14:34She says, cue the size of the...
00:14:36Oh, eh, Moses.
00:14:38I says, oh.
00:14:39And did Winston Churchill come in?
00:14:40She says, aye.
00:14:41He came to borrow the puffy to put for the camera,
00:14:44for the...
00:14:45for the Philomena to put in his camera.
00:14:47Philomena?
00:14:48That's daft, I sold it.
00:14:50Philim?
00:14:52You come for the Philim?
00:14:54Where have you been and what have you been up to, asked the father.
00:15:08Of course, the rabbit could not tell him.
00:15:10But we could, couldn't we?
00:15:12Did you enjoy that?
00:15:14Lily, has your cough got better?
00:15:16No.
00:15:17Oh, dear.
00:15:18Come here.
00:15:19Let Grandma here.
00:15:21That sounds better to me.
00:15:25Grandma?
00:15:26Yes, darling?
00:15:27Were you my proper grandma or is Grandma alone my proper grandma?
00:15:31Both of were.
00:15:32But I'm your real grandma.
00:15:33Why don't you live with my proper-granda then?
00:15:36That's a long story.
00:15:38I'll tell you next time I babysit.
00:15:40Do you live with anybody's grandad?
00:15:43No, I don't live with anybody's grandad.
00:15:48Oh!
00:15:51Sorry.
00:15:52It's OK, no problems.
00:15:53You all right?
00:15:54I don't.
00:15:55See you, kids.
00:15:56Kisses for Grandma.
00:15:59Lily?
00:16:00Kiss, please.
00:16:01Say goodbye then.
00:16:03OK.
00:16:04Thanks, Mary.
00:16:05See you.
00:16:08Will I see you at tea time?
00:16:13OK.
00:16:14Come on, kids.
00:16:23Sorry.
00:16:24It's OK.
00:16:27Is this everybody?
00:16:28Aye.
00:16:30Right?
00:16:31I'm all yours.
00:16:32Sean Collins.
00:16:33Who would you like to begin?
00:16:39Well, I didn't call this meeting.
00:16:41Don't look at me.
00:16:42I think it's absolutely ridiculous to have a meeting about one kid.
00:17:02I had a good day.
00:17:03I think it's all right.
00:17:04It could be good.
00:17:05I think it's really good.
00:17:06All right.
00:17:07I'm out.
00:17:09It's very well.
00:17:15There's a big...
00:17:17Oh, my God.
00:17:18If you haven't been here, if you're watching a show,
00:17:19there's a problem.
00:17:20There's a big...
00:17:21I just didn't know.
00:17:22And I think it's a big...
00:17:23There is a big...
00:17:24There's a big...
00:17:25There's a big...
00:17:26I'm trying to eat.
00:17:27There's a big...
00:17:28I'll see you next time.
00:17:58When I was a boy, I wanted you to love me. I wanted you to tell me you love me. I wanted
00:18:20you to hold me close so that I knew I was yours. I wanted you to tell me you were glad
00:18:29I was your son. But you didn't. Not once.
00:18:50What about that? What about? What about that thing? What about that thing we're going
00:19:13to do? What thing? What thing, Dad? Or is it you want to do?
00:19:43Don't you understand me now? Sometimes I feel a little mad. But don't you know there's
00:19:52no one alive can always be an angel?
00:20:00That's a bit rusty, Link.
00:20:04Two, one, two, three, four.
00:20:13Handrails are wrong. They're all different ones.
00:20:20What's wrong with the handrails? I don't know what's wrong with the handrails.
00:20:25But don't you know that no one alive can always be an angel?
00:20:29Well, I can't do it now. I've got to do this, haven't I?
00:20:32I knew it.
00:20:33But I'm just a soul whose intentions are good. Oh, Lord, please don't let me be misunderstood.
00:20:43I'll just say this now. When I was Sean Collins' age, my dad would have had the skin off me
00:20:51if I'd done just half the things that this lad gets up to. He's evil.
00:20:55But where is his dad's time?
00:20:57You see, this is what gets my goat, calling kids evil.
00:21:02Is this Ben evil? Does this Ben look evil?
00:21:06No.
00:21:06No.
00:21:08This is Sean Collins when he was five.
00:21:10Now, how is it by the time he's 13, you want to string him up?
00:21:14Anthony, nobody wants to string him up.
00:21:17We just want the family moved off Valley View.
00:21:20Isn't the real problem here that Sean Collins and several more like him on Valley View
00:21:24have been completely abandoned by the parents?
00:21:27Isn't it true to...
00:21:28I don't start banging on about Victorian values.
00:21:31There's plenty of people in the world who grew up okay with useless parents.
00:21:34I'm not banging on. In fact, I've hardly spoken.
00:21:40I've been asked a question.
00:21:41Fine.
00:21:42Which I'm trying to answer.
00:21:44Fine.
00:21:45Since you mentioned Victorian values, that's what Sean Collins has got.
00:21:50He can't read.
00:21:52He can't write.
00:21:54He's had no support.
00:21:56He's a damaged lad because of what his parents have done to him, or failed to do.
00:22:02Think back to Sean's dad and Sean's dad's mother.
00:22:05Sean's dad's mother isn't MP for Valley View, though, is she?
00:22:08Will you stop being so bloody rude to me?
00:22:10You sound like Claudia Seabrook, man.
00:22:13Put the parents in prison if the kids won't behave.
00:22:15I'm not saying that.
00:22:16I'm saying you can't blame the estate.
00:22:21It's not as simple as that.
00:22:23He could put Sean Collins in a penthouse flat and it wouldn't make any difference to his behaviour.
00:22:28Not if it was on Valley View.
00:22:29Anthony, do you not realise you're insulting people who've lived on Valley View for 40 years?
00:22:35Mother, man, if you and your new Labour Party sound any more like the Tories, they'll sue you for plagiarism.
00:22:41Right, I'll go and tell Sean Collins to go and get better parents, shall I?
00:22:44I mean, it's just bloody stupid what you're seeing.
00:22:53As I said, I didn't ask for this meeting.
00:23:06I'm sorry.
00:23:10That's very embarrassing, I'm very sorry.
00:23:14I'm sorry, I'm sorry.
00:23:44Dear Mrs. Hutchinson,
00:23:49You asked me what I can remember of that day the marchers took their midday rest on the green in our village.
00:23:55What I remember is the song they sang.
00:23:59And I remember a very young man, not really more than a boy, whose shoes were worn out.
00:24:05A neighbour of ours bathed his feet and gave him her husband's best shoes.
00:24:10A very young man, not really more than a boy.
00:24:12A very young man, not really more than a boy.
00:24:16A very young man, not really more than a boy.
00:24:20A very young man, not really, doesn't it.
00:24:21A very young man who was married.
00:24:22Professor James
00:24:26I'll have you could refer to Henry, I should think.
00:24:31Food supplies from stores, right?
00:24:33So do you understand?
00:24:35Terry's bar's invitation only.
00:24:38These will be local bigwigs and it'll be a separate little do from...
00:24:43Yes?
00:24:45Can I help you at all?
00:24:47I was looking for the boss.
00:24:49And the boss.
00:24:52I was wondering, like, any chance of any work going?
00:24:56Oh, no, I'm sorry.
00:24:58All the staff were hired weeks ago. Sorry.
00:25:00Like bar staff or security or...
00:25:02Sorry.
00:25:07Is it?
00:25:09Is it Geordie Peacock?
00:25:12Er...
00:25:14Elaine.
00:25:16I'm Terry's wife.
00:25:18Terry, Tosca.
00:25:19Tosca?
00:25:21Does he work here?
00:25:26Bloody hell.
00:25:39What does he want?
00:25:41Oh, Christ.
00:25:42It's a pity he couldn't have waited until after Friday.
00:25:45Well, he's here.
00:25:47Now.
00:25:48And he needs help.
00:25:50Well, where's he been?
00:25:51Prison.
00:25:53Prison.
00:25:54Shit.
00:25:56He's just been released.
00:25:59He's down on his luck, Terry.
00:26:02He needs a job to get him back on his feet again.
00:26:05Yeah, yeah, yeah, yeah.
00:26:09What was he in for? He didn't top somebody, did he?
00:26:11No.
00:26:13No!
00:26:13No!
00:26:13Arson.
00:26:18Arson?
00:26:19Jesus.
00:26:20Here's me working me backside off,
00:26:22to get us a fire certificate,
00:26:23and you want us to hire a convicted arsonist?
00:26:27You disgust me sometimes, Terry.
00:26:34I'd never have believed you'd get life
00:26:36for sending fire to a mattress.
00:26:37It was a new one.
00:26:42Anyway, they've put right their mistake.
00:26:45And no, it's no consolation to you now.
00:26:51Where are you staying, Geordie?
00:26:56Well, where were you last night?
00:26:57Oh, look.
00:27:12You come and stay with us for a bit, okay?
00:27:15Have you got room?
00:27:17Room?
00:27:18Wait till you see the place.
00:27:20Thanks, matey.
00:27:24I thought they gave you a grant of some kind
00:27:26when you get out.
00:27:27Not when you're on parole.
00:27:36It's okay if I have another go.
00:27:39Oh, yeah.
00:27:39Yeah.
00:27:47Is it ladies on parole?
00:27:52Seen the way of Shakespeare's?
00:27:54He took some pills of some kind.
00:27:55I don't know what they are.
00:27:57I don't know what they are.
00:28:06It's more like it.
00:28:09Eh?
00:28:12What's your name?
00:28:13Geordie.
00:28:14All right, Geordie.
00:28:15Let's go.
00:28:17Let's go.
00:28:17Well, you want the job or not?
00:28:34One, two, three, four.
00:28:37I thought crime didn't pay.
00:28:44I thought crime didn't pay.
00:28:46There is a house in New Orleans.
00:28:56They call the rising sun.
00:29:02And it's been the ruin of many, poor boy, and God, I know I'm one.
00:29:16And it's going to lose.
00:29:17You want to get some cut?
00:29:18I think it's my tea.
00:29:18It's my tea.
00:29:19Now, I'm going to have a drink.
00:29:19It's my tea.
00:29:21That's your tea.
00:29:21Hi.
00:29:30Get you a drink?
00:29:32Um, no, I won't actually, thanks.
00:29:38Sorry about Florey.
00:29:41Are you okay?
00:29:42Yeah, yeah.
00:29:44Somehow didn't expect her to go first.
00:29:46Thought she'd be around forever, really.
00:29:49How's your mum?
00:29:51She's fine.
00:29:53Now.
00:29:57But she wasn't.
00:30:00Why did you do it?
00:30:04I don't know.
00:30:07Well, she's fine now.
00:30:09So you just leave her alone, okay?
00:30:12Leave her alone?
00:30:13Yeah, just leave her alone.
00:30:15She doesn't need any more crap in her life.
00:30:17She's had plenty.
00:30:19Did she ask you to save it?
00:30:20I just hear what I'm saying, okay?
00:30:22I hear what you're saying.
00:30:25Good.
00:30:26But it's none of your business, Anthony.
00:30:29You're out of order.
00:30:30If you hurt her again, I'll break your neck.
00:30:38Okay.
00:30:38You're out of order.
00:30:39I'm out of order.
00:30:39You're out of order.
00:30:40I'm out of order.
00:30:41Well, I'll break your neck.
00:30:41Excuse me.
00:30:41I'll break your neck.
00:30:42Here you go.
00:30:43I'll break your neck.
00:30:43I'll break your neck.
00:30:44I'll break your neck.
00:30:45Go ahead.
00:30:46Mary Cox.
00:31:07Mary, Nicky.
00:31:09Nicky.
00:31:10Hi.
00:31:12I was going to ring just to...
00:31:14You know, say hello.
00:31:17I'm sorry I was.
00:31:19Funeral day after tomorrow, yeah?
00:31:21Yeah.
00:31:23Look, do you fancy having lunch sometime?
00:31:27Well...
00:31:29I don't know.
00:31:32Why?
00:31:33Well, you know, just have lunch.
00:31:38Yeah?
00:31:39OK.
00:31:41It'll have to be tomorrow if you're talking about this week.
00:31:44I've got something I need to do with me dad.
00:31:46Somebody he hasn't seen for 60 years.
00:31:48Oh, well, yeah.
00:31:49That's important.
00:31:52Look, what about dinner tomorrow night?
00:31:56Um, yeah.
00:31:58Oh, well.
00:31:59Problem.
00:32:00Well, yeah, only that I promised Oscar.
00:32:02Well, not promised, but, uh, I did say I'd rather...
00:32:05I'd probably go to his big night.
00:32:07Well, it was a promise, really.
00:32:09I mean, I think he'd be offended.
00:32:11Yeah, well, no.
00:32:12That's, uh, understandable.
00:32:15I'm sure you're invited.
00:32:16Yeah, I've just got it.
00:32:17Says any chance of bringing you camera?
00:32:19Kevin.
00:32:19No, no.
00:32:21He doesn't, uh, he doesn't change, does he?
00:32:25Well.
00:32:27Well, I'll see you there anyway.
00:32:30Yeah.
00:32:34We and Mebbe find a few minutes to talk.
00:32:37Yes, let's.
00:32:39Good.
00:32:41Oh, uh...
00:32:41Yeah?
00:32:45It's just, uh, Anthony paid me a visit.
00:32:50Yeah, why?
00:32:51Well, he was, uh, pretty angry, really.
00:32:54I mean, understandably.
00:32:56I mean, I understand if there's still anger.
00:32:59Well, that's Anthony.
00:33:03Right.
00:33:06Night.
00:33:07Night, Nicky.
00:33:11Night, Nicky.
00:33:41Night, Nicky.
00:33:57You all right, Geordie?
00:33:58You got everything you want?
00:33:59Yeah.
00:34:01Oscar and me have got an early start,
00:34:03but you just sleep, okay?
00:34:06And don't worry about anything.
00:34:09Okay?
00:34:09Okay.
00:34:11Night-night, flower.
00:34:12Night-night.
00:34:13Night-night.
00:34:13I don't know.
00:34:43I don't really rise to the occasion, do I?
00:34:48You did brilliant.
00:34:51I wasn't really pleased to see him at first.
00:34:55Service right if tomorrow's a total fiasco, which it will be.
00:34:59I know it will.
00:35:00It'll be OK.
00:35:04We've done everything they've asked.
00:35:07They'll give us a certificate tomorrow.
00:35:09We've worked eight years for this.
00:35:16It's the biggest night of our lives.
00:35:19We're going to enjoy it, Oscar.
00:35:22I promise.
00:35:24You're great, you.
00:35:35Good night.
00:35:37Good night.
00:35:37Best of luck.
00:35:55I hope you'll have a very pleasant evening.
00:36:03Yes!
00:36:04Sorry, Nell, I said.
00:36:19She says, ooh, it's a long way to walk.
00:36:24Oh, I'm Lady Astor, she says.
00:36:27Ooh, your feet must be seen.
00:36:30Seen?
00:36:32So?
00:36:32I said, I saw, never mind anything.
00:36:35Heck, oh, Moses.
00:36:40Then the king came to open the apartment.
00:36:43I says, oh, I like your crown.
00:36:45He says, oh, Felix, where have you been?
00:36:47I said, oh, he says, oh, Felix, what about...
00:36:51What about that?
00:36:54He says, Felix, what about...
00:36:57What about that thing?
00:37:01What about that thing?
00:37:02That thing?
00:37:04What about that thing we were gonna do?
00:37:07What about that...
00:37:08thing we were gonna do?
00:37:14We're doing it, Dad.
00:37:16We're doing it.
00:37:17Dad, Flory wanted you to meet Mrs. Wilson.
00:37:43Mrs. Wilson was a little girl when the marcher stopped for the midday meal in this village.
00:37:53She remembers a very young man.
00:37:55Oh, suffering, Ellie, he says.
00:37:56I says, oh, he says, oh, Felix, have you come all this way?
00:38:01I'm the king.
00:38:02Listen a minute.
00:38:11Listen a minute.
00:38:11We've come to Yorkshire, to a village called Dowley.
00:38:15Listen, this is Mrs. Wilson, she remembers a song and a very young man whose shoes were worn through.
00:38:25I think Flory read you what she remembers, did she?
00:38:28Oh?
00:38:29Oh?
00:38:30She says.
00:38:31And he says, oh, Felix, your feet, they must be red raw.
00:38:34I says, red raw, you can see the flipping thing, the crown on it, on, on, on, on, on, when the thing, when the, when the watch it, the, you, you can see, see?
00:38:52I don't think he's going to remember.
00:38:54I think he will.
00:38:56Dad, and the king came up and he says, I've a lift in me royal carriage.
00:39:00Dad, shh, shh.
00:39:02Can you remember the song?
00:39:12We're on the road to anywhere.
00:39:16I'm coming, I'm coming, for me head is bending low.
00:39:22Dad, Dad, shh, shh.
00:39:27Listen, listen, please.
00:39:30Just listen.
00:39:36We're on the road to anywhere with never a heartache and never a care.
00:39:43I'm coming, I'm coming, I'm coming, we've got no homes, we've got no friends, we're thankful for everything the good Lord sends.
00:39:51We're on the road, I'm coming, I'm coming, for me head is bending low.
00:39:55And the good Lord seems to say, it's a long way to Tipperary.
00:40:02Though you haven't got a care, you're on the road to anywhere, it leads to somewhere, some day.
00:40:10It leads to a long way to Tipperary.
00:40:11The good Lord is turning low.
00:40:12Can you just say to him what your father said to you when the marchers left the village?
00:40:22Do you think you'll understand, Mr. Hutchinson?
00:40:25Please, try.
00:40:26What he said was, it made you realize that you had a choice in life.
00:40:38You could be downtrodden, or you could stand up for yourself.
00:40:45I've never forgotten that.
00:40:48I've always been grateful for that.
00:40:54It wasn't a failure, Dad.
00:40:58Can you hear me?
00:41:01Your life was not a failure.
00:41:07Oh dear.
00:41:21May we use your loo, please?
00:41:28And I think we'll go.
00:41:31You're a bastard.
00:41:33Do you know that?
00:41:35You're a bastard, Dad.
00:41:38You were a bastard to me when I was little, and you were a bastard to me when I grew up.
00:41:42And now, you're an old bastard.
00:41:46And you know what, Dad?
00:41:49It doesn't matter anymore.
00:41:56The word, you're a bastard.
00:41:59It doesn't matter as much...
00:42:04Jodie, got your glad rags on?
00:42:09Jodie!
00:42:11Jodie.
00:42:12Wakey, wakey.
00:42:16Stardom awaits you.
00:42:18Oh, no.
00:42:35Mama, sit down over here, Felix.
00:42:39You must be exhausted, are you?
00:42:42Here we go.
00:42:45Okay.
00:42:51You're all right.
00:42:53I'll go make a cup of tea, okay?
00:42:55Good lad.
00:43:15Good lad.
00:43:25Good lad.
00:43:35Good lad.
00:43:39Paya Nikki.
00:43:41Old faddle.
00:43:43Good lad.
00:43:59You didn't die then?
00:44:00Nah.
00:44:02But I tried me best.
00:44:08Did I meet you once in the bullring?
00:44:25Yeah.
00:44:26Yeah, that was me.
00:44:27I didn't know if it was real.
00:44:30It was out in my head for a bit, you know?
00:44:33So was I.
00:44:34I did come back, you know.
00:44:35I did try to find you.
00:44:36It was a bad time.
00:44:38The worst I've had.
00:44:40So far.
00:44:42Me too.
00:44:44Should we have a drink for Flory?
00:44:47Yeah.
00:44:48I can't believe you were doing this to us.
00:44:50I just can't believe it.
00:44:52Well he has.
00:44:54Shall we just give him another half an hour?
00:44:56I.
00:44:57I'm.
00:44:58I'm.
00:44:59I'm.
00:45:00I'm.
00:45:01I'm.
00:45:02I'm.
00:45:03I'm.
00:45:05I'm.
00:45:06I'm.
00:45:07I'm.
00:45:08I'm.
00:45:09I'm.
00:45:10You.
00:45:11I'm.
00:45:12I'm.
00:45:13I'm.
00:45:14I'm.
00:45:15You.
00:45:16I'm.
00:45:17I'm.
00:45:18I'm.
00:45:19I'm.
00:45:20I'm.
00:45:21I'm.
00:45:22No. He's had his chance. You do it, Tosca. It's what you've always wanted, and you deserve
00:45:36it.
00:45:39Sorry, lads. Can you stop with me? Okay? Right. Let's rehearse. Can we not cancel? No, we cannot.
00:46:09One more. No, Jodie. One more, man. Garcon. Where's he gone? Jodie. No. Hey, Tosca's gonna
00:46:26get an ape-shake, you know.
00:46:28Hello, Dad. You get lost. The barman will only chuck ute. Hey, I don't want to be late. What's
00:46:57the matter? Tell Tosca I'll be there for your long show. Jodie, you've had enough, man.
00:47:01Hey, if I want a drink, I'll drink. Okay? Okay.
00:47:07Oh. My turn for an advice session, is it? Can I talk to you?
00:47:32What do you want? Huh? You're deaf. Asked you a question.
00:47:54He doesn't want money. He doesn't want money. Who the fuck are ye? Tell him something.
00:48:11What, like? Who the fuck are ye? Talk to him, Sean. Sean, say what you want to say and then
00:48:17get out. Did it hurt when they shot your dad? I haven't got time for this. Go and talk to
00:48:26your mother. Why can't he talk to you? You keep your gobs shut. Who the fuck are ye, anyway?
00:48:36Just talk to the kid, man. It's not much. Sean, I'm losing me temper. What do you want?
00:48:47You keep my gobs shut up, Sean. I'm losing you. I'll be there for you, Dad.
00:48:54Get in the hotel. I'll shut you. You don't walk away. Okay? You just... Don't walk away.
00:49:00way. Aye. You get home now! You all right? Yeah. Champion. Never better.
00:49:20Sean! You're going home! Sean! Just listen to what I have to say. And don't get upset,
00:49:45okay? Yeah? I'm leaving. Leaving the police? Leaving Barbara and the kids? Why? One of those
00:50:14things happen. Why? I get somewhere close by. I'll still be a father to the kids. They'll
00:50:24suffer as little as possible. It's better this way. You're just too young, Mother. I was too
00:50:36young. Is this somebody else?
00:51:06Ladies and gentlemen, the artificial animals! Hello again, Newcastle!
00:51:22In this dirty old part of the city, where the sun refuses to shine, people tell me there
00:51:42ain't no use in trying. Now my girl, you're so young and so pretty. And one thing I know
00:51:53is true. You'll be dead before your time is due. I know it.
00:52:02Sorry to spoil your night. I just needed somebody to talk to.
00:52:17You've got me. For Christ's sake, Mother. What? Don't do that, okay? Just don't do it!
00:52:24Do what? You know fine well what I'm talking about. Just don't bloody do it!
00:52:31If you're in a bad night. Watch his head turn his grave. You'll be loving his slave
00:52:40let his life away. Oh yes I'll do it. Yeah! Yeah! Yeah! Yeah! Yeah!
00:52:42Goin' to research above the shore. Cut your hair and get it down. That's my train
00:53:00if you're gonna be angry be angry with yourself is it my fault your marriage is
00:53:07breaking up yes it is I thought you had more self-respect than that
00:53:30girl there's a better life for me and you
00:54:00you're made of Toskis have you got your invitation sir I don't need one I don't need an invitation
00:54:12no no you don't understand I don't need an invitation look I'm made of Toskis I've known him all right
00:54:19I'm going I'm going
00:54:22you've got to take responsibility for your own mistakes Anthony
00:54:48I'll stand by you like I always have it's you I don't want you to stand by me
00:54:55what do you want
00:55:02nothing that you can give us I don't want what you give us I don't want sacrifice
00:55:10I don't want your tears I've had them all my life
00:55:16you were never happy mother that's what I wanted I want you to stop crying
00:55:23I want you to pull a smile on your face that's what I wanted
00:55:27I didn't have a mother I had a martyr and that's why I went and married one the same
00:55:34go to the party
00:55:42go to the party
00:55:47don't make any more speeches about how to bring up kids
00:55:57yeah
00:55:59this is Cox
00:56:26John Harrop
00:56:28I thought you want to know what's happened
00:56:31Sean Collins is dead
00:56:33thank you John
00:56:38come over
00:56:40come over
00:56:56Well, uh, got a bit of a D tomorrow.
00:57:23Laura. The day. Thanks for being here, Nicky. Yeah. Thanks, mate. Wouldn't have missed it for the world. I'm delighted for you, Tosca. Both of you.
00:57:38Hey, I wonder what happened to Geordie. Wasn't he bloody great, though? Easily as good as ever. Hey, watch it.
00:57:45Ha, ha, ha, ha. Look, I expect Mary had work to do, you know.
00:57:57Look, uh, you'll both be knackered in the morning, so... No, no, no, no. We'll be there.
00:58:04We'll be there, Nicky.
00:58:08Night.
00:58:10Yeah, no, night. Night.
00:58:11Night.
00:58:15God, I wish me ma'am and dad could have been here.
00:58:22Thank you, folks.
00:58:26Let's go.
00:58:29Bye.
00:58:31Bye.
00:58:39Bye.
00:58:40Bye.
00:58:40Bye.
00:58:41Bye.
00:58:41The light of love.
00:58:44Bye.
00:58:44Bye.
00:58:45Bye.
00:58:46Bye.
00:58:49Bye.
00:58:49Bye.
00:58:50Bye.
00:58:50Bye.
00:58:51Bye.
00:58:52Bye.
00:59:52My dear people, to prepare ourselves to celebrate the sacred mysteries, let us call to mind our sins.
00:59:59I trusted, even when I said I am sorely afflicted, and when I said in my alarm, no man can be trusted.
01:00:18I will walk in the presence of the Lord in the land of the living.
01:00:25The opening hymn of the Mass will be Faith of Our Fathers, number 68.
01:00:31Before the Father has finished here, in sight of dungeon fire and storm,
01:00:54Oh, how a God will be done in joy, where ready and glorious world.
01:01:07May father and soul be free
01:01:14We will be true to me till death
01:01:19We will be true to me till death
01:01:27She's already in paradise, Norman
01:01:37Nicky
01:01:38Nicky, with the other angels
01:01:42Yeah, I know, thanks for everything
01:01:44You were a very good friend to her
01:01:45She's in the bosom of the Lord
01:01:48Excellent, good
01:01:49Mind your head
01:01:50Bye
01:01:51Bye
01:01:52There's a place in heaven for Nicky
01:01:55A place in the bosom of the Lord
01:01:57Heaven, exactly
01:01:59Good, you've had a good drink today, father
01:02:02I have, thank you
01:02:03God bless you, my son
01:02:05I'm the same to you
01:02:06She often said to me
01:02:09There was no better son in the world than you
01:02:12Did she?
01:02:14See, what I tell you, it's talent, man
01:02:37It's in the bloodstream
01:02:38Barbara, where's Anthony?
01:02:43He said he'd be here to pick us up
01:02:45You came, Barbara
01:02:47You all right, Nicky?
01:02:53I'm fine
01:02:55I'm not even talking to you
01:03:03You OK, sweetheart?
01:03:11Yeah, just sad
01:03:13Were you good?
01:03:34Yeah, I was bloody good, actually
01:03:35Good
01:03:37You OK?
01:03:46Well, I don't think your dad's coming, kids, so...
01:03:49Oh, we'll drop you off
01:03:50Yeah, come back with us
01:03:52Spend the day on grandad's boat, eh, kids?
01:03:55Hey!
01:03:55Hey!
01:03:56Hey, good idea
01:03:57I'm going to see you in the fashion
01:03:58Yeah, yeah, I'm good
01:03:58I've got some new gear
01:03:59Yeah, I'm good
01:04:00I've got some new gear
01:04:00Lily
01:04:01You come on
01:04:01Come on, everyone
01:04:03See you back, everyone
01:04:04Geordie, are you coming?
01:04:05Up to you, maid
01:04:07Stay
01:04:08I'll give you a little bit of it
01:04:13I'll see you later, yeah?
01:04:15Cheers, maid
01:04:15Thank you
01:04:15Come on
01:04:16I'll give you a ring
01:04:18All right
01:04:18Thanks for crying
01:04:20See you
01:04:21OK
01:04:21Bye, Mary
01:04:22Bye, Mary
01:04:22Come on
01:04:23Bye
01:04:24Come on, then
01:04:25And you
01:04:26Look after yourself
01:04:27And you
01:04:28Turn on, then
01:04:48I've got the band's coat
01:05:18Come on
01:05:20Wait
01:05:25Bye
01:05:44Bye
01:05:46Will you be around for a while?
01:06:00I'm coming back.
01:06:03Felix needs looking after.
01:06:05Good.
01:06:09We'll have to meet.
01:06:10Have that lunch.
01:06:12Tomorrow, we...
01:06:13Tomorrow?
01:06:15Why not?
01:06:16Bye.
01:06:18Bye.
01:06:19Bye.
01:06:39Why not?
01:06:44Why not?
01:06:45Why not?
01:06:46Because tomorrow's too late.
01:06:50That's why not.
01:06:51It's so cute.
01:06:56I don't know.
01:06:56Bye.
01:06:57Bye.
01:06:59Bye.
01:07:00Bye.
01:07:00Bye.
01:07:01Bye.
01:07:01Bye.
01:07:02Bye.
01:07:02Bye.
01:07:03See you.
01:07:04Bye.
01:07:05Bye.
01:07:08Bye.
01:07:08Bye.
01:07:10Bye.
01:07:10Bye.
01:07:11It's true.
01:08:11Why not today?
01:08:34Why not?
01:08:46Why not?
01:09:16Why not?
01:09:17Why not?
01:09:18Why not?
01:09:19Why not?
01:09:20Why not?
01:09:21Why not?
01:09:22Why not?
01:09:23Why not?
01:09:26Why not?
01:09:27Why not?
01:09:28Why not?
01:09:29Why not?
01:09:31Why not?
01:09:33Why not?
01:09:34Why not?
01:09:37Step outside, summertime's in
01:09:41Stand up beside the fireplace
01:09:46Take that look from off your face
01:09:50You ain't ever gonna burn my heart out
01:09:57And so Sally can wait
01:10:05She knows it's too late
01:10:08As we're walking on by
01:10:11Her soul slides away
01:10:17But don't look back in anger
01:10:21I heard you say
01:10:23Take me to the place where you go
01:10:37Where nobody knows
01:10:40If it's night or day
01:10:43So please don't put your life in the hands
01:10:49Of a rock and roll band
01:10:53We'll throw it all away
01:10:55I'm gonna start a revolution from my back
01:11:01Cause you said the brains I had went to my head
01:11:07Step outside, summertime's in
01:11:12Stand up beside the fireplace
01:11:17Take that look from off your face
01:11:20Cause you ain't ever gonna burn my heart out
01:11:27So Sally can wait
01:11:36She knows it's too late
01:11:39As she's walking on by
01:11:42My soul slides away
01:11:48But don't look back in anger
01:11:52Don't look back in anger
01:11:55I heard you say
01:12:00And there's a love that's in there
01:12:09And there's a love that's in there
01:12:09And there's a love that's in there
01:12:10And there's a love that's in there
01:12:11And there's a love that's in there
01:12:12And there's a love that's in there
01:12:13And there's a love that's in there
01:12:14And there's a love that's in there
01:12:15And there's a love that's in there
01:12:16And there's a love that's in there
01:12:17And there's a love that's in there
01:12:18And there's a love that's in there
01:12:19And there's a love that's in there
01:12:20And there's a love that's in there
01:12:21And there's a love that's in there
01:12:22And there's a love that's in there
01:12:23And there's a love that's in there
01:12:24And there's a love that's in there
01:12:25And there's a love that's in there
01:12:26And there's a love that's in there
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