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A bewitching horror film | The Beldham (AKA The House at Hallow End) (REVIEW) | Projector Shorts
Film Brain
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4 days ago
Film Brain reviews this female-led haunted house film, with a mother who thinks a witch is after her baby... or is haunting in a different way?
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00:00
Katie Parker thinks that something is after her child in the horror film, The Beldum,
00:04
which was released in the UK as the house at Hallow End.
00:08
Parker moves back with her realtor mother, Patricia Heaton,
00:10
and her new boyfriend, Corbin Bernson, after an incident of postpartum depression.
00:15
But Parker soon starts seeing a bird-like witch known as a Beldum,
00:19
which she believes is trying to steal her baby,
00:22
but everyone around her thinks she's losing her sanity.
00:26
The Beldum is the directorial debut of actor and writer Angela Gullner,
00:29
and it's pretty solid for a first-time feature,
00:32
and Gullner wears her influences fairly proudly.
00:35
In particular, it reminded me of Jennifer Kent's The Babadook,
00:38
and I'm sure that's no accident.
00:40
It's quite a small contained film,
00:42
almost entirely set in the one house with a small group of characters,
00:46
but part of the reason why the film works so well
00:48
is that it's well acted enough that it works as a family drama between the spooky stuff.
00:53
There's enough unanswered questions about what's going on to make things intriguing,
00:57
like, why is Heaton acting so strange and short-tempered towards Parker?
01:01
Is she hiding an illness,
01:03
and that's why there's now a living carer, played by Emma Fitzpatrick,
01:06
or is it the house itself that's affecting her behaviour?
01:10
As much as it's interesting to see sitcom star Heaton play against Ty much better than she did in
01:15
Al Pacino Horror The Ritual earlier this year,
01:17
really, this is Parker's show,
01:19
who does an impressive performance of a woman whose motherly intuition is telling her something is wrong,
01:24
but the more she uncovers about the house's dark history,
01:26
the less everyone believes her,
01:28
and blames her paranoia on her postpartum depression.
01:32
But the Beldum stands out because it's a distinctly female take on the Haunted House film,
01:37
written, directed, and predominantly starring women about mothers and daughters.
01:42
Cormen Bernstein as Heaton's supportive boyfriend
01:44
is the only major male character in the film,
01:47
and the character is largely peripheral to the proceedings.
01:49
It's clear the film is using horror, especially The Witches and Birds, as a metaphor,
01:55
and while it has plenty of unsettling imagery and dreamscapes,
01:58
it isn't actively scary, despite playing on parental anxieties.
02:02
Nevertheless, it is directed with subtlety and intelligence.
02:05
Once the film finally reveals itself in the home stretch,
02:08
it's a rare third-act rug pull that actually explains and enriches what came before it,
02:13
instead of destroying the whole film like it has in so many others of its ilk.
02:17
It genuinely surprised me and caught me off guard.
02:21
It's rare to describe a horror film as poignant,
02:23
but that's the case with the surprisingly moving Beldum
02:26
that left me haunted in a different way than I expected.
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