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  • 1 week ago
Film Brain reviews this supernatural Western, with a girl that seemingly has the power of death by touch, but this meditation on evil is unfortunately very dry.

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Fun
Transcript
00:00Guy Pearce rides with a girl with the touch of death in the Supernatural Western Killing Faith,
00:06which was released in the UK as Devil in the Dust.
00:09Set in 1849, Pearce plays an ether-addicted doctor who is hired to escort Dewanda Wise and her daughter,
00:16who has a mysterious affliction that anything that touches her skin immediately dies.
00:21Wise wants to bring out a preacher, Bill Pullman, who she believes holds the last hope to potentially cure her,
00:27but Pearce is sceptical.
00:28Killing Faith is helmed by Ned Crowley, who also wrote the script,
00:32and it has all the ingredients for what could be an intriguing Western like a strong premise in the cast,
00:37but it lacks one very important thing.
00:40A pulse.
00:41It's a shame because the cast do what they can, but they're stranded by the material.
00:46Pearce is committed as the grieving and jaded doctor who has lost his own wife and daughter
00:50and carries that guilt as well as his reputation around town for being unable to save his patients.
00:56His bad luck continues on his mission because he's the antithesis of Clint Eastwood,
01:01and is a pretty ineffectual hero getting held up, knocked out, and turned into a bloody mess.
01:07But if he is faithless, then Dewanda Wise's freed slave is all about her devotion to God
01:12and wanting her daughter to be exorcised of the demon she thinks is inside of her.
01:16This is a West where death looms large because of a recent outbreak of disease,
01:21and the film tries to poke at superstition and public hysteria,
01:25partly through the dynamic between the two leads,
01:27where the rational Pearce thinks the girl is more likely to be a carrier,
01:31but he finds something to believe in.
01:34The story might sound like the premise for a horror film, but it really isn't,
01:38and while there's a few moments of grisly violence,
01:40I honestly wish that it leaned more into the genre elements or a sort of surrealism
01:45to enliven the flat execution.
01:48Too much of the film involves them journey across the desert,
01:51bumping into other characters that drift in and out of the story,
01:54like a strange episode where Joanna Cassidy heads up a family of gold diggers
01:58who have been out in the sun too long and have gone a bit Texas Chainsaw Massacre.
02:02Aside from some dodgy CGI muzzle flashes and blood spurts,
02:06the film's competently made, but it's shot in a functional, even bland way,
02:11and the pacing is so slow, you wonder if the horses are going backwards.
02:16It doesn't help that the unnamed girl isn't really a character,
02:19she's a MacGuffin for things to happen to, or the characters to project upon,
02:23but is functionally mute and naive, which is just a huge missed opportunity.
02:29Things improve in the third act when Bill Pullman finally enters over 70 minutes in,
02:34and he's clearly enjoying getting to ham it up in a wheelchair
02:36and puncture the grim self-serious toad,
02:39but it's far too late to save the movie.
02:42It just doesn't come to life,
02:44and the whole thing is so dry that watching it felt like sucking on a plain unsalted cracker.
02:50But...
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