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Guy Pearce and the Girl with the Death Touch | Killing Faith (AKA Devil in the Dust) (REVIEW) | Projector Shorts
Film Brain
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1 week ago
Film Brain reviews this supernatural Western, with a girl that seemingly has the power of death by touch, but this meditation on evil is unfortunately very dry.
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00:00
Guy Pearce rides with a girl with the touch of death in the Supernatural Western Killing Faith,
00:06
which was released in the UK as Devil in the Dust.
00:09
Set in 1849, Pearce plays an ether-addicted doctor who is hired to escort Dewanda Wise and her daughter,
00:16
who has a mysterious affliction that anything that touches her skin immediately dies.
00:21
Wise wants to bring out a preacher, Bill Pullman, who she believes holds the last hope to potentially cure her,
00:27
but Pearce is sceptical.
00:28
Killing Faith is helmed by Ned Crowley, who also wrote the script,
00:32
and it has all the ingredients for what could be an intriguing Western like a strong premise in the cast,
00:37
but it lacks one very important thing.
00:40
A pulse.
00:41
It's a shame because the cast do what they can, but they're stranded by the material.
00:46
Pearce is committed as the grieving and jaded doctor who has lost his own wife and daughter
00:50
and carries that guilt as well as his reputation around town for being unable to save his patients.
00:56
His bad luck continues on his mission because he's the antithesis of Clint Eastwood,
01:01
and is a pretty ineffectual hero getting held up, knocked out, and turned into a bloody mess.
01:07
But if he is faithless, then Dewanda Wise's freed slave is all about her devotion to God
01:12
and wanting her daughter to be exorcised of the demon she thinks is inside of her.
01:16
This is a West where death looms large because of a recent outbreak of disease,
01:21
and the film tries to poke at superstition and public hysteria,
01:25
partly through the dynamic between the two leads,
01:27
where the rational Pearce thinks the girl is more likely to be a carrier,
01:31
but he finds something to believe in.
01:34
The story might sound like the premise for a horror film, but it really isn't,
01:38
and while there's a few moments of grisly violence,
01:40
I honestly wish that it leaned more into the genre elements or a sort of surrealism
01:45
to enliven the flat execution.
01:48
Too much of the film involves them journey across the desert,
01:51
bumping into other characters that drift in and out of the story,
01:54
like a strange episode where Joanna Cassidy heads up a family of gold diggers
01:58
who have been out in the sun too long and have gone a bit Texas Chainsaw Massacre.
02:02
Aside from some dodgy CGI muzzle flashes and blood spurts,
02:06
the film's competently made, but it's shot in a functional, even bland way,
02:11
and the pacing is so slow, you wonder if the horses are going backwards.
02:16
It doesn't help that the unnamed girl isn't really a character,
02:19
she's a MacGuffin for things to happen to, or the characters to project upon,
02:23
but is functionally mute and naive, which is just a huge missed opportunity.
02:29
Things improve in the third act when Bill Pullman finally enters over 70 minutes in,
02:34
and he's clearly enjoying getting to ham it up in a wheelchair
02:36
and puncture the grim self-serious toad,
02:39
but it's far too late to save the movie.
02:42
It just doesn't come to life,
02:44
and the whole thing is so dry that watching it felt like sucking on a plain unsalted cracker.
02:50
But...
02:50
...
02:50
...
02:57
...
03:01
...
03:03
...
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