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The Banished (2025) (REVIEW) | Projector Shorts | An eerie but puzzling Aussie bush horror
Film Brain
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6 months ago
Film Brain reviews a very atmospheric Australian horror film about a women searching for her brother in a commune, but is left confused by the script.
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00:00
I was creeped out by the Australian bush in the horror film The Banished, previously known as Baal,
00:06
but it also left me scratching my head.
00:09
After the death of her father, Meg Clark's Grace returns to her hometown to try and locate her brother David,
00:15
who has disappeared into the wilderness to join a commune.
00:18
When she tries to find it, she becomes lost and injured, and the darkness is closing in.
00:24
Written and directed by Joseph Sims Dennett, who previously held in the movie Observance,
00:28
The Banished certainly won't be winning any prizes for originality with its lost-in-the-woods premise,
00:33
but it is pretty effective with it.
00:35
The first half has a non-linear structure, combing between Grace and Lowe in the trees,
00:39
with her only contact being a mysterious man on a walkie-talkie called Michael,
00:43
and the events leading up to her predicament,
00:46
where she asks her former geography teacher Mr. Green, played by Leighton Cardno,
00:50
to lead her to the commune, who then disappears.
00:53
I did initially find these time jumps to be confusing,
00:56
and while they do add some character backstory and depth,
00:59
they slow down the film by breaking up the atmosphere.
01:02
Indeed, the scenes of Grace Stranded are by far the most effective,
01:06
especially in their sparse use of dialogue.
01:08
There's a quiet to the trees, which initially seems peaceful, but soon becomes eerie.
01:14
The very deliberate stillness in the sound design makes the silence become threatening,
01:19
amplifying every branch cracking under feet.
01:22
You really feel the isolation from civilization and help as she watches out from her tent,
01:27
or makes her way through the dark with only a torch to see.
01:31
It's very effectively minimal.
01:33
These scenes where she feels like she's being watched, but she doesn't know by who or what,
01:37
are much more incestoring than when they get to the fairly conventional commune stuff in the third act.
01:43
There's a lot of stuff about familial trauma running through this,
01:45
with Grace leaving her abusive and religious father for the big city,
01:49
and thus isn't feeling grief so much as guilt about abandoning her brother to spiral in her absence.
01:56
There's also this running theme about the family owning the old mine in the woodland as well,
02:01
this idea of heritage and descendants.
02:04
These things play a major role in the film's ending,
02:06
but the execution makes what the movie is trying to say about this very muddled indeed.
02:11
The conclusion didn't so much haunt me as leave me baffled.
02:14
I genuinely have no idea what it was trying to say.
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