Watch Season 6 Episode 04 “The Art of Deception” of Miss Scarlet & The Duke — full English dub. In this episode, Eliza Scarlet and Inspector Blake are drawn into a web of lies when a renowned art dealer is found dead under suspicious circumstances. As they delve deeper into the world of art forgery and deceit, they uncover a dangerous conspiracy that threatens their investigation and their lives. Don’t miss this thrilling mystery filled with betrayal, secrets, and high stakes.
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#MissScarletAndTheDuke #VictorianDrama #CrimeMystery #PeriodCrime #EnglishDub #S6E04 #ArtOfDeception #DetectiveSeries #TVSeries2025 #MysteryDrama
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Short filmTranscript
00:00I'd better get back to work, Mum.
00:15Like you always say, those streets won't stay safe without your Charlie keeping an eye out.
00:28I'll be back tomorrow.
00:41Uncle?
01:00Charlie.
01:14How is she?
01:15Still the same?
01:17I ain't seen her like this.
01:20Ruled the roost when we were kids.
01:22Terrified whoever I was.
01:25Yeah.
01:26It's a shadow of my sister in there.
01:29I heard about your promotion.
01:32Detective Inspector Phelps of the City of London Police.
01:35Bet your mum's proud of you.
01:37And I am.
01:39Yeah.
01:40I'll bet.
01:41No, I am.
01:43You've done well for yourself, boy.
01:45Good on you.
01:48Tom.
01:49Charlie.
01:55You ain't heard this from me, but, uh, the Galanis family, they've been difficult.
02:09I'll try and keep it off your patch, but there's a storm coming.
02:16You cause me any problems, I'll put you away.
02:21Family or not.
02:26Ooh.
02:27Is that a threat, son?
02:30There's so many tattoos from, but I think my favourite animals were the giraffes.
02:37Especially when they nibble the zookeeper's hair.
02:40I like the elephants.
02:42Apart from when she went to the toilet.
02:45Yes, very unladylike.
02:47I wish I could miss school every day.
02:50My father used to say, too much fun's bad for your health.
02:54I once skipped school without telling him.
02:57I spent the day with the ancient Egyptians at the British Museum.
03:00Was your papa Crofts?
03:02Well, he would have been had he found out, but I never told him.
03:06In fact, you're the only person that I've told.
03:11Now, I need to do a little bit of paperwork, and then we can head home.
03:15Why don't you read?
03:17Yes, this.
03:19I hear Mrs. Banbury's making soup for tea.
03:22It's always turnip.
03:23I hate turnip.
03:24So do I.
03:44Papa!
03:45Inspector Blake!
03:46Is everything alright?
03:47Yes.
03:48Why shouldn't it be?
03:51Oh.
03:52We're a little late.
03:53More than a little.
03:54We were supposed to take her home two hours ago.
03:56I'm sorry.
03:57We lost track of time.
03:58Mrs. Banbury was worried.
03:59She was expecting Sophia home for tea.
04:01Turnip soup, I believe?
04:03You should have sent a message.
04:06Oh, you're right.
04:07I'm sorry.
04:08We had a wonderful time at the zoo, didn't we, Sophia?
04:11We saw the giraffes and the elephants and...
04:13I'll get your things.
04:19I...
04:20I really am sorry.
04:21What did you say?
04:22Thank you, Miss Scarlet.
04:23It's my pleasure.
04:24We'll do it again soon.
04:25We can go back to the zoo.
04:26Of course.
04:29I'll see you tomorrow.
04:30You will.
04:31I'll see you tomorrow.
04:32You will.
04:33You will.
04:35I'll see you tomorrow.
04:36You will.
04:37I'll see you tomorrow.
04:38I'll see you tomorrow.
04:39No one saw anything.
05:06Not even the landliding.
05:08No, sir.
05:09The girl who raised this room, what's her name?
05:30Natalia Lorenzo.
05:31Scotland Yard switchboard.
05:45How may I direct your call?
05:48Putting you through.
05:50I have a Detective Simons from Oldgate.
05:54Yes, sir.
05:54That's me done.
06:02See you in the morning.
06:03Night.
06:05Shh.
06:06It's got the in-yard switchboard.
06:07How may I direct your...
06:08Hello, Ivy.
06:12How's things?
06:13Oh, busy.
06:14Since we lost you, things have been more ecter than ever.
06:16But I've been promised a couple more secretaries, and I heard a rumour we're getting a manager, too.
06:21How are you getting on?
06:22It's alright, but I miss you and the other girls.
06:24Oh.
06:24It's so quiet sometimes.
06:26I managed to read Little Dorit in three days, and I'm a slow reader.
06:30I haven't even managed to take a lunch break this week, let alone read.
06:34What about your husband's book?
06:35How is it, by the way?
06:37Any better?
06:38Don't ask.
06:40Ready, is he?
06:42It's Miss Summers at work, remember?
06:44Yes, of course.
06:47Detective Willows has taken me to Barron's.
06:48Oh, very nice.
06:50Would you like us to escort you out, Mrs. Potts?
06:51Oh, that's kind, but Mr. Potter will be here shortly to see me home.
07:05Almost an hour I waited for Barnabas, and I came home to find him on that damn typewriter.
07:22Apparently he'd lost track of time.
07:24Well, he wasn't the only one.
07:26I didn't get so fear home when I should have, which didn't go down very well with Inspector Blake.
07:30That doesn't surprise me.
07:31That little girl is everything to him.
07:33Well, don't make me feel even more guilty.
07:36It's not like Barnabas at all.
07:38He's normally so punctual.
07:40So am I.
07:43Yet another rejection of my memoirs.
07:47Whilst we very much enjoyed your book, we do not feel that our publishing house is the right home for your work.
07:54Well, I'm utterly befuddled.
07:55If they very much enjoyed my book, why won't they publish it?
08:01I should get to work.
08:03Perhaps it's just a kind of phrase they use in all such letters.
08:11What do you mean?
08:12Well, the others all said the same type of thing, didn't they?
08:15We enjoyed your book, but we're not looking for new authors.
08:18We enjoyed your book, but we have something similar.
08:20But that's exactly my point.
08:22They enjoyed my book.
08:23Every single one of them has.
08:25Don't know what the problem is.
08:26It's an utter mystery indeed.
08:29Perhaps you should take a break from the writing.
08:30Break?
08:32Why?
08:34So you don't get too stale?
08:36Give yourself time to clear your head.
08:40Then what would I do in the meantime?
08:41Absolutely not.
08:47I will not go back to that mortuary until Mr. Wormsley has offered me a full and satisfactory apology.
08:53And on this, I shall not be moved.
09:08Message from Miss Scarlet.
09:09Would that have been me?
09:10I can't stand another day of him mooning about the house.
09:20Someone needs to speak to him about his book.
09:22I don't suppose you would...
09:24No, no.
09:24And no.
09:26Who's that from?
09:28Someone rather surprising.
09:29I want to hire you.
09:44Go on.
09:45I've got a missing chorus girl.
09:47With a lodging room that looks like Smithfield slaughterhouse.
09:51Blood everywhere and no body.
09:53The girl's name was Natalia Lorenzo.
09:56The name rang a bell, so I asked around, and it turns out she had two regular gentleman callers.
10:03One was a high-ranking member of the Galanis crime family, and the other was my uncle.
10:11Dylan Cooper?
10:12Word on the street is my uncle took exception to his girl seeing his rival and put a bullet in her,
10:18which makes him our prime suspect.
10:21Which puts you in a rather difficult position.
10:23Any other statements that are bleeding obvious you want to make?
10:27I see if emotion hasn't improved your manners, Charlie.
10:31There was a bloodied handprint left at the scene, the size of a man's hand.
10:35If my uncle was going to kill someone, which no doubt he has done in the past,
10:39there wouldn't be a shred of evidence left behind.
10:41So you don't think he's guilty?
10:43But you can't share that with your men?
10:45If the coppers in London want to put Dylan Cooper away, regardless of the evidence.
10:48The other half are in his pocket.
10:49There's something else.
11:00My mum, she's not well.
11:02So?
11:05If I'm gonna send her little brother to the gallows, I need to be sure.
11:11Which is why I want to hire you.
11:14Because for all your faults, Miss Scarlet, and God knows there are many,
11:18you're someone I can trust.
11:23I think.
11:27Duplicate copies of the investigation so far.
11:30One more thing.
11:37If work got out that I was trying to prove my uncle's innocence.
11:42No one's to know that you hired me.
11:46You do this job and you do it well.
11:49There'll be a lot more work coming your way.
11:50City police covers an area we've yet to tap into.
12:01Blackfriars, St. Paul's, Smithfield.
12:04Could mean a whole new revenue stream.
12:07So I assume this case is highly confidential and no one must know that Inspector Phelps has hired us.
12:12You assume correctly?
12:14No one at all.
12:15Well, even if they're in the same line of business, then we may feel compromised by our feelings towards them, even though...
12:21Larence, if you were attempting to give a coded message about myself and Inspector Blake, at least try to be subtle.
12:26No, no.
12:28I'm just saying...
12:29Well, don't.
12:30I'm perfectly capable of keeping client confidentiality, even with Inspector Blake.
12:34But then I shall say no more.
12:38May I just say...
12:39No, you may not.
12:43Thank you, sir.
12:45A single shot to the chest.
12:54I can't see an exit wound.
12:57The bullet must still be in the body.
13:00No identification.
13:04I know who he is, sir.
13:05It's Philip Galanis.
13:10You sure?
13:11He was brought in when I was at Bow Street.
13:13Twelve charges.
13:14None of them stuck.
13:16Friends in high places.
13:17Indeed.
13:20I heard of trouble brewing between the Galanis family and the Cooper gang.
13:24Philip Galanis was the top brass in the family, if this is the Cooper gang.
13:28The order must have come from high up.
13:33We need to bring in Dylan Cooper.
13:34Good afternoon.
13:53I wondered if you could help me.
13:56It's about a friend of mine.
13:57It's about a friend of mine.
13:59Italie Lorenzo.
14:02Don't know her.
14:03Oh, I had it on good authority that she used to dance here.
14:07I said I don't know her.
14:18This is for a whiskey.
14:20And this is for any information that you might have.
14:24What use is money if I'm dead?
14:29Are you aware of the Hospitality in Gaming Act of 1874?
14:33It states that any venue putting on music, dancing, theatrical production requires a performing rights license.
14:39Any failure to have said license may result in a hefty fine or indeed closure.
14:44I know this because my husband works for the licensing commission.
14:47You don't have an husband.
14:49Then you don't have a license.
14:52Look, I ain't seen her, but...
14:59You know someone who has.
15:02Please! Make yourself known!
15:18Anything?
15:19No, sir.
15:22Doesn't look like anyone's been here for a while, sir.
15:24Let's cross this place off our list.
15:28How many safe houses can one man have?
15:30Cooper's got deep pockets.
15:33Put your weapons down!
15:34Drop your weapons and get on the floor!
15:36This is your final warning! Put down your weapons!
15:38On the floor now!
15:39We are police officers!
15:40Power away, you bloody idiot!
15:52Philip Galanis was shot in a lodging house in Fenchurch Street.
15:56That's my patch!
15:57And his body was found in Farringdon, which is my jurisdiction.
16:00Not if the crime was committed on City of London Territory!
16:03You don't know that it was!
16:04I'm afraid I do! Ballistics report!
16:06The bullet that was pulled from Italia Lorenzo's wall came from the same gun that fired the bullet that killed Philip Galanis!
16:18You're stepping on my toes, Inspector Blake!
16:20And you carried out a raid on Scotland Yard Turf without giving me prior warning, Inspector Phelps!
16:24Like I said, I didn't have time!
16:29We need to work together on this, Charlie.
16:31I've told you everything I know.
16:34This Natalia was shacked up with Philip Galanis.
16:37He turned up dead in an alley, and her body's still missing.
16:40You've left out a vital bit of information. Your uncle was also seeing this young woman.
16:43Which is why me and my men came looking for him, bloody hell!
16:46We're going round his circles here!
16:54We have checked all of Cooper's regular haunts, his house, his club.
17:00Do you have any idea where he might be?
17:02If I did, I wouldn't be raiding his safe house, would I?
17:05If you've got something to say, say it.
17:17Say it.
17:28Blake!
17:31Yes, he's here. Hold on.
17:33It's one of your men.
17:34What?
17:35Right.
17:36I need to go.
17:40We haven't finished.
17:41Phelps.
17:42Charlie!
17:43I need to go.
17:44We haven't finished.
17:45Phelps.
17:46Charlie!
17:47Charlie!
17:48I need to go.
17:49I need to go.
17:50We haven't finished.
17:51Phelps.
17:52Charlie!
17:53I need to go.
17:54I need to go.
17:58I need to go.
17:59We haven't finished.
18:00Phelps.
18:01I need to go.
18:02Oh, yes I need to go.
18:03NHS!
18:04Please.
18:05Help me,
18:23there.
18:27Are youersvert?
18:28Was that mean to be funny?
18:29Give me a Scotland Yard.
18:32I didn't kill Galamis, and you know it.
18:34Do I?
18:36Else you wouldn't have hired that lady detective.
18:39You've been having me followed?
18:41I always have you followed, Charlie.
18:52She'll be with your dad soon.
18:54That's the last place she'd want to be.
18:56Couldn't stand the old bugger.
19:04Why are you in hiding if you weren't the shooter?
19:08Well, I know what people are saying.
19:10The Galamis was seeing my girl, so I killed them both.
19:13I mean, don't get me wrong.
19:15If I'd have known that degenerate had gone anywhere near her,
19:17I'd have gladly put a bullet in him, but I didn't know.
19:19So I didn't kill either of them.
19:21So who did?
19:22Not a clue.
19:24But I need time to talk to the Galamis family.
19:28Things haven't been good lately.
19:29I need to sort it out.
19:30It's better business.
19:31If you're asking me to stall the investigation.
19:33I'm being set up.
19:35And you know that.
19:39I'll find out who did it.
19:40I just need time.
19:41You owe me this boy.
19:44When he was a nipper.
19:47When your dad passed away and your mum couldn't put food on the sable.
19:52It was it kept you out of workhouse.
19:56The best I can do is keep this meeting to meself.
20:08Anything else that comes up, you're on your own.
20:10Even if...
20:11Get your herald here!
20:23Come on, get your herald.
20:25Fresh off the fresh off the morning.
20:29Good afternoon.
20:31I'm looking for a friend of mine.
20:33Natalia Lorenzo.
20:34I have it on good authority that she dances here.
20:39I'm busy.
20:41Beware of the Hospitality and Gaming Act of 1874.
20:45What?
20:46It states that any venue with outside drinking facility requires a public liability license.
20:52I've already told him what I know.
20:55Told who?
20:56In.
21:05What are you doing here?
21:06What are you doing here?
21:08I'm looking for a missing show girl.
21:10And what about you?
21:13That's a you it seems.
21:15I...
21:16I thought this case was in the City of London jurisdiction.
21:19It's more complex than that.
21:20I take it you're working for Phelps?
21:22I'm sorry Alexander but I think it's better that we stop this conversation.
21:26You need to tell me what you know.
21:28I can't.
21:32I'm running a business.
21:33We've been through this before.
21:35This isn't a missing horse Eliza, this is a murder.
21:38And if we're to be together you can't keep hiding things from me.
21:41Things?
21:43I need to get back to work.
21:44What things?
21:45Telling me you went to the seaside to visit your aunt when in fact you were meeting Patrick Nash.
21:49I knew you'd been stewing on that.
21:51I have to be able to trust you.
21:52And I have to be able to respect the wishes of my clients.
21:57This isn't about me working the case.
21:59This is about me working for Phelps isn't it?
22:00Oh don't be ridiculous.
22:01Your competitiveness is clouding your judgement and might I add making you rather childish.
22:05So as the adult you forgot to bring my daughter home on time.
22:10I need to get back to work.
22:14As do I.
22:19The landlord of the indigo sun confirmed that Natalia Lorenzo is very much alive.
22:37She collected the wages that she was owed.
22:39She was in a bad way.
22:41Sweating feverish a bandage across her shoulder.
22:43He asked her what had happened but she didn't want to say.
22:47He thinks that she got on the wrong side of Cooper and somehow managed to escape.
22:52The crime scene report states that a bullet was found in the wall of the room.
22:57So perhaps it passed through her shoulder and into the wall.
23:00Hmm.
23:01Well if she was shot, she'd need medical attention.
23:04And wanting to lie low, she wouldn't go to a doctor.
23:07It's their duty to inform the police when treating a gunshot wound.
23:11That depends on the doctor.
23:17A list of qualified doctors and surgeons who work on the wrong side of the law.
23:23This is Patrick's handwriting.
23:24Yes, that list was compiled by Mr. Nash himself after an unfortunate incident with a shotgun.
23:29And a jealous husband.
23:31Let's hope that one of these doctors treated our Natalia Lorenzo.
23:38Let's start looking in the morning.
23:44I want a list of every quack doctor with a criminal conviction.
23:48Anyone who might tend to a bullet wound and not reported.
23:50Yes, sir.
23:52And get yourself over to city police.
23:54See if Inspector Phelps is willing to share any new information on Dylan Cooper.
23:57What?
24:01Evening, gents.
24:04This is my lawyer, Mr. Torrey.
24:07We'd like to discuss the unfounded accusation that I'm somehow connected to your murder investigation.
24:19I'm a businessman.
24:21I own two casinos and a number of companies linked to the hospitality trade.
24:26I know exactly what you are, Mr. Cooper.
24:29In great detail.
24:31So these false allegations are costing me money, so my lawyer recommended that I come in here and answer any questions you may have so that we can put this matter to bed.
24:41How thoughtful of you.
24:43Talked me through your movements yesterday.
24:46Well, I spent a morning at my club at Silver Lane.
24:49After that I went to visit my poor sister at St. Agatha's Hospital.
24:53Then I did a stock check at my new pub in Hackney.
24:57All of which can be confirmed.
24:59By your men?
25:00No, by my work colleagues.
25:07Tell me about Natalia Lorenzo.
25:12She's a young lady that I've known for a few years.
25:14And the nature of your relationship?
25:27My lawyer says that I'm not obliged to answer that question.
25:34Well then I shall answer it for you.
25:36I think you were romantically involved with Miss Lorenzo.
25:42And when you found out she was betraying you with a member of a rival gang, you went to her lodging rooms and shot her and her lover Philip Galanis.
25:52You dumped his body in the street and left Natalia to die.
25:57But unfortunately for you, she survived.
26:00Hmm.
26:04That's quite an imagination you've got here, Inspector Blake.
26:08It's pure fantasy, of course.
26:10Unless you've got any evidence to back it up.
26:18No, I thought not.
26:20So, you've got my alibi which can be easily checked unless there's anything else.
26:25I think I'm free to go.
26:27Looks like I'll only be paying you for half a day, Mr. Torrey.
26:31Would you mind stepping outside for a minute?
26:37Inspector.
26:45Well, I do hope this is an end to the matter.
26:48No, Mr. Cooper, it very much is not.
26:50It would be a mistake to make an enemy of me, Inspector Blake.
26:55But a friend...
26:57I would welcome that with an arms.
27:00I have enough friends.
27:02Hmm.
27:06Eight.
27:08Kempton Lane, isn't it?
27:10Lovely place you've got here.
27:12Must be very nice for you and your little girl to live so near the path.
27:17Get out!
27:22With pleasure.
27:47If I wanted to apologise, would it be better in writing or in person?
27:57Um...
27:59In...
28:00Person?
28:03Well, that's a relief. I have terrible handwriting.
28:05I was angry and frustrated. I say things I don't mean when I feel that way.
28:12I can't imagine what that's like.
28:19Well, what you said, there was some truth in it.
28:24I don't always tell you everything just like you don't always tell me.
28:27It's the nature of our jobs.
28:30Which is even more difficult to navigate now that there's an ass.
28:34Ass?
28:36Well, I like that.
28:40I've booked that little place south of the river for dinner.
28:43Oh, sounds perfect.
28:45I'll get my things.
28:47How was your day?
28:49Rough.
28:50Which is why I wanted to see you.
28:52Do you need my help?
28:54I wanted to see you because I wanted to be with you, Eliza.
28:59To take the sting out of my day by finishing it with you.
29:01Does that help?
29:12Always.
29:22Well, that was a waste of time.
29:24Are you sure that man was even a doctor?
29:26I think he may have been a veterinarian.
29:27Well, either way, he hasn't seen our missing showgirl.
29:30He can cross them off the list.
29:32So that is three down, six left to try.
29:34Who's next?
29:36Dr. Hudson on Church Street.
29:40So, how was last night?
29:42Last night?
29:43You said you had dinner with Inspector Blake?
29:45Ah, yes. Very nice, thank you.
29:47That was very nice, yes. Good food, good wine.
29:50Good conversation?
29:52Yes. Thank you.
29:54Conversation about what, exactly?
29:55I didn't tell Inspector Blake that we're working for Phelps.
29:59Good.
30:00Because he already knows.
30:01What?
30:03He saw me questioning that landlord that I was telling you about.
30:06Eliza, it's supposed to be a confidential investigation.
30:08Yes, I am aware of that.
30:10What's done is done.
30:12There's no point ruminating on it.
30:14Like you're doing now.
30:16Still, I'd be a lot happier if you told me everything you were doing.
30:18Oh, would you?
30:20No, on second thoughts, let's see if things are safe.
30:21It was a lovely evening. The food was delicious. I've never been anywhere so fancy.
30:32Me neither.
30:34I felt quite out of place next to all those fine ladies.
30:36Surprised your head wasn't turned.
30:38I couldn't take my eyes off you.
30:40Is that true? Or are you just trying to butter me up?
30:43Both.
30:45Give us a kiss.
30:47What do you need?
30:48Yes, here.
30:54Detective Rillows.
30:55Mrs Potts.
30:57The advert for the new office manager.
30:58I've got copies going up all over the yard, but I want you to call the evening papers with the wording for the classifieds.
31:03Wanted. Manager for the clerical office Scotland Yard. You should apply, Ivy.
31:06Keep reading.
31:08The gentleman in question.
31:10Why can't it be a lady? You could do that job standing on your head.
31:13I've got enough to worry about as it is.
31:15One day a woman will run this whole place.
31:17What's funny about that?
31:18I'd better get on.
31:19Can I help you madam?
31:20I need to speak to Inspector Blake.
31:21Sir?
31:22I've got enough to worry about as it is.
31:24I've got enough to worry about as it is.
31:26One day a woman will run this whole place.
31:29What's funny about that?
31:31I'd better get on.
31:35Can I help you madam?
31:37I need to speak to Inspector Blake.
31:40Sir?
31:41Mrs. Banbury.
31:42What's happened?
31:43It's Sophia.
31:45So, last and hopefully not least, a Doctor Marsh.
31:48What do we do if he hasn't seen Natalia?
31:49We move to Plan B.
31:50Which is?
31:51No idea.
31:52Well that's the address.
31:53That's the address.
31:55He doesn't look like a Doctor.
31:56No, but he does.
31:57That's her.
31:58So, last and hopefully not least, a Dr. Marsh.
32:03What do we do if he hasn't seen Natalia?
32:06We move to plan B.
32:07Which is?
32:08No idea.
32:09Well, that's the address.
32:13He doesn't look like a doctor.
32:15No, but he does.
32:23That's her. That's Natalia Lorente.
32:25Should we help?
32:28He doesn't appear to be forcing her.
32:42The inspector's daughter's gone missing.
32:44Knock on every door of every street within a three-mile radius of Inspector Blake's house and his daughter's school on Eastbury Way.
32:50Scale of the area. Every inch.
32:53Understood?
32:54Yes, sir.
32:55Off you go.
32:58We heard about the inspector's little girl. We've come to help.
33:04How many of you?
33:05Well, there's girls in the office. About a dozen.
33:07Go to Gladstone Park. It runs adjacent to Inspector Blake's house. Perhaps the little girl went there and got lost.
33:12Inspector Blake must be out of his mind, won't worry.
33:15If anything's happened to that little girl.
33:16Oh, just the person.
33:17Go and tell the girls. I'll join you in a moment.
33:19Barnabas, this is not a good time.
33:21It should be very quick, might you all.
33:23I just wanted to share the most wonderful news.
33:25Wonderful news.
33:26I've decided to write a novel.
33:28Never mind that now. I need your help.
33:37Sophia has long dark hair, blue eyes, about this tall as she was when I last saw her. She's probably grown by now.
33:43Never fear, my dear. They do not call me eagle-eyed pots for nothing.
33:46They don't call you that at all, Barnabas.
33:48Excuse me, have you seen a little girl and her own, dark hair, blue eyes, about this big? Sorry.
33:53So, um, what do you think about my idea to write a novel?
33:58Barnabas, as I've said many times, what I think is that you need to get your old job back.
34:04Huh?
34:05Oh, excuse me. Have you seen a little girl, dark hair, blue eyes, about this big?
34:10No. What makes you think I need my job back? My novel will be published, I'm sure of it.
34:15Barnabas, I only say this because I love you. You have many skills, but writing is not one of them.
34:22You said you enjoyed my memoirs. You said I was a wonderful writer.
34:29I was being nice. There's a reason no one wants to publish it. I'm sorry. That's the truth.
34:39Excuse me. Have you seen a little girl, dark hair, blue eyes, about this tall?
34:45No.
34:52Miss Scarlet.
34:56Oh, good. You got my message.
34:58You want to update me on the case here, at Scotland Yard?
35:01Something's happened, and in Inspector Blake's jurisdiction.
35:04Don't tell me Blake knows I've hired you.
35:06It's my duty to inform him as well as you.
35:09And it's your duty to keep to client confidentiality.
35:14Miss Scarlet, we had an agreement.
35:17Detective Willis, have you seen Inspector Blake?
35:19Have you not heard?
35:21Heard what?
35:22Is it true? Has the figure gone missing?
35:34She didn't come home from school.
35:36Michael Simmons here with me.
35:37Whatever you need, just ask.
35:39You want to help, then tell me where your uncle is.
35:42What's he got to do with him?
35:43Well, this has got Cooper written all over it.
35:45Could it be him?
35:52Have you taken her? The inspector's kit!
36:14What you're talking about, boy?
36:30Where's Cooper?
36:31We ain't over yet.
36:32Right, take them outside and question them.
36:34Yes, sir.
36:36Has he got my daughter?
36:39How should I know?
36:40Right, I will ask you one more time.
36:42As Cooper got my daughter.
36:45You're dead.
36:47How should I know?
36:54Where is she?
36:56Where is she?
36:57Sir!
36:58The founder!
36:59The founder!
37:14There.
37:18Very good.
37:19We're looking for an office manager.
37:21I think you should apply, young lady.
37:22Sophia!
37:23Papa!
37:34She went to the British Museum.
37:39She got lost on the way home.
37:41Was found by an officer wandering the streets.
37:44Thank you, Mrs. Potts.
37:46I told him who my father is.
37:48He says you're a very important man, Papa.
37:53Let's get you home.
37:55Good day, Mrs. Potts.
37:58Good day, Sophia.
37:59Sophia!
38:22Where have you been?
38:24Looking for Sophia.
38:25I went to the zoo to see if she'd gone back there.
38:26No, no, they found her.
38:27She's safe and well.
38:28Ivy sent you a message to let you know.
38:31Ivy?
38:32Not Inspector Blake?
38:33What difference does it make?
38:35Where was she?
38:37I'll get to that in a minute.
38:38Keep that on.
38:39I've sent a message to Inspector Phelps.
38:40You ought to join him.
38:41Why?
38:43I found something on the Cooper case.
39:02I told you I don't know nothing about a kid.
39:05We're not here about that.
39:06Lady Detective, I assume.
39:11So the word is that you've been hired to prove my innocence.
39:15So I do hope your presence here means that you've done just that.
39:20Well, the innocence of killing Philip Galanes, but...
39:23of obstruction of justice, your hands are dirty, Mr. Cooper.
39:27It was Natalia Lorenzo that killed Philip Galanes, and you've been protecting her.
39:33We found a financial trail between you and Dr. Marsh.
39:37Your own personal doctor.
39:39You paid him to patch up your girl, didn't you?
39:44She's not my girl.
39:47Never has been.
39:49She's the daughter of an old mate.
39:51The fella did a long stretch inside, but he kept his mouth shut.
39:56Ten years' hard labour.
39:57Pretty well killed him.
39:58He died a month after he'd come out.
40:03So yeah, she's been like a daughter to me.
40:07So it didn't go down well when you discovered her affair with Galanes?
40:11Tried to warn her against it, but...
40:13she's that strong young girl.
40:16I think they thought they were some kind of Romeo and Juliet.
40:20But he didn't treat her right.
40:21He was a drunk and a bad one.
40:23If she hadn't got his gun, he'd have killed her.
40:26Well, if she shot him in self-defence, then there's no reason for her to go on the run.
40:31Try telling that to the Galanes family.
40:32So...
40:39You two can do what you want.
40:42I'll just deny it all.
40:43And any link to Dr Marsh can be explained away.
40:46He'll never stand up in court.
40:48Especially as you have half the judges in London in your pocket.
40:50Where's Natalia now?
40:51She got on a boat from St. Catherine's docks.
40:52And I don't know where.
40:53I told her it was safer that I didn't in the event that something like this happened.
41:04So...
41:06You wanna waste your time chasing after a young woman who shot her drunk to stop him beating her to death?
41:11Be my guest.
41:12Boss.
41:13It's your mother.
41:14She passed.
41:15I'm sorry, son.
41:16Sorry.
41:17I'm sorry.
41:18I'm sorry.
41:19I'm sorry.
41:20I'm sorry.
41:21I'm sorry.
41:22I'm sorry.
41:23I'm sorry.
41:24You're not a bad person.
41:25I'm sorry.
41:29I'm sorry.
41:49Come along, ladies. There's work to be done.
41:56Oh, Barnabas, I am rather busy.
42:00I'll give you just a few moments, my jaw.
42:02I only wish to say how profusely sorry I am for my recent behaviour.
42:06I just want you to be happy, Barnabas.
42:08And I don't think writing makes you happy.
42:11Well, I'll give it up forthwith.
42:12Find myself a proper job.
42:14But not back at the mortuary.
42:16I believe it's time for a fresh start.
42:18And I know exactly where.
42:20Oh, that's wonderful. Where did you have mine?
42:23Here, of course.
42:25Scotland Yard.
42:28It was pinned on the notice board in the corridor.
42:32As I happened upon it, I thought, Barnabas Pots, this job is tailor-made for you.
42:38Manager of the clerical office.
42:40Here, where I work.
42:43Call it fate, call it kismet.
42:46Either way, it was meant to be.
42:47And we will work together every single day.
42:51Wouldn't that be marvellous, huh?
42:54Marvellous.
42:55Let's see.
43:16Inspector Phelps
43:30How's your little one?
43:33Happy to be home
43:34Just got her off to sleep
43:37I'm sorry I lost my temper earlier
43:43I'd have done the same
43:44Full report on Aguilani's case
43:50It was Natalia who shot him
43:52Cooper was just protecting her
43:54You could pursue Cooper on obstruction of justice or
43:58You could take a look through this little lot
44:04I've been building a case against my uncle for a few years now
44:11My hands were tied before but now
44:13My old mum died
44:18Today
44:20He's all yours
44:23I'm sorry for your loss
44:27Wish I'd like to come in
44:30We know
44:31You're not good company at the minute
44:34But maybe a pint and a ghost snake sweet
44:39You're buying of course
44:40Don't know her always
44:41Charlie
44:44Thank you
44:47See the problem that you gentlemen have got is I've got a lucky face
45:07You unlucky face
45:09You not so lucky face
45:10You very unlucky face
45:12Right
45:18Dillon Cooper
45:31What now?
45:36We've got a warrant for your arrest
45:40On what charge?
45:44You may want to get yourself comfortable Mr Cooper
45:46It's quite a long list
45:48He's on to you early
46:06I haven't had a chance to change yet
46:20Would you mind if we cancelled dinner?
46:23I should be with Sophia
46:26Of course
46:28I could come to you
46:29She went to the British Museum
46:31She said you miss school once to go there
46:34Well
46:35Yes
46:37But I didn't mean for her to do the same
46:38She's a child
46:40Eliza
46:41She has no mother to guide her
46:44You must realise how much she looks up to you
46:45I'm
46:47I'm sorry
46:48I didn't
46:48I didn't think
46:49Are you blaming me for what happened?
46:58I lost control today
46:59I could have lost my job
47:01I can't afford to do that
47:04I am all Sophia has
47:06And it is down to me to keep her safe
47:08To make sure there is food on the table
47:13And a roof over her head
47:14What are you trying to say?
47:25I need time to think
47:27Perhaps some time apart will do us both good
47:31Sorry
47:35Up, up
47:48What are you trying to say?
47:49...
47:50...
47:51You
47:51You
47:52You
47:53You
47:56You
47:57You
47:59If you
47:59You
48:01You
48:02You
48:03You
48:03You
48:03You
48:04You
48:05You
48:05You
48:07You
48:07You
48:07You
48:12You
48:13You
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