- 2 days ago
Miss Scarlet and The Duke - Season 6 Episode 4 -
Bad Blood
Bad Blood
Category
😹
FunTranscript
00:00You've not fallen out with Inspector Blake. You've fallen in.
00:03When we're working together, it's best that you treat me as you would one of your men.
00:06You can be polite in our private time.
00:08For 30 years I have given to the city mortuary, and now I'm unemployed.
00:12I assume the elderly aunt you were supposedly visiting doesn't exist.
00:16Don't you trust me?
00:17Of course I do.
00:18Then why lie?
00:30I don't trust you.
00:31Since I quoi it, I know.
00:33I don't trust me.
00:34I don't trust me, it's blessed me.
00:35I'm only yet two.
00:36I'm only a apprentice here because I'm keen on the right way on desk.
00:39I tell you what it is at least 10 years.
00:41You get off the right way on desk.
00:44And you have the-
00:45You can help me in your pockets.
00:47Sinister Navy!
00:49Mm problems,�ει sod!
00:51King King Coyle, tofully house hisие.
00:53Phenomenic Moe Holland with protection to our man who's going to the better life leap.
00:55To be sudden, Eric, grows a lot ofsplлин and scarlet negócio.
00:57I'd better get back to work, Mum.
01:14Like you always say,
01:17those streets won't stay safe
01:20without your Charlie keeping an eye out.
01:27I'll be back tomorrow.
01:57Uncle?
02:01Charlie.
02:12How is she? Still the same?
02:16I hate seeing her like this.
02:19Ruled the roost when we were kids.
02:21Terrified over I was.
02:24Yeah, it's a shadow of my sister in there.
02:29Heard about your promotion.
02:32Detective Inspector Phelps of the City of London Police.
02:35Bet your mum's proud of you.
02:37And I am.
02:39Yeah, I'll bet.
02:41No, I am.
02:43You've done well for yourself, boy.
02:46Good on you.
02:49To.
02:53Charlie.
02:54Charlie.
03:01You ain't heard this from me, but, uh...
03:05Piccolani's family.
03:07They're being difficult.
03:11I'll try and keep it off your patch,
03:12but there's a storm coming.
03:14You cause me any problems,
03:20I'll put you away.
03:22Family or not.
03:28Ooh.
03:30Is that a threat, son?
03:43FIRE.
03:46FIRE.
03:50Oh.
03:51Get back.
03:52Get back.
04:01Go.
04:03Go.
04:05Go.
04:07Go.
04:10Go.
04:11There were so many tattoos from, but I think my favorite animals were the giraffes.
04:22Especially when they nibbled the zookeeper's hair.
04:25I like the elephants, apart from when she went to the toilet.
04:29Yes, very unladylike.
04:33I wish I could miss school every day.
04:35My father used to say, too much fun's bad for your health.
04:38I went to skip school without telling him.
04:42I spent the day with the ancient Egyptians at the British Museum.
04:46Was your papa Crofts?
04:47Well, he would have been had he found out, but I never told him.
04:52In fact, you're the only person that I've told.
04:57Now, I need to do a little bit of paperwork, and then we can head home.
05:01Why don't you read?
05:03Yes, this.
05:04I hear Mrs. Bambury's making soup for tea.
05:09It's always turnip.
05:10I hate turnip.
05:12So do I.
05:12Papa, Inspector Blake?
05:33Is everything all right?
05:35Yes.
05:36Why shouldn't it be?
05:37Oh, we're a little late.
05:41More than a little.
05:43You were supposed to take her home two hours ago.
05:44I'm sorry.
05:46We lost track of time.
05:47Mrs. Bambury was worried.
05:48She was expecting Sophia home for tea.
05:50Turnip soup, I believe?
05:53You should have sent a message.
05:55Oh, you're right.
05:56I'm sorry.
05:58We had a wonderful time at the zoo, didn't we, Sophia?
06:00We saw the giraffes and the elephants and...
06:02Get your things.
06:09I really am sorry.
06:10What did you say?
06:12Thank you, Miss Garlick.
06:13It's my pleasure.
06:14We'll do it again soon.
06:15We can go back to the zoo.
06:17Of course.
06:19I'll see you tomorrow.
06:22You will.
06:22Yeah, three weeks.
06:38No one saw anything. Not even a landliding.
06:58No, sir.
07:08The girl who rents this room, what's her name?
07:23Natalia Lorenzo.
07:36Scotland Yard switchboard, how may I direct your call?
07:41Putting you through.
07:43I have a Detective Simons from Oldgate.
07:47Yes, sir.
07:53That's me done.
07:55See you in the morning.
07:57Night.
07:59Scotland Yard switchboard, how may I direct your call?
08:03Hello, Ivy. How's things?
08:07Oh, busy. Since we lost you, things have been more ectic than ever.
08:10But I've been promised a couple more secretaries and I heard a rumour we're getting a manager too.
08:15How are you getting on?
08:16It's alright, but I miss you and the other girls.
08:18It's so quiet sometimes.
08:20I've managed to read Little Dorrit in three days and I'm a slow reader.
08:25I haven't even managed to take a lunch break this week, let alone read.
08:29What about your husband's book?
08:31How is it, by the way? Any better?
08:33Don't ask.
08:35Ready, is he?
08:37It's Miss Summers at work, remember?
08:40Yes, of course.
08:42Detective Willows has taken me to Barron's.
08:44Oh, very nice.
08:46Would you like us to escort you out, Mrs Potts?
08:48Oh, that's kind, but Mr Potts will be here shortly to see me home.
09:07Almost an hour I waited for Barnabas. Then I came home to find him on that damn typewriter.
09:19Apparently he'd lost track of time.
09:22Well, he wasn't the only one.
09:24I didn't get Sophia home when I should have, which didn't go down very well with Inspector Blake.
09:28That doesn't surprise me. That little girl is everything to him.
09:32You don't make me feel even more guilty.
09:34It's not like Barnabas at all. He's normally so punctual.
09:39So am I.
09:42Yet another rejection of my memoirs.
09:46Whilst we very much enjoyed your book, we do not feel that our publishing house is the right home for your work.
09:53Well, I'm utterly befuddled. If they very much enjoyed my book, why won't they publish it?
10:01I should get to work.
10:04Perhaps it's just a kind of phrase they use in all such letters.
10:11What do you mean?
10:12Well, the others all said the same type of thing, didn't they?
10:15We enjoyed your book, but we're not looking for new authors.
10:18We enjoyed your book, but we have something similar.
10:20But that's exactly my point. They enjoyed my book. Every single one of them has.
10:25Don't know what the problem is. It's an utter mystery indeed.
10:28Perhaps you should take a break from the writing.
10:32Break? Why?
10:35So you don't get too stale? Give yourself time to clear your head.
10:39Then what would I do in the meantime?
10:46Absolutely not.
10:49I will not go back to that mortuary until Mr Wormsley has offered me a full and satisfactory apology.
10:55And on this house you'll not be moved.
10:58Message from Miss Carlet.
11:12Would that have been me? Thank you.
11:20I can't stand another day of him mooning about the house.
11:23Someone needs to speak to him about his book.
11:25I don't suppose you would... No, no. And no.
11:29Who's that from?
11:31Someone rather surprising.
11:33I want to hire you.
11:49Go on.
11:50I've got a missing chorus girl.
11:52With a lodging room that looks like Smithfield Slaughterhouse.
11:55Blood everywhere and no body.
11:58The girl's name was Natalia Lorenzo.
12:01The name rang a bell so I asked around and it turns out she had two regular gentleman callers.
12:08One was a high-ranking member of the Galanes crime family and the other...
12:15was my uncle.
12:17Dylan Cooper?
12:19Word on the street is my uncle took exception to his girl seeing his rival and put a bullet in her.
12:25Which makes him our prime suspect.
12:27Which puts you in a rather difficult position.
12:29Any other statements for the bleeding obvious you want to make?
12:34I see if emotion hasn't improved your manners Charlie.
12:38There was a bloodied handprint left at the scene the size of a man's hand.
12:42If my uncle was going to kill someone, which no doubt he has done in the past, there wouldn't be a shred of evidence left behind.
12:48So you don't think he's guilty?
12:50But you can't share that with your men?
12:52If the coppers in London want to put Dylan Cooper away regardless of the evidence.
12:55The other half are in his pocket.
12:57There's something else.
13:04My mum, she's not well.
13:10So?
13:11If I'm gonna send a little brother to the gallows, I need to be sure.
13:20Which is why I want to hire you.
13:23Because for all your faults, Miss Scarlet, and God knows there are many, you're someone I can trust.
13:33I think.
13:37Duplicate copies of the investigation so far.
13:45One more thing.
13:47If word got out that I was trying to prove my uncle's innocence.
13:51No one's to know that you hired me.
13:56You do this job and you do it well.
13:59There'll be a lot more work coming your way.
14:09City police covers an area we've yet to tap into.
14:13Blackfriars, St. Paul's, Smithfield.
14:16Could mean a whole new revenue stream.
14:18So I assume this case is highly confidential and no one must know that Inspector Phelps has hired us.
14:24You assume correctly?
14:26No one at all.
14:28Even if they're in the same line of business and we may feel compromised by our feelings towards them, even though...
14:34Lawrence, if you're attempting to give a coded message about myself and Inspector Blake, at least try to be subtle.
14:39No, no.
14:41I'm just saying...
14:42Well, don't.
14:44I'm perfectly capable of keeping client confidentiality, even with Inspector Blake.
14:47But then I shall say no more.
14:52May I just say...
14:53No, you may not.
14:57Thank you, sir.
14:58A single shot to the chest.
15:08I can't see an exit wound.
15:11The bullet must still be in the body.
15:14No identification.
15:15I know who he is, sir.
15:16It's Philip Galanis.
15:17You sure?
15:18He was brought in when I was at Bow Street.
15:19Twelve charges.
15:20None of them stuck.
15:21Friends in high places.
15:22Indeed.
15:24I heard of trouble brewing between the Galanis family and the Cooper gang.
15:27Philip Galanis was the top brass in the family, if this is the Cooper gang.
15:29The order must have come from high up.
15:30We need to bring in Dylan Cooper.
15:32nein ...
15:33No!
15:35I...
15:36We need to bring in Dylan Cooper!
15:37between the Galanis family and the Cooper gang.
15:40Philip Galanis was the top brass in the family if this is the Cooper gang.
15:44The order must have come from High Arp.
15:49We need to bring in Dylan Cooper.
16:07Good afternoon.
16:11I wondered if you could help me.
16:13It's about a friend of mine.
16:15Natalia Lorenzo.
16:19Don't know her.
16:21Oh.
16:22I had it on good authority that she used to dance here.
16:25I said I don't know her.
16:28This is for a whiskey.
16:38And this is for any information that you might have.
16:42What use is money if I'm dead?
16:48Are you aware of the Hospitality and Gaming Act of 1874?
16:52It states that any venue putting on music, dancing, theatrical production requires a performing rights license.
16:57Any failure to have said license may result in a hefty fine or indeed closure.
17:04I know this because my husband works for the licensing commission.
17:07You don't have an husband.
17:09And you don't have a license.
17:12Look.
17:15I ain't seen her.
17:18But.
17:19You know someone who has.
17:27Please make yourself known!
17:39Anything?
17:40No sir.
17:44Doesn't look like anyone's been here for a while sir.
17:48Let's cross this place off our list.
17:50How many safe houses come on man have?
17:52Cooper's got deep pockets.
17:55Put your weapons down!
17:56Drop your weapons and get on the floor!
17:58This is your final warning!
17:59Put down your weapons!
18:00On the floor now!
18:02We are police officers!
18:03Tower away you bloody idiot!
18:05Philip Galanis was shot in a lodging house in Fenchurch Street.
18:20That's my patch!
18:21And his body was found in Farringdon which is my jurisdiction.
18:23Not if the crime was committed on City of London Territory!
18:26You don't know that it was.
18:27Afraid I do!
18:28Ballistics report!
18:35The bullet that was pulled from Italia Lorenzo's wall came from the same gun that fired the bullet that killed Philip Galanis!
18:43You're stepping on my toes!
18:44Inspector Blake!
18:45And you carried out a raid on Scotland Yard Turf without giving me prior warning Inspector Phelps!
18:48Like I said I didn't have time!
18:54We need to work together on this Charlie.
18:55I've told you everything I know.
18:59This Natalia was shacked up with Philip Galanis.
19:02He turned up dead in an alley and her body's still missing.
19:05You've left out a vital bit of information. Your uncle was also seeing this young woman.
19:09Which is why me and my men came looking for him! Bloody hell!
19:12We're going round his circles here!
19:21We have checked all of Cooper's regular haunts.
19:23His house. His club.
19:26Do you have any idea where he might be?
19:28If I did I wouldn't be raiding his safe house, would I?
19:31If you've got something to say, say it.
19:44Say it.
19:56Blake!
19:59Yes, he's here. Hold on.
20:01It's one of your men.
20:02What?
20:03Right.
20:04Can I eat the goat? We haven't finished. Phelps.
20:09Charlie.
20:10What?
20:11What?
20:13I need the goat.
20:14I need the goat.
20:15We haven't finished.
20:16Phelps.
20:17I need to go we haven't finished Phelps Charlie
20:47was that meant to be funny ringing me at Scotland Yard
21:02I didn't kill Galamis and you know it
21:06do I
21:07else you wouldn't have eyed that lady detective
21:11you've been having me followed
21:12I always have you followed Charlie
21:15she'll be with your dad soon
21:26that's the last place she'd want to be
21:29couldn't stand the old bugger
21:31why are you in hiding if you weren't the shooter
21:40I know what people are saying
21:43the Galamis was seeing my girl so I killed them both
21:46I mean don't get me wrong
21:48if I'd have known that degenerate had gone anywhere nearer
21:51I'd have gladly put a bullet in him but I didn't know
21:53so I didn't kill either of them
21:55so who did
21:56not a clue
21:57but I need time
22:00to talk to the Galamis family
22:03things haven't been good lately
22:04I need to sort it out it's about the business
22:06if you're asking me to stall the investigation
22:08I'm being set up
22:10and you know that
22:12I'll find out who did it
22:16I just need time
22:17you owe me this boy
22:20when he was a nipper
22:23and your dad passed away
22:26and your mum couldn't put food on the table
22:28it was it kept you out of workhouse
22:32the best I can do is keep this meeting to meself
22:45but anything else that comes up
22:47you're on your own
22:47even if
22:48get your heralds in
23:01come on get your heralds
23:03good afternoon
23:07I'm looking for a friend of mine
23:10Natalia Lorenzo
23:12I have it on good authority that she dances here
23:15I'm busy
23:18you're aware of the hospitality and gaming act of 1874
23:23what?
23:25it states that any venue with outside drinking facility
23:28requires a public liability license
23:30I've already told him what I know
23:33told who?
23:36him
23:36what are you doing here?
23:46what are you doing here?
23:48I'm looking for a missing showgirl
23:49as a you it seems
23:54I thought this case was in the city of London jurisdiction
23:59it's more complex than that
24:00I take it you're working for Phelps
24:02I'm sorry Alexander
24:04but I think it's better that we stop this conversation
24:07you need to tell me what you know
24:08I can't
24:10I'm running a business
24:14we've been through this before
24:16this isn't a missing horse Eliza
24:17this is a murder
24:18and if we're to be together
24:20you can't keep hiding things from me
24:22things?
24:25I need to get back to work
24:26what things?
24:28telling me you went to the seaside to visit your aunt
24:30when in fact you were meeting Patrick Nash
24:31I knew you'd been stewing on that
24:33I have to be able to trust you
24:34and I have to be able to respect the wishes of my clients
24:37this isn't about me working the case
24:41this is about me working for Phelps isn't it?
24:43don't that be ridiculous
24:44your competitiveness is clouding your judgment
24:46and might I add making you rather childish
24:48and says the adult he forgot to bring my daughter home one time
24:50I need to get back to work
24:55as do I
24:58the landlord of the indigo sun confirmed that Natalia Lorenzo is very much alive
25:20she collected the wages that she was owed
25:23she was in a bad way
25:25sweating feverish a bandage across her shoulder
25:28he asked her what had happened but she didn't want to say
25:31he thinks
25:33that she got on the wrong side of Cooper
25:35and somehow managed to escape
25:37the crime scene report states that a bullet was found in the wall of the room
25:42so perhaps it passed through her shoulder and into the wall
25:45well if she was shot she'd need medical attention
25:49and wanting to lie low
25:52she wouldn't go to a doctor
25:53it's their duty to inform the police when treating a gunshot wound
25:56that depends on the doctor
25:58a list of qualified doctors and surgeons who work on the wrong side of the law
26:09this is Patrick's handwriting
26:11yes that list was compiled by Mr. Nash himself
26:13after an unfortunate incident with a shotgun
26:15and a jealous husband
26:17let's hope that one of these doctors treated our Natalia Lorenzo
26:23let's start looking in the morning
26:26I want a list of every quack doctor with a criminal conviction
26:35anyone who might tend to a bullet wound and not report it
26:38yes sir
26:39and get yourself over to city police
26:41and see if inspector Phelps is willing to share any new information on Dylan Cooper
26:45what?
26:49evening gents
26:50this is my lawyer Mr. Torrey
26:55we'd like to discuss the unfounded accusation
26:58that I'm somehow connected to your murder investigation
27:01I'm a businessman
27:09I own two casinos and a number of companies linked to the hospitality trade
27:15I know exactly what you are Mr. Cooper
27:17in great detail
27:19so these false allegations are costing me money
27:24so my lawyer recommended that I come in here and answer any questions you may have
27:29so that we can put this matter to bed
27:31how thoughtful of you
27:32talk me through your movements yesterday
27:35well I spent a morning at my club to Silver Lane
27:40after that I went to visit my poor sister at St. Agatha's Hospital
27:44then I did a stock check at my new pub in Hackney
27:47all of which can be confirmed
27:49by your men?
27:51no by my work colleagues
27:53tell me about Natalia Lorenzo
28:01she's a young lady that I've known for a few years
28:06and the nature of your relationship?
28:09my lawyer says that I'm not obliged to answer that question
28:24well then I shall answer it for you
28:28I think you were romantically involved with Miss Lorenzo
28:35and when you found out she was betraying you with a member of a rival gang
28:41you went to her lodging rooms and shot her and her lover Philip Kalanis
28:45you dumped his body in the street and left Natalia to die
28:50but unfortunately for you she survived
28:55hmm
28:57that's quite an imagination you've got here Inspector Blake
29:02it's pure fantasy of course
29:04unless you've got any evidence to back it up
29:08no I thought not
29:14so
29:16you've got my alibi which can be easily checked unless there's anything else
29:20I think I'm free to go
29:21looks like I'll only be paying you for half a day Mr. Torrey
29:26would you mind stepping outside for a minute?
29:29thank you
29:30Inspector
29:34well I do hope this is an end to the matter
29:44no Mr. Cooper it very much is not
29:46it would be a mistake to make an enemy of me Inspector Blake
29:51but a friend
29:53I would welcome that with open arms
29:57you might have enough friends
29:58hmm
30:018 Kempton Lane
30:06isn't it
30:07lovely place you got here
30:09must be very nice for you and your
30:13little girl to live so near the path
30:16get out
30:17with pleasure
30:24with pleasure
30:30If I wanted to apologize, would it be better in writing or in person?
30:58Well, that's a relief. I have terrible handwriting. I was angry and frustrated. I say things that don't mean when I feel that way.
31:13I can't imagine what that's like.
31:19What you said, there was some truth in it. I don't always tell you everything just like you don't always tell me. It's the nature of our jobs. Which is even more difficult to navigate now that there's an ass.
31:37Us? I like that. I've booked that little place south of the river for dinner.
31:45Oh, sounds perfect. I'll get my things. How was your day?
31:51Rough. Which is why I wanted to see you. Do you need my help?
31:56I wanted to see you because I wanted to be with you, Eliza. To take the sting out of my day by finishing it with you.
32:15Does that help?
32:17Always.
32:27Well, that was a waste of time. Are you sure that man was even a doctor?
32:31I think he may have been a veterinarian.
32:33Well, either way, he hasn't seen our missing showgirl. You can cross them off the list.
32:36So that is three down, six left to try.
32:39Who's next?
32:40Dr. Hudson on Church Street.
32:45So, how was last night?
32:47Last night?
32:48You said you had dinner with Inspector Blake?
32:50Er, yes. Very nice, thank you.
32:52Oh, it was very nice, yes. Good food, good wine. Good conversation?
32:57Yes. Thank you.
32:59Conversation about what, exactly?
33:01I didn't tell Inspector Blake that we're working for Phelps.
33:05Good.
33:06Because he already knows.
33:07What?
33:09He saw me questioning that landlord that I was telling you about.
33:12Eliza, it's supposed to be a confidential investigation.
33:14Yes, I am aware of that.
33:16What's done is done.
33:18There's no point ruminating on it.
33:20Like you're doing now.
33:21Still, I'd be a lot happier if you told me everything you were doing.
33:24Oh, would you?
33:26No, on second thoughts, let's leave things to say off.
33:36It was a lovely evening.
33:37The food was delicious.
33:38I've never been anywhere so fancy.
33:40Me neither.
33:41I felt quite out of place next to all those fine ladies.
33:44Surprised your head wasn't turned.
33:47I couldn't take my eyes off you.
33:50Is that true?
33:51Or are you just trying to butter me up?
33:54Both.
33:56Give us a kiss.
33:58What in here?
33:59Yes, here.
34:08Detective Brilloes.
34:09Mrs Potts.
34:10The advert for the new office manager.
34:12I've got copies going up all over the yard,
34:14but I want you to call the evening papers with the wording for the classifieds.
34:18Wanted. Manager for the clerical office Scotland Yard.
34:20You should apply, Ivy.
34:21Keep reading.
34:22The gentleman in question.
34:25Why can't it be a lady?
34:27You could do that job standing on your head.
34:29I've got enough to worry about as it is.
34:31One day a woman will run this whole place.
34:35What's funny about that?
34:40I'd better get on.
34:41I'd better get on.
34:54Can I help you madam?
34:56I need to speak to Inspector Blake.
34:59Sir.
35:01Mrs Burnbury.
35:04What's happened?
35:07It's Sophia.
35:12So, last and hopefully not least, a Dr Marsh.
35:17What do we do if he hasn't seen Natalia?
35:19We move to Plan B.
35:20Which is?
35:21No idea.
35:22Well, that's the address.
35:27He doesn't look like a doctor.
35:29No, but he does.
35:37That's her. That's Natalia Lorente.
35:40Should we help?
35:42He doesn't appear to be forcing her.
35:56The inspector's daughter's gone missing.
35:58Knock on every door of every street within a three mile radius of Inspector Blake's house and his daughter's school on Eastbury Way.
36:04The scale of the area. Every inch.
36:08Understood?
36:09Yes, sir.
36:10Off you go.
36:17We heard about the inspector's little girl. We've come to help.
36:20How many of you?
36:21One of us girls in the office about a dozen.
36:22Go to Gladstone Park.
36:25It runs adjacent to Inspector Blake's house.
36:27Perhaps his little girl went there and got lost.
36:29Inspector Blake must be out of his mind, won't worry.
36:31If anything's happened to that little girl.
36:33Oh, just the person.
36:34Go and tell the girls. I'll join you in a moment.
36:36Barnabas, this is not a good time.
36:38It should be very quick, my chore. I just wanted to share the most wonderful news.
36:43I've decided to write a novel.
36:46Never mind that now. I need your help.
36:48Sophia has long dark hair, blue eyes, about this tall what she was when I last saw her.
36:59She's probably grown by now.
37:01Never fear, my dear. They do not call me eagle-eyed pots for nothing.
37:04They don't call you that at all, Barnabas.
37:06Excuse me, have you seen a little girl on her own dark hair, blue eyes, about this pig?
37:11Sorry.
37:12So, um, what do you think about my idea to write a novel?
37:17Barnabas, as I've said many times, what I think is that you need to get your old job back.
37:23Huh?
37:24Oh, excuse me, have you seen a little girl, dark hair, blue eyes, about this pig?
37:29No.
37:30What makes you think I need my job back?
37:32My novel will be published, I'm sure of it.
37:35Barnabas, I only say this because I love you.
37:38You have many skills, but writing is not one of them.
37:45You said you enjoyed my memoirs?
37:47You said I was a wonderful writer.
37:49I was being nice.
37:51There's a reason no one wants to publish it.
37:55I'm sorry.
37:57That's the truth.
38:00Excuse me.
38:02Have you seen a little girl?
38:04Dark hair, blue eyes, about this tall?
38:06No.
38:08Miss Scarlet.
38:09Oh, good.
38:10You got my message.
38:11You want to update me on the case here, at Scotland Yard?
38:12Something's happened, and in Inspector Blake's jurisdiction.
38:13Don't tell me Blake knows I've hired you.
38:14It's my duty to inform him as well as you.
38:15And it's your duty to keep to client confidentiality.
38:17Miss Scarlet, we had an agreement.
38:18Detective Willows, have you seen Inspector Blake?
38:19Have you not heard?
38:20Heard what?
38:21Heard what?
38:22Heard what?
38:23Heard what?
38:24Heard what?
38:25Heard what?
38:26Heard what?
38:27Heard what?
38:28Heard what?
38:29Heard what?
38:30Heard what?
38:31Heard what?
38:32Heard what?
38:33Heard what?
38:34Heard what?
38:35Heard what?
38:36Heard what?
38:37Heard what?
38:38Heard what?
38:39Heard what?
38:42Heard what?
38:54Heard what?
38:55Heard what?
38:56Is it true?
38:57Mr. Feaga gone missing?
38:58She didn't come home from school.
39:00Michael Simmons, you're with me.
39:01Uh, whatever you need, just ask.
39:03You want to help, then tell me where your uncle is.
39:05What has you got to do with him?
39:06I've just got Cooper written all over it.
39:10Could it be him?
39:37Have you taken her?
39:38The inspector's kit!
39:40What you talking about, boy?
39:56Where's Cooper?
39:57We ain't over yet.
39:59All right, take them outside and question them.
40:00Yes, sir.
40:02Has he got my daughter?
40:06How should I know?
40:07I will ask you one more time.
40:08That's Cooper got my daughter.
40:12You're deaf.
40:14How should I know?
40:21Where is she?
40:24Where is she?
40:25Sir!
40:27We found her.
40:28There.
40:28Very good.
40:45We're looking for an office manager.
40:49I think you should apply, young lady.
40:51Sophia.
40:53Papa!
40:54She went to the British Museum.
41:08She got lost on the way home.
41:11Was found by an officer wandering the streets.
41:13Oh, thank you, Mrs. Potts.
41:16I told him who my father is.
41:18He says you're a very important man, Papa.
41:23Let's get you home.
41:26Good day, Miss Potts.
41:28Good day, Sophia.
41:29Where have you been?
41:55Looking for Sophia.
41:56I went to the zoo to see if she'd gone back there.
41:58No, no, they found her.
41:59She's safe and well.
42:00Ivy sent you a message to let you know.
42:03Ivy?
42:04Lord Inspector Blake?
42:05What difference does it make?
42:08Where was she?
42:09I'll get to that in a minute.
42:10Keep that on.
42:11I've sent a message to Inspector Phelps.
42:12You ought to join him.
42:13Why?
42:15I found something on the Cooper case.
42:17I told you I don't know nothing about a kid.
42:38We're not here about that.
42:40Lady Detective, I assume.
42:45So the word is that you've been hired to prove my innocence.
42:49So I do hope your presence here means that you've done just that.
42:54Well, the innocence of killing Philip Galanis, but of obstruction of justice, your hands are
42:59dirty, Mr. Cooper.
43:00It was Natalia Lorenzo that killed Philip Galanis, and you've been protecting her.
43:08We found a financial trail between you and Dr. Marsh.
43:12Your own personal doctor.
43:14You paid him to patch up your girl, didn't you?
43:20She's not my girl.
43:23Never has been.
43:24She's the daughter of an old mate.
43:25The fella did a long stretch inside, but he kept his mouth shut.
43:32Ten years' hard labour.
43:34Pretty well killed him.
43:35He died a month after he'd come out.
43:39So, yeah, she's been like a daughter to me.
43:43So it didn't go down well when you discovered her affair with Galanis.
43:48Tried to warn her against it, but she's that strong young girl.
43:52I think they thought they were some kind of Romeo and Juliet, but he didn't treat her right.
43:59He was a drunk and a bad one.
44:01If she hadn't got his gun, he'd have killed her.
44:04Well, if she shot him in self-defence and there's no reason for her to go on the run.
44:09Try telling that to the Galanis family.
44:11So, you two can do what you want.
44:21I'll just deny it all.
44:22And any link to Dr. Marsh can be explained away.
44:25He'll never stand up in court.
44:27Especially as you have half the judges in London in your pocket.
44:33Where's Natalia now?
44:35She got on a boat from St. Catherine's docks.
44:37And I don't know where I told her it was safer that I didn't in the event that something like this happened.
44:45So, you want to waste your time chasing after a young woman who shot her drunk to stop him beating her to death?
44:53Be my guest.
44:54Boss.
44:55Boss.
44:55Boss.
45:07Boss.
45:14Boss.
45:14Is she mother?
45:16She passed.
45:20I'm sorry, son.
45:22Sorry.
45:33Come along, ladies.
45:34there's work to be done oh Barnabas I am rather busy I'll give you just a few
45:43moments my jaw I only wish to say how profusely sorry I am for my recent
45:47behavior I just want you to be happy Barnabas and I don't think writing makes
45:52you happy well I'll give it up forthwith find myself a proper job but not back at
45:57the mortuary I believe it's time for a fresh start and I know exactly where
46:03that's wonderful where did you have mine here of course Scotland Yard it was
46:12pinned on the notice board in a corridor as I happened upon it I thought Barnabas
46:17Pops this job is tailor-made for you manager of the clerical office here where
46:26I work call it fate call it kismet either way it was meant to be and we were
46:33work together every single day might that be marvelous sir marvelous
47:03inspector Phelps as your little one happy to be home just got her off to sleep I'm sorry I lost my temper
47:28idea I'd have done the same full report on a gladness case it was Natalia who shot him Cooper was just
47:41protecting her you could pursue Cooper on obstruction of justice or you could take a look through this
47:51little lock I've been building a case against my uncle for a few years now my
48:00hands were tied before but now my old mum died today he's all yours I'm sorry for your loss
48:16wish I'd like to come in yeah not good company at the minute but maybe a pint and a ghost snake sweet
48:29you're buying of course don't know her always jolly thank you
48:37see the problem that you gentlemen guys I've got lucky face you unlucky face you not so lucky face you very unlucky face
48:44right
48:51right
49:09Right.
49:23Dylan Cooper.
49:27What now?
49:31We've got a warrant for your arrest.
49:35On what charge?
49:37You may want to get yourself comfortable, Mr Cooper.
49:40It's quite a long list.
50:07Alexander, you're early. I haven't had a chance to change yet.
50:16Would you mind if we cancelled dinner?
50:20I should be with Sophia.
50:22Of course. I could come to you or...
50:24She went to the British Museum.
50:27She said you miss school once to go there.
50:30Well, yes, but I didn't mean for her to do the same.
50:34She's a child, Eliza.
50:37She has no mother to guide her. You must realise how much she looks up to you.
50:40I'm... I'm sorry. I didn't... I didn't think.
50:48Are you blaming me for what happened?
50:50I lost control today.
50:57I could have lost my job.
50:59But I can't afford to do that.
51:02I am all Sophia has, and it is down to me to keep her safe.
51:08To make sure there is food on the table and a roof over her head.
51:11What are you trying to say?
51:22That... I need time to think.
51:28Perhaps some time apart will do us both good.
51:32Sorry.
51:41Let's go.
51:43Let's go.
51:47Hop. Hop.
51:48Let's go.
52:11What is typical foresight?
52:13Brace yourself.
52:14You're about to discover.
52:18Something rather exciting.
52:20What more does one need?
52:22How splendid.
52:31And it will be all that you've dreamed of.
52:34And more.
52:42I don't lie to you, Alexandra.
52:43Do you have any idea how hard it was for me to come and see you today?
52:47A mob is gathered outside the prison.
52:49Phone lines are dead.
52:50We are shutting down Scotland Yard.
52:51No one comes in.
52:52No one goes out.
52:53You cannot leave me in here!
52:55Blake!
52:57Music.
52:58Music.
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