- 21 hours ago
Miss Scarlet and The Duke - Season 6 Episode 4 -
Bad Blood
Bad Blood
Category
😹
FunTranscript
00:00You've not fallen out with Inspector Blake. You've fallen in.
00:03When we're working together, it's best that you treat me as you would one of your men.
00:06You can be polite in our private time.
00:08For 30 years I have given to the city mortuary, and now I'm unemployed.
00:12I assume the elderly aunt you were supposedly visiting doesn't exist.
00:16Don't you trust me?
00:17Of course I do.
00:18Then why lie?
00:30For 30 years I have given to the city of New York City.
00:47For 30 years I have given to the city of New York City, New York City.
00:51The home of New York City is a home of New York City.
00:56I'd better get back to work, Mum.
01:14Like you always say, those streets won't stay safe
01:20without your Charlie keeping an eye out.
01:26I'll be back tomorrow.
01:56Uncle?
01:58Charlie?
02:01How is she?
02:14Still the same?
02:16I hate seeing her like this.
02:17Ruled the roost when we were kids.
02:21Terrified over I was.
02:23Yeah, it's a shadow of my sister in there.
02:27Heard about your promotion.
02:31Detective Inspector Phelps of the City of London Police.
02:34Bet your mum's proud of you.
02:36And I am.
02:38Yeah, I'll bet.
02:40No, I am.
02:42You've done well for yourself, boy.
02:44Good on you.
02:46To.
02:48To.
02:53Charlie.
03:01You ain't heard this from me, but, uh...
03:03Piccolani's family, they're being difficult.
03:10I'll try and keep it off your patch,
03:11but there's a storm coming.
03:17You cause me any problems,
03:19I'll put you away.
03:21Family or not.
03:23Ooh.
03:24Is that a threat, son?
03:28Ooh.
03:29Is that a threat, son?
03:53There are so many tattoos from, but I think my favorite animals were the giraffes, especially
04:22when they nibbled the zookeeper's hair.
04:25I like the elephants, apart from when she went to the toilet.
04:30Yes, very unladylike.
04:33I wish I could miss school every day.
04:35My father used to say too much fun's bad for your health.
04:39I once skipped school without telling him.
04:42I spent the day with the ancient Egyptians at the British Museum.
04:46Was your papa cross?
04:48Well, he would have been had he found out, but I never told him.
04:52In fact, you're the only person that I've told.
04:57Now, I need to do a little bit of paperwork, and then we can head home.
05:01Why don't you read?
05:03Yes, this.
05:06I hear Mrs. Panbury's making soup for tea.
05:09It's always turnip.
05:10I hate turnip.
05:12So do I.
05:31Papa!
05:32Inspector Blake?
05:33Is everything all right?
05:34Yes.
05:35Why shouldn't it be?
05:38Oh.
05:39We're a little late.
05:41More than a little.
05:43You were supposed to take her home two hours ago.
05:45I'm sorry.
05:46We lost track of time.
05:47Mrs. Panbury was worried.
05:48She was expecting Sophia home for tea.
05:49Turnip soup, I believe?
05:51You should have sent a message.
05:54Oh, you're right.
05:56I'm sorry.
05:57We had a wonderful time at the zoo, didn't we Sophia?
05:59We saw the giraffes and the elephants and-
06:01I'll get your things.
06:08I really am sorry.
06:10What did you say?
06:11Thank you, Miss Garlets.
06:12It's my pleasure.
06:13We'll do it again soon.
06:14We can go back to the zoo.
06:16Yeah, of course.
06:17I'll see you tomorrow.
06:18You will.
06:19I'll see you tomorrow.
06:20You will.
06:21Yeah, three weeks.
06:46No one saw anything.
06:55Not even a line like that.
06:58No, sir.
07:16The girl who rents this room, what's her name?
07:22Natalia Lorenzo.
07:36Scotland Yard switchboard, how may I direct your call?
07:41Putting you through.
07:43I have a Detective Simons from Oldgate.
07:45Simon, are you all right, please?
07:47Yes, sir.
07:48Thank you, Simon.
07:53That's me done.
07:56See you in the morning.
07:57Night.
07:58Shh.
07:59It's got the in-yard switchboard.
08:01How may I direct your meeting?
08:05Hello, Ivy.
08:06How's things?
08:07Oh, busy.
08:08Since we lost you, things have been more ectic than ever.
08:10But I've been promised a couple more secretaries
08:12and I heard a rumour we're getting a manager too.
08:15How are you getting on?
08:16It's all right, but I miss you and the other girls.
08:18Oh.
08:19It's so quiet sometimes.
08:21I managed to read Little Dorit in three days,
08:23and I'm a slow reader.
08:25I haven't even managed to take a lunch break this week,
08:27let alone read.
08:29What about your husband's book?
08:30How is it, by the way?
08:32Any better?
08:33Don't ask.
08:34Ready, is he?
08:37It's Miss Summers at work, remember?
08:39Yes, of course.
08:42Detective Willows has taken me to Barron's.
08:44Oh, very nice.
08:45Would you like us to escort you out, Mrs Potts?
08:47Oh, that's kind.
08:48But Mr Potts will be here shortly to see me home.
08:51I don't know.
09:14Almost an hour I waited for Barnabas.
09:16Then I came home to find him on that damn typewriter.
09:19Apparently he'd lost track of time.
09:21Well, he wasn't the only one.
09:23I didn't get Sophia home when I should have,
09:25which didn't go down very well with Inspector Blake.
09:27That doesn't surprise me.
09:29That little girl is everything to him.
09:31You don't make me feel even more guilty.
09:34It's not like Barnabas at all.
09:36He's normally so punctual.
09:38So am I.
09:42Yet another rejection of my memoirs.
09:46Whilst we very much enjoyed your book,
09:48we do not feel that our publishing house
09:50is the right home for your work.
09:52Well, I'm utterly befuddled.
09:54If they very much enjoyed my book,
09:56why won't they publish it?
10:00I should get to work.
10:07Perhaps it's just a kind of phrase they use in all such letters.
10:10What do you mean?
10:12Well, the others all said the same type of thing, didn't they?
10:14We enjoyed your book, but we're not looking for new authors.
10:18We enjoyed your book, but we have something similar.
10:20But that's exactly my point.
10:22They enjoyed my book.
10:23Every single one of them has.
10:24Don't know what the problem is.
10:26It's an utter mystery indeed.
10:28Perhaps you should take a break from the writing.
10:31Break? Why?
10:35So you don't get too stale?
10:37Give yourself time to clear your head.
10:41Then what would I do in the meantime?
10:46Absolutely not.
10:48I will not go back to that mortuary
10:50until Mr Wormsley has offered me
10:52a full and satisfactory apology.
10:56And on this I shall not be moved.
11:11Message from Miss Scarlett.
11:12Would that be me, thank you.
11:13I can't stand another day of him mooning about the house.
11:23Someone needs to speak to him about his book.
11:25I don't suppose you would...
11:26No, no. And no.
11:29Who's that from?
11:31Someone rather surprising.
11:43I want to hire you.
11:49Go on.
11:50I've got a missing chorus girl.
11:52With a lodging room that looks like Smithfield slaughterhouse.
11:55Blood everywhere and no body.
11:58The girl's name was Natalia Lorenzo.
12:02The name rang a bell so I asked around
12:04and it turns out she had two regular gentleman callers.
12:08One was a high-ranking member of the Galanes crime family
12:12and the other...
12:15was my uncle.
12:17Dylan Cooper?
12:19Word on the street is
12:20my uncle took exception to his girl
12:22seeing his rival and put a bullet in her.
12:24Which makes him our prime suspect.
12:27Which puts you in a rather difficult position.
12:29Any other statements of the bleeding obvious you want to make?
12:34I see if emotion hasn't improved your manners, Charlie.
12:38There was a bloodied handprint left at the scene
12:40the size of a man's hand.
12:41If my uncle was going to kill someone,
12:44which no doubt he has done in the past,
12:46there wouldn't be a shred of evidence left behind.
12:48So you don't think he's guilty?
12:50But you can't share that with your men?
12:52If the coppers in London want to put Dylan Cooper away,
12:54regardless of the evidence.
12:55The other half are in his pocket.
12:57Hmm.
13:01There's...
13:03There's something else.
13:08My mum.
13:09She's not well.
13:10So?
13:13If I'm gonna send a little brother to the gallows,
13:17I need to be sure.
13:20Which is why I want to hire you.
13:23Because for all your faults, Miss Scarlet,
13:25and God knows there are many,
13:27you're someone I can trust.
13:33I think.
13:35Duplicate copies of the investigation so far.
13:45One more thing.
13:48If word got out that I was trying to prove my uncle's innocence...
13:53No one's to know that you hired me.
13:57You do this job and you do it well,
13:59there'll be a lot more work coming your way.
14:04Oh.
14:09City police covers an area we've yet to tap into.
14:12Blackfriars, St. Paul's, Smithfield.
14:16Could mean a whole new revenue stream.
14:19So I assume this case is highly confidential
14:21and no one must know that Inspector Phelps has hired us.
14:24You assume correctly?
14:26No one at all.
14:28Even if they're in the same line of business
14:30and we may feel compromised by our feelings towards them,
14:33even though...
14:34Lawrence, if you're attempting to give a coded message about myself
14:36and Inspector Blake,
14:37at least try to be subtle.
14:39No, no.
14:41I'm just saying...
14:42Well, don't.
14:43I'm perfectly capable of keeping client confidentiality,
14:46even with Inspector Blake.
14:48But then I shall say no more.
14:52May I just say...
14:53No, you may not.
14:57Thank you, sir.
15:04A single shot to the chest.
15:07I can't see an exit wound.
15:10The bullet must still be in the body.
15:13No identification.
15:16I know who he is, sir.
15:20It's Philip Galanis.
15:25You sure?
15:26He was brought in when I was at Bow Street.
15:28Twelve charges.
15:30None of them stuck.
15:31Friends in high places.
15:32Indeed.
15:33I heard of trouble brewing between the Galanis family and the Cooper gang.
15:40Philip Galanis was the top brass in the family,
15:42if this is the Cooper gang.
15:44The order must have come from High Arp.
15:49We need to bring in Dylan Cooper.
15:50And Dylan Cooper.
16:10Good afternoon.
16:12I wondered if you could help me.
16:13It's about a friend of mine.
16:15Natalia Lorenzo.
16:17Don't know her.
16:20Oh.
16:22I heard it on good authority that she used to dance here.
16:25I said I don't know her.
16:36This is for a whiskey.
16:38And this is for any information that you might have.
16:42What use is money if I'm dead?
16:44Are you aware of the Hospitality and Gaming Act of 1874?
16:51It states that any venue putting on music, dancing, theatrical production requires a performing rights license.
16:58Any failure to have said license may result in a hefty fine or indeed closure.
17:03I know this because my husband works for the licensing commission.
17:07You don't have an husband.
17:09Then you don't have a license.
17:10Look.
17:13I ain't seen her.
17:17But.
17:19You know someone who has.
17:20You know someone who has.
17:31Please!
17:32Make yourself known!
17:39Anything?
17:40Yes sir.
17:41Doesn't look like anyone's been here for a while sir.
17:46Let's cross this place off our list.
17:50How many safe houses can one man have?
17:52Cooper's got deep pockets.
17:55Put your weapons down!
17:56Drop your weapons and get on the floor!
17:58This is your final warning!
17:59Put down your weapons!
18:00On the floor now!
18:01We are police officers!
18:02Power away you bloody idiot!
18:15Philip Galanis was shot in a lodging house in Fenchurch Street.
18:20That's my patch!
18:21And his body was found in Farringdon which is my jurisdiction.
18:23Not if the crime was committed on City of London territory!
18:26You don't know that it was!
18:27I'm afraid I do!
18:29Ballistics report!
18:35The bullet that was pulled from Italia Lorenzo's wall came from the same gun that fired the bullet that killed Philip Galanis!
18:43You're stepping on my toes!
18:44Inspector Blake!
18:45And you carried out a raid on Scotland Yard Turf without giving me prior warning Inspector Phelps!
18:48Like I said, I didn't have time!
18:53We need to work together on this, Charlie.
18:56I've told you everything I know.
18:59This Natalia was shacked up with Philip Galanis.
19:02He turned up dead in an alley and her body's still missing!
19:05You've left out a vital bit of information.
19:06Your uncle was also seeing this young woman!
19:09Which is why me and my men came looking for him!
19:11Bloody hell!
19:12We're going round his circles here!
19:18We have checked all of Cooper's regular haunts.
19:23His house.
19:24His club.
19:26Do you have any idea where he might be?
19:28If I did, I wouldn't be raiding his safe house, would I?
19:41If you've got something to say,
19:43say it.
19:48Blake!
19:49Yes, he's here.
19:50Hold on.
19:51It's one of your men.
19:52What?
19:53Right.
19:54No.
19:55No.
19:56No.
19:57No.
19:58No.
19:59No.
20:00No.
20:01No.
20:02No.
20:03No.
20:04No.
20:05No.
20:06No.
20:07No.
20:08No.
20:09No.
20:10No.
20:11No.
20:12No.
20:13No.
20:14No.
20:16No.
20:17No.
20:18No.
20:19No.
20:20No.
20:21No.
20:22They've.
20:23No.
20:24No.
20:25It's taken.
20:26No.
20:27No.
20:28I need to go.
20:29We haven't finished.
20:30Phelps.
20:31Charlie.
20:48Was that meant to be funny, ringing me at Scotland Yard?
21:04I didn't kill Galamis, and you know it.
21:06Do I?
21:08Else you wouldn't have eyed that lady detective.
21:11You've been having me followed?
21:13I always have you followed, Charlie.
21:18I should be with your dad soon.
21:27That's the last place you'd want to be.
21:30Couldn't stand the old bugger.
21:38Why are you in hiding if you weren't the shooter?
21:41Well, I know what people are saying.
21:44The Galamis was seeing my girl, so I killed them both.
21:47I mean, don't get me wrong.
21:49If I'd have known that degenerate had gone anywhere nearer, I'd have gladly put a bullet in him, but I didn't know.
21:54So I didn't kill either of them.
21:55So who did?
21:57Not a clue.
21:59But I need time to talk to the Galamis family.
22:03Things haven't been good lately. I need to sort it out. It's better business.
22:06Have you asked me to stall the investigation?
22:08I'm being set up.
22:11And you know that.
22:14I'll find out who did it. I just need time.
22:19You owe me this boy.
22:22When he was a nipper.
22:25And your dad passed away and your mum couldn't put food on the table.
22:31It was it kept you out of workhouse.
22:32The best I can do is keep this meeting to meself.
22:46But anything else that comes up, you're on your own.
22:47Even if...
22:54Get your heralds here!
23:01Come on, get your heralds!
23:02Good afternoon.
23:08I'm looking for a friend of mine.
23:11Natalia Lorenzo.
23:12I have an ongoing authority that she dances here.
23:17I'm busy.
23:20You're aware of the Hospitality and Gaming Act of 1874?
23:23What?
23:25It states that any venue with outside drinking facility requires a public liability license.
23:31I've already told him what I know.
23:34Told who?
23:36Him.
23:42What are you doing here?
23:47What are you doing here?
23:48I'm looking for a missing showgirl.
23:53As are you, it seems.
23:56I thought this case was in the City of London jurisdiction.
23:59It's more complex than that.
24:01I take it you're working for Phelps.
24:04I'm sorry, Alexander, but I think it's better that we stop this conversation.
24:07You need to tell me what you know.
24:09I can't.
24:10I'm running a business.
24:15We've been through this before.
24:16This isn't a missing horse, Eliza.
24:17This is a murder.
24:19And if we're to be together, you can't keep hiding things from me.
24:22Things?
24:25I need to get back to work.
24:26What things?
24:28Telling me you went to the seaside to visit your aunt when in fact you were meeting Patrick Nash.
24:31I knew you'd been stewing on that.
24:33I have to be able to trust you.
24:34And I have to be able to respect the wishes of my clients.
24:37This isn't about me working the case.
24:41This is about me working for Phelps, isn't it?
24:43Don't be ridiculous.
24:44Your competitiveness is clouding your judgment, and might I have, making you rather childish.
24:48Says the adult who forgot to bring my daughter home one time.
24:53I need to get back to work.
24:54Excuse me, would I have a complaint?
24:57As do I.
24:58Let's get her over your phone.
25:01Let's get her over your phone.
25:04I have a complaint, excuse me.
25:06The landlord of the Indigo Sun confirmed that Natalia Lorenzo is very much alive.
25:21She collected the wages that she was owed, but she was in a bad way.
25:26Sweating feverish, a bandage across her shoulder.
25:28He asked her what had happened, but she didn't want to say.
25:32He thinks that she got on the wrong side of Cooper and somehow managed to escape.
25:37The crime scene report states that a bullet was found in the wall of the room.
25:43So perhaps it passed through her shoulder and into the wall.
25:45Hmm.
25:46Well, if she was shot, she'd need medical attention.
25:50And wanting to lie low, she wouldn't go to a doctor.
25:54It's their duty to inform the police when treating a gunshot wound.
25:56That depends on the doctor.
26:04A list of qualified doctors and surgeons who work on the wrong side of the law.
26:09This is Patrick's handwriting.
26:11Yes, that list was compiled by Mr. Nash himself after an unfortunate incident with a shotgun.
26:16Danagella's husband.
26:19Let's hope that one of these doctors treated our Natalia Lorenzo.
26:23I'm going to stop looking in the morning.
26:32I want a list of every quack doctor with a criminal conviction.
26:36Anyone who might tend to a bullet wound and not reported.
26:38Yes, sir.
26:40And get yourself over to city police.
26:42I see if Inspector Phelps is willing to share any new information on Dylan Cooper.
26:45What?
26:46Evening, gents.
26:53This is my lawyer, Mr. Torrey.
26:55We'd like to discuss the unfounded accusation that I'm somehow connected to your murder investigation.
27:01I'm a businessman.
27:09I own two casinos and a number of companies linked to the hospitality trade.
27:16I know exactly what you own, Mr. Cooper.
27:18In great detail.
27:19So these false allegations are costing me money.
27:24So my lawyer recommended I come in here and answer any questions you may have so that we can put this matter to bed.
27:31How thoughtful of you.
27:34Talk me through your movements yesterday.
27:38Well, I spent a morning at my club, the Silver Lane.
27:40After that, I went to visit my poor sister at St. Agatha's Hospital.
27:44Then I did a stock check at my new pub in Hackney.
27:48All of which can be confirmed.
27:50By your men?
27:51No, by my work colleagues.
27:59Tell me about Natalia Lorenzo.
28:04She's a young lady that I've known for a few years.
28:08And the nature of your relationship?
28:14My lawyer says that I'm not obliged to answer that question.
28:27Well, then I shall answer it for you.
28:32I think you were romantically involved with Miss Lorenzo.
28:37And when you found out she was betraying you with a member of a rival gang,
28:41you went to her lodging rooms and shot her and her lover, Philip Kalanis.
28:46You dumped his body in the street and left Natalia to die.
28:52But unfortunately for you, she survived.
28:57Hmm.
28:59That's quite an imagination you've got here, Inspector Blake.
29:03It's pure fantasy, of course.
29:06Has she got any evidence to back it up?
29:08No, I thought not.
29:16So, you've got my alibi, which can be easily checked unless there's anything else.
29:20I think I'm free to go.
29:23Looks like I'll only be paying you for half a day, Mr. Torrey.
29:27Would you mind stepping outside for a minute?
29:34Inspector.
29:34Inspector.
29:34Inspector.
29:34Inspector.
29:34Inspector.
29:34Inspector.
29:34Inspector.
29:35Inspector.
29:35Inspector.
29:35Inspector.
29:35Inspector.
29:36Inspector.
29:37Inspector.
29:38Inspector.
29:38Well, I do hope this is an end to the matter.
29:44No, Mr. Cooper, it very much is not.
29:48It would be a mistake to make an enemy of me, Inspector Blake.
29:52But a friend, I would welcome that with open arms.
29:57I have enough friends.
30:00Hmm.
30:04Eight.
30:05Kempton Lane, isn't it?
30:07Lovely place you've got here.
30:09Lovely place you've got here.
30:11Must be very nice for you and your little girl to live so near the path.
30:16Get out.
30:17With pleasure.
30:21Hump, let's get away.
30:22Commissioners.
30:25Celia Julia.
30:49Little, little girl.
30:50If I wanted to apologize, would it be better in writing or in person?
30:57Um, in person?
31:03Well, that's a relief. I have terrible handwriting.
31:09I was angry and frustrated. I say things that don't mean when I feel that way.
31:13I can't imagine what that's like.
31:20What you said, there was some truth in it.
31:25I don't always tell you everything just like you don't always tell me.
31:29It's the nature of our jobs.
31:32Which is even more difficult to navigate now that there's an ass.
31:36Ass?
31:39I like that.
31:42I've booked that little place south of the river for dinner.
31:45Oh, sounds perfect. I'll get my things.
31:50How was your day?
31:51Rough. Which is why I wanted to see you.
31:54Do you need my help?
31:56I wanted to see you because I wanted to be with you, Eliza.
32:02To take the sting out of my day by finishing it with you.
32:14Does that help?
32:16Always.
32:26Well, that was a waste of time.
32:28Are you sure that man was even a doctor?
32:30I think he may have been a veterinarian.
32:32Well, either way, he hasn't seen our missing showgirl.
32:34You can cross them off the list.
32:35So that is three down, six left to try.
32:38Who's next?
32:39Dr Hudson on Church Street.
32:42So, how was last night?
32:46Last night?
32:47You said you had dinner with Inspector Blake?
32:50Uh, yes.
32:51It was very nice, thank you.
32:52Oh, it was very nice.
32:53Yeah, it was good.
32:54Good food, good wine, good conversation.
32:57Yes.
32:59Conversation about what, exactly?
33:01I didn't tell Inspector Blake that we're working for Phelps.
33:05Good.
33:06Because he already knows.
33:07What?
33:09He saw me questioning that landlord that I was telling you about.
33:12Eliza, it's supposed to be a confidential investigation.
33:14Yes, I am aware of that.
33:16What's done is done.
33:18There's no point ruminating on it.
33:20Like you're doing now.
33:21Still, I'd be a lot happier if you told me everything you were doing.
33:24Oh, would you?
33:26No, on second thoughts, let's see if things are safe.
33:35It was a lovely evening.
33:37The food was delicious.
33:38I've never been anywhere so fancy.
33:40Me neither.
33:41I felt quite out of place next to all those fine ladies.
33:44Surprised your head wasn't turned.
33:46I couldn't take my eyes off you.
33:49Is that true?
33:51Or are you just trying to butter me up?
33:53Both.
33:56Give us a kiss.
33:57What, in here?
33:58Yes, here.
34:07Detective Rillows.
34:08Mrs Potts.
34:09The advert for the new office manager.
34:11I've got copies going up all over the yard,
34:13but I want you to call the evening papers with the wording for the classifieds.
34:17Wanted. Manager for the clerical office Scotland Yard.
34:20You should apply, Ivy.
34:21Keep reading.
34:22The gentleman in question.
34:25Why can't it be a lady?
34:27You could do that job standing on your head.
34:29I've got enough to worry about as it is.
34:31One day a woman will run this whole place.
34:33What's funny about that?
34:36I'd better get on.
34:37Can I help you madam?
34:38I need to speak to Inspector Blake.
34:43Sir?
34:44Mrs. Burnbury.
34:45Mrs. Burnbury.
34:46What's happened?
34:48It's Sophia.
34:49So, last and hopefully not least, a Dr Marsh.
34:51What do we do if he hasn't seen Natalia?
34:52We move to plan B.
34:53Which is?
34:54No.
34:55No.
34:56Well, that's the address.
34:57Well, that's the address.
34:58He doesn't look like a doctor.
34:59He doesn't look like a doctor.
35:00No, but he does.
35:01He doesn't look like a doctor.
35:02He doesn't look like a doctor.
35:03No, but he does.
35:04What's he doing?
35:05What's happened?
35:07It's Sophia.
35:12So, last and hopefully not least, a Dr Marsh.
35:16What do we do if he doesn't see Natalia?
35:18We move to plan B.
35:19Which is?
35:20No idea.
35:21Well, that's the address.
35:26He doesn't look like a doctor.
35:27No, but he does.
35:34That's her, that's Nathalie Llorente.
35:39Should we help?
35:41He doesn't appear to be forcing her.
35:55The inspector's daughter's gone missing.
35:58Knock on every door of every street within a three-mile radius
36:01of Inspector Blake's house and his daughter's school on Eastbury Way.
36:04Scale of the area, every inch.
36:08Understood?
36:09Yes, sir.
36:10Off you go.
36:17We heard about the inspector's little girl.
36:19We've come to help.
36:20How many of you?
36:21One of us girls in the office, about a dozen.
36:23Go to Gladstone Park.
36:25It runs adjacent to Inspector Blake's house.
36:27Perhaps his little girl went there and got lost.
36:29Inspector Blake must be out of his mind, won't worry.
36:31If anything's happened to that little girl.
36:32Oh, just the person.
36:34Go and tell the girls.
36:35I'll join you in a moment.
36:36Barnabas, this is not a good time.
36:38It should be very quick, my chore.
36:40I just wanted to share the most wonderful news.
36:42I've decided to write a novel.
36:44Never mind that now.
36:46I need your help.
36:47Sophia has long dark hair, blue eyes, about this tall what she was when I last saw her.
37:00She's probably grown by now.
37:01Never fear, my dear.
37:02They do not call me eagle-eyed pots for nothing.
37:04They don't call you that at all, Barnabas.
37:06Excuse me, have you seen a little girl on her own dark hair, blue eyes, about this pig?
37:11Barnabas, as I've said many times, what I think is that you need to get your old job back.
37:23Huh?
37:24Oh, excuse me, have you seen a little girl, dark hair, blue eyes, about this pig?
37:29No.
37:30What makes you think I need my job back?
37:32My novel will be published, I'm sure of it.
37:34Barnabas, I only say this because I love you.
37:38You have many skills, but writing is not one of them.
37:43But you said you enjoyed my memoirs?
37:47You said I was a wonderful writer.
37:49I was being nice.
37:51There's a reason no one wants to publish it.
37:54I'm sorry.
37:56That's the truth.
37:59Excuse me.
38:01Have you seen a little girl, dark hair, blue eyes, about this tall?
38:06No.
38:07Miss Scarlet.
38:16Oh good, you got my message.
38:19You want to update me on the case here, at Scotland Yard?
38:22Something's happened, and in Inspector Blake's jurisdiction.
38:25Don't tell me Blake knows I've hired you.
38:28It's my duty to inform him as well as you.
38:31And it's your duty to keep to client confidentiality.
38:36Miss Scarlet, we had an agreement.
38:39Detective Willows, have you seen Inspector Blake?
38:41Have you not heard?
38:43Heard what?
38:55Is it true?
38:56Is the big one missing?
38:57She didn't come home from school.
38:59Michael Simmons here with me.
39:00Whatever you need, just ask.
39:02You want to help, then tell me where your uncle is.
39:05What's he got to do with him?
39:06Well, this has got Cooper written all over it.
39:11Could it be him?
39:16Have you taken her?
39:17The inspector's kit!
39:18What you talking about, boy?
39:19What are you talking about, boy?
39:36Have you taken her?
39:38The inspector's kit!
39:39What you talking about, boy?
39:49Where's Cooper?
39:50We ain't over yet.
39:51Right, take them outside and question them.
39:52Yes, sir.
39:53Has he got my daughter?
39:54How should I know?
39:55Right, I will ask you one more time.
39:56Has Cooper got my daughter?
39:57You deaf?
39:58How should I know?
39:59How should I know?
40:00Ah!
40:01Ah!
40:02Ah!
40:03Ah!
40:04Ah!
40:05Ah!
40:06Ah!
40:07Ah!
40:08Ah!
40:09Ah!
40:10Ah!
40:11Ah!
40:12Ah!
40:13Ah!
40:14Ah!
40:15Ah!
40:16Ah!
40:17Ah!
40:18Ah!
40:19Ah!
40:20Ah!
40:21Ah!
40:22Where is she?
40:23Where is she?
40:24Sir!
40:25The founder.
40:26There.
40:27Very good.
40:28We're looking for an office manager.
40:29I think you should apply, young lady.
40:38Sophia!
40:39Papa!
40:40Papa!
40:41She went to the British Museum.
40:42She got lost on the way her home.
40:43She went to the British Museum.
40:44She got lost on the way her home.
40:45There.
40:46There.
40:47Very good.
40:48We're looking for an office manager.
40:49I think you should apply, young lady.
40:50Sophia!
40:51She went to the British Museum.
40:52She got lost on the way home.
40:54And was found by an officer wandering the streets.
40:56Thank you, Mrs. Potter.
40:57She went to the British Museum.
41:08She got lost on the way home.
41:11Was found by an officer wandering the streets.
41:14Thank you, Mrs. Potts.
41:16I told him who my father is.
41:18He says you're a very important man, Papa.
41:23Let's get you home.
41:25Good day, Mrs. Potts.
41:28Good day, Sophia.
41:53Where have you been?
41:55Looking for Sophia.
41:56I went to the zoo to see if she'd gone back there.
41:58No, they found her.
41:59She's safe and well.
42:00Ivy sent you a message to let you know.
42:03Ivy?
42:04Lord Inspector Blake?
42:05What difference does it make?
42:08Where was she?
42:09I'll get to that in a minute.
42:10Keep that on.
42:11I've sent a message to Inspector Phelps.
42:12You ought to join him.
42:13Why?
42:14I found something on the Cooper case.
42:21I told you I don't know nothing about a kid.
42:38We're not here about that.
42:42Lady Detective, I assume.
42:45So the word is that you've been hired to prove my innocence.
42:49So I do hope your presence here means that you've done just that.
42:52Well, the innocence of killing Philip Galanis, but of obstruction of justice, your hands are dirty, Mr. Cooper.
43:02It was Natalia Lorenzo that killed Philip Galanis, and you've been protecting her.
43:06We found a financial trail between you and Dr. Marsh, your own personal doctor.
43:14You paid him to patch up your girl, didn't you?
43:20She's not my girl.
43:22Never has been.
43:24She's the daughter of an old mate.
43:27The fella did a long stretch inside, but he kept his mouth shut.
43:31Ten years' hard labour, pretty well killed him.
43:35He died a month after he'd come out.
43:39So, yeah, she's been like a daughter to me.
43:43So it didn't go down well when you discovered her affair with Galanis?
43:48Tried to warn her against it, but she's that strong young girl.
43:53I think they thought they were some kind of Romeo and Juliet.
43:57But he didn't treat her right.
43:58He was a drunk and a bad one.
44:01If she hadn't got his gun, he'd have killed her.
44:04Well, if she shot him in self-defence, then there's no reason for her to go on the run.
44:09Try telling that to the Galanis family.
44:14So.
44:18You two can do what you want.
44:21I'll just deny it all.
44:22And any link to Dr. Marsh can be explained away.
44:25He'll never stand up in court.
44:27Especially as you have half the judges in London in your pocket.
44:33Where's Natalia now?
44:35She got on a boat from St. Catherine's docks.
44:38And I don't know where.
44:39I told her it was safer that I didn't in the event that something like this happened.
44:43So, you want to waste your time chasing after a young woman who shot her drunk to stop him beating her to death?
44:53Be my guest.
44:54Boss.
44:55It's your mother.
45:17She passed.
45:18I'm sorry, son.
45:22Sorry.
45:33Come along, ladies.
45:34There's work to be done.
45:36Oh, Barnabas, I am rather busy.
45:42I'll give you just a few moments, my jaw.
45:44I only wish to say how profusely sorry I am for my recent behaviour.
45:48I just want you to be happy, Barnabas.
45:51And I don't think writing makes you happy.
45:53Well, I'll give it up forthwith.
45:55Find myself a proper job.
45:56But not back at the mortuary.
45:59I believe it's time for a fresh start.
46:02And I know exactly where.
46:03Oh, that's wonderful.
46:04Where did you have mine?
46:06Here, of course.
46:09Scotland Yard.
46:12It was pinned on the notice board in the corridor.
46:15As I happened upon it, I thought, Barnabas Pots, this job is tailor-made for you.
46:22Manager of the clerical office.
46:24Hmm?
46:24Here.
46:26Where I work.
46:27Call it fate.
46:29Call it kismet.
46:30Either way, it was meant to be.
46:32And we all worked together every single day.
46:36Why, that'd be marvellous, sir.
46:39Marvellous.
46:56Inspector Phelps.
47:12How's your little one?
47:14Happy to be home.
47:21Just got her off to sleep.
47:24I'm sorry I lost my temper earlier.
47:29I'd have done the same.
47:31I'd have done the same.
47:31Full report on Aguilani's case.
47:38It was Natalia who shot him.
47:40Cooper was just protecting her.
47:41You could pursue Cooper on obstruction of justice, or you could take a look through this little lot.
47:52I've been building a case against my uncle for a few years now.
47:59My hands were tied before, but now...
48:03My old mum died today.
48:08He's all yours.
48:13I'm sorry for your loss.
48:17Wish I'd like to come in.
48:20Well, you're not good company at the minute.
48:26But maybe a pint and a ghost snake sweet.
48:29You're buying, of course.
48:31Don't know her always.
48:34Charlie.
48:47See, the problem that you gentlemen have got is I've got a lucky face.
48:58You, unlucky face.
49:00You, not so lucky face.
49:02You, very unlucky face for this.
49:03Look, have a look.
49:04Look at that.
49:10Right.
49:17Dylan Cooper.
49:27What now?
49:31We've got a warrant for your arrest.
49:36On what charge?
49:37You may want to get yourself comfortable, Mr Cooper.
49:40It's quite a long list.
49:47I've got a warrant for you.
50:14I haven't had a chance to change yet.
50:17Would you mind if we canceled dinner?
50:21I should be with Sophia.
50:23Of course.
50:24I could come to you or-
50:25She went to the British Museum.
50:28She said you miss school once to go there.
50:31Well, yes, but I didn't mean for her to do the same.
50:35She's a child, Eliza.
50:38She has no mother to guide her.
50:40You must realize how much she looks up to you.
50:42I'm sorry, I didn't think.
50:47Are you blaming me for what happened?
50:55I lost control today.
50:57I could have lost my job, but I can't afford to do that.
51:02I am all Sophia has, and it is down to me to keep her safe.
51:09To make sure there is food on the table and a roof over her head.
51:11What are you trying to say?
51:23That I need time to think.
51:28Perhaps some time apart will do us both good.
51:33Sorry.
51:33For now, I'll get back.
51:37Okay, but my little boy, stop recording.
51:43Here he is.
51:46Hop! Hop!
51:48Up!
51:49Hop!
51:50Hop!
51:51Hop!
51:51Get up!
51:51Come on!
51:54Come on!
51:55Come on!
51:55Come?
51:56Just interessante!
51:57Keep exploding!
51:58Go on!
51:59Come on!
51:59Hop!
52:00Come on!
52:01By woman!
52:01What is typical foresight?
52:13Brace yourself, you're about to discover.
52:18Something rather exciting.
52:20What more does one need?
52:22How splendid.
52:31And it will be all that you've dreamed of, and more.
52:42I don't lie to you, Alexandra.
52:43Do you have any idea how hard it was for me to come and see you today?
52:47Mob has gathered outside the prison.
52:48Phone lines are dead.
52:50We are shutting down Scotland Yard.
52:51No one comes in, no one goes out.
52:53You cannot leave me in here.
52:55Blake!
53:01Visit our website for videos, newsletters, podcasts, and more.
53:09And join us on social media.
53:12The DVD version of this program is available online and in stores.
53:15This program is also available with PBS Passport and on Amazon Prime Video.
Be the first to comment