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00:23:03Where have you been?
00:23:05With a friend.
00:23:06Who?
00:23:07Just a girl from school.
00:23:09A girl you met at school.
00:23:11And I suppose her parents don't mind her being at all hours of the night.
00:23:15It's only 8 o'clock.
00:23:16Don't you dare use that kind of tone with me.
00:23:19You were supposed to be home four hours ago to finish that job in the attic.
00:23:24I lost track of time.
00:23:26I'm sorry.
00:23:29Oh, well.
00:23:30Well, Debbie, these things happen.
00:23:33I mean, you're young and you're full of life.
00:23:37But if you want to remain in this house, you better learn to give me the respect I deserve.
00:23:42Now, when I tell you something, I mean it.
00:23:45And you better obey me and be on time.
00:23:48Goddammit, you're hurting me.
00:23:49How dare you use that language in this house.
00:23:52You're not going to turn out of the foul mouth trap your mother was.
00:23:55Oh, no, no, no.
00:23:57I'm going to teach you a little discipline.
00:23:59Now, you sit in there and you think what you have done.
00:24:04Tomorrow, you'll clean the garage and the attic.
00:24:07I think that I always want to do.
00:24:37But I never did what's good to the store
00:24:40And I go running down the aisle where the wine is
00:24:43Blastin' and yellin' as I break them all
00:24:45Now, Joy can't deal with the spiritual world at all.
00:24:58So what she is symbolizing is, is the non-believer.
00:25:01So we have the devil and we have a non-believer.
00:25:04Good morning, Mr.
00:25:05Good morning.
00:25:07Class, this is Debbie Strand.
00:25:09She's a new student.
00:25:14All right, settle down.
00:25:16Just settle down.
00:25:17Thanks for helping me yesterday.
00:25:19You're welcome.
00:25:20Please, take a seat.
00:25:27Oh, my.
00:25:30Okay, moving on.
00:25:32Mr. Wright, could you pass out this list of possible themes for tomorrow's homework?
00:25:36Okay, now getting back to what we were talking about.
00:25:42Joy is the intellectual.
00:25:43Her wooden leg represents Joy's soul.
00:25:46Now, what if he takes her...
00:25:47Sorry.
00:25:48...from the school room and takes her into the barn, opens this briefcase...
00:25:53What a spaz.
00:25:59Sorry.
00:26:00Hey!
00:26:01What are you laughing at?
00:26:02Megan, are you all right?
00:26:06Megan, are you all right?
00:26:07Yes.
00:26:08I'm fine.
00:26:14Okay, don't forget to write a page in your journals for tomorrow.
00:26:17What a strand.
00:26:18You need to start one.
00:26:20Oh, and last call for the garage sale on Saturday.
00:26:22Anything you want to get rid of, bring to my place.
00:26:24We're going to be there all day.
00:26:26I also need one kind-hearted volunteer to help me Saturday.
00:26:30I will.
00:26:31I will.
00:26:31Great.
00:26:32Two volunteers.
00:26:33Very cool.
00:26:34Okay.
00:26:35Great.
00:26:35I'll see you Saturday.
00:26:37See you.
00:26:37Okay.
00:26:38Okay.
00:26:38Okay.
00:26:39Okay.
00:26:43Love or hate me
00:26:48Now someday I'll make up your mind
00:26:54I'm no different
00:27:00And they give me to sleep by
00:27:05I want to talk to you, Strand.
00:27:11Piss up a rope, Megan.
00:27:14Megan with two E's?
00:27:17Two E's.
00:27:19I know what you're up to.
00:27:22What?
00:27:26Come on.
00:27:28What am I up to?
00:27:32Megan.
00:27:35Well, I know what you are.
00:27:40You're a little bitch.
00:27:42Don't show up on Saturday.
00:27:45You or the Freak.
00:27:57Excuse me, miss.
00:27:58Debbie?
00:28:01Who are you?
00:28:02Joe Rosales, LAPD.
00:28:04This is my partner, Phil Archer.
00:28:07What do you want?
00:28:09Debbie, we need to talk to you about the, uh...
00:28:11I know it's only been a few days, Debbie.
00:28:13We really have to go.
00:28:14I realize this must be tough for you,
00:28:16but we'd really like to talk about the fire.
00:28:18I don't want to talk about it.
00:28:19Debbie, the sooner we talk about this,
00:28:21the sooner we can put the whole matter behind us.
00:28:24I really don't want to talk about it.
00:28:29Oh, yeah.
00:28:30She's going to be a lot of fun.
00:28:31Yes?
00:28:38What do you want?
00:28:39Mrs. Long?
00:28:40Mrs. Long, yeah?
00:28:41Oh.
00:28:42I was Detective, uh, Rosales and Archer.
00:28:45Uh, we're sorry for your loss.
00:28:46I know this is a tough time,
00:28:47but if we could speak to Debbie about the fire for...
00:28:49No, you may not.
00:28:50That poor child has been through enough.
00:28:52Now it's time to put this in the past.
00:28:55Ma'am, we feel like we still have some unanswered...
00:28:57Questions.
00:28:59Grieving mother.
00:29:01Poor thing.
00:29:05Anhydris.
00:29:06A-N-H-Y-D-R-O-U-S.
00:29:09Without water.
00:29:10Met Janie, thank God.
00:29:20More importantly, Peter.
00:29:22The first time I saw you, the heat in your eyes.
00:29:25I knew you were different.
00:29:26I knew you were different.
00:29:26What are you making?
00:29:54Pepper steak, broccoli, salad.
00:29:59Oh, my.
00:30:02No.
00:30:03No, I just got out of the shower.
00:30:05Oh, that's gonna stop me.
00:30:07Come on, I'm hungry.
00:30:08I'm hungry, too.
00:30:09My hair's wet.
00:30:12So?
00:30:13I don't know.
00:30:14I gave it a shot.
00:30:21Honey, is the stove on?
00:30:24Honey, honey, we need a bath.
00:30:49Okay.
00:30:50Okay.
00:30:50Let's go get it.
00:30:55Oh, sorry.
00:30:56I'm sorry.
00:30:57Oh, my God.
00:31:27I am looking forward to this weekend.
00:31:45You are?
00:31:47Yes.
00:31:49An entire weekend to ourselves.
00:31:52Well, sort of.
00:31:55I have two students coming over to help out.
00:31:57What?
00:31:58What are you talking about?
00:32:02I'm talking about the garage sale on Saturday.
00:32:04I have two students from my first period coming over to help out.
00:32:07No.
00:32:09No.
00:32:10We are going to the desert this weekend.
00:32:13Honey, I changed my whole flight schedule around.
00:32:16Shit!
00:32:17Uh-huh.
00:32:19Oh, man.
00:32:20I am so sorry.
00:32:23It's okay.
00:32:24Don't be sorry.
00:32:25Just postpone the garage sale.
00:32:27I can't postpone it.
00:32:29I have commitments to the art department.
00:32:30I have two students giving out their Saturday.
00:32:32I can't.
00:32:34Hmm.
00:32:36This happens all the time.
00:32:38And, uh...
00:32:39Oh, come on.
00:32:39It doesn't happen all the time.
00:32:41Oh.
00:32:42Yeah.
00:32:42Well...
00:32:43What about my sister's wedding?
00:32:47I had 35 final papers to grade.
00:32:50Besides that, I don't like your sister.
00:32:52Hmm.
00:32:55Okay?
00:32:56I really hate your sister.
00:33:05I'll make it up to you.
00:33:08You know what?
00:33:09I...
00:33:09I got it.
00:33:13Where are you going?
00:33:14I'm going to see if I can trade shifts with another flight attendant.
00:33:17I need some time away from you.
00:33:18Marilyn.
00:33:42Hey, Greg, hop in.
00:33:43I'm walking today, guys.
00:33:45All right. Later.
00:34:09Need some help?
00:34:14Shouldn't you be with your jock-itch friends?
00:34:16I just wanted to walk my new neighbor to school.
00:34:25Be nice.
00:34:43Is this fun for you?
00:34:47Fun? Yes.
00:34:49Is this fun for you?
00:34:51Fun? Yes.
00:34:58You don't know what fun is.
00:35:00I can't do it.
00:35:06I can't do it.
00:35:08Oh, my God!
00:35:10I want to do it.
00:35:12To you.
00:35:13To you.
00:35:14Oh, my leg.
00:35:20Oh, my leg.
00:35:27Oh, my leg.
00:35:32Oh, my leg.
00:35:37Oh, my leg.
00:35:44Oh, my leg.
00:35:49I guess you won't be making it to the garage soon.
00:36:07Ma'am?
00:36:20Yes?
00:36:21May we speak with the principal, please?
00:36:23He's gone for the day. Your business?
00:36:26Former teacher of yours, Mr. Roberts, died recently in a fire.
00:36:31Now, maybe you can help us.
00:36:34Possibly.
00:36:36Do you remember a student by the name of Debbie Strand?
00:36:39She just transferred out of here last week.
00:36:41Yes, she left something of an impression here.
00:36:43How's that?
00:36:45She had a nasty crush on Mr. Roberts.
00:36:48How long did that go on?
00:36:50Oh, months.
00:36:51She was finally suspended when Mr. Roberts complained that she had been stalking him.
00:36:56Stalking?
00:36:57Oh, the whole thing turned into quite a soap opera,
00:37:00especially when he got involved with Debbie's mother.
00:37:06You little shit.
00:37:07Come on.
00:37:08Come on.
00:37:09Come on.
00:37:10Come on.
00:37:11Come on.
00:37:12Come on.
00:37:13What on earth is going on here?
00:37:14Nothing.
00:37:15I was just playing with Bebe.
00:37:16What do you have there?
00:37:17Let me see.
00:37:18They're just clothes.
00:37:19Well, where did you get these?
00:37:20Answer me.
00:37:21I bought them.
00:37:22Don't you lie to me.
00:37:23I told you, I bought them.
00:37:24And where are you hiding the other things and, oh, oh.
00:37:28I was just playing with Bebe.
00:37:30What do you have there? Let me see.
00:37:32They're just clothes.
00:37:34Well, where did you get these?
00:37:38Answer me!
00:37:40I bought them.
00:37:42Don't you lie to me!
00:37:44I told you, I bought them!
00:37:46And where are you hiding the other things at all?
00:37:48I know there's more, but where are they, you sneaky little little?
00:37:52Get upstairs and finish packing that trunk!
00:37:58I know all of them are tied to the sleep.
00:38:02I've been here for XE.
00:38:04I'm here for XE.
00:38:06I know that.
00:38:08I know I'm here for XE.
00:38:12I know!
00:38:14I know!
00:38:16I can't wait, but I can't wait!
00:38:18I can't wait for I can't wait for the rest of the room with a nice day.
00:38:20I can't wait for the rest of you.
00:38:22I can't wait for the rest of you.
00:38:24I can't wait for my friend.
00:38:26Hi, baby.
00:38:39Yes, that's good.
00:38:48Oh, yeah.
00:38:51Goodbye.
00:38:56Hasta la vista, baby.
00:39:26Yeah, who is it?
00:39:42It's Debbie.
00:39:44Oh, hi.
00:39:45Come on in.
00:39:47Hello?
00:39:48Yeah, come on in here.
00:39:56Hi.
00:39:57Hi.
00:39:58Sorry I'm late.
00:39:59No, actually, I'm early.
00:40:01Thanks for helping out.
00:40:03Would have been nice if Megan could have made it too, but I'm sure we'll manage.
00:40:08She's such a cluck.
00:40:10Broke her leg.
00:40:11Don't you have any compassion?
00:40:13I didn't mean anything by it.
00:40:17Whatever.
00:40:19Are you mad at me?
00:40:26No.
00:40:27No, I'm not mad.
00:40:29I had a really bad night.
00:40:32My girlfriend that night were, uh, things aren't what they should be.
00:40:38I'm sorry.
00:40:39No.
00:40:40No, I shouldn't be taking the debt on you.
00:40:43Friends?
00:40:44Friends.
00:40:45Great.
00:40:46Well, let's sell some junk.
00:40:49Okay.
00:41:16So this isn't for milk.
00:41:19This is for cream.
00:41:37But yes, of course, I've got it every day.
00:41:43This isn't for milk, this is for cream. Alta Dina Dairy, $10. No? $5.
00:41:50Nah.
00:41:51Two. Two?
00:41:52Okay.
00:42:00How much for a lunch box?
00:42:01Glitter?
00:42:04I don't know.
00:42:13Hey, you.
00:42:14Hey.
00:42:15What are you doing, girl?
00:42:16I thought I'd come check out the junk.
00:42:24Debbie, does this work?
00:42:27I don't know.
00:42:28Peter!
00:42:30Hey, Jenny. You come to help us out?
00:42:32You're right. Does it work?
00:42:35Boy, that's a cool tattoo.
00:42:37I don't know. Here. Let's try it out.
00:42:43It works.
00:42:51$10.
00:42:52Why don't I get one of you grabbing his ass?
00:42:55What?
00:42:58I'm not doing anything.
00:43:00Cool picture, huh?
00:43:08Debbie?
00:43:13Where are you, sweetheart?
00:43:17Phoebe?
00:43:22Mommy's got a biscuit for you.
00:43:43$76, $77, $78, $178.
00:43:49Get out!
00:43:52We make a good tune.
00:43:54Yeah, we do.
00:43:58I'll get it.
00:43:59Thanks.
00:44:00It's locked.
00:44:01Sorry.
00:44:02The spare key's under the pot.
00:44:06Hi, it's Peter. Leave a message.
00:44:08Peter, there's a flu bug going around. Some of the girls are out sick.
00:44:11I'm going to pick up a couple more flights, so I don't know when I'll be back. Probably Monday. We need to talk. Bye.
00:44:27Message erased.
00:44:37...
00:44:49...
00:44:54...
00:44:57...
00:45:02...
00:45:04Who was it?
00:45:32No one.
00:45:34It was the wrong number.
00:45:49What are you doing?
00:45:50Where's the bathroom?
00:45:51It's right there.
00:45:52Thanks.
00:45:53That door is screwy.
00:46:05Let me get it.
00:46:05Well, thanks for helping me today.
00:46:18You were great.
00:46:19My pleasure.
00:46:26So, I guess I'll see you Monday.
00:46:29Yeah.
00:46:30I'll see you.
00:46:31Peter, Peter, Peter.
00:46:46They didn't make him like that when I was in school.
00:47:01I was at church praying for my mother.
00:47:20Oh, pray, huh?
00:47:21Isn't that nice?
00:47:22Don't you lie to me, you blasphemous slut.
00:47:35You've been out carousing.
00:47:36Carousing?
00:47:37I was out with a friend.
00:47:38Oh, a friend.
00:47:39Are all your friends deviant men twice your age?
00:47:42What are you talking about?
00:47:43Giving your body to men.
00:47:44You're a whore just like your mother.
00:47:45Don't call me that.
00:47:46I'm nothing like her.
00:47:47Don't you dare talk back to me.
00:47:48I saw him.
00:47:49He's the one.
00:47:50The one you've been writing to.
00:47:51I'm talking about this.
00:47:52How dare you?
00:47:53This is my house.
00:47:54And I will not have this immoral behavior in it any longer.
00:47:56Now, I am calling the police.
00:47:57Then I am calling the school and reporting this devil, Peter.
00:48:00Then I'll call that Asian woman and have you put it every far.
00:48:02I'll call that Asian woman and have you put it every far.
00:48:05I'll call it.
00:48:06I'll call it.
00:48:07I'll call it.
00:48:08I'll call it.
00:48:09I'll call it.
00:48:10I'll call it.
00:48:11I'll call it.
00:48:12I'll call it.
00:48:13I'll call it.
00:48:14I'll call it.
00:48:15I'll call it.
00:48:16I'll call it.
00:48:17I'll call it.
00:48:18You're not gonna do anything.
00:48:21What?
00:48:22Spare the rods.
00:48:23Spoil the child.
00:48:24Is that the idea?
00:48:26Is this how you raised my mother?
00:48:28No wonder she was such a fucking bitch.
00:48:30Please, John.
00:48:40Please, John.
00:48:41I'm sorry, Grandma.
00:48:42Did I hurt you?
00:48:43I never showed any mercy. My mother never had any mercy. And now I don't have any mercy.
00:48:56It's a family thing.
00:48:59Fiona sure has been generous. She's very excited about this mission.
00:49:16This thing weighs a ton. Yeah, I remember she said that if she were younger, she'd love to go herself.
00:49:21Oh, she is. Spiritually, of course.
00:49:25Tell Fiona we missed her at church and that we're all praying for a speedy recovery.
00:49:30Uh-huh.
00:49:55What will props the children to stray so?
00:50:11I don't mind, nor the devil's workshop.
00:50:14We must show them that Satan is not the way.
00:50:18Marilyn?
00:50:43I didn't expect you back so soon. I certainly didn't expect this.
00:50:56You have no idea how glad I am to see you.
00:51:00Glad to see you too.
00:51:02What the hell are you doing here?
00:51:05Taking your shower.
00:51:07You know what I mean. How did you get in here?
00:51:10Don't you have any conditioner?
00:51:11How did you get in here?
00:51:16Your spare key, remember?
00:51:18Yeah, I remember.
00:51:20No, don't. You stay right there. We will discuss this when you're dressed.
00:51:25Hello? Marilyn?
00:51:41Yeah, yeah, no, I'm fine. Where are you?
00:51:46No, no, I'm sorry. You just caught me a little bit off guard.
00:51:53So where are you?
00:51:57No, no, I didn't. You left a message here.
00:52:04Yeah. Yeah, that sounds great.
00:52:07No, it sounds great.
00:52:09Okay. I'll see you tomorrow.
00:52:12Yeah, me too. Bye.
00:52:17So how's Marilyn?
00:52:22You have to leave.
00:52:25Peter.
00:52:27This one has some fun.
00:52:30Apparently you think there's more to our relationship than there is.
00:52:36I saw the way that you looked at me the other day.
00:52:42I don't know what kind of a schoolgirl fantasy you've got concocted for us,
00:52:45but you have to understand something right now.
00:52:47There is nothing going on here.
00:52:57There is something.
00:52:59No, there is nothing going on here.
00:53:03No, there is nothing going on here.
00:53:13No, there is nothing going on here.
00:53:15No, there is nothing going on here.
00:53:18Okay, everybody, sit down.
00:53:22Open your readers to page 212.
00:53:24That is Young Goodman Brown by Hawthorne.
00:53:26Young Goodman Brown by Hawthorne.
00:53:29Read that while I get organized.
00:53:31We'll discuss it when you're done.
00:53:42These are for you.
00:53:45Well, Mr. Mansoor,
00:53:46this is so sudden.
00:53:50They're not for me.
00:53:53Who?
00:53:56I'll be right back.
00:54:04What's the problem?
00:54:06They were sent to my room by mistake.
00:54:08I assumed they were for me,
00:54:09and I opened the card.
00:54:14I thought you were still seeing Marilyn.
00:54:16I am.
00:54:17She must be very understanding.
00:54:19No, this is a student.
00:54:20A student? Are you out of your mind?
00:54:22It's not what you think.
00:54:23It might be in your interest not to go to prison
00:54:25for buffering your student.
00:54:26I mean, we all have our little fantasies.
00:54:29I just don't think you should act on them.
00:54:31I am not buffing my student.
00:54:33Yes.
00:54:34The flowers are for your diction and penmanship.
00:54:42Miss McGray?
00:54:43You're late.
00:54:44Hi, it's Peter.
00:55:07Leave a message.
00:55:08Hey, I'm arriving at 6.
00:55:13I got a great idea.
00:55:14Dinner at Umberto's around 8?
00:55:16Let me know.
00:55:17I'm at 212-555-0183, room 876.
00:55:22Bye.
00:55:23New York Gardens Hotel.
00:55:35Yes, hello?
00:55:36Hi.
00:55:37I'd like to leave a message for room 876, please.
00:55:40Please hold.
00:55:41Thanks.
00:55:41Miss Nakashi?
00:55:48Can I help you?
00:55:52Joe Rosales, LAPD Homicide.
00:55:54It's my partner, Bill Archer.
00:55:55I was wondering if we could talk to you about Debbie Strand.
00:55:58Sure.
00:55:59How can I help?
00:56:01We need some family background information.
00:56:03Well, not much I can tell you.
00:56:05Anything would be helpful.
00:56:07Well, she's a minor.
00:56:09That stuff is confidential.
00:56:12Yeah.
00:56:14You mind?
00:56:15Please.
00:56:22We're not looking to hurt anybody.
00:56:24But we have an open investigation with this fire incident,
00:56:27and nobody wants to talk about it.
00:56:29Now, I don't want to call the DA and drag this kid and her grandmother into court
00:56:32if I don't have to.
00:56:35Off the record, otherwise we do the court and DA thing.
00:56:42What do you want to know?
00:56:47See you tomorrow.
00:56:50Take care.
00:56:58It is true, this love.
00:57:00You'll see.
00:57:01With your beautiful stare that sees only me,
00:57:03I will stay in your arms
00:57:05until forever meets.
00:57:19What do you want?
00:57:21You weren't at school today.
00:57:22I want to make sure you're feeling okay.
00:57:24Obviously you are.
00:57:26Yeah, thanks for caring so much.
00:57:28Where's the witch?
00:57:29She's asleep, so you should leave.
00:57:32Asleep?
00:57:34Oh, asleep.
00:57:36Well, good.
00:57:37She won't hear us.
00:57:38I told you, I'm seeing someone.
00:57:41Oh, yeah, who?
00:57:43You don't know him.
00:57:44Yeah, because he doesn't exist.
00:57:46Yes, he does.
00:57:48Yeah, who, Mr. Rinaldi?
00:57:49Oh, bingo.
00:57:55Yeah, I think I nailed it.
00:57:56I've seen the way you look at him.
00:57:58Every chick in school has a crush on him.
00:58:00It's that poetry bullshit.
00:58:03It's not a crush.
00:58:06It's serious.
00:58:08You're nuts.
00:58:10You know, he doesn't even know you exist.
00:58:12Really?
00:58:12Then what was he doing with me Saturday?
00:58:14Oh, because you helped him with this garage sale nut bag.
00:58:17Like, that's what everyone thinks we did.
00:58:22Oh, really?
00:58:25Well, then why don't you show me what he's been teaching you?
00:58:28I'm not interested.
00:58:30Well, then if you're having an affair with Mr. Rinaldi,
00:58:33I better have a talk with Principal Saunders.
00:58:36You know, it's just not right, his corrupting a minor and all.
00:58:41So that's where we're at?
00:58:45Yeah.
00:58:47Let's see what we can work out.
00:59:10This is gross.
00:59:11Let's go to your bedroom.
00:59:12No, my grandmother will hear us.
00:59:15But it smells like that bug spray stuff.
00:59:24But, uh, I like bug spray.
00:59:26You take it easy.
00:59:41Come on.
00:59:45Hey.
00:59:46Stop it.
00:59:47You'll rip it.
00:59:47Look, I'll get you a new one.
00:59:52Look, maybe we shouldn't do this.
00:59:54Look, what the fuck is wrong with you?
00:59:57What?
00:59:57You're not getting out of this now.
01:00:01Stop it.
01:00:02Stop.
01:00:04No, stop.
01:00:05Please.
01:00:05Shut up.
01:00:07Shut up.
01:00:07Shut up.
01:00:07Let me help you with that.
01:00:20Let me help you with that.
01:00:29Answer.
01:00:30Answering.
01:00:31Answering.
01:00:33Answering.
01:00:40No.
01:00:51Big mistake.
01:00:52Ordering.
01:00:53Mojo code.
01:00:54Oh, oh, oh, oh.
01:01:01Ah, bitch.
01:01:07Oh, oh, oh, oh.
01:01:09Damn.
01:01:24No means no. Don't you guys get that?
01:01:32What is it? You stop understanding English when you get a hard-on?
01:01:48No. It's too bad. Your macho friends can't see you now.
01:01:52You're not too bad.
01:01:54You're not too bad.
01:02:25Oh, Marilyn.
01:02:29I'm so sorry about the other night.
01:02:31Shh.
01:02:32Oh, God.
01:02:37Oh, God.
01:02:38Oh, my God.
01:03:08Oh, my God.
01:03:38Oh, my God.
01:03:52Peter.
01:03:53Yes.
01:03:54Have you got a moment?
01:03:56I'm running really late, Joyce.
01:03:58This won't take long.
01:04:07Have a seat.
01:04:11How are you doing, Peter?
01:04:13Fine.
01:04:14I could use a little more sleep, but otherwise no problems.
01:04:17Yeah.
01:04:18Everything okay at home then?
01:04:19Yeah.
01:04:20Perfect.
01:04:21Uh-huh.
01:04:23Joyce, if this is all you want to talk about, can we do it late around late for class?
01:04:28Peter, sit down.
01:04:30Okay.
01:04:31Peter, it's been brought to my attention that you may be getting a little too involved with
01:04:38your students.
01:04:39What has that pompous ass been telling you?
01:04:43What pompous ass would that be?
01:04:46Mansour?
01:04:47Mansour and I didn't talk about you.
01:04:50Is there something he knows that I should be aware of?
01:04:54Peter?
01:04:55No.
01:04:56Peter, I heard about the basketball game.
01:05:02Come on, Peter.
01:05:03Gambling for grades.
01:05:04The basketball game?
01:05:05Oh!
01:05:06Oh!
01:05:07Yeah.
01:05:08Rather unorthodox, don't you think?
01:05:09Not to mention setting a bad precedent, perhaps?
01:05:10Yeah.
01:05:11I guess I see your point.
01:05:12Good.
01:05:13Thanks, Joyce.
01:05:15Any time.
01:05:16Thanks, Joyce.
01:05:17Any time.
01:05:45Debbie?
01:05:46Miss Long?
01:05:47Debbie?
01:05:48Miss Long?
01:05:49Debbie?
01:05:50Miss Long?
01:05:55Hi.
01:05:56Miss Long?
01:06:11Miss Long?
01:06:14Hi, Ms. Nikashi.
01:06:18You scared me.
01:06:21Sorry.
01:06:25How's school?
01:06:27Good.
01:06:29Any trouble with Fiona?
01:06:31No.
01:06:32She's okay.
01:06:33Thanks.
01:06:36Oh, my God.
01:06:38What happened to your face?
01:06:39Nothing.
01:06:40Nothing.
01:06:41I just fell.
01:06:42Debbie, you can tell me.
01:06:45What happened?
01:06:46Was it Fiona?
01:06:47You can tell me.
01:06:49It's really okay.
01:06:52She won't be doing that anymore.
01:06:54So sorry.
01:06:57I should have known with your mother's history of abuse.
01:07:02What?
01:07:05I think it's best you come with me now.
01:07:07I like it here.
01:07:09I don't want to leave.
01:07:10I have to take you out of any abusive situation.
01:07:14And after what those detectives told me, I have no choice.
01:07:16Detectives?
01:07:19Would you like some lemon?
01:07:25I think it's best you come with me right now.
01:07:28I'm sorry, Anna.
01:07:30I just can't do that!
01:07:31I just can't do that!
01:07:31I've got a date.
01:07:48May I help you, sir?
01:07:49Yeah.
01:07:50I have a reservation.
01:07:51Rinaldi for two at 7.30.
01:07:53Rinaldi, Rinaldi.
01:07:54Yes, uh, the lady's already here.
01:07:58If you would follow me, sir.
01:08:12Here you are, sir.
01:08:13Hello, Peter.
01:08:20How sweet.
01:08:22No, no.
01:08:26These are my new friends.
01:08:28This is Dan, and this is Art, and this is Peter.
01:08:32Hey, Peter.
01:08:33Peter.
01:08:33If you'll excuse me.
01:08:40Peter, have a seat.
01:08:42Where's Marilyn?
01:08:46She couldn't make it.
01:08:48Who's Marilyn?
01:08:49The other woman.
01:08:53Come on, let's go.
01:08:54I'm going to take you home.
01:08:56But you just got here.
01:08:57We're having so much fun, aren't we?
01:08:59I said, let's go.
01:09:03Why don't you go, Peter?
01:09:04I'll take her home.
01:09:05Why don't you and your friend go back to your anaposto?
01:09:08She's a minor.
01:09:16Let's go.
01:09:17I don't want to go.
01:09:19I don't think she wants to go, Peter.
01:09:20It's not your business.
01:09:22I said, come on, let's go.
01:09:25Come on.
01:09:26I'm making it my business, Peter.
01:09:41Please.
01:09:42Please.
01:09:42I'm making it my business, Peter.
01:10:10Jesus, Peter.
01:10:23I know.
01:10:27What the hell's going on?
01:10:32I don't know.
01:10:40I mean, who's that?
01:10:47That's her.
01:10:49Just wait in the car.
01:11:01I've been waiting here forever.
01:11:04Peter, thank God you're all right.
01:11:06Don't.
01:11:07You were so great with those men last night.
01:11:09Listen to me.
01:11:10Peter.
01:11:10Just listen to me.
01:11:11You need some help.
01:11:13Peter.
01:11:14Listen.
01:11:15I'm going to talk to somebody at the school.
01:11:18No, you can't.
01:11:19I don't love you.
01:11:23Don't say that.
01:11:26Peter.
01:11:27It's all right, Marilyn.
01:11:28Just get back in the car.
01:11:33It's her.
01:11:36That's why you're being like this?
01:11:38This game stops now.
01:11:40So, Basically, this doesn't matter.
01:11:45Yeah.
01:11:46It's fine.
01:11:46It's great.
01:11:47You're listening.
01:11:51You're listening.
01:11:52Let's go.
01:11:53...
01:12:53Okay, now this right over here, this could have been done with a large kitchen knife.
01:13:10And if that is indeed the case, it was probably done with a right-handed sweep like this from behind.
01:13:17And it could have gone deep enough to sever the carotid sheath, in which case, would have stroked out like that.
01:13:27Uh, Detective's Homicide, looking for Principal Saunders?
01:13:37And where?
01:13:44Just a little bit.
01:13:48I'm still holding.
01:13:51I'm still holding.
01:13:52Cyanometry.
01:13:54Yeah.
01:13:55Uh, P-S-Y-A-N-O-M-E-T-R-Y.
01:14:00Blue tissue.
01:14:02Uh, anything blue.
01:14:04I'm gonna try it.
01:14:04Wrong.
01:14:06S-I-A-N-O-M-E-T-R-Y.
01:14:10The study of blue light.
01:14:16Gentlemen.
01:14:16Cyanometry.
01:14:20Cyanometry.
01:14:20C-Y-A-N-O-M-E-T-R-Y.
01:14:23The study of blue in light.
01:14:28Is there anything else I can do for you?
01:14:34Uh, yeah.
01:14:41Mr. Rinaldi, she's in a meeting right now.
01:14:44Just ignore me.
01:14:47Joyce, I need a minute.
01:14:49We were just going to call for you.
01:14:51Please come in and sit down.
01:14:57Peter, this is detectives Rosales and Archer.
01:15:02They're here because of Debbie Strand.
01:15:04We haven't been able to locate her this morning.
01:15:06And we understand that you were involved with her in some sort of an altercation last night.
01:15:11Yeah, I can explain that.
01:15:12Is something...
01:15:17Is she okay?
01:15:18I'd have to say no.
01:15:20She's not okay.
01:15:21What do you think?
01:15:22What do I think?
01:15:25Well, the reason I was coming to talk to Joyce this morning was about Debbie Strand.
01:15:28You see, Debbie believes that she's...
01:15:31That we are in love with each other.
01:15:34Oh, good.
01:15:37Yeah.
01:15:38I've tried talking to her.
01:15:42Nothing gets through.
01:15:44She's obsessed or delusional or something.
01:15:48You haven't done anything to encourage this kind of behavior.
01:15:51No, no, I didn't.
01:15:52But you didn't feel it was necessary to tell Miss Saunders about this.
01:15:55Well, I thought I could handle it.
01:15:56I thought that it was a simple schoolgirl thing.
01:16:00You don't have kids.
01:16:02I have dozens.
01:16:09This girl's father was killed when she was a child.
01:16:13There was suspicion her mother did it, but never proved out.
01:16:15On top of that, it looks like both her mother and father abused her when she was young.
01:16:21Nothing about this girl is simple.
01:16:25I'm sorry.
01:16:26I have a call for Mr. Rinaldi.
01:16:28It's Debbie Strand.
01:16:31She says it's an emergency.
01:16:45No, Peter.
01:16:48You need to make this real clear.
01:16:50You do what we say, or I cuff you to the car.
01:16:54Stay behind me.
01:17:09Debbie.
01:17:10This is Detective Rosales.
01:17:12I've got Peter with me.
01:17:13Go away.
01:17:16I only want to take Peter.
01:17:18He's out here.
01:17:19Come on out.
01:17:20Let me talk about this.
01:17:21No, I don't want to talk anymore.
01:17:23Leave me alone.
01:17:24Debbie, you know we can't leave.
01:17:26We're here to help you.
01:17:28Let me go in there.
01:17:32Let me go first.
01:17:40Debbie?
01:17:43Why don't you...
01:17:44Why don't you...
01:17:44Why don't you bring him here?
01:17:50Why won't you love me?
01:17:56God damn it, Peter.
01:17:58Get back here.
01:17:58Fuck!
01:18:03This hurts.
01:18:07Debbie?
01:18:08Debbie, it's Peter.
01:18:09Open the door.
01:18:11You can trust me, Debbie.
01:18:12I don't want to talk anymore.
01:18:15Debbie, you don't have to do this.
01:18:17You come out of there, I promise I'll stick by you all the way.
01:18:20I know how you really feel.
01:18:23Debbie, I am on your side.
01:18:24I'm on your side.
01:18:26I promise.
01:18:26Officer down.
01:18:27Request backup.
01:18:28Debbie, you come out of there.
01:18:291729 Oxford.
01:18:31Debbie, please come out of there.
01:18:35No!
01:18:35Oh!
01:19:05Thanks.
01:19:35BIRDS CHIRP
01:20:05BIRDS CHIRP
01:20:35BIRDS CHIRP
01:20:37BIRDS CHIRP
01:20:45BIRDS CHIRP
01:20:47BIRDS CHIRP
01:20:49Wait, that's a cool tattoo.
01:20:52It's her.
01:20:53That's why you're being like this.
01:20:54Oh god, no.
01:21:04Oh no.
01:21:17What the hell?
01:21:18How?
01:21:24Come on, come on.
01:21:30Oh my god.
01:21:33Come on, come on, come on.
01:21:35Stay with me.
01:21:49You're not going anywhere.
01:21:55Fuck.
01:21:56Fuck.
01:22:09Fuck.
01:22:17You bitch, he's mine!
01:22:26Shh.
01:22:39Marilyn!
01:22:41Marilyn!
01:22:42Debbie, no!
01:22:56Marilyn, Marilyn, please be out.
01:22:59Don't move!
01:23:01Officer, there's a girl in here with a knife.
01:23:04Let me see your hands, Hallie.
01:23:05Now!
01:23:06There's a girl in here.
01:23:07Shut up, get down!
01:23:08You're making a mistake, shut up!
01:23:13Get off!
01:23:26Get off!
01:23:27Get off!
01:23:28Get off!
01:23:29Get off!
01:23:30Get off!
01:23:31Get off!
01:23:32Get off!
01:23:37This is ruining everything.
01:23:40No.
01:23:43No, no, forget her.
01:23:45I will in a minute.
01:23:47Debbie.
01:23:49There's no need to kill her.
01:23:51Peter.
01:23:56We need some time alone.
01:23:57I know.
01:24:00I know.
01:24:03It's just you and me, Debbie.
01:24:07It's just you and me.
01:24:16I love you.
01:24:21I love you.
01:24:47Oh, no.
01:24:48Peter, come on Peter, come on, Peter, come on, don't tell me Peter, come on, okay, okay.
01:25:18Peter, come on, Peter, come on.
01:25:48Peter, come on, Peter, come on.
01:26:18Peter, come on.
01:26:48Peter, come on, Peter, come on.
01:27:18Peter, come on, Peter, come on.
01:27:48Peter, come on, Peter, come on.
01:28:18Peter, come on, Peter.
01:28:20Peter, come on, Peter.
01:28:22Peter, come on, Peter.
01:28:24Peter, come on, Peter.
01:28:26Peter, come on.
01:28:28Peter, come on, Peter.
01:28:30Peter, come on, Peter.
01:28:32Peter, come on, Peter.
01:28:34Peter, come on, Peter.
01:28:36Peter, come on, Peter, come on, Peter.
01:28:38Peter, come on, Peter.
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