- 3 hours ago
Urban Shadows: Killer Diller is a gritty crime drama that explores the dark side of city life. Filled with suspense, mystery, and intense street-level tension, this film follows a dangerous journey through shadowy alleys, hidden secrets, and powerful underworld forces. Perfect for fans of crime thrillers and noir-style storytelling.
Experience a world of betrayal, danger, and suspense in this dark urban crime movie.
Experience a world of betrayal, danger, and suspense in this dark urban crime movie.
Category
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Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:30The End
00:02:00That'll be all. Get them out as soon as you can.
00:02:03Yes, sir.
00:02:05Oh, Butterfly.
00:02:06Yes, Mr. Dung-Dung.
00:02:07Did you call the agent and tell them they'd need a magician to replace the great voodoo?
00:02:11Yes, sir. I told him the great voodoo did a disappearing act yesterday and didn't show up for rehearsal.
00:02:17He's going to send us another magician.
00:02:19Fine.
00:02:20Oh, and when my fiancée shows up, send her right in.
00:02:23Yes.
00:02:24Bonnie, you never do something.
00:02:27No, Bonnie.
00:02:28They're real, honey.
00:02:41I should hope so. Butterfly told me to go right in, so I did.
00:02:46I'm flared. Take off your coat.
00:02:49I'm flared. Take off your coat.
00:02:49Oh, Montemore, the oppression.
00:03:05You could say that again, honey.
00:03:08Excuse me, honey.
00:03:09Mr. Dung-Dung, that magician the agent sent over here, said his name is Dusty Fletcher.
00:03:17Never heard of her. Tell him to wait.
00:03:20Yes, sir.
00:03:22Help me with these, darling.
00:03:24Uh-huh.
00:03:31There we are.
00:03:33For this, you deserve a big kiss.
00:03:39Well, I've been welcome before, but never like this.
00:03:44I guess I shall return the compliment.
00:03:46Come here, baby.
00:03:48Why, you, I should break your letter.
00:03:53Careful, careful.
00:03:55Ah, ah, ah, ah, ah, ah, ah.
00:03:57You see, entering the room without coming through the door, that's just a sample of my ability.
00:04:03I developed that trick because I had difficulties in getting someone to open the door.
00:04:09Ah, say, ah, your name ain't Richard Chase, is it?
00:04:12No, it's Montemore.
00:04:14But I'm Mr. Dung-Dung to you.
00:04:16Oh, okay, boss.
00:04:18And I'm not your boss until I see your act.
00:04:21Step right out on the stage.
00:04:23I'm all set up for you.
00:04:24Come on, honey.
00:04:25Let's see what this guy has up his sleeve.
00:04:27What's your name?
00:04:40Butterfly.
00:04:41Pretty gal.
00:04:42And a pretty name.
00:04:46I be banked.
00:04:48Pretty soon.
00:04:54Well, you see, I had to set up my props for me so I wouldn't lose any time.
00:04:58Okay, let's go.
00:04:59Mm-hmm.
00:05:01But, madam, would you mind assisting me by stepping into this cabinet?
00:05:05She will not.
00:05:06You've got your nerve.
00:05:08I know I've got my nerve, but I ain't got no assistant.
00:05:13Oh, Montemore, let me.
00:05:15I have always wanted to be a play actress.
00:05:17Where is she?
00:05:26She's gone.
00:05:28Huh?
00:05:29What's the matter?
00:05:31Something wrong?
00:05:33If you want to lose that gal, everything would be fine.
00:05:38Because they sure is empty now.
00:05:41Bring her back, or I've got to do something desperate.
00:05:49And so am I.
00:05:52I'm going to return these cabin tricks and get my money back.
00:05:57Close all the doors.
00:05:58Lock up the joint.
00:05:59Call the police.
00:06:02Quick.
00:06:03Police?
00:06:04Variety Theater.
00:06:05Something awful happened.
00:06:07Huh?
00:06:07I don't know.
00:06:09But as soon as I hang up, I'm going to find out.
00:06:22Get up, you baby!
00:06:26Quick.
00:06:27My sweetheart disappeared with a $1,000 string of pearls.
00:06:30That's how they all disappeared.
00:06:32No, but you don't understand.
00:06:34You see, she was hit, she got into the cabin, and all of a sudden she got out of here,
00:06:37and I don't know where she is.
00:06:39Uh, of course, uh, I ain't at least a bit worried.
00:06:43See, that trick is guaranteed.
00:06:45And if it don't work, I'll get my money back.
00:06:48And you know, honey, money is important.
00:06:51You can buy a lot of things with money.
00:06:53Yeah, I know.
00:06:54Yeah.
00:06:55Like a ring.
00:06:57A real sparkler.
00:06:59Oh, Dusty, but we've just met.
00:07:02We're practically strangers.
00:07:04That's right.
00:07:06Let me see.
00:07:08Who do I know any better?
00:07:10Oh, but we can get to know each other better.
00:07:13Oh, yeah?
00:07:16Why, honey, how much better?
00:07:21There he is, Sarge.
00:07:22Grab him.
00:07:23Oh, kill a dilly, eh?
00:07:25Do what you want with me.
00:07:26Put harm not a hair in that girl's head.
00:07:30Come on, Sarge.
00:07:31Grab him.
00:07:31All right, see you later, baby.
00:07:37Save that candy for me.
00:07:39La, de, blue, la, de, blue.
00:07:42La, la, la.
00:07:48The Sarge wants you to reenact that crime.
00:07:50Yeah, and you can use one of my men.
00:07:53Okay.
00:07:55Step in there, shall I?
00:07:57Don't worry about a train.
00:08:16Abby Kadella!
00:08:23Abby Kadella!
00:08:26Ha, ha!
00:08:36Well, what do you know?
00:08:38And that's the way Lola disappeared.
00:08:42Hey, you.
00:08:43Would you mind trying that again?
00:08:45Both of you guys, get in there.
00:08:48We're going to get to the bottom of this.
00:08:59Abby Kadella!
00:09:01Abby Kadella!
00:09:02Now, don't worry about a thing now.
00:09:04I know they ain't here.
00:09:05They ain't the one over there.
00:09:06Ha, ha!
00:09:09Told you that.
00:09:11This chick has got to work once in a while.
00:09:13Ha, ha!
00:09:16Abby Kadella!
00:09:17Abby Kadella!
00:09:18You see, I got to do it twice because there's two of them in there this time.
00:09:22Don't you get it?
00:09:23Abby Kadella!
00:09:25Abby Kadella!
00:09:27Ha, ha!
00:09:31I lose more darn cops that way.
00:09:34Suppose you try it with me.
00:09:35You see, uh, this could be a secret weapon, you know, or something like, uh, the atomic bomb.
00:09:48Come on, open the door.
00:09:51All right.
00:09:53You ask for it.
00:09:54Well, where's the sign?
00:10:01Uh, I don't know.
00:10:03I guess it's over there.
00:10:13Well, what do you know?
00:10:15It went.
00:10:15One, one, two, two, three, three.
00:10:24I'm even.
00:10:25I better quit while I'm even.
00:10:27Hey, you, take some notes.
00:10:29I'm gonna question this guy.
00:10:33Now, how tall did you say she was?
00:10:36About the size of Dusty.
00:10:38Dusty?
00:10:39Where's Dusty?
00:10:41Don't let him get away.
00:10:42All right.
00:10:44You go that way.
00:10:45You go this way.
00:10:46You go here, and I'll go there.
00:10:48Ready, set, go!
00:10:51No, no, no!
00:10:55Let's try that again, men.
00:10:59You know, if I'm a hit in this show, honey, I'd like to talk to you about marriage.
00:11:05You mean you wanna marry me?
00:11:06Now, stop putting words in my mouth.
00:11:09I said I wanna talk to you about it.
00:11:11That's all.
00:11:12Well, if you wanna talk about it, now's the time, cause the place is padlocked.
00:11:17And unless Lola's promised the dumb don't vote, let the show go on.
00:11:20Your show must go on!
00:11:28There he is, grab him!
00:11:33Let's try that again, men.
00:11:35Not for me, you don't.
00:11:36Such a big boy is playing on the floor.
00:11:40Quick, he got away.
00:11:41Afton, men!
00:11:47Tell everybody to get ready.
00:11:49The show must go on.
00:11:51That's just what Dusty said.
00:11:53Open the box office.
00:11:55The show must go on.
00:11:56Yes, sir.
00:11:56Yes, Mr. Dum-Dum.
00:11:57Good girl.
00:12:11Good girl.
00:12:13Whew, it's gone.
00:12:27Dusty, the show's going on.
00:12:29Honey, I owe it all to you.
00:12:32Does that mean we're going to get married?
00:12:34I said I owe it to you.
00:12:43I guess I'll hide down in this basement until it's time for me to go home.
00:13:12Hey, you went down there.
00:13:16How do you know?
00:13:17Yes, how do you know?
00:13:18Yeah, how do you know?
00:13:19Because I've seen this picture before.
00:13:21Come on.
00:13:22Let's go.
00:13:36I'll hide over there.
00:13:42Lynn, let's try that again.
00:13:49Gus, the curtain's going up in a half an hour.
00:13:51Okay, boss.
00:13:52The curtain's going up in a half an hour.
00:13:54Okay, boss.
00:13:56The curtain's going up in a half an hour.
00:14:03Okay, boss.
00:14:05The curtain's going up in a half an hour.
00:14:06The curtain's going up in a half an hour.
00:14:07The curtain's going up in a half an hour.
00:14:08Okay, boss.
00:14:09The curtain's going up in a half an hour.
00:14:11Oh, okay.
00:14:12Oh, okay.
00:14:13Well, that's very funny, Joe Ryan.
00:14:14See you again.
00:14:15Hi, America.
00:14:16Well, sorry.
00:14:17About three night.
00:14:18Before the curtain's
00:14:19interesting stuff.
00:14:21Okay, boss.
00:14:22You're welcome.
00:14:23Hey, both.
00:14:24Right on.
00:14:25We'll take them up next to your supper.
00:14:26You're welcome.
00:14:28You're welcome.
00:14:31You're welcome.
00:14:33The curtain's going up great.
00:14:34The End
00:15:04We'd like to play a little number that features our two tenor men, Ray Abrams and Shirley Green.
00:15:24The number, Gator Serenade.
00:15:34The End
00:16:04The End
00:16:34The End
00:17:04The End
00:17:34The End
00:18:04The End
00:18:34The End
00:19:04The End
00:19:33The End
00:20:03The End
00:20:33The End
00:21:03The End
00:21:33The End
00:22:03The End
00:22:33The End
00:23:03The End
00:23:33The End
00:24:03The End
00:24:33The End
00:25:03The End
00:26:03The End
00:26:33The End
00:27:03The End
00:27:33The End
00:28:03The End
00:28:33The End
00:29:03The End
00:29:33The End
00:29:34The End
00:30:04The End
00:30:34The End
00:31:04more than words can say.
00:31:10If I didn't care,
00:31:17would I feel this way?
00:31:23And would I be sure
00:31:28that this is love beyond the company?
00:31:35Who would always be true?
00:31:40I didn't care to follow you.
00:31:52Why, honey, child, if I didn't care,
00:31:57why would I go on bein' your square
00:32:00knowin' that you ain't treat me fair,
00:32:03honey, child?
00:32:05Now, honey, child,
00:32:06you've got to change your style.
00:32:11Cause, honey, child,
00:32:13you're drivin' me wild.
00:32:16Now, tell me, Holmes, Mrs. Love,
00:32:20then tell me, what can it be?
00:32:24Why, it's worrying the heck out of me,
00:32:27honey, child?
00:32:30Now, tell me, tell me, tell me,
00:32:32tell me, what is it that makes my head
00:32:34go round and round
00:32:35till I reach my quota?
00:32:37Oh, mad scotch, scotch and soda!
00:32:40If I didn't care, would it be the same?
00:32:53Would my every bird be in the eye with just your name?
00:33:02Ah, sweet essence of meatballs and spaghetti!
00:33:11If this is love beyond compare,
00:33:17I'll shoot the salami to me mommy!
00:33:22Who would always be true?
00:33:26If I didn't care...
00:33:32...
00:33:34...
00:33:36...
00:33:39...
00:33:41...
00:33:44...
00:34:15And now we bring you that dynamic personality, Jackie Mabley.
00:34:25But between you and me, folks, she'd rather be called Just Plain Mom.
00:34:34Thank you, children. Thank you, darling.
00:34:37I know you children are all relaxed back there, sitting back there.
00:34:41Look at him, Bob.
00:34:42You think you're going to hear some jokes, don't you?
00:34:46Well, Mom don't know none.
00:34:49Mom don't know no jokes, but I can tell you some facts.
00:34:55Don't believe in them fairytales in the first place.
00:34:59So don't look for none, because that Mother Hubbard going to the cupboard after dog bones and things like that, that never happened.
00:35:06Mother Hubbard had her gin in the cupboard in one of them squares.
00:35:10You know how your fridge can come in, them chiselers and drink here?
00:35:14So she used to tell him she's going to come in to get a dog or bull.
00:35:18She's going to get her a nip.
00:35:21Mother Hubbard was plenty of hip, and you believe that.
00:35:26Another thing...
00:35:26Wait a minute, honey.
00:35:27You'll have to laugh a little louder.
00:35:30Mom can't hear you up there.
00:35:32That's it.
00:35:33Thank you very much.
00:35:34See, I can't hear very good.
00:35:36Mom will tell you how that happened.
00:35:39When they sent me, they sent for me to come down to Washington.
00:35:44They had some business.
00:35:45They wanted me to tend to down there.
00:35:48They sent for me and sent me an airplane ticket.
00:35:52Now, I ain't scared of an airplane.
00:35:54I'm no square, but you young children say it just never moved me, you know, to ride in no airplane.
00:36:04Sure enough, no sooner than I got in the plane, they strapped me down.
00:36:11The plane ain't got up in no ways hardly for something with glue up in my head like that.
00:36:16I ain't heard nothing since.
00:36:18Both ears stopped up.
00:36:20Oh, I was so sick.
00:36:25I said, honey, the studio's come to...
00:36:27I said, honey, my ears is all stopped up.
00:36:30She said, here's some chewing gum.
00:36:32I chored that.
00:36:34That ain't unstopped them.
00:36:36I got right limp.
00:36:39I said, do something for me, honey.
00:36:41I'm dying.
00:36:44She said, drop your jaws.
00:36:49And I misunderstood her.
00:36:54They grounded me in Baltimore.
00:36:57Yeah, they took me off.
00:36:59But outside of an airplane, Luther, play that piano for him and tell him that number where it tells you about something else that mom don't have played.
00:37:12Go on, Luther.
00:37:13I'll play it for him.
00:37:22Now, I guess everyone has their aggravations.
00:37:24Especially in certain situations.
00:37:28Now, remember, I don't know what you children's might be, but here's one thing that kind of aggravates me.
00:37:36For instance, a company happened to drop in.
00:37:40Especially if they've been drinking too much gin.
00:37:45I say, now, listen.
00:37:46If you're my friend, don't sit on my bed.
00:37:51Oh, now, don't get me wrong.
00:37:54It's not that I think that your clothes ain't clean.
00:37:57And you know, Mom, I ain't never been mean.
00:38:02But there's a chair.
00:38:04Sit there.
00:38:05Uh, don't sit on my bed.
00:38:07I always was taught that chairs was made to sit in and beds was made to sleep.
00:38:17You're liable to get my blanket out of line.
00:38:21Rumple up my sheet.
00:38:23Oh, it's not that I think that it looks so hot.
00:38:28But it's mine and it's all I got.
00:38:31In fact, I don't care if it ain't nothing but an army cart.
00:38:35Uh, don't sit on my bed.
00:38:37Mattress start to gettin' all lumpy.
00:38:44Springs won't bounce no more.
00:38:48Sides'll start saggin' and slacks fall on the floor and you know that's a drag.
00:38:55Then you go home feeling all happy and everything and leavin' me with an achin' head.
00:39:02Listen, Ben.
00:39:04If you're my friend, uh, don't sit on my bed.
00:39:07In other words, don't crouch on the couch, son.
00:39:11I don't like it.
00:39:12Folks, have you ever heard of a potpourri of dance steps?
00:39:21Well, here it is with the Clark Brothers.
00:39:23There it is.
00:39:24There it is.
00:39:24There it is.
00:39:24There it is.
00:47:26That was a little song called,
00:47:55Can't you see,
00:48:25In the swimming pool,
00:48:55Seems,
00:49:25Looked,
00:49:55Well, I thought,
00:50:25It's called,
00:50:55And,
00:51:25And,
00:51:55And,
00:52:25And,
00:52:55And,
00:53:25And,
00:53:55And,
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00:55:55And,
00:56:25And,
00:56:55And,
00:57:25And,
00:57:55And,
00:58:25And,
00:58:55And,
00:59:24And,
00:59:54And,
01:00:24And,
01:00:54And,
01:01:24And,
01:01:54And,
01:02:24And,
01:02:54And,
01:03:24And,
01:03:54And, And,
01:04:24And,
01:04:54And,
01:05:24And,
01:05:54And,
01:06:24And,
01:06:54And,
01:07:24And,
01:07:54And,
01:08:24And,
01:08:54And,
01:09:24And,
01:09:54And,
01:10:24And,
01:10:54And,
01:11:24And,
01:11:54And,
01:12:24And,
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