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Netflix Will 'Scale Up' as Needed With Warner: Gallagher
Bloomberg
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1 week ago
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00:00
I was taking a look at Bloomberg Intelligence, their report out. They crunched the numbers and
00:04
basically this deal, it's 25.2 times forward EBITDA. You think about recent studio M&A,
00:13
it's closer to a range of 15 to 22 times. So you could make the case that this looks expensive and
00:21
I wonder where you fall. I think everyone needs to keep in mind that Warner's value inside Netflix
00:26
is exponentially larger than what it might be on a standalone basis. People are valuing
00:31
the Warner asset as it is today, not what it could be when you light up the 190 countries that
00:37
Netflix is currently live in, which is a much larger footprint than is currently available to
00:42
HBO and Warner Brothers today. So it sounds like you're saying this is the proper home
00:47
for Warner Brothers Discovery. I want to talk about movie theaters. I thought it was interesting to
00:52
hear Netflix management say that they're going to release movies in theaters. What do you make
00:57
of that strategy? Do you think that they'll stick to it? You know, it's interesting. I had a
01:02
conversation with Reed Hastings about this very topic 10 years ago now, and he was very much against
01:07
the releasing. You know, it was all about how do we provide the most value to the subscribers? And
01:11
that was delivering the films to them in the home. But fast forward 10 years, and I think you can really
01:16
see that it's a tremendous marketing channel to put Netflix films in the theaters, but maybe not for as
01:22
long and maybe on a day and date basis, but provide the best possible viewing opportunity for some of
01:28
the marquee films. And I think they might be able to negotiate more preferred terms now that they've
01:32
also got the Warner Brothers assets alongside the Netflix films. Well, I am curious. I mean, if you did
01:39
still have the ear of Sarandos and Peters, I am curious as to how you would want them to balance out
01:45
obviously their core business of streaming with this idea of theatrical releases. And I bring that
01:51
up because there was a lot of criticism that they didn't necessarily keep K-pop Demon Hunters in the
01:56
theater longer when it really became clear that it had become sort of this phenomenon. And I understand
02:02
why they pulled it. That was part of the transition. But this is one of those moments where they could
02:07
have capitalized us on this even more. And I'm curious as to whether, A, they care about that.
02:11
And if they do, do they have the people inside that company right now who can execute on it?
02:18
Do they have a look? Do they care about it? Absolutely. They care about it. And it's certainly
02:22
interesting. But again, it's more a marketing asset to say to the existing subscribers, look at this
02:27
tremendous value that we're creating for you. This is theatrical release worthy. But you know what?
02:32
You can go and view it at home for the price of your subscription. And we think that delivers you
02:37
more value. So relative to the people, do they have people internally? I'm sure they have a
02:42
handful of people internally, but they'll scale up as needed. They're a very intelligent organization
02:47
and they'll manage it appropriately. With regards to the integration of Warner Brothers Discovery,
02:53
assuming that this deal does go through, I mean, I assume there's going to be a lot of overlap in
02:58
terms of personnel. And I assume there's going to be some consolidation there. But how deep do you
03:03
think that needs to be? Or is there going to be some symbiosis in keeping a lot of the folks from
03:08
Warner Brothers intact, more or less?
03:11
I think Warner Brothers brings tremendous production expertise that goes back a long way,
03:16
as well as development expertise. So I think what you'll see is Warner Brothers and HBO existing
03:21
as silos inside the Netflix organization to produce content that's more specific to those silos.
03:28
So and maybe perceived as more premium content, that it's iconic type titles that might be perceived
03:39
with more value. And maybe it introduces an opportunity for a different subscription tier even.
03:43
I don't think that's the way they'll go because they love the simplicity of the single price point.
03:47
But it does present that as a viable option if they've got the HBO and Warner Brothers content.
03:53
Well, Simon, I also want to talk about antitrust concerns here as well,
03:57
because you think about Netflix, you think about HBO, the point could be made that they're competing
04:01
for the same audience. And given that context, do you think that we're going to run into issues here
04:07
and that Netflix can get this over the line while keeping HBO?
04:13
I'm sure they've put a significant amount of time into this before actually formalizing the offer.
04:18
They wouldn't have proceeded down this path without a lot of legal analysis on what potential hurdles
04:26
they may face. And at the end of the day, everyone needs to keep in mind that they're currently 9%
04:31
of television viewing time in the United States.
04:34
If the acquisition is looked at alongside YouTube, which perhaps does have higher viewing hours
04:42
than Netflix at the moment, and if it's also considered alongside the broadcasters who have
04:47
more significant sports rights, then it seems to be a much more even playing field and a defensible
04:53
acquisition. If it's considered just on a subscription streaming basis, which I don't think it should be,
04:59
then it starts to be a little bit more of an uphill battle.
05:02
And I want to talk about the industry overall. You think about this particular deal, it's just
05:07
enormous in scale. But do you think that this could encourage and perhaps open the door
05:12
to more consolidation within the industry?
05:15
I think there's going to have to be, because this is certainly only makes Netflix more powerful,
05:21
more of a value proposition for the consumer and for the others to compete, particularly on a
05:27
content volume basis. I think what Apple's done in terms of taking a very premium approach to the
05:34
space is clever. But when you look at Paramount+, when you look at what some of the others are
05:40
offering, I just don't think they're robust enough to compete, even if Netflix ups their monthly
05:45
subscription fee.
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