- 1 day ago
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00:00What about the knot?
00:01Running bowline. Maritime knot.
00:04Who did this to her?
00:07Have you got any idea where Edie got all her money from?
00:10Not a clue.
00:11There is a couple of missing paper statements.
00:13Robert came to see me.
00:15He said, you can either stand by Ray,
00:18or you can lose David.
00:19Why didn't you report this?
00:21Sergeant McCabe was here at that time.
00:23You mean Robert Tulloch's pal?
00:26Did you know that Jess had gone to Edie Tulloch
00:29about putting the baby up for adoption?
00:31No, I didn't.
00:32We arrested a couple of couriers
00:33who were bringing drugs in for the Callaghan's
00:35and I want you to get me the name.
00:36What if I don't want to?
00:38What if I did something for you?
00:39I want to see my daughter.
00:41Is that Loudon?
00:42Are you looking for a job?
00:43Because I might have someone on tonight.
00:45I'm so sorry.
00:47Look who I ran into.
00:49How are you doing, Ed?
00:50I'm fine.
00:51Loudon!
00:59And this just in,
01:01the Met Office has issued a red weather warning
01:03for severe gales.
01:05The warning covers the whole of the Northern Isles
01:07and comes into effect this afternoon.
01:09Storm Kyle is expected to last throughout tonight and tomorrow.
01:13Where do you think you're going?
01:15I should show face.
01:16You've had a shock.
01:17You need to rest.
01:18I'm fine.
01:19Morag.
01:20Lily, don't fuss.
01:22At least have some tea.
01:28Have you heard anything from the station?
01:30About Stevie?
01:32All I know is she's been bailed.
01:34So where is she now?
01:36Back with her sister.
01:38Let's hope she stays there.
01:45Tosh?
01:46I'm outside. Can we talk?
01:48Now.
02:03What the hell are you doing out here?
02:04Come inside.
02:05Can you get in please, Billy?
02:12I've been going over the Tulloch accounts.
02:14One of the statements was missing.
02:17So I had their bank send me a copy.
02:21Billy, there was an outgoing payment of £10,000 made in May 2001 to a private account.
02:33My account?
02:35It was a loan.
02:36It was a loan.
02:37From Robert.
02:38For the deposit on the house.
02:43Morag and I weren't long married.
02:45We needed a place.
02:48I didn't have the money.
02:50So Robert offered.
02:52Why didn't you tell us about this?
02:56It was a private matter, Tosh.
02:58Before Edie was murdered, maybe it was private.
03:01But after that, you had a duty to tell us.
03:08Fine.
03:09I made a mistake.
03:10I didn't think.
03:12But what's done is done.
03:13Was Robert Tulloch taking bribes?
03:18Well, we can't account for the money.
03:22Robert had no income source other than his salary.
03:25And these were large cash deposits, thousands of pounds.
03:29Robert Tulloch was a decent man.
03:31I have a witness who claimed he framed a suspect and threatened their family.
03:35A witness?
03:37You mean Gina Powell?
03:39Why would you take anything that woman says seriously?
03:43Because I have to.
03:45If Robert was corrupt,
03:48if the money in that account came from illegal sources,
03:51then the payment he made to you...
03:53I paid it all back.
03:55Every penny.
03:56It doesn't matter.
03:57If you tried to...
04:02If I tried to what?
04:05The seaman was missing, Billy.
04:06The one that shows the loan Robert made to you.
04:11It was the only one that was missing.
04:14You better watch your step, girl.
04:16You don't get to accuse me.
04:17I'm not accusing you.
04:19Oh, it sounds like you are.
04:21I have a duty to investigate.
04:23Oh, don't try that with me.
04:25That might work with the others, but...
04:27But you know me.
04:29And don't forget, I know you.
04:30I remember you turning up for shifts hungover,
04:35and me having to cover for you when you're throwing up last night's shots in the toilet.
04:39No, we all make mistakes, Tosh.
04:41You included.
04:43Okay.
04:45I think we should stop.
04:47Oh, you're telling me.
04:48Given the circumstances,
04:50I don't think you should come into work until I've investigated further.
04:54And what if I refuse?
04:56Then I go to standards with what I have, and you can deal with them.
05:01I don't believe this.
05:03This is ridiculous!
05:04This is ridiculous!
05:34You could forget to try and get away from me to myi.
05:35You could not have a full time problem.
05:36I don't believe it.
05:38We're just trying and get away from you.
05:41I'm not just trying to tell you.
05:42You should never be following myi.
05:44Our fairy tale.
05:46You should never be leaving.
05:48No, I don't believe this.
05:50I'm off to you.
05:52I know I don't know.
05:54You can't believe it.
05:56You can't believe it.
05:58I don't believe it.
06:00I don't believe it.
06:01How is he doing now?
06:14He's stable, but unresponsive.
06:16Right.
06:20Do you think he'll wake up?
06:22Right now, all we can do is wait and see.
06:25Yeah.
06:27Do you have a contact number for his next of kin?
06:29Uh, he's got a flat, mate.
06:34I'll heal up the details, I'll give him a call.
06:40Is his phone in that bag?
06:43He didn't have one.
06:45You sure?
06:46All he had in his pockets was a wallet and a set of house keys.
06:50He didn't have a house keys.
06:52He didn't have a house keys.
06:57Ruth.
07:10What are you doing in here?
07:15I was just looking for you.
07:17You didn't try the meds?
07:19Yeah, well, I was just about to, but I just thought I'd come and have a seat.
07:27Everything all right?
07:28Yes, everything's fine.
07:31You sure?
07:32Yeah, yeah, why wouldn't it be?
07:35Hmm?
07:37Yeah, it looked like you were praying.
07:40No, I was just sitting.
07:46Actually, Alan, I need you to do your hospital thing.
07:53My thing?
07:54Yeah, you know, the thing you do, visiting patients, sitting by the bed and holding their hands and that thing.
08:03Ruth, what's happened?
08:06Nothing.
08:10Nothing.
08:10A kid got hurt and, um, he's, uh, well, he's not a kid as such. He's a young man. And he's in hospital and I knew him.
08:24That's awful, I'm sorry.
08:29Mm-hmm.
08:34The thing is, I'm not directly responsible for what happened to him, but I, uh, I sort of feel like I am.
08:42Which is why I want you to go to the hospital and do your thing.
08:55Right, well, what's his name?
08:58His name's Will.
09:01Will Loudon.
09:02Okay.
09:03Why don't we go and visit Will together?
09:06What, now?
09:07Yeah.
09:08Can sit with him, pray.
09:11I think we're probably too early for visiting.
09:16You know, I have a little bit of sway with the hospital and sure we'll be fine.
09:19Well, I mean, obviously, I would, but I've got work to do, so if you could go to the hospital, do your thing, um, I'll, I'd be very grateful and I owe you one.
09:39Right?
09:40Yeah.
09:41Yeah, I'll see you later.
09:49The forecast says it's not due until tonight.
09:56Okay, Mrs. Forbes.
09:57Okay, you stay safe.
09:59Bond has been going crazy.
10:01Ever since they issued that weather warning.
10:03Yeah, yeah.
10:06I, uh, I heard about Will Loudon.
10:09How is he?
10:10Uh, well, he's in a coma.
10:14He's lying in hospital with big tubes sticking out of him and I don't know if he's, he's going to live.
10:19I thought he was in recovery.
10:21Yeah, yeah, he was.
10:23Been clean eight months.
10:27I don't think this overdose is entirely self-inflicted.
10:30You think somebody got to him?
10:32Loudon called me last night.
10:34He said he was close to getting a name for Callaghan's contact.
10:37So I went to meet him and he was unconscious when I got there.
10:43Bit of a coincidence, isn't it?
10:45Uh, right.
10:47I need you to get Alex to go to the fish market, see if he can find Loudon's phone and if he can't, get him to pull the call records and see if there's any CCTV footage from last night.
10:57Has to be cameras up there somewhere.
10:59Yes, of course.
11:02Forensic report.
11:04Hmm?
11:04Cora sent it.
11:04The unidentified print from Edie's house, the one you thought might belong to Stevie Shannon.
11:09Yeah, yeah, yeah.
11:10It's a match for Tom Jimmison.
11:13He denied even being at the house.
11:15Maybe we should bring him in.
11:16Aye, maybe we should.
11:18Right, can you do that on your own?
11:20I've got to go and talk to Loudon's flatmate.
11:21Yeah, or I can take Tosh when she gets in.
11:23Okay.
11:23D.C. Wilson.
11:29It's going to be a bad one.
11:31Mum, you don't need to...
11:32I heard it on the radio.
11:34What's wrong?
11:35She's hit up a park store.
11:36Don't frighten her.
11:37I'm not frightening her, Dad!
11:39Gran, there's no need to worry.
11:41We need to tell Ali.
11:44Dad!
11:45I need you in here.
11:47What's the matter?
11:48Why do you let her listen to the radio?
11:51That keeps her calm.
11:54She doesn't seem very calm.
11:57Come on, lass.
11:59Here we go.
12:01What about Ali?
12:03That's okay, love.
12:05Let's go and have a sit down.
12:11It's just a storm.
12:13That's all.
12:14I'm saying it obviously brings up bad memories for her.
12:17It's not just about her.
12:21You might want to talk to Ruth.
12:36I think she's a bit shaken up by what happened to Loudon.
12:40Did you hear anything for the Tulloch's bank?
12:46What?
12:47The missing statement.
12:48They were going to send you a copy.
12:50Oh, right.
12:52Did you get it?
12:54Uh-huh.
12:55Did you find anything?
12:58Still going through it.
12:59Do you want to maybe slow down a bit?
13:01Kind of like to get there in one piece.
13:03Sorry.
13:23When did this happen?
13:24Last night.
13:25And you're only telling me now?
13:26I didn't have your number.
13:27Look, I was with him all night.
13:29I'm sure that was the comfort.
13:32What world is he in?
13:33He's in ICU.
13:37There's no way it was an overdose.
13:39He'd been clean for months.
13:40Look, Stuart.
13:42I'm sorry.
13:42But I need to know when the last time was that you spoke to him.
13:47Why?
13:48Because I think he might have some information for me.
13:51Hold on.
13:53That's why you're here.
13:55You're not sorry about any of this.
13:57I said I was sorry.
13:58Good.
14:00Because it was your fault.
14:02If he did overdose, it was because of the pressure you put him under.
14:07I didn't force him to help me.
14:08No.
14:08He just made it clear that if he didn't, he'd go back inside.
14:15So when was the last time you spoke to him?
14:19He didn't tell me anything.
14:22Do you mind if I ever look in his room?
14:25Do what you bloody like.
14:30So what is this about Ethan again?
14:32We can discuss that at the station.
14:34What's going on?
14:36They want to interview me again.
14:37Why?
14:38It's just a voluntary interview.
14:40Right.
14:41So he doesn't have to go then.
14:42It's fine.
14:44It's not fine.
14:45It's harassment.
14:46Tom Jameson, I'm arresting you on suspicion of involvement in the murder of Edie Tullock.
14:51You do not have to say anything.
14:53But anything you do say, it may be sandy.
14:55It may be noted and used in evidence against you.
14:58Christ's sake.
14:59He's done nothing.
15:01What?
15:02This is a fucking joke.
15:04This is absurd.
15:05I'll let you notice her right.
15:07Oh, my God.
15:08Oh, no.
15:08Oh.
15:09Oh.
15:09Oh.
15:10Oh.
15:11Oh.
15:11Oh.
15:12Oh.
15:12Oh.
15:13Oh, no.
15:13Oh, no, no.
15:14Oh.
15:15Oh.
15:16Oh, no.
15:16Oh, oh, no.
15:17Oh, no.
15:18Oh, no.
15:20Oh, no.
15:21Hey.
15:21Oh, there's no weird.
15:21Oh, no.
15:32Oh, no.
15:33Noôt.
15:34Yeah, D.I. called her.
15:53What?
16:04Hello, it's Billy McKebe.
16:34You arrested Tom Jameson?
16:37That was Tosh's decision.
16:39Well, what did you arrest him for?
16:41Suspicion of murder.
16:45When did you last visit Eadie Tulloch?
16:48What do you mean?
16:49When were you last in her house?
16:53You have been in Eadie's house.
16:56Once or twice, but I mean, last time I was there, probably a couple of years back.
17:08You hadn't been in there recently?
17:11No.
17:14See these here, Mr Jameson?
17:17They're your fingerprints.
17:19The set we took from you yesterday.
17:22They matched to prints we found in Eadie's kitchen.
17:25Now, granted, fingerprints can hang around for a long time.
17:29A lot longer than people think, but not years.
17:32So, can you explain how your prints ended up in Eadie's kitchen?
17:37Okay, I went there, but I was only in the house for about ten minutes.
17:45When was this?
17:46Last week, Friday.
17:48What were you doing in there?
17:50Eadie wanted to talk about Jess putting the baby up for adoption.
17:57Yesterday, you told us you knew nothing about the adoption.
18:01Why did Eadie want to talk to you?
18:04She wanted my help.
18:05She said Jess was thinking about giving the baby up,
18:09but she was worried about telling her mum,
18:11and Eadie asked if I would talk to Isabel.
18:15Why was Jess worried about her mum finding out?
18:17The baby means a lot to Isabel.
18:20It's been a tough couple of years.
18:24We haven't had much luck, I guess,
18:26and she thinks that a grandchild will change things for the better.
18:32And did you agree to help?
18:34No.
18:36Of course I didn't.
18:37Did you tell Isabel about it?
18:41Why not?
18:42I don't know.
18:43I knew she'd be angry and...
18:48I didn't want to have to deal with it.
18:51It must have been galling.
18:53Eadie meddling with your family behind your back.
18:57Conspiring with the stones.
18:58Manipulating Jess.
19:00Yeah, well, that's Eadie telling her for you.
19:02Were you angry with her?
19:04I told her where to go.
19:05Is that all you did?
19:09Maybe you decided to hurt Eadie.
19:10Well, it's a reasonable assumption to make, Mr Jameson.
19:15After all, you're a man with a temper.
19:18A man who gets violent when he feels his family is under threat.
19:21Just ask Ethan Stone.
19:22That was different.
19:23How was it different?
19:25Ethan was still seeing Jess behind your back.
19:27He was threatening your family in exactly the same way Eadie was.
19:29I mean, I can't even imagine how angry you would have been with Eadie after all you've been through.
19:36It's bad enough.
19:37Your health problems mean you can't provide for your family anymore.
19:41You've lost your job.
19:42You've lost your house.
19:43Having to leech off your in-laws.
19:45Maybe that's why Jess made the adoption plan.
19:48She knew you couldn't take care of her.
19:50Fuck you!
19:52Okay.
19:55See, there's that anger.
19:58I think we'll take a break.
20:05D.I. McIntosh?
20:07Can I have a word?
20:21Uh, what the hell was all that about?
20:27And you think I'm harsh?
20:29I was trying to get the truth.
20:31You pretty much ripped the guy's life apart in there.
20:33Yeah, well he was lying to us.
20:36And I'm sick of being lied to.
20:38Oh.
20:46Right.
20:48Tom.
20:50The thing is...
20:52What you have to understand is that we are investigating a murder case here, so...
20:57You lying to us, it doesn't really help the situation.
21:00She's right.
21:04I am no use.
21:08Jess, Isabel, I...
21:10I can't take care of them.
21:12I can't even take care of myself.
21:14I thought about it.
21:19Thought about what?
21:21Just for a second, that's all.
21:23But...
21:25I thought it was a good idea.
21:27The adoption.
21:29Oh.
21:32Maybe the baby would be better off somewhere else.
21:35I was all set to hand over my own grandchild to complete strangers.
21:48What kind of a man does that?
21:49I think you're going to bed now.
21:52I don't know.
21:53What do you want?
22:19I need to know what you said to Tosh.
22:22D.I. Macintosh.
22:23I'm not comfortable with this.
22:27I need to get on.
22:28Gino.
22:32Please.
22:37Right, you.
22:40Thought you might need a wee cup of tea.
22:42D.I. Macintosh.
22:46D.I. Macintosh.
22:50Tom Jameson claims he wasn't angry with E.D. about the adoption.
22:55In fact, he almost went along with it.
22:57Why didn't he just tell us that?
22:59Oh, Tosh, come on.
23:01He was just worried his wife was going to find out that he was planning to give up his grandkid.
23:05And as you pointed out, rather brutally I might add, the man's lost everything.
23:09Doesn't he want to lose his wife too?
23:11It's not as if suspects lying to us is particularly unusual.
23:15It's what they do.
23:17I don't know why this guy's got you so riled up.
23:19I'm not riled up.
23:21Okay.
23:21The baby means everything to Isabel.
23:31What?
23:32That's what he's just said, right?
23:34The baby means everything to her.
23:36So, if E.D. was taking that away from Isabel...
23:39Yeah, except Isabel didn't know that E.D. and Jess were planning anything.
23:42Well, maybe she found out.
23:45Loudon's call records.
23:47You made about a half a dozen calls yesterday.
23:49Two to your mobile.
23:50The others I still need to trace.
23:52But we've got one in common.
23:53Received around nine last night from a mobile registered to a Lewis Mitchell.
23:58Now, I did a quick check.
23:59Nothing on him.
24:00He works as a friar in a chip shop.
24:03The name of the place is...
24:04The Coast Chippy.
24:07Yeah, I know it.
24:10Er, where are you going now?
24:11To find out if Isabel knew.
24:13Do you not think we might want to discuss how we do...
24:16Or maybe not.
24:17What is it with her today?
24:19My God.
24:36Hey, what can I get you?
24:38I'm looking for some information.
24:40A customer was in here yesterday.
24:44A guy called Will Loudon.
24:47I don't know the name.
24:48No, Will.
24:50Got a wee photograph here of him.
24:53There we go.
24:56No.
24:57Never seen him before.
24:58No.
24:59Well, he bought something in here yesterday.
25:02Around one o'clock.
25:04Oh.
25:05That's when I take my break.
25:06Is it?
25:07Mm-hmm.
25:10Your name Lewis Mitchell.
25:13That's right.
25:14You see, here's the thing.
25:16Lewis.
25:18This wee guy, Loudon, he got a call last night from a mobile that's registered in your name.
25:24And I'm just wondering why he'd be calling someone that you don't know.
25:28This guy works over at the fish market, right?
25:35Do you know what?
25:36I remember now.
25:36I did call him.
25:38Right.
25:38I got his number off my pal.
25:40He was going to sort us out with some stock.
25:43Stock that fell off the back of a trawler.
25:45Do you know what I mean?
25:45Mm-hmm.
25:48Anyway, aye.
25:48I did speak to him, but I don't know.
25:50It sounded a bit dodgy to me.
25:52Mm.
25:55So what is it with this guy, anyway?
25:58We think someone tried to kill him last night.
26:02Poor kid.
26:03That's awful.
26:04Yeah, I know.
26:05I know it would be.
26:07If they'd succeeded.
26:14I need to go back to work.
26:28Sandy.
26:29What?
26:29Can you get me everything you can on this Lewis Mitchell, will you?
26:34I'm on it.
26:35But in the meantime, Eck Tollick called.
26:38He wants to see you.
26:39You got any idea why?
26:41Just asked you to drop in at the water, go off whenever you had a chance.
26:44All right.
26:46Well, I'll head over now.
26:50Where is he?
26:51Tom's still at the station.
26:53Why can't he come home?
26:54Because we're still confirming some of the information he's given us.
26:57We have nothing to do with Edie.
26:59Barely spoke to the woman.
27:01Tom spoke to Edie last week.
27:02At our house.
27:05And he only told us that after we caught him out in a lie.
27:10What lie?
27:12Why was he round there?
27:13They were discussing Jess's plans to have her baby adopted.
27:20Edie had been advising Jess and Ethan on how to go about it.
27:23What was she talking about?
27:28I wasn't going to go ahead with it.
27:30I was...
27:30I just asked Edie about it.
27:32I was...
27:32I was just freaking out.
27:35Mum, it's not going to happen.
27:37Okay?
27:37I'm going to keep the baby and we're going to stay here.
27:40Did your dad know?
27:41Um, no.
27:43He never said that he knew.
27:47Did you know?
27:49Of course I didn't.
27:50I was going to tell you.
27:52When?
27:54When were you going to tell me?
27:56Take it easy, Isabel.
27:58When you were in labour, or after, at what point did you think you might let me know that
28:03you were giving away your child?
28:05I was scared.
28:09And I didn't have anyone to talk to about it.
28:12Oh, yeah.
28:28Hi.
28:30Oh, how come you're not open?
28:32Oh, there's no point.
28:33Storm's going to keep everyone in tonight.
28:35Old Tony will be dead, but come six o'clock.
28:37I had a go with James last night.
28:39Oh, yeah, fine.
28:40I warned him, no more matchmaking.
28:43I think he got the message.
28:45Well, like I said, it's not like I was against the idea in principle.
28:49In fact, I was planning on seeing a storm out with a bottle of rum, if you fancy it.
28:58Sorry, Sandy said that you wanted to see me.
29:02Yeah, yeah, just wanted to get an update, really.
29:06People are calling about mum, asking me what's happening.
29:08I don't really know what to tell them.
29:10Yes, well, you can tell them that the investigation is ongoing and that we are hoping for a result very soon.
29:17That sounds a bit vague.
29:19Aye, well, we're doing everything we can.
29:23Um, what happened to Colin White, by the way?
29:26I heard someone lamped him.
29:27Yeah, but it's not connected to your mum.
29:29But, tell me, how well do you know him?
29:33Colin?
29:34I mean, I know him.
29:37We were never close.
29:38Colin's a bit, uh, yeah.
29:44Neighbourly?
29:45Yeah, that's one way to describe him.
29:47Mind you, I heard he'd been looking out for mum the past few years.
29:52It's good of him, given the family history.
29:55What history?
29:56So, listen to this.
30:09I have just been speaking to Ed Tulloch, and apparently...
30:13Edie Tulloch and Colin Waits' mum were, like, arch enemies.
30:17Well, I mean, that makes it sound worse than it is, but from what I can gather,
30:21they were more, like, sort of, feuding neighbours, you know,
30:24both vying for top dog in the village, so to speak.
30:28Makes you wonder why Colin Waits looking out for a woman
30:31that his mother clearly didn't like.
30:35Are you OK?
30:41Isabel Jameson did not know that Jess was planning to have her baby adopted.
30:46Oh, OK.
30:48And now, I take it she does now?
30:50Yeah, well, it's better. She knows the truth.
30:54How does she react?
30:58What about Jess?
31:00They'll survive.
31:02Uh, Tosh, the nursery called to the switchboard.
31:06They're trying to get a hold of Donny.
31:07Oh, for goodness sake.
31:09Right, OK, thanks, Sandy. I'll deal with it.
31:13Oh, Sandy, uh, anything from the hospital?
31:16Loudon is still unresponsive.
31:21But we managed to get some CCTV from last night.
31:27Clocked a few vehicles near the fish market.
31:29I'll track the owners.
31:30OK.
31:31Uh, and any more from Lewis Mitchell?
31:34No record.
31:36No criminal connections.
31:37OK, uh, well, let me know when you've, you've traced the vehicles on the CCTV.
31:43Of course.
31:45Oh, and Sandy, could you get me a copy of that picture of Lewis Mitchell?
31:49Sure.
31:49Have you seen this guy?
32:14Sorry, I don't know him.
32:16Who is he?
32:17Do you think he was the guy that the Burnettes were trying to meet up with?
32:21The man in the car?
32:23That's right.
32:24Oh, I'm sorry I didn't see him.
32:27It was too dark.
32:28Oh.
32:33You arrested Tom this morning?
32:36We did.
32:37That's right.
32:39Can I ask why?
32:40Oh.
32:41I'm sorry.
32:42I can't discuss that with you.
32:44Oh, of course.
32:44So, tell me, what got you into all of this?
32:50After Mum died, I needed something to fill my time.
32:54So I thought, why not research the village?
32:57You ever interview your mum?
33:00Sadly not.
33:02I always intended to, but, uh...
33:04She passed away before I could get her on tape.
33:08I heard that her and Edie Tullock didn't often see eye to eye.
33:12Who told you that?
33:14Oh, just something I heard.
33:19Well, it's not true.
33:20So, there were no issues then between your mum and Edie?
33:29Why does it even matter?
33:31I'm just wondering why you'd bring food parcels to a woman that your mother hated.
33:35Hang on.
33:37You're not accusing me of being involved in this.
33:39I'm just asking a question, Colin.
33:41I didn't kill Edie Tullock.
33:43I'm someone who found her.
33:44I called the police.
33:46You wouldn't be the first killer to report your own crime.
33:50Yes.
33:51Okay, they didn't get along.
33:54And when Mum was alive, I didn't have much time for Edie.
33:56But when Mum died, Edie Tullock was the first person at that door.
34:01Despite what had happened with her and Mum,
34:04she came to pass on her condolences and check if I was okay.
34:08Look, she was caring, she was kind, and she was a good neighbour.
34:13And that's what I tried to be for her.
34:15A good neighbour.
34:16That's what I tried to be to everyone in this village.
34:19Nice.
34:23Sandy.
34:24CCTV from the fish market last night.
34:27Clocked vehicle.
34:29Parked a straightaway from where you found Loudon.
34:33It's registered to Lewis Mitchell.
34:35Okay, well, pick him up and bring him in.
34:38I'll be there as soon as I can, alright?
34:39Got it.
34:40I'll be there.
34:41I'll see you.
34:41I'll be there.
34:41Yes.
34:42I'll be there.
34:42Jess made a mistake, Isabel.
35:10It's fine. It's her life, her baby.
35:15You don't mean that.
35:20The air feels heavy.
35:24Feels like it did the day we lost Ali.
35:28Remember, standing here, all of us, staring at the sea and willing in to appear.
35:35Nothing did I like to dwell on.
35:38I dwell on it all the time.
35:42He died, my childhood stopped.
35:45What are you talking about?
35:49You and Mum fell apart.
35:51We'd lost a son.
35:53I'm just saying things changed. I'm not blaming you, Dad.
35:58You coped.
36:00They'll put that on my grave.
36:04Here lies Isabel Jameson. She coped.
36:08What is it you want me to say?
36:13Nothing.
36:17I need to get back to your mother.
36:24We can't find Lewis Mitchell.
36:31We can't find Lewis Mitchell.
36:46What do you mean you can't find him?
36:48I spoke to him at his chip shop two hours ago.
36:50Well, you must have spooked him.
36:52Because the shop's locked up and there is nobody at his flat.
36:54Oh, what about his phone?
36:56We're still working on that.
36:57Who is Lewis Mitchell?
37:00That's him.
37:01Remind you of anyone?
37:03Oh, the Burnett's.
37:04The description of their drug contact.
37:06Yeah, if this guy is the Callaghan's contact and Loudon was on to him...
37:09Well, that would make Loudon a target.
37:11It makes sense.
37:12Mitchell gets to him before I have a chance to talk to Loudon.
37:14Good news is he can't get off the Isles.
37:16Storm means the ferries are off and the airport's closed.
37:19Which means he'll have to hold out somewhere until it's over.
37:22I'll talk to his family, friends.
37:24See if there's anywhere he might hide out.
37:28Um, what's happening with Tom Jameson?
37:31Oh, shit.
37:33We're still holding him.
37:35It's been four hours.
37:36Yeah, I know.
37:37Okay, I'll release him.
37:39I'll get someone to take him home.
37:41Just bloody do it, Donnie.
37:43I don't know.
37:44I'll put home when I'm home, okay?
37:46Uh, I'm just gonna see what's going on.
37:54Hey.
37:55What's going on?
37:58Nothing.
38:02First you're tearing into Tom Jameson,
38:03then you lob a grenade at his wife and daughter's relationship.
38:06You are tearing everyone's head off.
38:08Including mine.
38:09And now you're ranting at Donnie on the phone.
38:11Something's wrong.
38:13What is it?
38:16I don't wanna talk about it.
38:19I suggest you get comfortable.
38:21Because we're not leaving until you do.
38:23Robert Tulloch.
38:36What about him?
38:38I think he may have been corrupt.
38:42Just...
38:44Hold on.
38:53The money in the savings account?
38:55I can't say for sure, but...
38:58I think he was taking bribes.
39:01Taking bribes from who?
39:03I don't know.
39:06So you think that Edie was killed because of these bribes?
39:10I don't know.
39:11I don't think so.
39:13But...
39:15That's not the real problem.
39:17What's going on?
39:31I don't...
39:32ask for much.
39:35I don't blame you for everything that's happened and know it's been tough on you.
39:39I just need to know that you're with me.
39:43I am with you.
39:46Went to see Edie.
39:48Behind my back.
39:50No, I didn't.
39:51She was the one that came to me.
39:53And then you didn't tell me.
39:55No.
39:56Of course I didn't tell you.
39:57Because I knew how you'd react.
39:59Ever since you found out about this baby, you've just been obsessed with it.
40:03This is our grandchild.
40:05I'm just trying to make sure we're prepared.
40:07No, you're not.
40:08You're trying to prove that you're better than Ethan's mum.
40:14Sorry, Isabelle.
40:15That was unfair.
40:17I think you need to stay somewhere else for a while.
40:21What?
40:23Put some of your things in a bag.
40:25Your pills are on the side.
40:26What are you talking about?
40:28Where am I supposed to go?
40:30I don't care.
40:32Isabelle!
40:37Hi.
40:38Yeah.
40:39It's me.
40:40I need to get out of here.
40:41So what exactly did Billy say?
40:43That the money was a loan.
40:44Yeah, well maybe it was.
40:46Then why not tell us?
40:47And what about the missing statement?
40:49You don't know that he took it.
40:50But what if he did?
40:51If we find proof that Robert Tulloch was corrupt, we'll have to report it.
40:56That means an investigation.
40:57That means an investigation.
40:58That means they'll look into all his finances.
40:59They'll find that payment proof.
41:00And when they do, they will look at Billy.
41:01And if he's done something illegal, he's finished.
41:02Why didn't you tell me this before, Tosh?
41:03Come on.
41:04We're a team.
41:05I know.
41:06I know.
41:07It's just…
41:09I know.
41:10I know.
41:11It's just…
41:12We're a team.
41:13I know.
41:14I know that he took it.
41:15I know that he took it.
41:16But what if he did?
41:17If we find proof that Robert Tulloch was corrupt, we'll have to report it.
41:19That means an investigation.
41:21That means they'll look into all his finances.
41:22They'll find that payment proof.
41:24And when they do, they will look at Billy, and if he's done something illegal, he's finished.
41:27We're a team.
41:28I know, I know.
41:31It's just...
41:34This is Billy.
41:36He's the gold standard.
41:40And he does the right thing no matter what.
41:44If he is corrupt,
41:48then what the hell is any of this even for?
41:51Right, okay, okay.
41:53We can't do anything until we know for sure, okay?
41:58So tomorrow, you and I will talk to him.
42:00We'll give him another chance to explain.
42:02And what if he can't?
42:05I don't know. I don't know what we'll do.
42:15What's wrong?
42:16Ah, so it's, er...
42:18He's loud and he's, er...
42:20He's not doing well.
42:22Oh.
42:25Actually, er...
42:27I was with him all night.
42:28I'm going to go home and get some rest.
42:31Are you going to be okay tonight, yeah?
42:34Yeah, yeah, yeah.
42:35Go.
42:35Look, Donnie, would you just...
42:49Billy.
42:50We need to talk.
42:54Tosh?
42:57Where?
42:57All right.
43:17Oh, yeah.
43:20Oh, yeah.
43:20Oh, yeah.
43:22The storm 20 years ago wasn't meant to come this far south.
43:35It was supposed to hit 50 miles out at sea.
43:39So when it diverted, none of us were ready.
43:44Me and Robert were in the station, trying to deal with the fallout.
43:48And it wasn't until later in the day, after it died down, that Robert got the call.
44:00Craig and Ali had gone out the night before.
44:06The boat never came back.
44:09No answer on the radio.
44:13The Coast Guard were sent out, but there was no sign of them.
44:18I drove Robert up here.
44:23Whole village was on the beach.
44:26Everyone just waiting.
44:29The next day...
44:31This washed up in a bay a few miles south.
44:37The Linty.
44:40Ali and Craig?
44:42The bodies were never recovered.
44:44The Linty.
44:48Robert Tulloch was a hard man.
44:55But when he saw this washed up on the shore,
44:59he wept like a child.
45:03He asked me to organize getting the wreck off the beach.
45:05I arranged with a team in Leric to do it.
45:11But before they started, I searched her.
45:15I thought I could salvage something personal.
45:19Something the families could hold on to.
45:23That's when I found it.
45:25Found what?
45:25They were just young lads.
45:31Probably just looking to make some easy money.
45:36There was heroin coming in from lots of different sources.
45:39You found heroin on the boat?
45:43Kilos of the bloody stuff.
45:44But, hold on.
45:49I looked over the report.
45:50There was no mention of any drugs on the Linty.
45:53I mean, if you've found heroin, why doesn't everyone know?
46:01Oh, Billy.
46:04Robert and Edie had lost their son, Tosh.
46:07The mares had lost Ali too.
46:10Whole village was mourning.
46:12What did you do?
46:14I told Robert what I'd found.
46:18He was devastated.
46:21I wanted to help my friend.
46:26He asked me...
46:27To cover it up.
46:31There was nothing to be gained by making it public.
46:34Those boys were dead.
46:38What good would it have done to stain their memory?
46:41What happened to the drugs?
46:46Robert got rid of them.
46:47How?
46:48I don't know.
46:50And I never asked.
46:55I did what I thought was right.
46:57You should have done your job!
46:58Some things are more important...
47:00What, you mean like money?
47:03It had nothing to do with a loan.
47:05Can you hear yourself?
47:07He asks you to cover up his son's crime.
47:12And then, what, two months later, he loans you £10,000?
47:17I know it looks bad.
47:19It looks like a payoff, Billy.
47:22It didn't feel that way at the time.
47:24And I paid it all back.
47:28But I...
47:29After that, I began to have my suspicions about Robert.
47:35It started with the Ray Powell arrest.
47:39I mean, Powell was no angel, but...
47:41There was always something weird about him just confessing like that.
47:44I met with Gina today.
47:50She told me what Robert did.
47:55I had no idea.
47:59No idea how bad it was.
48:03How bad he was.
48:05I thought maybe he had taken a few backhanders.
48:07But then you found the accounts.
48:15Four hundred thousand.
48:20What about the missing bank statement?
48:33I panicked.
48:34I took it from Sandy's desk.
48:39I was worried the loan would look suspicious.
48:43Because it was.
48:50It was twenty years ago, Tosh.
48:53And those drugs were destroyed.
48:55But were they?
48:58Or did Robert Tulloch sell them on?
49:01Because that would explain where all his money came from.
49:04Did you ever think...
49:09That if you had reported that...
49:12That they might have found where the drugs came from?
49:16That they might have stopped more from coming in?
49:20Who knows how many lives could have been saved?
49:22What are you going to do?
49:37I don't know.
49:38I don't...
49:39I'm sorry, Tosh.
49:41You're wrong.
49:54I'm sorry.
49:59And I'll you.
50:00That's a lovely house.
50:28Why are you standing outside it?
50:30Well, I thought you might want to reconsider the bottle of rum offer.
50:33Oh, did you now?
50:35Or am I crossing a line here?
50:38About ten fucking lines.
50:40I'm sorry. You're right. I should leave.
50:45You'll have to let me out.
50:47Oh, shit.
50:58So, uh, were you close with this guy?
51:07Loudon? Oh, God, no, no.
51:09Uh, I only met him about a month ago.
51:12Brought him in on a shoplifting charge.
51:15Got caught nicking a bunch of stuff from the chemist.
51:18He's, uh, he's got a little girl and he only gets access to her every so often.
51:25He said he wanted to smell nice for her.
51:29Anyway, uh, we are in the middle of this case and, um, we were getting nowhere with it.
51:35So, I checked his file.
51:38I saw he was on parole.
51:40History of drug abuse.
51:41And...
51:43I saw no opportunity.
51:45To turn him?
51:48To turn him?
51:50OK. I'll stop talking.
51:53Yeah, I mean, he wasn't official.
52:04But I used him.
52:06I said I'd drop his shoplifting charge if he fed us information.
52:12And it's my fault.
52:14You're supposed to disagree there.
52:23Huh?
52:24You're supposed to say it's not your fault and I shouldn't feel guilty.
52:28Why?
52:29It's not going to change anything.
52:31Oh, no, I know, I know.
52:34You want to know where I was when my brother died?
52:37I was in a room at the Harbo Hotel seeing out the storm with the Dutch girl that I met the night before.
52:45I spent the whole day in bed, stoned out of her minds.
52:49Oh, such a lovely story.
52:52The point is, that's what I was doing when Craig was dying.
52:59Now, did I cause the storm? No.
53:06Could I have saved him if I was back at home? Probably not.
53:13But do I feel guilty?
53:15Absolutely.
53:18And there's nothing anyone can say to change that.
53:23Hmm.
53:36The croft is just up the way here.
53:43It hasn't been lived in for years, but Mitchell's cousin owns it.
53:47You're sure he's in there?
53:49That's his pickup truck there.
53:51Okay, let's go.
53:53Hey!
53:54Hey!
53:55Hey!
53:56Hey!
53:57Get your hands in your back!
53:58Get your hands in your back!
53:59Get your hands in your back!
54:00Ah!
54:01You're under arrest for the attempted murder of Will Lousy.
54:06Move!
54:07Good job!
54:08It's not even on that one.
54:09I know where it is.
54:10Yeah, sure.
54:11Yeah, yeah.
54:12Hold on.
54:13Are you sure?
54:14It's not on that album.
54:15Here we are.
54:16This is it.
54:17I don't believe you.
54:19Aha.
54:21That's it.
54:22That's the song.
54:23What can I say?
54:24I know my shit.
54:25Oh no!
54:26I don't believe you.
54:27That's all.
54:28Oh no!
54:29Get your hands in your back!
54:31Oh no!
54:32Ah!
54:33You're under arrest for the attempted murder of Will Lousy.
54:36Move!
54:37Good job!
54:38It's not even on that one.
54:39I know where it is.
54:40Yeah, yeah.
54:41Hold on.
54:42Are you sure?
54:43It's not on that album.
54:44What can I say? I know my shit. I know my shit.
54:48Just give us it here.
54:51Right. Hold that.
54:53All right, I'll do the whole thing.
54:53Carefully.
54:55Careful.
54:57Ah!
54:58What the hell was that?
54:59Oh, shit.
55:01What?
55:01I think it's my gate.
55:04Oh, the lock's broken.
55:06I've been meaning to get it fixed.
55:09You want me to fix it?
55:11Can you fix it?
55:12Wow.
55:14A doubt in your voice.
55:15What?
55:16I didn't think.
55:17Like, poets fix things.
55:19Poets.
55:20Poets.
55:22Okay.
55:24Well, that sounds like a challenge.
55:26All right.
55:27Come on.
55:27Come on, get out.
55:28Come on, watch.
55:28I'll show you.
55:32All right.
55:33Going for it.
55:34Okay.
55:35Well, if you don't make it back, I'm finishing the run.
55:38Right.
55:42Come on.
56:03Bye.
56:03Bye.
56:04Bye.
56:06Bye.
56:06Bye.
56:07Bye.
56:09Bye.
56:11Oh my God!
56:16Oh my God!
56:18Look at you!
56:20Come here, you're absolutely sick.
56:24It's bad in there.
56:26Oh my God!
56:28I should probably start back.
56:32Yeah.
56:34You probably should.
56:41The Callahans have kept you busy.
56:47Well, you won't be using this for a while.
57:02Look, I can explain.
57:05Put him in the car.
57:06No, no, wait, I've got information.
57:09About the Callahans.
57:12Who works for them, I can give you a name.
57:15My boss, in Shetland.
57:39I can tell you.
57:42What?
57:44I can tell you.
57:45One, two.
57:46Oh my God.
57:48I can tell you.
57:50But yeah.
57:52I can tell you.
57:53Why are you waiting for your master?
57:54I can tell you.
57:56I think they will be afraid of doing it.
57:58You die.
58:00I can tell you.
58:01You're the hardest part.
58:02You're the hardest part.
58:04You
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