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00:00What's going on?
00:01Do I miss her, are you?
00:03Amy Shannon. I live here.
00:05There's been a report of a domestic disturbance at this address.
00:07We've nothing to hide.
00:08So she gave Amy the happily ever after and put Stevie on the mainland ferry?
00:12It was an impossible call.
00:14Morag, did the Shannon sisters know that you were involved in their case?
00:17Did you set us up?
00:18I thought the stuff was on that boat.
00:20So that means they still need to land the gear, right?
00:22If it's not on the boat, then they're going to know something on top.
00:25Jesus Christ!
00:27What did I tell you, sir?
00:30There is a couple of missing paper statements. I will try and find them.
00:35This is a police officer we're talking about.
00:38Don't be the word of this, Dembili.
00:40That's how you lot operate, isn't it?
00:42Something like this happens and you go looking for a scapegoat.
00:45The one I saw in the dead woman's garden, it was her.
00:47Seems there were some disturbing reports that came from the children's homes where Stevie was placed.
00:52I don't trust her, Amy.
00:55We're a family after all.
00:57You, your mum, and me.
01:14I'm gonna win this time.
01:15No, you're not.
01:16Yes, I am.
01:17Snap!
01:18I win.
01:19Stephen!
01:20Mom!
01:21Mom!
01:22Mom!
01:23Mom!
01:24Mom!
01:25Wake up, Mom!
01:26Mom!
01:27Mom!
01:28Mom!
01:29Mom!
01:30Wake up, Mom!
01:31Hello.
01:32Mum! Mum! Mum! Wake up, Mum!
01:44Hello?
01:58Hello? I'm Edie Tellich. I'm a social worker.
02:04I need to have a wee word with your mum. Is she here?
02:28I'm Edie Tellich. I'm Edie Tellich.
02:34I'm Edie Tellich.
02:38I'm Edie Tellich.
02:44I'm Edie Tellich.
02:48I'm Edie Tellich.
02:58I'm Edie Tellich.
03:04Will says he's working for you. Last thing he needs is to get dragged into any more ship.
03:20Hooray! And here he is.
03:24You're up early.
03:26I've got a wee favour to ask you.
03:32Stuart, will you give us a minute, please?
03:36Cheers.
03:38I don't think your mum likes me very much.
03:44Don't!
03:46Stuart's my best pal and I've known him since I was seven.
03:50Don't.
03:52What do you want?
03:56Well, we arrested a couple of couriers who were bringing drugs in for the Callaghan's.
04:02Long story short, they've got a man here in Shetland who they're working with.
04:08And?
04:10And I want you to get me the name.
04:12How am I supposed to do that?
04:14You work at the harbour.
04:16You see things.
04:18Then you know exactly who can get me that name.
04:22What if I don't want it?
04:24Well, we'll just have to call you a parole officer, won't we?
04:28In fact, should we do that now?
04:32Do it.
04:34Do it!
04:36Would you rather go back inside and be your lackey for the rest of my life?
04:40But you listen here.
04:42I have been working on this case for more than six months and I am this close to getting a result.
04:48You get me that name, I'll drop me a charge.
04:52How about that?
04:54Hmm?
05:00Call me when you've got something.
05:04Give him plenty of water and tell your mum no more bloody cake.
05:10Call you later.
05:14Everything okay?
05:16Er...
05:18Aidan was sick last night and Luke can't seem to calm him down.
05:22Well, I guess it's good that Luke's mum's there.
05:26She can look after him.
05:28So...
05:32I was thinking, since it's just us, we should do something.
05:36You know, maybe we could go to the beach or...
05:40I could go and get stuff for a picnic.
05:42Don't you think it would be better going to the police station?
05:45Why?
05:46To tell them about you being at Edie Tulloch's house.
05:50Stevie, this is why I stayed.
05:52You asked me to help you.
05:54Aye, but I didn't think that we'd just stroll in and confess.
05:58Well, it's better that you come forward with the truth than then find out your lies.
06:02Look, I'll come with you.
06:04Okay?
06:05We'll explain that you made a mistake and we'll just get it all sorted out.
06:08Amy, it doesn't work like that.
06:15Look, I'm...
06:17There's Calpoll in the bag.
06:19I'm going to go to the shops.
06:21What?
06:22Stevie!
06:24Good morning, Stevie.
06:32I'm afraid we're going to need you to come back down to the station.
06:35Sorry, I don't have time.
06:37Well, you're going to have to make time.
06:39Or we could do it here, at your flat.
06:43Right.
06:54Oh, man.
07:21Decent prices today?
07:22What?
07:24I was looking for some work. I wondered if maybe you could help me out.
07:27I've got all the crew I need, son.
07:29Well, it's not for fishing work. It's for the other sort of work.
07:34Callaghan sort of work.
07:37I think you've got the wrong guy.
07:40Well, maybe you know the right guy, though.
07:43Like, can you point me in the right direction?
07:45Or can you give me a phone number or something?
07:47Move!
07:54Chris Burnett is positive he saw Stevie in Edie Tulloch's garden on the day we think she was killed.
08:05And then there's the taxi driver who picked up a woman who looked like Stevie and drove her to Luniswick.
08:11And her motive is what? Revenge?
08:13Well, essentially, yes. Stevie blamed Edie for putting her into care.
08:17Because anyone that's been through the care system is a criminal?
08:20No. That's not what we're seeing.
08:23You just said she killed Edie because Edie put her into care.
08:26It's a potential motive.
08:28I spent a year in care.
08:31And overall, for me, it was a positive experience.
08:34In fact, if it wasn't for the people who took care of me and my family, I wouldn't be here today.
08:39And we're very grateful that you are here.
08:41But Stevie Shannon did not have a positive time in care.
08:46Her case files prove that.
08:48And if she did resent Edie, maybe she used that resentment to take it out on her.
08:52Yeah, plus, Amy and Stevie's mum died after Edie removed them from their home.
08:58And they blame her for that.
09:00Chris Burnett's statement won't stand up in court.
09:02And just because Stevie took a taxi to Luniswick doesn't mean she killed Edie.
09:06But there's the unidentified print.
09:09Okay. And if they're a match to Stevie Shannon, you're on your way to building a case.
09:13But she's under no obligation to give you her prints.
09:17Frankly, given what you have, I'm so surprised you even brought her in.
09:22He's right. We don't have enough.
09:31But if we can get her prints...
09:33Ugh. There's no way she's going to let us take her fingerprints.
09:36We'll be lucky if we even get her to talk in there.
09:38So what are we going to do?
09:40I've got an idea.
09:49Sorry to keep you waiting.
09:52Right.
09:53Okay.
09:54Okay.
10:01Okay. Just so you know, Stevie, we have a witness who gave a fairly accurate description of the person that was in Edie Tullock's garden.
10:13Now, we can't say for sure, but we think that person might have been Amy.
10:20Look, we know this is difficult. Amy's your sister, but we wanted to ask whether you might be able to give us some insight into her state of mind.
10:33What?
10:34Well, because you've been around her recently.
10:37Yeah, and you said yourself, Amy blames Edie over the death of your mum.
10:43No, I didn't.
10:45Oh.
10:46Um, I'm pretty sure you did.
10:49Hang on.
10:51You said, Amy's never come to terms with what happened to mum.
10:56She wants someone to blame and Edie's convenient.
11:03I mean, Amy had issues with Edie, didn't she?
11:06She was suing social services.
11:08Maybe the case was taken too long. She got frustrated.
11:13Have you used to lost your minds?
11:17You think that Amy killed Edie Tullock?
11:22It's a pretty compelling motive.
11:24And given recent events, I mean, it's pretty clear that something's not right in that flat.
11:29Oh.
11:30What events?
11:32Someone called the police to report that Aidan was in danger.
11:36Yeah, it was just a prank call.
11:38How can you be so sure?
11:41Because Amy isn't violent. I know her.
11:44But do you?
11:46I mean, you two only got back in touch, what was it, a year ago?
11:51That's practically strangers.
11:53You don't know what you're talking about.
11:55You've got no idea what me and Amy are, you'd never understand.
11:59And see this, what you two are trying to do.
12:02Get between us.
12:03They've been trying to do it for years.
12:04Social work, the courts, the police.
12:06You've all tried to keep us apart so it won't work.
12:12See the shit that we went through when we were kids?
12:15It bonds you for life.
12:20Sounds to me like you didn't get anything from her.
12:23She said she knew it was a prank call.
12:26What?
12:28Alex, the domestic at Amy Shan is the other night.
12:30Do we know who reported it?
12:31I'm still saying it's anonymous.
12:32Yeah, but there'll be a recording of it somewhere, yeah?
12:34Do you think I could get a copy of it?
12:36Mm-hm.
12:37Now? Today? Thank you.
12:38Sure, I'm on it.
12:40You think Stevie made that call?
12:41Well, maybe, yes.
12:43Why on earth would she report her own sister to social services?
12:45Well, because Stevie thinks the whole world is trying to get in between her and her sister.
12:49And maybe, maybe, that includes Luke and Aidan too.
12:57Yes, Alan, what?
12:59Sorry to catch you at work, but I think you're going to need to come up to the clerk.
13:02Um, this might be important.
13:08Okay.
13:09All right.
13:10All right.
13:22I've been through everything.
13:24Twice.
13:25I still can't explain where the Tulloch money came from.
13:29Unless...
13:32We entertain the idea that Robert Tulloch was taking bribes.
13:41What about the missing bank statement? Did you find it?
13:44No.
13:45I contacted the bank and they're sending a copy over to you today.
13:48But even without that, there's a clear pattern of what was going on.
13:54Look, maybe we should talk to Billy.
13:57He worked with Robert.
14:00Might be able to throw some light on all of this.
14:02I would like us to have a little more evidence before we go accusing his dead friend of corruption.
14:08So how do we move forward?
14:14Ray Powell.
14:16Gina Powell's husband.
14:18Ray was one of Robert Tulloch's old cases.
14:22Gina doesn't trust the police.
14:25Said they ruined our family.
14:27Maybe she knows something about Robert.
14:29I can pull that case, but...
14:31Yeah, okay, great.
14:33And Sandy...
14:36We keep this between you and me for now, okay?
14:40Of course.
14:49An assault.
14:51A violent, unprovoked assault on a defenceless boy.
14:55Him a grown man too.
14:57And Tom Jameson did this to you?
15:02Why did he do it?
15:03What does that matter?
15:05Fact is, he committed a crime.
15:07You need to go over there and arrest the man.
15:08Margaret, do you think...
15:09All to your respect, Minister, I'm talking with your sister now.
15:14Ethan.
15:16Was this about Jess being pregnant?
15:19Yeah.
15:21And her dad, not happy about it.
15:24He banned me from seeing her.
15:26You were with her yesterday, though.
15:28Are you trying to justify this?
15:30I'm just trying to understand it.
15:33Well, understand this.
15:35None of us are happy about this baby.
15:39Ethan's too young to be a parent.
15:43We tried to speak to them.
15:45Tried to persuade them that Jess should...
15:46Make an arrangement, but they wouldn't hear of it.
15:53Isabelle, of course, digging her heels in.
15:57I've never met a woman so keen to become a gran.
16:00So, here we are.
16:02Two kids.
16:04Their whole lives ruined.
16:06Jess wants to get the baby adopted.
16:09You never told me that.
16:11She was talking to Edie about it.
16:14Edie Tulloch?
16:17Edie said she'd look into it.
16:20That was before she, you know, died.
16:24Who else knew about this?
16:26Who else knew about this?
16:46What's your name?
16:48Will Loudon.
16:50Give me your phone.
16:52What?
16:53Your phone.
16:59Go here.
17:01Say Jacob sent you.
17:03Cute kid, by the way.
17:04Gina.
17:15Can I have a word?
17:24I've been going over your late husband's case file.
17:28Why?
17:29We've had cause to look into Robert Tulloch's time in the police.
17:33Robert arrested Ray in connection with the robbery of a goods container at Lairwick Docks.
17:39According to the transcript of his first interview, Ray said that he was with you and David at the time that the robbery happened.
17:46So, so, there's no mention of the alibi in his second interview. He just submitted a signed confession.
17:57I don't understand the problem.
18:00Was Ray with you that night?
18:03Well, it doesn't matter now.
18:05Gina, if he didn't do it, he shouldn't have gone to prison.
18:10Back then.
18:12All this, here, Lanneswick.
18:15This was Robert's kingdom.
18:18Hymenides.
18:20But bloody Ray couldn't resist it.
18:23Pulling off jobs right underneath Robert's nose.
18:25Way too big a temptation.
18:27He made an enemy of Robert Tulloch.
18:31Sorry, are you telling me that Robert framed Ray because Ray was goading him?
18:39You don't get it.
18:40I'm telling you that Ray wasn't with us the night of the robbery.
18:46Just like he said in his confession.
18:48Confession.
19:07A fish supper, please.
19:14I'm Will.
19:16Sheila.
19:19Jacob sent me.
19:25Jacob from the Harbour.
19:27Does Jacob want chips?
19:29No, he told me to come here to see about some work.
19:32You want to work here?
19:37Maybe I can speak to the boss?
19:38I'm the boss.
19:40Is that on vinegar?
19:42No.
19:46No.
19:48That's 15.
19:50Here.
19:51Yep.
20:03Thanks.
20:14What the hell's that about?
20:16I don't know.
20:22I'm going to take my break Sheila.
20:24Come back an hour.
20:26Make sure you are.
20:28Aye, all right.
20:29Steve, where the hell have you been?
20:30Hi, Amy.
20:31How are you doing?
20:32It's just a routine follow-up.
20:33Routine?
20:34You're here because you think I'm an unfit mother.
20:35Nobody thinks that, Amy.
20:36It's just a routine follow-up.
20:37Routine?
20:38You're here because you think I'm an unfit mother.
20:39Nobody thinks that, Amy.
20:40And it's for your protection too.
20:41It means if I get any more of these anonymous reports, we can take a walk out of your Phoenix
20:47and I need safety.
20:48I can't pick a knock on them before.
20:50I can't pick this up first and I need to go for myself right now.
20:53something you do feel for me.
20:57یک 따라잡ch you go!
21:00Remember, if someone fatto or never dön make me laugh.
21:02Nobody thinks that, Amy. And it's for your protection, too.
21:07It means if we get any more of these anonymous reports, we can take them with a pinch of salt.
21:13Where is the wee one, anyway?
21:15It's with Luke. It's Luke's mum's. The whole family's up there this week.
21:20You didn't want to go?
21:22I was planning to, but I had to stay here. Stevie needed me for...
21:26And how is Stevie?
21:30Aye, she's fine.
21:32I admit, I was in the wrong eye. I should never raise my hands to Ethan.
21:42You make it sound like you give him a clip around the ear. Right.
21:47This is what Ethan's mum woke up to this morning.
21:51Jesus. I'm sorry. That was...
21:56Yesterday was a tough day.
21:58Was it?
21:58It's not an excuse. I'm just saying that isn't something that I would normally do.
22:04Ethan says you banned him from seeing Jess. Is that right?
22:08Not your thing, is it? Deciding who your daughter gets to spend time with?
22:12No. I never said they couldn't speak to each other ever again.
22:16This baby has caused a lot of grief between us and Ethan's family, so I thought it best if they kept away from each other until after the baby was born.
22:22Yeah, Margaret Stone doesn't seem too happy about Jess being pregnant.
22:25Margaret's never happy.
22:26What about you and Isabel? How do you feel about Jess becoming a mum?
22:31It's what she wants, so we're behind her.
22:35Is it? Is it what she wants?
22:40Did you know that Jess had gone to Edie Tulloch about putting the baby up for adoption?
22:44No, I didn't.
22:47You don't seem too surprised by it.
22:50Jess is alone to herself. She stopped surprising me years ago.
22:57Did Edie speak to you about it?
22:59No, I barely spoke.
23:01Apart from a grudging hello now and again.
23:03You never discussed it with her?
23:04No.
23:06So why do you think Jess went to Edie?
23:09Like I say, Jess is unpredictable.
23:14So how do you feel about it now?
23:17Knowing what they were planning?
23:18Look, you brought me in here because of what happened with Ethan, right?
23:21Now, I've admitted to the assault, so let me just sign whatever it is I have to sign so that I can go.
23:29I need to get home.
23:35Is Ethan okay?
23:43Well, he's got a sore face, but I think he'll live.
23:46Oh, poor kid.
23:49Still, at least now we know Tom Jameson's got a violent streak.
23:52Well, yes and no.
23:54I mean, to be fair, the man's had a tough time.
23:57He's lost his job, he's got health issues,
23:59and now his daughter's gone and got herself up the duff.
24:01That doesn't excuse beating up a kid.
24:03No, it does not.
24:06Alex, could we charge Tom Jameson and bail him for now and get someone to drop him off back home?
24:12Sure.
24:12Anyway, we're going to have to find some time to talk to Jess, see when she last saw Edie.
24:18According to Ethan, Jess went to see Edie a couple of weeks ago about finding a family to adopt the baby.
24:25Well, it makes sense, doesn't it, given Edie's history and family services.
24:28Did the Jamesons know that Jess has given up the baby?
24:31Tom Jameson didn't, was this?
24:34Oh, I've got to go and see Loudon.
24:37I'll catch you later.
24:39Okay.
24:39Can I get you some tea?
24:42No, I'm good.
24:45Never done all right?
24:46Actually, I went out to Lynneswick to see Gina Powell.
24:55I think we need to have a chat about Robert Tulloch.
24:58Robert?
24:59Why?
25:00Some things have come to light, Billy.
25:04Things I can't explain.
25:07You know what?
25:09I'll wait.
25:11Thanks.
25:12Oh, he's a handsome boy.
25:32Amy, it's me!
25:33Good to see you, Stevie.
25:44Morag's just checking in after the police visit the other day.
25:47Nothing to worry about.
25:48Like I said to Amy, just an informal visit.
25:51See how everybody's doing.
25:55You have to give notice.
25:57Well, that's not strictly true.
25:59I'm pretty sure you can't show up on an ounce like.
26:01Stevie, will you leave it?
26:03Amy, listen to me.
26:05There's rules and procedures that she's not following.
26:07It's fine, okay?
26:08It's not fine.
26:11This is my family.
26:15Now, go in the other room and let me morag finish up here.
26:18I'm sorry about that.
26:42No, you're fine.
26:43She's just looking out for you, like a sister should.
26:46Look, I'll need to drop by again when Aidan's here,
26:51but as far as I'm concerned, there's nothing to worry about.
26:54Except what you have with Aidan and Luke.
26:58That's what's important.
26:59Don't let anyone get in the way of that, Amy.
27:02No matter who they are.
27:03What do you mean, you can't do it?
27:19It's only been a morning.
27:21It's just too dangerous.
27:23It's just a name-loading.
27:25I think they're on to me.
27:26Who?
27:26The people who work for the Callaghan's.
27:28Right, and what makes you think that?
27:32I got a tip-off this morning and it turned out to be bullshit.
27:35Why do you know?
27:36Because why would they piss me about like that?
27:38What if they know that I'm working for you lot?
27:40I think you've been paranoid, Mick.
27:42I'd rather be paranoid than dead.
27:44I'm done.
27:49Sorry, I'm done.
27:54All right.
27:55Hey.
27:58What if I did something for you?
28:01Like what?
28:02I don't fucking know.
28:03What do you want?
28:06I want to see my daughter.
28:08What?
28:08Erin.
28:09I want more access to Erin.
28:10Oh, come on.
28:11Please.
28:11Why didn't you know I can't do something like that?
28:14Oh, gee, yeah.
28:24All right.
28:25All right.
28:26Okay.
28:28I'll make a phone call.
28:32It's me.
28:34From the grass.
28:38Well, she said she had no concern,
28:40so maybe that'll be the end of it.
28:45Look, I'll call you back.
28:48What are you doing?
28:51I think it's better if I go.
28:54What?
28:55Go?
28:55Go where?
28:57Back to Aberdeen.
29:00Why?
29:02I'm obviously in the way.
29:04That's not true.
29:06Amy.
29:07Amy.
29:08I heard you at the door.
29:11You and my Gabe talking about getting rid of me.
29:13I mean, she made it perfectly clear that I shouldn't be around you or Aiden.
29:18That's not what she meant.
29:19It's exactly what she meant.
29:23She was just talking, okay, and it's not...
29:26It's not like I agree with her.
29:28Didn't disagree with her, though.
29:30Didn't stand up for me, did you?
29:32Stevie, stop.
29:37I'm sorry, okay?
29:40Just this stuff with Aiden, it's freaking me out.
29:44I don't want you to leave.
29:45I need you.
29:49Especially now.
29:54Why don't we do that picnic?
29:56Here, just you and me.
30:02Be like the old days, back in the house.
30:06Except this time we'll actually have something to eat.
30:11Tell you what, why don't you, um...
30:13You stay at the car.
30:15Go to the supermarket and get some food.
30:18Nothing healthy, man.
30:19Just junk food and wine.
30:21I'll get everything sorted here.
30:22I'll get you there, please.
30:26Stay.
30:29Just at least for one more night.
30:34Bye.
30:34You were right.
30:53I'm always right.
30:54But remind me again what it is I'm right about this time.
30:57Alex got the recording of the 999 report made about Amy Shannon.
31:01Stevie Shannon made the call.
31:02So she did report her own sister?
31:04Let's go.
31:05What?
31:06Now?
31:06She made a malicious report.
31:08We have grounds to her ether.
31:09And then we'll have her prints.
31:11Hmm.
31:22Your sister's been lying to us.
31:25About what?
31:27About being in Edie Tillach's house.
31:30On the day she died.
31:34Okay.
31:35She went up there, yes.
31:37But she didn't see or talk to Edie.
31:40So you knew about this?
31:42You were going to come by the station today to explain.
31:46She's already been at the station.
31:48Yeah.
31:49This morning.
31:50And do you know what?
31:52She never said anything about being at Edie Tillach's house.
31:55Okay.
31:56Well, like I said, she's worried about how it looks.
32:00But even if she went up there, she didn't do anything to Edie.
32:04How can you be sure?
32:05Because she would have told me.
32:06Did she tell you about the phone call?
32:10What phone call?
32:10Well, isn't the couple are always arguing?
32:30And there's a wee boy in there.
32:32I'm just...
32:33I'm worried that he might be in danger.
32:37Are you okay?
32:38Edie...
32:40Why would she do that?
32:50Now, if that's Stevie, can I talk to her?
32:52I didn't know if you wanted red or white, so I just got both.
32:58How could you, Stevie?
33:01After everything I've done for you...
33:03Aidan's my son, your nephew, and you told them he was in danger.
33:12No, they're...
33:12They're lying.
33:15That's not true.
33:16I heard the recording, Stevie.
33:17Let me talk to her.
33:19That's not me.
33:20They've made it up.
33:21They're...
33:22They're faking it, so it sounds like me.
33:24No, no, no.
33:25No, no, there is no they.
33:26There is no big conspiracy working against us.
33:30There is only you.
33:32And I'm...
33:32And I'm done with you.
33:41Amy, I think you should come with us to the station.
33:44If Jess and Ethan hadn't called the ambulance...
34:13Who knows what would have happened?
34:16You know what?
34:17I do owe you my life, Jess.
34:27What happened?
34:29Just took my prints, asked me a few questions.
34:31Did they charge you?
34:34So you're going to go to prison?
34:37Sir's I'm right if he does go.
34:39Jess.
34:39What?
34:41He attacked Ethan.
34:42And I said I was sorry.
34:45So?
34:46That doesn't change anything.
34:49I never thought you were capable of doing something like that.
34:52We've all got our secrets.
34:54What?
34:59Jess.
35:00I'll deal with her.
35:01Make yourself comfortable.
35:24I'll get you some water.
35:26Thanks.
35:26What is it?
35:40You don't know them like I do.
35:42What are you talking about?
35:45You don't know how they work.
35:47They twist things.
35:49Stevie, you made that call.
35:51You sent the police to my house.
35:52I know.
35:54And I'm sorry.
35:57But don't worry.
35:59I'm going to put everything right.
36:02I promise.
36:04And I'm going to make sure she can't take Eden off you.
36:08I'm going to put everything right away.
36:09I'll be back.
36:10I'll be back.
36:10By the way.
36:11I'm going to make sure she can't take it away.
36:16Yeah.
36:16I'm going to make sure she'll be back.
36:18Yeah.
36:19I know.
36:19It's a test.
36:20Yeah.
36:22I know.
36:23That's what I do.
36:23That's what I do.
36:25I know.
36:27What I do.
36:27I know.
36:27You're the best.
36:27I know.
36:28You're the best.
36:28You're the best.
36:29I know.
36:30I know.
36:31It's deep in me.
36:47It's deep in me.
36:49It's deep in me.
36:51It's deep in me.
37:01And did she say where she was?
37:10No, but she sounded weird, like she was going to do something.
37:14Like what?
37:15She said she was going to make sure she didn't take Aidan away.
37:19Is she? Sorry, who is she?
37:21Stevie was there this afternoon when she came round to visit.
37:24When who came round to visit, Amy?
37:25Oh, Christ.
37:31Billy.
37:33Morag, where are you?
37:35I'm back at the house.
37:37I need you to get in the car and come into the station.
37:40What?
37:42Just do as I ask, Morag.
37:46Morag?
37:47Yeah, no, no, I'm here, I'm here.
37:49Look, what's going on?
37:51We can't find Stevie Shannon.
37:53I think she might head to the house.
38:01I think she's here.
38:02I think she's here.
38:05Morag.
38:22Stevie?
38:23Do you want to come out, pet?
38:30If you want to talk, I'm here.
38:35Stevie?
38:38Okay, Sandy.
38:39Find out if there's anyone near the house and get them over there.
38:42I want it.
38:43No, no, no, no, no, no, Billy.
38:45You need to stay here.
38:46The hell with that.
38:48I know you had it tough, Stevie, and I'm sorry.
38:51You've got a bad deal and you've every right to blame us,
38:54but we were just doing our jobs.
38:57You took her from me.
39:00You stole her.
39:02You and Tulloch.
39:04We had to, Stevie.
39:05Your mum was a good person, but she couldn't cope.
39:08My mum.
39:09You think I give a shit about that useless junkie?
39:12You took Amy from me.
39:15I remember everything.
39:19You and Tulloch just got outside.
39:22I saw the looks between yous.
39:25I remember you grabbing me
39:28while she threw Amy in the car.
39:32I can still smell your perfume.
39:36You're wearing it now, aren't you?
39:39It fucking stinks.
39:41You.
39:46You took my sister from me.
39:50You've still got Amy.
39:51It is not the same.
39:53She is different.
39:55She has Aidan and Luke and her work in a flat with fucking tea towels.
40:00I want the old Amy.
40:02You know, just me and her.
40:03Nobody else.
40:04Just like it was in the flat.
40:07You can't have that.
40:08I don't know.
40:11You can't have it, Stevie.
40:13I said!
40:15I know.
40:18You can't.
40:20You can't have it, Ben.
40:23You can't.
40:25You can't have it.
40:27I'm sorry.
40:28I'm so sorry.
40:42Morag?
40:48Morag.
40:58I don't want a charge, Sandy.
40:59As far as I'm concerned, there was no crime here.
41:14Did she say anything, Morag?
41:16About what?
41:18Edie.
41:20No, no, she was speaking about the day we took her and Amy away.
41:23Maybe me and Edie wish to handle things better.
41:25You did what you could, love.
41:27Yeah.
41:29And a fat lot of good that did.
41:31She's head of shock.
41:32Her and me both.
41:34I'll leave you to it.
41:36Let me know if you need anything.
41:38Sandy.
41:40Sandy.
41:42Sandy.
41:43Sandy.
41:45Sandy.
41:46Sandy.
41:47Sandy.
41:49Sandy.
41:51Sandy.
41:53Sandy.
41:55Sandy.
41:56Sandy.
41:58Sandy.
42:00Sandy.
42:01I thought she was asking about the robot.
42:03Any idea why?
42:05No.
42:07I'm sure it'll keep her.
42:09Just take care of Morag.
42:22Hello?
42:24Is that Leighton?
42:26Yeah.
42:27Are you looking for a job?
42:28Right.
42:30Yeah, yeah, yeah, yeah, yeah.
42:32Yeah, hey.
42:34How did you get this number though?
42:36Look, if you're not interested.
42:38No, I am. Yeah, 100%.
42:39Good.
42:40Because I might have someone on tonight.
42:41Nothing too big, but I need an extra pair of hands.
42:44Yeah, oh, okay.
42:46Right.
42:47Well, keep your phone on, yeah?
42:48And I'll let you know when and where later.
42:49I didn't get your name though.
42:50I could do the proper introductions tonight.
42:54I'll be in touch.
42:55She was strangled, tied to a post, and left to rot in her garden.
43:12Edie Tulloch, your social worker.
43:13And then there's Morag McCabe, another social worker, who you attacked in her own home this afternoon.
43:30I didn't do this.
43:35But you were in Luniswick.
43:38You were in Edie Tulloch's house.
43:40No, I was in her garden.
43:42Why were you in her garden?
43:45I don't know, I just...
43:48I wanted to see her.
43:50Wait, so you spoke to her?
43:53No, no.
43:55I mean...
43:57I wanted to look at her.
44:00Why?
44:02I just...
44:06I wanted to look at her.
44:09You know, see if she still looked the way that she did when she came to the house that day.
44:16And did she?
44:17No.
44:21She looked like a wee old woman.
44:23Wait, let me get this straight.
44:25You, er...
44:26You didn't go into the house.
44:28You didn't talk to Edie Tulloch.
44:30And you didn't attack her like you tried to attack Morag.
44:33I just watched her through the window, and then I went back to Amy's.
44:38Okay.
44:43Was she with anyone else?
44:44The thing is, Stevie, it's really hard for us to believe you.
44:51You say one thing, and then you go and do something that completely contradicts that.
44:57This morning, you told us you and Amy were bonded.
45:02That you would do anything for each other.
45:04And then we find out that you reported her to children's services.
45:10No, I...
45:12I didn't mean that.
45:14So why did you do it?
45:16I think I wanted her to have that...
45:19feeling again.
45:21What do you mean? What feeling?
45:24Like...
45:26Chaos.
45:28When everything's out of control and you're falling.
45:31When I was thirteen.
45:38I spent a year in a children's home in...
45:41...Pantford.
45:43Well, again, I don't... I don't remember.
45:46Anyway, yeah.
45:48The kids there, they would...
45:49They'd play this game where they'd imagine the families that would adopt them.
45:56It's bullshit.
45:59Nobody fucking wanted us.
46:05I never fantasized about a new family.
46:07I just wanted to be at home.
46:11With Amy.
46:13With the chaos.
46:15And the falling feeling.
46:20I was happy.
46:22There.
46:24With Amy.
46:31Having Amy's the only person that's ever loved me.
46:37I didn't do this.
46:47So what are your thoughts?
46:49It sounded like the truth to me.
46:53But we've been here before.
46:55Oh, come on.
46:57Even you can't think that children's home story was a lie.
47:01Maybe it was, maybe it wasn't.
47:03Jesus, you are cynical.
47:05What?
47:06I'm not going to form an opinion on someone just because they've given me the little orphan Annie shtick.
47:12Day I called her.
47:16All right.
47:18Right, thanks.
47:20So...
47:23Stevie's prints are not a match for the set that were found at the Tullock house.
47:27So, where does that leave us?
47:30With no suspect and no motive.
47:32OK, well look, it's not a total washout.
47:35We can still charge Stevie for making a false report.
47:38And that's before the assault on Morag.
47:40Yeah, except Morag's already said she doesn't want to press charges.
47:44That's not her choice to make.
47:46Erm, I'll take a view over it.
47:48We should, erm, probably release Stevie for now.
47:51I'll go and sort it.
47:53Shit!
47:55I'm supposed to be going out.
47:57Erm, I'm meeting a friend.
47:58I'm meeting a friend.
47:59I'm meeting a friend.
48:02I'm meeting a friend.
48:03I'll leave you to it.
48:33I'm sorry.
49:03I'll leave you to it.
49:33I'll leave you to it.
49:45I'll leave you to it.
49:46I'll leave you to it.
49:47You made it then.
49:50Sorry, sorry, sorry.
49:52Look who I ran into.
49:54It's Ed.
49:55You remember Ed, don't you Ruth?
49:57Yes, I do.
49:58How are you doing, Ed?
49:59I'm fine.
50:00I thought we could all eat together.
50:03Sit down, both of you.
50:05I'll go to the bar, get us a nice bottle of wine.
50:08No, I'm fine.
50:09No wine for me first.
50:10Yeah, nor me.
50:15We didn't bump into each other.
50:18He called me, invited me for dinner.
50:20It's all right.
50:21I didn't know you were coming.
50:22I don't know what he's playing at.
50:24No.
50:25I think it's pretty obvious.
50:27Look, I'll get out of your way.
50:30No, no, it's fine.
50:31Just stay.
50:32It's okay.
50:33To be honest, I'm short staffed at the pub.
50:35I could do with being there.
50:36Hmm.
50:37Tell James I'll get my revenge.
50:39Hmm.
50:40You know, it's not that I don't want to.
50:43At dinner I meet you.
50:45It's just, you know.
50:47Yeah, yeah, I know.
50:48It's fine.
50:49Catch you later.
50:50Yes, go on.
50:51Go.
50:56Where's he going?
50:58Did you scare him away?
51:00You scared him away?
51:02Your bloody Silla Black impression.
51:11DI Calder, leave a message.
51:13Hi, it's Will.
51:15I've got some information for you, right?
51:17So just meet me at the fish market in an hour
51:20and don't be late, please.
51:32It should LUXFLU après most of your Monday.
51:34I'm still hungry with Joe purview here.
51:36It's just sixteen, huh?
51:39Oh, they didn't know what to say.
51:41I'm gonna do that, though.
51:42How can I help you?
52:09Hello, I was wondering if I could speak to D.I. McIntosh, please.
52:24Ray was with me the night the robbery at the docks took place.
52:29Robert arrested him at the house the next morning.
52:33At first I wasn't worried, I knew Ray hadn't done it.
52:36I figured he'd be at the station a couple of hours and then he'd come home.
52:40But the day dragged on and he didn't come back.
52:44And then about ten o'clock, Robert came to see me.
52:51He said they were keeping him in overnight.
52:57Holes in his story they needed to check.
53:02I told him you've got it wrong.
53:05He was with me.
53:06What did Robert say?
53:11He said it would be better if Ray wasn't at home.
53:18That I should lie and say he'd been out all night.
53:25Robert was tired of him.
53:27Wanted him off the aisles.
53:29He made it quite clear that I was to help him do that.
53:33But you refused.
53:35Yes, of course I did.
53:38But then Robert reminded me that Edie was the head of family services.
53:46And one word from him and she would start investigating us.
53:55Kids get taken from their mums all the time, Gina.
54:00You can either stand by Ray or you can lose David.
54:19Did Edie know about this?
54:23I don't know but I couldn't take the chance.
54:25I did what he said.
54:26I betrayed Ray.
54:29I mean to be fair to him he understood why I had to do it.
54:32He never blamed me for it.
54:33Why didn't you report this, Gina?
54:36Who to?
54:38To another police officer.
54:40Sergeant McCabe was here at that time.
54:43Sergeant McCabe?
54:46You mean Robert Tulloch's pal?
54:59Don't you?
55:00You mean Robert Tulloch's pal?
55:02Oh, I know.
55:03Sorry about that for now.
55:05No.
55:06No.
55:15I'm sorry so 텍.
55:16I'm sorry.
55:17I have a place for you.
55:18I go home.
55:19No.
55:20I'm sorry.
55:21No.
55:22No.
55:23No.
55:24OK. Thank you very much.
55:33Here we go.
55:34I'm just saying you've got a type.
55:37I don't have a type.
55:39You do.
55:40You're like the charming losers, the useless arty ones.
55:44You want to be someone's muse.
55:46Shit.
55:47Don't be too hard on yourself.
55:50The heart wants what the heart wants.
55:52Yeah, I'm sorry, James.
55:54I've got to go.
55:57I'll see you later.
56:22You weren't right, James.
56:28Lighten.
56:33You there?
56:38See if there's a fucking wind up.
56:44Hi, it's Will.
56:45Hi, it's Will. Sorry I can't come to the phone right now, I'll give you my message.
57:13Lowden?
57:16Oh!
57:18Oh!
57:19Oh!
57:20Oh!
57:22Oh!
57:23Oh!
57:25Oh!
57:26Oh!
57:28Oh!
57:29Oh!
57:30Oh!
57:31Oh!
57:32Oh!
57:33Oh!
57:34Oh!
57:35Oh!
57:36Oh!
57:42When a criminal gang starts to fracture, family loyalties count for nothing and power struggles
57:47are on the cards.
57:48Press Red for this city is ours on BBC iPlayer.
57:52Never.
57:54Oh!
57:55Oh!
57:56Oh!
57:57Oh!
57:58Oh!
57:59Oh!
58:00Oh!
58:01Oh!
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