- 2 days ago
Luther tv series - Season 5 , Episodes 2
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TVTranscript
00:00Okay, so where do I need him?
00:14Apparently there's a bench on the north side of the promenade
00:18on a corner of Spitsenstraat and Hoot Dock Nordecai.
00:25I'll meet you there.
00:27And you're sure he's ready to pay?
00:30Mr, what did you do?
00:35Miriam, n'est-ce pas? Enchanté.
00:38Egalement.
00:42I need to see if you want.
00:53You allow me?
00:54No.
00:55No?
01:03Very, very good quality.
01:04No.
01:05No.
01:06No.
01:07No.
01:08No.
01:09No.
01:10No.
01:11No.
01:12No.
01:13No.
01:14No.
01:15No.
01:16No.
01:17No.
01:18No.
01:19No.
01:20No.
01:21No.
01:22No.
01:31Jacob, how'd it go?
01:33It's all gone according to plan.
01:35My men will have the diamonds by now.
01:38Where are they?
01:39Where are they?
01:40Where are they?
01:41Where are they?
01:42No.
01:44No.
01:45No.
01:46No.
01:47No, no.
01:48No.
01:49No.
01:54No.
01:55No.
01:56No.
01:58No.
01:59No.
02:00I ain't got zero.
02:02Oh, my God.
02:32I don't know.
03:02I don't know.
03:32I don't know.
03:34Watcher.
03:36Don't pretend you're not pleased to see me.
03:41I'm not.
03:43I'm a bit surprised you're alive.
03:45I think I'm looking for joy unconfined.
03:48Just a place to hide.
03:50Maybe I covered it in a chocolate digester.
03:54Hope.
03:58Love is like a sin, my love.
04:10For the ones that feel it the most.
04:17Look at her with her eyes like a flame.
04:26She will love you like a fly.
04:29I love you.
04:37I love you.
04:39I love you.
04:41I love you.
04:45Oh, my God.
05:15Alice, I don't want anything to do with it.
05:33I want you patched up and out of the door.
05:37Do you understand me?
05:38So what happened?
05:46A big boy did it and ran away.
05:49You robbed me, George.
06:13I can understand why you think that, but they stole from us both.
06:28All right, what do you want?
06:29I'm a thief.
06:29I've robbed you.
06:30How is it to know you're basically the Tasmanian devil?
06:33Make the transfer.
06:34Pay what you owe plus, um, 20% for the inconvenience.
06:45I'm afraid I have to decline.
06:51I beg your pardon.
06:53I'm not buying what you're selling.
06:55I'm selling your son, George.
07:01Even so.
07:05Hey, you crack me up, George.
07:07You really do, but I really am going to need that money,
07:10or I'll take Alice's head to the zoo and feed it to the monkeys.
07:13Oh, no, calm now.
07:17You're not going to do that here.
07:27Ow!
07:32Kidnapped his son and tried to do him over.
07:35Ow!
07:38George and I had a little chat.
07:41Ah.
07:41I said, chat, he beat the crap out of me.
07:46Ah.
07:47Ah.
07:48Ah.
07:49I see.
07:50Ow!
08:09Hold up.
08:10Hold up.
08:11Sorry, boss.
08:39I've been reading this, and it's James Howes' psychiatric file.
08:43Something's off.
08:45All right, yeah.
08:46Um, come on in.
08:48Come on.
08:48Yeah.
08:50Can't stop it, George.
08:51So, Vivian Lake gives us a lot about his shame and anxiety.
09:03Now, the actual file talks a lot about the obsession of suicidal ideation.
09:07I mean, a lot.
09:08Did she mention that he's a suicide risk?
09:10Not once.
09:11Let's have a look.
09:11So, what if you're right?
09:17What if she did cross the line?
09:19Vivian Lake and James Howser in a psycho-sexual jamboree.
09:23A big old bag of wrong, man.
09:25And I don't think he's a big old bag of wrong?
09:27Oh, yeah.
09:29I don't know.
09:31I don't know.
09:32But I don't know.
09:33I don't know.
09:33I don't know.
09:34Speaking of which, um, do you mind if I?
09:40Oh, yeah, yeah. Upstairs, first on the right.
09:50Well, Houser spirals out of control.
09:53Vivian's now implicated.
09:54She faces ruination, maybe prison.
09:57But the one thing we knew about him, or thought we knew, or whatever.
10:00He didn't want to get caught.
10:02He's audacious, but he's also careful, with the math, with the cameras, the escape routes, and stuff.
10:10So maybe that's because he's got a morbid fear of being caught,
10:12trying to feel a cell father would get arrested.
10:15Maybe he's ashamed and easy to do with people.
10:18Even if you're a cell father, a car, wouldn't want to be able to do it anymore.
10:22Maybe he's exposed about his life.
10:25We know what drives someone to hear himself, right?
10:27Except, in this case, someone knows, if you're ready.
10:32Yeah?
10:34Uh, uh, BOTS!
11:04I think B.S. Halliday is on to something.
11:10I think she probably is.
11:13Yes.
11:15So, um, what's the next step?
11:17How do we play it?
11:22Well, it won't be easy.
11:25Her defences are up.
11:27She's calculating.
11:28She's intelligent.
11:30And she's got nerve.
11:32Besides, we don't have any hard evidence of wrongdoing.
11:38No, we don't.
11:42Is she married?
11:43Eighteen years.
11:45Happily.
11:46Apparently.
11:48Why?
11:49Well, the happier the marriage, the easier it is to weaponise.
11:54And the Cynic of the Year award goes to...
11:57No, I'm not a cynic.
11:59That's basically my problem.
12:02I think we, uh, pay the husband a visit
12:05and then see how Vivian Lake reacts.
12:11Gov?
12:13Yeah.
12:14And you're off.
12:34Oh, sub this.
12:57He thinks you're my weak spot.
13:11He thinks he can hurt me by hurting you.
13:16Args.
13:16Uh...
13:16What's up, Vic?
13:25Oh, big of a bitch.
13:28Oh, big of a bitch.
13:28Oh, big of a bitch.
13:44Oh, big of a bitch.
13:44I don't know.
14:14I don't know.
14:44What's the room?
15:02I don't know.
15:03I don't know.
15:04I don't know.
15:05I don't know.
15:06I don't know.
15:07I don't know.
15:08I don't know.
15:09I don't know.
15:10I don't know.
15:11I don't know.
15:12I don't know.
15:13I don't know.
15:14I don't know.
15:15I don't know.
15:16I don't know.
15:17I don't know.
15:18I don't know.
15:19I don't know.
15:20I don't know.
15:21I don't know.
15:22I don't know.
15:23I don't know.
15:24I don't know.
15:25I don't know.
15:26I don't know.
15:27I don't know.
15:28I don't know.
15:29I don't know.
15:30I don't know.
15:31I don't know.
15:32I don't know.
15:33I don't know.
15:34I've been wasted.
15:35I'm sorry.
15:36I hope you know I can't go back to my house until this is put right.
15:49What if it can't be put right.
15:51No, I want my life back the way it was until you pitched up.
15:54It will be put right.
15:55Sorry.
15:56It's really not.
15:57What do you want me to say?
16:00I've rather missed all this.
16:03So have you probably. I really haven't. Look at my face. Look at it.
16:09What about this one? Yeah, yeah, hurry up. Just...
16:28Well, she sounds very keen.
16:31Who?
16:33The new bestie. What's her name?
16:35Anne of Green Gables and, I don't know, Heidi.
16:39Halliday.
16:40Halliday. Oh, oh, that's interesting.
16:42What is?
16:43Well, the impersonal use of her surname.
16:45Are you trying to unsex her in my mind?
16:48Oh.
16:49Because honestly, where on earth would you do that?
16:52I just don't want you turning her face into a handbag.
16:56How did you do it?
17:01Does it matter?
17:02Yes, it matters.
17:04I saw the murder report.
17:12Your body on the slab.
17:13I saw all of that.
17:14Oh, John, don't be insulting.
17:16There's not much you can't buy from a retiring officer with a crappy pension and a chip on his shoulder.
17:22All I wanted to do was die, disappear and leave you in peace.
17:29But George Cornelius put paid to that and that's why I'm back to wrap his knuckles.
17:35Is that all you're back for?
17:38What else is there?
17:40You can just walk away.
17:43No, of course not.
17:45I had to be dead.
17:47That's how all your best relationships end.
18:00You look very handsome.
18:05I like your time.
18:09You bought it for me.
18:11When I am.
18:12I remember.
18:14You wore it the night you kicked that Somali rent boy half to death.
18:20No more wrists.
18:23No.
18:25We have to be absolutely sure you're not developing any problems with impulse control.
18:32I'm not.
18:35Because what's the rule?
18:39Play safe.
18:41Play safe.
18:45Honestly.
18:47The girl on the bus, she wasn't so scared.
18:49Be that as it may.
18:52Don't let it happen again.
18:55You need to be more careful.
18:56DCI Luther sends his apologies.
19:14You've got me today, I'm afraid.
19:16DCI Luther brings cake.
19:18He does.
19:21Usually.
19:22Are we talking about the same DCI Luther?
19:24Big chap.
19:25Likes cake.
19:26You're going to need a bucket.
19:28For what?
19:29To be sick into.
19:31Do people really do that?
19:32Now and again.
19:33Too much cake.
19:35Perhaps we should crack on.
19:37There is a deep obliquely placed inside neck injury at the front side of the neck.
19:44There are no other injuries.
19:45No hesitation cuts.
19:47No defense injuries.
19:49The pattern of the injury is consistent with suicide.
19:55That he cut his own throat and bled to death.
19:58Uh, the lack of hesitation injuries.
20:02How significant is that?
20:04Ordinarily.
20:05I'd say very.
20:07It's quite an endeavor to take a scalpel to your own throat and do this without wavering.
20:12But?
20:14But, Mr. Hauser seems quite accustomed to various levels of self-mutilation.
20:20I found 39 needles embedded in the lower abdomen, the perineum and the testicles.
20:27I'm sorry, when you say needles, what do you mean?
20:29Needles?
20:30Household sewing needles.
20:32And, uh, who put them there?
20:34He did.
20:35The oldest of the needles have been in situ for some time.
20:38Years, possibly.
20:42No grunt, no finesse.
20:43These are absolutely the right wheels.
20:45I know my wheels, man.
20:47These are the right wheels for the terrain.
20:50What are you doing, man?
20:57Whoa, whoa, whoa.
21:05Hello, boss.
21:06Denny, I need you here.
21:08I'm sorry, boss.
21:09I think I've caught that norovirus.
21:11I've basically been up all night turning myself inside out.
21:14I don't care if you shit out your own liver on Oxford Street.
21:17I need you here.
21:18Now.
21:19Then I'm on my way.
21:22Sorry, mentee, mate.
21:23I'm gonna have to chip.
21:27And that's it, is it?
21:28That's police protection in this day and age.
21:32Try not to drink all the nook, eh?
21:34Jeremy Lake's office.
22:00I'm afraid Mr Lake's not yet in the office.
22:04Can I take a message for you, Mrs Lake?
22:09Stay close to money, darling.
22:30Okay.
22:31Sorry about that now.
22:33Where were we last time?
22:41Morning.
22:41Morning.
22:42Morning.
22:43Morning.
22:44Morning.
22:45Morning.
22:48Morning, Miriam.
22:49Morning, Jeremy.
22:50Mrs Lake left a message for you.
22:52Oh, and then on the cabman's 15 minutes early.
22:54Oh.
22:55Morning.
22:56Hello.
22:57Hello, my.
22:58I'm Jeremy Lake.
22:59Has someone talked you through the procedure?
23:00Uh, no.
23:01May I?
23:02Yes, of course.
23:03Yes, sorry.
23:04You have a condition known as mitral valve regurgitation.
23:05The valve inside your heart isn't closing properly so blood is leaking back.
23:09You're a diseased whore so today we're going to replace the faulty valve.
23:10I'm going to make an incision down the center of your chest and then I'm going to saw through
23:15your sternum and separate the sternum and separate the halves.
23:16Your heart is surrounded by membrane called the pericardium.
23:17I'm going to cut through that and kill you.
23:18Then I'm going to make an incision into your superior and inferior vena cava and attach
23:19a very thin tube called a cannula.
23:20I'm sorry.
23:21What did you say?
23:22I don't want to know.
23:23I'm sorry.
23:24What did you say?
23:25I don't want to know.
23:26I'm going to know.
23:27I'm going to know.
23:28My heart isn't closing properly so blood is leaking back.
23:29You're a diseased whore so today we're going to replace the faulty valve.
23:30I'm going to make an incision down the center of your chest and then I'm going to saw through
23:32your sternum and separate the halves.
23:34Your heart is surrounded by membrane called the pericardium.
23:37I'm going to cut through that and kill you.
23:39Then I'm going to make an incision into your superior and inferior vena cava and attach
23:42a very thin tube called a cannula.
23:44I'm sorry.
23:46What did you say?
23:49Don't worry.
23:50I've done it a hundred times.
23:52Right.
24:03I had to keep it.
24:04Issues with the will.
24:06I bet there were.
24:09Typical mum and dad.
24:11Didn't actually write one.
24:19Did you know the observable universe got bigger?
24:36No, I missed that.
24:38Well, it's true.
24:39Last time I saw you we assumed there were about 200 billion galaxies.
24:43The revised estimate puts it at 2 trillion.
24:46So what we believed to be absolutely everything was basically just a rounding error.
24:52Closer to zero than the true number.
24:57Great.
24:58It's funny, really.
24:59You fantasize about these things.
25:04You become enraptured with how meaningful it'll all be.
25:12And with each repetition the fantasy becomes more refined until one day it's perfect.
25:24What you'll do.
25:25What they'll say.
25:28What words and what precise tone of voice.
25:30The look.
25:31They look in their eyes when they say it.
25:35The reality can never measure up.
25:54It was such an anti-climax.
25:57I almost wished I'd never done it.
26:03That's why meeting you was such fun.
26:08You made it meaningful.
26:11You made me glad I did it.
26:13Oh, I'm sorry to hear that.
26:14Oh, no, don't be.
26:15They were dead anyway.
26:17You made me feel better.
26:19Turned it into a sport.
26:21It wasn't that.
26:22Of course it was.
26:24Not in the end.
26:27No.
26:29That's what spoiled it.
26:32Is that why you left?
26:35No, John.
26:36You left first.
26:39Right.
26:41Where is he?
26:43This way.
26:47Funny.
26:48I was never allowed boys in here.
27:02They only gave him a small sedative.
27:12But he's still away with the fairies.
27:17I think we have to take him back to his dad.
27:19No, in all honesty, I'm not sure his dad wants him.
27:22Yeah.
27:23Yeah, look, the poor boy is an embarrassment.
27:26Cornelius can't just take him back and pretend it never happened.
27:29It would weaken him.
27:31He has to punish us and be seen to punish us.
27:34We are not us.
27:36Well, ask him that.
27:37He thinks we're up a tree.
27:38K-I-S-S-I-N-G.
27:41Yeah, well, I'll have to figure out a way to make him come out of this looking stronger.
27:46Or option two.
27:50We kill him and run.
27:52We tried that.
27:53You got scared, remember?
27:54No, John.
27:55That's not what happened.
27:56Then what happened?
27:57You left.
27:58If that's what you think, then you remember it wrong.
28:05I've got to go.
28:06More work, is it?
28:08Uncuff him.
28:28We want to disappear.
28:33I mean really disappear.
28:38We need to liquidate these.
28:58Why does it matter?
29:23Why does it matter?
29:28Does it arouse you?
29:42No.
29:45Do I?
29:48Yes.
29:49Well, then you're looking in the wrong direction, John.
29:52Some of these people would still be alive if I was there.
29:58No.
30:00No.
30:01Why is he alone?
30:05That's all for you.
30:08I can't get to know what you want, Tom.
30:10No.
30:11No.
30:12No, no, no.
30:13You're not going to have no help to live on a beatboard.
30:15No.
30:16No.
30:17No.
30:18No.
30:19No.
30:20No.
30:21No.
30:22No.
30:23No, no.
30:24No.
30:25No.
30:27Silly sod.
30:30Well, I appreciate the courtesy.
30:32Oh, I told you I'd sort it.
30:36Did you know about this, honestly?
30:39No.
30:41But she was there, wasn't she? Last night, at your gaff.
30:44Yeah, she showed up five minutes before you did.
30:47Oh.
30:48So where's she been hiding all this time,
30:50the wicked bitch of the West?
30:53I don't know. And I don't care.
30:55Oh, fair enough.
30:57More to the point.
30:59Where is she now?
31:02Give her to me, and you and me are all square.
31:07This is about a lot more than getting my boy back.
31:10Yeah, I know what it's about, George.
31:12That doesn't mean we can't make it right.
31:14How'd you propose to do that?
31:20Money.
31:22Where'd you get all this money?
31:23It's money tied into my house.
31:26You'd really do that?
31:27Give up everything you earn, everything you work for?
31:32Yeah.
31:34For her?
31:35Let me get my boy back home.
31:48I'll give you a bell.
31:51Wakey, wakey.
31:52We're done.
31:53We can leave.
31:54John.
31:55Tell me, what did you do?
31:56I paid him off.
31:57I'm sorry, what with?
31:58You don't have any money.
31:59You don't know me as well as you think you do.
32:01There's always option two.
32:02No.
32:03This is not my fight.
32:04This is some hole you've dragged me in, and I've just dragged us out, okay?
32:06So now you can go home.
32:07I'm not yours to be-
32:08Alice.
32:09We're done.
32:10We can go.
32:12Alice.
32:13Alice.
32:14We're done.
32:15You can go.
32:17Alice.
32:18Oh, no.
32:19I'm sorry.
32:20I don't know you're back.
32:21What if you do?
32:22I'm sorry.
32:23I'm sorry.
32:24I'm sorry.
32:25I'm sorry.
32:26How did you do that?
32:27I'm sorry.
32:28I didn't know you were to be-
32:29No.
32:30It's not me.
32:31No.
32:32No.
32:33No.
32:34No.
32:35No.
32:36No.
32:37No.
32:38No.
32:39No.
32:40No.
32:41No.
32:42No.
32:43No.
32:44No.
33:45One per minute.
33:47That's rounding the figures.
33:48Excluding death by arm.
33:50So chances are it's happening right now in Distrito Central, Port-au-Prince, Cape Town.
33:55So why does this one matter more?
33:57Does the pressure of the moral circle decrease the further you get from the center?
34:02Because that's not really morality, is it?
34:05That's more a kind of sanctimonious provincialism.
34:14Some of these people would still be alive if I was there.
34:17Well, as untestable hypotheses go, that's a doozy.
34:24I just know.
34:27And you don't think this assumption of omnipotence is a touch narcissistic?
34:32Because I have to say it didn't help dear old Justin Ripley, did it?
34:39We're in poverty.
34:43Sorry about that. I had to drop something off.
35:07Oh, yeah? What? Body? A sofa?
35:11A box that said, mind your own.
35:17Is there anything I need to know about?
35:19No.
35:20Anything I need to follow up on?
35:22No, you're good.
35:23Anything I can help with?
35:24You're helping. This is helping.
35:29Barry Malake, I'm DCI John Luther. This is DS Halliday.
35:33What would you like? A round of applause?
35:35Wouldn't hurt.
35:37I don't need to be ill-mannered, but I'm due in surgery shortly,
35:40so...
35:41Can we have a seat for a moment?
35:43Do you have a medical condition which requires it?
35:46Er, no.
35:47Well then, yes, I mind.
35:49Er, we're just gathering background information, really.
35:54Well, I'm not sure I can be much help. At least not in that regard.
35:58How much did you know about your wife's patient, James Helzer?
36:04Before last night, nothing.
36:06So you were unaware of the, er, intense nature of their relationship?
36:11Intense?
36:12Yeah, I think that's the right word.
36:14Is it?
36:17Vivian and I don't discuss patients.
36:20Is there a reason for that?
36:22Absolutely. Acute lack of interest.
36:24They're like battery heads shitting out identical neuroses,
36:28each of them feeling different in exactly the same way.
36:30Erm, how's Vivian feeling?
36:33It must have been quite the wrench,
36:35losing somebody she became so close to.
36:37Vivian is my wife.
36:39Not my chattel.
36:41She can do whatever she chooses with whomever she chooses.
36:44Personally, I very much doubt she'd risk her career
36:48by sexually amusing herself with some masturbating on-ball.
36:51He got his jollies by jamming pins into his testicles
36:54and threading rusty wire down his urethra.
36:57I certainly haven't noticed any wounding to her buttocks or breasts,
37:00which I understand were his areas of particular interest.
37:04Which is before he started vivisecting them.
37:07Before then, yes.
37:08Now, if your hope in coming here was to deploy vapid innuendo
37:11and state-sponsored slut-shaming
37:13and attempt to arouse my jealousy
37:15and have me implicate my wife in some imaginary wrongdoing,
37:17then I'm afraid you've had rather a wasted journey.
37:21You're looking in the wrong place.
37:25For what?
37:26Whatever you might be looking for.
37:27Unless I'm wrong.
37:30And you just want to fill up the old wank bank.
37:32In which case, I'm happy to oblige.
37:34Would you like to know what she likes in bed?
37:36How often? How aggressively?
37:38Jeremy.
37:39I'm just trying to understand what happened last night.
37:42Oh, I see. Oh, that's easy.
37:44Last night, as a result of your catastrophically poor judgement, a man died.
37:50And now you'd like to find a way to hold my wife responsible.
37:54Honestly?
37:55Best of luck with that.
37:57We'll see you in court, if we don't see you before.
37:59I'm sorry, what do you mean by that?
38:01I'd have thought it fairly unambiguous.
38:11Well...
38:13Thanks for that.
38:14Yeah.
38:15Been a pleasure.
38:16I don't know about you, but I liked him.
38:22Well, for someone who doesn't know anything about James Howser...
38:24He seemed to know a lot about James Howser.
38:26Yeah, he did.
38:27Breasts, buttocks, rusty old wires down the old trap.
38:29Is that a thing?
38:30No.
38:31Not in my eyes, it's not.
38:33So what was he looking at?
38:34Sorry, Gov.
38:35Well, when we walked in, he was holding up an MRI to the light.
38:40Well, er...
38:41He's a surgeon?
38:42No, he's a heart specialist.
38:44Why was he holding up an MRI of someone's head?
38:47Could be a number of reasons.
38:49Name one.
38:51Yeah, I guess that is weird.
38:52Am I wrong? Is it weird?
38:53It's weird.
38:55So, whose head was he looking at?
38:57Let's get back and find out.
39:05Let's go!
39:35So how are we doing no actually I don't want to do this can we stop right let's crack her open
39:49shall we see what's inside
40:05we're in
40:12is there no pestering
40:16right
40:18that's right
40:19get her open please
40:33it says
40:49I don't want to do this
41:49Dear Silver, I need you here now. No lies, no excuses. Now.
42:19I've got to take this. Why don't you just go on and dig into that surgeon? He feels wrong.
42:36Yeah, I could get him come up.
42:41George.
42:42Tommy's been niggling at me since we spoke.
42:45Okay, what's that?
42:46Do I look like a tart to you, John? I mean, do I look like I learned my trade noshing off Tory MPs in public labs?
42:54I don't follow.
42:55What?
42:56Why would you think you could buy me?
42:59Honestly.
43:00It's baffling.
43:02George.
43:03Look, whatever's happening here, all right, just, just stop, all right?
43:09Just pump your brakes, take your tax, and let it go.
43:12Otherwise, it's something that's going to get out of control.
43:14Who's control? Not mine.
43:17Now, you bring her to me, John, and then we can call it square.
43:20I can't bring her to you. She's gone. I don't know where she's gone.
43:23All right, then.
43:24Which is what I thought you'd most likely say. Hold on.
43:33George, I...
43:34George, I am warning you.
43:47You're warning me?
43:49Whatever you're thinking of doing, stop.
43:52You've got a pair of spuds on you. I'll give you that.
44:00George.
44:00George.
44:04That woman is the debt you owe me, John. I want her.
44:13I can't do what can't be done. She's gone.
44:16I have no idea where she is.
44:21All right, all right, all right.
44:24All right, what?
44:25I'll do it.
44:27You'll do what?
44:27I'll bring it to you.
44:29You sure now?
44:30No!
44:31Just stop.
44:36No messing.
44:38No amusing chit-chat.
44:41No pre-very fucking catering.
44:42You get this done.
44:45It's done.
44:45I'll bring it to you.
44:46I know how much the idea's always excited you to do it while everyone looks on.
45:02That level of risk.
45:03There was no risk.
45:05You were aroused sexually.
45:08I could see it.
45:12Now, I know how difficult it is watching the day slip by wanting each one to be special,
45:16but you have to understand that I still have a life to live.
45:21A career you're putting at risk.
45:23My liberty.
45:24Of course.
45:26Sorry.
45:28Are you having any problems with recall?
45:31No.
45:33Your appetite?
45:35Well, that's a little diminished.
45:37No instance of pico or unusual cravings or anything?
45:41No.
45:42Just the usual, unusual cravings.
45:44I wish there was more I could do for you.
45:54No one could do more.
45:57I love you.
45:59I love you too.
46:12Are you out tonight?
46:14No.
46:17Straight to help me.
46:20I'm tired.
46:28Always help me.
46:44Alice?
47:02Alice?
47:04Alice?
47:09Alice?
47:10I don't know.
47:40I don't know.
48:10I don't know.
48:40I don't know.
49:10I haven't misjudged it, have I?
49:15Anyway, she's double parked outside, so it's her best crack on.
49:2095, wasn't it?
49:22Yeah, it was.
49:23Just call it 100.
49:25Oh, thank you.
49:27Look, yeah, you better come in and see if that's going to work.
49:31Look.
49:32You all right?
49:33Yeah.
49:33All right, there we are.
49:45Oh, let's just get this on.
49:47What?
49:55What?
49:55Oh!
49:55Oh!
49:55Oh!
49:56Oh!
49:56Oh!
50:04Oh!
50:05Oh!
50:05Ah!
50:06I don't know.
50:37Babe!
50:58Is someone gonna get that?
50:59Is anyone gonna get that?
51:09Apparently not.
51:10Hello.
51:22Are you Alistair?
51:24No.
51:26George sent me a...
51:27welcome home present.
51:30Oh, yeah, he's right this way.
51:35Oh, no, no, no, no, no, no, no.
52:01I think I can take it from here, hmm?
52:07Hello?
52:08Oh.
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