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00:00:00To be continued...
00:00:30The End
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00:02:00We're late enough already, they've closed the doors. You're coming. It's a medical school lecture. I want to see what the attraction is.
00:02:22The Psychology of Crime.
00:02:23What? The Psychology of Crime? Come on. I have a good mind to stay. Who's the lecturer?
00:02:31I'd stay if I were you. He only lectures once a week. Now you've got to stay.
00:02:36Up to this point in the present series of lectures, we've dealt exclusively with abnormal mentalities.
00:02:49I emphasize the fact that in civilized communities, 80% of our murderers and violent criminals were those whose minds had been conditioned by exceptional nervous stress and unhealthy environment.
00:03:02Last Friday we dealt with the smaller group of strictly moronic criminals.
00:03:08And now we come to that much more interesting phenomenon, the sane criminal.
00:03:14The man who is prepared to pursue his own ethical convictions even to the point of murder.
00:03:20The man who's punishment is apt to weigh heavily on the conscious of society because his actions as likely as not have been inspired by just as great an integrity as those of the men who sit in judgment.
00:03:33At worst, he's an irresponsible opportunist. At the best, he's a man with a strong sense of justice. Even a mystic.
00:03:46I propose to relate the case history of a murderer of this class. A perfectly sane, valuable member of society.
00:03:53We'd better give him a fictitious name. We'll give them all fictitious names. All the characters in this case. He was a surgeon.
00:04:02We'd call him Mr. Mr. Joyce. Mr. Michael Joyce.
00:04:07He was well thought of in the medical profession and had a house of his own in Harley Street.
00:04:12His marriage had been an unhappy one. And he'd lived apart from his wife for several years.
00:04:17Consequently, he threw all his energy and interest into his work.
00:04:21As a brain specialist, he operated in three London hospitals and had developed a technique which considerably reduced the mortality rate in this field.
00:04:29He was reserved in his personal relationships and had no close friends.
00:04:34His only relaxation was to sit at home and play the piano or go to an occasional concert.
00:04:40Otherwise, it was a life devoted solely to work. A life that by normal standards was unutterably lonely and empty.
00:04:47But he never recognized this himself until he met a woman called Emma Wright.
00:04:53When she first came into his consulting room, he hardly even noticed her.
00:04:57She was just an ordinary middle-class woman who happened to have a daughter who was going blind.
00:05:01Sit down, Mrs. Wright.
00:05:04There I am. Let's have a look at this head of yours.
00:05:08I gather it was an emergency operation after an air raid.
00:05:11Yes.
00:05:12Now the eyesight's affected.
00:05:14The eye specialist said there was nothing he could do.
00:05:17Can you see well enough to read?
00:05:18Not really.
00:05:20I have the eye specialist report.
00:05:23Early optic atrophy.
00:05:26This is a fairly serious condition, Mrs. Wright.
00:05:29The thing for us to do is to take her into hospital,
00:05:31make a thorough investigation so as to establish the exact cause.
00:05:35You wouldn't mind that, Anne, would you?
00:05:37Would you?
00:05:38Will it hurt?
00:05:39No. We'll take good care of you.
00:05:41You want her to go in right away?
00:05:43I think she should.
00:05:45Anne, come over here.
00:05:47Sit down.
00:05:50We don't want the atrophy to become too far advanced.
00:05:52Anne, I'm just going to look into your eyes.
00:05:55You see those two figures on the mantelpiece?
00:05:57Keep your eye on them.
00:05:59My face will get in between, but don't look at me.
00:06:02The personality of the child's mother remained for the time being
00:06:05a matter of no great importance.
00:06:08But after the child had been submitted to a series of tests,
00:06:11and x-rays had proved that her trouble was due to a small foreign body
00:06:15lodged anteriorly to the optic chiasma,
00:06:17it became obvious that a fairly serious operation was necessary,
00:06:20and the relationship between these two became inevitably less remote.
00:06:25Will it be very dangerous, the operation?
00:06:28To her life?
00:06:30There's always a risk with a major operation.
00:06:33How great a risk?
00:06:35The mortality rate with this operation is 1%.
00:06:38And if you don't operate?
00:06:40She'd go blind.
00:06:41If only my husband were here, he'd know what to do.
00:06:48I'd hate to go ahead without him.
00:06:50We might consider putting it off for a short time, if he's coming home soon.
00:06:53Not for several months, I'm afraid.
00:06:55In that case, I shouldn't advise it.
00:06:57Every week that we let it go, it gets progressively worse.
00:06:59I know.
00:07:03I know you're right, but...
00:07:05you don't think she...
00:07:07I mean...
00:07:09she couldn't be among the 1%.
00:07:11In my mind, there's no question at all.
00:07:13I've met this problem before on many occasions,
00:07:15always with complete success.
00:07:17I wish you felt you could trust me.
00:07:19It isn't that.
00:07:21I'll do what you say.
00:07:24Well, I suggest we leave Anne here at the hospital.
00:07:27She's comfortable.
00:07:29Then I'll operate as soon as it can be arranged.
00:07:31All right?
00:07:32All right.
00:07:34There's nothing to it, Anne.
00:07:36We give you something nice to make you go to sleep,
00:07:39and when you wake up again, it's all over.
00:07:41Then you'll be able to see properly again.
00:07:43Oh, Mommy, they want to cut my hair off.
00:07:45But, darling, it'll grow again.
00:07:47Oh, must I stay here, Mommy?
00:07:48Mr. Joyce will take great care of you.
00:07:50Oh, don't go. Please, Mommy.
00:07:52How would you like your mother to stay with you till you go to sleep?
00:07:55Can't you stay with me until I wake up again?
00:07:57She can stay with you all the time, if she likes.
00:07:59Oh, yes, please, Mommy.
00:08:01He says you can.
00:08:03All right, darling, I'll stay.
00:08:05I'll see you later, Anne.
00:08:07I won't be a minute.
00:08:20Oh, boy.
00:08:21I won't be a minute.
00:08:22I'll be a minute.
00:08:24Oh, wait.
00:08:26Bye.
00:08:27Oh, man.
00:08:29I'll be a minute.
00:08:31I'll be a minute.
00:08:33I'll be a minute.
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00:13:44and found they had the same tastes.
00:13:46They both liked music,
00:13:48fell into the habit of going to concerts together.
00:13:51Sometimes she'd come and play the piano at his house.
00:14:14The End
00:14:35I feel awfully guilty making you drive out all this way.
00:14:37It's all right.
00:14:38I really should have stayed in town,
00:14:40only I hate leaving Anne alone at night.
00:14:42I'm relying on you to show me the way.
00:14:44i don't know this part of the country oh i know the road good wait a minute
00:14:51and we lost oh it's all right that's our chapel your chapel yes you can see it from
00:14:56my bedroom window draw up when we come to it i must show it you all right
00:15:00used to be great ructions in the family about it
00:15:17when the wind's in our direction you can hear them singing i rather like it the sound drifts across
00:15:22and oh i don't know it's rather peaceful some people hate it kate was always trying to get
00:15:28philip to sell the house that was before she was married of course then after she came back here
00:15:33after her husband was killed she started all over again she says clay always plays out of tune who's
00:15:38clay our gardener he plays the organ here kate thinks we ought to get rid of him because of it
00:15:43why does it affect his gardening oh no it's just that kate thinks that if he hadn't a job he might
00:15:48go and live in another district and then there wouldn't be anyone to play the organ who's kate
00:15:52my sister-in-law you met her one day at the hospital did i don't you even remember the people you meet
00:15:59i remember the important ones the ones i want to remember
00:16:05that's our house up there
00:16:11there's something i've been wanting to ask you all the evening
00:16:14yes it's just are you divorced
00:16:19no
00:16:21dana doesn't want to divorce
00:16:22why do you ask oh no reason i just wondered we ought to be going it must be awfully late
00:16:41when emma came up to london for the day she made a habit of calling in at michael's house in harley street
00:16:46after the day shopping and often they'd have dinner together afterwards
00:16:58hello hello
00:17:01sorry i had to keep you waiting i got messed up with my appointments this afternoon
00:17:04it doesn't matter come and listen
00:17:05it's a record anne's made it almost sounds as though she were a real pianist
00:17:12i'm trying to think what this is madam will you walk oh yes
00:17:17it's good is that really anne of course it is quite a professional job
00:17:21oh dash i'll go back that was a mistake she always goes wrong there but we're going to have another
00:17:29one made without any mistakes
00:17:32i'm slightly sorry
00:17:33she can play it really this is where she goes wrong
00:17:48she used to play very well after the accident of course she had to play from memory
00:17:53i made her go on practicing emma do you love your husband
00:18:03well do you
00:18:06i don't know how to answer that question but you know why i asked
00:18:12yes
00:18:14oh michael i don't know what to say philip and i have been together for so long
00:18:19i love you emma
00:18:23you shouldn't have told me
00:18:26if we kept quiet about it we might have gone on seeing each other
00:18:29it wouldn't have worked
00:18:33i suppose not
00:18:35i wanted you to know
00:18:39i did know michael
00:18:45i've tried not to recognize it
00:18:47i tried to tell myself that something would happen to make it all right
00:18:51though i knew nothing could
00:18:53it can never be all right
00:18:55neither of us is free or ever likely to be
00:18:58there's nothing we can do about it
00:19:00but we won't see each other again after today
00:19:04no
00:19:07i'll miss you
00:19:10oh michael so shall i
00:19:12dreadfully
00:19:21it became more and more difficult for them to end their association though neither was happy about it
00:19:31emma's husband was giving up the work he liked so as to be with her
00:19:33and she was torn between her loyalty towards him and her love for michael joyce
00:19:47finally she decided to write to her husband and explain what had happened
00:19:57and to ask him to release her
00:19:59i can't send it can i
00:20:12no you can't
00:20:14it would be too unfair
00:20:15it's anna i'm thinking of of course
00:20:19yes well that's your answer
00:20:21certainly wouldn't be fair to her
00:20:24there's only one thing for us to do i'm afraid
00:20:30goodbye michael
00:20:30no don't come near me
00:20:40we must never see each other again
00:20:44and they never did see each other again
00:21:14and they never did see each other again
00:21:21good morning mr joyce
00:21:23good morning
00:21:24isn't it terrible about mrs wright
00:21:28mrs wright
00:21:30you remember the mother of the little girl
00:21:35oh will you come in
00:21:40will you take a seat in here please
00:21:45what about her
00:21:46oh oh mrs wright she fell out of a window and broke her neck
00:22:02it was established at the inquest
00:22:04that the fatal fall took place at about six o'clock in the evening
00:22:09the only other people in the house at the time were the child ann
00:22:11and a housemaid who testified that earlier in the afternoon mrs catherine howard had visited the house
00:22:20did you see mrs howard leave
00:22:22yes sir i saw her get into a car and drive away
00:22:24at about what time
00:22:26a little before six i should say sir
00:22:28and it was some minutes later that you heard a noise as of someone falling
00:22:32yes
00:22:33that will be all miss bond thank you
00:22:41and i will speak the truth
00:22:50that i will speak the truth
00:22:50the whole truth
00:22:51the whole truth
00:22:52and nothing but the truth
00:22:52nothing but the truth
00:22:54you are mrs catherine howard
00:22:55yes
00:22:56and your address is
00:22:57i live at the arcadia hotel
00:22:59yes
00:23:00but what was your relationship to the deceased
00:23:02she was my sister-in-law she was married to my brother philip
00:23:05when did you last see mrs wright alive
00:23:08about six o'clock on the evening of the accident
00:23:10i was with her for about an hour
00:23:12you had an engagement with her
00:23:14well not exactly an engagement but she knew that i might stop by
00:23:19was she actually expecting you to stop by
00:23:23well she wasn't exactly expecting me but since my husband was killed i've been in the habit of
00:23:27popping in and out whenever i was nearby
00:23:29what happened when you arrived
00:23:31nothing
00:23:33did you talk
00:23:34yes we chatted for a while
00:23:36about anything in particular
00:23:38no just talk
00:23:40did she seem worried
00:23:42on the contrary she was very cheerful she was looking forward to her husband coming home
00:23:47had she been suffering from ill health not at all
00:23:50then there was nothing in her manner to suggest that anything was wrong
00:23:53certainly not oh but she did have a great fear of heights
00:23:57she had a great fear of heights
00:23:59do you mean that she mentioned it on this particular afternoon
00:24:03well no
00:24:05why did you mention it just now
00:24:07well it seemed to me the only possible explanation for her falling out of the window
00:24:10i see
00:24:13what was mrs wright doing when you left her she was in her room
00:24:17i think she was going to turn out her stocking drawer
00:24:20thank you mrs harr that will be all
00:24:29okay
00:24:36come over here by me
00:24:43now anne
00:24:44you understand what is meant by telling the truth don't you
00:24:47yes
00:24:47yes it's very important that you do because i'm going to ask you a few questions and i want you to answer them truthfully
00:24:55tell me when did you last see your mother
00:24:57it was a little while before i went to bed
00:25:03where was your mother
00:25:04in her room
00:25:06did you go in and talk to her
00:25:09i went to say good night
00:25:11and did you say good night
00:25:13yes
00:25:15did your mother seem normal
00:25:17yes
00:25:22tell me anne was there anyone with your mother
00:25:33no
00:25:35nothing happened that seemed unusual to you
00:25:37no
00:25:39thank you
00:25:39that will be all
00:25:49repeat after me
00:25:50i swear by almighty god
00:25:51i swear by almighty god
00:25:52that i will speak the truth
00:25:53that i will speak the truth
00:25:54the whole truth
00:25:55the whole truth
00:25:55and nothing but the truth
00:25:56and nothing but the truth
00:25:58dr reynolds is your name william gaunt reynolds
00:26:01do you practice in darnville
00:26:03were you called in this case
00:26:05yes
00:26:06what time did you get there
00:26:08about 6.30 a meeting
00:26:35was there anyone with your mother
00:26:59will you be in to dinner tonight sir
00:27:02no um
00:27:03no i've got to go out
00:27:05very good sir
00:27:09this is kathleen howard
00:27:10yes
00:27:11your address is
00:27:12i live at the arcadia hotel
00:27:15i live at the arcadia hotel
00:27:33and the party's in mrs diva's suite room 29
00:27:46party
00:28:00i'm sorry sir i thought perhaps you're one of the guests
00:28:03um
00:28:16Oh, I'm so glad you were able to come. We're in such a muddle. Everybody seems to be here. I won't have to introduce you. Oh, look, there's Joan Scott-Cotter. Joan, I want you to meet Mr...
00:28:40How do you do? Albert? I can't bear to see people that I didn't put their hands. There. Thank you. Oh, dear, I might have known she'd turn up. Oh, darling, I'm so glad you were able to come. These are the ones we ought to avoid. All right, what's wrong with them? After Jenny Deaver's last party, Judy Hammond went blind. Permanently? No, she's over there somewhere. Why, there's Kate Howard and on the day of the inquest. But she'd do it. Put this down for me somewhere, will you? Yes.
00:29:10Excuse me. You're being very unsociable. There's someone here I know you'll adore. She's longing to meet you. Sylvia, darling, you don't know Peter, do you? I'm dying to meet you. How'd you do? Got a drink? Good. What on earth is that waiter doing?
00:29:31Is your name really Sylvia? What's wrong with Sylvia? Nothing at all. Only mine isn't Peter. Excuse me, I must take this drink to someone.
00:29:38I just love that hair. Hello. Hello. That's the new window. Why, hello, Doctor. I never expected to find you at a cocktail party.
00:29:46I hardly expected to find myself at one. Have you been here long? No, I've only just arrived. You're looking very well.
00:29:50Oh, I'm an absolute dread. I've been having the most awful time. I expect you read about it. My sister-in-law, Emma Wright, you know, she fell out of a window and got killed.
00:29:57Yes, I did hear about it. I've just come straight from the inquest. I wonder if I dare try one of these. I shudder to think what's in it.
00:30:03Catherine, you poor dear. What really happened? Did you throw herself out to think? No, of course she didn't.
00:30:09Is one of those going begging? I'll die if I don't have a drink. I'm afraid this belongs to Mrs. Hart. You might find one over there, though.
00:30:15Now, don't go away, Catherine. I simply must hear it all.
00:30:19You saved my life. I think you ought to keep moving if you don't want her to catch you again.
00:30:23Quite a good idea.
00:30:24Kate, my dear, you must give me the lowdown. My husband swears that someone pushed her out of the window and it's all being hushed up.
00:30:36Come in the corner in the quiet. I can't bear to... I can't, never.
00:30:39Haven't you got to telephone your mother? My mother?
00:30:42Oh, oh, yes. I've got to phone my mother. See you later, dear.
00:30:45Excuse me.
00:30:50Kate, my dear, you're not going.
00:30:52Darling, I must. They're too gruesome.
00:30:54You're staying here for dinner.
00:30:56Well, don't rely on me.
00:30:57Oh, quick, there's that awful woman. See you later.
00:30:59You're a menace.
00:31:00Catherine.
00:31:01Darling, you haven't got a drink.
00:31:03No.
00:31:24I'm really not suitably dressed to be here. I ought to have changed, I suppose, for I've had such a hectic week, what with the inquest and everyone ringing up and asking silly questions about Emma.
00:31:33I do sympathize with you.
00:31:34All I know is she's left me with a load of debts.
00:31:37Was Mrs. writing dead?
00:31:39Oh, not hers. Mine.
00:31:41I wonder if they've got any potted shrimps.
00:31:43What's happened to Anne?
00:31:44Anne?
00:31:45How do you know Anne?
00:31:47I operated Anne.
00:31:48Why, yes, of course, so you did.
00:31:50How silly of me.
00:31:51You know, I think I have one too many at that party.
00:31:53I almost forgot for the moment who you were.
00:31:55Well, what has happened to her?
00:31:56Oh, she's gone to Portsmouth.
00:31:58Emma's mother has a house down there.
00:32:00There's a dreary old miser, if ever there was one.
00:32:02She hates me, as if you cared.
00:32:05I do care.
00:32:06I'm most interested.
00:32:07You're just being very polite and sweet.
00:32:09Frankly, I'm bad for you.
00:32:11It's fatal to have a drink at Jenny Dee, but you'll never know what she's going to put in them.
00:32:14It'll pass off as soon as you've had something to eat.
00:32:16Tell me about the house.
00:32:17What's happened to that?
00:32:18What house?
00:32:19Mrs. Wright.
00:32:20Oh, it's up for sale.
00:32:21Already?
00:32:22Well, we moved Anne out the night her mother died.
00:32:24Philip will never want to see the place again.
00:32:26It's empty now.
00:32:27You got any potted shrimps?
00:32:28I'm afraid not, madam.
00:32:29Lobster cocktails?
00:32:30Yes, madam.
00:32:32Would it be very forward of me to hope that I shall see you again?
00:32:43If you'd held your breath a moment longer, I should have suggested it myself.
00:32:47Well?
00:32:48Well, uh, are you free tomorrow evening?
00:32:51I'll see that I am.
00:32:52All right.
00:32:53Same place, six o'clock, in the bar?
00:32:56Wonderful.
00:32:57Good.
00:32:58Good night.
00:32:59Good night.
00:33:02He decided to visit Emma's empty house.
00:33:14He'd never been inside her home, and he felt that if he could see it, he might in some way find an answer to the problem of Emma's death.
00:33:21He looked around the grounds, trying to find some way of getting into the house, but there were no windows unlatched, and the place seemed to be completely deserted, so he had to break in.
00:33:33All right.
00:33:34Good night.
00:33:42S.
00:33:57Good night.
00:34:28This was the room where Emma had spent her leisure hours.
00:34:56Everything was just as it must have been when she was alive.
00:34:58Her piano and her hands.
00:35:28He knew he was in Emma's room as soon as he opened the door.
00:35:42There was still the faint smell of her perfume.
00:35:44On the other side of the valley, he could see the little chapel that Emma had found so charming.
00:36:03Come on.
00:36:04Come on.
00:36:05Come on.
00:36:06Come on.
00:36:07Come on.
00:36:08Come on.
00:36:10Come on.
00:36:11Come on.
00:36:12Come on.
00:36:14Come on.
00:36:15Oh, my God.
00:37:46That's what I should be asking you.
00:37:48I didn't know there was anyone here.
00:37:50No doubt you didn't.
00:37:52But that's no excuse for breaking into other people's houses in the middle of the night.
00:37:56You can be had up for this.
00:37:57Yes, I suppose I can.
00:37:59Are you looking after this place?
00:38:01I'm the caretaker.
00:38:03Did you take anything that doesn't belong to you?
00:38:05No, certainly not.
00:38:07It's rather difficult to explain.
00:38:08It's just that you haven't got a piano of your own, I suppose.
00:38:12It's all right, I believe you.
00:38:14No sensible burglar's going to start prexing the piano while he's on the job.
00:38:19Did you know the lady who owned this house?
00:38:21Noah?
00:38:22Why, I worked for her for ten years.
00:38:24I looked after the garden.
00:38:25Oh, are you the gardener who plays the organ at the chapel?
00:38:29Oh.
00:38:29Do you know about me?
00:38:31Ah, yes.
00:38:33Look here, there's no point in our standing out here in the cold.
00:38:36I've got the kettle on.
00:38:37Would you like a cup of tea?
00:38:38There's nothing I'd like better.
00:38:39Come down to my room.
00:38:42I gather that Mrs. Howard didn't take very kinder to your organ playing.
00:38:45Mrs. Howard, poking her nose into everyone's business.
00:38:48Made the poor lady a nice dance, I can tell you.
00:38:50Shocking tragedy.
00:38:52Ever such a nice lady.
00:38:54I'm usually in bed by this time.
00:38:56If I'd broken in earlier, I might have played the piano in peace.
00:38:59If you'd picked the right night, you could have made yourself at home the whole evening.
00:39:02Oh, really?
00:39:03Yes.
00:39:03I always cycle over to my sister's on Fridays.
00:39:06Kind of breaks the monotony.
00:39:07Thanks for the information.
00:39:09If I were a burglar, I could use it.
00:39:11You're no burglar.
00:39:12I can see that.
00:39:14I knew Mrs. Wright.
00:39:16I wanted to have a look at the scene of the accident.
00:39:19Accident?
00:39:20It were no accident.
00:39:21The coroner said it was.
00:39:23And what if he did?
00:39:25Does it seem likely to you that a lady would fall out of a window?
00:39:28She'd been looking out of for ten years.
00:39:31A lady that was perfectly healthy and didn't suffer from a fear of heights.
00:39:35No matter what some people said at the inquest.
00:39:37Help yourself to milk.
00:39:39She's a real devil, that Mrs. Howard.
00:39:42You seem prejudiced.
00:39:43It's not only me.
00:39:44Doris would bear me out.
00:39:46Sugar?
00:39:46No, thank you.
00:39:47And, Cook.
00:39:48Mrs. Howard lived here for a time after her husband was killed.
00:39:51And she'd never let Mrs. Wright alone.
00:39:53Always nagging and getting on her nerves.
00:39:57And Mrs. Wright was that soft-hearted.
00:39:59She was very easily upset.
00:40:01Yes, I know she was.
00:40:02And then there was a scene about the carpet.
00:40:05What about the carpet?
00:40:06Oh, she stole it, Mrs. Howard did.
00:40:09Stole a carpet?
00:40:10Mrs. Wright let on.
00:40:11She gave it to her just to save Mrs. Howard's face.
00:40:13But we know different.
00:40:15They say Mrs. Howard got a tidy sum for it.
00:40:17Did she?
00:40:19I imagine Mrs. Howard was very well off.
00:40:21Well, she had a lot of money by her husband,
00:40:23but that didn't stop her trying to get more.
00:40:25Have another cup.
00:40:27No, thank you very much.
00:40:28I must be moving.
00:40:28Yes, she tried to get me the sack
00:40:31just because she didn't like my organ playing.
00:40:34Are you fond of singing?
00:40:36It's a long time since I've said.
00:40:40If you want to know what I think,
00:40:41Mrs. Howard pushed her.
00:40:43I'm sure that's not true.
00:40:45She could do it.
00:40:47But the maid said at the inquest
00:40:48that Mrs. Howard left the house before it happened.
00:40:50Doris would want to keep it dark for Mr. Wright's sake.
00:40:55Well, for Mrs. Howard's sake, I hope you're wrong.
00:40:58At first, he found it hard to credit the cat-heak as a session.
00:41:05But later, as he got to know Kate Howard,
00:41:08he couldn't entirely dismiss the idea.
00:41:10She was a hard, self-centred, brittle woman.
00:41:13And it did seem just possible
00:41:14that she had had something to do
00:41:15with her sister-in-law's death.
00:41:18Kate Howard was delighted with his attentions
00:41:20and only too pleased to talk about herself.
00:41:24She appeared to be a woman with a grudge.
00:41:26First of all, when she'd wanted to be a singer,
00:41:28her parents had refused to pay for her training.
00:41:31Her husband had been equally uncooperative.
00:41:34From the way she spoke of him,
00:41:36one would have thought that he'd chosen to die young
00:41:38solely in order to keep her short of money.
00:41:41Then there was her brother, Philip.
00:41:43She'd always resented the fact
00:41:44that he had the land share of her family's money.
00:41:47There were so many things she'd have liked to do
00:41:49with her life she kept telling him.
00:41:51He tried to draw her out on the subject of Emma Wright,
00:41:53but here she was much more reticent.
00:41:57However, she did finally come out with an interesting statement.
00:42:00Emma had a lover.
00:42:03Oh, but that's not true.
00:42:05That surprises you, I suppose.
00:42:07How did you know?
00:42:08She told me.
00:42:09Did she tell you who the man was?
00:42:13No.
00:42:14I suppose I shouldn't have talked about her now that she's dead.
00:42:16Still, you asked,
00:42:17and now you know why I say that Anne will be better off without her.
00:42:20Where's Anne going to live?
00:42:22With me.
00:42:23With you?
00:42:24Oh, don't look so shocked.
00:42:26I can't exactly picture you looking after a child.
00:42:29Oh, don't be so sure of that.
00:42:31I'm full of unfulfilled maternal instincts.
00:42:34Are you?
00:42:35No.
00:42:36I've arranged for her to go to boarding school.
00:42:38I didn't expect to hear of her again till the summer holidays.
00:42:40Come and sit down over here.
00:42:41You're such a long way away.
00:42:44Is her father satisfied with this arrangement?
00:42:46Oh, yes.
00:42:46He came with me to make a home for her.
00:42:48Did you call sending her to school making a home?
00:42:50Now, don't you start on me.
00:42:51I've had quite enough trouble for Anne.
00:42:53She wants to be allowed to stay on with Emma's mother.
00:42:55Philip wants her to be brought up by someone younger, hence me.
00:42:57I see.
00:42:58When does she start her school?
00:43:00Monday.
00:43:01I've got her coming to town tomorrow
00:43:02to get her teeth fixed before she goes.
00:43:05It's a sickening responsibility.
00:43:06Still, it can't be helped.
00:43:07I presume your trouble would not go entirely unrewarded.
00:43:10Oh, no.
00:43:10Philip's making me an allowance to take care of her.
00:43:12I shouldn't have taken it on otherwise.
00:43:14Still, it's an awful nuisance.
00:43:15Poor little Anne.
00:43:16Don't waste your sympathy on her.
00:43:18What time is this dentist appointment?
00:43:20Why are you so interested?
00:43:22I was just thinking that you'd be free while she's there.
00:43:24So?
00:43:25If I were free at the same time, we might meet.
00:43:29That's quite a thought.
00:43:30Kate was completely unsuspecting
00:43:33when he made an appointment
00:43:34to meet her for tea at the Savoy at 4 o'clock.
00:43:37He never had any intention of keeping this appointment.
00:43:40He had to see Anne.
00:43:42And he had to find a way of seeing her alone.
00:43:43My aunt told me to come and wait for her here
00:43:49when I'd finished with the dentist.
00:43:50Come in, will you?
00:43:51She's having tea somewhere.
00:43:53She's going to pick me up afterwards.
00:43:55Will you wait in here?
00:43:57I know this wrong.
00:44:10Hello, aunt.
00:44:11Hello.
00:44:11Hello.
00:44:13Did the dentist give you a bad sign?
00:44:15I was told to wait here for aunt Kate.
00:44:18Is it all right?
00:44:18I was expecting you.
00:44:19Your hair's growing nicely.
00:44:21Oh, it's awful.
00:44:23I thought it was about time you and I had a talk.
00:44:27What about?
00:44:28About you.
00:44:30Do you like the idea of going away to school?
00:44:32I don't mind.
00:44:34Do you...
00:44:35Do you like your aunt Kate?
00:44:39Yes.
00:44:40Are you sure about that?
00:44:42Yes.
00:44:42Don't you trust me?
00:44:46Yes.
00:44:47Not very much.
00:44:49I don't know why you're asking me all these questions.
00:44:52I want to help you.
00:44:53A long time ago, you trusted me with something very important.
00:44:56What was that?
00:44:57Your life, aunt.
00:44:58Don't you remember?
00:44:59Yes.
00:45:00Why did you say at the inquest that there was no one with your mother the last time you saw her?
00:45:08Because there wasn't.
00:45:09That's not true, though, is it?
00:45:11Oh, I don't know what you want me to say.
00:45:13Your aunt Kate was with her, wasn't she?
00:45:14Oh, leave me alone, please.
00:45:15What happened between Kate and your mother before the accident?
00:45:18It wasn't an accident.
00:45:20It was just the same as if I pushed her.
00:45:22You?
00:45:23It was my fault.
00:45:24How could it have been?
00:45:25I know it was.
00:45:26I sided against mummy.
00:45:28I don't care what happens to me anymore.
00:45:29What does it do, Anne?
00:45:30You must tell me.
00:45:32I can't.
00:45:32You must.
00:45:33It's important.
00:45:34She made me promise not to.
00:45:35She said they'll send me to prison if they find out.
00:45:37Kate said that?
00:45:38Yes.
00:45:39Well, she's no right to say it.
00:45:40No one can send you to prison if you tell the truth.
00:45:43What happened, Anne?
00:45:44You've got to tell me.
00:45:49I went up to mummy's room to say goodnight.
00:45:53I've been playing in the garden since tea time.
00:45:56I knew aunt Kate was with mummy.
00:45:58And as I reached the top of the stairs, aunt Kate was coming out of mummy's room.
00:46:02She was angry.
00:46:03And she talked in a very quiet voice to me.
00:46:06She said she had something very important to tell me.
00:46:09Then she started.
00:46:10She said the most horrible things about mummy.
00:46:13About mummy and some man.
00:46:15There was going to be a divorce, she said.
00:46:17And I'd have to give evidence against mummy.
00:46:20I'd have to tell them in court for daddy's sake.
00:46:22All the awful things mummy had done.
00:46:24I suppose mummy must have been listening all the time.
00:46:27Because suddenly she told aunt Kate to get out of the house.
00:46:30She wouldn't go.
00:46:32Mummy told me to come to her room with her.
00:46:34But I wouldn't.
00:46:35I don't know why.
00:46:36I was afraid, I suppose.
00:46:39And I believed what aunt Kate had said.
00:46:41I believed it then.
00:46:43It was only afterwards I saw how wicked she was.
00:46:47I heard mummy slam the door for her when she went back.
00:46:50I never saw her again.
00:46:53It was all my fault for believing aunt Kate.
00:46:56No, Anne, it wasn't your fault.
00:47:03What in the world happened to you?
00:47:04I'm afraid I couldn't make it.
00:47:05I can see that.
00:47:06Where have you been?
00:47:07I got held up.
00:47:08You could have telephoned me.
00:47:09I waited for you over an hour.
00:47:10As it happens, I had more important things to do.
00:47:12I don't know who you think you are.
00:47:13I'm not in the habit of paying for my own tea.
00:47:16Come along, Anne.
00:47:17I'm sorry.
00:47:19I'm sorry.
00:47:19I'm sorry.
00:47:20I'm sorry.
00:48:20I want to talk to you, Michael.
00:48:41It's very late.
00:48:44It won't take long.
00:48:50What do you want to say?
00:48:51We can't talk down here.
00:48:53I realize it was very silly of me to be so annoyed with you this afternoon.
00:49:10I suppose you were working and couldn't help it.
00:49:12Is that what you came to say?
00:49:13Yes.
00:49:15All right, you've said it now.
00:49:17Good night.
00:49:18You're still angry with me.
00:49:20Please don't be.
00:49:21Let's forget about it and be friends.
00:49:24I don't want to see you again, Kate.
00:49:26Oh, Michael.
00:49:27Just because of this afternoon?
00:49:29That has nothing to do with it.
00:49:30You can't just drop me like this.
00:49:32It isn't fair.
00:49:34It'll be better for you if I do.
00:49:36How can you say that?
00:49:37You're fond of me, aren't you?
00:49:39Anyway, I'm very fond of you.
00:49:41Go home, Kate.
00:49:43It's silly to punish us both just because you're angry with me.
00:49:48Michael, you're not just trying to end things with me out of a misplaced chivalry, are you?
00:49:54Misplaced chivalry?
00:49:55What do you mean?
00:49:56It just occurred to me that you might think you were being unfair to go on, knowing that you're not free.
00:50:01Oh, I see.
00:50:03You mean I'm trying to drop you rather than involve you with a married man, is that it?
00:50:07Well, isn't it?
00:50:08I'm asking you for the last time.
00:50:12Go home before it's too late.
00:50:14Michael.
00:50:23I don't care about a lot of silly conventions.
00:50:26I want to be with you under any circumstances.
00:50:32So are you, Kate?
00:50:36Very well, you shall be.
00:50:38She had made up his mind for him.
00:50:48That was the end for Kate.
00:50:51He now began to make his plans for the revenge he'd thought of for so long.
00:50:56He arranged for his junior to take over his patients
00:50:59and established at the hospital that there was a possibility that he might not be available for the coming fortnight.
00:51:05He wanted to be prepared for every emergency.
00:51:07If something should go wrong and prevent him carrying out his plan at once,
00:51:12he didn't want his absence to be noticed.
00:51:15He'd left himself with only one appointment before his meeting with Kate Howard.
00:51:18This was a routine job of an educational nature, which he did at regular intervals as a sideline.
00:51:26While he was engaged on it, his mind was working out the practical problems which would be involved by this plan he'd formulated.
00:51:37It was a Friday night that was going to make things easier for him.
00:51:42He'd arranged to pick her up at a lonely part of the embankment.
00:51:47On his suggestion, she'd told her friends that she was going away for a few weeks.
00:51:53As they drove out of London, she was full of the usual chatter, never suspecting for a moment his real feelings towards her.
00:52:01Until they'd actually arrived at Emma's house, she'd no idea where he was taking her.
00:52:07The house was for sale. He wanted to see it. She accepted this explanation.
00:52:12He knew that no one would answer the bell because he remembered the gardener telling him
00:52:17that he always went over to his sister's place on Friday nights.
00:52:22The window was still broken as he left it on his last visit.
00:52:27She followed him upstairs to Emma's room and over to the window out of which Emma had fallen.
00:52:34He drew the curtains and threw open the window.
00:52:38Then he told her that he was the man Emma had loved and that he'd found out that she was responsible for Emma's death.
00:52:47And now she was going to die the same way Emma had died.
00:52:52He told her to throw herself out.
00:52:56At the last moment she started to scream.
00:53:00Then she fell.
00:53:05This was a murder conceived in perfect sanity and faultlessly carried out.
00:53:11I'm afraid I've taken rather longer with this story than I'd intended.
00:53:18I shall have to leave the more general discussion of the subject until next time.
00:53:23May I ask you a question?
00:53:24Yes?
00:53:27I take it that the murderer was never suspected?
00:53:31No.
00:53:32The police could find no evidence that pointed to anything other than suicide.
00:53:35And yet, like all paranoics, he had to tell someone about it.
00:53:39I don't quite get that.
00:53:42Well, he told you presumably.
00:53:46Yes, he was a patient of mine.
00:53:48In a lunatic asylum?
00:53:51No, he was perfectly same.
00:53:53Same as I am.
00:53:53You didn't mind my asking.
00:53:57Not at all.
00:53:58It was a good question.
00:54:17.
00:54:19.
00:54:30Sounds, good.
00:54:35.
00:54:37.
00:55:09Have you been waiting?
00:55:13I'll take that.
00:55:30Where are we going?
00:55:32You'll see.
00:55:34Oh, a surprise.
00:55:37You went across a red light.
00:55:39Did I?
00:55:48You hate women who make up in public.
00:55:51I've never thought about it.
00:55:52So much for that little subject of conversation.
00:55:55Perhaps you'd like to talk about it yourself.
00:55:57What was your appointment this evening?
00:55:59I was giving a lecture on criminology.
00:56:02Well, what have you got to say on that subject?
00:56:04I told a story about a man who killed a woman for revenge.
00:56:08He was carrying things a bit far.
00:56:10Mad, I suppose.
00:56:12No, he was perfectly sane.
00:56:13I know.
00:56:14They always have a kink somewhere, those people who do violent things.
00:56:17Take my sister-in-law, for example.
00:56:20How does she come into the argument?
00:56:22She must have been a bit mad to do a thing like that.
00:56:24Like what?
00:56:25Committing suicide.
00:56:26What makes you say it was suicide?
00:56:28It was an accident.
00:56:30What's the matter?
00:56:31I thought for a moment that was that awful chapel near her house.
00:56:35We're going to her house.
00:56:37Whatever for?
00:56:38You said it was up for sale, didn't you?
00:56:40So it is.
00:56:41I might buy it.
00:56:44Well, what a time to choose to go and look over a house.
00:56:47You must be demented.
00:56:48How'd you get?
00:57:01Oh, do let's come back in the daytime.
00:57:03I want to show you something.
00:57:04It won't take long.
00:57:06All right.
00:57:16Where are you going?
00:57:17I'm looking to see if any of these windows are open.
00:57:20That's not necessary.
00:57:21The gardener should be here.
00:57:22He's taking care of the place till it's sold.
00:57:30There's a window broken here.
00:57:36You're not serious.
00:57:39Certainly I am.
00:57:44Well, anything to oblige a criminologist.
00:57:47Just a minute while I turn on the light.
00:57:51No, don't do that.
00:57:53It'll spoil the atmosphere.
00:57:57Well, which part of the house do you want to see first?
00:58:00Upstairs.
00:58:01I'd better lead the way.
00:58:02I know the place.
00:58:04I can't imagine anyone ever wanting to live here.
00:58:06I've always loathed it.
00:58:08I tried to persuade Philip to sell it long ago when he first inherited it.
00:58:10This was her room.
00:58:18That's right.
00:58:19How did you know?
00:58:21I've been here before.
00:58:24When?
00:58:24What really gave you the idea that she had a lover?
00:58:32She told me so.
00:58:33Now tell me the truth.
00:58:35All right.
00:58:37I overheard them talking on the telephone.
00:58:39I listened on the extension.
00:58:40Didn't you recognize the man's voice?
00:58:42No.
00:58:46But you do now.
00:58:53You evidently thought you were safe.
00:58:56That when she was dead, that was the end of the matter.
00:58:59Did you really imagine that I'd accept her death without making every effort to find out how it happened?
00:59:12Come here.
00:59:30That's where she fell, isn't it?
00:59:33I don't know.
00:59:33I wasn't here.
00:59:35You tried to get money out of her because you thought she was being unfaithful.
00:59:39Then when that was no good, you poisoned the child's mind against her.
00:59:43You might just as well have killed her yourself.
00:59:46And just as guilty this way.
00:59:55What was that for?
00:59:57I don't like being locked in a room with a madman.
01:00:02I can get that key from you anytime I like.
01:00:04If you don't let me out of here, I'll scream.
01:00:06There's no one to hear you.
01:00:08The gardener's here.
01:00:09He'll hear me.
01:00:10Why don't you scream then?
01:00:12Because I want to give you the opportunity of letting us get out of here with dignity.
01:00:16The gardener goes over to his sister's on Friday nights.
01:00:18This is Friday night.
01:00:19Let me out of here.
01:00:20He told me so himself.
01:00:21That's why I picked tonight.
01:00:22He's not at his sister's.
01:00:27He's here.
01:00:29That's him playing the organ.
01:00:30No one else ever plays it.
01:00:31You can't do anything to me now.
01:00:33He'll be back soon.
01:00:33Not soon enough.
01:00:35You're raving mad.
01:00:35I'm going to make you do to yourself what you did to her.
01:00:37They call me.
01:00:38I won't.
01:00:39I won't.
01:00:39I won't.
01:00:39Thanks.
01:00:39Suicide.
01:00:41The organ's stopped.
01:00:42He'll be back.
01:00:43He'll be back here.
01:00:44He'll be back.
01:01:14He'll be back.
01:01:18He'll be back.
01:01:19He'll be back.
01:01:19He'll be back.
01:01:20THE END
01:01:50THE END
01:02:20THE END
01:02:50THE END
01:03:20THE END
01:03:22THE END
01:03:24THE END
01:03:26THE END
01:03:30THE END
01:03:32THE END
01:03:36THE END
01:03:38THE END
01:03:42THE END
01:03:44THE END
01:03:46THE END
01:03:48THE END
01:03:50THE END
01:03:52THE END
01:03:54That the world fulfilled the day
01:03:58The wages and the sunshine
01:04:02And so regretting him
01:04:06All the gifts around him
01:04:10A dream fulfilled the world
01:04:24A dream fulfilled the world
01:04:44A dream fulfilled the world
01:04:48A dream fulfilled the world
01:04:52A dream fulfilled the world
01:04:56A dream fulfilled the world
01:04:58A dream fulfilled the world
01:05:00A dream fulfilled the world
01:05:02A dream fulfilled the world
01:05:04A dream fulfilled the world
01:05:06A dream fulfilled the world
01:05:08A dream fulfilled the world
01:05:10A dream fulfilled the world
01:05:12A dream fulfilled the world
01:05:14A dream fulfilled the world
01:05:16A dream fulfilled the world
01:05:18A dream fulfilled the world
01:05:20Let's go.
01:05:50Let's go.
01:06:20What a place to park.
01:06:33Look, George, why don't you park this thing crossways?
01:06:35Nobody could get past.
01:06:36I just stopped to wipe my window screen.
01:06:37I couldn't see.
01:06:38Oh, you couldn't see?
01:06:39What do you think I am, an owl?
01:06:41Where are we, do you know?
01:06:42Yes, we're on the main Portsmouth Road.
01:06:45Thank goodness somebody knows.
01:06:46That's where I'm supposed to be headed.
01:06:47I can tell you how to get there.
01:06:49Directions in England.
01:06:50Are you kidding?
01:06:51No, thanks.
01:06:51I'll just follow you.
01:06:52No, you can't do that.
01:06:53I turn off just up the road.
01:06:55That's all right.
01:06:56I'll follow you that far.
01:06:57Give me a highball when you turn.
01:06:58Okay.
01:06:59Okay.
01:06:59Okay.
01:06:59Let's go.
01:07:29This is when I turn off.
01:07:33You go straight ahead.
01:07:35You can't miss it.
01:07:37All right, thanks, Mike.
01:07:59Oh, can you help me? I've run off the road. My car's ditched.
01:08:05I'm afraid I can't stop. I'm in a hurry.
01:08:07Perhaps it'd be good enough to give me a lift.
01:08:09No, I'm sorry. I'm afraid I can't. I've got an urgent case.
01:08:12You a doctor?
01:08:13Yes.
01:08:14Well, this is luck. My name's Farrell. I have a practice here.
01:08:17There's a kid up the road, badly injured.
01:08:19I've just been to telephone for an ambulance. I have to get back to her.
01:08:22Where are you making for?
01:08:24Up this way.
01:08:25Oh. Well, I'd better leave the car where it is and hop in with you.
01:08:29Oh, just a minute. I must get my bag.
01:08:53Uh, now, put something through.
01:08:59The ambulance will never make it in this fog.
01:09:01How far are you going?
01:09:03I'm not quite sure where it is from here.
01:09:05I know this district. Perhaps I can help you.
01:09:07No, I don't think you can. It's a long way.
01:09:09Are you a London man?
01:09:11Yes.
01:09:12Have you had any experience with fractured skulls?
01:09:16Quite a lot.
01:09:18Could have used you tonight.
01:09:20Why do you have to turn up when it's too late?
01:09:22What could you have used me for?
01:09:23This kiddie I was telling you about.
01:09:25Road accident, was it?
01:09:26Yes.
01:09:27Lorry ran into a private car in the farm.
01:09:29Kiddie was in the back and seemed to have taken most of the bump.
01:09:32She's unconscious now and bleeding from cut over the right ear.
01:09:35It's very suggestive of a middle meningeal hemorrhage.
01:09:38Did she regain consciousness at all?
01:09:40Yes, she did for a time and seemed pretty well.
01:09:43That's what gave me a clue.
01:09:45Probably right.
01:09:47The fog seems to be lifting a bit.
01:09:49Yes, here's the turning.
01:09:51We're almost there.
01:09:53At least I can be in at the death.
01:09:55I don't think I should jump to conclusions.
01:09:58I've seen extraordinary recoveries from head injuries.
01:10:01I guess we've all seen extraordinary things happen,
01:10:03but I never expect them.
01:10:05And I certainly don't care one way or the other.
01:10:07I always thought I cared very much.
01:10:09I never liked losing a patient.
01:10:12That's the sort of sentimentality you get over
01:10:14when you've killed as many patients as I have.
01:10:16I don't think so.
01:10:18I've always resented the fact that one can't choose.
01:10:22Can't choose what?
01:10:24Which patients to kill.
01:10:27Then, as a doctor, you must be in a constant state of frustration.
01:10:31In your case, let's say, vanity is involved, not sentimentality.
01:10:35But whatever it is, it's just as bad.
01:10:37Man doesn't have any generous feelings.
01:10:39He only thinks he has.
01:10:40Selfishness, habit, and hard cash.
01:10:42Those are his real motives.
01:10:44Looked at from that angle, life can hardly be worth living.
01:10:47It isn't.
01:10:48But I've done my share of enjoying it.
01:10:50Just up here.
01:10:51Now for another scene with the mother.
01:10:53Why did it have to be my daughter and all that?
01:10:56What's your answer for that one?
01:10:57Better your daughter than mine, madam, I'd say, if I were honest.
01:11:00How old is this girl?
01:11:01Oh, just a child.
01:11:02About twelve.
01:11:03Twelve?
01:11:04Mm.
01:11:05Have you any children?
01:11:06No.
01:11:07Here we are.
01:11:08Stop.
01:11:09Oh, uh, I suppose I couldn't persuade you to look in for a moment and give a little presence
01:11:20to the case.
01:11:21It's always a great comfort of the parent to have a second opinion, say there's no hope.
01:11:25Maybe there is hope.
01:11:26She's still alive, isn't she?
01:11:27Mm.
01:11:28Mm.
01:11:29Is this where they are?
01:11:30Yes.
01:11:31Good evening, Pa.
01:11:32Oh, believe you, Dr. Farrell.
01:11:33Terrible night, sir.
01:11:34Yes, isn't it?
01:11:35Nice mess they made of that car.
01:11:36Oh, Doctor, we thought you'd never get back.
01:11:38I, uh, managed to get another opinion.
01:11:39This is Dr. Uh...
01:11:40Where's the patient?
01:11:41Oh, Doctor, she still hasn't moved.
01:12:10You've got a torch.
01:12:11Oh, thank you.
01:12:12I'll take that.
01:12:13Oh, Doctor.
01:12:14I'll take that.
01:12:40Yes, you're quite right. She's bleeding from the middle of the ninja.
01:12:49Would you be all right?
01:12:56I'll operate now.
01:12:58What, in this place?
01:12:59We've got a lunch, a saucepan or fish kettle.
01:13:01I want to sterilize my instruments.
01:13:03And, er, I shall need some clean sheets.
01:13:06I've got my instruments in the car.
01:13:10It's not worth taking a chance. If she dies during the operation, there'll be an inquiry.
01:13:25And you never know how those things are going to turn out.
01:13:27Nobody's going to take a chance. That child's going to die in half an hour.
01:13:30It's no good pretending we can get her to hospital in that time.
01:13:33It's up to us to try and relieve the pressure before it happens.
01:13:35Maybe I can secure an artery.
01:13:37At least I can do a decompression if I give you time to get her to hospital.
01:13:39Well, that's a job for a specialist. I wouldn't touch it.
01:13:42It'll be all right.
01:13:50Well?
01:13:51This way.
01:13:52We come out of the bend, we couldn't have been doing more than eight miles an hour.
01:13:54There's a grinding noise and we'd had it.
01:13:56Ah, sure, that swimming drove us all over.
01:13:58Didn't ever look where they're going.
01:14:00She was gazing at the side of the road with Tivola glance in front of her.
01:14:03You should have swerved over.
01:14:04How could we?
01:14:05We never saw her until she was on us.
01:14:06And then she was going on the wrong side of the road.
01:14:08Well, one of you better come with me and show me what's what.
01:14:10All right.
01:14:11All right.
01:14:12All right.
01:14:13All right.
01:14:14All right.
01:14:15All right.
01:14:16Come on.
01:14:17Fix that onto the tube.
01:14:46There'll be an inquest.
01:14:50Well, that's if...
01:14:51It's no use thinking about that now.
01:14:53After all, it wasn't your fault.
01:14:55I had a clean license.
01:15:13Respirations failing.
01:15:15Well, I don't know.
01:15:16Have you got any car, man?
01:15:17I don't carry it.
01:15:18I've got some in my car.
01:15:19A small box in the front pocket.
01:15:45It wasn't in the front pocket.
01:15:46It wasn't in the front, but I found it.
01:15:50It wasn't in the front pocket.
01:15:51It wasn't in the front pocket.
01:15:52It wasn't in the front pocket.
01:15:53It wasn't in the front, but I found it.
01:15:57It wasn't in the front pocket.
01:16:06Quickly.
01:16:36It's the last one for this.
01:17:07That was a good job.
01:17:11I hope so.
01:17:13It's your line, I suppose.
01:17:15Yes.
01:17:18She has a good fighting chance now.
01:17:20It gives you a feeling of elation, a feeling of control over people's destinies.
01:17:24You'll find that?
01:17:25Certainly not. I was trying to assess your reactions.
01:17:28A spectacular recovery, of course, would do my practice a world of good.
01:17:31Apart from that, it's all one to me whether she recovers or not.
01:17:35You expect everyone else to feel like that?
01:17:37Not you. I'm not speaking of obsessionals.
01:17:40I'm speaking of the normal, the perfectly sane.
01:17:43Let me put it this way.
01:17:44The vessel which we normal people use for imbibing experience
01:17:47is a stout austerity model which doesn't crack.
01:17:51With others, like yourself,
01:17:53the glass, though of superior design, cracks quite easily.
01:17:56Now, instead of leaving it upturned on a shelf, a danger to all,
01:18:01it should be thrown away.
01:18:05I don't accept your diagnosis.
01:18:08The doctor dispenses death and healing with blind impartiality.
01:18:14He's not supposed to weigh the merits of an individual case
01:18:17and exercise a sense of justice.
01:18:19I resent that.
01:18:21What I did today, and you know what I'm talking about, was just.
01:18:30It was a gesture of independence by a sense of justice
01:18:32which years of professional practice have threatened with atrophy.
01:18:36You know, today I sat in judgment.
01:18:41Oh.
01:18:44Paranoia.
01:18:45My diagnosis was quite correct.
01:18:47You are mad.
01:18:49Who's the owner of that car outside?
01:18:52That must be Dr. Farrell's car.
01:18:54The Farrell?
01:18:55That ain't Dr. Farrell's car.
01:18:56It'll be blackened.
01:18:57That must be the old one.
01:18:58You see.
01:18:59Dr. Farrell's car must be outside, son.
01:19:01There's one inside.
01:19:04That ain't Dr. Farrell.
01:19:05He's left me around the building.
01:19:07Who's the other one?
01:19:08She looks better, doesn't she?
01:19:17Yes, her colour's good.
01:19:19Beginning to look very different.
01:19:21He was wonderful.
01:19:23I shall never be able to thank him.
01:19:27Where is he?
01:19:30I don't know.
01:19:31Look, Doctor, she moved.
01:19:33Oh, we must expect that now that she intends to live.
01:19:36Are you the owner of that car outside?
01:19:38No.
01:19:39Who does it belong to?
01:19:40I don't know.
01:19:42Why?
01:19:43Well, then they ran right into it.
01:19:45He's parked outside without a real light.
01:19:47Oh, is that all?
01:20:06Are you actually that all?
01:20:20No, no.
01:20:22I'm going to relate the case history of the matter of this class.
01:20:26It was a sane and valuable member of society.
01:20:28And you ain't like those paradoxes?
01:20:31Yes, he was patient of mine.
01:20:33He didn't know anything, sir.
01:20:35No, he was perfectly sane.
01:20:37The same as I am.
01:20:39Not you. I'm not speaking of obsessionals.
01:20:41I'm speaking of the normal, perfectly the same.
01:21:01THE END
01:21:31When I did today, it was just.
01:21:35It was a gesture of independence by a sense of justice
01:21:37which years of professional practice have threatened with atrophy.
01:21:40Today, I sat in judgment.
01:21:43Paranoia. My diagnosis was quite correct.
01:21:46You are mad.
01:21:48You are mad.
01:21:49You're rating mad!
01:21:50You're rating mad!
01:21:52You're rating mad!
01:22:01The End
01:22:05THE END
01:22:35THE END
01:23:05THE END
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