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Paul Mescal and Jessie Buckley pick who is more Irish, who is better at accents, and who reads more Shakespeare.

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00:00The last time I was playing, I was reaching out to catch a ball.
00:03I just got punched straight across here and it snapped.
00:06That case is expensive, baby.
00:08Yeah, it wasn't expensive then.
00:15Tell me a story.
00:17What story would you like?
00:19Something that moves you.
00:21Who is more Irish?
00:24I think Paul is.
00:25I don't think that's true.
00:27You do, because you do GAA and you're still connected.
00:32You played the harp.
00:36Don't come at me as much.
00:38I think we're both.
00:39We're both pretty Irish.
00:40Proudly Irish.
00:41Who is better at mastering accents?
00:48Both of us, I think.
00:50We're both masters of accents.
00:52I wouldn't say I'm a master.
00:54I try my best.
00:56With that choice of work.
00:58I think as Irish actors though, you're always kind of taught that you're probably not going to be working in your own accent all that much.
01:05And I don't really like working in my own accent.
01:07Yeah.
01:08Glaswegian was pretty hard.
01:09For Wild Rose, I had to get my hero around that.
01:13Edinburgh took a second for me with Aftersun.
01:16Yeah.
01:17Minnesota was quite, it was quite fun.
01:19That was like, such a like, what?
01:22But then once I got into that, I loved doing that.
01:25It was great fun.
01:27What sport did Paul play before an injury forced him to quit?
01:31Yeah.
01:32My face is growing.
01:33Yeah.
01:34Your face is growing.
01:35Gaelic football is like a mix between soccer and rugby, but most like Australian rules.
01:44If people watch that, it's a kind of manic, brilliant sport that I love very much.
01:51Yeah.
01:52The last time I was playing, I was reaching out to catch a ball.
01:54I just got punched straight across here and it snapped.
01:58Broke my nose and my jaw, but not at the same time.
02:01Broke my fingers.
02:02And that ended your football career?
02:04Well, I was about to start third year of drama school.
02:06And I was kind of winging it, like getting away with it.
02:09And then I broke my jaw and I was like, I can't do both of these things.
02:12And that was that.
02:13That face is expensive, baby.
02:14Yeah.
02:15It wasn't expensive then.
02:16In her school production of West Side Story, what lead role did Jessie play?
02:30Yeah.
02:31I'd love to hear you sing that part.
02:33Oh God.
02:35Give us your Tony.
02:36No.
02:37Come on.
02:38I'm so shy.
02:40You'd be lovely Tony.
02:42Tony.
02:43What other ones did you play?
02:44I played Freddie Trumper in chess.
02:47And I think I played like...
02:50Does he sing anthem?
02:52I think so.
02:53I can't remember.
02:54Yeah.
02:55And I think I played God.
02:57Of course you did.
02:59In Children of Eden.
03:01Listen, it was like an all girls convent music school.
03:04So we didn't get a choice.
03:06But I loved playing those parts.
03:08It was great.
03:09We had to like, what deciphered us was between the girls and the girls.
03:12All the girls playing the male part would wear like French plaits in their hair.
03:19And I remember for Freddie Trumper in chess, I had this like oversized red linen suit.
03:27It was fun.
03:30Who's better at crying on command?
03:32Oh.
03:33Oh.
03:34Oh.
03:35Did you play with me there for...
03:36There's no ho...
03:37Shh.
03:38Fuck off.
03:39Yeah, Jacoby Jupe can't cry on cue.
03:46Neither of us can cry on cue.
03:48No.
03:49Kids are amazing with that stuff.
03:50They like...
03:51Know how to do it.
03:52Yeah.
03:53They use it to manipulate things out of battle.
03:55Yeah, yeah, yeah, yeah.
03:56You're never thinking of crying in the scenes at the end of crying.
03:59No.
04:00It's actually always awful when you see in a script and then she cries.
04:03You're like...
04:04I'm always like...
04:05I was gone.
04:06You know.
04:07Who has read more Shakespeare?
04:09Jessie.
04:10Paul and Emily.
04:11I think Jessie's read the most.
04:12Emily.
04:13Emily Watson.
04:14I think we've all read our fair share.
04:15Yeah.
04:16Macbeth.
04:17Don't we, honey?
04:18We love Macbeth.
04:19Don't we?
04:20We just love Macbeth.
04:21We can't get enough Macbeth.
04:22Up late at night just reading it.
04:23Yeah.
04:24Out damn spot.
04:25Yeah, bloody spot.
04:26It's a brilliant line, that.
04:27I think it's like...
04:28Yeah.
04:29Yeah.
04:30Yeah.
04:31Yeah.
04:32Yeah.
04:33Yeah.
04:34Yeah.
04:35Yeah.
04:36I think it's like the first time we've been able to imagine who he was as a person
04:44and who the people that were titanic in his life might have influenced his play.
04:50So I guess if we were to do it again, we'd have that knowledge.
04:53But I think every job is different as well.
04:55Yeah.
04:56Which BBC talent show did Jessie play second on before her first acting role?
05:06How are you getting the time to do Little Pictures?
05:08I was so young.
05:09I was like...
05:10What age were you?
05:1117 when I did it.
05:12I was like such a baby.
05:13Jeez.
05:14I thought I was going to study musical theatre and be part of musical theatre.
05:18And then I didn't get in to the drama school.
05:22And I was over in London that weekend.
05:25And the same weekend that I got turned away from this drama school, they had this open
05:30audition for this show.
05:31And so I just decided I would join the queue and practice for my next drama school audition.
05:38And that's how it happened.
05:39Which Broadway composer has Paul said he would love to sing on stage with?
05:44Broadway?
05:45How...
05:46A Broadway composer?
05:47I assume it's this...
05:49It could be...
05:50Yeah.
05:51I don't remember saying that but obviously that process is so singular.
05:59Like we're...
06:00We've got another...
06:01Over a decade to...
06:03A long time to go with that film.
06:06And the less I say about that the better because I don't want anybody to know about
06:10what that process is like because that's kind of the gift of what it's going to be.
06:14You know?
06:15Well done.
06:16I'm proud of you.
06:17Thanks.
06:18For the first time and knowing I think that they shot that over eight, nine years or something
06:23like that.
06:24Maybe a bit longer.
06:25I think this is the longest feat of like this kind of film making style that in fiction
06:31or in musical and like I love Ben and Beanie and obviously Rick's work is so brilliant.
06:37He's kind of crafted that style and we're in the weeds with it now so it's exciting.
06:42I'm lucky that I've got pretty like robust, I think robust vocal chords like a lot of shouting
06:47from probably Gaelic football.
06:48That's kind of...
06:49Yeah.
06:50Like you obviously do your warm ups and things like that but I think the more you're using
06:54it, the stronger.
06:55It's like a muscle.
06:56So the more you're using it, the stronger it becomes.
06:59Who is directing Jessie's next role in the new Frankenstein adaptation?
07:04I think Maggie wrote it for me and the first kind of time I read it without knowing that
07:19she had written it for me or was writing it was we were in Paris visiting a friend and
07:25we'd gone out for dinner, we got a little bit tipsy and then she said I'm writing something,
07:29come back and just read it, I just want to hear what it sounds like out loud.
07:32And I read it and I was, it was just like two pages and I was like oh my god.
07:36It's just like a radical, punk, provocative, uncompromising new language and Maggie is such
07:46a bold and honest filmmaker and it just felt like something.
07:54There's a lot of it, it took me a while to metabolise what she was actually trying to,
08:00what she was creating because it was so new and that was just so exciting.
08:04He makes you want to be better.
08:06He's so, it's intense and it's so alive and he is only interested in being absolute in what
08:15he creates and so it makes you all come to work and feel like that's the kind of bar,
08:21you know, and then I think we both are pretty intense.
08:26So it was wild, you know, it was just like being on a bit of a rollercoaster.
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