- 2 days ago
Category
🎥
Short filmTranscript
00:00:00Fies, crawl, up the window, it's all they had to do.
00:00:29They went up in their thousands, way back to Batu.
00:00:33Flies crawled up the window, they said we'd love to go.
00:00:37They went up to the top, and then they said we'd all go home.
00:00:42Oh, the flies crawled up the window, it's all they had to do.
00:00:48They went up by the thousand, and came down to Batu.
00:00:53Now the flies crawled up the window, it's family enough to roam.
00:00:58So once more out the window, and then we'll all go home.
00:01:03We'll go back to home, sweet home.
00:01:14Good night, boys.
00:01:16Oh, the flies crawled up the window, that's all they had to do.
00:01:34Shh.
00:01:35You're very late.
00:01:36Late?
00:01:37What, what, what, what, what, what, what, what?
00:01:39What's the time?
00:01:40Four o'clock.
00:01:41Four o'clock?
00:01:42Oh, well, I never.
00:01:43Just come back a moment.
00:01:44Won't you sit down?
00:01:46Let's talk this thing over.
00:01:48Now, my boy, I've just returned from a very trying time at Scotland Yard.
00:01:49I find you like this.
00:01:50Oh, my boy, I've just returned from a very trying time at Scotland Yard.
00:01:51I find you like this.
00:01:52What?
00:01:53What?
00:01:54What?
00:01:55What?
00:01:56What?
00:01:57What?
00:01:58What's the time?
00:01:59Four o'clock.
00:02:00Four o'clock?
00:02:01Oh, well, I never.
00:02:03What?
00:02:04Can I see you?
00:02:05Oh, you've just done your work.
00:02:06All right.
00:02:08I've just, what, what?
00:02:09Oh, my boy.
00:02:10I've just returned from a very trying time at Scotland Yard.
00:02:15I find you like this.
00:02:17You're wasting your life.
00:02:21Oh, sir.
00:02:26What you're saying is an extremely serious thing.
00:02:30What you're doing is an extremely serious thing?
00:02:32thing no sir yes sir no sir it's your turn sir I just think over all you've
00:02:41done in the past six months what now yes just think a moment now pull yourself
00:02:48together take your mind back to the beginning of the year
00:02:53it won't go it oh my boy all this sort of thing's got to stop you must do something with your life
00:03:07yes I want to follow in your footsteps which you won't let me but the yard yes now you're one of
00:03:13the chiefs of police you're worried stiff why not call me in and let me try and help you you'll be
00:03:20more of a hindrance than a help no let me do the one thing that I know we've had all this
00:03:25over before now let's have it all over again let's have a party oh I want to be a policeman let me be
00:03:38a policeman come on pass it on there please oh let me be a policeman not a better use my boy the idea
00:03:44is absurd you'll make a laughing stock of yourself and of me besides you'd never stick it
00:03:49I wouldn't stick it wouldn't I what you needed in the forest
00:04:19if I may say so are men like myself well I'm quieter men thank you Tompkins men of individual
00:04:32men of individual initiative men with foresight and sagacity men who in the men men who were capable
00:04:43men who in a crisis know how to fend for themselves Tompkins put me to bed
00:04:53Good morning, sir.
00:05:19Good morning.
00:05:23Well, how are you feeling today, sir?
00:05:30How am I feeling?
00:05:31You mean, how are you feeling?
00:05:32Me, sir?
00:05:33Yes, you wicked old man.
00:05:34I was...
00:05:35You were in a terrible state last night.
00:05:36I was.
00:05:37You ought to be ashamed of yourself.
00:05:38Of course, sir.
00:05:39You were singing when the flies crawled up the window.
00:05:42It's all they had to do.
00:05:43Oh, no, sir.
00:05:44Not me, sir.
00:05:45I don't know it.
00:05:46Don't lie to me.
00:05:47Don't lie to me.
00:05:48Sing it again.
00:05:49Sing it again!
00:05:50When the flies crawled up the window...
00:05:52There'll do.
00:05:53I'm sorry I asked you.
00:05:55Are those the clothes I told you to get me?
00:05:58Yes, sir.
00:05:59But what are they for, sir?
00:06:01Can you keep a secret?
00:06:03Oh, yes, sir.
00:06:04Cross your heart.
00:06:05Take hold of your ear.
00:06:06Take hold of your nose.
00:06:07Pick up your right foot.
00:06:08Give me a hand.
00:06:09But the secrets!
00:06:10Oh.
00:06:11But what are these for, sir?
00:06:13I'm going to Scotland Yard.
00:06:15I'm going to put new life into the force.
00:06:17I'm going to speed things up.
00:06:19Wahey!
00:06:20Woo-hoo!
00:06:21I'm going to become a policeman and finally a detective.
00:06:24And then I shall paralyze the world!
00:06:27Yes, whenever my father finds out about this through you,
00:06:31you'll be the first man I shall arrest.
00:06:33Thank you, sir.
00:06:34You're very kind, sir.
00:06:35Go on.
00:06:36Hold those things up.
00:06:37Let's have a look at them.
00:06:38Ah, they'll do fine.
00:06:42Name?
00:06:44Jack.
00:06:45Jack?
00:06:46Er, John.
00:06:47John what?
00:06:48No, John Brown.
00:06:49You know the song?
00:06:50John Brown, baby's got a pimple on it!
00:06:52I beg your pardon.
00:06:54Breathe.
00:06:55Breathe.
00:06:56I am breathing.
00:06:57Can't you hear me?
00:07:01You trying to get America?
00:07:04Say 99.
00:07:0599.
00:07:06Go on.
00:07:07100.
00:07:08101.
00:07:09102.
00:07:10Come out of here.
00:07:11You.
00:07:12You're next.
00:07:13No, he's next down there.
00:07:14Come out of here.
00:07:15Don't argue.
00:07:16Stand there.
00:07:17Stand there.
00:07:18Wait a minute.
00:07:19What's the idea of this?
00:07:20You stand there yourself.
00:07:21Get out.
00:07:25Get out.
00:07:26Get out.
00:07:27Get out.
00:07:28Get out.
00:07:29Get out.
00:07:30Get out.
00:07:31Get out.
00:07:52Hello.
00:07:53Yes?
00:07:54Yes.
00:07:55Yes.
00:07:57What's left?
00:07:59Another one.
00:08:01Gang got away.
00:08:03No arrests.
00:08:05Oh, all right, I'll come.
00:08:19Tompkins!
00:08:24Tell Mr. Jack I want him.
00:08:26He's going up, sir.
00:08:27Don't argue.
00:08:28Go and fetch him.
00:08:29Well, he's in a great hurry, sir.
00:08:30I think he's going...
00:08:31Fishing?
00:08:32Yes, sir.
00:08:33Now, what is all this nonsense?
00:08:34Is he pulling my leg?
00:08:35He's been going fishing for the past six months.
00:08:37Every time I want him, he's going fishing.
00:08:39Last week he slept all day and fished all night.
00:08:41Yes, sir.
00:08:42Now this week he seems to be the other way round.
00:08:44Well, sir, I think it's the tide, sir.
00:08:45Well, sir, I think it's the tide, sir.
00:08:46Well, how is it it never catches anything?
00:08:48Well, it's all a question of the tide, sir.
00:08:50See?
00:08:51When the tide's that way, sir, the fish won't bite.
00:08:58Good morning.
00:08:59Good morning.
00:09:00Good morning.
00:09:02Good morning.
00:09:04Good morning.
00:09:05Just a minute, my boy.
00:09:06You can put all that stuff away.
00:09:07You've got to go and meet a train.
00:09:08I'm sorry.
00:09:09Miss Bradley's arriving this morning from Paris
00:09:10and somebody's got to meet her.
00:09:11I can't.
00:09:12I've got a date with some fish.
00:09:13Yes, I know all about that.
00:09:14Well, you can give up your fishing for today.
00:09:15Oh, couldn't be done.
00:09:16It's the Anglers Festival.
00:09:17Good morning.
00:09:18I can't help that.
00:09:19I've got a lot of trouble at the yard.
00:09:20And I must go down there at once.
00:09:21Well?
00:09:22Well, if I go to the yard, I can't go to the station
00:09:23and Miss Bradley must be met.
00:09:24Miss Bradley?
00:09:25Ivy.
00:09:26Oh, Ivy.
00:09:28Who's that?
00:09:29You remember Ivy as a child?
00:09:30Oh, that was years ago.
00:09:31I wouldn't remember her now.
00:09:32Then I might bring back the wrong girl.
00:09:33Don't be silly.
00:09:34Do you remember her?
00:09:35Of course I do.
00:09:36Well, you go.
00:09:37Wait a minute.
00:09:38I'm going to tell you something.
00:09:39Now, listen to me, Father.
00:09:40Well?
00:09:41Good morning.
00:09:42Good morning.
00:09:43Good morning.
00:09:44Good morning.
00:09:45Good morning.
00:09:47Good morning.
00:09:48Good morning.
00:09:49Good morning.
00:09:50Good morning.
00:09:51Good morning.
00:09:52Good morning.
00:09:53Good morning.
00:09:54Good morning.
00:09:55Good morning.
00:09:56Good morning.
00:09:57Good morning.
00:09:58Good morning.
00:09:59Good morning.
00:10:00Good morning.
00:10:01Good morning.
00:10:02Good morning.
00:10:03Good morning.
00:10:04Good morning.
00:10:05Good morning.
00:10:06Good morning.
00:10:07Good morning.
00:10:08Good morning.
00:10:09Good morning.
00:10:10Good morning.
00:10:11Good morning.
00:10:12Good morning.
00:10:13Good morning.
00:10:14Good morning.
00:10:15Good morning.
00:10:16Good morning.
00:10:17Good morning.
00:10:18Good morning.
00:10:19Good morning.
00:10:20Good morning.
00:10:21Good morning.
00:10:22Good morning.
00:10:23Good morning.
00:10:24Good morning.
00:10:25Good morning.
00:10:26only
00:10:34I
00:10:37love
00:10:40good
00:10:43and
00:10:48Putting thecars in the movies best fís Jeez!
00:10:56Come along, pass along!
00:11:04Pass along there-
00:11:08Oh, I beg your puns.
00:11:20Oh, excuse me, how do you do?
00:11:23I won't be sorry.
00:11:27Oh, there's nothing sorry, Peter.
00:11:30Oh, yes, I see.
00:11:31Now, there's quite enough of that punch.
00:11:32Can you see all right, miss?
00:11:38Or would you like me to shift some of these kids?
00:11:40Come on, pass along there, please.
00:11:41Come on, pass along there.
00:11:41Oh, no, that's all right, thank you.
00:11:43It's no problem at all.
00:11:44Come on, shift along.
00:11:45Pass along there, please.
00:11:46Thanks, it's all right.
00:11:47In any case, I'm not staying.
00:11:49Oh, aren't you really?
00:11:50Oh, that's awfully sad.
00:11:52No, I want to go to the Laugh-Lowman's Cafe.
00:11:55Do you know where it is?
00:11:56Oh, yes, yes.
00:11:58It's the, uh...
00:12:02Come on, pass along there, please.
00:12:04Come on, pass along there, please.
00:12:05Shift along there, please.
00:12:06Come along, move along there, please.
00:12:07Oh, there's a little bit of this.
00:12:08Shift along there, please.
00:12:09Shift along...
00:12:09Come along, my head, now.
00:12:11I've been turning this.
00:12:12Shift along there, please.
00:12:13Go on, shift along there.
00:12:15Now, you'd like me to be this way tomorrow, Joe.
00:12:19Uh, which way did you say you wanted to go, miss?
00:12:21The Laugh-Lowman's Cafe.
00:12:23Oh, ah, yes.
00:12:24Well, now, let me see.
00:12:25You take the, uh, first on the right and the second on the left.
00:12:30Not at all.
00:12:31Oh, good-bye.
00:12:39Ah-ah.
00:12:41So there you are.
00:12:43You're wanted on point duty for a leap at Shulwick Street in half an hour.
00:12:46Right.
00:12:47Wait.
00:12:48Where are you going?
00:12:49Laugh-Lowman.
00:12:50The trouble is, I'm just a figure eight.
00:13:02You might be the manager and then run the place yourself.
00:13:05Do my ears deceive me, or how are you being insolent?
00:13:13Well, I...
00:13:14Tally, don't talk.
00:13:15Let me get on with the books.
00:13:16You get me my hat.
00:13:17This is a job for Thun's cat.
00:13:28Oh, hi!
00:13:29Hi!
00:13:32What in the name of goodness is this?
00:13:35Now, the haggis.
00:13:36Haggis, you poor wee ignorant fool.
00:13:40What did I tell you?
00:13:42The haggis again.
00:13:43If you don't go away, I shall make myself a widow.
00:13:47If this is haggis, it's a wee drop of whiskey, it means.
00:13:51Ah!
00:13:53You're no getting no whiskey here, you can't.
00:13:56I'm a true Scotchman, born and bred.
00:13:58I was born in Aberdeen, and nobody within the last 40 years has ever dared to put such
00:14:04mucking rubbish in front of me.
00:14:06It's enough to make Wallace turn round and bite Bruce.
00:14:10Oh, Lowman.
00:14:11The only thing you care about Lowman is when you get all the boar.
00:14:14What language is he talking?
00:14:16Spanish, I think.
00:14:17And ask him.
00:14:19It's all right.
00:14:20No, it's normal.
00:14:21Ah, the little wee body give you another dish.
00:14:24No, take it all away, you swimming old faggot.
00:14:28Faggot.
00:14:29Outside you.
00:14:30Outside.
00:14:31Throw him out.
00:14:32Outside.
00:14:33Oh, I'll fetch a policeman.
00:14:44Is there anything I can do?
00:14:46Oh, uh, well, what about buying a ticket for the police concert?
00:14:52Here, is that all you've come in here for?
00:14:54Well, no, miss.
00:14:57Ha, ha, ha.
00:14:59Mrs.
00:14:59I'm looking for a young lady.
00:15:02Oh, what, uh, what sort of a young lady?
00:15:04Oh, she's the, uh, well, uh, she's a Punch and Judy girl.
00:15:12A Punch and Judy girl?
00:15:15Goofy.
00:15:16Oh, you don't understand.
00:15:20A Punch and Judy.
00:15:21Yes, I understand.
00:15:23I've married one.
00:15:25Ha, ha, ha, ha.
00:15:26She was looking at the show and she said,
00:15:28I'm going round to the Loch Lomond cafe.
00:15:30Ha, ha.
00:15:31And I can't think why.
00:15:38Not bad.
00:15:39Not bad.
00:15:40Ha, ha.
00:15:46Let's say, constable, can you tell me the way to Cadge Street?
00:15:49Aye.
00:15:50Can you tell me the way to Cadge Street?
00:15:51Cadge Street?
00:15:52Yes, Cadge Street.
00:15:53Oh, ah, yes, yes.
00:15:54First on the right, second on the left.
00:15:56And if you can't find it, come back and ask me again.
00:15:58Bobbie, darling.
00:16:02Ivy, well, well.
00:16:04Oh, love.
00:16:05Let's have a look at you.
00:16:06Let's have a look at you.
00:16:07Well, I declare you've grown out of all recognition.
00:16:11For you.
00:16:12Really?
00:16:12Oh, oh, how lovely.
00:16:15How's it, Bobbie?
00:16:17Oh, Mr. Bobbie, how do you do?
00:16:18Why, I hardly know.
00:16:20He's all right and chattier than ever.
00:16:22Now then, see if you can put them in water without breathing on them.
00:16:25Now, come along and tell me all about yourself.
00:16:26I haven't seen you for years.
00:16:28Tell me how, how's your father and your husband if you've got one?
00:16:31If not, why not?
00:16:33Well, I've only just returned to England.
00:16:35And I rushed right round to tell you that Mr. Brown's giving me a big party, Amaya.
00:16:39I know, it's your birthday.
00:16:40Party?
00:16:41Who's doing the catering?
00:16:43How's it, Bobbie?
00:16:44That's vulgar, pouting for hoarders to a honoured guest.
00:16:47Really?
00:16:51And by the way, who is doing the catering?
00:16:54You are, of course.
00:16:56Really?
00:16:57Oh, no.
00:16:58Oh, well, everything of the best.
00:17:00And no aggis.
00:17:01Oh, no aggis.
00:17:03Now, tell me, why didn't you wire me?
00:17:04Had I been at the station to meet you?
00:17:06Well, there was someone at the station.
00:17:08Of course, Mr. Brown.
00:17:09Uh, yes.
00:17:11Uh, and another young gentleman?
00:17:15Well, anyway, tell me, what's his name?
00:17:21Jules Martin.
00:17:23And how are you very fond of him?
00:17:25Well, he's rather charming.
00:17:28Oh, thank you for those kind words.
00:17:30Jules, how long have you been there?
00:17:35Oh, um, this is Mr. Martin, Mrs. Bobbie.
00:17:38Oh, how do you do?
00:17:40Oh, hi.
00:17:40I mean, how do you do?
00:17:42Jules, I want you to be awfully nice to Mrs. Bobbie.
00:17:45She used to be my nurse.
00:17:47Well, she really brought me up.
00:17:49And you did it marvellously.
00:17:51Why, even the police are giving her a birthday party.
00:17:53The police?
00:17:54Oh, you mean Mr. Brown.
00:17:55Yes, I've always wanted to meet the commissioner of police.
00:17:58Uh, off duty, of course.
00:17:59Of course, off duty.
00:18:01Well, you'll be all right for about half an hour, I suppose.
00:18:04Oh, sure, I am.
00:18:06You wouldn't like me to stay here with you and give your hand?
00:18:09Oh, no, I'll be all right.
00:18:11Bye-bye.
00:18:19Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:18:40What do you think you're playing at, eh?
00:18:41What's the idea of all this?
00:18:46Didn't you see me putting my hand down?
00:18:47Don't argue with me.
00:18:49I care what I'm going to do with you.
00:19:17I'm going to have a look.
00:19:21I'm going to have a look.
00:19:23I'm going to have a look.
00:19:25I'm going to have a look.
00:19:27I'm going to have a look.
00:19:29Look that way.
00:19:31Down here.
00:19:33Come on.
00:19:47Here, here, here, here, here, what do you think you'll find?
00:19:58It's time to turn around.
00:20:00Well, you can't turn around here.
00:20:01Are you in charge of this?
00:20:02No.
00:20:02Well, who is?
00:20:03Bert.
00:20:04What, him?
00:20:04Yes.
00:20:05Now, look here.
00:20:06You're causing an obstruction.
00:20:08You're in charge of this.
00:20:09No, I ain't.
00:20:09I do what he says.
00:20:11Well, now you do what I say.
00:20:13Here, get a hold of this here.
00:20:14Here, get back there.
00:20:15Get back.
00:20:15Fire back there.
00:20:16Run back there.
00:20:16Right there, come on, get back.
00:20:18Come on, get back.
00:20:18Right, go back there for you.
00:20:19Come on, get back.
00:20:21Come on, lift it up here.
00:20:22Don't go over there.
00:20:22Lift it here.
00:20:23You know you'll never do it.
00:20:28Come on, lift it up.
00:20:29Lift it up there.
00:20:30Lift it up.
00:20:30Right up.
00:20:31Higher.
00:20:32Lift it right up.
00:20:32Higher.
00:20:34Lift it higher.
00:20:35Higher.
00:20:36All right.
00:20:37Now, steady.
00:20:39You know you'll never do it.
00:20:40Ha, ha, ha.
00:20:42Now, wait a minute.
00:20:56Now, let's back to Cyril.
00:20:57Wait a minute.
00:20:58Wait a minute.
00:20:59Now.
00:21:00Come on.
00:21:00Come on.
00:21:03What do you want to bring that car up here for?
00:21:08What are you going to do about this?
00:21:09Oh, let's get this ladder out.
00:21:10Come on.
00:21:15Well, you go away.
00:21:16Is that going to be with you?
00:21:17Watch it open.
00:21:17Go on.
00:21:18Go away.
00:21:20Come on.
00:21:21Get this ladder out.
00:21:22Come on.
00:21:23Lift it.
00:21:24Lift it.
00:21:26Now, rally you.
00:21:27Rally you.
00:21:27Right now.
00:21:28Go on.
00:21:28Out of the way.
00:21:29Get out of the way.
00:21:29Now, where do you think you're going?
00:21:45Watch out and look where you're going.
00:21:46Here.
00:21:47You've backed him into my car.
00:21:49Who are you talking to?
00:21:50You.
00:21:51Oh, I'll trouble you for your ride.
00:21:53Don't bother.
00:21:54I'll see you later on.
00:21:55Yeah, get out of this.
00:21:56Get out of this.
00:21:57Now, lift this up.
00:21:58Over here.
00:21:58Right up.
00:21:59Up.
00:21:59Up.
00:22:00Get it up.
00:22:01Lift it up.
00:22:02Right over.
00:22:04Right over there.
00:22:06Do you round.
00:22:08Do you.
00:22:09Get that technique just forward.
00:22:11Up.
00:22:21Watch it.
00:22:22Where it is, Mr. Jack?
00:22:23Why isn't he here?
00:22:24He's not dressed, sir.
00:22:25Not dressed?
00:22:26You said that half an hour ago.
00:22:27Yes, sir.
00:22:27Quite half an hour, sir.
00:22:28What the devil's the matter with him?
00:22:30He's asleep, sir.
00:22:31Asleep?
00:22:32Yes, sir.
00:22:32Tired, sir.
00:22:33Fishing.
00:22:34Fishing?
00:22:35Ridiculous.
00:22:36No, sir.
00:22:37He asked me to give you these, sir.
00:22:38He asked me to give you these, sir.
00:22:47Here's your house to give a party.
00:22:51Here's your house to give a party, a la Carty, symphony, my name's original and arty, what a party, hold to me, bring the plates and put them in position, now the glass, we have the prohibition, leave it hold to me,
00:23:12now put the vinegar, mustard, and the pepper, oh dear, everywhere, now bring the kettle over, custard, and don't get flustered, put him there, now the top, the juffle, and the trifle, and the cake, oh, we'll let them see a highfall, if you are out to give a party, there's a party, right there,
00:23:39I met her on the way to Loch Lomond, and when I gazed into her eyes, she told me that you're tickling, she was watching the Punch and Judy show, and then she, she laughed,
00:23:57and it sounded like a nightingale in spring, or a lark in summer, or a babbling brook, or any of those kind of things,
00:24:09that's the girl, of course, Miss Ivy, sir, Ivy.
00:24:29Come on, come on.
00:24:59Come on.
00:25:17Come on, you must dance with another girl.
00:25:26Ah, you must dance with another girl.
00:25:28Is there another girl?
00:25:30I hadn't noticed.
00:25:31Oh, now you're getting serious.
00:25:33I don't like you when you're serious.
00:25:36Oh, Miss darling, what a nasty dress.
00:25:39Yes, I, uh...
00:25:40I'm thinking of buying it.
00:25:42I'm awfully sorry my son's not here.
00:25:44Tell him I think he's very rude.
00:25:46Then he always was a nasty little boy.
00:25:56I'm awfully sorry father.
00:26:21I shall hope so.
00:26:23This is the nasty little boy.
00:26:26Oh, how do you do?
00:26:28How do you do?
00:26:29Yes, but surely we've met before.
00:26:32Yes, no, no, no.
00:26:34But didn't I see you yesterday?
00:26:36You were the...
00:26:37Yes, no, yes, it wasn't me, no.
00:26:39Yes, but you were wearing a blue suit, yes.
00:26:41No, it wasn't me.
00:26:43I'll explain later.
00:26:45Funny, uh, mistaking me for somebody else.
00:26:48Oh, incredible.
00:26:50Now there's a mystery here.
00:26:52Explain.
00:26:53Who are you?
00:26:54Do you really want to know?
00:26:55Yes.
00:26:56Well, uh...
00:26:57I'm a policeman.
00:26:58C-70.
00:26:59Constable Brown.
00:27:00But not a soul must know.
00:27:01Why?
00:27:02Because my father said...
00:27:03I'd never stick it.
00:27:04Oh.
00:27:05Jules!
00:27:06Oh, uh...
00:27:07Oh, Jules.
00:27:08Uh, this is Mr. Jack Barnes.
00:27:09Mr. Jules Martin.
00:27:10Oh.
00:27:11How do you do?
00:27:12Goodbye.
00:27:13What?
00:27:14Oh.
00:27:15Oh.
00:27:16Well, uh, sorry to have to leave you.
00:27:17Yes.
00:27:18Well, I'll see you again sometime.
00:27:19Yes, sir.
00:27:20I expect.
00:27:21I should think.
00:27:22I'm afraid.
00:27:23Mm-hmm.
00:27:24Mm-hmm.
00:27:25Mm-hmm.
00:27:26Oh, uh, Mr. Brown.
00:27:27Yes.
00:27:28Oh, uh, Mr. Brown.
00:27:29Yes.
00:27:30Do something for me.
00:27:31Oh, anything in the world.
00:27:32Look after Mrs. Bob there, will you?
00:27:33Yes, of course I will.
00:27:34What's she like?
00:27:35Ah, talking with angels.
00:27:36Who wants me?
00:27:37Oh.
00:27:38Who's Mr. Ford?
00:27:39Uh, no.
00:27:40I don't think so.
00:27:41I don't think so.
00:27:42Well, I'll see you again sometime.
00:27:43Well, I'll see you again sometime.
00:27:44Yes, sir.
00:27:45I expect.
00:27:46I should think.
00:27:47I'm afraid.
00:27:48Mm-hmm.
00:27:49Oh, well, Mr. Brown.
00:27:50Yes.
00:27:51Do something for me.
00:27:52Oh, anything in the world.
00:27:53Look after Mrs. Bob there, will you?
00:27:55Yes, of course I will.
00:27:56What's she like?
00:27:57Oh, talking with angels.
00:27:59Who wants me?
00:28:00Oh, is Mr. Ford?
00:28:01I don't think so.
00:28:02Oh.
00:28:03I do think so.
00:28:04Of course, yesterday.
00:28:05Yesterday in my cafe.
00:28:06No, no.
00:28:07It wasn't me.
00:28:10With some coffee, will you?
00:28:12Oh, very interesting.
00:28:14And I suppose you are the urge to keep a high on the Christmas.
00:28:18No.
00:28:26Who are you shadowing?
00:28:27I don't think you quite get...
00:28:30Oh, I get you all right.
00:28:32I was a nursemaid, and I know all about policemen.
00:28:36Now, Mrs. Bob, they make my son dance.
00:28:40Your son?
00:28:41Yes.
00:28:42He's far too lazy.
00:28:43But I, uh...
00:28:44Yes.
00:28:45Let's go and dance.
00:28:46That's a good idea.
00:28:47You know, Harry must be cock-eyed.
00:28:51No, I'll explain.
00:28:52Now, look here.
00:28:53He's your father.
00:28:54You are the policemen.
00:28:55Therefore, I'll...
00:28:56Oh, I'll...
00:28:57I'll have to let you into the secret.
00:28:58Look out.
00:29:00Do you like that man?
00:29:02Yes, I like him very much.
00:29:03Yes, I like him too.
00:29:04Oh, thank you.
00:29:05Oh, thank you.
00:29:06Happy?
00:29:07Yes, it's a marvellous birthday.
00:29:09Excuse me.
00:29:10Yes.
00:29:11Excuse me.
00:29:12Yes.
00:29:13More trouble?
00:29:14Oh, yes.
00:29:15Will you excuse me?
00:29:16Oh, thank you.
00:29:18What is it?
00:29:19Yes.
00:29:20No, I don't...
00:29:21The yard.
00:29:22On the phone.
00:29:23No, no, thank you.
00:29:25Right.
00:29:26Excuse me.
00:29:27Yes.
00:29:28More trouble?
00:29:29Oh, yes.
00:29:30Thank you, sir.
00:29:33Thank you, sir.
00:29:35Thank you, sir.
00:29:37Thank you, sir.
00:29:38Thank you, sir.
00:29:39Thank you, sir.
00:29:44Look at him.
00:29:45You've captured two!
00:29:46Good!
00:29:47Did you get anything out of him?
00:29:53It's obviously missing his name, Jay,
00:29:55and the same man behind him too.
00:29:57It's only a question of time.
00:29:58I'm awfully sorry. I hope you don't mind my using your phone.
00:30:03Oh, not at all. Did you get through all right?
00:30:05No, the line was busy.
00:30:06Oh, that's too bad. Let me try and get the number for her.
00:30:08Oh, no, no, please.
00:30:09But it's no trouble at all.
00:30:10Oh, no, not at all.
00:30:11I'll get it in a second. What is my number?
00:30:13No, please, no, please.
00:30:14Come on, let me do it.
00:30:15Oh, no, no, no.
00:30:16Well, now we are here. Let's ring up somebody.
00:30:18Yes, give me your number.
00:30:19I can't hear. I don't know any numbers.
00:30:21I shall have to slip away for a few minutes.
00:30:23You good people must keep the party going for me.
00:30:25Oh, nothing serious.
00:30:26Oh, no, no, just a little activity in the underworld.
00:30:28Trying to make fun of the police.
00:30:29Of course, you know, the trouble is that you haven't got the right type of policeman.
00:30:34Oh, well, I think they've got a very fine type of man nowadays, don't you?
00:30:40Well, I must be all.
00:30:43Well, now, let's keep the thing going. Come on, dance.
00:30:47Well, Mr. Martin, I know all about you.
00:30:51Oh, indeed.
00:30:52Oh, go away.
00:30:53Could you tell me when I can find some more hocks?
00:30:54Yes, in the cellar.
00:30:55And on the, uh, the second shelf next to the door.
00:30:56Thank you, sir.
00:30:57Bother me with that now.
00:30:58Here, wait a minute.
00:30:59I'll go.
00:31:00We'll go.
00:31:01We'll both go.
00:31:02Come on.
00:31:03Don't forget, sir.
00:31:04Twelve o'clock, sir.
00:31:05On duty, sir.
00:31:06Remind me about that.
00:31:07Wait a minute while I turn on the light.
00:31:23Tell me, are you, uh, are you fond of dancing?
00:31:26Yes, sometimes.
00:31:27Does Mr. Bob, they dance?
00:31:28Oh, gracious, no.
00:31:29Nothing to persuade him to.
00:31:30Why not?
00:31:31Oh, gracious, no. Nothing can persuade him to.
00:31:33Why not?
00:31:34Oh, well, the music puts him out and the girl gets in his way.
00:31:38Well, then, shall we?
00:31:40Oh, would you like it?
00:31:41Would you like it, don't you?
00:31:44Can't you see how I'm engaged?
00:31:49One more like that and you'll get your whole breakfast.
00:31:52What would happen if I was to call you Ivy?
00:31:55Well, I might rather like it.
00:31:58Oh.
00:32:03Ivy.
00:32:04Come on, let's go upstairs.
00:32:06No, no.
00:32:07Well, if I come upstairs, will you dance with me?
00:32:09Yes, come on.
00:32:10No, no, no, no, no, no, no, no, no, no.
00:32:13I don't trust you.
00:32:15We'll dance down here.
00:32:17All right.
00:32:18I want to cling to Ivy
00:32:24If Ivy will cling to me
00:32:30I want no shrinking violets
00:32:35And daisies are much too free
00:32:41Where there's a rose
00:32:44Where there's a rose
00:32:45There is always a thorn
00:32:47And so you'll find in the morning
00:32:51You're left all forlorn
00:32:54I want no shrinking
00:32:56I want no shrinking
00:32:57I want no shrinking
00:32:58I want no shrinking
00:32:59I want no shrinking
00:33:00I want no shrinking
00:33:01I want no shrinking
00:33:02I want no shrinking
00:33:03I want no shrinking
00:33:04I want no shrinking
00:33:05I want no shrinking
00:33:06I want no shrinking
00:33:07I want no shrinking
00:33:08I want no shrinking
00:33:09I want no shrinking
00:33:10I want no shrinking
00:33:11I want no shrinking
00:33:12I want no shrinking
00:33:13I want no shrinking
00:33:14I want no shrinking
00:33:15I want no shrinking
00:33:16I want no shrinking
00:33:17I want no shrinking
00:33:18I've been washed up the street in fire and go the way
00:33:24And days is a touch to free and you'll see
00:33:30Ah, thank God, Jeff.
00:33:32Oh, no, no, no.
00:33:33Now, wait a minute.
00:33:35I've got to go at 12 o'clock anyway.
00:33:37Where are you going?
00:33:39I'm going fishing.
00:33:40Oh, okay.
00:33:42I want to tenacity be
00:33:46Oh, Ivy, if Ivy will bring to me
00:33:52And nobody but me
00:34:16Oh, okay.
00:34:22I want to go at the camera.
00:34:23I want to go at this camera.
00:34:24I want to go at it.
00:34:26Okay, let's go.
00:35:27Oh, excuse me.
00:35:57Now, we've only one more matter to discuss, and it's quite a simple one.
00:36:14Yesterday I had occasion to visit Varney's shop to buy a present for a lady.
00:36:20Oh, yes, I really did buy it.
00:36:24And I had a good look at Varney's.
00:36:27Now, this is what I've arranged.
00:36:29Now, there's Varney's, there's the crossroads, and there's the policeman on point duty.
00:36:35Now, car number one, that's you, Ricardo, and you, George, you drive up and wait outside Varney's.
00:36:44So, car number two, that's you, you drive up and wait opposite.
00:36:54At twelve, the window is smashed.
00:36:57Now, the getaway.
00:37:01You drive out across the road, bungle it, and so block all oncoming traffic.
00:37:10Oh, you'd better make it a lorry to make sure.
00:37:13There.
00:37:14And if that policeman on point duty gives you any trouble, well, you know what to do.
00:37:20Exactly.
00:37:21Now, is everything clear?
00:37:22Yes.
00:37:23Yes.
00:37:24Very well then.
00:37:25Tomorrow at twelve.
00:37:53There.
00:37:54There.
00:37:55There.
00:37:56There.
00:37:57There.
00:37:58Hello, Councillor Blanc.
00:38:00Oh, hello.
00:38:01Can you tell me the time?
00:38:02Er, yes, ma'am, it's about twelve o'clock.
00:38:06Hello, Councilor Barnes.
00:38:15Oh, hello.
00:38:17Can you tell me the time?
00:38:19Uh, yes, Mrs. About 12 o'clock.
00:38:23What's it?
00:38:23Don't, don't.
00:38:24Ask me something else.
00:38:26Ask me the way to the Capital Parry, and I'll reach you there for a bit of time.
00:38:30Hi, policeman.
00:38:33Here.
00:38:34Just keep an eye on this a minute, will you?
00:38:36I want to pop inside and buy myself a couple of hairnets.
00:38:39I say, you can't leave this thing here.
00:38:40What thing?
00:38:41This thing.
00:38:57Just down there, that's it.
00:38:59Police!
00:39:04Police!
00:39:05Stay down and go last hell!
00:39:22There we go.
00:39:25There you go.
00:39:26There you go.
00:40:56Here, which way did they go?
00:41:04There he is.
00:41:06There he is.
00:41:08There he is.
00:41:12There he is.
00:41:14There he is.
00:41:18There he is.
00:41:20There he is.
00:41:22There he is.
00:41:24There he is.
00:41:26There he is.
00:41:34There he is.
00:41:36There he is.
00:41:38There he is.
00:41:40There he is.
00:41:41There he is.
00:41:42There he is.
00:41:43There he is.
00:41:44There he is.
00:41:46There he is.
00:41:48There he is.
00:41:49There he is.
00:41:50There he is.
00:41:51There he is.
00:41:52There he is.
00:41:53There he is.
00:41:54There he is.
00:41:55There he is.
00:41:56There he is.
00:41:57There he is.
00:41:58There he is.
00:41:59There he is.
00:42:00There he is.
00:42:01There he is.
00:42:02There he is.
00:42:03There he is.
00:42:04There he is.
00:42:05There he is.
00:42:06There he is.
00:42:07What a lose.
00:42:08There he is.
00:42:09What a lose a lose.
00:42:10A man must be an absolute fool.
00:42:11Yes sir.
00:42:12Bring him in next.
00:42:13Yes sir.
00:42:18unstable b maravilら.
00:42:21Are you Constable Brown.
00:42:22Yes sir.
00:42:26How long there has been a force.
00:42:28about several months sir.
00:42:30But why for the blanket.
00:42:32We are a man short.
00:42:33I'm sorry sir.
00:42:35why did you single out this man particularly well sir he seemed to show
00:42:40signs of intelligence hello I'm sorry for what's occurred I was over anxious
00:42:46to make good for the sake of my old father he and I are devoted to each
00:42:51other why was this man ever accepted well he appeared to be the right type
00:42:57sir a policeman bred and born in the blood you head your man by the heels when
00:43:08you arrest a dummy your services are no longer required you'll be suspended on
00:43:14Saturday until further notice is that your final word sir it is it's not my
00:43:23final word I leave this building with the knowledge of the suspicion which rests on
00:43:29the head of the man that I suspect and it will be a bad day for him when the two
00:43:33of us meet it may be a bad day for me but what's a bad day in a policeman's life I
00:43:38have a policeman an Englishman and an Englishman and a policeman what a
00:43:42combination that can't go wrong haha it can't go wrong no but you'll go wrong
00:43:50you mark my words you won't listen to me but I know the guilty man I've got him
00:43:54taped and do you think I'm gonna let him slip through my fingers no no of course not and the
00:44:01force will have reason to regret Italy the favorite mistake they have just made I
00:44:06take it you have been set I leave on Saturday but before I go all right now listen
00:44:15here listen here let us look the facts in the face now we both suspect you was
00:44:19marty but we must have proof yes we must search his flat
00:44:24yes
00:44:25I'll be going to get in there unrecognized
00:44:31a
00:44:38I'll look at well
00:44:44I'll
00:44:46I'll
00:44:48I'll
00:44:50it's all right
00:45:04well where should we start
00:45:08oh anywhere
00:45:09over here
00:45:10come on
00:45:11shh
00:45:12turn the door
00:45:19ok
00:45:26yeah
00:45:30yeah
00:45:35yeah
00:45:40yeah
00:45:42yeah
00:45:46Oh, my God.
00:46:16Oh, my God.
00:46:46Oh, my God.
00:47:16Oh, my God.
00:47:46Oh, my God.
00:47:48Oh, my God.
00:47:50Oh, my God.
00:47:52Oh, my God.
00:47:54Oh, my God.
00:47:56Oh, my God.
00:47:58Oh, my God.
00:48:02Oh, my God.
00:48:04Oh, my God.
00:48:06Oh, my God.
00:48:08Oh, my God.
00:48:10Oh, my God.
00:48:12Oh, my God.
00:48:14Oh, my God.
00:48:16Oh, my God.
00:48:18Oh, my God.
00:48:20Oh, my God.
00:48:22Oh, my God.
00:48:24Oh, my God.
00:48:26Well, even if they did grab Ricardo, they never got the goods.
00:48:44He must have got rid of them somehow.
00:48:46Ain't you got the idea where he planted them?
00:48:48Yes, I have.
00:48:53Now, listen.
00:48:54I've got an idea that...
00:48:57He swallowed them.
00:49:13Shut up, you talk too much.
00:49:19Why don't we try and get at Ricardo?
00:49:21A fine John Sweet stand there.
00:49:23Welcome written on the mat first at Scotland Yard.
00:49:27I don't think.
00:49:29Now, listen, all of you.
00:49:30You remember on that other job, the one that George here got nabbed in?
00:49:35Well, he plundered the swag and...
00:49:38Well, and who are you?
00:49:54Oh, please, sir, please, sir.
00:49:55Mrs. Whiter has been took sick.
00:49:57Hold on one side and hop the hubba.
00:49:58Uh, rheumatics.
00:50:03She asked me to, uh, take home the windows.
00:50:05Really?
00:50:06Yes, sir, really.
00:50:09Well, and who are you?
00:50:13We know speak of English.
00:50:16Where do you come from?
00:50:18I cannot know.
00:50:19I don't say.
00:50:20Where do you come from?
00:50:22Well, anyway, listen to me, will you?
00:50:34This piano don't want tuning.
00:50:37Yes.
00:50:37Excuse me, the gentleman say, the piano, he know what the tuning is.
00:50:46No.
00:50:47No.
00:50:48No.
00:50:49No.
00:50:50Oh.
00:50:54No.
00:50:56Oh.
00:50:58Hey, you.
00:50:59And what's more, I don't like your face.
00:51:13The gentleman say, you know like his face, sir.
00:51:16You know like this face?
00:51:18No.
00:51:19And you know like that face?
00:51:21No.
00:51:21No, and I know like that face.
00:51:23I take that face away.
00:51:26Now come back.
00:51:29Uh, taxi.
00:51:46Lock over in cafe.
00:51:52Well, and now what is the next move?
00:51:55I shall warn Ivy about this blighter.
00:51:57He's the filthiest blaggard.
00:51:59Yes, but you haven't got proof.
00:52:00We must have it.
00:52:02Oh, we'll get that later on.
00:52:03Well, I think you ought to wait.
00:52:05Until you know something definite.
00:52:07I can't wait.
00:52:07I'm too furious.
00:52:08Well, take that off you look ridiculous.
00:52:10Oh.
00:52:11Now look here.
00:52:12You better let me talk to Ivy.
00:52:13If you do, there'll only be a row.
00:52:15Row?
00:52:16Don't be silly.
00:52:18There'll be no row.
00:52:21Now you've got to do what I tell you.
00:52:23I won't.
00:52:24You certainly will.
00:52:24I certainly will not.
00:52:25You certainly will.
00:52:27You'll answer me one or two questions.
00:52:28I shall do nothing of the kind.
00:52:30Where did you first get to know Jules Martin?
00:52:33Oh, I'd met him lots of times.
00:52:34Friends houses in Paris.
00:52:37I see.
00:52:38And how did he know you were here?
00:52:40Well, he was at the station to meet me.
00:52:42And he asked you to introduce him to my father.
00:52:44Oh, he still did.
00:52:45He asked you to introduce him to my father, the chief of police.
00:52:48Yes, he did.
00:52:49I knew it.
00:52:51Ivy, you must give him up at once.
00:52:53He's no good.
00:52:55What do you mean?
00:52:56Can't you see you're making a fool of yourself?
00:53:00He's deceiving you.
00:53:01How dare you say that?
00:53:03How dare you interfere with my friends like that?
00:53:05Oh, I'm disgusted with you.
00:53:07Oh, you're wonderful when you're angry.
00:53:13Ivy, do try and understand.
00:53:14I don't want to hear any more.
00:53:16You're just like a cat running a man lying behind his back.
00:53:18Oh, you're hopelessly jealous.
00:53:21Ivy, listen.
00:53:22I care more for you than any girl I've ever known.
00:53:26Ivy.
00:53:27Please don't do that.
00:53:28I shall tell Jules what you say and you can face him with it.
00:53:30Oh, but don't come sneaking to me like a little schoolboy.
00:53:33I hate you for that.
00:53:37Oh.
00:53:38Ivy, Ivy, listen.
00:53:41Ivy, Ivy, listen.
00:53:42No, Emma, I don't see it.
00:53:49Oh, dear.
00:53:49Well, I shall have to explain it all over again.
00:53:51Now, look here.
00:53:52This, this is the street.
00:53:55There is the jeweler's shop.
00:53:57And here is the thief.
00:53:59Now, what's the next move?
00:54:01That's what we've got to decide.
00:54:04Yes.
00:54:12Now, where's the thief?
00:54:16Here.
00:54:17No, that's Burlington Arcade.
00:54:20Let's start again.
00:54:21That's the main street.
00:54:22That's me standing in the middle.
00:54:24No, this is you.
00:54:26Oh, no, no, no, no, no.
00:54:29That's not me.
00:54:30I don't like lemon.
00:54:33That's me.
00:54:34He went this way.
00:54:35Yes, but the point is, where is the stuff?
00:54:36Here's a fan of the main hall.
00:54:38Now, he ran into the building.
00:54:41Here.
00:54:41That is Madame Tussauds.
00:54:44The thief escapes.
00:54:45Takes the pearls with him.
00:54:45I follow.
00:54:46You're with me.
00:54:47What's left?
00:54:48The bicycle.
00:54:49No, no, no, no.
00:54:50Madame Tussauds.
00:54:52Look, Madame Tussauds.
00:54:54Now, then.
00:54:55The thief escapes.
00:54:56Takes the pearls with him.
00:54:56I follow.
00:54:57You're with me.
00:54:58What's left?
00:54:59Madame Tussauds.
00:55:01Madame Tussauds.
00:55:09This is the room.
00:55:11Well, we don't have to look far.
00:55:32The pearls we want must be on one of these dummies.
00:55:37Well, let's get them and go.
00:55:38No, no, no.
00:55:38Not now, you fool.
00:55:39Yeah, the boss is right.
00:55:41They won't walk away.
00:55:44Herb, you stay here till I get back.
00:55:46Sure.
00:55:46Ah, by what the...
00:56:05Shh!
00:56:06Don't see us.
00:56:07I, uh, I've got another job for you.
00:56:19What's that?
00:56:20Get my father here at all costs.
00:56:24Tell him it's a matter of life and death.
00:56:26Do you get that?
00:56:28Life and death.
00:56:29Shh!
00:56:36Come along, please.
00:56:37All out, please.
00:56:38It's all right.
00:56:50Now, keep close to me.
00:56:54And see that nothing goes wrong this time.
00:57:00No, no, hurry along, please.
00:57:02Come on, hurry along there, please.
00:57:08Come along.
00:57:17You wait there.
00:57:20I'm going to see what's happening.
00:57:32Exhibition, all clear, sir.
00:57:34All in, all clear.
00:57:35Center of old, number one, all clear, sir.
00:57:38Center of old, number third, all clear, sir.
00:57:41Exhibition, all clear.
00:57:42All right.
00:57:43All right, sir.
00:57:43All right, sir.
00:58:02Come on, let's see it.
00:58:13Come on.
00:58:20Come on.
00:58:23Come on.
00:58:24Come on.
00:58:25Come on.
00:58:29Oh, dear...
00:58:34Oh, dear!
00:58:38Oh, dear...
00:58:40Oh, dear...
00:58:47Oh...
00:58:48Oh!
00:59:09Shh!
00:59:10What's the matter?
00:59:11Don't, don't lose your head.
00:59:13Oh, don't talk to me about head!
00:59:15Let me go!
00:59:16No, no, no, no, no, no, no, no.
00:59:17They haven't gone yet.
00:59:19They're still downstairs.
00:59:20Come on.
00:59:21Come on.
00:59:22Shh.
00:59:26Can't you hurry.
00:59:29Now then.
00:59:38What have you got there?
00:59:39That's the little fella that's going to give us the proof.
00:59:41We're going to photograph them in the end.
00:59:43Really?
00:59:44Let's have a look.
00:59:45No, no, no, no.
00:59:46Don't touch that.
00:59:47That's the flashlight apparatus.
00:59:48Heh.
00:59:49You know what we're going to do with this?
00:59:52Here.
00:59:53Come on.
00:59:53Come on.
00:59:54Don't miss this.
00:59:54Come on.
01:00:10Come on, all of you.
01:00:11Let's get it.
01:00:11Here.
01:00:12You take that one.
01:00:12All right.
01:00:13You there.
01:00:22Here.
01:00:23Hold that.
01:00:24Yeah.
01:00:28Oh, still.
01:00:29Still.
01:00:31Here.
01:00:32Take a look at this one.
01:00:34No, that's not it.
01:00:36No, that's not it.
01:00:45Quick.
01:00:45Hold it up.
01:00:46Hold it up.
01:00:46Hold it up.
01:00:47Right up here.
01:00:48Here.
01:00:49Hold it still.
01:00:50Tom.
01:00:50Shh.
01:00:52Hold it still.
01:00:57We're not near enough.
01:00:58We must get closer.
01:00:59Shh.
01:01:15Come on.
01:01:17Oh, my God.
01:01:47Yeah, quick.
01:01:49This looks like it.
01:01:51Now, look.
01:02:12Now, are you ready?
01:02:14One, two, three.
01:02:17What's that?
01:02:21Someone here.
01:02:26Just the head dropped off one of the dummies?
01:02:30What are you scared about?
01:02:32I ain't scared.
01:02:34Just a bit cautious, that's all.
01:02:36Come over here.
01:02:46Anyway, I'm not satisfied.
01:02:48I'm not afraid.
01:02:49I'm not afraid.
01:03:03Tum-tum-tum
01:03:07Tum-tum-tum
01:03:13Tum-tum-tum
01:03:17Tum-tum-tum
01:03:27Tum-tum-tum
01:03:31Tum-tum
01:03:41Nobody there.
01:04:00Blodette!
01:04:11Look!
01:04:26We've got to get out of here quick.
01:04:29You've got that door.
01:04:32Come on.
01:04:35Well, I think we ought to chuck it.
01:04:40If there is anyone here, there's enough of us to deal with them.
01:04:44No one's going to stop me.
01:04:47And if you've got to shoot, shoot!
01:04:50Keep your eyes open.
01:04:52Come on.
01:04:53All right.
01:05:10Come on.
01:05:13No.
01:05:14I think we've got them.
01:05:16Hello, I think we've got them.
01:05:27What?
01:05:37That's right.
01:05:46Ah, got it.
01:05:52That's a flashlight.
01:05:53Must be one of those dummies.
01:05:58Look out.
01:06:04Here, boss.
01:06:06What?
01:06:07Look at this.
01:06:11Oh.
01:06:12So it's you, is it?
01:06:14What are you trying to get away with?
01:06:16Look at this.
01:06:20Come on, you.
01:06:22The woman's scared stiff.
01:06:25Give me that camera.
01:06:29Ah, take that wig off, you poor fish.
01:06:34I'll give you three cups.
01:06:37One.
01:06:39Two.
01:06:41What camera?
01:06:42I've got no camera.
01:06:43Bluff, Bluff.
01:06:44Bluff.
01:06:45Where is it?
01:06:45I don't know, really.
01:06:46I don't know.
01:06:47I really don't know.
01:06:47Now, I suppose you know nothing.
01:06:49No.
01:06:50Yes.
01:06:54I suppose you didn't fire that flashlight, did you?
01:06:59No.
01:06:59No.
01:07:01No.
01:07:02Well, who did?
01:07:03He did.
01:07:03I don't know.
01:07:04What?
01:07:05What?
01:07:05You.
01:07:06Come on, fix them down here.
01:07:10Where did it take place?
01:07:11I'm standing over there by the telephone.
01:07:13Probably they're still in the building.
01:07:15They've taken a photograph off us and we've got to get it.
01:07:18Well, why bother?
01:07:18My photographs never come out.
01:07:21Police, sir.
01:07:22Bring them along here.
01:07:26We are going to stage a better tableau.
01:07:29What's wrong, Mr. Barton?
01:07:30I'm upstairs.
01:07:31Just make a little round.
01:07:33You better wait here.
01:07:34Come on.
01:07:37Get the lights over there.
01:07:38Oh, that's where they were.
01:07:57Finished.
01:07:58Oh.
01:08:08That looks like a false alarm.
01:08:19No.
01:08:20Come on, boys.
01:08:23Everything to you is clear, sir.
01:08:24Ah.
01:08:25Well, there's nothing up here.
01:08:26Ah.
01:08:38I thought I saw one of those figures move.
01:08:52I must have been mistaken.
01:08:53In you go, boys.
01:09:00Ah-ha.
01:09:01You didn't expect to meet Mr. Barton here, did you?
01:09:04You'll find the pearls in his coat pocket.
01:09:08And here's a photograph of him taking them.
01:09:12Shall we take him along, sir?
01:09:13I'm sorry, Martin.
01:09:15I'm afraid you must go.
01:09:17Come on.
01:09:19And lock him up.
01:09:19It's a chamber of horrors.
01:09:23Fine bit of work, my lad.
01:09:25How did you do it?
01:09:25Ah.
01:09:26A policeman bred and born, sir.
01:09:29It's in the blood.
01:09:31I'm glad I made good for the sake of my old father.
01:09:33He and I are devoted to each other.
01:09:35Ah-ha-ha-ha.
01:09:36Ah-ha-ha-ha-ha.
01:09:37Come on, I'll move along there, please.
01:09:39All right up there, please.
01:09:40All right up.
01:09:41Hello?
01:09:42Jack?
01:09:43Oh, hello.
01:09:45Come on, I'll move along there, please, miss.
01:09:47I shan't unless you tell me we're friends again.
01:09:49Well, I'll shift along there, please.
01:09:50All right up there, please.
01:09:51Nope.
01:09:52Not until you say you like me better than any other girl.
01:09:55I'm afraid I'll set the trouble of you for your name and address.
01:09:57If I see your license, please, miss.
01:10:10I'm afraid I'll set the report, Joe.
01:10:22There is always a bomb, and so you'll find in the morning.
01:10:29You're left off alone.
01:10:31I want to clean, too.
01:10:35I want to clean, too.
01:10:36I live my life.
01:10:39Oh, my God.
Be the first to comment