- 8 months ago
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Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00These planes comprise the first unit of the new Egyptian Air Force, which is about to leave Lim in England for Cairo.
00:01:29Egyptian pilots who were sent over to England to be trained are taking the planes out to Egypt under the command of squadron leader Jack Campbell,
00:01:35one of Britain's most daring aces, who has been loaned to the Egyptian government.
00:01:40Their work will be the patrolling of the desert borders for the detection of dope smuggling and the suppression of drug trafficking.
00:01:45It has been found that air policing is the only effective means of wiping out this nefarious trade.
00:01:50When King Cheops built the Great Pyramids 5,000 years ago, he didn't think anybody would look down on them.
00:02:05But to these flying men, they look just like paperweights.
00:02:08The flag goes up as the planes approach Cairo, where a great welcome awaits them.
00:02:12The squadron is to be received by all the most important officials of the Egyptian government.
00:02:17With them is General Fairley, to whom squadron leader Campbell will report.
00:02:21The planes make a graceful descent, skimming the heads of spectators and troops as they prepare to land.
00:02:25It is a great day and a historic day for Egypt, and the crowd is keyed up with enthusiasm at the first glimpse of their new air force.
00:02:32A perfect landing.
00:02:34Squadron leader Campbell climbs out of his plane, and with a smartness that has suffered nothing from the rigors of the crossing,
00:02:39the squadron marches up to be received by General Fairley and the committee.
00:02:45Up he goes.
00:02:47The big moment has arrived.
00:02:49The squadron leader salutes proudly.
00:02:51His salute is returned by the General.
00:02:53Now the other pilots are marching up to receive congratulations.
00:02:56Two faces backward.
00:02:58March!
00:02:59Look out!
00:02:59Look out!
00:03:00Good heavens!
00:03:01The squadron leader made a forced landing.
00:03:03I hope he hasn't bent his undercarriage.
00:03:05No, he seems to be all right, and he's picked himself up and hurries back to the platform under perfect control.
00:03:09Evidently the General is wondering where he's gone.
00:03:11Ah, there he is.
00:03:13And now he is to meet the General's wife.
00:03:16I don't think he understands who the lady is, but he shakes hands anyway.
00:03:19The General invites him to sit down.
00:03:21Hey, get up!
00:03:22Oh!
00:03:23He's simply covered with confusion.
00:03:25Now comes the high spot of the ceremony.
00:03:28The reception committee has arranged for a little girl to present a bouquet to the squadron leader,
00:03:31who in turn is to hand it to the General's wife.
00:03:34The squadron leader doesn't seem to understand.
00:03:35By the look on his face, he was only expecting flowers if he didn't get there.
00:03:39But the little girl brings him back to earth.
00:03:41She's telling him he has to give the flowers to the General's wife, and he gets the idea at once.
00:03:45Well, he gets the right idea, but the wrong wife.
00:03:47The little girl is doing her best to retrieve the situation,
00:03:49but the squadron leader is beginning to look as though he's flying through fog without his instruments.
00:03:53Anyway, he's up in the air again.
00:03:55Now what?
00:03:56He's on the verge of a great decision.
00:03:59Ah, he's taken the flowers and given them to the General.
00:04:01But the General doesn't appreciate flowers, and he's given them back.
00:04:04And now the squadron leader presents them to the little girl and makes an appointment to see her later.
00:04:09Fast workers, these airmen.
00:04:11And once again he sits down, careful.
00:04:15Well, that's gone off all right, thank goodness.
00:04:17And now the General's wife is putting him at his ease with a little light conversation.
00:04:21Looks like a drawing room story.
00:04:23I don't think the squadron leader quite sees the point, but anyhow, he's laughing politely.
00:04:27Hmm, they ought to hear the squadron leader tell one.
00:04:30Yes, he's telling one now.
00:04:31I hope it isn't that one about the nudist colony.
00:04:33Or the General's wife doesn't think it funny.
00:04:36The General doesn't think it funny.
00:04:38The squadron leader wonders why their mothers never told them anything.
00:04:45And now, Campbell, to sum up,
00:04:47your instructions are to patrol each section of your territory with a separate machine
00:04:51and thus effectively truncate the field of operations.
00:04:54Exactly.
00:04:55Cut up the desert into strips.
00:04:56Yes.
00:04:57Huh?
00:04:58Yes.
00:05:00You'll keep a close watch on the movement of every Bedouin and every caravan.
00:05:03And then?
00:05:03I shall patrol the frontier and Nile crossings at regular intervals,
00:05:06supplying you with a batch of information
00:05:07which will give you something to work on while I'm away.
00:05:10Are you giving me orders?
00:05:12Or am I giving them to you?
00:05:13I'm giving them to you to give to me.
00:05:15What?
00:05:16Oh, pardon me, sir.
00:05:18We were cutting up the desert into strips.
00:05:20Our chief objective is drug smuggling.
00:05:23Everything points to an organized gang
00:05:24which must be got rid of entirely.
00:05:26Now understand me, got rid of entirely.
00:05:28Then we must get right down to it.
00:05:30Take our coats off.
00:05:32You seem keen.
00:05:32Hugh Vetchel.
00:05:33Rather.
00:05:34Well, this will give you an opportunity of showing us what you made of.
00:05:37Then I'd have to take my shirt off, too.
00:05:40I've gone too far.
00:05:41You certainly have.
00:05:42I quite agree.
00:05:43I didn't ask you to agree.
00:05:44Now let's start again.
00:05:45We cut off our shirts into strips.
00:05:47They are the desert, I mean.
00:05:48Which must be got rid of entirely.
00:05:49Now what the devil are you talking about?
00:05:50The organized gang.
00:05:52Ah, precisely.
00:05:53Yes.
00:05:53So you must have a real cleanup.
00:05:54And we'll take off our shirts to do it.
00:05:56Campbell,
00:05:56I've reason to believe there's a woman mixed up with this gang.
00:05:59Then we must keep our shirts on.
00:06:00I've gone too far again.
00:06:04You have indeed.
00:06:05That's the second time.
00:06:07Once more you'll be angry.
00:06:08And I wouldn't blame you.
00:06:08But don't worry, sir.
00:06:10Shirt or no shirt,
00:06:11I'll show you what I'm made of.
00:06:13I'm very glad you've had this little chat with you.
00:06:14And I hope we have many more.
00:06:19Don't worry about the smugglers, sir.
00:06:21Their days are numbered.
00:06:22I'm going straight out to round them up.
00:06:25I'll leave you now, sir,
00:06:26to have 40 winks.
00:06:32Take off.
00:06:33Climb in formation to a thousand feet.
00:06:35Break formation
00:06:35and patrol the desert.
00:06:37Keeping a sharp lookout for caravans.
00:06:41Just a minute, sir.
00:06:42You're pigeon.
00:06:43Oh, I mustn't forget my wireless.
00:06:46Hello, Amy.
00:06:47Contact.
00:06:48Contact.
00:07:24Oh, master the clay. We'll win the fight for May. We'll go to law and we'll keep today.
00:07:37Oh, master the clay. We'll win the fight for May. We'll win the fight for May.
00:08:03It is one of the petro birds sent out to watch us.
00:08:19I just stop carefully. We must get it through to our chief.
00:08:27You men remain silent. I will do the talking.
00:08:33There. Hi, hi, hi. Just a minute, please. I want to ask you a few questions. Where have you come from?
00:08:51From beyond Suez. Who's this? That is my wife. Good morning. What are you carrying on these camels?
00:08:58Food. Anything else? No, nothing else. I'll have to search this caravan. Why? Who are you?
00:09:05Never mind about that. Open these bags. I refuse. Open these bags.
00:09:09For what reason should I open them? Because you're a smuggler.
00:09:13Did you call me a smuggler? I did.
00:09:18A smuggler? Ah!
00:09:20I have been called the smuggler. The prophecy is fulfilled.
00:09:28What prophecy? The picture in the sand.
00:09:35We will try it again.
00:09:38It has been revealed through the mysteries of the East. It has also appeared in the stars.
00:09:43Beware.
00:09:45Of Tuesday, it said.
00:09:48Is it? Yes.
00:09:49What is today?
00:09:50I don't know. I'm a bit confused.
00:09:52Ah! Look! He sees it again.
00:09:55It is there.
00:10:01Is he going to do the Indian rope trick?
00:10:04Ah! Look! He points to the zodiac sign.
00:10:07Shhh! I get you.
00:10:09Today is Tuesday.
00:10:10Tuesday.
00:10:11I thought it was.
00:10:12Beware of Tuesday.
00:10:13Who is?
00:10:15Master!
00:10:16It is there again.
00:10:18A tall man in white comes down from the skies to dishonor your good name.
00:10:24It is true! It is true!
00:10:26My Samuel, tell me sorry.
00:10:28Ali, son of the wind, has been called a smuggler.
00:10:32Now, now, now, now. Don't distress yourself.
00:10:35Oh, but you don't understand. My family honor is destroyed.
00:10:37For hundreds of years they must bear the stigma of the evil.
00:10:42No, no, no, no. You've got the wrong idea. Look here.
00:10:45You've got a wonderful future. Good places me.
00:10:48I see a tall, dark man coming across the water with bags and bags of gold.
00:10:53Oh, it is too late.
00:10:55Suspicion will forever dog my spirit.
00:10:57No, no, no, no, no.
00:10:58I've made a great mistake, that's all.
00:11:00I'm sorry.
00:11:02Shake, Sheik. Sheik, Shake.
00:11:03Put it there.
00:11:05Forget it.
00:11:06And tonight, when you look at the stars, you'll see the winner of next year's derby.
00:11:09So long, Shake.
00:11:10Take it.
00:11:11Chained.
00:11:17Ha ha ha ha ha ha ha ha.
00:11:27Ha ha, ha ha ha ha ha!
00:11:29ações
00:11:30Amy, I'm afraid we made a bit of a bloomer this time.
00:11:51Hello, Amy.
00:11:53What's this?
00:12:00We'll go and find out.
00:12:05I bet you he's a smuggler.
00:12:30What's the idea of trying to get away from me like that?
00:12:50Come on, out of that machine.
00:12:51You've got to be searched.
00:12:54Your suggestion is most improper.
00:12:56Oh, I say, I say, I say, I beg your pardon.
00:12:59I have no idea.
00:13:01Why have you been chasing me all this time?
00:13:03Haven't you got a girlfriend of your own?
00:13:04Why did you try to get away from me?
00:13:07Because my people told me never to talk to strange men in the air.
00:13:12Oh, I see.
00:13:13Where are you going?
00:13:15That's my business.
00:13:16I'm sorry, but it's my business too.
00:13:19Oh, are you a detective?
00:13:21Yes.
00:13:22I'm looking for a woman smuggler.
00:13:24And so far you've failed.
00:13:26Have I?
00:13:27You're just wasting your time.
00:13:29Yes, of course.
00:13:30You don't know anything about the smugglers at all.
00:13:32Not a thing.
00:13:33No, no, no, no, no, no, no.
00:13:34Exactly at all, no.
00:13:35You're just out here in the desert for fun.
00:13:37Yes.
00:13:37Oh, yes, of course, quite.
00:13:40It's a pity there's not a band playing.
00:13:42We might dance.
00:13:43That'll be fine.
00:13:44I love dancing.
00:13:48Well, I hope now that you realize you've made a mistake.
00:13:51I want proof of that.
00:13:52Isn't my word enough?
00:13:53I'm afraid not.
00:13:55That has definitely annoyed me.
00:13:59I'm going.
00:14:00Oh, no, you're not.
00:14:00You're under arrest.
00:14:02We're going to Cairo.
00:14:03Are we?
00:14:05Shall I come a little nearer, or can you hit me from there?
00:14:08Do you want to see how straight I can shoot?
00:14:10Yes.
00:14:12That's your petrol tank over there, isn't it?
00:14:14Yes, it is.
00:14:15Was that a shot, or was that a shot?
00:14:20That was a shot.
00:14:23That was another.
00:14:24All right, don't bother anymore.
00:14:25I'm satisfied.
00:14:26Thank you very much.
00:14:29And now, I'd like you to do something for me.
00:14:32Sure, with pleasure.
00:14:34I'll do anything in the world for you,
00:14:36when you've got that gun.
00:14:37Then will you go and swing my propeller, please?
00:14:40Quickly!
00:14:40Yes.
00:14:45Contact.
00:14:49Contact.
00:14:53Goodbye.
00:15:15Well, Amy, old girl, here's where you do your wireless action.
00:15:34And fly back to headquarters with an SOS.
00:15:40You needn't bother.
00:15:42I'll take a taxi.
00:15:43Aye.
00:15:44Taxi?
00:15:45Whoa.
00:15:45No, no, no, no.
00:15:46Drive me in the car, will you?
00:15:48Thank you very much.
00:15:49How do we get up?
00:15:51I see.
00:15:52Time up.
00:15:53You're a little bit big, aren't you?
00:15:55You don't have to know of a smaller camel around here, do you?
00:15:59I'm afraid I've lost my way now.
00:16:02Wait a minute.
00:16:02I'm not up.
00:16:04Wait a minute.
00:16:05Wait a minute.
00:16:06Give me a chance.
00:16:07Wait a minute.
00:16:10That's good.
00:16:11I'm up.
00:16:12No, I'm not.
00:16:12Now, wait a minute.
00:16:18What's the idea?
00:16:19What's the idea?
00:16:20Yes, I know.
00:16:21Come over here, now.
00:16:23Now, can you fold up?
00:16:24Hmm.
00:16:24You can.
00:16:25Well, then, do it.
00:16:26Yeah.
00:16:27Now, I haven't got time to play about.
00:16:29I'm in a great hurry.
00:16:29Now, fold yourself up.
00:16:31Fold yourself up.
00:16:34Like this.
00:16:36Ah.
00:16:44Thank you very much.
00:16:48Come on, now.
00:16:49Car.
00:16:49Up we go.
00:16:50Hey.
00:16:50Up.
00:16:51You're a very naughty little camel.
00:16:58Now, then.
00:16:58If you do that again, I shall spank you.
00:17:03Ah, yes.
00:17:10Now, you're going to get it.
00:17:12Ah.
00:17:12Now, then.
00:17:16Do you see this stick?
00:17:17If you don't behave yourself, I'm going to hit you with it.
00:17:19Yes.
00:17:20I'm talking to you.
00:17:21What are you doing?
00:17:22Let go.
00:17:23Let go.
00:17:23Let go.
00:17:24Let.
00:17:24Here.
00:17:27That settles it.
00:17:29Now, then.
00:17:29Fold yourself up quickly.
00:17:34I can't believe it.
00:17:35Now, this time, we're going.
00:17:39Come on, now.
00:17:40Get up.
00:17:41Ah.
00:17:42Come on, now.
00:17:43Whoa.
00:18:03Saeeda.
00:18:04Saeeda, my sir.
00:18:05Is the master not here?
00:18:06Yes.
00:18:07Let him know the caravan arrived.
00:18:09Saeeda.
00:18:09Yes, Edi.
00:18:12The good sheikh has arrived.
00:18:20Saeeda, your sir.
00:18:23Saeeda, old master.
00:18:24Do you bring good news?
00:18:25Yes, plenty.
00:18:27I have smuggled you to grot the boat.
00:18:29Good.
00:18:29One of the petful birds swooped down on us.
00:18:31So?
00:18:32Our work is getting more dangerous, master.
00:18:35But we can always find the ways and means, so long as you can find the prize.
00:18:40Here it is.
00:18:41You must be careful how you send this into Cairo.
00:18:44Every day the net draws tighter.
00:18:46My message is so secret that even my son of the wind could not discover them.
00:18:52And he would be ill-advised to try.
00:18:54And he would be ill-advised to try.
00:19:24And he would be ill-advised to try.
00:19:29Haeeda.
00:19:30Haeeda.
00:19:30Haeeda.
00:19:32Haeeda.
00:19:34Hey, old friend.
00:19:49Is this by the chance of filling station?
00:19:52Well, what do you wish to fill?
00:19:54Daisy, Amy, and a tall man in white with an empty stomach.
00:19:59I see.
00:20:01Have an accident?
00:20:02No, no, just teaching Daisy to fly.
00:20:05Would you like a drink?
00:20:07Oh, you don't even have to ask me.
00:20:10Please, come down.
00:20:11Yes, well, we will endeavor to land.
00:20:15Daisy, hold yourself up.
00:20:16Down, down.
00:20:18That's the stuff.
00:20:19Now, fold up the back ones.
00:20:21That's a good girl.
00:20:23I didn't think that was going to happen.
00:20:26Is your plane much damaged?
00:20:27No, I just stopped on the way to have a game of darts.
00:20:31Oh, in that case, I'm sure my mentor picks it up for you.
00:20:33Sarah, have the men take Svaternita's plane around to the back and repair it.
00:20:39How do you feel?
00:20:41Oh, could you give my friends a little food?
00:20:43Why, sir, do they?
00:20:43Amy likes shortbread, and Daisy will do a hundred miles on a piece of chewing gum.
00:20:48Would you come in?
00:20:49Thanks, Alfred.
00:20:51Come.
00:20:51Come on, you'll come barani.
00:20:54Come on, you'll come barani.
00:20:57Come on, you'll come barani.
00:20:59Come on, you'll come barani.
00:21:02Come on, you'll come barani.
00:21:04Here we are.
00:21:06Slip those things off and cool down.
00:21:08Oh, thanks very much.
00:21:11What do you do with yourself all day here?
00:21:13Dig.
00:21:14What, potatoes?
00:21:14Oh, no, no, treasures.
00:21:17These things.
00:21:18Good gracious, did you dig up all these?
00:21:20Yes.
00:21:21The soil here must be very fertile.
00:21:23It is.
00:21:24I dig up enough to supply the museum, and also sell to a dealer in Carol.
00:21:28This must be the one country in the world where agriculture pays.
00:21:32Is that a gas engine, or do I hear strains of Arabian music?
00:21:43I spare no expense for the entertainment of my guests.
00:21:48It's nice, isn't it?
00:21:50Two engines, hurry.
00:21:53You're looking for these dope smugglers, aren't you?
00:21:57Who told you that?
00:21:58You remember stopping a shake with his caravan some time ago?
00:22:02What, a tall man with a long beard and a white horse?
00:22:04Yes.
00:22:05I've known him for years, ever since I first came to Egypt.
00:22:09He's my greengrocer.
00:22:11Good gracious.
00:22:13And he told you?
00:22:14He's a very nice man.
00:22:15Straight as a dime.
00:22:17Oh, delightful.
00:22:18I knew at once I'd made a mistake.
00:22:20I can tell a smuggler that the moment I see him, there's a kind of shift in it in the eye.
00:22:24I can spot it every time.
00:22:26But we're going to get rid of all these fellas.
00:22:28We're going to clean up the entire country.
00:22:30Isn't that going to be a very hard job?
00:22:32Oh, very hard.
00:22:34I'm going straight to the Fountainhead.
00:22:36It's the leader of the whole gang I'm after.
00:22:38And believe me, it's going to be a tough day for him when we come face to face.
00:22:43You know, I'm beginning to feel sorry for him already.
00:22:46I've got a red-hot clue.
00:22:48He's got an innocent girl in his clutches.
00:22:50Really?
00:22:50And what a girl.
00:22:51Oh.
00:22:53Very delectable.
00:22:54I met her in the desert.
00:22:56I've got her address, so I'm going around to call on her for further information.
00:23:00Several times.
00:23:03What?
00:23:04Will you excuse me, madam?
00:23:05Oh, sure, yes.
00:23:06Thanks.
00:23:06Sayida.
00:23:23Sayida!
00:23:23that's grand can you play anything else can you play pack up your troubles in your old kit bag
00:23:44pack up your troubles in your old kit bag that's it everything's wonderful life's okay i wonder what's
00:24:01happened to the world today who's been polishing the sun rubbing up the clouds of gray they must
00:24:07have known just how i like it everything's coming my way who's been teaching all the birds how to sing
00:24:15around the lay they must have known just how i like it everything's coming my way yesterday
00:24:23everything looked anyhow then i met someone and look at it now who's been polishing the sun rubbing
00:24:35up the clouds of gray they must have known just how i like it everything's coming my way tell me who's
00:24:43been polishing the sun sweeping all the stormy clouds away they must have known just how i like it
00:24:48every little thing is going to be okay tell me who's been teaching all the birds how to sing a merry
00:24:54round the lay they must have known just how i like it everything's coming my way
00:24:59every little thing is coming my way to the wind up and then i fell in love with the sweetest little girl and look at me now
00:25:07why don't you tell me who's been polishing the sun sweeping the clouds away they must have known just how i like it
00:25:15oh oh come on let's go
00:25:18yum bum bum bum bum
00:25:20yum da da da da da
00:25:21yum da da da da da da
00:25:22oh
00:25:23look at me
00:25:31about me
00:25:33uh
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00:28:06means they're easy yes yes that's right would you care to help yourself thanks
00:28:11very much there was something else i saw here somewhere where was it it was around the other
00:28:15side i've lost it now excuse me next the owl ah here it is the scallop that's a marvelous bit of
00:28:24carving just like the little fellas you see crawling about in the desert today well here's
00:28:28fun excuse me there's a fly on your drink there's one in mine too esper these flies are a pest
00:28:37i hope that gin poisons them that's the nearest i've got to a drink for 24 hours that must be one
00:28:43of the difficulties of your job never knowing where you're going to be sent oh no on the contrary
00:28:48we've got the whole thing mapped out we cut the desert up into strips and patrol every inch with
00:28:52our machines that must keep you pretty busy oh yes here we are we've already made it practically
00:29:00impossible for any smugglers to get the stuff through by road into the towns that's very interesting
00:29:06how by guarding every road every entrance and any man who tried to get the stuff through by road
00:29:12would be trapped for a certainty where are you making for from here caro is there anything i can do for
00:29:20oil i don't suppose you could give me a lift could you i'm sorry perhaps if it's a bit but if there's
00:29:24anything i can do for you in caro i'd be tickled to death thank you i wonder if you could take something
00:29:29in for me certainly thank you very much right it's just a few alabaster vases which i'm sending to my
00:29:39partner in the bazaar they are most valuable so i must pack them carefully they're right here i hope you
00:29:48don't mind carrying them in this it's all i've done oh that'll be all right good i'll get my things on
00:30:07them here's your machine sir where are my friends oh here they are
00:30:15come on amy we're gonna fly again well goodbye daisy old girl i'm sorry i can't take you with me
00:30:22but i haven't got room would you mind seeing this lady home she lives 800 sand dunes down there
00:30:28thank you very much today goodbye
00:30:46ah great news important news news that is at once both interesting and invaluable enormous
00:30:53possibilities bloom on the horizon kindly come to the point campbell there's a woman mixed up with
00:30:57this smuggling gang sir i know that i told you that myself but i caught her you brought her here no
00:31:01sir why not she wouldn't come wouldn't come why didn't you arrest her she wouldn't let me she pulled
00:31:05out a gun and started firing were you hit badly where were you hit in the petrol tank twice you let her fire at
00:31:16your tank yes sir i thought she'd miss you realize this is very serious it might have been far more
00:31:21serious if she fired at me are you absolutely convinced that this is the woman you've been
00:31:25looking for absolutely wait till you see her i must get to work and get her here at once no
00:31:29sir you keep out of this i found her first who the devil are you talking to i've gone too far
00:31:33again you you say exactly what you think i'm going to say exactly what i think and what do you think
00:31:39i won't tell you what i think do you want to know what i think no you're disappointed in me definitely
00:31:46sorry i came out here i refuse to participate in this asinine conversation give me a description of
00:31:50the woman it's quite unnecessary sir because she's innocent then what the devil are we arguing about
00:31:56absolutely nothing everything's fine this girl somehow or other has got mixed up with the gang
00:32:02and through her i'm going to find out all about them i'll go and fix it right now wait a minute
00:32:06you know where she is i guess i might find her for you sir oh give me this girl's description height
00:32:15just right figure glorious wait about eight stones
00:32:24petal thin neither what is she just perfect you know the color of her eyes oh yes blue blue blue is
00:32:34the nile now make it that it's red and her hair shandy gaff yellow don't worry sir i'll find this girl
00:32:44somehow drag the truth out of her force her to confess make her reveal the methods of the gang
00:32:49you don't want to hear any more do you sir no right goodbye sir
00:33:04but
00:33:14you
00:33:15Csshh.
00:33:44Shh. I'm going to have tea with him. Come after me in a few minutes.
00:33:48All right.
00:33:59You take sugar.
00:34:01Please, it does.
00:34:04Good heavens, it's you.
00:34:06I hope that's not too strong.
00:34:08Well, how did this happen?
00:34:10Milk?
00:34:11No, thank you.
00:34:14It's awfully sweet of you to ask me to have tea with you like this.
00:34:17But I haven't.
00:34:19Then why are you here?
00:34:21That's exactly what I want to know.
00:34:23Are you pleased to see me?
00:34:25No.
00:34:27That's a lie, isn't it?
00:34:29Yes.
00:34:30Do you like me?
00:34:32No. That's a lie, too.
00:34:34I know exactly why you're here.
00:34:37You're sorry because you were so rude to me in the desert.
00:34:39I certainly am not.
00:34:41Oh, yes, you are.
00:34:43You've got through eyes.
00:34:45So do you.
00:34:46Blue is the...
00:34:47Now, I, uh...
00:34:50I'm going to give you an opportunity to clear yourself.
00:34:53The best thing you can do is to make a full confession.
00:34:55About what?
00:34:57I know perfectly well that you're connected with this gang,
00:34:59so you may as well tell me the whole story.
00:35:03And if I refuse?
00:35:05I could arrest you.
00:35:08Yeah, Miss Dillon, you couldn't.
00:35:09I could.
00:35:10All right, go on.
00:35:11I dare you.
00:35:13Well, I can't.
00:35:14You're sitting down.
00:35:15Well, I'm certainly not going to stand up.
00:35:17But I can't arrest you at all.
00:35:18Good.
00:35:19Have some more tea.
00:35:20Thank you very much.
00:35:22Those eyes are grand.
00:35:23Excuse me.
00:35:24I'm sorry to interrupt,
00:35:26but we have a most important business meeting.
00:35:28All right.
00:35:29I'll come now.
00:35:31That's my chief.
00:35:32I'll have to go.
00:35:33Well, goodbye.
00:35:34Something tells me we'll meet again.
00:35:37Something tells me that you're perfectly right.
00:35:39But remember,
00:35:39I warned you.
00:35:42Goodbye.
00:35:45Did you succeed?
00:35:46Yes.
00:35:47Trust that easy, sir.
00:35:49Yes, but I'm a little bit worried about the wrist.
00:35:51Oh, I dare you.
00:35:52Shh.
00:35:55We will distribute the packages as arranged tomorrow.
00:35:58Right.
00:35:58Where shall I meet you?
00:35:59I will be in front of the hotel at 10 o'clock.
00:36:01Oh.
00:36:02Oh.
00:36:02Oh.
00:36:13I eat on.
00:36:14Morning, Dr. Naga.
00:36:14Everything's ready?
00:36:15Yes.
00:36:16I have 1,000 packages in the car.
00:36:18We go to the pyramid.
00:36:19Come.
00:36:19If you please.
00:36:21You want a good guide?
00:36:22Give you good time?
00:36:23Show you good sights?
00:36:24No.
00:36:25No?
00:36:27You want to see some postcards?
00:36:30No.
00:36:31No?
00:36:32You want to go to the pyramid?
00:36:36You want to see a skateboard?
00:36:38You want to see a donkey?
00:36:39No.
00:36:40You want a shave?
00:36:40Haircut?
00:36:41Shoe shine?
00:36:42No.
00:36:42No.
00:36:42No.
00:36:44But me, best man.
00:36:45I saw you best.
00:36:45You covered me.
00:36:54Follow that car.
00:36:55Hey, there.
00:36:55What?
00:36:56Oh, what do you mean by doing this?
00:37:00You're not the guide I engaged.
00:37:01Ah, him, bad man.
00:37:03No nothing.
00:37:04Me, best man.
00:37:04No all.
00:37:09Oh, look, mother.
00:37:11The great pyramids of Giza.
00:37:13They're 5,000 years old.
00:37:15He's just behind me.
00:37:23Good.
00:37:25Come along.
00:37:26I want you to tell us all about both of them yes I think we see them better from the other side
00:37:39four thousand years the book says it's 8,000 years old ah that is an old book allow me thank you
00:37:59this way please but what are we supposed to hurry for too late too late for what oh
00:38:11ah no we are not oh how wonderful what is it this is the family album but who is it
00:38:28Rameses from the time he was a little baby until now
00:38:32Abdo what are those carvings represent
00:38:47oh I'll kill
00:38:52ah
00:38:54ah
00:38:56I'll be to that
00:38:59thank you sir
00:39:13ah at last got him caught him red-handed I promised I was going to show you something
00:39:25and there it is
00:39:26follow me don't be afraid he won't shoot
00:39:33do not give the packets out until felt yeah
00:39:38you're under arrest for smuggling dope and here are my witnesses gosh where are they
00:39:44ah there they are
00:39:45now this is the evidence oh really that's very amusing
00:39:49get in that car
00:39:52and you I say you have caught the son yes and I caught the smugglers too I warned you about
00:40:00this well you see I don't talk it's dangerous get in that car
00:40:03get in that car
00:40:04all right
00:40:05I'm going to get you out of this mess whether you like it or not
00:40:10you drive to the police station oh now you two witnesses get in that car at the back
00:40:15and I'll be there
00:40:16that's the second time that's happened to me
00:40:20look out there whole time
00:40:23well I'm going to drive
00:40:24stop stop there's the colossal I remember
00:40:35we can't stop to pick up anybody now
00:40:37go
00:40:42the
00:40:50the
00:41:01the
00:41:05Ahmoud!
00:41:18The soldier did not deliver the goatskin bag in Cairo.
00:41:21If he opens it, we're finished.
00:41:22Tell our agents to shoot him at sight.
00:41:24And until he's out of the way, I will not take any more stuff from the sheikh.
00:41:27But my dear friend, it's unbelievable.
00:41:33You say that one of my officers, dressed as a guide,
00:41:36followed you for a considerable time and then tried to arrest you as drug smugglers?
00:41:40Yes.
00:41:41I'm establishing a new brand of cigarettes called Egyptian Kings.
00:41:45Miss Rogers, my publicity agent, suggested that we should distribute samples to the keepers of the two
00:41:50to be handed over to the visitors.
00:41:52Just if the publicity's done.
00:41:54May I present you with a packet?
00:41:56They soothe and satisfy.
00:41:58Thank you, but I don't smoke cigarettes.
00:41:59My dear Zaga, why on earth didn't you tell Campbell he was making a fool of himself?
00:42:04Ah, that would have spoiled my advertising scheme.
00:42:07This has given us a great story.
00:42:09Story?
00:42:10Yes.
00:42:11All Egypt laughing at arrest of tobacco magnets.
00:42:13Air Force officer discovers famous Egyptian kings.
00:42:17Cigarette.
00:42:18Now please understand, on no account must this regrettable incident get into the press.
00:42:22I'm afraid it's too late.
00:42:25It's already in.
00:42:29This is outrageous.
00:42:35Excuse me, sir.
00:42:36This bag was left in your place.
00:42:38My gosh, I forgot all about that.
00:42:40Give it to him, will you?
00:42:41Oh.
00:42:41Ah, thank goodness I found you, sir.
00:42:49Terrific news.
00:42:50I found the head of the whole gang.
00:42:52Actually caught him red-handed, giving the stuff to the natives.
00:42:54I placed him under arrest, but nothing came of it.
00:42:57The dirty tyke scarpered with that beautiful girl I told you about in the desert.
00:43:02Something's got to be done about this girl, sir.
00:43:04When I looked into those pathetic blue eyes,
00:43:06they were imploring me to extricate her from the poisonous clutches of this octopus.
00:43:10Then you'd better do it now.
00:43:13Oh, hello.
00:43:14Ah, so you've come here to try and save yourself, but it's too late.
00:43:17I've got the evidence.
00:43:18I've got the evidence in the bag, sir.
00:43:20That's what it is in the bag.
00:43:21Where is the bag, sir?
00:43:22Oh, of course.
00:43:22Give me the, uh, no, no, no.
00:43:24Not that.
00:43:24Not this one.
00:43:26Keep your eye on him, sir.
00:43:27He's liable to scarper again.
00:43:29He knows what's inside.
00:43:31Well, open it.
00:43:32I will.
00:43:36Well, I've certainly cut my shirt up in the strips.
00:43:38Egyptian king cigarettes.
00:43:41Perhaps you'd like to read the story.
00:43:43Thank you very much, sir.
00:43:46We work fast in the advertising world.
00:43:48Well, goodbye.
00:43:49Goodbye.
00:43:51Goodbye.
00:43:51Goodbye.
00:43:51Goodbye.
00:43:52Goodbye.
00:43:53Goodbye.
00:43:53Goodbye.
00:43:55Now, Mr. Campbell, you see what comes of getting fresh with blondes in the desert?
00:44:01I'm sorry, but business is business, you know.
00:44:03I'm sorry, but business is business, you know.
00:44:03Now, you are not terrible, blithering idiot.
00:44:17So this is how you embellish the reputation of the Air Force.
00:44:20While you've been clowning about Egypt and making us the laughing suck of the country,
00:44:24we've made an important discovery on information received from the police.
00:44:26If you'd come to me, I'd have sent you straight out into the desert to trap the very man who's
00:44:31the head of this dope gang.
00:44:33He works in the desert.
00:44:34Pretends to be an archaeologist.
00:44:36Why couldn't you find that out?
00:44:39Well, as a matter of fact, sir, I did.
00:44:40Oh, don't bluff me.
00:44:41You've never even heard of him.
00:44:42Oh, as I...
00:44:43While you've been chasing innocent people around the temples, we've been doing your work
00:44:46for you.
00:44:46Yes, that is...
00:44:47We know he gets his stuff from a shaker.
00:44:49And there's something else we know.
00:44:51We know he gets unsuspecting idiots into his hut, entertains them with every kind of
00:44:55hospitality, from coffee to Arabian music, and then actually uses these poor fools to carry
00:45:00his stuff to his confederates in Cairo, someone who's risen quite recently.
00:45:05You haven't yet discovered who?
00:45:06Good.
00:45:07In all probability, he's brought the stuff into Cairo already.
00:45:09I think it's quite likely.
00:45:12Oh!
00:45:18Do you happen to know how he makes them carry it, sir?
00:45:20In a bag.
00:45:22What sort of bag, sir?
00:45:23A goatskin bag.
00:45:26What does goatskin look like, sir?
00:45:28Goatskin, you fool.
00:45:29Yes, it would.
00:45:30Would it be about, uh, that size?
00:45:33No, it'd be about that size.
00:45:34That size?
00:45:35That size!
00:45:36Not that size.
00:45:36No, that size!
00:45:37That size!
00:45:38Exactly.
00:45:39Exactly.
00:45:43Wait a minute.
00:45:45Now, listen to me.
00:45:47You'll hand over your plane to Russell, and from now on, you'll take his place to
00:45:50place on the ground.
00:45:51Very good, sir.
00:45:52Now, wait till I get in.
00:45:55Ask Dr. Senator Russell to come to me.
00:45:58Bring that bag back.
00:46:01Uh, the, uh, yes, yes, uh, this bag, well, I, uh, this bag, I was, uh, going to take it to
00:46:07Zaga.
00:46:08He forgot it.
00:46:08Well, leave it to me.
00:46:09I'll see to that.
00:46:09Oh, don't you worry, sir.
00:46:10Put it on the table.
00:46:11Yes, sir.
00:46:11Well, what are you waiting for?
00:46:15I don't really know.
00:46:17Just to see that it's on the table.
00:46:18Oh, dear.
00:46:21Now, how did that happen?
00:46:24What the devil are you doing?
00:46:26Just looking for it, sir.
00:46:28You still want it on the table?
00:46:29Yes.
00:46:29John.
00:46:30Excuse me.
00:46:31Hello, hello, hello.
00:46:32It's the other one, sir.
00:46:33Oh.
00:46:36You rang.
00:46:37No.
00:46:38Goodbye.
00:46:39Goodbye, sir.
00:46:46What are you waiting for?
00:46:48I thought you'd like to see me.
00:46:49No, I don't want to see you.
00:46:51I'm not talking to you, I don't think.
00:46:53I'll find out.
00:46:54Am I talking to this girl?
00:46:55No, you're not.
00:46:56Thank you very much.
00:46:57Goodbye.
00:46:58I'm sorry you're down and out.
00:46:59I'm not.
00:47:00Far from it.
00:47:01Can I help you?
00:47:03I don't want your help.
00:47:04Why not?
00:47:05Don't you trust me?
00:47:07Yes.
00:47:08I knew all the time you were innocent.
00:47:11That makes me feel worse.
00:47:13Oh, don't have to worry you.
00:47:14I know who the culprit is, and I'm going out now to get the evidence.
00:47:17What are you going to do?
00:47:20There's a sheik in the desert who travels with a large caravan and a wife.
00:47:25And he supplies a gentleman who calls himself an archaeologist with the stuff.
00:47:30And here it is.
00:47:31Not him.
00:47:31Shh.
00:47:34Tomorrow, I am that sheik.
00:47:36What about the caravan?
00:47:39I'll take care of that.
00:47:41What about the wife?
00:47:43Ah.
00:47:44I'll take care of that.
00:47:45Oh, no, you won't.
00:47:46I will.
00:47:48How many men are there in this caravan?
00:47:49Twenty.
00:47:50Are you sure you can trust them?
00:47:53Implicitly.
00:47:53Supposing they talk?
00:47:54These men won't talk.
00:47:55These men won't talk.
00:47:55But they'll sing.
00:47:56Some of the men.
00:47:58Some of the men.
00:47:59Some of the men.
00:48:00Some of the men.
00:48:01We're brave and bold to a man.
00:48:05We rob and kill where we can.
00:48:08Along the trail of the caravan.
00:48:13Some of the men.
00:48:15Some of the men.
00:48:18We own no moths of a claim.
00:48:23We'll win a fight for a mate.
00:48:27We're slow to laugh and we're quick to hate.
00:48:34Weaker than I've ever seen a camel's road.
00:48:40That's where the plighter lives.
00:49:09Oh, dear.
00:49:10Something must have gone wrong.
00:49:12Hold us a minute, will you?
00:49:13Come on.
00:49:14Come on.
00:49:14Come on.
00:49:14Come on.
00:49:15Come on.
00:49:15Come on.
00:49:16Hurry.
00:49:16Hurry.
00:49:23That's better.
00:49:25Stevie.
00:49:27The good chick is coming.
00:49:29Tired.
00:49:31Fred.
00:49:32Fred.
00:49:32Why can't you look where you're going?
00:49:34Good gracious me.
00:49:37Laugh.
00:49:38You stop laughing.
00:49:39Now then, my trusty men.
00:49:40We're about to meet the enemy.
00:49:43And if anyone tries to talk, I'll knock his block off.
00:49:45Sing.
00:49:46All I've got to do is make him take the stuff, and when he does, arrest him.
00:50:00Say hi.
00:50:02Mr.
00:50:02A man.
00:50:07Say hi.
00:50:08Oh, dear.
00:50:09Oh, dear.
00:50:10Oh, dear.
00:50:11Oh, dear.
00:50:11Oh, dear.
00:50:12Come on.
00:50:12Oh, dear.
00:50:13We'll go to love and we'll go to hate.
00:50:22Cider, Shek.
00:50:23Cider.
00:50:24Can Ali, son of the wind, blow in?
00:50:26Sure.
00:50:29Do you have some new men?
00:50:31Oh, yes.
00:50:33Brand new.
00:50:33Can you trust them?
00:50:35Oh, their lips are sealed.
00:50:37I'll ask them to have a drink.
00:50:38No, no, no, no, no, no.
00:50:39They are quite happy where they are.
00:50:41They have been singing all day.
00:50:43Well, sit down.
00:50:51No, thank you.
00:50:52I stand.
00:50:54Well, Shek, what's on your mind?
00:50:56Now, let us get down to business.
00:50:59Here is this stuff.
00:51:01I don't want it.
00:51:03I said I didn't want it.
00:51:06I'm not buying anymore.
00:51:08Have some refreshments.
00:51:10No, no, no.
00:51:10Let us get down to business.
00:51:13No, no, no.
00:51:14Let us get down to business.
00:51:15No, no, no.
00:51:16Let us drink.
00:51:17But she only drinks coffee.
00:51:18No, no, no.
00:51:19No, no.
00:51:20Let us get down to business.
00:51:21Let us drink.
00:51:22No, no, no, no.
00:51:23No, no, no.
00:51:24No, no, no.
00:51:25Please, come in.
00:51:26At your box.
00:51:27Who has been later?
00:51:28Mr. Ingebleck's feet cafe?
00:51:29Huh?
00:51:30It is very difficult to make her say anything.
00:51:33She is very shy.
00:51:34Very shy.
00:51:35Very shy.
00:51:36Do you see how shy she is?
00:51:38Yes.
00:51:39Now, let us get down to business.
00:51:40No, no, no, no.
00:51:41Let us drink.
00:51:42But she only drinks coffee.
00:51:43Coffee she shall have.
00:51:44Ah, perhaps, yes.
00:51:45Very likely.
00:51:46You will make it for her yourself.
00:51:48With pleasure.
00:51:49She must have the best.
00:51:51She say thank you very much.
00:51:52Please, sit down.
00:51:57I thought I told you to wake outside.
00:51:59I told you you needed a wife.
00:52:01Here, here, here.
00:52:02What are you doing now?
00:52:03Covering your britches.
00:52:05There's a camel playing the gramophone.
00:52:17I'll go and fix it.
00:52:18Wait.
00:52:21You see that horse out there?
00:52:22Yes.
00:52:23Saddle it.
00:52:24And meet me here in a couple of minutes.
00:52:25What are you going to do?
00:52:26Search for evidence.
00:52:28Yes, but...
00:52:29Shhh.
00:52:30Go on, quickly.
00:52:35Come on, please.
00:52:40I'll walk.
00:52:41No...
00:52:42No!
00:52:43No!
00:52:44No...
00:52:46No...
00:52:47It's too...
00:52:48No.
00:52:49No.
00:52:50No.
00:52:51No.
00:52:52No.
00:52:53No.
00:52:54No.
00:52:55No.
00:52:56No.
00:52:57No.
00:52:58No.
00:52:59No.
00:53:00No.
00:53:02No.
00:53:03No.
00:53:04Ah. Here we are, my friend. You expected me to be here? Sure. Why not? Your wife not here? No. She is outside. Well, doesn't she want any coffee? No, no, no. Let us get to business. There is the store. Oh, forget it.
00:53:34Forget it? But, master, I have come from many miles to great danger. I told you I won't take it. Won't take it? It would be wise to consider more carefully. I told you I won't buy it. Is that final? Absolutely final. Then I must have the price. Price? What of? My silence. Let us understand one another. Do nothing foolish, my friend. I have 20 men outside who are devoted to their master.
00:54:02If you report me to the police, you condemn yourself. When the information is given, I shall be safely over the border in my own country.
00:54:14I will return in a few moments for the money.
00:54:19Ah. The coffee smells good.
00:54:36You are back very quickly.
00:54:37I have not been out.
00:54:39Here is your money.
00:54:42Take it.
00:54:43Oh, yes. Of course.
00:54:47And here is this stuff.
00:54:48I don't want it.
00:54:49But it is good stuff.
00:54:51Make you dream.
00:54:51Give you big ideas.
00:54:52Make you think you buy the desert.
00:54:54Take this money and get out.
00:54:56But what about the wife's coffee?
00:54:57Get out.
00:54:59But I can't take the money unless you take the stuff.
00:55:00I've told you I'll have nothing to do with it.
00:55:02Then what are you paying me for?
00:55:04Am I going raving mad?
00:55:06No, I don't think so.
00:55:08Did you demand this money just now or not?
00:55:10Yes. I think I did.
00:55:14Of course you did.
00:55:15Of course I did.
00:55:16And what did I say?
00:55:17You know perfectly well what you said.
00:55:19Yes. And I am not going to repeat what I said.
00:55:22Now, listen. I make you special price.
00:55:24Twenty fiastas. It is yours.
00:55:25I don't know what you're talking about.
00:55:28I must be going mad.
00:55:29No, no, no, no.
00:55:30You remember me, your old friend, the green grocer.
00:55:32I come all the way from Suez with carrots and cauliflowers.
00:55:35I have some beautiful new potatoes on the end camel.
00:55:38I have cucumbers, tomatoes, large vegetable marrow.
00:55:52You...
00:55:53Who are you?
00:55:53Ah, here's the spy. A traitor.
00:55:55He is no sheikh.
00:55:56Trying to catch me.
00:55:57He is deceiving you.
00:55:59He is deceiving you.
00:56:00You can't deceive me.
00:56:01I am the sheikh.
00:56:02I am the sheikh.
00:56:04Well, one of you is wrong.
00:56:05Right. It's him.
00:56:06You dirty rat.
00:56:08What?
00:56:09I'll...
00:56:10That's the way I put him to sleep.
00:56:16Yes.
00:56:17You don't mind breaking these alabaster vases?
00:56:20No.
00:56:21Not on rats.
00:56:23Right.
00:56:23My sheikh.
00:56:37Is the monster not well?
00:56:38He does not look too good, does he?
00:56:40What is he?
00:56:41He suffered from a slight attack of alabaster.
00:56:43Shall I bring the doctor?
00:56:45Does he live that way?
00:56:46Yes.
00:56:47Then fetch him quick.
00:56:48All right.
00:56:48I've got the evidence all right, but it's inclined to be heavy.
00:56:55This is no time to try out your alabic.
00:57:00Oh, very good, but shut up.
00:57:02We've got to make a dance for it.
00:57:03Good heavens.
00:57:29I seem to have got you two girls mixed up.
00:57:31I'm going to die.
00:57:35Goodbye.
00:57:36Now we're going to get it.
00:57:37She'll send the whole lot flying after us.
00:57:39What do we do?
00:57:39What's happened to our chaps?
00:57:41Take this.
00:57:42I'm going to fetch them.
00:57:43We may need them.
00:57:54Where are you?
00:57:55I'm going to fetch them.
00:57:57I'm going to fetch them.
00:58:00Get him with her.
00:58:03Quick for the fog.
00:58:04The fog.
00:58:22Get him.
00:58:23Get him.
00:58:23Get him.
00:58:27Now then, we've got to make a fight for it.
00:58:57You defend that wall, and I'll take care of this one.
00:58:59Right.
00:58:59Surround the porch.
00:59:01Ahead!
00:59:11Check! Check!
00:59:12That's what I'm looking for.
00:59:16They've had to make an attack.
00:59:17What should we do?
00:59:18Tell our men to repair it.
00:59:20Come on!
00:59:23Now, get these guns.
00:59:24Right.
00:59:25You take the fight.
00:59:27I don't know what's going on.
00:59:30I'm going to fight them.
00:59:31Oh, it's obviously first.
00:59:33Right.
00:59:43Yes.
00:59:44Now we'll show the enemy what our men are made of.
00:59:46All good shots.
01:00:10This is going to be a hard fight.
01:00:24Get them all men quickly.
01:00:25Hooray!
01:00:33Fred's lost his head again.
01:00:34We'll use it to draw the enemy's fire.
01:00:35Now, come on, quick.
01:00:39Here.
01:00:40Hold this.
01:00:42We'll make them waste all their ammunition.
01:00:48Go get the rest of the dummy.
01:00:50Quick.
01:00:50Go get the rest of the dummy.
01:00:53Go!
01:00:53Go!
01:00:55Go get the rest of the dummy.
01:00:56Go!
01:00:57Go!
01:00:57Good.
01:00:58Now!
01:00:59Alley.
01:01:01Alley!
01:01:01Son of the wind himself.
01:01:02Alley!
01:01:03Hop!
01:01:04You're starting to fire it!
01:01:05Come on, you scum. Try and hit me.
01:01:18Let's see how straight you can shoot.
01:01:21Nowhere near me. Come on, little dozer.
01:01:26Fine. These fellas can't do strength.
01:01:28Can't they? Anyhow, we're exhausting.
01:01:30Up again, out here.
01:01:32Ha, ha, ha.
01:01:34Something is wrong. We shoot them. They do not fall.
01:01:37Hello, Addo. Hello, Hassan.
01:01:39Shoot.
01:01:41Hey, hey. Try again, boys. Here we go. Come on. Come here.
01:01:45Come a little near us. Try and hit me.
01:01:47Hey, come on. Have another shot.
01:01:49We're certainly fooling them, all right?
01:01:52Hello. Where's his head going?
01:01:54Help me look. Quick here.
01:01:55Jack, look.
01:01:56Get out of it.
01:01:57Quick.
01:02:01That's the way I put them to sleep.
01:02:04Jack, take your hands off.
01:02:06Take your hands off.
01:02:09Oh.
01:02:14Jack, they're bringing up all men.
01:02:15For more of the barrier, bring those rifles over here.
01:02:18Right.
01:02:27Keep yourself covered.
01:02:28Right.
01:02:30Do you need me to hold up?
01:02:31We've got to.
01:02:35Jack, proceed.
01:02:36Here's one of your days.
01:02:40He's dropping a message.
01:02:47Smoke Egyptian king cigarettes.
01:02:49You certainly work fast in the advertising world.
01:02:51It's not my idea. It's not Mr. August.
01:02:53Where's the picture?
01:02:54On the camel.
01:02:55Come on.
01:02:56We're going to send a message.
01:03:04Yes, she is.
01:03:05Good.
01:03:06Get her out quickly.
01:03:07While I pull this out.
01:03:12That's good.
01:03:16Take that message to the gentleman.
01:03:17Good luck.
01:03:23Colonel McKeown with my compliments.
01:03:24Yes, sir.
01:03:25Anything more to report?
01:03:26No, sir.
01:03:27That'll do.
01:03:28What the devil was there?
01:03:29I think it's a bird, sir.
01:03:30We'll go and catch it.
01:03:31Yes, sir.
01:03:32It is a bird, sir.
01:03:33Now, who the devil has been black...
01:03:34Why, do you try to carry her?
01:03:35Is there a message?
01:03:36No, sir.
01:03:37No, sir.
01:03:38No, sir.
01:03:39No, sir.
01:03:40No, sir.
01:03:41No, sir.
01:03:42No, sir.
01:03:43No, sir.
01:03:44No, sir.
01:03:45No, sir.
01:03:46No, sir.
01:03:47No, sir.
01:03:48No, sir.
01:03:49No, sir.
01:03:50No, sir.
01:03:51No, sir.
01:03:52No, sir.
01:03:53Yes, here we are.
01:03:54Smoke Egyptian King cigarettes.
01:03:59These confounded people ought to be court-martialed.
01:04:02Oh, wait a minute.
01:04:03Here's the message.
01:04:04It's from Campbell.
01:04:06SOS of captured head of the gang, Kalmadi.
01:04:09Hello.
01:04:10Notify officers commanding all units to proceed immediately to the old fort near Kalmadi.
01:04:15Tell Captain Russell I shall accompany him personally.
01:04:18Here we are.
01:04:19Here we are.
01:04:20I'll see you soon.
01:04:21It's from Campbell.
01:04:22This is from Campbell Highpton.
01:04:23Here we are.
01:04:24The luminal
01:04:46Keep your eye on them when I load these guns.
01:05:08Right!
01:05:10They may try to climb over the wall again.
01:05:12We've got to keep them out of here somehow, until the planes arrive.
01:05:19The Cape must never know that there are only two of us here.
01:05:33Let's see you.
01:05:43Put them up!
01:05:45Well, my friend, the Air Force has failed.
01:05:47There are some secrets it is wise enough to know.
01:05:49You choose to come out into the desert, and in the desert you are going to stay.
01:06:12Let's go!
01:06:13Let's go!
01:06:14Let's go!
01:06:15Let's go!
01:06:16Let's go!
01:06:17Let's go!
01:06:18Let's go!
01:06:20Let's go!
01:06:23Let's go!
01:06:25Oh, my God.
01:06:55Oh, my God.
01:06:58Hey.
01:07:00Come on ahead.
01:07:03Nice.
01:07:05Let's settle that.
01:07:05Yes, but now the rest of them will come over.
01:07:06Not while we have our trusty men.
01:07:09Hey.
01:07:09Hey, come back.
01:07:11Here.
01:07:12Hold it still.
01:07:23How did that happen?
01:07:30The road!
01:07:34Was that a shot or was that a shot?
01:07:36Here, take cover, quickly.
01:07:38Over there, over there.
01:07:41You hurt?
01:07:42No, I'm all right.
01:07:43Look, shit.
01:07:45He's talking for a while there.
01:07:47You might know it's a double.
01:07:48Give me a rifle.
01:07:49You take them too easy.
01:07:51Why don't you ride?
01:07:52Like my other man.
01:07:54Good.
01:07:56Oh, but you.
01:07:57I thought you were falling for the ship.
01:07:59I changed the mine.
01:08:00Right.
01:08:02To the gate!
01:08:05You're going to break down the gate.
01:08:07They have it if you want to get in.
01:08:09Get the goldskin bags.
01:08:13Break down the gate.
01:08:15Good.
01:08:19Open the gate!
01:08:20Good afternoon.
01:08:26Hey!
01:08:26Good!
01:08:39It's all right.
01:08:39We'll see you, sir.
01:08:40Good afternoon.
01:08:43Let's go!
01:08:54That's the tower!
01:09:13Let's go!
01:09:23Let's go!
01:09:43Let's go!
01:09:45Let's go!
01:10:11Good heavens!
01:10:12Here's the goatskin bag, sir.
01:10:13The archaeologist is in the port.
01:10:15The rest of the gang are having a slight argument for the cattle court.
01:10:17We have a dinner appointment,
01:10:19so we're going to borrow your plane and fly back the car.
01:10:21You don't want to hear any more, so do you?
01:10:22No.
01:10:23Right, goodbye, sir.
01:10:24Good luck.
01:10:25Thank you, sir.
01:10:26Yesterday everything looked anyhow.
01:10:31Then I met someone, and look at it now.
01:10:36Who's been polishing the sun, rubbing out the clouds of grey.
01:10:40How I like it!
01:10:42Everything's coming my way!
01:10:44Everything's coming my way!
01:10:46The End
01:10:47The End
01:10:48The End
01:10:50The End
01:10:52The End
01:10:54The End
01:10:56The End
01:10:58The End
01:11:00The End
01:11:02The End
01:11:04The End
01:11:06The End
01:11:08The End
01:11:10The End
01:11:12The End
01:11:14The End
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