- 6 months ago
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Short filmTranscript
00:00:00The End
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00:03:28If you don't forget.
00:03:29The sign.
00:03:30Of four.
00:03:32Three bricks up.
00:03:36Thirty-seven allowed.
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00:07:15for god's sake keep him away don't let him kill me don't let him kill me no one's going to harm
00:07:24you we'll protect you enough from jonathan small he'll kill me he said he would he escaped a month
00:07:31ago from andaman jonathan small who is he he's only one leg the other's wood i robbed him of
00:07:39his treasure and killed morston in a fight over it treasure yes that's where our money comes from
00:07:46morston had a daughter mary i think her name is runs a florist shop in the west end look
00:07:54open the top drawer of that desk
00:07:58press the back near the corner on the right side
00:08:06here i'll keep that be careful be careful my sons don't quarrel over them what suffering
00:08:25they've caused already those are the respite on the pearls i want them to go to morston's daughter
00:08:31you must also give her one third of the rest yes father i promise where is the rest i've hidden it
00:08:39in pondicherry lodge where upstairs in the
00:08:43do you hear do you hear that stomp stomp that wooden leg
00:08:58no of course you don't it's only in my head pounding there
00:09:05i do hear it i do
00:09:11father
00:09:23father
00:09:25father
00:09:31father
00:09:33father
00:09:43father
00:09:44father
00:09:45father
00:09:46go outside there's a man stop him stop him he's dead
00:09:51no one here sir someone just gone in taxi
00:10:01he never told us that the treasure is
00:10:13one more day of this and i'd run out on you
00:10:25well you had to be done and look no one will recognize you now as convict number double four seven three oh i'd rather be out shot stranded and electrocuted than go through this again
00:10:26perhaps we can arrange that too
00:10:28oh
00:10:30that's done it
00:10:31oh
00:10:32that's done it
00:10:33oh
00:10:34oh
00:10:36oh
00:10:40oh
00:10:44oh
00:10:46oh
00:10:48oh
00:10:50oh
00:10:58oh
00:11:00oh
00:11:02oh
00:11:04oh
00:11:08oh
00:11:12oh
00:11:14oh
00:11:16oh
00:11:17oh
00:11:18oh
00:11:19oh
00:11:20oh
00:11:22oh
00:11:24oh
00:11:26sitting in a sofa full of food that that nice little bit of electron I did there
00:11:30was spread out in the spell.
00:11:32God bless Harrow.
00:11:35I've been listening to you talk about them sparklets for ten years.
00:11:41And I believe you.
00:11:43Broke out of Andaman with you.
00:11:45With me, we've only three more months of my sentence to do.
00:11:48Let you stick a million o's in me eyes and make me look like a blooming zoo.
00:11:51You've been lying.
00:11:52And if you ain't, let's see the color of them sparklets.
00:11:55Quick or I'll break it.
00:11:56What?
00:12:07Now, me now, you know.
00:12:09Be a good boy and do what Papa wants you to.
00:12:13And don't make Papa have to cave your blooming ribs in.
00:12:22Go on, matey.
00:12:23You don't think I've spent it in that stinking prison for twenty years without getting educated, do you?
00:12:29They said they sent me to Quad to learn me a lesson and I learned it.
00:12:33Because I've been through Oxford.
00:12:34In the first place, most of the treasure is safe.
00:12:39How do I know?
00:12:41Because old Sholto hadn't got the nerve to use much of it.
00:12:44And how do I know he hadn't got the nerve?
00:12:46Because I looked at him once and he kicked the bucket.
00:12:50And why aren't those pretty Sholto boys sent the cops on me?
00:12:55For I don't want me to make no noise about the sparklers.
00:12:57For fear the real owners will turn up and claim them.
00:13:00And for fear of looting them, they'll only turn him into cash one at the time.
00:13:06But there are so many of their beauties.
00:13:08So very many.
00:13:10There'll be plenty for us when we get round to collecting.
00:13:14No, matey.
00:13:18There's one thing you'll never know.
00:13:22And that is...
00:13:23What a beautiful thing it is to be educated.
00:13:27Oh, I know enough.
00:13:28Enough to keep your mouth shut, I hope.
00:13:31I never did thank you myself and me government haircut.
00:13:35But I can't wear these tooken dresses for long.
00:13:38They make me itch.
00:13:39I'll just put on me best Sunday-go-to-meeting prop
00:13:44and give the ladies an eyeful.
00:13:59Now, you stay right here in the fun fair
00:14:02and keep your own fires burning.
00:14:04And mind you keep an eye on Tonga, too.
00:14:06You don't go on exhibition until next week.
00:14:17If I was to say to you,
00:14:19now for the treasure of Monte Cristo and the world is mine,
00:14:23you wouldn't know what I meant, would you?
00:14:26Nah.
00:14:27Of course, you're not educated.
00:14:29Ten years of a pen and never learned nothing.
00:14:36Good luck, Miss Norton.
00:15:58There's somebody here I've put on the night.
00:16:28One squeak out of your shelter, you'll be having breakfast with your father in the morning.
00:16:51I'm simply charmed to meet you, Mr. Shelter.
00:17:00My name's Small.
00:17:03Jonathan Small.
00:17:05You've heard my name before, huh?
00:17:10Perhaps from your dear father.
00:17:13Nice man, your father.
00:17:16Wasn't he?
00:17:18Yes.
00:17:18You're a liar.
00:17:21He was a dirty, rotten sneak thief.
00:17:23A worse cook than him never lived.
00:17:26Did he tell you he was a murderer too?
00:17:28Did he?
00:17:29What?
00:17:31He confessed.
00:17:32All those things.
00:17:34Just before he died.
00:17:35Huh.
00:17:36Did he tell you all about the treasure?
00:17:39Did he?
00:17:40Yes.
00:17:40Mary, we've been wasting our energy up sitting in the gentleman's house.
00:17:49All we got to do was to ask him where my pretty sparklers were, and he'd tell us.
00:17:53Where are they?
00:17:58I don't know.
00:17:59Huh?
00:18:01The father died before he could tell us.
00:18:05I'm disappointed in you, Shelter.
00:18:07I thought you too much sense for the play with me.
00:18:10The treasure's hidden somewhere.
00:18:12We've not been able to find out where.
00:18:14All of it?
00:18:16Yes.
00:18:18Yes, yes, yes, yes, yes, all of it.
00:18:21Hesitating a little.
00:18:21Well, that means you're lying.
00:18:28Listen to me, you little rat.
00:18:30They're going to get this up anyway.
00:18:31Whether you tell us or not, or whether you die or not.
00:18:34So spit it out.
00:18:40Stop.
00:18:41Stop.
00:18:42I'll tell you.
00:18:42I'll tell you.
00:18:49Well?
00:18:49I told you the truth.
00:18:53The bulk of the treasure, we, we can't find it.
00:18:57Only the pearls.
00:18:59The Rajputana pearls.
00:19:01Where are they?
00:19:02Promise that my brother and myself won't be harmed.
00:19:06Unless you get funny and tell the cops.
00:19:07Oh, I promise, I promise we won't.
00:19:10Captain Morstan's daughter has them.
00:19:12Well, where is she, huh?
00:19:13She keeps a flourish in the shop.
00:19:20There you are, sir.
00:19:20Your chain, sir.
00:19:42Two and six, five, and five makes sense.
00:19:45Thank you, sir.
00:19:46Call again.
00:19:48I will.
00:19:48I will.
00:19:49Any 형, sir?
00:19:58I will.
00:20:00Okay.
00:20:08I will.
00:22:10And apparently your amazement grows deeper every day.
00:22:13How could you possibly know what I've been thinking?
00:22:16You were looking at those tiger pictures in the paper until your eyes were nearly popping out of your head.
00:22:23Your expression then was unmistakable.
00:22:26Yes, I suppose it was.
00:22:27Yes, you came down to earth and realized that tiger shooting is no longer for you.
00:22:33Very simple, really.
00:22:34Like all great things, Watson.
00:22:36You know, I owe you an apology.
00:22:42You come here for adventure and I've none to offer you.
00:22:45Very soon out of London's teeming millions, some distressed person will step up to the door and knock.
00:22:50Ring, Watson.
00:22:51The knocker doesn't function.
00:22:52You should have noticed that.
00:22:53Oh, very well, ring then.
00:22:57Ah, made up her mind.
00:23:00What?
00:23:01Who?
00:23:02Look.
00:23:02Evidently, you find the young lady's case interesting already.
00:23:15Oh, Miss Morstan to see you, sir.
00:23:17Miss Morstan?
00:23:18Did she tell you her business?
00:23:19No, sir, but she seems terribly upset.
00:23:23Oh.
00:23:24Well, show her up.
00:23:26She's one of your teeming millions, Watson.
00:23:30Miss Morstan?
00:23:34Mr. Holmes?
00:23:35Mr. Sherlock Holmes?
00:23:36Yes, that is my name.
00:23:38I'm terribly sorry.
00:23:40I think...
00:23:42I'm afraid I'm going to see.
00:23:49Right, I'll get some brandy.
00:23:54And a frightful shock of some kind.
00:23:56Thank heaven you were here, Watson.
00:23:58In such embarrassing matters as fainting women, I must refer to you.
00:24:03Thanks.
00:24:13That's better.
00:24:14Now, you'll feel all right again in a minute.
00:24:15I feel terribly ashamed.
00:24:22I apologize.
00:24:29Perhaps I'd better go.
00:24:30And deprive it of the pleasure of offering the assistance you came to seek?
00:24:40Miss Morstan, tell me.
00:24:42Why were you so afraid of being followed here?
00:24:46How did you know?
00:24:48Well, there's hardly a mystery.
00:24:49I simply observed it from the window.
00:24:51Oh.
00:24:53Now, Miss Morstan.
00:24:56It's rather a long story.
00:24:57Shall I begin at the beginning?
00:24:59Yes, please do.
00:25:00An amateur investigator like myself can't have too many facts of a case to work on.
00:25:04A number of years ago, my father, Captain Morstan, mysteriously disappeared,
00:25:09whilst on his way home on leave from the Orient.
00:25:11Captain Morstan, Captain Morstan, something to do with a convict settlement at, um, uh, Andaman Island, was it?
00:25:22Yes, I remember.
00:25:23You remember?
00:25:24You learned to expect such amazing things from Mr. Holmes.
00:25:29And I'm afraid that completes my knowledge of the first chapter.
00:25:34This was found in my father's belongings.
00:25:36It appears to be the diagram of a large building.
00:25:45A fort, perhaps.
00:25:46You know, what's this?
00:25:47Four names.
00:25:48Look, here are four crosses.
00:25:49Yes, four crosses.
00:25:50When I first saw that paper as a child, I wondered what those crosses meant.
00:25:56And today when I saw it again on another paper...
00:25:58Again?
00:25:59Yes.
00:26:00That's the modern side of the story.
00:26:03It's all very simple to me.
00:26:05First, we does both the shoulder boys in, with a nice little bit of cutting round the jugular vein.
00:26:16And for the matter of that, sticks a knife into the Morstan girl, if she won't tell.
00:26:24Then off we go to South America with the sparklers.
00:26:29It's all very simple to me.
00:26:31When you're done with the three of them, I suppose you'll start an old blooming police force.
00:26:36Now, there'll be no murdering unless absolutely necessary.
00:26:41Can't do much of it without leaving some clue.
00:26:44Eh?
00:26:45Clue.
00:26:47You know what clue is, don't you?
00:26:48Yes.
00:26:49Something you stick paper together with.
00:26:52Really?
00:26:54When we get to South America, I'm sending you to night school.
00:27:00What?
00:27:01Do you want the feel of my boot in your face?
00:27:04It ain't my fault.
00:27:06It's these years' safety races.
00:27:09Here.
00:27:10What about me having a go with a straight one?
00:27:13Not on my neck.
00:27:16With so many things happening in such quick succession,
00:27:19first one note, then another, then the safe broken open.
00:27:22I didn't know which way to turn.
00:27:25I suppose I should have had more courage,
00:27:27in spite of the warning of death and gone to the police.
00:27:29Well, I'm afraid I'm not as brave as I should be.
00:27:32But, Miss Morstan, there's one thing you haven't told us.
00:27:36Actually, where are the pearls?
00:27:38Miss Morstan was afraid to trust even their own safe with such valuables.
00:27:41So she's been carrying them about on her person.
00:27:44That's true.
00:27:45I have them here in my dress.
00:27:47Although this handwriting is obviously disguised,
00:27:50the person who sent you the pearls
00:27:52and the one who invites you to this questionable rendezvous
00:27:54in Acacia Road this evening
00:27:56is one and the same.
00:27:57I should describe him as small,
00:28:01extremely nervous and timid.
00:28:03A perfect example of the homo lupusculus or rabbit man.
00:28:08But the one who threatens your life, he's quite the opposite.
00:28:11A homo tour as powerful as a bull and with great cunning.
00:28:15A killer.
00:28:15An opponent to be reckoned with.
00:28:22And he's only one leg.
00:28:25Mr. Holmes takes such a delight in provoking my curiosity
00:28:28that I swear I'll never ask him again
00:28:30how he makes deductions such as...
00:28:32Well, that by looking at a man's handwriting
00:28:35he can tell he has but one leg.
00:28:36Perhaps you can tell us, Mr. Holmes,
00:28:39if the colour of his eyes,
00:28:41if he likes white mice,
00:28:42or if he suffers abominably from arthritis.
00:28:49I not only resent your making me appear ridiculous
00:28:52before Miss Morstan,
00:28:54but it grieves me to think, Watson,
00:28:56that you've never read my treatise
00:28:57on the physical and mental reactions of the disabled.
00:29:00For therein I described, with my feeble prose,
00:29:04that the whole physical being of a man
00:29:05who has undergone amputation
00:29:07goes through a complicated process of reorganisation
00:29:11as a result of which
00:29:12his functional characteristics are decidedly marked.
00:29:17His subjective mind,
00:29:19fully conscious of the loss of physical balance,
00:29:22tries to make good that loss
00:29:23by some such expressions as,
00:29:26well, increasing the pressure
00:29:29on the down stroke of a pen,
00:29:32making it firm and straight
00:29:33so that the letters stand up, as it were,
00:29:35on their own legs.
00:29:42Do I make that quite clear?
00:29:47Perfectly.
00:29:50Miss Morstan,
00:29:51I don't want to alarm you unduly,
00:29:54but your homo-taurus fringe
00:29:56is unreservedly dangerous.
00:29:58For that reason, may I suggest
00:30:00that you accept my meagre hospitality
00:30:02until the time of your departure for Acacia Road.
00:30:05Thank you so much.
00:30:07Oh, but I don't want to go there alone.
00:30:10It states in your invitation
00:30:12that you will be allowed two friends.
00:30:15May I have the privilege of appearing as one of them?
00:30:17Thank you very much.
00:30:18Well, will you be my other friend?
00:30:26May I?
00:30:28You're not a bit like a doctor.
00:30:32Now, Miss Morstan,
00:30:34I'm going to turn you over
00:30:35to my trusted housekeeper, Mrs. Hudson,
00:30:37who will see that you're made comfortable.
00:30:39Miss Morstan will dine with me here tonight.
00:30:41If I may be permitted to...
00:30:46Oh, yes, certainly, yes.
00:30:48Yes, yes, we'll give Dr. Watson a chop as well.
00:30:52I don't want to interrupt
00:30:57the violent flutterings of your heart, Doctor,
00:31:00but perhaps you'd be interested to know
00:31:01that never in my career
00:31:02have I encountered a more intricate case.
00:31:05Serious as that?
00:31:06Uh-huh.
00:31:07We'll need all our help,
00:31:08and perhaps more before we're through.
00:31:09Uh-huh.
00:31:11And under no circumstances
00:31:12must we allow her to go back to her shop.
00:31:14Shop?
00:31:15She said nothing about a shop?
00:31:17No.
00:31:18No, but I think you'll find
00:31:18that she runs a small florist shop
00:31:20in the West End of London.
00:31:21How can you possibly deduce that?
00:31:24Neatly, but not smartly dressed.
00:31:26If she wears an expensive orchid.
00:31:28Orchids are not a suburban trade.
00:31:31Perhaps given her by some ardent admirer.
00:31:33Well, if she had one,
00:31:34she'd have appealed to him and not to us.
00:31:36Besides, fingers used for wiring up flowers
00:31:38become scored, you know,
00:31:39in an unusual way.
00:31:41Yes, I...
00:31:42I think a florist shop.
00:31:44Amazing.
00:31:47No, elementary, my dear Watson.
00:31:50Elementary.
00:31:53Good friends, Watson.
00:31:55Case of need.
00:31:56Now, you'll take Miss Morrison to her home.
00:32:02George.
00:32:03Have her change quickly into clothes
00:32:05that are both warmer and a little less conspicuous.
00:32:09Get me.
00:32:10My preparations here will take me about ten minutes
00:32:12and I'll pick you up.
00:32:13Don't you think we could keep the appointment
00:32:15and leave her out of it?
00:32:16My dear Watson,
00:32:17if we're to catch our fishes,
00:32:18we'll use the bait they'll bite on.
00:32:20But, uh, there's no...
00:32:21No, no, no, no.
00:32:22He's getting late, Watson.
00:32:23Getting late.
00:32:25Oh, you'll probably enjoy hearing
00:32:26she does run a florist shop.
00:32:28Oh, really?
00:32:29I'm surprised.
00:32:29Here's your adventure, all right, Watson.
00:32:45Miss Morrison,
00:32:47go and knock at the door.
00:32:49We'll be here.
00:32:50Watch.
00:32:59Miss Morrison?
00:33:06Yes?
00:33:08You know?
00:33:11I have two friends.
00:33:15Will you give me your word
00:33:16they are not policemen?
00:33:18Certainly.
00:33:20Come with me, please.
00:33:29Miss Morrison?
00:33:33Mr. Holmes and Dr. Watson.
00:33:36Are you...
00:33:36You've kept your taxi, I think.
00:33:38Good, good.
00:33:39Your journey's not over yet.
00:33:41You've news for Miss Morrison?
00:33:43First, we must visit
00:33:44Brother Bartholome,
00:33:46waiting at his house.
00:33:48Taxi?
00:33:49If we go along now,
00:33:50I can tell you the whole thing
00:33:51as we go.
00:33:53Come on.
00:33:59And last night,
00:34:00my brother found
00:34:01the remains of the little treasure
00:34:02under the attic flooring
00:34:04in Pondicherry Lodge.
00:34:06Such magnificent jewels
00:34:07I've never seen.
00:34:09I at once demanded
00:34:10that they should be divided
00:34:11according to my
00:34:12dying father's wish.
00:34:14I told my brother
00:34:16that I should
00:34:16add my share to yours.
00:34:18This was the only way
00:34:19I could repay you
00:34:20for my cowardly
00:34:21in divulging
00:34:22to Jonathan Small
00:34:24your name
00:34:24and that I had sent you to Pearl.
00:34:27Oh, Bartholomew
00:34:27was white to be purely.
00:34:28We quarrelled violently
00:34:30and then I went home
00:34:32and wrote the note
00:34:33that you got this morning.
00:34:34You see, I thought
00:34:35that if you were to come
00:34:36and demand your share
00:34:37in person,
00:34:38he daren't refuse
00:34:39in case we should
00:34:41hand the whole matter
00:34:42over to the police.
00:34:43You acted wisely,
00:34:44Mr. Shelton.
00:34:45I'm glad you think
00:34:46I've done one right thing.
00:34:48It took more courage
00:34:49than I thought I had
00:34:50to face the daughter
00:34:51of the man
00:34:52that my father
00:34:52murdered.
00:34:58Mr. Thaddeus.
00:35:14All right, Mr. Thaddeus.
00:35:29That's all right,
00:35:29my brother.
00:35:30Good night.
00:35:34You're not frightened?
00:35:36Terribly.
00:35:37But rather thrilled, too.
00:35:40Mr. Holmes.
00:35:42Mr. Thaddeus.
00:35:52Something's the matter.
00:35:53I can't get the answer
00:35:54from the master's room.
00:35:56He's there.
00:35:57He's there.
00:35:58He's there.
00:36:12Oh, there's something
00:36:15devilish in there,
00:36:16Watson.
00:36:17Look.
00:36:20Mrs. Gunstowl!
00:36:21A lamp!
00:36:42He's been dead
00:36:42some hours, I think.
00:36:44Watson, that's your affair.
00:36:47He's been murdered.
00:36:48Please don't move about.
00:36:54Well, Watson?
00:36:56Not a natural death.
00:36:57Tetanus of some kind.
00:36:59Extreme contraction,
00:37:00far exceeding
00:37:01the usual riga mortis.
00:37:02Precisely.
00:37:03Some powerful alkaloid poison,
00:37:04like Stricti.
00:37:10Mr. Holmes!
00:37:12Look.
00:37:12The treasure's gone.
00:37:15It was there
00:37:16on the table.
00:37:18That's the hole
00:37:19we loaded through.
00:37:20He's been robbed.
00:37:22And he's been murdered.
00:37:24The police.
00:37:26They'll be called in.
00:37:30They'll find out
00:37:31about the treasure
00:37:31and say I did it
00:37:33to get the money.
00:37:35You...
00:37:36You don't think
00:37:37I had a hand in it,
00:37:38do you?
00:37:40Gentlemen,
00:37:41I...
00:37:41I didn't.
00:37:42I...
00:37:43I swear I didn't.
00:37:45Steady, steady, steady.
00:37:47Yes?
00:37:47Mr. Shelter,
00:37:48go straight down
00:37:48to the police station
00:37:49and report the matter yourself.
00:37:51Yes.
00:37:52Offer to assist them
00:37:53in every way.
00:37:54Yes.
00:37:54Now, it's your wisest call.
00:37:56Now then, Watson.
00:37:57We have a few minutes
00:37:57before the representatives
00:37:58of the law arrive.
00:37:59Ah, I think it is.
00:38:05Look here, do you see?
00:38:06Just behind the ear.
00:38:14Looks like a thorn.
00:38:15Don't touch it, Watson.
00:38:16It's deadly poison.
00:38:18This is a dart
00:38:19that's been shot
00:38:20to such force
00:38:21from a...
00:38:21a profile
00:38:22that before the victim
00:38:24can recover
00:38:25from the shock
00:38:25of the impact,
00:38:26the poison takes effect,
00:38:27causing almost
00:38:28instantaneous death.
00:38:31Such weapons
00:38:31are used
00:38:32by the natives
00:38:33of the...
00:38:34Leigh Peninsula
00:38:35and the Andaman Island.
00:38:40Andaman?
00:38:40Yes.
00:38:43Yes, it's pretty conclusive,
00:38:44isn't it?
00:38:46Look here.
00:38:48Look here,
00:38:48the same four crossings.
00:38:50Sign of four.
00:38:52Jonathan Smalls.
00:38:54No, possibly not, Watson.
00:38:55Remember, Smalls
00:38:56is only one of four.
00:38:57But more significant still,
00:38:59these crosses
00:39:00have been made
00:39:01with a tattooing needle.
00:39:03A tattooed man?
00:39:05Oh, ha.
00:39:06Well, it's likely
00:39:07simple, isn't it?
00:39:09Is it?
00:39:10Well, now we know
00:39:10who did it.
00:39:11All we have to do
00:39:11is to catch him.
00:39:12Yes, that's all.
00:39:14Yes, will you go out
00:39:14and catch him
00:39:15and I'll wait here
00:39:16to come back.
00:39:17Yes.
00:39:20Uh, but, uh,
00:39:21where'll I go?
00:39:23Exactly.
00:39:24Let's leave
00:39:25jumping the conclusions
00:39:26to the professional detective.
00:39:27I prefer to employ
00:39:28my usual method.
00:39:30I'm carefully
00:39:31reconstructing the crime
00:39:32in the hope
00:39:33of finding some clue
00:39:35that'll lead us
00:39:35to the whereabouts
00:39:36of the criminal.
00:39:38Let us stand
00:39:39on one side,
00:39:39will you, Watson,
00:39:40so that your footmarks
00:39:41don't complicate matters.
00:39:44Now,
00:39:45how did he come
00:39:46and how did he go?
00:39:54The window fastened
00:39:55on the inside
00:39:56for the framework solid.
00:40:03No drainpipe, nothing.
00:40:04And he couldn't
00:40:05have come in that way.
00:40:09Yes, but he did.
00:40:12Here's a print of a foot
00:40:13in mould on the sill.
00:40:16And a curious
00:40:17circular muddy mark.
00:40:23Right, there it is again
00:40:24upon the floor.
00:40:25And here again,
00:40:30by the table.
00:40:34Do you see that, Watson?
00:40:36A perfect demonstration.
00:40:38That's not a footmark.
00:40:39No, it's something
00:40:40much more valuable to us.
00:40:42It's the impress
00:40:42of a wooden stub,
00:40:43my dear Watson.
00:40:44A wooden-legged man?
00:40:45Yes, precisely.
00:40:49Yes, but no one
00:40:50could scale that wall.
00:40:51What's left a man
00:40:51without one of the only one leg?
00:40:53No, but suppose
00:40:54he had a friend here
00:40:54who lowers a good stout rope.
00:41:00How have you got in?
00:41:01Not the window.
00:41:03Not the chimney.
00:41:05That's too small.
00:41:06Lend me a hand, Watson.
00:41:10Now we'll have a look
00:41:10at the secret room
00:41:11where the treasure was found.
00:41:13We can surmise
00:41:13that Homer Torus was here,
00:41:15but the number one man,
00:41:17the one who's killed
00:41:18in the use of a blowpipe,
00:41:19who is he?
00:41:21The tattooed man.
00:41:22No, I think not, Watson.
00:41:24No one but a native
00:41:25could have such deadly aim
00:41:26as such a strange weapon.
00:41:31The tattooed man
00:41:32is described by both
00:41:33Sholto and Miss Morstan
00:41:35as a giant.
00:41:36We must look for someone
00:41:37small who could scale
00:41:39the side of a house
00:41:39without making a sound.
00:41:43There you are, Watson.
00:41:45There's a huge trapdoor
00:41:46leading onto the roof.
00:41:48Now, if I can push it
00:41:49back to these.
00:41:51Now, that's how
00:41:52number one entered.
00:42:01There you are.
00:42:03What did I tell you?
00:42:05What?
00:42:05Those are the feet
00:42:06of a child.
00:42:07Not exactly.
00:42:09There's something
00:42:09devilishly like it.
00:42:10Now, let's see
00:42:12where that curious foot
00:42:13went to.
00:42:14Put the impression
00:42:15down there.
00:42:16You know that our toes
00:42:17are generally all cramped
00:42:18together.
00:42:19You see, each one of those
00:42:20is divided separately.
00:42:21I've had you better
00:42:32rejoin Miss Morstan
00:42:33downstairs, Watson.
00:42:34She might be frightened
00:42:35when the police arrive.
00:42:44You observe the angle
00:42:45at which the thorn struck.
00:42:47Yes, and it's been shot
00:42:48from the attic.
00:42:49Oh, bravo, Watson.
00:42:50Bravo.
00:42:55What's your theory
00:42:56about these footprints?
00:42:58Well, apply my method,
00:42:59Watson, and you'll
00:43:00probably find that they'll
00:43:01lead you in directly
00:43:02the opposite direction
00:43:03to that of my old friend
00:43:04Detective Inspector
00:43:05Athelny Jones, whom I can
00:43:07hear blowing his way
00:43:08upstairs.
00:43:08Yes, sounds like him.
00:43:10Yes, unmistakably.
00:43:11He'll begin by telling me
00:43:12that a nuns of practice
00:43:13is worth a ton of theory
00:43:14and then proceed to
00:43:15arrest everybody on the
00:43:16spot.
00:43:16The house seems as full
00:43:21as a rabbit, Warren.
00:43:22You stay here.
00:43:23Sergeant, have a look
00:43:24at the other rooms.
00:43:25Yes, sir.
00:43:26Hello.
00:43:27Who are you?
00:43:27Oh, if it isn't
00:43:31Mr. Sherlock Holmes,
00:43:33the amateur.
00:43:34How are you, sir?
00:43:35I'm all right, John.
00:43:36How are you?
00:43:37You know Dr. Watson.
00:43:38How are you, doctor?
00:43:39How are you?
00:43:41Well, I'll be off.
00:43:41And what brings you
00:43:45gentlemen here?
00:43:46Oh, just a little
00:43:47private investigation.
00:43:49I thought you'd given up
00:43:50our line of business
00:43:51long ago.
00:43:52Yeah.
00:43:53You know, I only take
00:43:54cases too difficult
00:43:56for the official police.
00:44:01Oh, what do you make
00:44:02of this one?
00:44:04Bad business, eh?
00:44:06Yes.
00:44:06You'd hardly thank me
00:44:07for theorising over it.
00:44:09But let's see, eh?
00:44:12What I always says
00:44:13is, Mr. Holmes,
00:44:15an ounce of practice
00:44:16is worth a tonne of theory.
00:44:17Yes, yes.
00:44:18I've heard you say it.
00:44:22Sherlock Holmes will never
00:44:23rest until this mystery
00:44:24starts.
00:44:26What do you think
00:44:27of this theory,
00:44:28Mr. Holmes?
00:44:29Yes.
00:44:30The fellow Thaddeus
00:44:30was with his brother
00:44:31last.
00:44:32The brother dies
00:44:33of a fit, on which
00:44:35Thaddeus makes
00:44:35off with the money.
00:44:36Yes, and on which
00:44:37the dead man
00:44:38very considerably
00:44:38gets up and locks
00:44:39the door on the inside.
00:44:42Oh, well, there may
00:44:43be a flaw, but
00:44:44we can get over that.
00:44:47Yes, well, Jones,
00:44:47before you actually
00:44:48hang the man,
00:44:50I should like to point
00:44:51out this printer of wood.
00:44:58Ah, nasty-looking thorn.
00:45:00Yes.
00:45:01Be careful, Jones,
00:45:02it's poison.
00:45:03It was found
00:45:04in the dead man's head.
00:45:05Does that fit in with
00:45:09your theories?
00:45:11Perfectly.
00:45:12The only question is...
00:45:14How did he depart?
00:45:16Ah, of course.
00:45:18The hole in the ceiling.
00:45:20He knows the house.
00:45:22I suppose you noticed
00:45:23the hole in the ceiling.
00:45:25Yes, yes, I did notice it
00:45:27in passing.
00:45:28There's a trap door
00:45:29leads to the roof.
00:45:30There, you've proved
00:45:32my case.
00:45:33Pretty quick, eh?
00:45:35I can safely say, Jones,
00:45:36that I've never seen
00:45:37anything quite like it.
00:45:39Oh, an ounce of practice.
00:45:41Well, well.
00:45:42Constable,
00:45:43ask Mr. Thaddeus Sholto
00:45:45to step up here.
00:45:46Oh, no, my dear Jones.
00:45:47Now, Mr. Holmes,
00:45:49I know you like poking
00:45:50your nose in these things,
00:45:51but you'd better
00:45:51leave this to me.
00:45:54Mr. Thaddeus Sholto,
00:45:56I must ask you
00:45:56to accompany me
00:45:57to the station.
00:45:58It is my duty
00:45:59to inform you
00:46:00anything you say
00:46:00may be used
00:46:01in evidence against you.
00:46:02Don't be alarmed.
00:46:03I think I can engage
00:46:04to clear you of the charge.
00:46:06Oh, you do, do you?
00:46:07Well, you'd better
00:46:07not promise too much.
00:46:09All right, Sergeant,
00:46:10take him away.
00:46:11I shall want to question
00:46:12the others.
00:46:12They may all be in this.
00:46:13Yes.
00:46:17Oh, Watson.
00:46:19Is the girl all right?
00:46:20Yes.
00:46:20Good.
00:46:21You call that
00:46:22anything further?
00:46:23Yes.
00:46:24That I have to pay
00:46:25a visit to Mordecai Smith.
00:46:27Is that the name
00:46:28of the murderer?
00:46:28No.
00:46:29No, it's the name
00:46:30of the man
00:46:31who's been engaged
00:46:31to help our little
00:46:32band of super criminals
00:46:33to escape.
00:46:35Well, how did you
00:46:35find that out?
00:46:36Well, quite simply,
00:46:37Watson, this rope
00:46:37tell me all about it.
00:46:39Huh.
00:46:40I've heard of walls
00:46:40having ears,
00:46:41but never of a rope
00:46:41that could talk.
00:46:42No, well, this one can.
00:46:44I found it on the roof.
00:46:46It was brought here
00:46:46by Small
00:46:47and used by Number One
00:46:48to get him up
00:46:49the outside of the house.
00:46:51You see,
00:46:52Jonathan Small,
00:46:53like most master criminals,
00:46:56never commits a crime
00:46:57until he's perfected
00:46:58the method of his escape.
00:47:00Of course,
00:47:00with only one leg,
00:47:01this isn't easy.
00:47:03He can't leave
00:47:04by one of the channel ports
00:47:05because the authorities
00:47:06would immediately search
00:47:07all one-legged men.
00:47:08He can't stay in this country
00:47:10because sooner or later
00:47:11he'd be hunted down.
00:47:12So he arranges
00:47:13to be taken to sea
00:47:14in a fast,
00:47:15small boat
00:47:16and then transferred
00:47:17to some tramp steamer
00:47:18found for Africa
00:47:19or South America.
00:47:20Perhaps he's already escaped.
00:47:22Not small.
00:47:23He's waited 20 years
00:47:24in prison
00:47:25planning his revenge
00:47:26and he won't leave
00:47:26until he's completed it.
00:47:28He won't leave
00:47:28without the rash
00:47:29putana pearls,
00:47:30the most valuable
00:47:31part of the treasure.
00:47:33And pearls are easier
00:47:34to dispose of
00:47:34than diamonds
00:47:35and other jewellery.
00:47:36Where does the rope
00:47:37come in?
00:47:37Mordecai Smith.
00:47:41Is his name mine?
00:47:42No, but it might as well be.
00:47:46In the first place
00:47:47it's been bleached
00:47:47and soaked
00:47:48by long immersion
00:47:49in salt water.
00:47:50If you'd like to taste it, Watson.
00:47:52No, thanks.
00:47:53You see, at this end
00:47:54there's a spliced loop
00:47:55which bears the imprint
00:47:57of constant chafing
00:47:58caused by a small ship's
00:48:00brass capstan.
00:48:01The rope is made of cotton.
00:48:03It's not strong enough
00:48:04to hold a large boat.
00:48:05And it's of so soft
00:48:06a texture
00:48:07that it has evidently
00:48:09been used to protect
00:48:09a highly varnished surface
00:48:11which suggests
00:48:12a speedboat or a launch.
00:48:15On the end of the rope
00:48:16used for tying the boat
00:48:17to a wharf
00:48:17I found embedded
00:48:18a quantity of powdered malt
00:48:19which led my thoughts
00:48:21to a warehouse
00:48:21where malt is unloading.
00:48:24Near such a warehouse
00:48:25lives a man
00:48:27that I've known for years
00:48:28who runs a small pub
00:48:29as a sideline
00:48:30but whose real
00:48:31underworld business
00:48:32is smuggling.
00:48:33He smuggles contraband
00:48:34into and from boats
00:48:35have seen.
00:48:36Yes, sometimes
00:48:37his contraband
00:48:38are criminals
00:48:38that the authorities
00:48:39are after.
00:48:41So you see,
00:48:42I really must go
00:48:43to Mordecai Smith's.
00:48:44Positively amazing.
00:48:46Shall I come with you?
00:48:47No, Watson, no.
00:48:49You ask for the job
00:48:50of looking after
00:48:50Miss Morstan
00:48:51so see that you'll do it.
00:48:54Oh.
00:48:55Request Inspector Jones
00:48:57very courteously
00:48:59to assign several
00:49:00of his men
00:49:01to guard Miss Morstan
00:49:02day and night.
00:49:05Don't forget
00:49:05Small's still at large
00:49:07and so are his
00:49:07diabolical helpmates.
00:49:10Here,
00:49:11protecting Miss Morstan
00:49:12is no small task.
00:49:22Good evening, General.
00:49:23Good night, Mrs. Smith.
00:49:50Good night, Mrs. Smith.
00:49:54Good night.
00:49:54Come in some afternoon
00:49:55and bring us, honey.
00:49:56Hi, darling, Mother.
00:49:57Next life, please.
00:49:59Hello, Mrs. Smith.
00:50:00How are you, real?
00:50:01How are you?
00:50:01What do you have?
00:50:03I have a little store,
00:50:04see, if I do have it with me.
00:50:06Come on.
00:50:06Me, Dad.
00:50:07There's a new old Santa Claus.
00:50:09And what do you bring?
00:50:10It's right, what's it?
00:50:11What do you make of that, Alice?
00:50:12I'm not so old.
00:50:13Neither my proud beauty here.
00:50:15Oh, proud beauty?
00:50:16Yes.
00:50:17That's not what the husband
00:50:18calls me.
00:50:18Oh, he don't half appreciate this.
00:50:20Who got this life?
00:50:21Right, you are.
00:50:22By the way,
00:50:23where is old Morty time?
00:50:25Well, the idea is
00:50:26that you see me a film.
00:50:27That is, if you can see.
00:50:29Oh, he's down the river
00:50:30with that cut-cutting tub of his,
00:50:31I know, I bet he is.
00:50:33The black one.
00:50:34With the green light.
00:50:36Just where he is.
00:50:38But she ain't a tub.
00:50:40Let me tell you this.
00:50:41She's the part of North Dan River.
00:50:43And she ain't black neither.
00:50:45She's all a lovely cream.
00:50:46Oh, I know her name, Hema.
00:50:50Stop being lost.
00:50:52Named after me.
00:50:54Aurora.
00:50:55Aurora, you didn't love me to.
00:50:59Oh, I love you.
00:51:01Oh, you're lucky.
00:51:02Oh, go on, you old gunk.
00:51:04Oh, you're lucky.
00:51:05Oh, you're lucky.
00:51:07Back in a place.
00:51:07I bet she'd take the old gunk
00:51:09down the river
00:51:10to see that new Aurora
00:51:11where I'm going to go.
00:51:12Oh, no, he won't.
00:51:14He won't let them come to you.
00:51:15Well, pay the price, see?
00:51:16He's a solid truck customer.
00:51:18Who is he?
00:51:19Now, you're a nosy old Parker, eh?
00:51:22So you wouldn't know him anyhow
00:51:24because he's a stranger.
00:51:25He's only got one leg.
00:51:27Well, if a stranger was one leg
00:51:28who paid the price,
00:51:29then would an old friend was too.
00:51:31Oh, no, he won't.
00:51:33Because it's the old one leg.
00:51:35He just paid him to stand by
00:51:36to use when he wants it.
00:51:37Why, he's paid him a week's money already
00:51:39and he ain't done the trip yet.
00:51:40We've had to make it a night
00:51:41so he'll be ready for me tomorrow.
00:51:43No, he wouldn't do that neither
00:51:44because he was here
00:51:45the minute you two ago.
00:51:46He told me he wouldn't want
00:51:47Lordy Care not till tomorrow
00:51:49and perhaps not till the day after.
00:51:50Oh, well, you'll mind mine.
00:51:52If mine, I'll have another boat.
00:51:54See, I'll have another one
00:51:55and a better one.
00:51:56Oh, will you?
00:51:57You'll find a better one, me lad.
00:51:59There ain't a better one.
00:52:00I'll let you mean
00:52:01the Florence Bee
00:52:02and he can't get her.
00:52:03The Florence Bee?
00:52:04That's right.
00:52:04Oh, well, come on,
00:52:06I don't waste it.
00:52:06I don't do this.
00:52:07Ah, sweet, sweet, sweet.
00:52:08You're going to have no dance with it.
00:52:10Come on, you lad.
00:52:11You old old wrecker.
00:52:13Come away with your waste in my time.
00:52:16Now, what's in the last of these?
00:52:17Nothing.
00:52:18No dolls, no bucks,
00:52:20so no beard.
00:52:25Did you see that, Harold?
00:52:28He's old fancy and so filthy.
00:52:30One foot in the grave
00:52:31and still got him.
00:52:34Tonga.
00:52:42Tonga, yes, sir.
00:52:44Nice, buddy, diamonds in here, Tonga.
00:52:47You tongue a good boy,
00:52:48you get some.
00:52:49Tonga, good boy.
00:52:50Put that in a snake box.
00:52:52No one will look for it there.
00:52:59I'll go.
00:53:00Good, Tonga.
00:53:02Well, wrap a couple of your friends
00:53:03around to yourself and keep you warm.
00:53:05Got to sleep again.
00:53:06What do you think you're doing
00:53:28with them fireworks?
00:53:29I ain't taking no chances, no.
00:53:32What's the matter with you?
00:53:33You know you've been a ghost.
00:53:34It's worse than that.
00:53:36The cops is after us.
00:53:40How do you know?
00:53:41Went round by the girls
00:53:42flat over the florist shop.
00:53:43Cops and plainclothes
00:53:44went all over the place.
00:53:45No mistaking what they're after.
00:53:47Put them up, eh?
00:53:48Come on.
00:53:48Come on.
00:53:50Let Morrison keep her pearls.
00:53:51Let's take what we've got to knock it.
00:53:52Shut up.
00:53:53Crack them up.
00:53:54I'm going to have them all.
00:53:55Size.
00:53:56Pearls are harder to trace.
00:53:58And therefore easier to sell
00:53:58than the diamonds and the other stuff.
00:54:00Well, give me mine now
00:54:00and I'll look it.
00:54:01You haven't got a chance
00:54:01to get away with your brain.
00:54:03Well, let's get out of here anyway.
00:54:04Listen to me.
00:54:05How many times
00:54:05do I got to knock into your block?
00:54:07Then when you've done
00:54:07something in the North
00:54:08that you shouldn't,
00:54:09don't start changing
00:54:10to new places.
00:54:11It's then that you get spotted.
00:54:14Stick your business as usual
00:54:15and look as innocent
00:54:16as an angel.
00:54:18We stay right here
00:54:19in the fun fair
00:54:19and show tomorrow night
00:54:21the same way
00:54:21as we've always done.
00:54:22Me, you, and Tonga.
00:54:25Understand?
00:54:26And tomorrow night...
00:54:28Who...
00:54:30Who is it?
00:54:31It's I.
00:54:31It's Dr. Watson.
00:54:32Oh, come in.
00:54:36Just inspecting your guard.
00:54:38Got one officer
00:54:39outside the door here.
00:54:40Two downstairs.
00:54:42And one in the courtyard outside.
00:54:45Does that give you
00:54:46a feeling of protection?
00:54:47I suppose, sir.
00:54:48It seems an eternity
00:54:50since this morning.
00:54:52You must try
00:54:52and get some rest.
00:54:53Wipe today clean
00:54:54out of your memories.
00:54:56I'll be all right.
00:54:57I think I'll have a good cry.
00:55:00That'll make me relax
00:55:01when I should sleep.
00:55:02You absolutely insist
00:55:03on weeping.
00:55:05Can I offer you my shoulder?
00:55:07I fainted once today
00:55:08in front of you.
00:55:10I think I'd better
00:55:10have my cry in private.
00:55:14Please go.
00:55:15I feel terribly weeping.
00:55:31Let's go.
00:55:33Mr. Lams ain't in,
00:55:35I tell ya.
00:55:35What ain't in?
00:55:37Well, I'll...
00:55:38I'll wait.
00:55:38What's your business?
00:55:41Well, it's none of your anyway.
00:55:43All right, my fine cockalorum.
00:55:45We'll see about that.
00:55:47Mr. Holmes told me
00:55:49to come here.
00:55:51What for?
00:55:53Because...
00:55:53Because I know
00:55:55who's done the murder.
00:55:59See?
00:56:00Oh, do you?
00:56:01Yes.
00:56:02And I've come here
00:56:04for the reward.
00:56:06See?
00:56:08Good.
00:56:08If we ain't here,
00:56:09well,
00:56:10then I'll go.
00:56:12No, you won't.
00:56:13You stay here.
00:56:16Who are you?
00:56:18Detective Inspector
00:56:19Anthony Jones,
00:56:20Scotland Yard.
00:56:21Well, why ain't you
00:56:22wearing your hat
00:56:23in the house?
00:56:28Onions.
00:56:29Getting fresh, are you?
00:56:30If you know anything,
00:56:31you'll stay here
00:56:32until I get it out of you.
00:56:33It's a nice way
00:56:34to treat a person
00:56:35I don't think.
00:56:46Well, you're away,
00:56:47my dear Jones.
00:56:47The lock is reversed.
00:56:49Ah!
00:56:50Bruce!
00:56:51Oh, you, Bruce.
00:56:52What a turn you give me.
00:56:54Which gives soda,
00:56:55Mrs. Hudson?
00:56:58Whatever have you been doing
00:56:59in that get-up?
00:57:01Attending a fancy-dressed ball.
00:57:02Yes.
00:57:03Pleasure before business, eh?
00:57:04I thought you took
00:57:05your detective work seriously.
00:57:07Well, this case is so simple, Jones.
00:57:08It hasn't required much thought.
00:57:10That's right.
00:57:11I've got the murderer
00:57:11in custody now.
00:57:13Oh, no doubt.
00:57:14Jones, by the way,
00:57:16I'm expecting some
00:57:17further developments tomorrow.
00:57:19I may need a lot of help.
00:57:21Will Scotland Yard stand by?
00:57:22At your service, Mr. Holmes.
00:57:24Always believe
00:57:24in encouraging you amateurs.
00:57:26Someday you really
00:57:27might find something.
00:57:28Who knows?
00:57:29Flatterant.
00:57:30Will you be at the examination
00:57:31of the prisoners tomorrow?
00:57:33No.
00:57:33Case couldn't be in better hands.
00:57:36That's what I like about you,
00:57:37Mr. Holmes.
00:57:38You appreciate me.
00:57:39Good night.
00:57:40All right, dear.
00:57:40Oh, I do hope Mr. Holmes
00:57:47is certain to be successful.
00:57:49It's been awful
00:57:50cooped up here all day.
00:57:51Under guard like a prisoner.
00:57:54Waiting for something.
00:57:56Heaven knows what to happen.
00:57:58I've been doing
00:57:58a little detective work
00:57:59on my own.
00:58:01Unbeknown to Holmes,
00:58:02of course.
00:58:05Would you recognize
00:58:06that tattooed man again
00:58:07if you saw him?
00:58:08Yes, I'm sure of it.
00:58:10You know,
00:58:10the whole idea
00:58:11of a tattooed man,
00:58:12tattooing needles,
00:58:14native feet,
00:58:15and so forth,
00:58:16sounds to me
00:58:17like a circus.
00:58:19Yes,
00:58:20to me too.
00:58:21Well, there's one
00:58:21just behind King's Cross.
00:58:23A fun fair,
00:58:24they call it.
00:58:24My cook was telling me
00:58:25about it.
00:58:27Would you risk
00:58:28going there with me?
00:58:29I'd go anywhere with you.
00:58:32Besides,
00:58:32I don't think
00:58:32I'm in danger anymore.
00:58:34Well,
00:58:34we can leave the guard here
00:58:35in case they give us a visit.
00:58:37There's just a chance
00:58:38we might find something.
00:58:40And oh,
00:58:41how I'd like
00:58:42to put it over on Holmes.
00:58:44Shall we go?
00:58:45Will you?
00:58:46I'll get my coat.
00:58:47It took 10 long,
00:59:14painful years
00:59:15to make me
00:59:16the world's
00:59:16greatest human
00:59:17creature gathering.
00:59:18There are scenes
00:59:19on my body
00:59:20through terrible
00:59:21and shocking
00:59:22to describe.
00:59:22Well, friends,
00:59:23into these marvelous pictures
00:59:24you see on me,
00:59:25the professor,
00:59:26I can duplicate
00:59:27on you in a few minutes.
00:59:28So you wouldn't rather
00:59:29have a lovely view
00:59:29of Mount Vesuvius
00:59:30in full eruption,
00:59:32or later
00:59:32the diver
00:59:32on a white horse?
00:59:33No fear.
00:59:35It's only a sentimental
00:59:37bitter work
00:59:38I want.
00:59:39A broken heart,
00:59:41split in two,
00:59:42and blazed in a little.
00:59:44And with the initial
00:59:46B on one side
00:59:48for birth,
00:59:49that's my name,
00:59:51and on the other side
00:59:53a S for Dolly.
00:59:55S for Dolly?
00:59:56You mean D for Dolly?
00:59:58No, S.
01:00:01Her name's Dolly,
01:00:03but I always called her
01:00:05Sugar.
01:00:07That is a sweet name
01:00:08to be sure.
01:00:09Ladies and gentlemen,
01:00:10look how the deadly
01:00:12python blood
01:00:13of the little tongue
01:00:14fondles and caresses him.
01:00:16But it ain't love,
01:00:18it's fear.
01:00:19Why?
01:00:20Because he bites
01:00:21over their heads.
01:00:23They've seen it
01:00:23done hundreds of times.
01:00:25And so could you.
01:00:26But Tuppence,
01:00:27look at him.
01:00:28I believe we've come
01:00:29to the right place.
01:00:30The man you believe?
01:00:31He looks like a murderer.
01:00:32He looks like a murderer.
01:00:36Look!
01:00:37There's tattoos, man.
01:00:38Mr. Lowdy,
01:00:38you're supposed to be a detective.
01:00:40You must see him.
01:00:42There's everything
01:00:42from frotus animals,
01:00:44Daniel and the lion's den,
01:00:46beautiful ladies,
01:00:47artist models,
01:00:48which seem to be
01:00:49weaving and moving about
01:00:50for the artistic
01:00:51appreciation of the men.
01:00:53That's the man
01:00:53who bought the flowers.
01:00:55Sure of them.
01:00:56The aunt is short
01:00:57and description too.
01:00:58Move up,
01:00:58so is the man.
01:00:59Move up,
01:00:59so is the man.
01:01:00Have a look at this.
01:01:00Have a baseball of this,
01:01:01dear man.
01:01:03The Tuppence,
01:01:03Moire.
01:01:05You can see the old figure
01:01:06and the all-marvelous show.
01:01:09Well,
01:01:09who's coming inside,
01:01:10ladies?
01:01:11Who's coming inside?
01:01:13Come on,
01:01:13let's telephone home.
01:01:16Gentlemen,
01:01:16friends,
01:01:17I'll give everything
01:01:17prepared for you.
01:01:23What's that?
01:01:25Off the bell,
01:01:25doctor.
01:01:26That girl from the forest shop.
01:01:32I've just seen her
01:01:33with a friend.
01:01:34Are you sure?
01:01:34Yeah,
01:01:35since you've looked at
01:01:35fixing you and me.
01:01:37Yes,
01:01:37thank you.
01:01:38Get her back.
01:01:41Sorry, Bert.
01:01:42Can't finish her out today.
01:01:44Call again tomorrow,
01:01:45I'll do a nice wreath
01:01:45for you,
01:01:46but nothing.
01:01:46Thank you,
01:01:47Professor.
01:01:48You did it anyway.
01:01:51All right,
01:01:51dear,
01:01:52minute.
01:01:52Look out.
01:02:02Slate's got loot.
01:02:12Come on,
01:02:15give me that bag,
01:02:16quick.
01:02:19You two,
01:02:19come along.
01:02:20Ah,
01:02:21forget your thing.
01:02:22Come along.
01:02:22I'll buy you some more
01:02:23and start the medical.
01:02:24Come on.
01:02:32But Mrs. Hudson,
01:02:33we simply mustn't find him
01:02:34at once.
01:02:35Yes,
01:02:36yes,
01:02:36we've got his man.
01:02:37Mary.
01:02:38Mary.
01:02:39Mary.
01:02:40Mary.
01:02:41Mary.
01:02:42You can't do that.
01:02:43I can't.
01:02:44You don't call no coppers
01:02:45round here.
01:02:45Let's go before I...
01:02:46Don't worry, Watson.
01:02:46I don't want the priest here yet.
01:02:48I don't want the priest here yet.
01:02:51Thank heavens you've come.
01:02:52Mary,
01:02:52she's disappeared.
01:02:53She's gone.
01:02:53What?
01:02:54You don't say you've been fool enough
01:02:55to bring her here.
01:02:55Yes.
01:02:56Then Small's got her.
01:02:56What?
01:02:57They're on their way to Mordecai Smith.
01:02:58But we need help.
01:02:58Bring up Scotland Yard.
01:02:59I'm gone.
01:03:00I'm gone.
01:03:01I'm gone.
01:03:01I'm gone.
01:03:02I'm gone.
01:03:02I'm gone.
01:03:03I'm gone.
01:03:03I'm gone.
01:03:04I'm gone.
01:03:04I'm gone.
01:03:05I'm gone.
01:03:05I'm gone.
01:03:06I'm gone.
01:03:06I'm gone.
01:03:07I'm gone.
01:03:07I'm gone.
01:03:08I'm gone.
01:03:08I'm gone.
01:03:09I'm gone.
01:03:09I'm gone.
01:03:18I'm gone.
01:03:19I'll take a quick look at her.
01:03:20Now see what's happening.
01:03:21We've been doing close around.
01:03:22Somebody's found out my last bit.
01:03:23Keep your hands off her.
01:03:24I was looking for the pearls.
01:03:25She's got them on her somewhere all right.
01:03:26We'll search her for them when we get to the boat.
01:03:27If she hasn't, I shall never see them again.
01:03:28That's shut.
01:03:29Go on, Fred.
01:03:30Faster.
01:03:31Give up, sir.
01:03:32We'll get to the river.
01:03:33Goodbye.
01:03:34I want it gone.
01:03:35Good to get to Texas.
01:03:36I'll take a quick look at her.
01:03:37I'll take a quick look at her.
01:03:38Now see what's happening.
01:03:39We've been doing close around.
01:03:40Somebody's found out my last bit.
01:03:41Keep her hands off her.
01:03:42I was looking for the pearls.
01:03:43All right.
01:03:44We'll get to the river.
01:03:45Goodbye.
01:03:46Oh, they're gone.
01:03:47Let's get to Texas.
01:03:50There's thousands of places in London.
01:03:51How do you know they've chosen Mordecai Smith?
01:03:52I'm certain of it.
01:03:53What if they get away in a fast boat before we can catch them?
01:03:55Well, I've engaged the pastor one this morning, the Florence B.
01:03:57How do you know it, sir?
01:03:58Well, I know it.
01:03:59Don't ask me how I know it, Watson.
01:04:01Gee, what a colossal mistake you've made.
01:04:03I had those fellows, all of them, right in my head.
01:04:05I only had to discover where the jewels were,
01:04:07and then I could have made my captain.
01:04:09I'd blow my brains out of a fellow doing any good.
01:04:11Well, I haven't been much used to you, old fellow.
01:04:12I'd keep your head.
01:04:13You'll need it.
01:04:14And your fists, too, before we're through with this.
01:04:16Well, Paul, roll it down the river.
01:04:17Come on, quick.
01:04:42You keep your mouth out.
01:04:43Come on, Bailey.
01:04:44Your role is just down here.
01:04:45Come on.
01:04:46Come on, Ben.
01:04:47Come on, Ben.
01:04:48Come on, Ben.
01:04:49Come on, Ben.
01:04:50All right.
01:04:51Come on, Ben.
01:04:52You're right.
01:04:53Come on, Ben.
01:04:54Come on.
01:04:55And you're right here.
01:04:56There's no left.
01:04:57He's out.
01:04:58That's a bit of next street.
01:04:59flavor street, two minutes more.
01:05:00More.
01:05:21Bennett!
01:05:21Bennett!
01:05:30Let's go.
01:06:00I ain't gonna take a chance like that.
01:06:27You do it, I tell you.
01:06:29It's Crayley's warehouse.
01:06:32We'll dodge him there.
01:06:33All right.
01:06:34They're out of sight.
01:06:35Get on with it.
01:06:36I know something is a slip.
01:06:43I know something is a slip.
01:06:59The Mordecai knows this river like a book.
01:07:02So do I, Mr. Holmes.
01:07:04We'll follow it there.
01:07:05Now there are two trap doors underneath the warehouse floor.
01:07:09Up there, Tonga.
01:07:25Come on.
01:07:26Where are those pearls?
01:07:27Come on.
01:07:28Where are they?
01:07:30Come on.
01:07:31Where are those pearls?
01:07:32Come on.
01:07:33Where are they?
01:07:35Come on.
01:07:36Where are they?
01:07:37Come on.
01:07:38Where are those pearls?
01:07:39Come on.
01:07:40Where are they?
01:07:41There.
01:07:42There they are, my beauties.
01:07:43I got Tonga placed where you can do the most good.
01:07:44We're gonna fight for you if they find us.
01:07:45They're hanging if they catch us anyway.
01:07:46We've nothing to lose.
01:07:47No, but I have.
01:07:48We don't need you.
01:07:51I'm guilty. I've got Tom the place where he can do the most good.
01:07:54We're going to fight for you if they find us.
01:07:56He's hanging if they catch us anyway.
01:07:58We've nothing to lose.
01:07:59No, but I have.
01:08:00We don't need you.
01:08:21I'll be right back.
01:09:19What's this?
01:09:37Do you need help?
01:09:38No.
01:09:39I've got tattoos.
01:09:41More than those.
01:09:42Where are you?
01:09:44Don't shoot.
01:09:57I'll give up.
01:09:58Wise man, Small.
01:10:00As I see you.
01:10:20What's this?
01:10:26Orton where are you? Where's Mary? We'll find her. Mary, Holmes in here. Oh, Mr.
01:10:45Morkstead. Believe me, I've never been so thankful to see anyone in my life.
01:10:50Oh, I'll be all right. Perhaps you think I'm not glad to see you. Oh, Mr. Holmes. Yes? Small hit a
01:10:58satchel underneath that sack. Are you hurt? No, I'm all right. The Treasurer of Agra.
01:11:07Who's in there? Oh, Holmes. Ah, welcome, Jones. Welcome. Listen, there's a one-legged man mixed up in
01:11:20this and a tattooed man, too. Oh, really? Really? Well, we've left them for you to have
01:11:23a look at. Oh, by the way, they left this satchel behind. It's probably of no value. No value?
01:11:31What? Fuller sparklers. You amateurs always overlook the important things. Here's Mordecai
01:11:37Smith. You want him? What's he got to do with it? I want to know where the pearls are. Yes,
01:11:43where are they? Small taken them. Then they're at the bottom of the river, where we can find
01:11:47them, because now you'll be so terribly listed. I can't even claim you as a friend, much less
01:11:52ask you. What? Sorry the jewels are distasteful to you, Miss Morstan, because I had the pearls.
01:11:58I took them from Jonathan Small when we first came to grips. I didn't want them to get wet,
01:12:03so I'm afraid you'll have to have them back. Amazing. Elementary, my dear Watson. Elementary.
01:12:09What? Please ask me. Will you? Yes? Amazing. Elementary, my dear Holmes. Elementary.
01:12:30Oh, my God.
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