- 4 hours ago
A Los Angeles artist with everything seemingly going for him, suddenly finds a change in his life, when an art curator cancels his upcoming one-man show.
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Short filmTranscript
00:00:00GIVING BACK THE ANGELS
00:00:21GIVING BACK THE ANGELS
00:00:51GIVING BACK THE ANGELS
00:01:16GIVING BACK THE ANGELS
00:01:21Showing that I can
00:01:25But if crime was money
00:01:28Maybe a millionaire
00:01:32Putting all the pieces
00:01:36In a velvet glove
00:01:39But try to hide your feelings
00:01:43We'll never be under
00:01:46So I'm down, down, down
00:01:49Down, down, down
00:01:53Rolling out of paper
00:01:57Rolling out of paper
00:02:00Two jumbo poor boys and a smug yavel.
00:02:07You're late.
00:02:09I know. I'm sorry.
00:02:11I came in to tell you I quit.
00:02:13I appreciate everything you've done for me
00:02:15but the grand scheme of my life does not include
00:02:17being some crappy little delivery boy.
00:02:19No offense, Oscar.
00:02:21I am an artist.
00:02:23I'm getting a show today.
00:02:24Do you have any idea what that means?
00:02:26Getting a show?
00:02:27Do you have any idea at all?
00:02:28I don't think you do.
00:02:30And I'll tell you something else.
00:02:32When my work is hanging in the Kuggenheim
00:02:34When I'm having a retrospective at the Met
00:02:36All those slick, swarmy, uncreative little bastards
00:02:39that I've had to deal with every day
00:02:41Day in and day out
00:02:42I'll be down on these
00:02:43Kissing my ass!
00:02:47Seize the day!
00:02:51There's two pepperonis.
00:02:52Okay.
00:02:53Mm-hmm.
00:02:55Mm-hmm.
00:02:57Mm-hmm.
00:02:59Yes.
00:03:00Mm-hmm.
00:03:05Yes.
00:03:06Well, this is very awkward, Alex.
00:03:09I spoke with Yvette yesterday.
00:03:10She did not tell you?
00:03:13Tell me. Tell me what?
00:03:14Well, the thing is, you know, your work is not ready to show.
00:03:20It's style over substance.
00:03:23I mean, don't take it personal, Alex, but it's...
00:03:26It's soulless.
00:03:44I don't know.
00:04:02Yvette?
00:04:04Yvette?
00:04:06Yvette?
00:04:10Yvette?
00:04:14Yvette?
00:04:17Yvette?
00:04:22Well, the thing is, the owners, they don't really like to put a sign out.
00:04:25They feel it kind of attracts all the losers, but...
00:04:27You know, I'm starting to get kind of a good feeling about you, uh...
00:04:31Alex.
00:04:32Alex.
00:04:33The bottom line is, I'm a good judge of character.
00:04:35Hey, Ray.
00:04:37Whoa! Arrest me, officer!
00:04:39So, what do you think? Do you want the apartment?
00:04:41Uh...
00:04:42You know, I'm not very comfortable with the whole six-month lease thing.
00:04:45Wow, this, this is just a formality.
00:04:47It's, it's what you call a paperwork.
00:04:49Don't even worry about that.
00:04:51Hey, you need some furniture?
00:04:52Because we got a bunch of good junk down in the basement.
00:04:55To be honest with you, this is just a temporary situation for me,
00:04:59uh, until I get back with my girlfriend.
00:05:01I just really can't have the commitment right now.
00:05:03It's probably none of my business, but...
00:05:06I think you ought to get a place of your own.
00:05:08You know what I'm saying?
00:05:09Show her that you can live without her.
00:05:10Hi, this is Yvette.
00:05:12Do you see the message?
00:05:13Well, you certainly didn't waste any time
00:05:15taking my name off the answering machine.
00:05:17Listen, Yvette.
00:05:19I, I really feel like when we talk about this
00:05:22and try and work this out,
00:05:23I mean, I, I know that I've neglected you over the past few months.
00:05:26Hold on.
00:05:27Hello?
00:05:28Hello?
00:05:29Hello?
00:05:30Hello?
00:05:31Hello?
00:05:32Hello?
00:05:33Yvette?
00:05:34Hello?
00:05:35Who's this?
00:05:36No.
00:05:37This.
00:05:38Two days.
00:05:50Two days.
00:05:51Man, is that ruthless.
00:05:55That is...
00:05:57I told you not to call her.
00:06:00Maybe it was her brother.
00:06:03You got your packaging, you got your advertising, and you got your brand name.
00:06:08But in the end, I think you and I know the generic is just as good, right? Am I right?
00:06:12So why do people pay more?
00:06:14I'll tell you, Alex, because they are deceived and distracted by labels.
00:06:19I mean, come on, toilet paper is toilet paper. Am I right? Huh?
00:06:23Hi, how's it go?
00:06:25Oh, are you looking for an apartment? Because you're not going to find anything but junk in here.
00:06:29How'd you know I was looking for an apartment?
00:06:30I know everything.
00:06:31I know everything. You're from Colorado.
00:06:33Oh, my God.
00:06:35No, you're wearing a Denver Broncos shirt.
00:06:37Oh.
00:06:38What do you think, I'm telekinetic or something, huh?
00:06:40Woo!
00:06:41I don't know.
00:06:42Here, my name's Ray. Let me help you out. I'll give you my number.
00:06:45And you are?
00:06:46Lori.
00:06:47Lori, and this is my friend Alex.
00:06:48Alex.
00:06:49Hey, Alex.
00:06:50Go!
00:07:20Hi, I hope I'm not bothering you. I'm Sylvia, number 15 right down the hall. I just wanted
00:07:29to welcome you to our little family here. I don't know if you have a girlfriend or anything,
00:07:34but even if you do, I know that bachelors never have any food in their refrigerator,
00:07:39so I just wanted to offer you a little something I made. It's a specialty of mine.
00:07:44Curried Spam casserole. Well, thank you. Well, you're very, very welcome.
00:07:57I understand that you're an artist. I think that's just fascinating.
00:08:02Sylvia, gordita bonita. There's no smoking in the building.
00:08:09¿En serio? Light my fire.
00:08:20Se ve bueno, ¿no? Tienes que saber algo. Food is the language of love.
00:08:28And she... She's starving.
00:08:41Linda. Tu hombre está aquí. Llegó el rey de la casa.
00:08:47Go away, you son of a bitch.
00:08:50Linda.
00:09:13Linda.
00:09:15I said he's been in their minds.
00:09:18What?
00:09:19What?
00:09:20He didn't say it.
00:09:21I don't know who he's going to be in.
00:09:23I don't know what.
00:09:25What?
00:09:26What?
00:09:27What?
00:09:27What?
00:09:28What?
00:09:29What?
00:09:36Why do you treat the women in your country like that?
00:09:39You can't leave me like their own or your own.
00:09:41You can't!
00:09:42I mean, you know, you still haven't fixed the floss.
00:10:11It's like some psychopath breaks into my room, tries to kill his girlfriend.
00:10:16I mean, Ray, you know, it's no offense, but I mean, you know, the place is filled with losers.
00:10:26And I just, you know, I can't live like this, you know, I mean...
00:10:30So I'm wondering if maybe, you know, you let me give my two-month lease notice to get out of the lease or something.
00:10:36Well, Alex, I'd like to help you out, but the owners, they're really cracking down in the lease situation.
00:10:43If you leave now, you're going to forfeit your first month's rent. Plus, you're out the security deposit for the door.
00:10:49The door. You're going to make me pay for the door.
00:10:53You shouldn't have left it open. Never leave your door open.
00:10:58Tell you what, I don't need her. I'm a lot better off without her.
00:11:06I'm going to get a lot more work done. It's the best thing that could ever happen.
00:11:10Hey, Alex, I forgot to tell you, Yvette called a few days ago.
00:11:14See, I told you she'd come back begging.
00:11:16She wanted to forward your mail. I gave her your new address.
00:11:22Mighty boy.
00:11:29Is that a pepperoni pizza, or are you just glad to see me?
00:11:32Gee, that's funny every time I hear it.
00:11:35Wait. Oh, wait. Oh.
00:11:38Thank you. Thank you.
00:11:42Um, I think I'm lost.
00:11:44Um, do you know where 1407 is?
00:11:46Excuse me, pizza boy. I'll never lose.
00:11:48Hi. Where are you going?
00:11:49Oh, I'm not sure.
00:11:50Oh, you're in the wrong building.
00:11:51Just kidding.
00:11:53Wait over here.
00:12:01Oh, hey. Alex.
00:12:03Hey, Ray. How's it going?
00:12:05Oh, good.
00:12:06Just doing a little touch-up.
00:12:07Hey, by the way.
00:12:10This ended up in my mailbox.
00:12:12I just assumed it was for me.
00:12:15It's from Yvette.
00:12:17She wants to be friends.
00:12:20You opened my mail?
00:12:22Yeah. She wants you to call her.
00:12:24I can't believe you opened my mail, Ray.
00:12:26I mean, isn't there a law against that or something?
00:12:28I think you're missing the big picture here, Alex.
00:12:30She wants you to call her.
00:12:31Gee, Ray. She only ripped my fucking heart out.
00:12:33I don't think I'm going to call her.
00:12:39Are you all right?
00:12:41A nine-year-old Metro girl has a new lease on life
00:12:43thanks to surgery at the hospital for their children.
00:12:46And Tracy Hoover was the director of the nine-year-old
00:12:48hospital-hour operation.
00:12:50Reverse a critical, unstable...
00:12:52...
00:13:02Cheers!
00:13:03Here's to you and me.
00:13:07Baby, can't you see?
00:13:11We can win the day.
00:13:14Show the way.
00:13:16We've got the world before us.
00:13:20We're gonna be rich, not for us.
00:13:23Don't be a brontosaurus.
00:13:27Go to it.
00:13:29We can do it.
00:13:30Cheers!
00:13:32We should make the trip.
00:13:35We were the best two years when I was on the fucking train.
00:13:39She was doing suffers with something that she never did.
00:13:43I can't make it anymore.
00:13:45We've got whatever.
00:13:46Oh shoot!
00:13:47Alright, pull yourself together man.
00:13:48We've got whatever.
00:13:49We've got whatever.
00:13:50We've got whatever.
00:13:51We've got whatever.
00:13:52No!
00:13:53We should take a trip.
00:13:56I'm not one to focus.
00:13:59Hey!
00:14:00Shut up there!
00:14:02You want to fix it?
00:14:04Come on!
00:14:05Right now!
00:14:06No!
00:14:07Oh my god!
00:14:08He's trying to stop!
00:14:09We'll make our own lucky breaks.
00:14:12So clear the decks for action.
00:14:15Oh.
00:14:16Jesus Christ, Alex.
00:14:18I didn't tell you to buy her a bouquet of flowers, get down on one knee and proclaim your love for her.
00:14:22I mean, what the heck's wrong with you?
00:14:24It was a friendship bouquet.
00:14:28You need to meet some new people.
00:14:45Alex!
00:14:46Alex!
00:14:47Come on over here.
00:14:48Come on, sit down.
00:14:49Here you go.
00:14:50Alex!
00:14:51This is Irene.
00:14:52Eileen!
00:14:53Eileen!
00:14:54Eileen!
00:14:55Eileen!
00:14:56Eileen!
00:14:57Eileen!
00:14:58Eileen!
00:14:59Eileen!
00:15:00Eileen!
00:15:01I mean, whatever.
00:15:02She's still quite sexy.
00:15:03And this fascinating young specimen is mildly wild.
00:15:04Kiki, my friends call me coyote.
00:15:05Oh!
00:15:06Oh!
00:15:07Alex here is an artist.
00:15:08He's very sensitive, so...
00:15:09Don't go breaking his heart.
00:15:10Ah!
00:15:11Oh!
00:15:12Oh!
00:15:13Oh!
00:15:14Oh!
00:15:15Oh!
00:15:16Oh!
00:15:17Oh!
00:15:18Oh!
00:15:19Oh!
00:15:20Oh!
00:15:21Oh!
00:15:22Oh!
00:15:23Oh!
00:15:24Oh!
00:15:25Oh!
00:15:26Oh!
00:15:27Oh!
00:15:28Oh!
00:15:29Oh!
00:15:30Mike.
00:15:31Oh!
00:15:32What's that look like?
00:15:33Oh!
00:15:34Look at him.
00:15:37Alex here is a, an artist.
00:15:39Ah!
00:15:40He's very sensitive, so...
00:15:42Don't go breaking his heart.
00:15:44This is so intense.
00:15:46When you guys walked in, I turned to Eileen, and said...
00:15:49That guy looks just like an artist.
00:15:51Oh, my, God.
00:15:52She did.
00:15:54And what did you think I looked like?
00:15:56A sleazebag.
00:15:58Let's dance.
00:15:59Come on, sweetheart, let's dance.
00:16:00Well, there's no dance floor.
00:16:01Hey, who cares?
00:16:03Oh, fuck.
00:16:10So.
00:16:12Hi.
00:16:18So, then, I met this guy.
00:16:21He wanted me to run drugs in and out of the country.
00:16:24And I was like, no way, Jose.
00:16:26Which was pretty funny, because that was actually his name, Jose.
00:16:31Isn't that ironic?
00:16:33But anyways, I did it a few times, and I finally got freaked out and just took off.
00:16:37I know for a fact there are Colombian hitmen looking at me.
00:16:42They could be anywhere.
00:16:45Oh, my God.
00:16:46I think that's them.
00:16:48Oh, fuck.
00:16:49No, don't look.
00:16:56I'm only kidding.
00:16:59Oh, honey, you should have seen the look on your face.
00:17:02You look like you were going to crap in your hair.
00:17:04Oh, don't worry, baby.
00:17:05I'll protect you.
00:17:08Oh, so.
00:17:10I've been gabbing all night.
00:17:11Enough about me.
00:17:12Tell me about you, honey.
00:17:13What makes Alex tick?
00:17:18Oh, uh, well, um, I, uh, I'm kind of going through a hard time right now.
00:17:25I just, you know, I just broke up with my girlfriend and my, you know, Ray, the guy I came with, said that I should get out and meet some new people and...
00:17:40Excuse me?
00:17:40Um, I just, uh, you know, a hard time meeting new people and...
00:17:48I don't believe this.
00:17:53I don't fucking believe this.
00:17:56I feel like, I feel like I've just been shit on.
00:18:01You son of a bitch, you goddamn son of a bitch!
00:18:10No, you're right, darling.
00:18:16A little bit of me and you.
00:18:18A little bit of everything you do.
00:18:21Hey, you got any walnuts?
00:18:24Hey.
00:18:25Come and get them.
00:18:27Here comes Grudald.
00:18:29Long night?
00:18:44I got to work.
00:18:50Let's go.
00:18:52Hell, it hurts!
00:18:53Come and get me.
00:18:57Okay, that's the way we've been?
00:18:58You're so awesome.
00:19:00Alright, so good.
00:19:01We try to get you.
00:19:03A little bit of everything you do.
00:19:05There's a little bit of me that goes along me deep.
00:19:07What the... God, damn it.
00:19:21Shit.
00:19:27What are you doing here, Ray?
00:19:28Oh, my God, you're here.
00:19:31I tried calling a few minutes ago, no one answered,
00:19:33so I figured you had spent the night over at Wolverine's, huh?
00:19:36Just trying to get a head start on this.
00:19:39Yeah, as it turns out, what we got here is a bad nipple.
00:19:46No, seriously, the seat's rotted out.
00:19:48I got to shut off the water for the entire building,
00:19:50rip this out.
00:19:51I mean, it's a nightmare.
00:19:52A nightmare.
00:19:55So.
00:19:55Uh, you know, I was taking a shower here, Ray.
00:19:58Maybe we could do this another time.
00:20:00Oh, sure, okay.
00:20:03Listen, I got to go turn off the main water anyways.
00:20:05We'll come back sometime this afternoon.
00:20:08Hey, look, don't worry about it, okay?
00:20:11I mean, it didn't work out, so what?
00:20:13It can't always work out.
00:20:14The point is, you kept on trying.
00:20:17You got to get back on the horse and ride it, huh?
00:20:19Ride it, ride it.
00:20:21Fact is, there's a new girl across the hall.
00:20:24She's pretty cute.
00:20:25I think you should check her out.
00:20:27What are you doing?
00:20:36Oh, it's dripping down here.
00:20:38That happens because you use too much water when you mix paint.
00:20:41I know, Ray.
00:20:42I want it that way.
00:20:43Well, I don't know anything, but if dripping watery paint makes good art,
00:20:46I mean, what do I know?
00:20:48Get the hell out of here.
00:20:50Excuse me?
00:20:50Do you live here?
00:20:51Do you pay the rent on this apartment?
00:20:53Who pays the rent on this apartment?
00:20:55Well, you do.
00:20:56That's right, I do.
00:20:57It is my apartment.
00:20:58I pay the rent, and I want you to get the hell out.
00:21:01I like you, Ray, but I don't want you barging in here anymore.
00:21:04I don't want any more of your lame, unsolicited advice.
00:21:06I don't want to check out the cute girl next door,
00:21:09and I don't want to get back on the goddamn horse.
00:21:12Fuck the horse and the horse it rode in on.
00:21:16No.
00:21:17I've got a lot of work to do, and I would appreciate it if you were to leave.
00:21:22You're obviously very upset,
00:21:26and I think the best thing is for you to just have some time to yourself.
00:21:32Oh, hey, this I like.
00:21:35This use of color, this is a great painting.
00:21:39I'm going to check back later with you, okay?
00:21:41I'm going to check back later with you.
00:22:11This is a stupid thing.
00:22:12Gosh darn it.
00:22:14Come on.
00:22:16Oh, what are you doing sneaking up on a person?
00:22:19Oh, I wasn't sneaking.
00:22:20Yes, you were.
00:22:21You were sneaking up on me.
00:22:22No, I was just, uh, there's a light here.
00:22:26Oh, I'm sorry.
00:22:27It's just a stupid thing you took my money.
00:22:29Oh, I think you need to push the button that says startup.
00:22:34Oh, thanks.
00:22:37Sorry.
00:22:37Sorry I yelled at you.
00:22:38Oh, okay, sure.
00:22:46Uh, I think this belongs to you.
00:22:50Oh, thanks.
00:22:51Oh, hi, I'm Lori.
00:22:57I'm new in town.
00:22:58Alex, I just broke up with my girlfriend.
00:23:02Actually, she broke up with me.
00:23:04Oh, why'd she break up with you?
00:23:06I mean, what's wrong with you?
00:23:08I don't know.
00:23:11Well, this is me.
00:23:12Oh, this is me.
00:23:13Really?
00:23:14What a coincidence.
00:23:16I guess we're neighbors then.
00:23:17I guess so.
00:23:19You know, you look really familiar.
00:23:21Have we met before?
00:23:23I don't know.
00:23:24I don't think so.
00:23:25Are you sure we haven't met?
00:23:26Because you look really familiar.
00:23:28Really?
00:23:29Have you ever been to Guffey, Colorado?
00:23:31You know, home with a world-famous Guffey burger.
00:23:33I think I missed that.
00:23:38Okay.
00:23:39Well, see you around, neighbor.
00:23:44When I was young, I was told they'd sing and not heard
00:24:01While mama wiped the teardrops from her eyes
00:24:04Daddy used to come home, staggering through the door
00:24:10Full of whiskey and full of empty lines
00:24:13I still hear mama saying
00:24:17Don't treat me this way
00:24:19Are you working here?
00:24:29Huh?
00:24:29Oh, yeah.
00:24:31Sure.
00:24:31You know, Alex, you have to keep focused.
00:24:37Focused, I am.
00:24:38Focus.
00:24:39That's the key to success.
00:24:40It doesn't matter if you're driving a truck
00:24:42Or you're trying to be a great artist.
00:24:43If you want to accomplish anything in this world
00:24:46You have to keep focused.
00:24:48Right?
00:24:49Exactly.
00:24:50Right.
00:24:55Enfocado.
00:24:55Let's go.
00:25:25Hey, no addicts.
00:25:50What are you doing?
00:25:51Just checking the old mail.
00:25:53Well, don't lose your mailbox key.
00:25:56Ray will charge you $10 for a new one.
00:25:58Okay.
00:26:01So, the new tenant seems very nice, don't you think?
00:26:06New tenant?
00:26:09The new girl, Lori.
00:26:13She lives right across the hall from you.
00:26:15I'm sure you've met her.
00:26:18I don't think so.
00:26:19Uh-huh.
00:26:30Well, okay.
00:26:32Okay.
00:26:46Ray?
00:26:46Oh, hi.
00:26:50See what happens when you leave your door open?
00:26:52I left my door open.
00:26:53Yeah, I knocked and the door swung open.
00:26:56I thought I heard you in here.
00:26:58So, I came in.
00:26:59I hope you don't mind.
00:27:02No, it's okay.
00:27:04I can't believe I left my door open.
00:27:06So, what is all this stuff?
00:27:07Are you like an artist of some kind?
00:27:10Yeah, I guess so.
00:27:11Wow, I've never met an artist before.
00:27:16So, what are they supposed to be?
00:27:20Well, they're trying to explore the interaction between light and color and surface tension.
00:27:28You know, like, um, how do two fields react to each other in different circumstances?
00:27:34It's kind of like a play on Reinhardt's reduction of images to their basic, minimal, uh...
00:27:42Actually, it's kind of hard to explain.
00:27:45No, it sounds really impressive.
00:27:47So, hey, I was going to go to the Range.
00:27:53I thought you might want to come.
00:27:54The Range?
00:27:55Yeah, uh, I'm not really into the whole golfing thing, you know?
00:27:59Golf.
00:28:01Oh, oh, that's funny.
00:28:03That's funny.
00:28:09Come on, you want to try it?
00:28:12It's really relaxing.
00:28:14Ha, no, I'm relaxed.
00:28:16Okay.
00:28:17So, uh, what makes a person decide to go into the Air Force, of all things?
00:28:34Well, I grew up in a pretty small town.
00:28:37It had a population of 8,000 people.
00:28:40The highlight of the week was watching the truck from Denver unload frozen chicken wings
00:28:47at the first cafeteria.
00:28:49I thought I was going to lose my mind, so when I turned 18, I enlisted, and six weeks later,
00:28:56I'm stationed in Istanbul.
00:28:59Well, uh, they certainly taught you how to keep a tidy ship.
00:29:02Amongst other things.
00:29:05For example, I could probably kill you right now with my bare hands.
00:29:10Ha!
00:29:11Ha!
00:29:13I'm just kidding.
00:29:15I don't think I could.
00:29:17So, um, do you want a cold pop or something?
00:29:20Cold pop?
00:29:22Yeah, you know, a soda?
00:29:23Gee, I don't know.
00:29:26I should probably get going now.
00:29:28Well, it's still early.
00:29:29I know, but I should be concentrating on my painting, and it's probably been such a good
00:29:34idea, living across the hall and everything.
00:29:37I just asked if you wanted a cold pop.
00:29:39I know.
00:29:40Well, I should just, uh, be going.
00:29:47I'm not going to shoot you.
00:29:48Don't flatter yourself.
00:29:49I know.
00:29:51Okay, thank you.
00:29:52Um, uh, good night.
00:29:58Okay, good night.
00:30:10Linda.
00:30:13Mi amor soy yo.
00:30:15Linda.
00:30:15Go away, you bastard.
00:30:17I hate you.
00:30:18No, no, pero yo te amo.
00:30:21Contigo aprendí que existen nuevas y mejores emociones.
00:30:27No, call me INS.
00:30:28I'm serious.
00:30:29Oh, no, no, no.
00:30:30Contigo aprendí que existen nuevas y mejores emociones.
00:30:36Straight to the ground.
00:30:38Knocks her head right on the dance floor.
00:30:40Gave herself a concussion.
00:30:41They had to call the paramedics.
00:30:43These girls, they really sacrifice.
00:30:48Got any fries for that, Jake?
00:30:52Do I detect a little tension between you two?
00:30:54A little magic happening?
00:30:55Nah, she's not my type.
00:30:57Well, no one's anyone's type.
00:30:59It's all an accident.
00:31:01Ah, she's...
00:31:02Hey, she's got a great ass.
00:31:07She's got a great ass?
00:31:08You're so superficial, Ray.
00:31:10I'm a painter.
00:31:12I should be going out with models from Milan.
00:31:14I mean, she doesn't know who Jackson Pollock is.
00:31:16I'm a painter.
00:31:17She doesn't know who Jackson Pollock is.
00:31:19Nobody knows who Jackson Pollock is.
00:31:23What's wrong with you, Alex?
00:31:33Hey, how you doing?
00:31:37What she's doing is she's exploring the way light plays on different surfaces and textures.
00:31:50It's not so much about color, but more like a painting of light.
00:31:55It's not so much like a painting of light.
00:31:56Oh.
00:31:57Wow.
00:31:58Let's go.
00:31:59So there's not many, uh, contemporary art museums in Guffey, Colorado, huh?
00:32:00Not that I knew of.
00:32:02What's this supposed to mean?
00:32:03I guess I just don't get it.
00:32:07Well, there's nothing to get.
00:32:08Well, there's nothing to get.
00:32:09Oh.
00:32:10Oh.
00:32:11Oh.
00:32:12Oh.
00:32:13Oh, my God.
00:32:14Uh-oh.
00:32:20Fuck.
00:32:21Oh.
00:32:22Oh.
00:32:23Yeah.
00:32:24Fuck.
00:32:25Fuck.
00:32:26What's this supposed to mean?
00:32:27I guess I just don't get it.
00:32:28Well, there's nothing to get.
00:32:43I like this one.
00:32:53What do you like about it?
00:32:56I don't know.
00:32:58Do I need to know?
00:33:00No, I guess not.
00:33:13Um, 1950s, early 60s, I guess those are my role models.
00:33:22Those are like the last serious painters, you know, the last ones to believe in the power of art to change the way we see the world.
00:33:28So where are they now?
00:33:31Actually, I think most of them committed suicide.
00:33:34Wow.
00:33:37That must be nice, though.
00:33:39You grow up knowing what you want to be.
00:33:41You think?
00:33:43I mean, did you just do this while we were sitting here?
00:33:46It's nothing.
00:33:48It's not nothing.
00:33:49You should draw more.
00:33:50You're very talented.
00:33:52It doesn't mean anything.
00:33:53It's just, you know, it's just technique.
00:33:56I still like it.
00:34:00Here, sign it for me.
00:34:03For when you're famous.
00:34:04They don't get any bigger than this, do they?
00:34:22Oh, my God.
00:34:23I would hope not.
00:34:24Yeah, I know.
00:34:25I thought you were going to have a heart attack or something.
00:34:27I think we should give him a name.
00:34:41How about...
00:34:42Bob.
00:34:45Bob the Lizard.
00:34:46I think Bob likes you.
00:35:02I think Bob likes you.
00:35:02I think Bob likes you.
00:35:20No.
00:35:23Fire!
00:35:28Jesus!
00:35:30I'm so sorry. I must have left the oven off.
00:35:32I know what happened, Sylvia.
00:35:34You were sleepwalking.
00:35:35Then you got hungry and thought you whipped together a little pot.
00:35:38Ray!
00:35:42I'm really, really sorry if I got anybody out of bed.
00:35:46Right. Well, don't worry about it, darling.
00:35:48I think we've all had enough excitement for tonight.
00:35:50Let's just head back. Good night.
00:35:52Good night.
00:35:53Good night.
00:35:54Good night, everyone.
00:35:55Good night, Marty.
00:35:56Good night.
00:35:57Good night.
00:35:58Good night.
00:36:10Don't be stupid.
00:36:12You're only gonna get hurt. You don't need this. You don't need this.
00:36:22Good night.
00:36:26Good night.
00:36:27I loved my jacket.
00:36:29I know.
00:36:33I have to paint. I can't have the distractions. It's too much.
00:36:41Shhh.
00:36:42Go pink.
00:36:53No me tienes cansado. Siempre con lo mismo.
00:36:55Oh, my God! Oh, my God! Oh, my God!
00:37:12That smells like one great cup of Jabba, eh?
00:37:35Good morning, Mrs. Johnson!
00:37:38Good morning to you, too!
00:37:42Good morning to you.
00:37:46Good morning to you.
00:39:09What's up, Ray?
00:39:11Just trying to fix this.
00:39:14Apparently somebody has no respect for personal property.
00:39:20Good luck.
00:39:21You too.
00:39:39If you think of it, a great portrait usually is both very beautiful and full of personality.
00:39:53It's a charge field.
00:39:55It takes us into a dynamo of somebody else's personal property.
00:40:02And this is what he thinks.
00:40:04One of those things...
00:40:05What are you drawing?
00:40:08Nothing.
00:40:09Titian became enormously successful.
00:40:12He was a sort of superstar.
00:40:15Wealthy, fated, sought after by kings and emperors.
00:40:19It was a status symbol to possess a Titian.
00:40:21And he had great personal success too.
00:40:27Because he was one of those rare artists who become greater as they grow older.
00:40:34Late Titian is one of the climaxes in the story of painting.
00:40:38Alex?
00:40:52Alex?
00:40:56Alex, are you okay?
00:41:01What is it?
00:41:02Talk to me.
00:41:11I don't know.
00:41:15What don't you know?
00:41:20All these paintings.
00:41:22I mean...
00:41:23I don't know what I'm doing anymore.
00:41:26I mean, I always thought of myself as this...
00:41:31this great painter, you know?
00:41:33And one day I'd be famous and now I...
00:41:35I don't know.
00:41:38What if it never happens?
00:41:40I mean, what am I then?
00:41:44Well, you're still an artist.
00:41:46What's up, rat?
00:42:13Rats.
00:42:14Rats, really?
00:42:15Yep, two big ones.
00:42:17I hear them every night running up and down the hall,
00:42:19back and forth and forth and back,
00:42:21trying to figure out whether or not I should use traps or poison.
00:42:26I'll hope you get them.
00:42:27Oh, don't worry, we'll get them.
00:42:33Hello, Alex.
00:42:35Uh, I think those are mine.
00:42:38I know. I don't mind.
00:42:40So, been keeping busy?
00:42:46Uh, yeah, very busy.
00:42:49I'm sure you have.
00:43:07What?
00:43:09Nothing.
00:43:10What is it?
00:43:17I think...
00:43:18I think the others are starting to get suspicious.
00:43:26Are you embarrassed?
00:43:28No.
00:43:30Are you somehow feeling ashamed or degraded?
00:43:34Of course not.
00:43:35Because if you are, maybe we'll have to stop meeting like this.
00:43:42No, it's fine.
00:43:46I just...
00:43:47Why would I mind?
00:43:48Hey, there's an art opening tomorrow night at a gallery downtown.
00:43:59I was thinking it would be fun to go.
00:44:07At the Traction, it's a gallery downtown.
00:44:12Would you like to go to that?
00:44:13Um, did you do these?
00:44:15Yeah.
00:44:16Do you mind?
00:44:17No, it's just, I mean, they're all wrong.
00:44:21Really?
00:44:21Yeah.
00:44:22I mean, uh, son of Zeus, Junior.
00:44:27Yeah, you know, like Zeus, Junior.
00:44:28Uh, it's actually Apollo, not Junior.
00:44:33Well, it fits in the space.
00:44:34How do you know it's not Junior?
00:44:36I don't know.
00:44:37I mean, you know, if you're not sure of your answers, maybe you should use a pencil next time.
00:44:41I'm sorry, did I ruin it?
00:44:45No, it doesn't matter.
00:44:46It's not, it's not important.
00:44:53So, anyway, do you think you'd want to go to this?
00:44:56Not really.
00:44:59Well, I think it would be of interest to you.
00:45:02Well, it's not.
00:45:05Well, I think you of all people would want to keep up on what's new and interesting in the artwork.
00:45:11Well, no offense, but nothing done in the last 20 years is new or interesting.
00:45:18It's all meaningless crap made by some slick phonies.
00:45:21And you know what?
00:45:22Just like this guy right here.
00:45:26So, no, no thank you.
00:45:29Well, at least they're trying.
00:45:31At least they're not sitting around wallowing in self-pity.
00:45:41Hey, Alex, do you ever see a vet anymore?
00:45:54What's that supposed to mean?
00:45:56Just wondering, man.
00:45:58She was fine.
00:45:59Muy bonita chiquita.
00:46:01Alex has a new girlfriend.
00:46:02Leave him alone.
00:46:03She's not my girlfriend.
00:46:04She seems very nice.
00:46:05She is very nice.
00:46:06She's just not my girlfriend.
00:46:07We're just friends, okay?
00:46:10Okay, relax.
00:46:18Alex!
00:46:20What are you doing here?
00:46:21What do you mean?
00:46:22Well, I thought you were going to the art opening with Lori.
00:46:24She left about an hour ago.
00:46:26What?
00:46:27Yeah.
00:46:28Shit!
00:46:31Face it, man.
00:46:32Art as we know it is dead.
00:46:34It is totally and completely irrelevant to the 21st century.
00:46:38Exactly.
00:46:38Right.
00:46:39We need new forms.
00:46:40Yes.
00:46:42Hey, Alex.
00:46:42Hey, Alex.
00:46:43Hey.
00:46:44Where's Yvette?
00:46:46We broke up.
00:46:47You broke up?
00:46:48What happened?
00:46:49You were the perfect couple.
00:46:53Oh!
00:46:54Oh!
00:46:54Wait, I'm sorry.
00:46:56Oh, I'm sorry.
00:47:00Hello, I'm Mark.
00:47:02Hi, I'm Lori.
00:47:03Hi, Lori.
00:47:04How are you?
00:47:05Good.
00:47:06How are you?
00:47:08Oh, what a coincidence.
00:47:09This is a friend of mine, Alex.
00:47:11Marco.
00:47:13How are you doing?
00:47:14Fine.
00:47:15I was just telling Marco that I really like this work.
00:47:18I think it's very cute.
00:47:20Cute?
00:47:20Oh, cute's probably not a word that you would use in a gallery.
00:47:23What would be a good word?
00:47:26Um, I don't know.
00:47:28Unoriginal, banal, contrived.
00:47:31Those are words that come to mind.
00:47:32Ouch.
00:47:33Alex, this is the artist.
00:47:35You painted these.
00:47:36It's okay.
00:47:37Honey, sweetheart.
00:47:38Come.
00:47:38This is Lori and Alex.
00:47:45They are fans of my work.
00:47:46Hello.
00:47:47Hi.
00:47:47Nice to meet you.
00:47:49Hi.
00:47:50Hello.
00:47:52Alex finds me unoriginal, and Lori thinks my work is cute.
00:47:58Cute?
00:47:59Really?
00:48:00Well, not cute, actually.
00:48:02Um, I think it's, uh, more reminiscent of, um, early figurine.
00:48:07Um, you mean early figurative?
00:48:11Yes, exactly.
00:48:13Boy, this wine is going near my head.
00:48:16I'm such a cheap date.
00:48:19It's the genius.
00:48:21Marco, you're a star.
00:48:23You know that?
00:48:24You bet.
00:48:25Tell him he's a star.
00:48:26You're a star.
00:48:28Hello, Alex.
00:48:30Okay, we're going now.
00:48:31Okay, okay, well, it was very nice meeting you, huh?
00:48:33Nice to meet you.
00:48:35Oh, they're such nice people.
00:48:36I had so much fun.
00:48:47What are you thinking about?
00:48:51Awesome.
00:48:56I've been really having a good time these last few months.
00:49:05I feel like I'm learning about things I never knew existed.
00:49:09I've never said this to a guy before, but, um, I kind of think that maybe, uh, I love you.
00:49:35You can at least say you like me.
00:49:52I'm not.
00:49:54I do.
00:49:55I do.
00:49:56I do.
00:49:56By the way, my parents are coming into town tomorrow.
00:50:07They're really looking forward to meeting you.
00:50:09I don't.
00:50:33I don't.
00:50:38Shit.
00:51:08I know exactly what you're doing, and it's very nice.
00:51:17You're crazy, love.
00:51:23Well, good morning to you.
00:51:40I got locked up.
00:51:42Just be a man and be honest with her, and just tell her to her face I can't see her anymore.
00:51:47Who is it?
00:51:49I'm not here.
00:51:50I'm not here.
00:51:52Laurie.
00:51:57Hi, good morning.
00:51:58Hi, Ray.
00:51:59Have you seen Alex?
00:52:00Who?
00:52:01He left his key in my apartment.
00:52:04Oh, really?
00:52:06Listen, would you like to come in and have a nice cup of coffee?
00:52:09Oh, no.
00:52:10I really don't have time.
00:52:11You haven't seen him?
00:52:12No, but it really is important to have coffee before you go to work.
00:52:15It kind of gets the whole body percolating.
00:52:17I just made a pot.
00:52:18Come on in.
00:52:19No, I really have to get going to work.
00:52:21All right, then.
00:52:22Listen, have a nice day.
00:52:23Me, too.
00:52:24God bless.
00:52:26I love it.
00:52:27I love it.
00:52:28Oh, my God.
00:52:29What?
00:52:31I love you.
00:52:32Yeah.
00:52:33You're pathetic.
00:52:34It's so good for you, let's go sunning.
00:52:44Need the sky of blue, greet the sun every morning.
00:52:48Feel as free and happy as the day you were born.
00:52:52Let's go native, sun your gears away.
00:52:55Be creative, learn to live and play.
00:52:58Greetings, flowers, need the sun.
00:53:01Hi, I've been looking for you all day.
00:53:04Oh.
00:53:06You left last night, is everything okay?
00:53:10Yeah, fine.
00:53:12Well, my parents are here.
00:53:13I thought you could stop by and say hello.
00:53:16It would be good for them to meet some of the friends I've made here.
00:53:21Hmm, well, yeah, I'm pretty busy right now.
00:53:28Oh, it'd just take a minute.
00:53:31Yeah, well, actually, I'm pretty busy right now.
00:53:34Happiness to everyone, so let's go sunning.
00:53:40Okay.
00:53:41Okay.
00:53:41I'm pretty busy right now, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning, so let's go sunning
00:54:11Hi. Car trouble?
00:54:17Uh, where are we going?
00:54:20I think I might have taken a wrong turn.
00:54:28So what happened to you yesterday? I really wanted you to meet my parents.
00:54:34Yeah, well, you know, don't take this the wrong way, but I'm a little uncomfortable with the whole meet the parents thing.
00:54:42Well, I wasn't asking you to get married. I just wanted you to say hello to them.
00:54:46I know. It's not just that. It's the whole, like, the guns, the saluting.
00:54:53What are you talking about?
00:54:55Well, I mean, you know, you do gotta wonder about the kind of people that join such an organization.
00:55:01And what kind of person is that?
00:55:03I don't know. You're a high school dropout, sociopath, psychopath.
00:55:07Oh, boy. You know, you artist types really crack me up. Always whining about free speech.
00:55:13You know, that is so lame. You guys always pull out this free speech thing.
00:55:17People died.
00:55:18I didn't ask them to. Nobody asked them to.
00:55:20So you could express yourself.
00:55:21This free speech thing. It's so lame.
00:55:23Just because you don't have the courage to stand up and fight for what you believe in.
00:55:27In fact, what do you believe in, if anything?
00:55:30The freedom of artistic expression.
00:55:32Yeah, but only for yourself. You're such a hypochondriac.
00:55:36A hypochondriac?
00:55:37Yes.
00:55:38Really?
00:55:39Yes.
00:55:40Really?
00:55:41Um, because a hypochondriac is somebody who has an imaginary illness.
00:55:43I think the word that you're searching for is a hypocrite.
00:55:52Lori!
00:55:53Please get out of my car.
00:55:54You're still friends?
00:56:11I don't know. This could be very unpleasant, Ray.
00:56:14Living across the hall from her, very unpleasant.
00:56:17I see what you mean.
00:56:19I tried to warn you about that.
00:56:20What do you mean you tried to warn me?
00:56:22You're the one that suggested I go out with her in the first place.
00:56:24You tried to warn me.
00:56:25Well, I didn't mean her specifically.
00:56:26I was just speaking in general.
00:56:28Great.
00:56:29All you ever do is speak in general.
00:56:31You should have never signed that lease.
00:56:33What are you gonna do?
00:56:35No, no.
00:56:36I hate when you say that.
00:56:37You say that all the time.
00:56:38Please don't say that anymore.
00:56:41We're gonna have to get a guy here for this.
00:56:50You can see that you're staying here for now.
00:56:51Yes.
00:56:52I'm wのは a big thing to do.
00:56:53Yes.
00:56:54No, no.
00:56:55Yes.
00:56:56Yes.
00:56:57Yes.
00:56:58Yes.
00:56:59Yes.
00:57:00Yes.
00:57:01Yes.
00:57:02Yes.
00:57:03Yes.
00:57:04Yes.
00:57:05Yes.
00:57:06Now that's what I want you to do, the world will you see and feel the rays?
00:57:07Yes.
00:57:09Yes.
00:57:10Yes.
00:57:11Yes.
00:57:12Yes.
00:57:13Yes.
00:57:14Yes.
00:57:15Yes.
00:57:16Yes.
00:57:17Yes.
00:57:18Yes.
00:57:19Yes.
00:57:20I know, I know, I'm sorry I'm late, I know, my car.
00:57:44Get a new car, go on.
00:57:50That smells good, got any extra?
00:58:00It's a beautiful blouse, oh I've got a joke for you.
00:58:01What's that?
00:58:02What has two thumbs, speaks fluent French, fucks like a wildcat.
00:58:05What?
00:58:05Moi.
00:58:07You're terrible!
00:58:08Well they'd kill me.
00:58:20You're afraid of the spider thing?
00:58:22Who am I?
00:58:24You ever do it with another girl?
00:58:27I don't think so.
00:58:28Boy, where did we get you out of this stuff?
00:58:49There's a, uh, pretty bad element around here.
00:58:55Hey, do you like Moroccan fruit?
00:58:57I know this girl, but they're trying to have some...
00:58:59God, Professor, what in God's name was that?
00:59:02I don't know, but that was the most pitiful, disgusting creature I've ever seen!
00:59:09Me!
00:59:09Me!
00:59:10Hello, Alex.
00:59:26Uh, hello.
00:59:27What are you doing?
00:59:29Just, you know, taking out the trash.
00:59:33You're dripping.
00:59:37Hmm.
00:59:40Howdy.
00:59:51Oh, hi.
00:59:53We must be on the same trash schedule.
00:59:56We have to stop meeting like this.
00:59:58Oh, yeah, I guess so.
01:00:01Listen, I'm having a little party tonight.
01:00:02Why don't you drop on by?
01:00:04Oh, well, gee, okay, sure.
01:00:08Apartment 17.
01:00:10You know, like, lucky number 17.
01:00:12Oh, I get it, 17.
01:00:1417.
01:00:16Okay.
01:00:18Okay.
01:00:18Okay.
01:00:18Okay.
01:00:18Here we are.
01:00:27Here we are.
01:00:28Oh, my.
01:00:29Oh, my.
01:00:31Oh, my.
01:01:03Okay, two can play with this game.
01:01:11Gee, Laurie, I'm sorry, but I have other plans for tonight.
01:01:14Really? Well, maybe some other time.
01:01:16Oh.
01:01:17My phone, it's on the blink.
01:01:20I really need to use your phone.
01:01:22Uh, this really isn't a very good time, Sylvia.
01:01:25It's extremely urgent, if you wouldn't mind.
01:01:28Yes, I guess it all that I made with my own bare hands.
01:01:34He did.
01:01:35I saw him.
01:01:36He threw it out right in front of us.
01:01:39And then they laughed about it.
01:01:41Both of them laughing and laughing.
01:01:46It was horrible.
01:01:47No, I don't know why I allow myself to be treated like this.
01:01:55No, I can't take a wild guess.
01:01:58You're the doctor.
01:01:59That's why I'm calling you.
01:02:02Dale!
01:02:03Dale!
01:02:04Dale!
01:02:04Oh, hi.
01:02:17It's me.
01:02:24Good evening.
01:02:26So, I'm sorry I was late.
01:02:27I got kind of held up.
01:02:29Whatever.
01:02:30Sal, I hear you're a painter.
01:02:33Oh, yeah, yeah, I am.
01:02:34I'm a painter.
01:02:35I paint.
01:02:37Well, don't go crazy like that Gauguin guy and cut your ear off.
01:02:42Actually, it was Van Gogh.
01:02:44Gauguin died of syphilis.
01:02:46Either way, right?
01:02:48Yeah, right.
01:02:50That's a good baby.
01:02:52A kiss.
01:02:53So, you must have a very interesting line of work.
01:03:02Oh, yeah.
01:03:03Drive an hour out to Timbuktuuliville just to walk into some stranger's ugly living room wearing nothing but a G-string.
01:03:10And then let a bunch of drunk, horny, frat boys stick their heads between my tits and pretend like I'm having a great time.
01:03:17Happy birthday.
01:03:19Woo!
01:03:20Yeehaw!
01:03:21Jeez.
01:03:21It's a blast.
01:03:23Gah.
01:03:26Jesus.
01:03:29Mmm, mmm.
01:03:30Give it to me.
01:03:31Mmm.
01:03:32Give it to me now.
01:03:34Come on.
01:03:35Mmm.
01:03:36Mmm.
01:03:36That's a good baby.
01:03:38Give it to me.
01:03:41Give it to me.
01:03:42Give it to me now.
01:03:43Oh, yeah.
01:03:44Oh, baby.
01:03:45Give it to me now.
01:03:47Ah!
01:03:48What the fuck are you doing?
01:03:50What?
01:03:51I'm sorry.
01:03:51I'm sorry.
01:03:52I thought you were saying, like, get giving up your...
01:03:54One girl over my house.
01:03:56What kind of fucking psycho are you?
01:03:58I'm sorry.
01:03:58I'm sorry.
01:03:59I better get the hell out of here.
01:04:00All right.
01:04:03You idiot.
01:04:05Idiot.
01:04:06What have you done?
01:04:08Whew.
01:04:08Boy, I am really full.
01:04:11You too.
01:04:12I had a lovely evening.
01:04:13I did too.
01:04:14It was, uh, it was fun, huh?
01:04:16Yeah.
01:04:16Yeah.
01:04:17Have a good night.
01:04:18Uh, so you just, uh, you gonna go to bed, or?
01:04:21Yeah.
01:04:22Whoa, whoa, whoa, whoa.
01:04:23Get me vibrated here.
01:04:24Uh, listen, can I, can I use your phone really quick?
01:04:26Now, what could happen?
01:04:27I'm a lawyer.
01:04:28If anything does, I'll, uh, I'll sue myself, huh?
01:04:31All right.
01:04:32Okay.
01:04:32Just for a minute.
01:04:33Just a minute.
01:04:34Huh, must have been a wrong number.
01:04:45Oh, see, you like a soft mattress, yes.
01:04:46You know, I kind of like it a little on the firm side.
01:04:48Ha, ha, ha.
01:04:49Ha, ha, ha.
01:04:49Whack, whack, whack, whack, whack, whack.
01:05:22Really, officer, I can explain...
01:05:41Shut up! Sheriff's department! Open up!
01:05:48Sheriff's department, come on out!
01:05:50These people, they all know I live here.
01:05:52Tell him, please. Will you tell him, please?
01:05:55Will you tell him who I am, please?
01:05:56He's a pervert.
01:05:58I can't believe it. It's Pizza Boy.
01:05:59Sheriff's department.
01:06:01Open up.
01:06:03Yes, hold on.
01:06:09Good night.
01:06:11Help you, officer?
01:06:12You're the manager?
01:06:13Yes, I am. Is there a problem here?
01:06:14We caught this guy prowling around outside.
01:06:16No ID? Says he lives here.
01:06:18Same time we get a 911 on a peeping Tom.
01:06:22Telling me right. It's a misunderstanding.
01:06:24I told you to shut your hole.
01:06:26That guy delivers pizzas in our building.
01:06:28Do you know him?
01:06:30You smell something, Bernie?
01:06:31Hey, Will Pizza Boy.
01:06:32You go to jail, who's going to bring us our lunch, huh?
01:06:34You're in trouble now, Pizza Boy.
01:06:53I'm going to sue your story, little PCS, so fast.
01:06:56You won't know what hits you.
01:06:57Sue me.
01:06:58How did you do this?
01:07:00Why?
01:07:00Why?
01:07:01Lori!
01:07:03Lori!
01:07:05Lori!
01:07:07Lori!
01:07:27Lori?
01:07:31NED?
01:07:47Lori...
01:07:49Hey, I wanna talk to you.
01:07:51Hey, I wanna talk to you...
01:07:53I don't know, but I think I'm the one that should be upset here.
01:07:55You? Why should you be upset?
01:07:57You broke up with me.
01:08:00You insult me and everything I believe in,
01:08:02and then you spy on me and attack my date.
01:08:04Speaking of which, I mean, boy, Laura,
01:08:06you know, you sure didn't waste any time, did you?
01:08:08It was your idea.
01:08:09You're the one who said we should see other people.
01:08:11It's not my fault you can't get a date on Friday night.
01:08:13Well, if that's the kind of guy you want to go out with.
01:08:15Oh, you mean nice, successful men
01:08:17with good jobs and cars that run?
01:08:19Yeah, I guess.
01:08:20Oh, that's nice.
01:08:21That's real nice.
01:08:22Nice shot.
01:08:24What about you, Alex?
01:08:26What kind of girl are you looking for?
01:08:27Some female version of yourself,
01:08:30someone who works in an art gallery
01:08:32and knows what avant-garde means?
01:08:34What are you talking about?
01:08:36Don't play dumb, Alex.
01:08:37Make up your mind.
01:08:39She broke up with me.
01:08:41Well, that doesn't really matter now, does it?
01:08:44Why don't you figure out what you want,
01:08:45and then you can quit wasting everyone else's time.
01:08:57Increíble.
01:09:07You're despicable.
01:09:10Hey.
01:09:21That's it.
01:09:23No more.
01:09:24You want out of the lease, you're out of the lease.
01:09:26I'm sitting in here relaxing with my horticultural hobbies,
01:09:29and you bring the cops here.
01:09:31I mean, you're moping around the halls,
01:09:32creating all kinds of problems.
01:09:34I'm sick of it.
01:09:36It's very depressing.
01:09:38I think the best thing for everyone involved
01:09:40would be for you to look for a new place to live.
01:09:43I'm serious.
01:09:47Hey.
01:09:49By the way.
01:09:51Your painting,
01:09:52it's totally shallow.
01:09:54It has no soul.
01:09:57It's like warmed-up, mid-60s expressionism
01:10:01without the balls.
01:10:03Ha.
01:10:04Jackson Pollock.
01:10:06You got a lot of nerve calling yourself an artist.
01:10:09I just.
01:10:36I just.
01:10:38I don't know.
01:11:08I don't know.
01:11:38I don't know.
01:12:08I don't know.
01:12:10I don't know.
01:12:12Hi, congratulations.
01:12:15This one has a lot of angles.
01:12:19Alice is so excited.
01:12:20We're very happy here.
01:12:22I want to talk to you later.
01:12:24I think the texture is kind of cool.
01:12:27Compositions.
01:12:27I don't know.
01:12:28I'm doing some very modern issues here.
01:12:30You know, of pain, man's pain.
01:12:32Where is the dialogue between the didactic and the semiotic?
01:12:36It doesn't exist anymore.
01:12:37Exactly.
01:12:39Home mediums are rotting corpse.
01:12:40Right.
01:12:41It's a pain take, honey.
01:12:44Alex, what can I say?
01:12:45I mean, if I saw this new work, I knew you had been reborn.
01:12:49I found your soul.
01:12:50And, and, and, and, and, and, and, and, and, and you keep you in your life.
01:12:55Alex.
01:12:56You look you bastard.
01:12:58Alex.
01:12:59Alex.
01:13:00Alex.
01:13:00This is just so exciting.
01:13:29I'm really happy for you.
01:13:32I always knew you had it in you.
01:13:36It was actually kind of an accident.
01:13:39All great inspiration is an accident.
01:13:42That doesn't mean it's not brilliant.
01:13:43It's what you do with it.
01:13:47Yeah, I guess so.
01:13:59Poor little Alex.
01:14:18I'm coming in Sydney.
01:14:25I'm coming in.
01:16:17She moved out last night.
01:16:21She asked me to give this to you.
01:16:23Where is she, Ray?
01:16:40I'm not supposed to tell you.
01:16:45She said,
01:16:47I'm not supposed to tell you.
01:16:51I'm not supposed to tell you.
01:16:53I'm not supposed to tell you.
01:16:55I'm not supposed to tell you.
01:16:57I'm not supposed to tell you.
01:16:59I'm not supposed to tell you.
01:17:01All right.
01:17:31All right.
01:18:01See what happens when you leave your door open?
01:18:21All right.
01:18:51See what happens when you leave your door open?
01:18:58See what happens when you leave your door open?
01:19:05See what happens when you leave your door open?
01:19:12See what happens when you leave your door open?
01:19:19See what happens when you leave your door open?
01:19:26See what happens when you leave your door open?
01:19:33See what happens when you leave your door open?
01:19:40See what happens when you leave your door open?
01:19:43See what happens when you leave your door open?
01:19:50See what happens when you leave your door open?
01:19:57See what happens when you leave your door open?
01:20:04See what happens when you leave your door open?
01:20:11See what happens when you leave your door open?
01:20:12See what happens when you leave your door open?
01:20:18See what happens when you leave your door open?
01:20:33Check the venturi valve, sometimes you have to toggle it open.
01:20:39Oh yeah, the venturi valve, okay.
01:20:42Oh Jesus!
01:20:44Oh God!
01:20:46There's a, in my car, there's something alive down in there.
01:20:59Alive?
01:21:00Like it's a huge reptile, like the reptile thing is on my car.
01:21:05A lizard?
01:21:06Really?
01:21:07Where?
01:21:08No, no, no, you really shouldn't do this.
01:21:09No, wait, maybe we should call the police or something.
01:21:11I think I feel him.
01:21:12No, oh God.
01:21:13Oh Jesus!
01:21:15Look, he's just a little thing.
01:21:18Isn't he cute?
01:21:20That's it?
01:21:22Don't worry about it.
01:21:34No, don't worry about it.
01:21:35You're the one who told me not to worry about the leash.
01:21:37You said it was a formality.
01:21:38A binding formality, yeah.
01:21:40Oh, what are you going to do?
01:21:43Well, actually it's about the dissolution and reinvention of writing.
01:21:58It's definitely from the avant-garde period of thought.
01:22:13What's that?
01:22:14Avant-garde.
01:22:15It's a period of painting that spans...
01:22:17No, that word, avant-garde, what is that?
01:22:21You don't know what avant-garde means?
01:22:23No, what is it?
01:22:24I can't believe you don't know what avant-garde means.
01:22:27Well, I've never even heard the word before.
01:22:29Well, it's just, you know, it's such a common term.
01:22:32If it's so common, what is it?
01:22:34I mean, it's like, you know, like, gee, isn't that painting avant-garde?
01:22:39Well, that's not a very good definition.
01:22:42Maybe you don't know what it means.
01:22:45Believe me, I know what avant-garde means.
01:23:15A lot of parking violators tonight?
01:23:25Just a few little bad boys.
01:23:27Bye!
01:23:28Bye!
01:23:29Bye!
01:23:30Hey, hey!
01:23:31Bye!
01:23:33Bye!
01:23:34Bye, hey!
01:23:35Bye, zijn Strokeilibge.
01:23:37Bye, zijn en ERP
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