- 1 hour ago
A serial killer who makes his living as an video maker/editor, becomes involved with an artist neighbour. He tries to keep his secret from her, but the police are slowly closing in on him. Mike Jacobs Jr.
Category
🎥
Short filmTranscript
00:00:00Transcription by CastingWords
00:00:30CastingWords
00:01:00CastingWords
00:01:30CastingWords
00:01:59CastingWords
00:02:01CastingWords
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00:02:09Hello?
00:02:10I'm here for the shoot.
00:02:20Is anybody there?
00:02:26Hello?
00:02:30Hello?
00:02:32Hello?
00:02:33Hello?
00:02:36Hello?
00:02:40Wait!
00:02:42What's your name?
00:02:44What was that?
00:02:46What's your name?
00:02:48Sheila.
00:02:50Sheila Walsh.
00:02:52I was scheduled for 6 o'clock.
00:02:54You look different than your picture.
00:02:56You look different than your picture.
00:03:00Well, my headshot's about five years old.
00:03:02I really need to get a new one.
00:03:04I don't get me wrong.
00:03:06I didn't mean to say that it looked bad.
00:03:10You look better than your picture.
00:03:14And you are?
00:03:16I'm Mike.
00:03:18I'm Mike.
00:03:20Please.
00:03:22So, uh...
00:03:40Am I the only one who showed up?
00:03:42No.
00:03:44Just the last one.
00:03:46No one else wanted to come this late.
00:03:48I had to work at the club till five.
00:03:50You said you're a stripper?
00:03:52Exotic dancer.
00:03:56A dancer, yes.
00:03:58Sorry.
00:04:00Sheila?
00:04:02Can you look into the camera, please, and repeat your name?
00:04:06I'm Mike.
00:04:08I'm Mike.
00:04:10Sheila Walsh.
00:04:14I take it, Sheila, that you don't have a problem with...
00:04:18nudity.
00:04:20The only thing I have a problem with...
00:04:24is not paying the rent.
00:04:30That's good.
00:04:32That's very good.
00:04:34Can you be sexy for me, Sheila?
00:04:38Got any music?
00:04:42Are you sick?
00:05:12Are you sick?
00:05:42Hey, what are you doing?
00:06:07God, you look great.
00:06:09Look, are you going to let me unlock the gate or you want to stand out here all night?
00:06:13Well, that might not be such a bad idea.
00:06:15There's nobody around.
00:06:16We could do it right here against the fence.
00:06:22Hey, pal.
00:06:23Take a hike or something.
00:06:24Get lost.
00:06:26Get out of here.
00:06:28You are such an asshole.
00:06:30What did I do?
00:06:31You never know when to shut up.
00:06:32Well, who was that guy, anyway?
00:06:34He's my new next-door neighbor.
00:06:35He shoots video.
00:06:36Wow.
00:06:39There you go.
00:06:42There you go.
00:06:43There you go.
00:06:44There you go.
00:06:46Yeah.
00:06:47No, no.
00:06:49Okay.
00:06:51Oh...
00:06:53Noah.
00:06:56Noah!
00:06:58Oh!
00:07:00Oh!
00:07:01Noah!
00:07:03Oh!
00:07:05Oh!
00:07:05Good morning, Nola.
00:07:31God, you were a great last night.
00:07:34Hey, nice art.
00:07:35See you around.
00:08:05See you around.
00:08:06See you around.
00:08:11See you around.
00:08:14See you around.
00:08:17Oh, my God.
00:08:47The body was found out of the dumpster at 7 a.m. by the garbage man.
00:08:53We're getting a statement from him now.
00:08:55A lot of good that'll do.
00:08:57She was killed somewhere else and dropped here just like the others.
00:09:01You think it's the same guy?
00:09:02Same M.O.
00:09:03Knee, body, dropped in the dumpster.
00:09:05Always strangled or asphyxiated.
00:09:08We've got a real sickle on our hands.
00:09:12Coffee.
00:09:17Ain't gonna be it there for you, Pally.
00:09:20All right.
00:09:20Let's see what you got there.
00:09:22Yeah, between the cheeks, too.
00:09:24That's a good one.
00:09:25See it three times myself, you know?
00:09:26Goddamn right.
00:09:28Hey, happy viewing, eh?
00:09:29Oh, if it ain't the boy Wanda, how you doing, Mikey?
00:09:32What's got for me today?
00:09:33I tell you, I love this shit.
00:09:35You watch.
00:09:35Next week, he'll be in with his wife looking for something with Meryl Streep in it.
00:09:39Love the shit out of this job.
00:09:41Are we alone?
00:09:42Are we alone?
00:09:43Yeah, you and me and 10,000 other videos in here.
00:09:46What do you think?
00:09:46All right.
00:09:49What do you got here?
00:09:49Debbie, Claudia, Lisa, Judy, and...
00:09:53What's this?
00:09:55Ooh, Roxanne, eh?
00:09:59Okay, I'll tell you, I can hardly wait.
00:10:01That damn cocksucker.
00:10:04Hey, tell me, Mikey.
00:10:05And these broads here got any, uh, any hairy armpits?
00:10:09What?
00:10:10Hair.
00:10:11Under the arms.
00:10:12You know, hairy bits.
00:10:13No.
00:10:14Well, some guy was in there last week asking.
00:10:17I just thought maybe it...
00:10:19Never mind.
00:10:20All right, kid.
00:10:21There you go.
00:10:22Hey, you gonna have one for me next week?
00:10:24Julie, tell me this is going well.
00:10:41Jillian, tell me this is going well.
00:10:53Fabulously, darling.
00:10:55I'd hate to think I was doing all this smiling for nothing.
00:10:58Oh, relax, Nola.
00:10:59I handpicked everyone on the list,
00:11:01so your show here would be a raging success.
00:11:04Oh, great.
00:11:05A papered house.
00:11:06Not what I meant.
00:11:07There are some very important people here
00:11:09who love you and your work.
00:11:12Smile.
00:11:13Okay, it's not the money.
00:11:15And you want to look at me?
00:11:17What are you staring at?
00:11:18All right, so anyway, if it's not the money,
00:11:20just go and get yourself another model,
00:11:22because you obviously don't respect me or I work.
00:11:25And then we think, oh, I'm just going to be here.
00:11:29She's just going to be this depth of emotion.
00:11:32She definitely shows some promise,
00:11:34but I tend to prefer the neorealists, don't you?
00:11:38I don't really know that much about painting.
00:11:40No?
00:11:42You don't have to know anything about it.
00:11:45What is it that you like?
00:11:46I'm partial to clowns.
00:11:48Clowns?
00:11:49You know, the ones painted on black velvet.
00:11:57How goes it, Adam?
00:11:58Having a good time?
00:11:59Oh, yeah.
00:12:00Wonderful.
00:12:01You should be proud of Nola.
00:12:02It shows a hint.
00:12:03I sure am.
00:12:05These people are out to lunch.
00:12:07Tell me about it.
00:12:08How long before we even kick him out?
00:12:11Adam, this is my career we're talking about.
00:12:14Yeah, well, I don't have to like it, do I?
00:12:17Nola, great party.
00:12:18Is everything all right?
00:12:23Adam's just feeling out of his element.
00:12:25God, he's really hitting the bottle, isn't he?
00:12:27I don't know if we just walked in.
00:12:38Late arrival.
00:12:39Hey, hey, visit the man from next door.
00:12:44Will you come to see the show?
00:12:46Come in, come in.
00:12:48Nola wants to make sure everybody sees her paintings.
00:12:51You do like art, don't you?
00:12:52Everybody else here does.
00:12:55I don't know how to talk.
00:12:58That's okay, pal.
00:12:59Neither do I.
00:13:00Come here.
00:13:01Come here.
00:13:05There it is.
00:13:06An original Nola Carlisle.
00:13:09What do you think?
00:13:10I think it's very nice.
00:13:14You're right, pal.
00:13:16Not like these other things.
00:13:17Hey, just don't let Nola hear you from their stuff nice.
00:13:20Nothing short of brilliant or magnificent will do.
00:13:24Hey, you want a drink or something?
00:13:26No.
00:13:27Oh, come on.
00:13:28Stay a while.
00:13:28Let me take your bag.
00:13:29No!
00:13:35Another weirdo.
00:13:37Please excuse me for a minute.
00:13:39Nola, there's some people that I want you to meet.
00:13:42Tell them I'll be there in just a second.
00:13:43I've got to go.
00:13:44Does somebody matter?
00:13:50Hey.
00:13:58Hey, wait a minute.
00:14:01I saw Adam talking to you in there.
00:14:03And I don't know what he said, but I'm sure it was something really stupid.
00:14:07No, it was nothing.
00:14:08Well, I still feel like I have to apologize.
00:14:10You see, he's not a big fan of the art scene, and he's had a lot to drink.
00:14:14I understand, really.
00:14:15Just forget it.
00:14:16It's okay.
00:14:19Um, I'm Nola.
00:14:21Nola Carlyle.
00:14:23I'm sorry.
00:14:24I'm Michael.
00:14:25Hi.
00:14:27Hi.
00:14:32Could I come in for a minute?
00:14:33Okay.
00:14:34God, look at all this gear.
00:14:58I hope you're insured.
00:14:59This isn't the greatest neighborhood, you know.
00:15:01I mean, I don't have to worry, not about burgers, anyway.
00:15:06Who wants to rob an unknown artist?
00:15:09But all this.
00:15:11I really like your paintings.
00:15:13Really?
00:15:14Want to buy one?
00:15:16Just kidding.
00:15:17No, I would if I could afford it.
00:15:19I'd just spend all my money on equipment.
00:15:22Yeah, no kidding.
00:15:24Would you like something to drink?
00:15:25Sure.
00:15:26What you got?
00:15:27Water, juice, Coke, Diet Coke.
00:15:30Diet Coke.
00:15:30Diet Coke.
00:15:36So what do you do with all this stuff?
00:15:38Mom, I shoot industrial films, documentaries, training tapes.
00:15:43Really?
00:15:43Does it pay well?
00:15:46Sometimes yes, sometimes no.
00:15:49Thanks.
00:15:52I'm trying to get your Coke over here quick.
00:15:55I'm sorry.
00:15:56It's okay.
00:15:56You must be excited for you.
00:16:00Get to travel around, be creative.
00:16:02Well, I don't get a chance to be that creative.
00:16:07I basically just point the camera and shoot.
00:16:10Don't be so hard on yourself.
00:16:13It's not about the subject.
00:16:14It's about how you see it.
00:16:16Any form of self-expression is valid.
00:16:20There you are.
00:16:22I'm never going to wonder where the hell you disappeared to.
00:16:25Tell Julian I'll be right there.
00:16:27Tell her yourself.
00:16:28I've had enough of your bullshit for one night.
00:16:30I'm out of here.
00:16:31Adam.
00:16:32I'm out of here, Noah.
00:16:33I'm out of here.
00:16:35Thanks for hiding out with me.
00:16:37I'll see you around.
00:16:37I'm out of here.
00:17:07I'm out of here.
00:17:37I'm out of here.
00:18:07So you're a cop?
00:18:19What do you think?
00:18:21I'm out of here.
00:18:33Oh, let me get this straight.
00:18:52You mean to tell me that he just took off when he knew what an important night this was for you?
00:18:58It was my own fault.
00:18:59I ducked out and left him alone.
00:19:01I mean, what was he supposed to do?
00:19:02Noah!
00:19:02Noah, stop making excuses for this guy.
00:19:05He's an insensitive asshole.
00:19:07If somebody did that to me, I would dump him in a heartbeat.
00:19:11Yeah, well, that's you.
00:19:13You've always got a million guys knocking down your door.
00:19:16That's because I can't find one that's worth a damn.
00:19:20You know, there are times when Adam can be very sweet.
00:19:22And I'm sure he's going to make a wonderful husband for some yuppie chick.
00:19:26But, Noah, does he make you happy?
00:19:29Sometimes.
00:19:31Well, not that much anymore.
00:19:33I'm telling you, just dump him.
00:19:37Dump him.
00:19:38You don't need the aggravation.
00:19:41I don't know.
00:19:43I guess I just don't like the idea of being alone.
00:19:47Oh, that's my Nola.
00:19:49Always playing the suffering artist.
00:19:52Are you ready?
00:19:53Yes.
00:19:54Go.
00:20:03You want to come here for some iced tea?
00:20:29Okay.
00:20:33Oh, that's my next-door neighbor.
00:20:41Hi.
00:20:42Hi.
00:20:43Are you just getting back?
00:20:46Back?
00:20:47Yeah, I heard you got really late last night.
00:20:49Oh, yeah.
00:20:51Yeah, I got called to do some night shooting.
00:20:53Um, this is my friend Gabrielle.
00:20:55She's a model.
00:20:56This is my next-door neighbor, Michael.
00:20:58He shoots video.
00:20:59Hi.
00:21:00Hi.
00:21:00Maybe you two can work together sometime.
00:21:02That'd be fun.
00:21:03Yeah, yeah, maybe.
00:21:05Uh, I'm really in a rush.
00:21:07I've got to go.
00:21:08Please, excuse me.
00:21:13Jeez.
00:21:14He sure was friendly.
00:21:15Not!
00:21:19He must have had a real long night.
00:21:20Jeez, he must have.
00:21:21Two in one a week.
00:21:47Our boy's been busy.
00:21:48Yeah, Hollywood Division just came up with a positive idea of our last victim.
00:21:52And?
00:21:53You were right.
00:21:54She fits the pattern.
00:21:55Sheila Waltz.
00:21:56Stripper, part-time actress.
00:21:58I get the picture.
00:21:59Got an address on her?
00:22:00She had an apartment over on Bronson.
00:22:02Well, let's go check it out.
00:22:04What about this one?
00:22:06The lab boys will take care of her.
00:22:08I hope to God we can get a line on this guy.
00:22:09Yeah.
00:22:39Who is it?
00:23:03It's Nola from next door.
00:23:05Hi.
00:23:10Hi.
00:23:11I hope I'm not disturbing you.
00:23:13No, I was just working at the console.
00:23:15I can come back later if it's a bad time.
00:23:20No, no.
00:23:21Come on in.
00:23:22Thanks.
00:23:27After I came over here last night, I've been thinking about you.
00:23:31And about all this equipment you have here.
00:23:32And, uh, I've been trying to figure out a way to use your video to promote my art.
00:23:39You see, Julie, and that's my agent, she's been trying to get me a real exhibition.
00:23:43And she's been taking slides around all the galleries like every other artist does.
00:23:47And I just want to do something different.
00:23:50You mean you wanted to use my camera to make your art come alive?
00:23:54Yeah, your camera and your editing.
00:23:57I don't know.
00:23:58I want to do something, something wild.
00:24:01You mean like a, an ADO and a paint box and special effects and...
00:24:06Whatever, I'm not the expert.
00:24:08Can you do that kind of stuff?
00:24:09Yeah.
00:24:10Yeah, I can do that and a lot more.
00:24:14I have to warn you, I'm a starving artist and I can't afford to pay much.
00:24:17No, I won't take any money.
00:24:19No, I can't let you do that.
00:24:21Nola, I want to do this for you.
00:24:22And for me.
00:24:24Really, I think it could be a great opportunity for the both of us.
00:24:27Are you sure?
00:24:28Yes!
00:24:30This is great.
00:24:31I'm so glad you're so excited about this.
00:24:34When can you start?
00:24:35Now.
00:24:36Now?
00:24:38Now!
00:24:38Just put that down where you want.
00:24:46Okay.
00:24:52Okay, now just get ready.
00:24:55Okay.
00:24:55Now, do you use these?
00:25:09Yeah.
00:25:10This and this.
00:25:12Okay.
00:25:13Uh, these?
00:25:15Sometimes.
00:25:17Okay.
00:25:18Alright, we're looking for those here.
00:25:19Do you sit down?
00:25:20No.
00:25:20Okay.
00:25:21Alright, that's good.
00:25:22What's so funny?
00:25:30Nothing.
00:25:31I was just thinking about something.
00:25:33Yeah, what?
00:25:35About how I finally got to meet my mysterious next door neighbor.
00:25:40Mysterious?
00:25:41Well, you never talk to anyone.
00:25:43And I see you coming and going at all hours of the morning.
00:25:46I mean, for all I know, you're an assassin for the CIA.
00:25:50Can you turn that camera a little more to the floor?
00:25:52Okay.
00:25:52Okay.
00:25:57What's that?
00:25:58It's great.
00:26:02Okay, now what?
00:26:03Now?
00:26:04We should keep working.
00:26:06Alright, we'll get some up in this area.
00:26:08Alright.
00:26:09You ready?
00:26:10Yeah.
00:26:10Hey.
00:26:10Now you.
00:26:21Show me that face again.
00:26:23Okay.
00:26:23Go ahead.
00:26:24Take it off.
00:26:25Hey.
00:26:25Take it off.
00:26:26That's good.
00:26:27That's good.
00:26:27Take it off.
00:26:28No, you paint.
00:26:29Take it off.
00:26:30Bye.
00:26:33Joy.
00:26:48Wait, wait, wait, wait, wait, wait.
00:26:48Wait, wait, wait, wait, wait, wait, wait, wait.
00:26:49No.
00:26:50Put this on your shoulder.
00:26:51No.
00:26:52Come on, come on.
00:26:53Put it on your shoulder.
00:26:54No.
00:26:55It's going to be a little heavy.
00:26:56It's going to be great.
00:26:57All right, all right.
00:27:07Cut it out.
00:27:08What are you doing?
00:27:20Hey, you like it?
00:27:21I got an apartment available.
00:27:22Furnished, too.
00:27:23Joey!
00:27:24Turn the music down!
00:27:27There you go.
00:27:28Hey, thanks.
00:27:29We'll lock it up.
00:27:30Yeah, yeah.
00:27:31Hello.
00:27:33Stop.
00:27:34Stop.
00:27:35Stop.
00:27:36Stop.
00:27:37Stop.
00:27:38Stop.
00:27:39Stop.
00:27:40Stop.
00:27:41Stop.
00:27:42Stop.
00:27:43Stop.
00:27:44Stop.
00:27:45Stop.
00:27:46Stop.
00:27:47Stop.
00:27:48Stop.
00:27:49Stop.
00:27:50God.
00:27:51No queen.
00:27:52One thing's for sure, she wasn't killed here.
00:27:54Look, we know this guy's into hookers and strippers.
00:27:59That's the pattern.
00:28:00What we don't know is how you find him.
00:28:02Chance meetings?
00:28:03Random, maybe?
00:28:04Maybe.
00:28:05But this guy's too methodical for that.
00:28:07He finds him someplace, and takes his time killing them.
00:28:11Dumbs a body warm place, and their cars, when there are cars, turn up somewhere else to wipe
00:28:16to wipe clean the prints.
00:28:17That takes some advanced planning.
00:28:20Personal ads?
00:28:23You may not be too far off.
00:28:27Check this out.
00:28:28Oh, your ship.
00:28:46You will be the upload is clear.
00:29:03No.
00:29:06I don't know.
00:29:36I don't know.
00:30:06I don't know.
00:30:07How close are we?
00:30:14We're done.
00:30:16Just laying down a little black at the end.
00:30:19Michael, I don't know how I'm ever going to thank you.
00:30:21Don't worry about it.
00:30:22It was something that I wanted to do.
00:30:24Still means a lot to me.
00:30:26Leave a message.
00:30:27I'll call you back.
00:30:29Michael, this is Marie.
00:30:31I hope I'm not calling too early.
00:30:33I just wanted to confirm I'll be at the stage around 9.
00:30:35Bye.
00:30:36Michael, what's wrong?
00:30:37Nothing.
00:30:38I just forgot I had a sheet this morning.
00:30:40Oh, God.
00:30:41And I kept up on that.
00:30:42I'm really sorry.
00:30:43That's okay.
00:30:44Don't worry about it.
00:30:45I have to just get ready to go.
00:30:46Okay.
00:30:47How long will the sheet take?
00:30:48I don't know why.
00:30:49Well, I wanted to ask my agent and some friends over for the premiere screening.
00:30:50I was hoping you could make it.
00:30:51I don't know if I can, really.
00:30:52Michael, this is as much yours as it is mine.
00:30:53I could make it another night.
00:30:54No, tonight's fine.
00:30:55Tonight's fine.
00:30:56I'll be.
00:30:57Seven o'clock.
00:30:58Seven o'clock.
00:30:59Seven o'clock.
00:31:00Home machine?
00:31:01Who?
00:31:02That's not important.
00:31:03What do we want to know is you place this ad?
00:31:05Ah, that's a kid.
00:31:07I don't know.
00:31:08I don't know if I can.
00:31:09I don't know if I can.
00:31:10I don't know if I can.
00:31:11I don't know if I can, really.
00:31:12Michael, this is as much yours as it is mine.
00:31:14I could make it another night.
00:31:15No, tonight's fine.
00:31:16Tonight's gonna help you.
00:31:17Seven o'clock?
00:31:18Seven o'clock.
00:31:19Home machine?
00:31:20Who?
00:31:21That's not important.
00:31:22What do we want to know is you place this ad?
00:31:25Ah, that's a kid.
00:31:29I run him the stage from time to time.
00:31:32Kid?
00:31:34What kid?
00:31:40Kid's what I call him.
00:31:42Michael Terence is his name.
00:31:43How often do you run the stage?
00:31:45Once or twice a month.
00:31:47He's kinda like family.
00:31:49You know, whenever it's not busy,
00:31:52he even has his own key to the place.
00:31:54You wouldn't know if he's coming anytime soon, do you?
00:31:56Well, he called yesterday about coming to the place.
00:31:58Yesterday about coming in this morning.
00:32:00He's running a little late.
00:32:01Frankly, I think you guys are fine.
00:32:02He's running a little late.
00:32:03Frankly, I think you guys are barking up the wrong tree.
00:32:04Why do you say that?
00:32:05I don't know.
00:32:06He's running a little late.
00:32:10Because this kid wouldn't hurt a fly.
00:32:11He walks around here, he's afraid of his own shadow.
00:32:15Oh, Mike.
00:32:16Michael, come on over here.
00:32:17Oh, Mike.
00:32:18Michael, come on over here.
00:32:19These two gentlemen detectives want to talk to you.
00:32:22This is Detective, uh,
00:32:24He's running a little late.
00:32:29Frankly, I think you guys are barking up the wrong tree.
00:32:32Why do you say that?
00:32:34Because this kid wouldn't hurt a fly.
00:32:37He walks around here, he's afraid of his own shadow.
00:32:41Oh, Mike.
00:32:43Michael, come on over here.
00:32:44These two gentlemen, detectives, want to talk to you.
00:32:47This is Detective Barry and...
00:32:50Lewis.
00:32:51Lewis.
00:32:51All right.
00:32:52They want to ask you a few questions.
00:32:53Thank you very much.
00:32:54We'll take you from here.
00:32:56Okay.
00:32:58Did you place this ad?
00:33:02Yes.
00:33:03Yes, I did.
00:33:03What for?
00:33:05You mean, why do I want the girls?
00:33:08Yeah.
00:33:09I make adult videos.
00:33:11Solo girls, dancing, stripping, that kind of thing.
00:33:15Kind of sleazy, isn't it?
00:33:18What do you mean?
00:33:20Well, that's not exactly family entertainment, is it?
00:33:23Well, there's a market for it.
00:33:26There's nothing illegal about it, is there?
00:33:28It all depends on if that's how you're doing.
00:33:30You recognize this girl?
00:33:34No.
00:33:35You sure?
00:33:36Yeah.
00:33:36Then how come she circled your ad?
00:33:40I don't know.
00:33:41She might have sent me her picture.
00:33:42But it's kind of hard to tell from that photo.
00:33:44I mean, she's dead there, isn't she?
00:33:46No, she's taking a fucking nap.
00:33:48A lot of girls send me their pictures, but I don't always use them.
00:33:53She might have sent me her photo, but I can't tell for sure.
00:33:56If she did, would you still have it?
00:33:58No, I'd throw them out if I don't use them.
00:34:00And you're positive this girl never modeled for you?
00:34:03Sheila Walsh.
00:34:04That name isn't familiar to you at all.
00:34:05These videos you make, what do you do with them?
00:34:11I sell them to a local distributor.
00:34:13And who might that be?
00:34:14Argosy Video and Fountain.
00:34:16A guy named Jake Setzer buys all my stuff.
00:34:20Okay, Mr. Terrence.
00:34:22Thank you for your time.
00:34:24Is that all?
00:34:25That's all for now.
00:34:27We'll be in touch.
00:34:35What do you think?
00:34:41I don't know.
00:34:42He seems a bit nervous, but the old guy said he's always like that.
00:34:46Maybe we can check out the distributor.
00:34:48If she's in any of those tapes, we got our boy.
00:34:51What if she's not?
00:34:52Well, we've got no way to connect him to the Walsh girl, let alone any of the others.
00:34:57I don't know, maybe.
00:34:58But there's something weird about the guy, and I got a feeling about him.
00:35:01He's fucking weird.
00:35:02Well, if he's our boy, we need more than a hunch to nail him.
00:35:05I don't know.
00:35:10Excuse me.
00:35:25Jesus Christ, what's the idea of leaving me out there with the camera running?
00:35:29Just leave me alone.
00:35:31Get out of here.
00:35:32Buck, what is your problem?
00:35:34I said, just leave me alone.
00:35:39Oh, God, are you all right?
00:35:40Will you just leave me alone?
00:35:42Just leave me alone!
00:35:43I said, she's insane.
00:35:55Don't leave me alone.
00:35:56I can't take him alone.
00:35:59Don't leave me alone.
00:36:01I'll be alone.
00:36:02Jill...
00:36:03Joseph?
00:36:03So, let's go.
00:36:33Well, what'd you think?
00:36:55I loved it.
00:36:58Nola, if I can't get you a show with that,
00:37:01the entire art world is in a coma.
00:37:02You really did that in one day.
00:37:04Well, Michael did it in less than a day.
00:37:06Oh, man's a bloody genius.
00:37:08Why isn't he here?
00:37:09Yeah, why is that mysterious stranger of yours?
00:37:11Well, he said he tried to come.
00:37:13His shoot must have run long.
00:37:15I really want to meet him.
00:37:16Okay.
00:37:17Adam, what did you think?
00:37:20Well, it looked fine to me,
00:37:21but what do I know about art?
00:37:23All that video work must have cost a fortune.
00:37:26Actually, Michael refused to take any money for it.
00:37:29He did all that for free?
00:37:30What do you know?
00:37:31True artist, just like Nola.
00:37:33What he lacks in business sense,
00:37:34he makes up for in talent.
00:37:36I was thinking we could do something more with this,
00:37:38you know, like a multimedia piece.
00:37:41I couldn't do it without Michael.
00:37:42Oh, of course not.
00:37:43The two of you'd work together.
00:37:44You supply the creativity
00:37:46and leave the rest to me.
00:37:47Copy of the tape?
00:37:48Yeah, right here.
00:37:50Sounds great to me.
00:37:51I'll have to talk it over with him, though.
00:37:52Terrific.
00:37:53Gotta go.
00:37:54I gotta go, too, okay?
00:37:55I have an early breakfast meeting tomorrow morning.
00:38:00Listen, when you see Michael,
00:38:01be sure to tell him how impressed we are with the work.
00:38:03I will.
00:38:11Bye.
00:38:14Good night, you guys.
00:38:15I can't believe you sometimes.
00:38:26You can't believe me?
00:38:27You're the one who spent all night in the guy's apartment.
00:38:29We were working.
00:38:30According to you.
00:38:31Yeah, right.
00:38:32We had sex right on top of his editing console.
00:38:35That tape just produced itself.
00:38:36At such a bargain price, no less.
00:38:38You must have cut him quite a deal.
00:38:40You make me sick.
00:38:42You have to lower everything to the crudest level.
00:38:44You don't think anyone can feel passion above the weight.
00:38:47Unless this guy's a flaming baggot.
00:38:49You can't tell me that he doesn't want to fuck your brains out.
00:38:51Michael's not like that.
00:38:53He's very sensitive.
00:38:54Oh, and you're saying that I'm not?
00:38:56I'm beginning to wonder if you know the meaning of the word.
00:38:58You are a self-centered, arrogant prick.
00:39:06Nola, I'm sorry.
00:39:07I didn't...
00:39:07Go!
00:39:08Nola, I didn't mean to do that.
00:39:09I'm sorry.
00:39:09What are you...
00:39:10I didn't mean to do that.
00:39:40Michael.
00:39:43Hi.
00:39:46We missed you tonight.
00:39:49You are, um...
00:39:50I'm Gabrielle.
00:39:51I'm Nola's friend.
00:39:52Oh, yeah.
00:39:53Yeah.
00:39:53I remember.
00:39:54Hi.
00:39:55Hi.
00:39:56I saw your tape.
00:39:57I was impressed.
00:40:00Thank you very much.
00:40:01Aren't you going to invite me in?
00:40:03Well, now's not really a good time.
00:40:05Oh, Michael, I'm not going to bite you unless you ask me to.
00:40:10You do have a lot of equipment.
00:40:25Video equipment, that is.
00:40:28So, is this where you work your magic?
00:40:36Yes.
00:40:39All these tapes.
00:40:41What's on them?
00:40:42Um...
00:40:44Stock footage, mostly.
00:40:48Oh, and who are Nicole, Diane, and Sheila?
00:40:52Just models.
00:40:53Oh, yeah?
00:40:55What kind of models?
00:40:57Do they model with their clothes on or off?
00:41:00So, that's it.
00:41:06You're a pornographer.
00:41:08Or should I say a maker of adult videos?
00:41:11It's just something I do for money.
00:41:12I'm not proud of it.
00:41:14You don't have to be ashamed, Michael.
00:41:16Lots of people get their start that way.
00:41:19Come on, show me one.
00:41:21How about Sheila?
00:41:22She looks interesting.
00:41:26No.
00:41:27Not this one.
00:41:30You don't want me to see it because you're in it, is that it?
00:41:34Michael, it can't be that bad.
00:41:37And I'm not a prude.
00:41:41Ooh.
00:41:42What do we have here?
00:41:48Do you use these in your video too, Michael?
00:41:52Sometimes.
00:41:56Good.
00:41:57Because I'm not leaving until I see one.
00:42:01How about this one?
00:42:26I made this one this morning.
00:42:28Who's the girl?
00:42:48It's Marie.
00:42:50You think she's pretty?
00:42:52Yeah.
00:42:53What a trashy sort of way.
00:42:56What are you doing?
00:43:23I'm taping you watching a video.
00:43:28Do you mind?
00:43:31No.
00:43:43Do you like this?
00:43:48I love it.
00:43:49Isn't that your fantasy?
00:43:58Just to make love to both of us.
00:43:59Oh, yeah.
00:44:14No.
00:44:15Michael?
00:44:24Michael?
00:44:26Michael, is that you?
00:44:30Michael?
00:44:30Huh?
00:45:00I don't know.
00:45:30Well, this is becoming an everyday occurrence.
00:45:34Yeah, we've got to find this guy in soon.
00:45:37What a waste.
00:45:40Well, well, well, we need Audi duty.
00:45:45Well, but you kid look like you got a hat and heavy with a blow dryer.
00:45:49What jar you got for me?
00:45:51Just one? What the hell is this bullshit?
00:45:54It's the last one, Jake.
00:45:56Oh, yeah? For how long?
00:45:58For good. I'm not doing it anymore. I'm getting out of it.
00:46:02Oh, really?
00:46:03Well, this wouldn't happen to have anything to do with the little visit I got from the cops now, would it?
00:46:07What cops?
00:46:08Yeah, yesterday, two detectives came in here asking me about you and your tapes.
00:46:11What's the matter, kid? You in some kind of trouble?
00:46:13Huh?
00:46:14No, I'm just quitting. That's all.
00:46:16Well, yeah? What the hell are you gonna do now?
00:46:19I'm gonna do something that I can be proud of. Something respectable.
00:46:24Yeah, right, kid. Well, I'll tell you what. I'll look for you in the next Academy Awards. How's that, huh?
00:46:31Do you want the tape or not?
00:46:33Yeah, sure I want the tape.
00:46:34What do we got here?
00:46:36Maria? Tell me, kid. She my kind of girl or what?
00:46:41She doesn't have hairy armpits, but I think I'll find her satisfactory. Now, can I have my money, please?
00:46:45All right, all right. Hold your horses.
00:46:47I don't know, kid. I can't believe you're up and quitting like that.
00:46:57Goodbye, Jake.
00:46:59You're making a big mistake, kid. Working out in a sweet deal.
00:47:03You little shit.
00:47:09Hey, leave me, you dumb son of a bitch! Give me the wrong tape!
00:47:13Ah, you shit.
00:47:17Hey, boy.
00:47:18I'm sorry.
00:47:19I'm sorry.
00:47:23Maybe.
00:47:24I asked him if you weren't.
00:47:25совсемヽonce
00:47:26Awful theory like that
00:47:27was not here
00:47:28ofibly carnival.
00:47:29She never conceded.
00:47:30Enjoying the blessing.
00:47:31Hey, man.
00:47:32Hello.
00:47:33I'm sorry.
00:47:34Take the Rick if I'm sorry.
00:47:35Okay.
00:47:36My Listen, Jack.
00:47:37Oh, your son of a dolphin.
00:47:38And I came from a bed for everyone.
00:47:39I gag when you were moving.
00:47:40You two 놓 reiterated.
00:47:41Mail him!
00:47:42No Mario, man.
00:47:44Blacksmith, come here.
00:47:45Let's go.
00:48:15Let's go.
00:48:45Let's go.
00:49:15Let's go.
00:49:17Let's go.
00:49:19Let's go.
00:49:21Let's go.
00:49:27Let's go.
00:49:29Let's go.
00:49:31Let's go.
00:49:33Let's go.
00:49:35Let's go.
00:49:41Let's go.
00:49:43Let's go.
00:49:45Let's go.
00:49:47Let's go.
00:49:49Let's go.
00:49:51Let's go.
00:49:53Let's go.
00:49:55Let's go.
00:49:57Let's go.
00:49:59Let's go.
00:50:01Let's go.
00:50:03Let's go.
00:50:05Let's go.
00:50:07Let's go.
00:50:09Let's go.
00:50:15Let's go.
00:50:17Let's go.
00:50:19Let's go.
00:50:21Let's go.
00:50:23Let's go.
00:50:25Let's go.
00:50:27Let's go.
00:50:29Let's go.
00:50:31Let's go.
00:50:33Let's go.
00:50:35Let's go.
00:50:37Let's go.
00:50:39Let's go.
00:50:41Let's go.
00:50:43Let's go.
00:50:45Let's go.
00:50:47Let's go.
00:50:49Let's go.
00:50:51Let's go.
00:50:53Let's go.
00:50:55Let's go.
00:50:57Let's go.
00:50:59Let's go.
00:51:01Let's go.
00:51:03Let's go.
00:51:05Let's go.
00:51:07Let's go.
00:51:09Let's go.
00:51:11it's hard to put into words
00:51:16I was wondering why
00:51:19some people are allowed to be happy
00:51:22while others are chosen to suffer
00:51:25it's an odd thing to say
00:51:29what made you think about that?
00:51:34I think about it a lot
00:51:35why some people are blessed
00:51:38and others are cursed
00:51:41I never bought into the idea
00:51:47that there was some all-powerful being
00:51:49that was in charge of our lives
00:51:52I think we're all free to choose
00:51:56that's what you'd like to believe
00:52:02maybe some people are
00:52:06but some people are born into certain situations
00:52:17they didn't ask for
00:52:18Michael, what's wrong?
00:52:22Is it me? Is it something I said?
00:52:24Is it something I did?
00:52:28Then what? What is it?
00:52:29What is it?
00:52:31You have to understand
00:52:42sex has always been very difficult for me
00:52:48Difficult?
00:52:50No
00:52:51One day
00:53:06many years ago
00:53:09my mother picked me up from school early
00:53:13to take me to a doctor's appointment
00:53:16me
00:53:17I forgot
00:53:20At least somebody
00:53:21can I just say
00:53:21I can if I can
00:53:22I can't think of
00:53:24that thing
00:53:25but I don't agree
00:53:26I can't feel
00:53:27maybe I don't know
00:53:27any questions
00:53:28but I don't know
00:53:29any questions
00:53:30like
00:53:31Tell me
00:53:31if I can
00:53:32Then I'm
00:53:33Can I
00:53:34Can I
00:53:35come
00:53:35show
00:53:37hello
00:53:37in
00:53:39The
00:53:40encuentking
00:53:41in
00:53:42the
00:53:43He
00:53:43has
00:53:44Oh my god.
00:53:51Michael, I'm so sorry.
00:54:09Andren.
00:54:14Good morning. How are you?
00:54:17You haven't heard.
00:54:19About what?
00:54:21Sit down, darling.
00:54:34You have such lovely hands for an artist.
00:54:38It's bad, Nola.
00:54:42Gabrielle was murdered night before last.
00:54:51What?
00:54:55How?
00:54:57They say she was suffocated, somehow.
00:55:02It must have happened right after we left your place.
00:55:06I asked her if she wanted to go for a nightcap and talk about your wonderful work.
00:55:11But she said she had something else to do.
00:55:14If she'd gone with me, she'd be alive.
00:55:26Why would someone want to do that to her?
00:55:28Oh, the police don't seem to know or they're not telling, I don't know.
00:55:32Nola, I gave them your name and your address.
00:55:35They may want to talk to you, too.
00:55:37She was so good.
00:55:49She was so beautiful.
00:55:54Nola, you shouldn't be alone right now.
00:56:07No, I'll be fine.
00:56:09Oh, it's just life and death, darling.
00:56:20That's all.
00:56:22That's all.
00:56:23That's all.
00:56:53That's all.
00:56:54That's all.
00:56:55That's all.
00:56:56That's all.
00:56:57That's all.
00:56:58That's all.
00:56:59That's all.
00:57:00That's all.
00:57:01Come on.
00:57:02Come on.
00:57:03Come on.
00:57:05Hey, surprise.
00:57:06What the hell happened to you?
00:57:08You blow dry and take a shit on you?
00:57:09What do you want, Jake?
00:57:10You gonna invite me in, or what?
00:57:12Nice toilets you got here.
00:57:14You know, kid, I gotta tell you something.
00:57:17I knew something was going on with you the minute the cops showed up.
00:57:20But I gotta admit, I had no idea how goddamn big it was.
00:57:25I don't know what you're talking about.
00:57:26Oh, I see.
00:57:27Suppose you meant to give me this tape of you and the lovely, uh, Gabriel?
00:57:32You know, kid, you gotta be more careful.
00:57:34You gotta make sure you put the right tapes in the right box.
00:57:42What do you want from me, Jake?
00:57:43Aw, come on, kid, knock off the bullshit.
00:57:45Now, look, I came by to make a little business proposition for you.
00:57:48Now, in case you haven't heard, there's a hell of a market out there for this kind of shit.
00:57:51Now, granted, it's illegal and underground, but, uh, very profitable.
00:57:55You know what I'm saying?
00:57:57What are you talking about?
00:58:00Come on, kid, cut out this shit.
00:58:03Look, you've had all the fun making the tapes.
00:58:05Why don't you let somebody else enjoy them, huh?
00:58:07Christ, the girls sure as hell can't complain.
00:58:09Come on, what do you say, kid? I'll even split the profits with you.
00:58:12No, no, I won't do...
00:58:13Now, look, you little cocksucker.
00:58:15As far as I can see, you really don't have a choice in the matter.
00:58:17So, either you cooperate with me so we can make a lot of sweet goddamn money,
00:58:20I'm gonna turn your ass over to the police.
00:58:22In case you forgot, they don't gasp people.
00:58:24They just put little shits like you away for a long goddamn time.
00:58:27As far as I can see, a little sweet thing like you'd be pretty goddamn popular in prison.
00:58:31Come on, kid, what do you say?
00:58:33You're gonna spend the next 50 years of your life being a pig boy and sing sing, do you?
00:58:38No.
00:58:39All right.
00:58:40What do you say, you pop that puppy in there we think again, huh?
00:58:45You know, I gotta add it to you, kid.
00:58:48I really didn't think you had it, didn't you?
00:58:50As a matter of fact, you gotta be more careful where you get your girls the next time, you know?
00:58:54You gotta afford getting your sweet little ass busted.
00:58:56Okay.
00:58:57Out there, it's gonna be easy, you take your camera and you cut the little ass out and make some more.
00:59:03Business, kid, supply and demand, supply and demand.
00:59:09I have some more right over there.
00:59:11Go get them.
00:59:12Let's go take again, huh?
00:59:16Goddamn it, kid, this is great.
00:59:19Look at her face, we're gonna make a fortune.
00:59:23Goddamn.
00:59:26Jake?
00:59:28Yeah?
00:59:29Do you play baseball?
00:59:30Huh?
00:59:53Michael!
00:59:56Michael!
01:00:01Michael, it's me, Nola.
01:00:06Michael!
01:00:11Michael!
01:00:18Michael!
01:00:19Michael!
01:00:26Michael!
01:00:30Are you okay?
01:00:33Yeah, why?
01:00:34Where'd all this blood come from?
01:00:36Oh, I was家's moving some equipment and I spilled some pro blood.
01:00:39It's pretty gross, uh?
01:00:41Are you okay?
01:00:43are you okay come on come have a seat
01:00:53do you want to talk to me about something
01:00:59michael it's gabrielle what about her
01:01:07she uh
01:01:07night before last uh can you just excuse me for one second i'll be right back
01:01:37so now you know
01:02:00michael you killed her why why why did i kill her why did i kill any of them
01:02:15i don't know oh my god you're sick you need help
01:02:30it's a little late for that just like it's a little late for them that's a little late for us
01:02:38would you like something to drink
01:02:39michael no why don't you sit down and i'll explain it all to you no come on go ahead sit down
01:03:09i never wanted to stop before i didn't have a reason to
01:03:19till i met you
01:03:33but now that's all changed
01:03:39can you hand me that tape please
01:03:42michael no
01:03:45hand me the tape
01:04:01no
01:04:01you can either make this easy or you can make it difficult that depends on you
01:04:08you can never be the same now that you know
01:04:25michael it's me nola i'm still the same
01:04:30i just want to help you i won't let anyone hurt you i promise
01:04:40you promise
01:04:43you promise
01:04:46how can you promise how can anyone promise me
01:04:52huh
01:04:52nola
01:04:57nola it's adam
01:05:00nola
01:05:04michael don't please
01:05:08don't you remember last night doesn't it mean anything to you
01:05:13seems like such a long time ago
01:05:16but it wasn't
01:05:17don't you understand don't you understand i just want to help you
01:05:24just let me go
01:05:30i know she's in there
01:05:45nola
01:05:48nola
01:05:50open up my car i know she's in there
01:05:54nola
01:05:54What the fuck?
01:06:06Dick.
01:06:18I'm getting blood on your floor.
01:06:24Busy, busy day.
01:06:54No, I'm sorry, but Adam just won't be joining us today.
01:07:11I'm sorry.
01:07:16I'm sorry.
01:07:20I'm sorry.
01:07:21I'm sorry.
01:07:28Busy.
01:07:29You all right?
01:07:32I'm sorry.
01:07:34I'm sorry.
01:07:35I'm sorry.
01:07:37I'm sorry.
01:07:39I'm sorry.
01:07:41I told you there was something weird about this Terrence guy.
01:07:48Let's brace this puke.
01:07:51I made them all watch what happened to him.
01:07:56After all, it was only fair.
01:07:59I made them all watch what happened to him.
01:08:03After all, it was only fair.
01:08:06After all, they deserved it.
01:08:13Every last one...
01:08:15Will you quit trying?
01:08:18Underneath, they're all just a bunch of evil, lustful bitches.
01:08:23They're all just a bunch of evil, lustful bitches.
01:08:27They're all just a bunch of evil, lustful bitches.
01:08:32Police!
01:08:39Thank God.
01:08:41Mary! Mary!
01:08:43Mary!
01:08:45Mary!
01:08:47Mary!
01:08:49Mary!
01:08:51Mary!
01:08:53Mary!
01:08:55Mary!
01:08:57Mary!
01:09:02Mary!
01:09:03Mary!
01:09:04Mary!
01:09:05Mary!
01:09:06Mary!
01:09:07Mary!
01:09:08Mary!
01:09:09Mary!
01:09:10Mary!
01:09:11Mary!
01:09:12Mary!
01:09:13Mary!
01:09:14Mary!
01:09:15Mary!
01:09:16Mary!
01:09:17Mary!
01:09:18Mary!
01:09:19Mary!
01:09:20Mary!
01:09:21Mary!
01:09:22Mary!
01:09:23Mary!
01:09:24Mary!
01:09:25Mary!
01:09:26Mary!
01:09:27Mary!
01:09:28Mary!
01:09:29Mary!
01:09:30Mary!
01:09:31Come there!
01:09:49Barry!
01:09:54Michael Terran!
01:09:55Step away from the edge of the rope!
01:09:57Do it now!
01:09:59Now!
01:10:01No.
01:10:16Michael, no!
01:10:19No!
01:10:24No!
01:10:31No!
01:11:01No!
01:11:05No!
01:11:10No!
01:11:20No!
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