00:00Ukrayna Kırmızıcır
00:02ve çok büyük bir city konuştu.
00:04Kötüllerin
00:09Kırmızıcır
00:14Kırmızıcır
00:20?.
00:26Yani
00:38Çalığı
00:40bir
00:40kaybol các
00:40bilmpre
00:43bu
00:43cid'lere
00:44başlıyor
00:45ve
00:47y ministri
00:49İlginç, en müdüm, en satın yorumlar, en sektörü müdüm, en sektörü müdüm.
00:55Bence çok üzgüldü, bu çalışmadan da,
01:00ve çalışmalarınızdan da çalışmalarınızdan,
01:03çalışmaların ve dünyanın dünyaya çalışmaların
01:06bu etkilerini istekli bir şey var.
01:11Biliyorum ki, bir müdüm, ve dünyanın yorumlarında
01:14çalışmaların, en mahram, ve en None Yumpa'dan
01:16Bu nelerna en yeni film 2000 yüzyılır.
01:20Bu nasıl bir ateşi ve vaytiyelerde kuruluşu ve
01:23ve bu kadar insanların ilginçine
01:23комнаta bakımları ve
01:25bazen insanların
01:27kendilerinin
01:27ve
01:28her talkmanları
01:29pål Suitesini
01:30herhalde
01:31beni
01:31çıkat
01:32herhalde
01:32arayi
01:33pardon
01:35bırak
01:35ve
01:36bak
01:37b
01:38bazen
01:38bir
01:382001
01:39kad
01:40yap
01:41o
01:41o
01:42o
01:43büyük
01:44kendin
01:44bu
01:45Bu nedenle bir kamerayı önemli değil.
01:47Bu nedenle, bu konuluklarla ilgili bir şey var.
01:52Bu nedenle, o konuluklarla ilgili bir şekilde,
01:56bu konuluklarla ilgili bir şey var.
01:58Kamerayı, bu da bir suyduğun bir şey var.
02:01Ve o, bu, bu da, bu da çok iyi bir şey var.
02:05Bu, bu da çok iyi değil.
02:08Bu da, bu da çok güçlü bir suyduğun.
02:12Ameripo'da hela kişilerin var.
02:15Baboylar, çocukları who hayatta ve herşeyi kapları ve herşeyi
02:19ve herşeyi çıkan insanları.
02:21M craziestine, herşeyi sözler andensored ve şaşırtık,
02:25ve dağılıyor,υaz.
02:28Bu yüzden ben burada.
02:29Ama şimdi yeterliyumda.
02:32Ve bu gördüğü sayesinde,
02:34bu kadar bu bütün herşeyi ilim yatarak ve
02:37bu timen,
02:39Buzha, Kharkı, Kıvı, Kıvı,
02:46So many cities that have been bombed,
02:49and so many people that have been killed.
02:52We've seen their voices to be attacked by propaganda,
02:59to be denied their tragedies,
03:04and that's one of my biggest reasons.
03:07And that when Russian media are saying that those tragedies didn't happen,
03:12so these people didn't just lose their families and their children,
03:17they also lost their right to speak.
03:21And I think that's what we should fight for as journalists,
03:26for their right to be heard.
03:28There is a moment in the film when the commander,
03:40the protagonist of our film, Fedya, he says,
03:44where is your gun?
03:46Do you have only a camera in your hands?
03:48And I think that's quite a symbolic moment,
03:52because for me camera is matters,
03:56and I'm there to tell their stories.
03:59And they also know that modern war is happening on two levels,
04:07one is the physical world and one is the media world.
04:11And the image of a flag over the liberated village
04:16is as important as a flag over the liberated village, etc.
04:20However, at the same time, as a journalist, as a filmmaker,
04:24I would protest against the idea that the camera can be,
04:30or should be considered as a weapon.
04:32It is a shield of truth rather than a weapon,
04:36and it should remain so.
04:38Yes, journalists and still makers should not be,
04:41should not be a target.
04:43But as a Ukrainian, as a Ukrainian making films about Ukraine,
04:48being an international journalist but also being Ukrainian,
04:51it is important for me to make films and stories
04:55not about politics but about people,
04:59about my own community,
05:02people who under different circumstances
05:04be my fellow students.
05:06And that's what we talk about with them
05:08when we meet there on the battlefield,
05:11about how our universities are rebel universities.
05:15Truck drivers, warehouse workers, policemen,
05:19you know, all the people who,
05:21if it wasn't for war, would be just part of my community.
05:26And the fact that they have guns,
05:29they have made a decision to take those guns
05:34to defend their home,
05:36doesn't make them a lesser part of their community.
05:39I feel that there is my obligation to acknowledge the sacrifice
05:45that my communities pay while defending my home.
05:51So, with, uh, even with 20 Days in Mariupol,
06:01how Academy Awards and other, and other awards that we received for it,
06:07that, uh, helped film to be seen and, uh, be heard.
06:14Because even some TV channels, uh, wouldn't want to take it or show it
06:20before we, we were nominated.
06:23Especially for the war films.
06:26Especially for the films that are dealing with difficult topics.
06:29Especially for the films that are not considered as entertainment.
06:33Those awards and, uh, those efforts to release awareness about the film
06:39are vital to get to the audience.
06:42This is, you know, here, um,
06:45has been more than a decade that this war is raging in Ukraine,
06:49that Russia invaded Ukraine.
06:51And every year it was harder and harder to,
06:56to break through the fatigue of people around the world from this topic.
07:03And so, each awards, each recognition helps to keep the attention
07:09on the film and what's important for me as a film director,
07:14but also what's important for Ukrainians as a nation.
07:17So, definitely helpful.
07:19Definitely not just symbolic.
07:21As a, as a journalist again, as a film director,
07:24I have achieved everything I could ever dreamed about.
07:27And, uh, right now for me it's just an opportunity to,
07:31to get to more people, to get a bigger audience,
07:35to, uh, to speak, um, more about what's important for us.
07:42I don't think there is a competition between the reality and the political reality.
07:54I think, I think the efforts that are made and constantly being made,
07:58uh, around, uh, in political space to stop the war.
08:04Um, and some of these efforts, uh, were here in Turkey.
08:09and they actually resulted in, in release of prisoners of war,
08:15which is amazing.
08:16It's, it's a celebration for so many families.
08:20We do see results.
08:22We do see the importance of those conversations.
08:25And hopefully they will eventually lead to, uh, to peace.
08:30But right now if you go to the front line,
08:32if you go to cities that are, uh, very close to the front line
08:37and are constantly being bombed,
08:39you will see a lot of skepticism, uh, towards what we hear in the news
08:45and towards the political statements that are made by, uh, various international leaders.
08:50And it's not because they don't mean anything.
08:54It's just, over the past year, very little of those, uh, statements,
09:00sometimes contradicting statements, I would say, uh, have actually resulted into change on the front line
09:10for military or for, for civilians.
09:14And my task as a journalist and as a filmmaker is to, with my work, to inform not just regular, uh, audiences around the world,
09:25but also to inform politicians that, that make decisions about, about the reality of what's happening on the ground.
09:34And, uh, that's very important that they keep the awareness of that reality.
09:41That they, they don't get detached from reality of the battlefield.
09:45They don't get detached from, from a humanitarian situation.
09:49Um, because, uh, when you are in those rooms, um, it is easy to forget.
09:55It is easy to forget that you are talking not about Ukrainians, for example,
10:02giving away thousands and thousands of kilometers of, of their land on a map.
10:09We are talking about displacing hundreds of thousands of people.
10:14We are talking about land, each meter of which is, is important for someone,
10:21because it's someone's home. It's someone's blood. It's someone's pain.
10:25I just want that reality to be closer. And, and, uh, that is why 2,000 meters to Envryivka is called 2,000 meters to Envryivka.
10:33It is a film about distance, but not just about distance between the beginning of that little forest
10:40squeezed between two minefields and leading to Envryivka, but also the distance between the, uh, the world and Ukraine.
10:50Um, by now, more than 70,000 people went to Ukrainian cinemas to watch 2,000 meters to Envryivka,
11:05one of the most popular, uh, documentary films in, uh, Ukraine history.
11:10Of course, for both 2,000 meters to Envryivka and 20 days in Mariupol,
11:15we were aware and worried about how people will relive traumatic experiences.
11:23And what we discovered as, is that it is actually quite important for, for community to experience these tragic events together,
11:35in a safe environment, cinema, or, or their homes, and, uh, to feel that their suffering is not forgotten.
11:43You know, the worst, probably one of the worst things about those tragic moments that happened in Mariupol in 2,000 years,
11:51and everything that happened in between is that the sense that, that those incredible tragedies, tragedies might be forgotten,
12:01and they don't matter.
12:03So, films help to, to make sure that they are not forgotten, that they are acknowledged.
12:11And that's what my films and films of my fellow filmmakers in Ukraine are, are, are all about.
12:19And, uh, uh, when this war will be over, and, uh, well, every war is over someday,
12:31and I hope this war, war will be over soon, uh, the new one will start.
12:36The one for truth.
12:38Uh, when guns fall silent, the new battle starts, the battle for truth.
12:44And, uh, there will be people that will try to rewrite the history.
12:49My task as a filmmaker is to make sure that it won't happen, that the history will not be rewritten,
12:56and that, uh, it's preserved, and it's, uh, it's remembered.
13:03I just think that the, the, the, the vital part, and we just spoke about that just now,
13:10how, how community came together and watched 20 Days in Mariupol,
13:14how they watched 2,000 Minister and Rivka, and experienced the tragedies together.
13:20And in that community, in that community experience,
13:24lies the key for our collective treatment.
13:29For, for the beginning of our, of our recovery.
13:33Because on our own, alone, we are nothing.
13:37Me, on my own, without my colleagues and my friends,
13:41without my community and family, I am nothing.
13:44I will fall apart tomorrow.
13:47Maybe I'm already falling apart.
13:49I'm just, just holding it together.
13:52It's because I have people right next to me.
13:54You know, there was this moment, uh, during the premiere of 2,000 years century
14:01Ukraine, the soldiers who survived that battle came to cinema.
14:08And they came on the stage after the film.
14:10And, uh, the, the entire cinema was standing and applauding to them.
14:16And one of the soldiers lost his legs.
14:19And he couldn't stand for 10 minutes because they applaud,
14:22they were applauding to him for 10 minutes.
14:25And so, other soldiers came to him and they held him,
14:30so he could stand straight.
14:32And in that I saw the key to, to how we survive individually,
14:39in that moment when we are all holding each other.
14:43on them.
14:45Dre-
14:52Dre-
14:55Dre-
15:03Dre-
15:06Dre!
15:10Dre
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