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00:23:15eight o'clock. Don't you dare use that kind of tone with me. You were supposed to be home four
00:23:20hours ago to finish that job in the attic. I lost track of time. I'm sorry. Oh, well. Well, Debbie,
00:23:32these things happen. I mean, you're young. You're full of life. But if you want to remain in this
00:23:39house, you better learn to give me the respect I deserve. Now, when I tell you something, I mean it.
00:23:45And you better obey me and be on time. Goddammit, you're hurting me. How dare you use that language
00:23:51in this house. You're not going to turn out of the foul mouth trap your mother was. Oh, no, no, no.
00:23:57I'm going to teach you a little discipline. Now, you sit in there and you think what you have done.
00:24:04Tomorrow, you'll clean the garage and the attic.
00:24:15And I go running down the aisle where the wine is
00:24:43Now, Joy can't deal with the spiritual world at all. So, what she is symbolizing is, is the non-believer.
00:25:01So, we have the devil and we have a non-believer.
00:25:04Good morning, Mr. Strand. Good morning.
00:25:07Class, this is Debbie Strand. She's a new student.
00:25:14All right, settle down. Just settle down.
00:25:17Thanks for helping me yesterday.
00:25:19You're welcome. Please, take a seat.
00:25:21Oh, my.
00:25:30Okay, moving on.
00:25:32Uh, Ms. Wright, could you pass out this list of possible themes for tomorrow's homework?
00:25:40Okay, now getting back to what we were talking about.
00:25:42Joy is the intellectual.
00:25:43Her wooden leg represents Joy's soul.
00:25:46Now, what if he takes her from the schoolroom and takes her into the barn, opens his briefcase, and points...
00:25:54What a spaz.
00:25:59Sorry.
00:26:00Hey!
00:26:01What are you laughing at?
00:26:05Megan, are you all right?
00:26:07Yes, I'm fine, thank you.
00:26:09Okay, don't forget to write a page in your journals for tomorrow.
00:26:17The Strand, you need to start one.
00:26:20Oh, and last call for the garage sale on Saturday.
00:26:22Anything you want to get rid of, bring to my place.
00:26:24We're going to be there all day.
00:26:26I also need one kind-hearted volunteer to help me Saturday.
00:26:30I will.
00:26:31I will.
00:26:31Great.
00:26:32Two volunteers. Very cool.
00:26:34Okay.
00:26:35Great.
00:26:35I'll see you Saturday.
00:26:37See you.
00:26:37Okay.
00:26:38Bye.
00:26:40Bye.
00:26:46Bye now.
00:27:02Bye.
00:27:06Bye.
00:27:07Bye.
00:27:07Bye.
00:27:08Bye.
00:27:08I want to talk to you, Strand.
00:27:11Piss up a rope, Megan.
00:27:15Megan with two E's?
00:27:17Two E's.
00:27:19I know what you're up to.
00:27:22What?
00:27:26Come on.
00:27:28What am I up to?
00:27:32Megan.
00:27:32Megan.
00:27:35Well, I know what you are.
00:27:38You're a little bitch.
00:27:42Don't show up on Saturday.
00:27:45You or the Freak.
00:27:57Excuse me, miss.
00:27:58Debbie?
00:28:01Who are you?
00:28:03Joe Rosales, LAPD.
00:28:05This is my partner, Phil Archer.
00:28:08What do you want?
00:28:09Debbie, we need to talk to you about the, uh, I know it's only been a few days, Debbie.
00:28:13We really have to go.
00:28:14I realize this must be tough for you, but we'd really like to talk about the fire.
00:28:18I don't want to talk about it.
00:28:19Debbie, the sooner we talk about this, the sooner we can put the whole matter behind us.
00:28:24I really don't want to talk about it.
00:28:26Oh, yeah, she's going to be a lot of fun.
00:28:38Yes?
00:28:38What do you want?
00:28:39Mrs. Long?
00:28:40Mrs. Long, yeah?
00:28:41Oh.
00:28:42I was Detective, uh, Rosales and Archer.
00:28:45Uh, we're sorry for your loss.
00:28:46I know this is a tough time, but if we could speak to Debbie about the fire for Joe...
00:28:49No, you may not.
00:28:50That poor child has been through enough.
00:28:52Now it's time to put this in the past.
00:28:55Ma'am, we feel like we still have some unanswered questions.
00:28:58Questions.
00:28:59Grieving mother.
00:29:01Poor thing.
00:29:05Anhydrous.
00:29:06A-N-H-Y-D-R-O-U-S.
00:29:09Without water.
00:29:10Met Janie, thank God.
00:29:20More importantly, Peter.
00:29:22The first time I saw you, the heat in your eyes.
00:29:25I knew you were different.
00:29:26What are you making?
00:29:55Pepper steak.
00:29:56Broccoli.
00:29:57Salad.
00:29:59Oh, my.
00:30:02No.
00:30:03No, I just got out of the shower.
00:30:05Oh, that's gonna stop me.
00:30:07Come on, I'm hungry.
00:30:08I'm hungry, too.
00:30:09My hair's wet.
00:30:12So?
00:30:13I don't know.
00:30:14I gave it a shot.
00:30:21Honey, is the stove on?
00:30:26Honey, honey, we need a bath.
00:30:49Okay.
00:30:49Okay.
00:30:50Let's go, get the bath.
00:30:55Oh, sorry.
00:30:56I'm sorry.
00:30:59Oh.
00:30:59Oh.
00:31:00Oh.
00:31:12Oh.
00:31:13Oh.
00:31:13Sorry.
00:31:13I am looking.
00:31:43I am looking forward to this weekend.
00:31:46You are?
00:31:48Yes.
00:31:49An entire weekend to ourselves?
00:31:53Well, sort of.
00:31:55I have two students coming over to help out.
00:31:58What?
00:32:00What are you talking about?
00:32:02I'm talking about the garage sale on Saturday.
00:32:04I have two students from my first period coming over to help out.
00:32:07No.
00:32:09No.
00:32:10We are going to the desert this weekend.
00:32:13Honey, I changed my whole flight schedule around.
00:32:16Shit!
00:32:18Uh-huh.
00:32:19Oh, man.
00:32:20I am so sorry.
00:32:23It's okay.
00:32:24Don't be sorry.
00:32:25Just postpone the garage sale.
00:32:27I can't postpone it.
00:32:28I have commitments to the art department.
00:32:30I have two students giving out their Saturday.
00:32:32I can't.
00:32:33Hmm.
00:32:35This happens all the time and, uh...
00:32:39Oh, come on.
00:32:40It doesn't happen all the time.
00:32:41Oh.
00:32:42Yeah.
00:32:43Well...
00:32:44What about my sister's wedding?
00:32:47I had 35 final papers to grant.
00:32:50Besides that, I don't like your sister.
00:32:55Okay?
00:32:56I really hate your sister.
00:32:58I'll make it up to you.
00:33:08You know what?
00:33:09I...
00:33:10I got it.
00:33:13Where are you going?
00:33:14I'm gonna see if I can trade ships with another flight attendant.
00:33:17I need some time away from you.
00:33:21Marilyn.
00:33:22Marilyn.
00:33:42Hey, Greg.
00:33:43Hop in.
00:33:44I'm walking today, guys.
00:33:45All right.
00:33:46Later.
00:33:52I need some help.
00:34:13Shouldn't you be with your jock-itch friends?
00:34:16I just wanted to walk my new neighbor to school.
00:34:20Be nice.
00:34:25Be nice.
00:34:26Be nice.
00:34:50Is this fun for you?
00:34:51Fun now?
00:34:52Fun?
00:34:53Yes.
00:34:59You don't know what fun is.
00:35:21Fun now?
00:35:22How does that happen?
00:35:23No.
00:35:25Good night.
00:35:28Fifteen.
00:35:30Slow dorete, beep!
00:35:35Ow...
00:35:38Ow!
00:35:40Ow!
00:35:41Ow!
00:35:42Ow, my leg!
00:35:44Ow.
00:35:45Help!
00:35:50Guess you won't be making it to the garage soon.
00:36:15Ma'am?
00:36:20Yes?
00:36:21May we speak with the principal, please?
00:36:23He's gone for the day.
00:36:24Your business?
00:36:26Former teacher of yours, Mr. Roberts.
00:36:29Died recently in a fire.
00:36:31Now, maybe you can help us.
00:36:34Possibly.
00:36:36Do you remember a student by the name of Debbie Strand?
00:36:39She just transferred out of here last week.
00:36:41Yes, she left something of an impression here.
00:36:44How's that?
00:36:45She had a nasty crush on Mr. Roberts.
00:36:49How long did that go on?
00:36:51Oh, months.
00:36:52She was finally suspended when Mr. Roberts complained that she had been stalking him.
00:36:56Stalking?
00:36:58Oh, the whole thing turned into quite a soap opera.
00:37:00Especially when he got involved with Debbie's mother.
00:37:14What on earth is going on in here?
00:37:27Nothing.
00:37:28I was just playing with Bebe.
00:37:29What do you have there?
00:37:31Let me see.
00:37:32They're just clothes.
00:37:33Well, where did you get these?
00:37:35Answer me!
00:37:36I bought them.
00:37:37Don't you lie to me!
00:37:38I told you, I bought them.
00:37:39And where are you hiding the other things at all?
00:37:40I know there's more of them.
00:37:41Where are they, you sneaky little little?
00:37:42Get upstairs and finish packing that trunk.
00:37:43Don't.
00:37:44Don't you.
00:37:45Don't you miss me?
00:37:46Where are you hiding the other things at all?
00:37:49I know there's more of them.
00:37:50Where are they, you sneaky little little?
00:37:51Get upstairs and finish packing that trunk.
00:37:55Come on.
00:38:25Hi, baby.
00:38:39Yes, that's good.
00:38:48Oh, yeah.
00:38:51Goodbye.
00:38:55Hasta la vista, baby.
00:39:03Okay.
00:39:05Okay.
00:39:07Okay.
00:39:09Okay.
00:39:11Okay.
00:39:13Okay.
00:39:15Okay.
00:39:17Okay.
00:39:18Okay.
00:39:20Okay.
00:39:28Yeah, who is it?
00:39:30It's Debbie.
00:39:35Yeah who is it? It's Debbie. Oh hi come on in. Hello? Yeah come on in here. Hi. Hi. Sorry
00:39:58I'm late. No actually I'm early. Thanks for helping out. Would have been nice if
00:40:04Megan could have made it too but I'm sure we'll manage. She's such a cluck. Broke her
00:40:11leg. Don't you have any compassion? I didn't mean anything by it. Whatever.
00:40:21Are you mad at me? No. No I'm not mad. I had a really bad night. My girlfriend
00:40:34at night where things aren't what they should be. I'm sorry. No. No I shouldn't be taking the
00:40:42bet on you. Friends. Friends. Great. Well let's sell some junk. Okay.
00:41:04So
00:41:34This isn't for milk, this is for cream, Alta Dina Dairy, $10, no, $5, two, two?
00:41:53How much for a lunch box do you say?
00:42:03I don't know.
00:42:13Hey, you.
00:42:14Hey.
00:42:15What are you doing, girl?
00:42:16I thought I'd come check out the junk.
00:42:23Debbie, does this work?
00:42:27I don't know.
00:42:29Peter!
00:42:30Hey, Jenny.
00:42:31You come to help us out?
00:42:32Yeah, right.
00:42:33Does it work?
00:42:34Boy, that's a cool tattoo.
00:42:37I don't know.
00:42:38Here, let's try it out.
00:42:42It works.
00:42:47$10.
00:42:52Why don't I get one of you grabbing his ass?
00:42:55What?
00:42:57I'm not doing anything.
00:43:00Cool picture, huh?
00:43:05Phoebe?
00:43:10Where are you, sweetheart?
00:43:15Phoebe?
00:43:17Mommy's got a biscuit for you.
00:43:24$178, $178.
00:43:41Get out!
00:43:43We can make a good tune.
00:43:46That was $10, $178, $178.
00:43:49Get out!
00:43:51We make a good chance.
00:43:53Yeah, we do.
00:43:57I'll get it.
00:43:59Thanks.
00:44:07It's locked.
00:44:09Sorry. The spare key's under the pot.
00:44:17Hi, it's Peter.
00:44:19Leave a message.
00:44:21Peter, there's a flu bug going around.
00:44:23Some of the girls are out sick.
00:44:25I'm gonna pick up a couple more flights,
00:44:27so I don't know when I'll be back.
00:44:29Probably Monday.
00:44:31We need to talk. Bye.
00:44:37Message erased.
00:44:39Bye.
00:44:41Bye.
00:44:43Bye.
00:44:45Bye.
00:44:47Bye.
00:44:49I don't know.
00:45:19I don't know.
00:45:49What are you doing?
00:45:50Where's the bathroom?
00:45:51It's right there.
00:45:52Thanks.
00:46:04That door is screwy.
00:46:05Let me get it.
00:46:11Well, thanks for helping me today.
00:46:17You were great.
00:46:18My pleasure.
00:46:19So I guess I'll see you Monday.
00:46:24Yeah, I'll see you.
00:46:25Yeah, I'll see you.
00:46:26Yeah, I'll see you.
00:46:27Peter, Peter, Peter.
00:46:28Peter, Peter, Peter.
00:46:29They didn't make them like that when I was in school.
00:46:30I'll see you.
00:46:31Peter, Peter, Peter.
00:46:32They didn't make them like that when I was in school.
00:46:38They didn't make them like that when I was in school.
00:46:39They didn't make them like that when I was in school.
00:46:40They didn't make them like that when I was in school.
00:46:41They didn't make them like that.
00:46:42They didn't make them like that when I was in school.
00:46:48They didn't make them like that.
00:46:49They didn't make them like that when I was in school.
00:46:50They didn't make them like that when I was in school.
00:46:55They didn't make them like that when I was in school.
00:47:24Where have you been?
00:47:26I was at church praying for my mother.
00:47:29Oh, pray.
00:47:31Isn't that nice?
00:47:34Don't you lie to me, you blasphemous slut.
00:47:37You've been out carousing.
00:47:38Carousing?
00:47:39I was out with a friend.
00:47:41Oh, a friend.
00:47:42Are all your friends deviant men twice your age?
00:47:46What are you talking about?
00:47:48Giving your body to men.
00:47:50You're a whore just like your mother.
00:47:52Don't call me that.
00:47:53I'm nothing like her.
00:47:54Don't you dare talk back to me.
00:47:56I saw him.
00:47:57He's the one, the one you've been writing to.
00:47:59I'm talking about this.
00:48:01How dare you?
00:48:02This is my house and I will not have this immoral behavior in it any longer.
00:48:08Now I am calling the police.
00:48:09Then I am calling the school and reporting this devil, Peter.
00:48:13Then I'll call that Asian woman and have you put it every far school.
00:48:18You're not going to do anything.
00:48:22What?
00:48:23Spare the rod.
00:48:24Spoil the child.
00:48:25Is that the idea?
00:48:27Is this how you raised my mother?
00:48:29No wonder she was such a fucking bitch.
00:48:33Oh, please don't.
00:48:36Please don't.
00:48:37I'm sorry grandma.
00:48:38Did I hurt you?
00:48:40Have mercy on me.
00:48:41Fuck mercy.
00:48:42We never showed any mercy.
00:48:43My mother never had any mercy.
00:48:44And now I don't have any mercy.
00:48:45It's a family thing.
00:48:47Ah!
00:48:48Fiona sure has been generous.
00:49:02She's very excited about this mission.
00:49:08You're gonna be hosting this.
00:49:15I'm very excited about this mission.
00:49:17Careful, this thing weighs a ton.
00:49:19Yeah, I remember she said that if she were younger,
00:49:21she'd love to go herself.
00:49:23Oh, she is. Spiritually, of course.
00:49:27Well, tell Fiona we missed her at church,
00:49:29and that we're all praying for a speedy recovery.
00:49:31Uh-huh.
00:49:45What prompts the children to stray so?
00:49:59Title lines are the devil's workshop.
00:50:03What prompts the children to stray so?
00:50:09Title lines are the devil's workshop.
00:50:13We must show them that Satan is not the way.
00:50:19Marilyn?
00:50:21Marilyn?
00:50:25I didn't expect you back so soon.
00:50:39I certainly didn't expect this.
00:50:43You have no idea how glad I am to see you.
00:50:47Glad to see you, too.
00:50:49What the hell are you doing here?
00:50:51Taking your shower.
00:50:53You know what I mean. How did you get in here?
00:50:55Don't you have any conditioner?
00:50:57How did you get in here?
00:50:59Your spare key, remember?
00:51:01Yeah, I remember.
00:51:03No, don't. You stay right there.
00:51:05We will discuss this when you're dressed.
00:51:10I'm glad to see you, too.
00:51:11I'm glad to see you, too.
00:51:13What the hell are you doing here?
00:51:15Taking your shower.
00:51:16You know what I mean.
00:51:17How did you get in here?
00:51:18Don't you have any conditioner?
00:51:19How did you get in here?
00:51:21No, don't. You stay right there.
00:51:23We will discuss this when you're dressed.
00:51:39Hello?
00:51:41Marilyn?
00:51:43Yeah, yeah, no, I'm fine.
00:51:45Where are you?
00:51:47No, no, I'm sorry.
00:51:51You just caught me a little bit off guard.
00:51:53So where are you?
00:51:57No, no, I didn't.
00:51:59You left a message here.
00:52:05Yeah.
00:52:06Yeah, that sounds great.
00:52:08No, it sounds great.
00:52:10Okay.
00:52:11I'll see you tomorrow.
00:52:13Yeah, me, too.
00:52:15Bye.
00:52:18So how's Marilyn?
00:52:23You have to leave.
00:52:25Peter.
00:52:27This one has some fun.
00:52:30Apparently you think there's more to our relationship than there is.
00:52:36I saw the way that you looked at me the other day.
00:52:38I don't know what kind of a schoolgirl fantasy you've got concocted for us, but you have to understand something right now.
00:52:48There is nothing going on here.
00:52:50There is something.
00:52:51No, there is nothing going on here.
00:53:03There is nothing going on here.
00:53:04There is nothing going on here.
00:53:05There's nothing going on here.
00:53:06Holy늘.
00:53:07n
00:53:14Fuck!
00:53:16Hey, everybody.
00:53:17Sit down.
00:53:18Open your readers to page 212.
00:53:19Okay everybody, sit down, open your readers to page 212, that's Young Goodman Brown by Hawthorne.
00:53:28Read that while I get organized, we'll discuss it when you're done.
00:53:42These are for you.
00:53:44Well, Mr. Mansoor, this is so sudden.
00:53:49They're not for me.
00:53:53Who?
00:53:59I'll be right back.
00:54:04What's the problem?
00:54:05They were sent to my room by mistake.
00:54:07I assumed they were for me, and I opened the card.
00:54:14I thought you were still seeing Marilyn.
00:54:16I am.
00:54:17She must be very understanding.
00:54:19No, this is a student.
00:54:20A student?
00:54:21Are you out of your mind?
00:54:22It's not what you think.
00:54:23It might be in your interest not to go to prison for buffing your student.
00:54:26I mean, we all have our little fantasies.
00:54:28I just don't think you should act on them.
00:54:31I am not buffing my student.
00:54:33Yes.
00:54:34The flowers are for your diction and penmanship.
00:54:42Miss McGray?
00:54:43You're late.
00:54:44Hi, it's Peter.
00:54:45Leave a message.
00:54:46Hey, I'm arriving at six.
00:54:59I got a great idea.
00:55:00Dinner at Umberto's around eight?
00:55:01Let me know.
00:55:02I'm at 212-555-0183, room 876.
00:55:06Bye.
00:55:07New York Gardens Hotel.
00:55:08New York Gardens Hotel.
00:55:09Yes, hello?
00:55:10Hi.
00:55:11I'm here.
00:55:12I'm here.
00:55:13I'm here.
00:55:14Leave a message.
00:55:15Leave a message.
00:55:16Leave a message.
00:55:17I'm here.
00:55:18I'm at 212-555-0183, room 876.
00:55:22Bye.
00:55:33New York Gardens Hotel.
00:55:35Yes, hello?
00:55:36Hi.
00:55:37I'd like to leave a message for room 876, please.
00:55:40Please hold.
00:55:41Thanks.
00:55:42Ms. Nakashi?
00:55:43Can I help you?
00:55:44Joe Rosales, LAPD Homicide.
00:55:45It's my partner, Bill Archer.
00:55:46I was wondering if we could talk to you about Debbie Strand.
00:55:47Sure.
00:55:48How can I help?
00:55:49We need some family background information.
00:55:50Well, not much I can tell you.
00:55:51Anything would be helpful.
00:55:52Well, she's a minor.
00:55:53That stuff is confidential.
00:55:55Yes.
00:55:56Yeah.
00:55:57Do you mind?
00:55:58Please.
00:55:59We're not looking to hurt anybody.
00:56:00But we have an open room with her to help people.
00:56:02caso on the phone.
00:56:03Please?
00:56:04I'm sorry.
00:56:05I'm sorry, Bill.
00:56:06I'm sorry.
00:56:07Okay, uh, dear.
00:56:08I can tell you.
00:56:09Any time, I am?
00:56:10I can tell you.
00:56:11I can tell you, Mr. Frank, it's okay.
00:56:12No matter to me.
00:56:13I can tell you.
00:56:14No matter to me, I'm sorry.
00:56:15I can tell you.
00:56:16No matter to me, Lily, I'm not saying if I can tell you.
00:56:18If I can tell you, I can tell you.
00:56:19I don't know.
00:56:20If I can tell you, you know?
00:56:21I can tell you about Debbie Strand.
00:56:22We're not looking to hurt anybody.
00:56:24But we have an open investigation with this fire incident,
00:56:27and nobody wants to talk about it.
00:56:29Now, I don't want to call the DA and drag this kid
00:56:31and her grandmother into court if I don't have to.
00:56:36Off the record, otherwise we do the court and DA thing.
00:56:42What do you want to know?
00:56:52It is true, this love. You'll see.
00:57:01With your beautiful stare that sees only me,
00:57:03I will stay in your arms till forever meets.
00:57:19What do you want?
00:57:20You weren't in school today.
00:57:22I want to make sure you're feeling okay.
00:57:24Obviously you are.
00:57:26Thanks for caring so much.
00:57:28Where's the witch?
00:57:29She's asleep, so you should leave.
00:57:32Asleep?
00:57:34Oh, asleep.
00:57:36Well, good. She won't hear us.
00:57:38I told you, I'm seeing someone.
00:57:41Oh, yeah, who?
00:57:43You don't know him.
00:57:44Yeah, because he doesn't exist.
00:57:46Yes, he does.
00:57:48Yeah, who, Mr. Rinaldi?
00:57:50Oh, bingo.
00:57:55Yeah, I think I nailed it.
00:57:56I've seen the way you look at him.
00:57:58Every chick in school has a crush on him.
00:58:00It's that poetry bullshit.
00:58:03It's not a crush.
00:58:06It's serious.
00:58:08You're nuts.
00:58:09You know, he doesn't even know you exist.
00:58:11Really?
00:58:12Then what was he doing with me Saturday?
00:58:14Oh, because you helped him with this garage sale nut bag.
00:58:18That's what everyone thinks we did.
00:58:22Oh, really?
00:58:25Well, then why don't you show me what he's been teaching you?
00:58:28I'm not interested.
00:58:29Well, then if you're having an affair with Mr. Rinaldi, I better have a talk with Principal Saunders.
00:58:35You know, it's just not right, his corrupting a minor and all.
00:58:40So that's where we're at?
00:58:44Yeah.
00:58:45Yeah.
00:58:51Let's see what we can work out.
00:58:53I mean, this is gross. Let's go to your bedroom.
00:59:12No, my grandmother will hear us.
00:59:15But it smells like that bug spray stuff.
00:59:23But, uh, I like bug spray.
00:59:35Hey.
00:59:39You take it easy.
00:59:41Come on.
00:59:45Hey.
00:59:46Stop it. You'll rip it.
00:59:47Look, I'll get you a new one.
00:59:48Look, maybe we shouldn't do this.
00:59:53Look, what the fuck is wrong with you?
00:59:56What? You're not getting out of this now.
01:00:00Stop it.
01:00:02Stop.
01:00:04No, stop.
01:00:05Please.
01:00:06Shut up.
01:00:07Shut up.
01:00:15No.
01:00:16No, stop.
01:00:17No, stop.
01:00:18No, stop.
01:00:19No, stop.
01:00:21No, stop.
01:00:23Let me help you with that.
01:00:29You're answering.
01:00:32You're answering.
01:00:33God.
01:00:51Big mistake.
01:00:57Oh.
01:00:57Oh, oh, oh, oh.
01:01:01Ah, bitch.
01:01:07Come on.
01:01:23Damn.
01:01:27no means no don't you guys get that what is it you stop understanding English
01:01:33when you get a hard-on
01:01:49it's too bad your macho friends can't see you now
01:01:57you
01:02:27I'm so sorry about the other night.
01:02:57I'm so sorry about that.
01:03:27I'm so sorry about that.
01:03:52Peter.
01:03:53Yes?
01:03:54Have you got a moment?
01:03:56I'm running really late, Joyce.
01:03:58This won't take long.
01:04:07Have a seat.
01:04:11How are you doing, Peter?
01:04:13Fine.
01:04:14I could use a little more sleep, but otherwise no problems.
01:04:17Yeah.
01:04:18Everything okay at home then?
01:04:19Yeah.
01:04:20Perfect.
01:04:21Uh-huh.
01:04:25Joyce, if this is all you want to talk about, can we do it late around late for class?
01:04:29Peter, sit down.
01:04:30Peter, sit down.
01:04:31Okay.
01:04:32Peter, it's been brought to my attention that you may be getting a little too involved with
01:04:38your students.
01:04:40What has that pompous ass been telling you?
01:04:43What pompous ass would that be?
01:04:46Mansour?
01:04:47Mansour and I didn't talk about you.
01:04:51Is there something he knows that I should be aware of?
01:04:54Peter?
01:04:55No.
01:04:56Peter, I heard about the basketball game.
01:05:02Come on, Peter.
01:05:03Gambling for grades.
01:05:04The basketball game?
01:05:05Oh!
01:05:06Oh!
01:05:07Yeah.
01:05:08Rather unorthodox, don't you think?
01:05:09Not to mention setting a bad precedent, perhaps?
01:05:10Yeah.
01:05:11I guess I see your point.
01:05:12Good.
01:05:13Thanks, Joyce.
01:05:15Any time.
01:05:16Thanks, Joyce.
01:05:17Any time.
01:05:45Debbie?
01:05:46Miss Long?
01:05:47Debbie?
01:05:48Miss Long?
01:06:05Hi, Miss.
01:06:14Hi, Ms. Nikashi.
01:06:18You scared me.
01:06:21Sorry.
01:06:25How's school?
01:06:27Good.
01:06:29Any trouble with Fiona?
01:06:31No.
01:06:32She's okay.
01:06:34Thanks.
01:06:36Oh, my God.
01:06:38What happened to your face?
01:06:39Nothing.
01:06:40Nothing.
01:06:41I just fell.
01:06:43Debbie, you can tell me.
01:06:45What happened?
01:06:46Was it Fiona?
01:06:47You can tell me.
01:06:49It's really okay.
01:06:52She won't be doing that anymore.
01:06:54So sorry.
01:06:57I should have known with your mother's history of abuse.
01:07:02What?
01:07:05I think it's best you come with me now.
01:07:07I like it here.
01:07:09I don't want to leave.
01:07:10I have to take you out of any abusive situation.
01:07:14And after what those detectives told me, I have no choice.
01:07:16Detectives?
01:07:19Would you like some lemon?
01:07:25I think it's best you come with me right now.
01:07:28I'm sorry, Anna.
01:07:30I just can't do that!
01:07:34I've got a date.
01:07:35May I help you, sir?
01:07:49Yeah.
01:07:50I have a reservation.
01:07:51Rinaldi for two at 7.30.
01:07:53Rinaldi, Rinaldi.
01:07:54Yes.
01:07:56The lady's already here.
01:07:58If you would follow me, sir.
01:07:59Here you are, sir.
01:08:15Hello, Peter.
01:08:20How sweet.
01:08:22No.
01:08:23No.
01:08:23These are my new friends.
01:08:28This is Dan.
01:08:29And this is Art.
01:08:30And this is Peter.
01:08:32Hey, Peter.
01:08:37If you'll excuse me.
01:08:40Peter, have a seat.
01:08:42Where's Marilyn?
01:08:46She couldn't make it.
01:08:48Who's Marilyn?
01:08:50The other woman.
01:08:50Come on, let's go.
01:08:54I'm going to take you home.
01:08:56But you just got here.
01:08:57We're having so much fun, aren't we?
01:09:01I said let's go.
01:09:03Why don't you go, Peter?
01:09:04I'll take her home.
01:09:05Why don't you and your friend go back to your Aunt Apostle?
01:09:08She's a minor.
01:09:16Let's go.
01:09:17I don't want to go.
01:09:19I don't think she wants to go, Peter.
01:09:20It's not your business.
01:09:22I said, come on.
01:09:24Let's go.
01:09:25Come on.
01:09:28I'm making it my business, Peter.
01:09:37Get back.
01:09:38Get back.
01:09:39I got me out of here.
01:09:42Please.
01:09:42Please.
01:09:42Please.
01:09:42Please.
01:09:50Jesus, Peter.
01:10:12Please.
01:10:12Please.
01:10:13Please.
01:10:13Jesus, Peter.
01:10:23I know.
01:10:26What the hell's going on?
01:10:32I don't know.
01:10:43I mean, who's that?
01:10:47That's her.
01:10:49Just wait in the car.
01:11:01I've been waiting here forever.
01:11:04Peter, thank God you're all right.
01:11:06Don't.
01:11:07You were so great with those men last night.
01:11:09Listen to me.
01:11:10Peter.
01:11:10Just listen to me. You need some help.
01:11:13Peter.
01:11:14Listen.
01:11:15I'm going to talk to somebody at the school.
01:11:18No, you can't.
01:11:18I don't love you.
01:11:23Don't say that.
01:11:25Peter.
01:11:27It's all right, Marilyn.
01:11:28Just get back in the car.
01:11:33It's her.
01:11:36That's why you're being like this?
01:11:38This game stops now.
01:11:42It's all right.
01:11:59Let's go.
01:13:00Okay, now this right over here, this could have been done with a large kitchen knife, and
01:13:10if that is indeed the case, it was probably done with a right-handed sweep like this
01:13:15from behind, and it could have gone deep enough to sever the carotid sheath, in which case
01:13:20would have stoke a dad like that.
01:13:32Okay.
01:13:33Uh, Detective's Homicide, looking for Principal Saunders?
01:13:39Just a little bit.
01:13:46Mm-hmm, I'm...
01:13:49I'm still holding.
01:13:51Cyanometry.
01:13:52Yeah.
01:13:53Uh, P-S-Y-A-N-O-M-E-T-R-Y.
01:13:58Blue tissue.
01:13:59Uh, anything blue.
01:14:00I'm gonna try.
01:14:01I'm gonna try.
01:14:02Wrong.
01:14:03S-Y-A-N-O-M-E-T-R-Y.
01:14:06S-Y-A-N-O-M-E-T-R-Y.
01:14:09The Study of Blue Light.
01:14:13Gentlemen.
01:14:14Cyanometry.
01:14:15Cyanometry.
01:14:16C-Y-A-N-O-M-E-T-R-Y.
01:14:19The Study of Blue in Light.
01:14:24Is there anything else I can do for you?
01:14:31Uh...
01:14:32Yeah.
01:14:33Mr. Rinaldi, she's in a meeting right now.
01:14:36Mr. Rinaldi, she's in a meeting right now.
01:14:41Mr. Rinaldi, she's in a meeting right now.
01:14:44Just ignore me.
01:14:46Joyce, I need a minute.
01:14:49We were just going to call for you.
01:14:51Please come in and sit down.
01:14:57Peter, this is detectives Rosales and Archer.
01:15:01They're here because of Debbie Strand.
01:15:03We haven't been able to locate her this morning.
01:15:06And we understand that you were involved with her
01:15:08in some sort of an altercation last night.
01:15:10Yeah.
01:15:11I can explain that.
01:15:15Is something...
01:15:17Is she okay?
01:15:18I'd have to say no.
01:15:19She's not okay.
01:15:20What do you think?
01:15:21What do I think?
01:15:23Well, the reason I was coming to talk to Joyce this morning
01:15:26was about Debbie Strand.
01:15:28You see, Debbie believes that she's...
01:15:31that we are in love with each other.
01:15:34Oh, good.
01:15:37Yeah.
01:15:39I've tried talking to her.
01:15:41Nothing gets through.
01:15:44She's obsessed or delusional or something.
01:15:47You haven't done anything to encourage this kind of behavior.
01:15:50No.
01:15:51No, I didn't.
01:15:52But you didn't feel it was necessary to tell Miss Saunders about this?
01:15:55Well, I thought I could handle it.
01:15:56I thought that it was a simple schoolgirl...
01:15:59thing.
01:16:00You don't have kids.
01:16:02I have dozens.
01:16:03This girl's father was killed when she was a child.
01:16:12There was suspicion her mother did it, but never proved out.
01:16:15On top of that, it looks like both her mother and father abused her when she was young.
01:16:20Nothing about this girl is simple.
01:16:25I'm sorry.
01:16:26I have a call for Mr. Rinaldi.
01:16:28It's Debbie Strand.
01:16:29She says it's an emergency.
01:16:47No, Peter.
01:16:48You need to make this real clear.
01:16:50You do what we say, or I cuff you to the car.
01:16:54Stay behind me.
01:16:59Debbie.
01:17:00This is Detective Rosales.
01:17:01I've got Peter with me.
01:17:02Go away.
01:17:03I only want to see Peter.
01:17:04He's out here.
01:17:05Come on out.
01:17:06Let me talk about this.
01:17:07No, I don't want to talk anymore.
01:17:08Leave me alone.
01:17:09Debbie, you know we can't leave.
01:17:10We're here to help you.
01:17:11Let me go in there.
01:17:12Let me go in there.
01:17:13Let me go first.
01:17:14Debbie.
01:17:15Debbie.
01:17:16Debbie.
01:17:17Come on out.
01:17:18Come on out.
01:17:19Come on out.
01:17:20Let me talk about this.
01:17:21No, I don't want to talk anymore.
01:17:22Leave me alone.
01:17:23Debbie.
01:17:24You know we can't leave.
01:17:25We're here to help you.
01:17:26Let me go in there.
01:17:28Let me go first.
01:17:31Debbie.
01:17:32Debbie.
01:17:33Why don't you...
01:17:34Joe!
01:17:35Why didn't you bring him here?
01:17:36Why won't you love me?
01:17:37Shoot.
01:17:38Gotta go.
01:17:39God damn it, Peter.
01:17:40Get back here.
01:17:41Fuck.
01:17:42Fuck.
01:17:43Fuck.
01:17:44Fuck.
01:17:45Fuck.
01:17:46Fuck.
01:17:47Fuck.
01:17:48Fuck.
01:17:49Fuck.
01:17:50Fuck.
01:17:51Fuck.
01:17:52Fuck.
01:17:53Fuck.
01:17:54Fuck.
01:17:55Fuck.
01:17:56Fuck.
01:17:57Fuck.
01:17:58Fuck.
01:17:59Fuck.
01:18:00Fuck.
01:18:01Fuck.
01:18:02Fuck.
01:18:03Fuck.
01:18:04Fuck.
01:18:05Fuck.
01:18:06Fuck.
01:18:07Fuck.
01:18:08Fuck.
01:18:09Fuck.
01:18:10For the money.
01:18:11Fuck.
01:18:12Fucking fuck.
01:18:13This hurts.
01:18:14Debbie?
01:18:15Debbie it's peter.
01:18:16Open the door.
01:18:17You can trust me, Debbie.
01:18:18I don't wanna talk anymore.
01:18:19Debbie, you don't have to do this.
01:18:20You come out of there.
01:18:21I promise I'll stick by you all the way.
01:18:22I know how you really feel.
01:18:23Debbie, I am on your side.
01:18:25I'm on your side.
01:18:26I promise.
01:18:27Officer down.
01:18:28Debra.
01:18:29Debbie, please come out of there.
01:18:31Debbie, please come out of there.
01:18:33No!
01:18:59Debbie, please come out of there.
01:19:09Thanks.
01:20:29Wait, that's a cool tattoo.
01:20:51It's her.
01:20:53That's why you're being like this.
01:20:55Oh, God, no.
01:21:01Oh, no.
01:21:05What the hell?
01:21:15Come on, come on.
01:21:25Oh, my God.
01:21:27Come on, come on, come on.
01:21:35Stay with me.
01:21:37Come on, come on.
01:21:39Come on, come on.
01:21:41Come on, come on.
01:21:43Come on, come on.
01:21:45Come on, come on.
01:21:47You're not going anywhere.
01:21:49You're not going anywhere.
01:21:51You're not going anywhere.
01:21:55This is American Eagle.
01:21:57Ah...
01:22:01It's not NBA.
01:22:03No.
01:22:05You're not going anywhere.
01:22:07You're not going anywhere.
01:22:08No.
01:22:10No.
01:22:11No.
01:22:13You bitch! He's mine!
01:22:39Marilyn! Marilyn!
01:22:41Debbie, no!
01:22:56Marilyn, Marilyn, please be...
01:22:59Don't move!
01:23:01Officer, there's a girl in here with a knife.
01:23:04Let me see your hands!
01:23:05Now!
01:23:06There's a girl in here...
01:23:07Shut up! Get down!
01:23:08You're making a mistake! Shut up!
01:23:12Get off!
01:23:14Arrgh!
01:23:15Oh!
01:23:16Oh!
01:23:17Oh!
01:23:18Oh!
01:23:20Uh-oh!
01:23:21Uh-oh!
01:23:23Uh-oh!
01:23:29Fuck them!
01:23:30Okay.
01:23:31Okay, go, go, go.
01:23:33Okay.
01:23:35This is ruining everything.
01:23:40No.
01:23:42No, no, forget her.
01:23:45I will in a minute.
01:23:47Debbie, there's no need to kill her.
01:23:54Peter, we need some time alone.
01:23:57I know.
01:24:00I know.
01:24:02It's just you and me, Debbie.
01:24:05It's just you and me.
01:24:16I love you.
01:24:17I love you.
01:24:35I love you.
01:24:38Absolutely.
01:24:40I love you.
01:24:43I love you.
01:24:43I love you.
01:24:44I love you.
01:24:47I love you.
01:24:48Peter, come on Peter, come on, Peter, come on, don't die, Peter, come on, okay, okay.
01:25:18Peter, come on, Peter, come on, Peter, come on.
01:25:48Peter, come on, Peter, come on.
01:26:18Peter, come on.
01:26:48Peter, come on, Peter, come on.
01:27:18Peter, come on, Peter, come on.
01:27:48Peter, come on, Peter, come on.
01:28:18Peter, come on, Peter, come on.
01:28:48Peter, come on, Peter, come on.
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