- 2 days ago
Lord Wingate, acquitted after appearing in court for fraud, starts up a 'finishing school' for girls.
Derek Aylward - Giles Wingate
Rose Alba - Countess of Burwash
Bob Andrews - Sgt. Braithewaite
Vic Wise - Horace Clapp
Hugh Latimer - Berridge
Nosher Powell - Hector
Amber Dean Smith - Beth Villiers
Françoise Pascal - Sally Reagan (as Francoise Pascal)
Cathy Howard - Sue Randall
Sylvia Barlow - Judy Arkwright
Cassandra Harris - Jenny (as Sandra Gleeson)
Maria Frost - Polly
Cindy Neal - Marianne
Gilly Grant - Striptease Artist
Jacky Berdet - Ingeborg
Nicola Austin - Tania (as Nicole Austin)
Nicole Verna
Patsy Morrell
Samantha Bond
Dunja Maloon
Christine Jensen
Edgar K. Bruce - Fred
Simon Cain
Robert Dorning - Civil servant
Julie May - Ethel
Alec Bregonzi - Harry
Wilfred Babbage - Judge (as Wilfrid Babbage)
Dennis Castle - Col. Roberts
Jackie Wright - Man in Strip-club
Derek Aylward - Giles Wingate
Rose Alba - Countess of Burwash
Bob Andrews - Sgt. Braithewaite
Vic Wise - Horace Clapp
Hugh Latimer - Berridge
Nosher Powell - Hector
Amber Dean Smith - Beth Villiers
Françoise Pascal - Sally Reagan (as Francoise Pascal)
Cathy Howard - Sue Randall
Sylvia Barlow - Judy Arkwright
Cassandra Harris - Jenny (as Sandra Gleeson)
Maria Frost - Polly
Cindy Neal - Marianne
Gilly Grant - Striptease Artist
Jacky Berdet - Ingeborg
Nicola Austin - Tania (as Nicole Austin)
Nicole Verna
Patsy Morrell
Samantha Bond
Dunja Maloon
Christine Jensen
Edgar K. Bruce - Fred
Simon Cain
Robert Dorning - Civil servant
Julie May - Ethel
Alec Bregonzi - Harry
Wilfred Babbage - Judge (as Wilfrid Babbage)
Dennis Castle - Col. Roberts
Jackie Wright - Man in Strip-club
Category
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Short filmTranscript
00:00:30Well, Pat, if I'm not back in two hours, you know what to do with her.
00:00:52Good luck both.
00:00:52Thanks.
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00:04:26He was in fact awarded the military cross for gallantry on the Normandy beaches.
00:04:33Upon demobilization from the cavalry in 1946...
00:04:56He arrived home from overseas to the Dyer House...
00:05:00...which had been given him by his family on his 21st birthday.
00:05:12Only to find that both his parents had been killed during a bombing raid...
00:05:18...while staying at their Knightsbridge apartment in London.
00:05:22And that he had inherited the entire Wingate estate valued at that time...
00:05:28...at nearly three million pounds.
00:05:37Master Giles, glad to have you back, sir.
00:05:40Glad to be back, Fred. And how are you?
00:05:43Very very well, sir.
00:05:45Good. You're looking younger than ever.
00:05:47Thank you, sir. Afternoon, sir.
00:05:52You remember Clara, our cook, sir?
00:05:57Of course I remember Clara. How nice to see you here.
00:06:03And the maids are new, sir.
00:06:06Where did you find these girls? The village?
00:06:08Yes, sir. Amazing.
00:06:12Good heavens.
00:06:13I must have known you when you were old, just at all.
00:06:26Hmm. Tiny things.
00:06:29It took very little time for the handsome young bachelor to savour the pleasures of civilian life.
00:06:35And on an unearned income of several thousand pounds per year, he was able to give very careful thought to the methods in which his newfound fortune should be spent.
00:06:50Many long hours were spent in meditation over his wealth of business ideas.
00:06:58But first things first, and Giles Wingate's army experiences had given him a commendable sense of class equality.
00:07:11It offended him to be waited on by uniform servants, and he promptly ordered his staff to abandon their uniforms for something a trifle less formal.
00:07:28Formal.
00:07:41And to adopt a less formal...
00:07:43Oh, Bolly! The morning!
00:07:46I say!
00:07:47...relationship with their master.
00:07:50I haven't watched one all this before.
00:07:52Mmm.
00:07:53That can come off very quickly.
00:07:58One member of his staff, however, called Polly, and a brazen, fortune-seeking wench, if ever there was one, took advantage of the young Wingate's democratic socialist ideals,
00:08:09and within a few weeks became the first Mrs. Giles Wingate.
00:08:14From that moment, Polly embarked on a spending spree never before equaled.
00:08:22In one day, for example, she purchased from one London store 11 fur kits.
00:08:29She consumed 31 sports cars during one year.
00:08:35Needless to say, with young Wingate down to his last two million, the marriage ended in divorce.
00:08:41After Polly, the maid came Tania, the so-called movie actress.
00:08:54She came to stay for a weekend, bringing one of her films with her.
00:08:59Oh!
00:09:00Oh!
00:09:02Ah!
00:09:03H dla mı?
00:09:04Sit!
00:09:14Ah!
00:09:14heavily Hybrid!
00:09:16Ah!
00:09:16Ah!
00:09:17OK, aw!
00:09:18Ah!
00:09:19Ah!
00:09:20Oh!
00:09:21Ah!
00:09:22Shoo!
00:09:24Oh!
00:09:25Oh!
00:09:26Oh!
00:09:27Al, Devlin.
00:09:28John?
00:09:29Hey, Al's face.
00:09:38John, that's my broad.
00:09:44The whole place is empty.
00:09:47It's my broad now, Al.
00:09:50Take that, you dirty rat.
00:09:57Ah.
00:10:00Ah.
00:10:01Ah!
00:10:02Ah.
00:10:03Ah.
00:10:09Uh.
00:10:11Oh.
00:10:14Ah.
00:10:16Ah.
00:10:18Ah.
00:10:20Oh.
00:10:23Ah.
00:10:25Ah.
00:10:27Oh
00:10:49Give me an English
00:10:57All right, give me a brass
00:11:27Passed extension
00:11:33My client
00:11:35seeing his guest
00:11:37contemplate
00:11:39I'd say
00:11:41I'd say
00:11:43well
00:11:45that's fixed
00:11:47my client
00:11:51seeing his guest
00:11:53i'd say
00:11:55The client, seeing his guest suffering at the hands of gangsters on the screen,
00:12:00was so moved with compassion and pity, he asked her to be his wife.
00:12:07Three months and 500,000 pounds later, she took off with a homosexual actor
00:12:15and has never been seen since.
00:12:18From the publicity accrued from this tempestuous romance,
00:12:22Wingate became the target for every cunning, gold-digging wench in the country.
00:12:28And as fast as these women moved in, so my client married them one after the other,
00:12:35making in each case a vast settlement on the injured parties.
00:12:43Then came a stenographer, Mary, who was so transparently after her employer's money
00:12:50that just anyone could have seen through her.
00:13:03Nevertheless, she became Mrs Wingate number five.
00:13:09Oh, was it six?
00:13:12Marianne, a dancer, who soon stripped Wingate of 20,000 pounds in alimony
00:13:19as efficiently as she stripped herself of her veils.
00:13:24and of Ingeborg, a Swedish masseuse, who by her highly skilled training
00:13:30in the manipulation of the human body extorted, among other things,
00:13:38a promise of marriage which ultimately led to yet another costly divorce.
00:13:45This has been a不好 sike, so she moved to his office.
00:13:48Oh!
00:13:51Oh!
00:13:52Oh!
00:13:53Oh!
00:13:54Oh!
00:13:55Oh!
00:13:56Oh!
00:13:57Oh!
00:13:58Oh!
00:13:59Oh!
00:14:00Oh!
00:14:02Oh!
00:14:03Oh!
00:14:04Oh!
00:14:05Oh!
00:14:06Oh!
00:14:09Oh!
00:14:10These and other adventures at the hands of ruthless, mercenary women.
00:14:25Brought my client to the brink of ruin and forced him much against his will.
00:14:29Your Honour, I must object. This man...
00:14:40Sorry, Honour, no objections.
00:14:48Much against his will to borrow money from his own real estate business,
00:14:54which he has since repaid and which he now regrets.
00:14:58I mean, he regrets the borrowing, not the repaying.
00:15:02And I ask your Lordship to put yourself in my client's position
00:15:05and imagine yourself beset on all sides by scheming, ambitious women.
00:15:09Forced into dishonesty.
00:15:12And to deal as leniently as you can with this unhappy, exploited man.
00:15:25I suppose we must.
00:15:34Two years.
00:15:35But my Lord!
00:15:36No!
00:15:37Suspended, of course.
00:15:41We will now adjourn for lunch.
00:15:49Well, sir, we virtually won the case, didn't we, sir?
00:15:51Yes, of course.
00:15:55What does it mean?
00:15:56Suspended sentence.
00:15:57You're free.
00:15:59I think I did pretty well for you.
00:16:01Of course, paying the money back did make a difference.
00:16:05But by the way, how did you manage to behold it?
00:16:06The 30,000, I mean.
00:16:09Um...
00:16:11Shall we say, a rather wealthy lady.
00:16:14Yes, I suppose with all your experiences, you have learnt a trick or two.
00:16:17Yes, it's been a costly education.
00:16:2030,000 back for a three million investment.
00:16:23However, I shall now sit back and reap my reward, as they say.
00:16:27Really?
00:16:28No, thank you.
00:16:30What exactly have you in mind?
00:16:32There's still one or two details to be sorted out.
00:16:34Yes, of course, I'm sure there are.
00:16:36I've already put several advertisements in different periodicals.
00:16:44Let me get this straight.
00:16:46A school for sex, eh?
00:16:49It might work.
00:16:50Of course it will.
00:16:52Dear old chap.
00:16:53I've been conned, swizzled, and seduced
00:16:57by some of the loveliest, cleverest birds in the world.
00:17:01I think I must know just about every trick that there is to know
00:17:04for lifting money from the unsuspecting male.
00:17:07Now, if I impart this knowledge to, say, half a dozen girls to start with,
00:17:12on a commission basis of, say, 33 and a third percent,
00:17:16can you see the potential?
00:17:19Oh, by the way, where we're going, I think, um...
00:17:22Yes?
00:17:26One thing I've learnt about my fellow men,
00:17:29and don't think I'm alone in my vulnerability, is a truth.
00:17:31And it's simple.
00:17:32The shrewdest, toughest, hardest businessmen in the world
00:17:37have got one great weakness.
00:17:42One Achilles heel.
00:17:44One chink in their armour.
00:17:47And that is...
00:17:48Crumpet.
00:17:50Crumpet.
00:17:52Sex.
00:17:53It's quite... quite...
00:18:00Take this girl here for example.
00:18:04One subtle, I'll grant you, but...
00:18:06Watch her.
00:18:11And watch her audience.
00:18:13You might learn something.
00:18:14I'm sorry.
00:22:14One of the problems I haven't surmounted yet is how to obtain the right pupils.
00:22:20Well, I think I might be able to help you there.
00:22:22I have a friend who's a probation officer.
00:22:24I think I could get you a regular supply.
00:22:26Really?
00:22:27For a commission, of course.
00:22:29Would you like me to make some inquiries?
00:22:32Discreetly.
00:22:33Of course.
00:22:35Of course.
00:22:37Of course.
00:22:39Of course.
00:22:41Of course.
00:22:43I'm sorry.
00:22:45I'm sorry.
00:22:47I can't.
00:22:49I can't see you.
00:22:51I can't see you.
00:22:53Oh
00:23:23Here we are Fred back in business you can take the covers off now
00:23:33Glad to see you back sir you know I really thought you would have gone for a couple of years at least
00:23:39Do you know sir Wingate Manor has had a master for the last ten generations
00:23:44I remember dear Jonathan Wingate your grandfather sir
00:23:49He very nearly did time because
00:23:51Yes quite but now it's time to think of work we've got to earn some money Fred
00:23:54Think about paying your wages eh
00:23:56That's all right sir don't you bother about me
00:24:03Anything on for lunch Fred?
00:24:04Made some soup sir quite frankly I wasn't expecting you
00:24:11Mmm excellent your cooking qualifications will come in handy
00:24:15What do you mean sir?
00:24:16Oh I've got lots of little surprises for you Fred
00:24:20You know all those johnny little pictures you've got tucked away in your cupboard
00:24:24Well you'll wait and see what's going to happen down here very soon
00:24:34Good God
00:24:35What is it sir?
00:24:38Don't worry I'll soon show her off
00:24:40No just a minute Fred I think this might be the lady I'm expecting
00:24:44Our new deputy headmistress
00:24:48She don't look like a schoolmistress to me sir
00:24:51Well she's got rather shall we say um
00:24:54Special qualifications
00:24:57Surely will you Fred?
00:24:58Very good sir
00:25:23Mr. Giles Wengate
00:25:34Good morning
00:25:35You must be the doctor of the bear wash
00:25:36Yes my husband the late duke of my goodness what a charming kitchen you have
00:25:46How many kitchen staff have you?
00:25:49Well um we have Fred here who chefs for us and um anyway now that we're in the kitchen perhaps a cup of coffee
00:25:57An enchanting idea
00:25:59Or perhaps something a little stronger
00:26:02Much better brandy please
00:26:05Fred a large brandy for the duchess and a dry martini for me
00:26:11A martini and a large brandy for her grace
00:26:17Certainly sir
00:26:17Now duchess you wrote to me in answer to an advertisement in the times
00:26:25I note in your letter that your husband the duke died in 1966
00:26:31Now what have you been doing since then?
00:26:33Dear Archie yes it took some time spending I mean uh tying up his estate
00:26:39Such a lovely man
00:26:41You know it was the publicity and the news of the world that killed him
00:26:44Oh interesting
00:26:46You have experience with girls yes?
00:26:50Your large brandy madam
00:26:54Your martini sir
00:26:55Thank you Fred
00:26:58Cheers
00:27:10That will be all Fred
00:27:11Now duchess you were saying your experience with girls
00:27:22Yes indeed the windmill
00:27:25I was her girl there you know then the leader in Paris and after that I had my own modeling school
00:27:30A big success that was until those wretched girls let me down
00:27:34Let you down
00:27:35Yes the papers played it up of course
00:27:38Called it the cabinet cuddles affair you'll probably remember it everybody else does
00:27:43It was in 1956
00:27:44No I can't say I do
00:27:47Nothing really
00:27:49After a late debate on the budget of the house of commons some of the MPs had to stay overnight
00:27:54When the morning came nobody could find their clothes
00:27:56That Ursula that took them I never did like the girl
00:28:01Well anyway 23 of my girls happened to be there at the time quite innocently of course
00:28:07Nobody believed them
00:28:08That's how I met Archie
00:28:11He was minister for internal affairs at the time
00:28:14We were both completely exonerated
00:28:16Absolutely fascinating
00:28:19Oh
00:28:20Well duchess I think that we can say that your application has been successful
00:28:25Now before we discuss your percentage
00:28:29I mean your salary
00:28:31I think I should give you some details of the school and your duties
00:28:36Now at this moment on its way from London is a minibus containing a group of girls
00:28:54Hey Clampy this isn't the way to Holloway
00:28:56Please call me Mr. Clamp
00:28:59We're not going to Holloway
00:29:01We've been paroled
00:29:02We're going to Wingate Manor
00:29:03A new approved school
00:29:06Are you coming with us lover?
00:29:07Oh god
00:29:08Leave you alone Beth
00:29:10Or is that the best you can do?
00:29:11I hope we've seen your time
00:29:12Keep it quiet
00:29:16Are you okay Harry?
00:29:17Are you kidding?
00:29:19Here what's all this about Wingate Manor?
00:29:21Some new school they're taking us to
00:29:23Progressive rehabilitation or something
00:29:25Oh yeah
00:29:26Well we've got to get you all out of here before we get there
00:29:29Don't let him suspect anything
00:29:30I'll think of something
00:29:32What's going on back there?
00:29:34Nothing Mr. Clamp
00:29:35Where are we?
00:29:48It's just part of a small village
00:29:51Don't know what it's called
00:29:52Anybody about?
00:29:53No
00:29:54No
00:29:55Well if you see somebody
00:29:57Let me know
00:29:58I've got an idea
00:29:59Just pass the copper
00:30:08Me ain't it good
00:30:09Bloody marbles
00:30:10Get Cat to stop the bus
00:30:12Throw a faint or something
00:30:13You're mad with a copper?
00:30:14Do it quickly girl
00:30:15You bet
00:30:16You do it
00:30:16Oh my god
00:30:17Do it anything
00:30:18It doesn't matter
00:30:19One
00:30:19One
00:30:19Two
00:30:20Three
00:30:20Oh
00:30:21What's going on?
00:30:24She's fainting
00:30:25It must be the car drive
00:30:26It affects some people like us
00:30:31What's the trouble?
00:30:33What's going on?
00:30:34She needs an espion and a glass of water
00:30:36Yes
00:30:37Look there's a house over there
00:30:39They'll help
00:30:40Where?
00:30:41Through the trees
00:30:43I can't see any house
00:30:44Of course there is
00:30:45My eyesight's better than yours
00:30:46I'll go
00:30:47Oh no you don't
00:30:48I'll go
00:30:50And remember
00:30:51No funny business girl
00:30:53I'm gonna lock you in
00:30:58That works all right
00:31:11Okay
00:31:18Hey Harry
00:31:22What now?
00:31:23Get undressed
00:31:24Everything?
00:31:25Yeah everything
00:31:26I'll tell you what to do
00:31:27While I'm picking the lock
00:31:28Hurry
00:31:32Come on hurry
00:31:45Come on hurry
00:31:48I've done it
00:31:50I've done it
00:32:18What Him Flies
00:32:34Come on quick
00:32:35Because he's coming
00:32:45There's no sign
00:32:46Of the house
00:32:48All right, Kelsen.
00:32:58All set?
00:33:00Yes. Yes.
00:33:01I think you can bring up your lines, okay?
00:33:03Yes. I think so.
00:33:09You're taking a barbecue. Who the hell do you think you are?
00:33:12What did you do? Why are you taking the cold off?
00:33:14It's disgusting.
00:33:15What are you doing?
00:33:17Get back in the bus this minute.
00:33:18Please don't do this.
00:33:19Get back into the bus immediately.
00:33:21I won't tolerate this nonsense.
00:33:23Girls, please.
00:33:24Taking advantage of...
00:33:26What are you doing?
00:33:28Get back in the bus this minute.
00:33:30Let's go for a swim, you said.
00:33:32Change into your swimming costumes, you said.
00:33:34Take those clothes off, you said.
00:33:36And then you attack us.
00:33:37Yes, you're just a dirty, dirty, dirty old man.
00:33:40Don't do that.
00:33:41Now then, now then.
00:33:42Is this man annoying you?
00:33:44Yes, officer.
00:33:45Thank goodness you're here, officer.
00:33:47This man just set on us.
00:33:48All we want was a lift.
00:33:49Then he makes a strip like this.
00:33:51Oh, absolute nonsense, sergeant.
00:33:53My name is Horace Clapp,
00:33:54and I'm a probation officer of the Crown.
00:33:56Likely story.
00:33:58Do you have any credentials, sir?
00:34:00Of course I have.
00:34:01I thought something like this would happen
00:34:02when I saw this fellow pick up these hitchhikers, officer.
00:34:05Are you a witness, sir?
00:34:06Yes.
00:34:07I was walking along the road when I saw this fellow scouring the curve.
00:34:10He was obviously looking for an easy pick up.
00:34:12And eventually I saw him pick up these four young ladies.
00:34:15Absolute nonsense, sergeant.
00:34:16Here are my credentials.
00:34:19This, sir, is a membership card to the Raymond Review Bar.
00:34:23Oh.
00:34:30Ah, this seems to be in order, sir.
00:34:32Of course.
00:34:33Are these four girls in your care, sir?
00:34:34Yes, sergeant.
00:34:35You know, these girls would do anything to obey justice.
00:34:38I'm taking them to Wingate Manor.
00:34:42You see, and I trust you'll allow me to go unhindered
00:34:46and forget this little incident.
00:34:48It wouldn't look good on my record.
00:34:51Wingate Manor, sir.
00:34:52That's right.
00:34:53Well, I suppose it's all right.
00:34:54See you at Wingate Manor.
00:34:55All right, girls.
00:34:56Come on.
00:34:57Into the bus.
00:34:58All right.
00:34:59Come on.
00:35:00Come on.
00:35:01Come on.
00:35:10Well, sir.
00:35:11Well, now you go, eh?
00:35:12Thank you, sergeant.
00:35:16Wingate Manor.
00:35:18Wingate Manor.
00:35:48You, sir.
00:35:53Good, sir.
00:35:54Bus and
00:36:07But first, no time I準備.
00:36:09Then, wait.
00:36:11The next time I put on the body pot on the hill,
00:36:15Oh, my God.
00:36:45Oh, my God.
00:37:15Oh!
00:37:45Oh, oh.
00:38:10Oh!
00:38:11Oh!
00:38:12Oh!
00:38:14Oh, my God.
00:38:39Ellen, Peddle.
00:38:41Gave you a little bit of a chase, didn't you?
00:38:44You thought you'd give your little speller to slip.
00:38:48I beg your pardon?
00:38:50The minute I see you in the street, I said to myself,
00:38:52I said, that is the most beautiful bird
00:38:56that you've ever seen in your life.
00:38:58And you must have it, I said.
00:39:00Have me?
00:39:01Yes.
00:39:02Have you for me trouble and strife, be what?
00:39:04But such a lovely bird, with such beautiful feathers,
00:39:08must be caught in very, very carefully.
00:39:14So let me cook, my beautiful one.
00:39:22Give me those lips that I yearn for, night and day.
00:39:26Go away! Go away!
00:39:28Let me sample the rich flavor here.
00:39:31Mr. Wingate!
00:39:32Mr. Wingate, help!
00:39:34Mr. Wingate!
00:39:36Mr. Wingate!
00:39:38Mr. Wingate, help!
00:39:40I say, what's going on here?
00:39:42Why?
00:39:44Is this your old woman then?
00:39:46Well, no.
00:39:47Good.
00:39:48Oh, don't start.
00:39:50I say, Duchess, would you like to tell me what all this is about?
00:39:54Mr. Wingate, this, oh, followed me from the village and then started to molest me.
00:40:02I insist that you call the police.
00:40:04Oh, no.
00:40:05I don't think there's any need for that.
00:40:07Now, if you'd like to just sit down and tell me your name.
00:40:10Hector.
00:40:11Hector Shawnesset.
00:40:12Hector Shawnesset.
00:40:13Si.
00:40:14And you live and work in the village, yes?
00:40:16Oh, no.
00:40:17I live up at the big house, but they don't work with prizefighters around here.
00:40:20So, here.
00:40:21You couldn't give me a joke, would you?
00:40:23Well, I'm afraid I haven't any use for a prizefighter either.
00:40:27Unless...
00:40:29Are you any good at PT?
00:40:31No, that's it again.
00:40:33I don't mean that sort of PT.
00:40:35I meant physical training.
00:40:37Yes.
00:40:38I spell with all of them.
00:40:39Bruce Walker, Tommy Feld,
00:40:41Oswald Punches is the best of them.
00:40:43Well, it's only too painful and obvious.
00:40:45Mr. Wingate, you're not serious.
00:40:47Well, he might be useful.
00:40:49And cheap.
00:40:50Now, look, Hector.
00:40:51If I take a chance on you,
00:40:53will you promise me one thing?
00:40:55To leave the Duchess here alone.
00:40:57Five feet up.
00:40:58Five feet up.
00:40:59Just to be...
00:41:00Just to be breathing the same air as her.
00:41:01Just to be feeling...
00:41:02Quite.
00:41:03Quite.
00:41:04Now, you go off home,
00:41:05smarten yourself up,
00:41:06and come back here tomorrow morning at nine o'clock,
00:41:09and I'll tell you your duties.
00:41:10Sir, yes, sir.
00:41:11Thank you, sir.
00:41:12Thank you, sir.
00:41:13Oh, and Hector.
00:41:14Yes, sir.
00:41:15Don't tell anybody in the village that you're working here,
00:41:16will you?
00:41:17Don't forget your condition of employment.
00:41:19My lips shall be so.
00:41:20And love shall remain a secret forever.
00:41:23Thank you, sir.
00:41:24Thank you, sir.
00:41:25Thank you, ma'am.
00:41:40Thank you, ma'am.
00:41:41Here they come, Fred.
00:41:42Look.
00:41:43My very first pupils.
00:41:45All right, girl.
00:41:46Out you come.
00:41:47Here they come, Fred. Look, my very first pupils.
00:41:53All right, girl. Out you come.
00:42:05Master Giles, you should make a splendid headmaster of a girls' school.
00:42:10You think so, Fred?
00:42:13Now, stay here. And don't move. I won't be long.
00:42:18Well, I don't know about you, but I guess I can't.
00:42:22Oh, uh, I'm Mr. Winnicott. That's correct.
00:42:26Could I have a word with you, sir? Of course.
00:42:29In private, sir? Oh, yes, yes.
00:42:32Fred, would you go and take the girls' suitcases and put them upstairs in the bedrooms,
00:42:36and then when you've done that, bring the girls all downstairs into the main hall?
00:42:40Certainly, sir.
00:42:42You? Thank you.
00:42:47Well, Mr. Clapp, what can I do for you?
00:42:58Well, Mr. Berridge didn't say it would go to be like this, sir.
00:43:02You've had difficulties, Mr. Clapp?
00:43:03Oh, tell me, um, why aren't all the girls undressed?
00:43:07They're a bunch of hooligans, sir.
00:43:10They try to escape.
00:43:12Oh.
00:43:14I don't think I can do this very often.
00:43:17Nonsense, Mr. Clapp.
00:43:19When you see the lovely lolly that you're going to make,
00:43:21you won't be able to get those girls down here fast enough.
00:43:24We young ladies, sir.
00:43:26Ah, show them in, will you, Fred?
00:43:27Certainly, sir.
00:43:28This way, ladies.
00:43:38Hmm.
00:43:39A most interesting punch of the girls.
00:43:42Uh, Mr. Clapp, will you?
00:43:44Oh, oh, yes, sir.
00:43:45Yes, sir.
00:43:46This is Sully Regan.
00:43:49She was probation to me for two years for shoplifting.
00:43:53Persistently.
00:43:55Naughty.
00:43:56You have to do better than that, won't you?
00:43:59This is Judy Arkwright.
00:44:00Third offence.
00:44:02Stole 140 pounds from an elderly gentleman.
00:44:05Worked in a near beer joint.
00:44:07Oh, good work.
00:44:08Really good.
00:44:10This is Beth Villiers.
00:44:11Involved in some sort of land fraud.
00:44:15I don't know much about it, I'm afraid.
00:44:18Excellent.
00:44:19You must, uh, tell me the details sometime.
00:44:25Is that all, Mr. Clapp?
00:44:26I thought there were four girls.
00:44:29Oh, my God.
00:44:31Yes, the ringleader.
00:44:32Sue Rangel.
00:44:34Where's Sue Rangel?
00:44:38Well, Sue Rangel.
00:44:40Do you want to do a bunk for it now, or what?
00:44:43What's the point, Harry?
00:44:45We've just become a girl on the run.
00:44:47And you'd cop it too for aiding and abetting.
00:44:50No.
00:44:51The best thing to do is to stick it out.
00:44:53And hope the police get hold of that swine, Ronnie Lambert.
00:44:57If he's any decency at all, he'll clear me.
00:45:00Sir Rangel!
00:45:01Sir Rangel!
00:45:02Sir Rangel!
00:45:03Sir Rangel!
00:45:04Sir Rangel!
00:45:05Sir Rangel!
00:45:06Sir Rangel!
00:45:07Sir Rangel!
00:45:08Sir Rangel!
00:45:09Sir Rangel!
00:45:10Sir Rangel!
00:45:11Sir Rangel!
00:45:12Where are you?
00:45:13Come on.
00:45:14No.
00:45:15Where are you?
00:45:16Eighteen months for something you didn't do.
00:45:18I told you not to get mixed up with that Lambert crowd.
00:45:21Even I didn't know he was pushing acid in such a big way.
00:45:24You live and learn.
00:45:26Anyway, there's nobody else to get mixed up with.
00:45:29I was around.
00:45:31I was around all the time.
00:45:33But you didn't see me.
00:45:34Yeah, I know.
00:45:42Sir Rangel!
00:45:45Sir Rangel!
00:45:46Sir Rangel!
00:45:47Where are you?
00:45:48You'd better go, Harry.
00:45:49You don't want to be found here.
00:45:50What for?
00:45:51I'm not doing anything wrong.
00:45:52I've been going straight for three years now.
00:45:55Well, at least you'd better get dressed.
00:45:57Ah, give him a thrill.
00:45:59Sue Randall!
00:46:00Sue Randall!
00:46:01Where are you?
00:46:02It's no use trying to hide.
00:46:03We'll find you.
00:46:04Where are you?
00:46:05It's all right, Mr. Wingard.
00:46:07I found her.
00:46:08Thank you, young man.
00:46:10What do you think you're doing?
00:46:12I say, don't you feel a bit cold like that?
00:46:14Don't you think you ought to get dressed?
00:46:16I think you should allow me to punish them, sir.
00:46:18The girl should be spanked and the boy should be...
00:46:22Don't I know you?
00:46:24I thought I recognized something.
00:46:26Not you, the suit.
00:46:27Oh, yes.
00:46:28I remember.
00:46:29Lady Swithin's gardener.
00:46:30Same old story.
00:46:31Made off of the silver.
00:46:32She was probation to me.
00:46:33Now, look.
00:46:34I paid that debt.
00:46:36I'm straight now.
00:46:37Do you have a job?
00:46:38No.
00:46:39Do you want one?
00:46:41As a gardener?
00:46:42Well, that would be your official capacity, but...
00:46:45Leave again.
00:46:46Yes.
00:46:47In my room.
00:46:48Huh?
00:46:49No.
00:46:50Just so that I can keep an eye on you.
00:46:52Oh.
00:46:53Okay.
00:46:54Well, come on, then.
00:46:55Come on, sir.
00:47:04Fred!
00:47:05Is it coming, ma'am?
00:47:06Sir?
00:47:07Sir?
00:47:08You four girls are the first pupils at Wingate Manor.
00:47:12Now, our object is to provide you with an education
00:47:16that will enable you to take your place as leading members of our society.
00:47:20Mr Wingate?
00:47:21Yes?
00:47:22Could I ask you what were those contracts that you asked us to sign?
00:47:25Ah, yes.
00:47:26Yes, I was just coming to that.
00:47:28Now, you will realize that the education that you will undergo here will be of a most unique
00:47:35nature.
00:47:36As such, it will be very expensive.
00:47:39But the benefits that you will reap as a result of this should be substantial.
00:47:44Of course, you will understand that I want the school to benefit as well.
00:47:48So, in fact, what you have done is just sign over one third of your future earnings to
00:47:55me.
00:47:56Now, I should like to introduce you to your teachers.
00:48:03Duchess.
00:48:06This is the Duchess of Burwash.
00:48:09Now, she will instruct you in a number of subjects.
00:48:13Under the heading of technique.
00:48:17Good evening, girls.
00:48:19Hector.
00:48:21And this is Mr Shaughnessy.
00:48:24Who will instruct in...
00:48:27Deportment.
00:48:28Pleased to meet you, girls.
00:48:30Oh dear doc.
00:48:32Oh dear, oh dear.
00:48:35Oh dear, oh dear.
00:48:36Yesssss!
00:48:37Oh dear, oh dear, oh dear.
00:48:52Two hours late, I'm surprised it was all steam dropped.
00:48:59Oh, don't keep on at me, Ethel.
00:49:00How would you like to have walked six miles?
00:49:03Seems a bit funny to me, I wonder what they're all doing up Wingate Manor, you ought to find
00:49:10out, you know.
00:49:11Ah, I ought to, but I don't think Mr Wingate particularly welcomes me up there, you know.
00:49:16Why not?
00:49:17You're only doing what you were paid to do.
00:49:19Well, I felt so guilty last time when I had to go up there and arrest him.
00:49:24Wingates have been in this county for centuries, so I always feel they're above the law, them
00:49:30sort of people.
00:49:31Why don't you just go up there and snoop around, without him knowing?
00:49:34Yeah, I think I will, yeah.
00:49:37Probably nothing in it, but don't say nothing to anybody though.
00:49:40Oh dear.
00:49:41What's up?
00:49:42Mr. Roberts.
00:49:43The Colonel?
00:49:44Oh no, you didn't tell him.
00:49:47Mrs. Roberts was in the kitchen, I only mentioned-
00:49:50Ethel, how many times have I got to tell you, especially the Colonel?
00:49:54You know he's daggers drawn with the Wingate family.
00:49:57Figures he ought to have been the squire of the village.
00:50:01Still, I'd dearly love to know what's going on at Wingate Manor.
00:50:16Yes, I think that's about right.
00:50:18Now this is your millionaire, and this is your dining room at the Carlton in Cannes.
00:50:34How do I get to Cannes in the first place?
00:50:36Yes.
00:50:37My dear, if you don't know how to get a one-way ticket to the south of France, I don't know
00:50:40why we're bothering.
00:50:41I want you to play it by ear.
00:50:44Now Fred, you know how to react.
00:50:47I'll do my best, ma'am.
00:50:49Right.
00:50:50Now begin.
00:50:51Wiggle, dear.
00:50:52Wiggle.
00:50:53Wiggle.
00:50:54Now begin.
00:50:55Wiggle.
00:50:56Wiggle.
00:50:57Wiggle.
00:50:58Now look what you've done.
00:50:59Oh, it took me hours to dress as well.
00:51:03Oh, my dear, I'm so sorry.
00:51:04Allow me.
00:51:05No, no, that won't help.
00:51:06I shall have to go and change.
00:51:07Good.
00:51:08Good.
00:51:09Good.
00:51:10Oh, dear.
00:51:11My roommate has the keys and she won't be back for hours.
00:51:13Oh, my dear, I'm so sorry.
00:51:14Allow me.
00:51:15No, no, that won't help.
00:51:16I shall have to go and change.
00:51:17Good.
00:51:18Good.
00:51:19Oh, dear.
00:51:20My roommate has the keys and she won't be back for hours.
00:51:22What am I going to do?
00:51:23Excellent.
00:51:24Excellent.
00:51:25It'll be my privilege to allow you to dress in my room.
00:51:27Oh, thank you, sir.
00:51:28Could I wish you to be so kind and come with me,
00:51:30just in case one of the porters thinks I'm breaking in?
00:51:32Of course, my dear.
00:51:33My dear.
00:51:34I'm so sorry.
00:51:35I'm so sorry.
00:51:36Allow me.
00:51:37No, no, that won't help.
00:51:38I shall have to go and change.
00:51:39Good.
00:51:40Good.
00:51:41Good.
00:51:42Oh, dear.
00:51:43My roommate has the keys and she won't be back for hours.
00:51:45What am I going to do?
00:51:46Yes, my dear.
00:51:47Marvellous.
00:51:48Very good indeed.
00:51:50Now comes the kill.
00:51:54Now this is your millionaire's room.
00:51:56There is the door.
00:51:57Take up your positions, both of you.
00:52:00Oh, Hannah, you're supposed to be hiding away behind the sofa.
00:52:05Sue, you'll come over here and join me.
00:52:09Now enter.
00:52:11Come along, my dear.
00:52:13I'll wait in the bathroom while you undress.
00:52:18It doesn't matter, sir.
00:52:19I'm sure you've got daughters much older than me and you're far too much a gentleman.
00:52:23Quite.
00:52:24Quite.
00:52:25Why don't you sit down?
00:52:26Thank you, Mike.
00:52:32Tease him, dear.
00:52:33Tease him.
00:52:34He is here.
00:52:35Did you think I had the good?
00:52:56Did you?
00:52:57Marvellous.
00:52:58I don't know.
00:52:59I don't know.
00:53:00You're married.
00:53:01Oh, not at all bad.
00:53:08A bit corny, perhaps, but still worth a quick 5,000, according to the age of the punter.
00:53:13Fred.
00:53:14Oh.
00:53:15You all right?
00:53:16It's my heart, ma'am.
00:53:19Blood pressure, you know.
00:53:22Goodness, what's that?
00:53:24No, no, no, dear.
00:53:25Never make it appear as though it's vicious.
00:53:28Now, play on the punter's masochism.
00:53:31Now, start again.
00:53:32Just a minute.
00:53:33Get off my butt.
00:53:34Get off the back.
00:53:35That's it.
00:53:36Now, sit on the side of the bed.
00:53:37There.
00:53:38All right?
00:53:39Now, start at the top again.
00:53:40The neck.
00:53:41Gently.
00:53:42Now.
00:53:43Bigger.
00:53:45Harder.
00:53:46Deeper.
00:53:47That's it.
00:53:48Nice.
00:53:49Now, down.
00:53:50Down.
00:53:51Down.
00:53:52Towards the ribs.
00:53:53Down towards the ribs.
00:53:54Lovely.
00:53:55Harder.
00:53:56Press.
00:53:57Press.
00:53:58Sit.
00:53:59Yes.
00:54:00Sit.
00:54:01Now.
00:54:02Gently.
00:54:03Up towards the top of the neck again.
00:54:05Now, begin to work down the spine.
00:54:08Gently down the spine.
00:54:10Now, this is it.
00:54:11This is where you're lulling him into a sense of false security.
00:54:14Right down.
00:54:15Right down.
00:54:16Right down.
00:54:17Now.
00:54:18Quickly.
00:54:19A couple of rabbit punches to the spine.
00:54:20That's it.
00:54:21Lovely.
00:54:22Into the ribs.
00:54:23That's it.
00:54:24Now.
00:54:25Now.
00:54:26Start on the left leg.
00:54:27On the left leg.
00:54:28That's it.
00:54:29Massage.
00:54:30Gently.
00:54:31Gently.
00:54:32You're lulling him again.
00:54:33That's it.
00:54:34He doesn't think anything's going to happen.
00:54:35Now, take it down to the knee.
00:54:37To the knee.
00:54:38That's it.
00:54:39Now.
00:54:40One hand.
00:54:41Under the ankle.
00:54:42Grab it.
00:54:43Up.
00:54:44That's it.
00:54:45That's it.
00:54:46Lovely.
00:54:47Ah.
00:54:48Ah.
00:54:49Ah.
00:54:50Ah.
00:54:51Ah.
00:54:52Ah.
00:54:53Everything okay up here, Mr. Wingate?
00:54:55Oh.
00:54:56Yes.
00:54:57Yes.
00:54:58Judy's doing fine.
00:54:59All right, my dear.
00:55:00You can relax the leg.
00:55:01That's it.
00:55:02You go downstairs now and join Hector's class for PT.
00:55:05Oh.
00:55:06Hmm.
00:55:07How's your Beth doing?
00:55:10Very good indeed.
00:55:11I've sent her out to Hector's class.
00:55:13Yes.
00:55:14He's doing very well.
00:55:15Open your leg there.
00:55:16Put them right up here on your chest.
00:55:17Come on.
00:55:18Right up.
00:55:19Ready?
00:55:20One.
00:55:21Two.
00:55:22Three.
00:55:23One.
00:55:24Two.
00:55:25Three.
00:55:26One.
00:55:27Two.
00:55:28Three.
00:55:29Three.
00:55:30Three.
00:55:31You look like an old bag of bones, Beverly.
00:55:33Hold them up.
00:55:34Come on.
00:55:35Step right up.
00:55:36Stay the feet together.
00:55:37Step right up.
00:55:38One.
00:55:39Two.
00:55:40Down.
00:55:41Up.
00:55:42Come on.
00:55:43Down.
00:55:44Up.
00:55:45Down.
00:55:46Up.
00:55:47Down.
00:55:48Up.
00:55:49Down.
00:55:50Up.
00:55:51Down.
00:55:52Up.
00:55:53Down.
00:55:54Up.
00:55:55Come on.
00:55:56Down.
00:55:57Up.
00:55:58That's it.
00:55:59Hands down by your side.
00:56:01Have a go.
00:56:02Right down to the ground this time.
00:56:04On each side of your feet.
00:56:05Hands above your head.
00:56:06One.
00:56:07Two.
00:56:08One.
00:56:09Two.
00:56:10One.
00:56:11Two.
00:56:12One.
00:56:13Two.
00:56:14One.
00:56:15Two.
00:56:16Hands above your chest.
00:56:17Switch right up.
00:56:18Ready?
00:56:19One.
00:56:20Two.
00:56:21Stretch up, Sue.
00:56:22Put that tummy in, Sue.
00:56:23What are you laughing at?
00:56:24Put your tummy right in.
00:56:25Hold your backside in.
00:56:26That's it.
00:56:27Hands above your head.
00:56:28One.
00:56:29Two.
00:56:30One.
00:56:31Two.
00:56:32Two.
00:56:33One.
00:56:34Two.
00:56:35One.
00:56:36Two.
00:56:37Two.
00:56:38Two.
00:56:39Two.
00:56:40Two.
00:56:41Two.
00:56:42Two.
00:56:43Two.
00:56:44Two.
00:56:45Two.
00:56:46Two.
00:56:47Two.
00:56:48Two.
00:56:49Two.
00:56:50Two.
00:56:51Ah.
00:56:52Good morning, Sergeant.
00:56:53Colonel Roberts.
00:56:54What brings you up here, sir?
00:56:55Well, the wife told me there was something interesting going on.
00:56:58I take it you're investigating?
00:57:00I'm not making no investigation, sir.
00:57:02This is my routine range.
00:57:04You can't fool me, Sergeant.
00:57:05I know there's something fishy going on.
00:57:07That bounder Wingate ought to be locked up.
00:57:09Mark you.
00:57:10All the family are the same, you know.
00:57:12For generations.
00:57:13No, no, Colonel.
00:57:14We can't run around making accusations like that.
00:57:16We've got to be sure of our facts.
00:57:18Well, that's as may be.
00:57:19But I'm going to do a bit of investigation on me own.
00:57:22And when I've got my facts, I'm going to pounce.
00:57:25Good day, Sergeant.
00:57:26Good day, Sergeant.
00:57:27Good day, sir.
00:57:34Now, girls, an advanced class in a more difficult situation.
00:57:38This is the big killing.
00:57:40And you need far greater care.
00:57:43Young men obviously make the best husbands.
00:57:50Unfortunately, they're always reluctant to pay for services rendered.
00:57:55So we don't give it to them.
00:57:57All I know all about this permissive age.
00:58:00But what we said in the fifties is true now.
00:58:03Once they've had you, they'll never marry you.
00:58:06So now, Harry, I've told you what to do.
00:58:09And, Sally, you were just arriving at this young man's Chelsea flat.
00:58:14The object is to prevent him from seducing him.
00:58:18Now, go on, take up your position.
00:58:20Dearly beloved, we are gathered together to join this man and this woman in holy matrimony.
00:58:25No, no, no.
00:58:26I'm a sick man.
00:58:28I'm a dying man.
00:58:29I'm a dying man.
00:58:30I'm a dying man, I tell you.
00:58:32I'm a...
00:58:33Dearly beloved, we are gathered together to join this man and this woman in holy matrimony.
00:58:46Now, look, gals.
00:58:48If you can't get the old boy to the altar quicker than that, he's going to drop dead on you.
00:58:52Now, go back and start it all over again.
00:58:57Dearly beloved.
00:58:58I don't think we've got this quite right, Miss Sally.
00:59:02Come on, get dressed.
00:59:04We've got a lot of work to do yet.
00:59:07Now, Rudy, bring them back.
00:59:08Bring these chests right out.
00:59:09Ready?
00:59:10One, two, three.
00:59:20Now, dear, I don't think we've got this quite right.
00:59:23You'll have to give him a little more passion, otherwise you'll lose interest.
00:59:26Try again.
00:59:27Try again.
00:59:28Mm-hmm.
00:59:34That's enough bloody passion.
00:59:36Lay off.
00:59:39Ow!
00:59:57And a little good one.
00:59:58You're welcome.
00:59:59You're welcome.
01:00:00We're the Конечно Steen.
01:00:01Yeah, that's enough.
01:00:02You're welcome.
01:00:04Okay?
01:00:05You're welcome.
01:00:06You're welcome.
01:00:07No, this guy.
01:00:08You're welcome.
01:00:09And where are we?
01:00:10You're welcome.
01:00:11You're welcome.
01:00:12I'm a little good.
01:00:13I can't even tell you.
01:00:14You're welcome.
01:00:15You're welcome.
01:00:16You're welcome.
01:00:17And I always go, everybody.
01:00:18I can't even tell you.
01:00:19Let's go.
01:00:49Oh, Mr. Wynnear.
01:00:54Nice to see you again, Mr. Clamp.
01:00:56Nice to see you.
01:00:57I've got a little something here for you, I think, quickly.
01:01:00There we are, as promised.
01:01:02Thank you very much.
01:01:03All right, see you again soon.
01:01:04See you later.
01:01:05Come along, girls.
01:01:06Give your bags to trade, will you?
01:01:07It's okay, sir.
01:01:08I'm yours.
01:01:09I'm yours.
01:01:10I'm yours.
01:01:19You damn nettles.
01:01:21Three months, Sergeant.
01:01:23Three months.
01:01:24What are you going to do about this scandal?
01:01:26I don't see there's anything I can do, sir.
01:01:28I'll have to know a lot more about this.
01:01:30I don't know a lot more about it?
01:01:32Well, I'm going to whip up a petition.
01:01:34All right, sir.
01:01:35Just as you like it.
01:01:40Well, girls, this is it.
01:01:43You've been with us for three months now.
01:01:46It's time for you to go and face the outside world.
01:01:57I shall always hold a very special place in my heart for you.
01:02:00My first, and I'm sure my most successful pupil.
01:02:05I know that you'll capture the hearts of many unsuspecting males
01:02:08just as easily as you've captured mine.
01:02:11Now, Hector will drive you to the station
01:02:15and whence you will go your separate ways.
01:02:18Bravo, bravo!
01:02:22Goodbye, my dear.
01:02:28Go.
01:02:30Do honour to your school.
01:02:36And may God bless you all.
01:02:38Goodbye, sweetheart.
01:02:39Just take them any.
01:02:40Don't marry any of them, huh?
01:02:42Don't worry, Harry.
01:02:44Look after yourself.
01:02:45See you soon.
01:02:47Come on, girls.
01:02:48I will miss the train.
01:03:08Come on.
01:03:09Come on.
01:03:13Come on.
01:03:16Come on, girl.
01:03:17Come on.
01:03:18Come on.
01:03:24They're not very attached to those girls.
01:03:27Come on, old Duchess.
01:03:29Bring in the newcomers.
01:03:31Come on, girl.
01:03:32Come on.
01:03:34Come on, girl.
01:03:35Come on, girl.
01:03:36Now that we've got the introductions over, I think it'd be a good idea if you were to disrobe straight away.
01:03:56We have a very scientific approach here.
01:04:00This will enable your teachers to peruse your natural talents.
01:04:06And therefore, to give you the most beneficial and individual attention.
01:04:47Oh, my God.
01:05:17Oh, my God.
01:05:47Oh, my God.
01:06:17Well, Duchess, I must say we've got a very nice bunch of girls this time.
01:06:24I believe they're better than the last lot.
01:06:28Fred, you're supposed to be sweeping the floor.
01:06:30Yes, sir.
01:06:32Now, what about this one?
01:06:35Aha!
01:06:36Twenties look.
01:06:37Very nice, my dear.
01:06:38Amusing that.
01:06:40Because this one's much more with it.
01:06:41This is absolutely, you know, present day, isn't it?
01:06:44We can build up the colouring, I think.
01:06:48Oh, yes, yes.
01:06:51I think a little extra continental training for this one, don't you, Duchess?
01:06:55Should do very well on the via Veneto.
01:06:58Oh!
01:06:58Well, it reacts well, too.
01:07:01Uh-huh.
01:07:04Oh, there you are.
01:07:05Now, Hector.
01:07:07Yes, sir.
01:07:08Mm-hmm.
01:07:10Do something about this, will you?
01:07:13Yes, sir.
01:07:13Now, you've got to work hard.
01:07:17You're going to do plenty of chest exercises, something like this.
01:07:21Now, you try it.
01:07:22Now, you're going to do that half hour every day.
01:07:23Every day you're going to do that.
01:07:25Well, Duchess, if you're just organising the contracts for the new girls.
01:07:28Of course.
01:07:30I think I'll be off to bed.
01:07:32I'll be up later.
01:07:34Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
01:07:43Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
01:08:13Sergeant, double-faced blackguard, what are you going to do about him?
01:08:22There ain't nothing I can do, sir, unless he breaks the law.
01:08:25Nearly 300 guests attended the wedding yesterday of London model Beth Villiers to Sheik Abdul-Uglao-Toto, the Kuwait oil magnet.
01:08:35Miss Villiers, looking charming and composed, told our reporter that her success on the international scene had been mainly due to the training she had received at the little-known Wingate Manor Finishing School.
01:08:46Oh, by the way, we got a large cheque from her this morning.
01:08:50Oh, that was quick.
01:08:51And she fiddled the budget for her trousseau.
01:08:54Yeah, I'm not quite sure that I like all this publicity, you know. I mean, look at this thing in the paper yesterday about young Sally.
01:09:00Where are we? Ah, yes. Sally Regan, much in the news recently with her on-off-on romance with horror film producer Sidney Myers, has signed a seven-year contract with a rival film company.
01:09:12It was reported that she negotiated the entire deal herself without any help from her agent.
01:09:17She added that her financial know-how had been acquired at Wingate Manor, an exclusive finishing school for girls.
01:09:25And then there was, there was young Sue the other day, not content with that twenty-thousand-pound settlement out of court from the defence minister.
01:09:32Tells them that it was all due to us.
01:09:34She was helping.
01:09:36I know, but it's not interesting.
01:09:38Yes, Principal Wingate Manor speaking.
01:09:44I'm sorry, madam. I'm afraid we're full.
01:09:47Say, you'll have to help me here that some woman says she's read about us in the paper.
01:09:53She wants to send her daughter to us.
01:09:56Won't you take notes for an answer?
01:09:59No.
01:10:00Well, stay with that quote.
01:10:02Madam, I'm very sorry.
01:10:05Yes, I know money talks, madam, but...
01:10:08Well, four hundred guineas a term.
01:10:12What?
01:10:15Very well, madam.
01:10:19That fixed her?
01:10:21No, she's confirming in writing.
01:10:25Out here.
01:10:31Wingate Manor School for Girls.
01:10:33This is the deputy headmistress.
01:10:36I see.
01:10:37Well, I'm afraid we're full.
01:10:40What?
01:10:41Oh, eight or ten years, I should think.
01:10:46Hold on a minute.
01:10:47I'll speak to the principal.
01:10:50I think this one's for you.
01:10:52It's by Count Snow.
01:10:53In for a penny, in for a pound.
01:10:57Four hundred guineas a term.
01:10:59Will you confirm?
01:11:02Goodbye.
01:11:05I should have to think about this one.
01:11:07I hadn't envisaged this sort of problem.
01:11:09Perhaps you could burn the place down.
01:11:10Perhaps you could burn the place down.
01:11:28Oh, Danny, what a super place.
01:11:30You will not forget the religious side of my education.
01:11:35Oh, good heavens, no, Bishop.
01:11:37We cater for every denomination here.
01:11:40Let's see.
01:11:43Come along, my dears.
01:11:44This way.
01:11:47Straight through.
01:11:49Up the stairs.
01:11:50There we are.
01:11:51Here we are.
01:11:52Thank you, sir.
01:11:53Here we are.
01:11:54That's it.
01:11:55Ah, Mr. Windegare.
01:11:56I'd like to show you some interesting pictures of my daughter.
01:11:59Oh.
01:12:01When she was a little girl.
01:12:02Yes, I'd be most enchanted to see those.
01:12:05Oh, oh, yes.
01:12:07My, my.
01:12:08She has changed a lot, hasn't she?
01:12:10Quite a big girl now.
01:12:11Thank you, sir.
01:12:12See you again.
01:12:13Goodbye.
01:12:14That should give you all you need.
01:12:20Sergeant, do your duty.
01:12:21Righto, sir.
01:12:22I'll have to phone the chief constable first, now, sir.
01:12:25Right.
01:12:25I'll stay guard.
01:12:37It's the waiting I can't stand, Mr. Bennett.
01:12:40What did you want it for?
01:12:42Oh, stop fussing, cat.
01:12:44I've just seen the home secretary.
01:12:52First, Sally Regan, making a fortune as a film actress.
01:12:56Then was, uh, what's her name?
01:12:58Sue Randall with that cabinet minister's candle.
01:13:01You've no idea how I had to lie myself out of that one.
01:13:04And now there's this Beth Villiers, garibanting all over Kuwait.
01:13:08These girls are supposed to be under lock and key.
01:13:11Well, no, no, sir.
01:13:12I mean, it's a very good school.
01:13:13Oh, I've only your word for that.
01:13:15I've never heard about this place and neither do I find now have any of my colleagues.
01:13:19Nevertheless, these girls are still on probation, Bennett.
01:13:23What are you going to do about it?
01:13:25Yes?
01:13:26Put him through.
01:13:28Speaking.
01:13:30Oh, no.
01:13:31All right.
01:13:35I suppose that's all you can do.
01:13:37Right.
01:13:38I'll phone you back.
01:13:41Beth was the chief constable.
01:13:43Reports from the local police that your Wingate manor is a brothel.
01:13:46Oh, my God.
01:13:47Oh, no, sir.
01:13:48Not exactly a brothel.
01:13:50It's a...
01:13:50Look, Berridge, you better get down there straight away.
01:13:52I'll do what I can to delay police action.
01:13:55Well, go on, man.
01:13:56Hurry up and save your skin.
01:13:57Okay, sir.
01:14:10And mine.
01:14:13But quiet now, girls, please.
01:14:15Quiet.
01:14:17Now, today we have several new girls with us.
01:14:21So I thought we'd start with something cheerful.
01:14:25A party that is extremely popular in the European capitals, particularly in Italy, is one that is more generally known as the Dolce Vita Orge.
01:14:36Now, one point about this type of party.
01:14:39It is extremely difficult to tell the princes from the paupers or the rich man from the poor.
01:14:47And that will be the object of this lesson today.
01:14:55Everything all set, Sergeant?
01:14:57Yes, sir.
01:14:57We caught the others as they was traveling through the village.
01:15:00Good.
01:15:00Where are they?
01:15:01Here, sir.
01:15:01Sergeant, what is the meaning of all this?
01:15:07Why are we being arrested?
01:15:08These people are all the same, you know.
01:15:10If there were no customers, there'd be no immoral houses.
01:15:13Immoral houses?
01:15:14What do you mean, sir?
01:15:16Down come the old acid, sir.
01:15:18You know very well what's going on in there.
01:15:20And what's more, you're the patrons.
01:15:22If that's so, after so, what am I doing here?
01:15:26Madam, just because we're country folk, don't think we don't know all about big city perversions.
01:15:31No, no, no, no, no, no, girls.
01:15:40No, no, no, no, no.
01:15:44Now look, I know he's got a big pectoral and all that.
01:15:48But he hasn't got any money.
01:15:49He's only the gardener's boy.
01:15:51Now I'm going to show you how to discern the ones with the money.
01:15:55Good precious, Mr. Berridge.
01:16:03The police are here.
01:16:04Put yourself together, clap.
01:16:06Come along, sergeant.
01:16:07We're wasting time.
01:16:08For our certain standing, you guard the prisoners.
01:16:10You keep the boss, come with me.
01:16:12Now then, Jenny.
01:16:15Which of these gentlemen sitting here would you say was the millionaire?
01:16:18That one.
01:16:20Now why do you say him?
01:16:21Because he's fat.
01:16:23My dear, you don't necessarily have to be fat to be a millionaire.
01:16:27Now what about our Frederick here?
01:16:31Wendy, quick.
01:16:32The place is surrounded.
01:16:34The police, you fool.
01:16:35You're not.
01:16:35You sit down.
01:16:38There.
01:16:39I can't say sit down.
01:16:40No, no, no, no.
01:16:40I'm going to try.
01:16:42Just a minute.
01:16:43Why not?
01:16:43Why not?
01:16:44No, no, no, no.
01:17:14No, no, no, no, no.
01:17:44No, no, no, no, no, no, no.
01:18:15Stop it, please.
01:18:30Giles Henry Rice Wingate.
01:18:33Hewitt Robert Berridge.
01:18:34and Horace Clamp
01:18:36you have been found guilty
01:18:38of conspiring to use the premises
01:18:41known as Wingate Manor
01:18:43for immoral purposes
01:18:44I have listened very carefully
01:18:47to your defence
01:18:48and learnt a lot from it
01:18:50when I retire from the bench at the end of this month
01:18:53I shall study this extraordinary case
01:18:56much more carefully
01:18:57and benefit by it
01:18:59have you anything to say
01:19:02before I pass sentence upon you
01:19:04good
01:19:05I am sending you
01:19:07yes please your honour
01:19:08I would like to enter a plea of mitigation
01:19:10sit down and be quiet
01:19:12I am sending these men
01:19:15where they cannot be entering into any competition
01:19:19I mean
01:19:21where they will not be able to corrupt
01:19:23members of society
01:19:25now
01:19:26you will each of you go to prison
01:19:28for a term of three years
01:19:31honour I would like to take leave to appeal
01:19:33nonsense
01:19:33we all adjourn for lunch
01:19:36don't worry
01:19:40he can't do that
01:19:41I'll get you out on appeal
01:19:42I say
01:19:44did you see that dirty look I gave him
01:19:46and he sentenced you to three years
01:19:47please
01:19:49so
01:19:49the
01:19:51the
01:19:52the
01:19:53the
01:19:54the
01:19:55the
01:19:55the
01:19:56the
01:19:56the
01:19:56THE END
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