- 6 weeks ago
First broadcast 14th/21st/28th July 1998.
Dalgliesh and his team investigate the murder of a top flight lawyer with an abrasive reputation and turbulent private life.
Philip Stone - Edmund Froggett
Nicola Mycroft - Young Venetia
Penny Downie - Venetia Aldridge
Ricci Harnett - Gary Ashe
Roy Marsden - Commander Adam Dalgliesh
Trevor Martin - The Judge
Britta Smith - Mrs. Carpenter
Jasper Jacob - Rufus Matthews
Gwenllian Davies - Mrs. Scully
Ian McNeice - Desmond Ulrick
Oona Kirsch - Valerie Caldwell
Richard Huw - Simon Costello
Ken Jones - Harry Naughton
Zibba Mayes - Mrs. O'Keefe (as Zibba Mays)
Frederick Treves - Hubert St. John Langton
Matthew Marsh - Drysdale Laud
Miles Anderson - Mark Rawlstone
Susie Fairfax - Clerk of the Court
Jamie Roberts - Foreman of the Jury
Clinton Blake - Michael Gates
Leila Bertrand - Mrs. Page
Flora Montgomery - Octavia Aldridge
Janet Dale - Mrs. Buckley
Simeon Andrews - Brian Cartwright
Nina Marc - Lois Costello
Jerome Willis - Kynaston
Brian Foley - Young Vandal
Sarah Winman - Kate Miskin
Harriet Harrison - Lucy Rawlstone
Roger Blake - Father Presteign
Rebecca Lamb - Mrs. Hart
Fiona Cockburn - Soloist
Zibba Mayes - Mrs. O'Keefe(as Zibba Mays)
Dalgliesh and his team investigate the murder of a top flight lawyer with an abrasive reputation and turbulent private life.
Philip Stone - Edmund Froggett
Nicola Mycroft - Young Venetia
Penny Downie - Venetia Aldridge
Ricci Harnett - Gary Ashe
Roy Marsden - Commander Adam Dalgliesh
Trevor Martin - The Judge
Britta Smith - Mrs. Carpenter
Jasper Jacob - Rufus Matthews
Gwenllian Davies - Mrs. Scully
Ian McNeice - Desmond Ulrick
Oona Kirsch - Valerie Caldwell
Richard Huw - Simon Costello
Ken Jones - Harry Naughton
Zibba Mayes - Mrs. O'Keefe (as Zibba Mays)
Frederick Treves - Hubert St. John Langton
Matthew Marsh - Drysdale Laud
Miles Anderson - Mark Rawlstone
Susie Fairfax - Clerk of the Court
Jamie Roberts - Foreman of the Jury
Clinton Blake - Michael Gates
Leila Bertrand - Mrs. Page
Flora Montgomery - Octavia Aldridge
Janet Dale - Mrs. Buckley
Simeon Andrews - Brian Cartwright
Nina Marc - Lois Costello
Jerome Willis - Kynaston
Brian Foley - Young Vandal
Sarah Winman - Kate Miskin
Harriet Harrison - Lucy Rawlstone
Roger Blake - Father Presteign
Rebecca Lamb - Mrs. Hart
Fiona Cockburn - Soloist
Zibba Mayes - Mrs. O'Keefe(as Zibba Mays)
Category
📺
TVTranscript
00:00:00To be continued...
00:00:30To be continued...
00:01:00She was asking to be murdered, wasn't she?
00:01:04Once Seddon had his hands on all of her cash.
00:01:07She was just a liability.
00:01:10It was a lot of money in 1910.
00:01:12Certainly no lawyer would have revised such a show of trust.
00:01:15You must keep an open mind if you're speaking for the defence.
00:01:21I have to believe he didn't do it.
00:01:23No, no, no, no.
00:01:24What you believe isn't at issue.
00:01:29Your job is to convince the jury
00:01:31that the Crown has failed to make its case against the accused beyond reasonable doubt.
00:01:36The chemist claimed it was Seddon's daughter who bought the arsenic.
00:01:41But she denies it.
00:01:43This evidence wasn't really tested.
00:01:46Do you think you could have saved him from hanging?
00:01:48Could have done better than Edward Marshall Hall.
00:01:51One of the truly great advocates.
00:01:52Well, I might have been a lawyer
00:01:59and had the opportunities.
00:02:04But you will have them, Venetia.
00:02:05You will have them.
00:02:06One day, you're going to be a great advocate too.
00:02:20Murderers do not usually give their victims notice.
00:02:23This is one death which comes mercifully unburdened
00:02:26with the knowledge of the terror to come.
00:02:28When Venetia Aldridge Cossie prepared herself
00:02:31to enter the number one court of the Old Bailey
00:02:34in the case of Regina versus Ash
00:02:37she wasn't to know that she had only ten days
00:02:40four hours
00:02:42and fifty minutes left
00:02:44to live.
00:03:0452.
00:03:0552.
00:03:0753.
00:03:0753.
00:03:0853.
00:03:0854.
00:03:09hatred folk
00:03:09np.
00:03:10All right.
00:03:40The defendant claims that at the time of his aunt's brutal murder, he was several miles away.
00:03:58But do you have any doubt as to who it was, leaving number 397 Westway at a quarter past 11 on that night?
00:04:06No. I have no doubt at all.
00:04:08Do you see that man in court?
00:04:13Yes.
00:04:15Could you point him out to us, please?
00:04:24Gary Ash, the defendant.
00:04:26Thank you, Mrs. Scully.
00:04:31Miss Aldridge.
00:04:32She has to discredit Mrs. Scully.
00:04:39I'm sorry we have to go through everything again, Mrs. Scully, but your evidence has been so clear, I'm sure it won't take us long.
00:04:48Mrs. O'Keefe hadn't lived in Westway for very long, had she?
00:04:52Two years.
00:04:54A time when the neighbourhood was changing a great deal.
00:04:56Houses being demolished, old friends moving, different kinds of people moving in.
00:05:02It was a decent street once, a decent community.
00:05:06You said that Mrs. O'Keefe had a lot of visitors, there was a lot of noise, a lot of coming and going.
00:05:10She wasn't the sort of neighbour I was used to.
00:05:13Not the sort of person with whom you could form any kind of friendship?
00:05:16No.
00:05:18Or her nephew?
00:05:19No.
00:05:20But that's got nothing to do with seeing him.
00:05:22No, of course not, Mrs. Scully.
00:05:23It just helps us all if we can get a very clear picture of Mrs. O'Keefe.
00:05:28Do you think he killed his aunt?
00:05:30The real question is whether Venetia can create enough doubt to stop the jury convicting.
00:05:36Now, how did you feel about Mrs. O'Keefe's friends?
00:05:41Friends is one word.
00:05:43What word would you use?
00:05:44They were all men.
00:05:49Clients would be nearer the truth.
00:05:52A lot of men came in and out of Mrs. O'Keefe's house, constantly observed by you, both day and night.
00:05:58But on the night in question, you saw no one?
00:06:02You say the only person you saw leaving number 397 was Gary Ash?
00:06:09That's right.
00:06:11And he left by the front door.
00:06:13Now, was that usual?
00:06:14No, the back door was because of his motorbike.
00:06:18The spectacles you're wearing today, Mrs. Scully, are they new?
00:06:44Yes, I got them on my birthday.
00:06:48Which was?
00:06:49November the 23rd.
00:06:51Are you sure about that date?
00:06:53That's five weeks after the death of Mrs. O'Keefe?
00:06:58Yes.
00:06:59Can you tell the court why you changed your glasses?
00:07:04I'd been meaning to for some time.
00:07:06I was having trouble with my old ones.
00:07:09What sort of trouble?
00:07:10It was the television, really.
00:07:13It was getting so that I couldn't see the faces.
00:07:16Your television set is how far away from you when you're sitting in your living room?
00:07:19Eight feet?
00:07:20Ten feet?
00:07:20I don't know.
00:07:22Well, let me see if I can help.
00:07:24My lord, may I approach the witness?
00:07:29About this distance?
00:07:31A bit less.
00:07:32Here.
00:07:38That's about it.
00:07:45Mrs. Scully, you have just told the court that you couldn't comfortably see your television set at ten feet.
00:07:52Yet you have sworn on oath that you recognised my client at twenty feet on a dark night.
00:07:58Now, can you be sure that it wasn't some other young man leaving the house?
00:08:03One of Mrs. O'Keefe's many friends who came and went by the front door, not the back.
00:08:07Someone the same age, the same height.
00:08:09Can you be absolutely sure?
00:08:14I thought it was Gary.
00:08:16Yes?
00:08:16You thought it was Gary because he lived there.
00:08:18You would expect it to be him.
00:08:19Turning point.
00:08:20But could you really see him plainly?
00:08:24Can you be sure, Mrs. Scully?
00:08:26I suppose it could have been someone else.
00:08:30Someone like him.
00:08:32But I thought at the time it was Gary Ash.
00:08:36You thought at the time it was Gary Ash.
00:08:39But it could have been someone like him.
00:08:43Precisely.
00:08:45It was a natural mistake, Mrs. Scully.
00:08:46But I suggest to you that it was a mistake.
00:08:51Oh, God.
00:08:52Shut up.
00:08:53Jesus.
00:08:54MUSIC PLAYS
00:09:24Morning, Valerie. Morning, Mr Ulrich.
00:09:32Thank you. Simon. Morning.
00:09:35Are you one of the thieves who has been polluting my mineral water?
00:09:40No. On oath, Desmond.
00:09:43Valerie, if anyone so much as touches that water,
00:09:46please point out that it is not the property of Chambers,
00:09:48but only of the member who has purchased it.
00:09:51Yes, Mr Ulrich. Thank you.
00:09:53Nothing safe in a den of barristers, Desmond.
00:09:57Absolutely.
00:09:58The Pendle brief is in your office, Mr Ulrich.
00:10:01They would like an answer by this afternoon, if possible.
00:10:03The fear's right, Harry. All things are possible.
00:10:12Yuck!
00:10:13You know what he's put in here, Mr Norton?
00:10:16Blood.
00:10:16What?
00:10:20It's all right, Miss Caldwell.
00:10:23It is home.
00:10:25Mr Ash,
00:10:27is it true that on the night of her death,
00:10:29you argued with your aunt in the Duke of Clarence?
00:10:33Yes.
00:10:33Can you tell us what the argument was about?
00:10:41She wanted me to take photographs of her with men, having sex.
00:10:48I'd done it before.
00:10:53But I hated it.
00:10:56I said I weren't going to do it again.
00:11:00She was very drunk.
00:11:02And I walked out.
00:11:03I needed time to think about what I was going to do.
00:11:11I knew I had to move on.
00:11:16You wanted to leave your aunt?
00:11:20Well, part of me wanted that.
00:11:22Part of me wanted to stay.
00:11:24I've been in and out of homes all my life.
00:11:29Local authority care,
00:11:30a dozen foster parents.
00:11:35I didn't want to do the things my aunt made me do.
00:11:40I didn't want her to live the way that she did.
00:11:44But I think she needed me.
00:11:48And it was home.
00:11:51And that's not an easy thing to give up.
00:11:54After you left the Duke of Clarence,
00:12:09you only returned home several hours later.
00:12:13And no one saw you during that time.
00:12:16Well, I was just walking.
00:12:18Shepard's Bush, South Ken.
00:12:21I mean, there's people everywhere,
00:12:22but they don't see you.
00:12:24What happened after you arrived home?
00:12:33I could see.
00:12:37I could see straight away that she was dead.
00:12:39And what did you do?
00:12:45I called the police.
00:12:48And waited for them to come.
00:12:52Gary.
00:12:54Did you love your aunt?
00:12:55I was very fond of her.
00:13:00I was very fond of her.
00:13:03I was sorry for her.
00:13:09I don't know if I know what people mean by love.
00:13:11Ladies and gentlemen,
00:13:25Ladies and gentlemen,
00:13:26remembering those obscene photographs,
00:13:28you may wonder why Gary Ash didn't leave his aunt before.
00:13:32He has told you why.
00:13:33Mrs. O'Keefe was his only living relation.
00:13:38The home she provided was the only home he had ever known.
00:13:42I don't think we can underestimate what that means.
00:13:48On the night of the murder,
00:13:50he walked the streets,
00:13:53unseeing and unseen.
00:13:55He returned home to the horror of that blood-splattered sitting room.
00:14:02No forensic evidence links him with the crime.
00:14:05No blood on his clothes.
00:14:06No blood on his person.
00:14:08No fingerprints on the knife.
00:14:10No one saw him enter or leave Mrs. O'Keefe's house at the time of her death.
00:14:14Now,
00:14:15Mrs. Scully thought she saw someone like Gary
00:14:17at a time when she couldn't see the faces on her television screen.
00:14:21One of Mrs. O'Keefe's many clients could have called that night,
00:14:27and one did,
00:14:28a man who brutally murdered her.
00:14:32That was her tragedy.
00:14:35It is also the tragedy of the young man sitting in this court today.
00:14:42If you believe,
00:14:45beyond reasonable doubt,
00:14:46that my client murdered his aunt,
00:14:49then you must return a verdict of guilty.
00:14:52But if,
00:14:54after considering all the evidence,
00:14:56you have a reasonable doubt,
00:14:59then it is your duty
00:15:00to return a verdict of not guilty.
00:15:06Thank you, ladies and gentlemen.
00:15:10That's what I shall miss most,
00:15:12the lighting of the lamps.
00:15:14I used to like watching for the lamplighter.
00:15:17And then when it ended,
00:15:20it seemed as if a whole era had gone forever.
00:15:24Well,
00:15:24this place is going to miss you.
00:15:28I'm sure that Chambers
00:15:29takes it for granted
00:15:31that I'll succeed you.
00:15:32Venetia is interested.
00:15:38Venetia.
00:15:42First I've heard of it.
00:15:45She's never shown their slightest desire
00:15:47to become head of Chambers.
00:15:49And when you were ill,
00:15:51all she had to say was
00:15:52she'd rather leave the tedious chores
00:15:55to other people, me.
00:15:56I think she has ambitions
00:15:57to become a judge.
00:15:58Succeeding me would be important.
00:15:59Well,
00:15:59Venetia is not a conciliator.
00:16:03Her only contribution
00:16:04to Chambers' meetings
00:16:05is to disagree with everyone else.
00:16:07As a conciliator,
00:16:08what we need.
00:16:10She is probably
00:16:11our most distinguished lawyer.
00:16:12Well,
00:16:12I think that's arguable,
00:16:14Hubert,
00:16:14but she won't make
00:16:15a good head of Chambers.
00:16:17Anyway,
00:16:17do we really want
00:16:18a criminal lawyer?
00:16:20It's a very snobbish view.
00:16:22Justice,
00:16:23rights,
00:16:23liberty,
00:16:23all things we are
00:16:25having to think
00:16:26a lot harder about.
00:16:27It's the heart
00:16:28of what Venetia does.
00:16:30I thought winning
00:16:31at any price was...
00:16:32This can wait
00:16:33till the meeting.
00:16:35Well,
00:16:35I take it that I am still
00:16:36your choice
00:16:37to succeed?
00:16:40If it's the will of Chambers,
00:16:41yes,
00:16:42of course.
00:16:43But if Venetia wants it,
00:16:45I don't see how
00:16:45she can reasonably
00:16:47be rejected.
00:16:49It goes by seniority.
00:16:51Venetia is a senior.
00:16:54That is not good enough,
00:16:56Hubert.
00:16:56By God,
00:16:57that is not good enough.
00:16:58You have always led me
00:17:00to believe
00:17:00that I had your support
00:17:01and I have covered up
00:17:03enough of your recent
00:17:04stakes to earn it.
00:17:07If Venetia
00:17:08is serious about this,
00:17:10then I suggest
00:17:11that you do something
00:17:12to change her mind.
00:17:17It's nearly a month
00:17:18since I last saw you.
00:17:19So,
00:17:21you're going to win
00:17:23this one?
00:17:24Oh,
00:17:24I don't know.
00:17:25But we've got
00:17:26a good chance,
00:17:26which is a very long way
00:17:27from where we were
00:17:28when the trial started.
00:17:31Oh,
00:17:31Mark,
00:17:32I've missed you.
00:17:34God,
00:17:34I've been so tied up
00:17:35at the Commons.
00:17:37And now I've got
00:17:37this new appointment.
00:17:38Yes,
00:17:38yes,
00:17:39you told me,
00:17:39remember?
00:17:41Oh,
00:17:41yes.
00:17:43Well,
00:17:44I'm going to have
00:17:44to give all this up.
00:17:45So you should have
00:17:46some free time?
00:17:47What?
00:17:49Yes,
00:17:49the jury's coming back.
00:17:52Well,
00:17:53good luck,
00:17:54Venetia.
00:17:58Thank you, sir.
00:18:05Ladies and gentlemen
00:18:06of the jury,
00:18:06please answer the
00:18:07following question,
00:18:08yes or no.
00:18:09Have you reached
00:18:09a verdict on which
00:18:10you are all agreed?
00:18:11Yes.
00:18:12And how do you find
00:18:13the defendant,
00:18:13guilty or not guilty?
00:18:15Not guilty.
00:18:16Well done,
00:18:22Martin.
00:18:28There you are.
00:18:30You know your way out,
00:18:31Mr. Ash.
00:18:33Made quite a team.
00:18:34I know where to come
00:18:35and get in trouble again.
00:18:36I'm sure there'll be
00:18:37no reason for our paths
00:18:38to cross.
00:18:38Good afternoon.
00:18:39Good afternoon.
00:18:39Good afternoon.
00:18:46Well done.
00:18:46Good afternoon.
00:18:52I'm sure you have to go.
00:18:53See,
00:18:53you had to put Ash
00:18:54in the witness box.
00:18:55He was a risk,
00:18:56but he performed well.
00:18:59Yes.
00:19:00The prosecution
00:19:01really should have asked
00:19:02Ash
00:19:02how he knew
00:19:03about those glasses.
00:19:06Yes.
00:19:09A usual spot
00:19:10for a cup of tea?
00:19:10I can't tonight there's something I must do
00:19:40all right sis you know I belong you see the paper no he's been acquitted
00:19:50they said he had a clever lawyer I knew Gary Ash wasn't a killer no matter what else he'd done
00:19:58you still want to believe in him after everything he did to you I think he killed that poor woman
00:20:02and so do you no the jury believed him you know him better than any jury
00:20:08you
00:20:38Let's go.
00:21:08Octavia!
00:21:26Couldn't you have asked the driver to help you with that?
00:21:29I'm capable of doing it myself.
00:21:30Just lift it up.
00:21:33You really could have given me more than 24 hours' notice.
00:21:36I'm 18.
00:21:38I told you I wasn't staying at school any longer than I had to.
00:21:40It's not my fault you don't listen.
00:21:44Mrs Buckley knew she'd have to move upstairs after you came home,
00:21:46but she wasn't amused when I told you she had to do it last night.
00:21:50That's what you pay her for, isn't it, Mummy?
00:21:52To do what you tell her.
00:21:53Don't.
00:21:56I think that's everything, Miss Aldridge.
00:22:14I do appreciate this, Mrs Buckley.
00:22:16Look, if there's anything you need in the attic flat...
00:22:18Oh, no, it's very comfortable.
00:22:24You see?
00:22:26The only person who's in a state about your daughter coming home is you.
00:22:30You will treat Mrs Buckley with courtesy, Octavia.
00:22:35I've accepted your decision to leave the convent,
00:22:37but I do not expect my house to be disrupted.
00:22:39All right?
00:22:43All right?
00:22:43All right, let's go.
00:23:13All right, let's go.
00:23:43Excuse me.
00:24:02Look, I'm sorry, love, right?
00:24:03But I've just come off my bike.
00:24:04I've got my arms in bits.
00:24:06I don't suppose I could run it under attack, could I?
00:24:08See, I'm not being funny, but if I leave it out here,
00:24:17it's going to end up being thrown in the back of a dust cart,
00:24:18do you know what I mean?
00:24:20I'll tell you what I'll do.
00:24:21I'll see you later when I come pick you up, yeah?
00:24:24What, tonight?
00:24:25Yeah.
00:24:26Hey, everyone.
00:24:27Look, I was just thinking,
00:24:28there must be something I can do to say thank you.
00:24:31Oh, no, don't be silly.
00:24:32Well, I mean, why didn't you let me buy a drink?
00:24:34You know?
00:24:36Good Samaritan.
00:24:37I don't even know your name.
00:24:44Gary.
00:24:46I'm Octavia.
00:24:46You were lucky, Mr Cartwright.
00:25:00A different day, a different judge.
00:25:02We might not have had the same decision.
00:25:04Oh, we make our own luck.
00:25:05You made mine today
00:25:06and showed yourself a champion of liberty.
00:25:09Very good for the image.
00:25:10Yes, well, I was right about a point of law.
00:25:13Sometimes the principle is more important
00:25:15than the individual concerned.
00:25:17Well, I owe you more than money.
00:25:20There's still the matter of...
00:25:22The last time you were in court,
00:25:26defended by Simon Costello.
00:25:27Now, from what you've already said...
00:25:29You know my acquittal had nothing to do with his efforts.
00:25:32Exactly.
00:25:33Humor has it that several jurors were suborned.
00:25:36No-one can prove they were bought off.
00:25:38And I'm not about to admit it.
00:25:40I'm not interested in what you did or didn't do, Mr Cartwright.
00:25:43I'm only interested in how much Mr Costello knew.
00:25:46Well, I'm not saying anything happened.
00:25:53And I'm sure Costello won't either,
00:25:55because he was paid a very hefty bonus to keep his mouth shut.
00:26:00He knew during the trial.
00:26:01Oh, he knew.
00:26:04But I've never had this conversation, Miss Aldridge.
00:26:07Of course not.
00:26:09Good afternoon, Mr Cartwright.
00:26:10Good afternoon, Miss Aldridge.
00:26:29I went there.
00:26:30Congratulations.
00:26:30I should have thought you'd had enough of the old Bailey to last a lifetime.
00:26:50I take it you to know each other.
00:26:51Yes?
00:26:53We're in love.
00:26:57Well, congratulations hardly seem in order, Octavia, given your choice of lover.
00:27:01I've always assumed that if intelligence wasn't your strong point,
00:27:04you at least had a sense of self-preservation.
00:27:06Oh, I think Octavia's old enough to make her own decisions, didn't you?
00:27:12Obviously, we need to talk.
00:27:14You'd better come with me.
00:27:15Come on.
00:27:15We'll see you tonight.
00:27:21Just come home.
00:27:23Yes.
00:27:24Come as soon as you can.
00:27:25I'll cook some supper.
00:27:37Presumably, you weren't introduced to him as a convent disco.
00:27:41No.
00:27:43He crashed his bike at the end of the road.
00:27:44I helped him, that's all.
00:27:46When was this?
00:27:48A week ago.
00:27:49You can't seriously believe this man loves you.
00:27:52Yes, he does love me.
00:27:56But just because you don't doesn't mean no one else ever will.
00:28:01You do know who he is.
00:28:04Yes.
00:28:05Who's told me?
00:28:08I know his mother checked him out when he was only seven.
00:28:10And that was only the beginning of a...
00:28:11I am familiar with his life.
00:28:12His mother told the local authority she was frightened of him.
00:28:15A seven-year-old boy.
00:28:17That's why he was in care.
00:28:19Every adult he ever met let him down.
00:28:21And I bet they all came up with excuses for it.
00:28:25I've seen enough of that to know what it means.
00:28:27Oh, so that's what we've got in common.
00:28:29You're another abandoned trial.
00:28:31Is that because your father left us, or because of the extremely privileged upbringing that I forced upon you?
00:28:37Now I see why we've got so few family photos.
00:28:39You should have framed some of your bank statements, Mum.
00:28:46I think Gary Ash's immediate past should concern you more than his childhood.
00:28:51A week ago, he was in court accused of murdering his aunt.
00:28:54But he didn't do it.
00:28:55Oh, look, she was a horrible woman who was always having men back to her house.
00:28:59It was one of them that killed her.
00:29:01Gary wasn't even near the place at the time.
00:29:03I am familiar with the defence, Octavia.
00:29:05Look, he didn't do it.
00:29:06You know he's innocent.
00:29:07You told the court he was innocent.
00:29:09My job is to test the prosecution case.
00:29:11I have explained all this to you before.
00:29:13There was reasonable doubt about Gary Ash, and he was acquitted.
00:29:16No, he was acquitted because he didn't do it.
00:29:19He can put all of that behind him now.
00:29:22Is there any reason why he shouldn't?
00:29:23Oh.
00:29:26Gary Ash's relationship with his aunt wasn't a normal one.
00:29:30He was almost certainly one of her lovers.
00:29:33No, that's not true.
00:29:35Are you having sex?
00:29:37What?
00:29:38I don't think that's any of your business, actually.
00:29:41No.
00:29:43No, we're not.
00:29:43Not yet.
00:29:45Gary thinks we ought to wait.
00:29:46It's been so quick since everything's done.
00:29:47Oh, that's very clever.
00:29:48Oh, God, he can't wait, can he?
00:29:51It's wrong if we are making love, and it's wrong if we're not.
00:29:53Do you think it was a coincidence that he crashed his bicycle in Pelham Place a few days after the trial?
00:29:57He didn't know who I was, Mum.
00:29:59Octavia, can you be so stupid?
00:30:03When Ash was 15, he was at a special school outside Norwich.
00:30:07There was a social worker, Michael Gates.
00:30:10He really cared for Ash, believed he could help him, perhaps loved him.
00:30:14Ash tried to blackmail him with an accusation of sexual assault.
00:30:17I don't believe any of this.
00:30:23It's not, perhaps, the worst thing he has ever done, but it explains why I think of him as evil.
00:30:29If he's so evil, why the hell did you defend him?
00:30:32Oh, well done, Miss Aldridge.
00:30:49I want to talk to you.
00:30:50Right, I'll drop in later.
00:30:52Brian Cartwright?
00:30:54Just been in court with him.
00:30:55Oh, I gather he was acquitted.
00:30:58Yes, as he was when you defended him.
00:31:00Do I need to say more here?
00:31:11Come along, Valerie.
00:31:12I want those letters out today.
00:31:16Well, Cartwright's lying.
00:31:18Why should he?
00:31:21Probably to impress you with how clever he is.
00:31:24Look, he didn't tell me about suborning jurors.
00:31:29No, if he had, I would have done something about it.
00:31:32With a bonus he was offering you?
00:31:34I don't have to listen to this.
00:31:36I don't know how much of what Cartwright told me is the truth, but enough.
00:31:40He won't admit it publicly, so I can't have you thrown out of the profession.
00:31:43However, when I become head of chambers, you will be looking for new accommodation,
00:31:48and I will make sure you never take silk.
00:31:51Simon, you won't become a QC as long as I live.
00:32:05Hello.
00:32:06Mark, I need to talk.
00:32:08Can you come over to Pelham Place for half an hour?
00:32:11If it could, I shouldn't have rung.
00:32:16Oh, please.
00:32:18It doesn't matter what she says.
00:32:19She can't do anything.
00:32:22You did say she always gets her own way.
00:32:25Not with me.
00:32:27Not anymore.
00:32:28Not now.
00:32:28I've got you.
00:32:30Well, I've only just found you.
00:32:32And I don't want to lose you.
00:32:34What?
00:32:34You're not going to lose me.
00:32:37You heard this?
00:32:50This is wicked, Madam Chairman.
00:32:53Blimey.
00:32:57Oh, this must be doing it.
00:32:58Clearly she's doing it to annoy me.
00:33:05She looked almost triumphant when I saw them.
00:33:08Well, I'm sure that once she's made her point, she'd get bored with him.
00:33:12But what's he up to?
00:33:14Oh, I don't know.
00:33:16It has to have something to do with money, hasn't it?
00:33:19Well, it's easy if it has.
00:33:21Pay him off.
00:33:22Oh, darling, it's not the sort of thing I do every day.
00:33:25No, I have to think about it.
00:33:27I mean, the man is no fool.
00:33:30I don't know how to handle it.
00:33:32So far, I've handled it very, very badly.
00:33:34Look, Venetia, I've got to get back to the commons.
00:33:40I'm sure you can handle your daughter's boyfriend problem without my help.
00:33:43Thank you, ma'am.
00:33:45Thank you very much.
00:33:46The real reason I came...
00:33:48Well, we did have to talk.
00:33:51I'm sure you've been thinking along the same lines.
00:33:54What lines?
00:33:55I don't think we should see each other again.
00:33:59It's too difficult.
00:34:01For both of us.
00:34:03Too dangerous, perhaps?
00:34:06Well, it's not as though we've seen a great deal of each other in recent weeks, anyway.
00:34:11Oh, that's very neat, Mark.
00:34:13You were happy enough to deceive your wife before,
00:34:15but a ministerial position clearly concentrates the mind.
00:34:18So I'm the price for a dutiful and, more to the point, silent wife?
00:34:23Neither of us made any promises.
00:34:25It was never about that.
00:34:28Anyway, Lucy doesn't know about our affair.
00:34:30Of course she knows.
00:34:32She knows you better than you know yourself.
00:34:34If she's kept quiet until now,
00:34:35it was because it was in her interest to do so,
00:34:37until she had the right lever.
00:34:38Well, don't be ridiculous.
00:34:40It profits a man nothing to give his soul for the whole world,
00:34:43but for number two to the minister of sport.
00:34:46Oh, my, really?
00:34:49Oh, God.
00:34:51Well, Lucy's pregnant, Venetia.
00:34:52What a charming lever.
00:35:03I didn't think she could have children.
00:35:07Well, it just happened, after eight years.
00:35:11All done by prayer and lighting candles,
00:35:13or was it the immaculate conception?
00:35:18Does she know I aborted your child 12 months ago?
00:35:21Of course not.
00:35:24I saw her on the news a couple of weeks ago,
00:35:26on some pro-life vigil.
00:35:30Pity if she found out.
00:35:32You wouldn't do that to her.
00:35:33No, no, no, no, no, not to her.
00:35:36Maybe to you.
00:35:37Oh, come on.
00:35:39You were horrified when you found out you were pregnant.
00:35:41You never wanted another child.
00:35:43You didn't care very much for the one you've got.
00:35:45Did you get the Stratford papers from a solicitor?
00:36:08Well, they should be over here by ten o'clock.
00:36:10I said I wanted them on my desk when I got in this morning.
00:36:16Yes, well, um, I'll give them a ring, try and speed things up.
00:36:19The concept of speed in these chambers hasn't changed since the 19th century.
00:36:22You really are an anachronism, Harry.
00:36:24She'll listen to you.
00:36:34I see no earthly reason why she should.
00:36:36Venetia does not listen to anybody.
00:36:39I haven't told Lois yet.
00:36:40Much as I love my niece, I can't fight all your battles for you.
00:36:43Venetia means what she says.
00:36:45You are a competent Royer, not a clever one.
00:36:48Now, my advice to you is don't get out of your depth again.
00:36:53Oh.
00:36:55Oh, and Simon, start looking for new chambers.
00:36:59Venetia always means what she says.
00:37:06It's Cartwright's word against Jaws.
00:37:08The man's a show-off, that's all.
00:37:10He may sound off to Venetia,
00:37:12but he won't stand up and say he was involved in bribing jurors.
00:37:15Oh, stuff Cartwright.
00:37:19It's what Venetia Aldridge can do that matters.
00:37:22Can she really stop you becoming QC?
00:37:25Yep.
00:37:26We need the money that's going to bring in.
00:37:29We've been living off the promise of it for years.
00:37:32Then you'd better get your uncle, bloody Desmond,
00:37:36off his high horse and on to our side.
00:37:41Oh, God.
00:37:42His best advice was to look for new chambers.
00:37:47I'll talk to him.
00:37:49But it's really down to you, Simon.
00:37:51You have to stop Venetia Aldridge, and quickly.
00:37:54I'm going to offer Ash several thousand pounds.
00:38:14Well, I'm prepared to go to ten if necessary.
00:38:18Well, that's a lot of money, and if that's what he's after,
00:38:20he'll be back for more.
00:38:21If he takes the money and goes, Octavia will know why he's dumped her,
00:38:27even she isn't stupid enough to forget that.
00:38:30That's why I need a witness.
00:38:32I approach Ash, offer him the money,
00:38:34then arrange to give it to him in the presence of someone else,
00:38:38someone who could tell Octavia what he says.
00:38:41Well, she won't believe me.
00:38:46Are you asking me?
00:38:51Well, is that so unreasonable?
00:38:54Surely there's someone in the family, or an old friend.
00:38:59I tried an old friend last night.
00:39:03Are you telling me you won't help me, Drysdale?
00:39:07We are both lawyers, Venetia.
00:39:09These are very murky waters.
00:39:16Don't imagine you're going to become the next head of chambers
00:39:18if that's why you think your reputation needs protecting.
00:39:21That is a matter for the whole chambers.
00:39:23And the whole chambers knows you
00:39:25for the weak and indecisive man you are.
00:39:32Yes!
00:39:32I'm sorry, Miss Aldridge,
00:39:34but I can't cope with Octavia turning my kitchen upside down.
00:39:38She's got her own flat.
00:39:40I'm not turning anything upside down.
00:39:42Shut up!
00:39:42Mrs Buckley!
00:39:44I will sort this out in the morning.
00:39:46I am working,
00:39:46and I cannot be interrupted by a domestic argument.
00:39:48This place has stagnated for long enough.
00:39:57Under you, it would simply rot away.
00:40:00However much you covet the position,
00:40:02there is nothing you can do
00:40:03to stop me from becoming head of chambers.
00:40:08I can do a great deal more than you think, Venetia.
00:40:13And I shall.
00:40:14I shall.
00:40:18Miss Aldridge!
00:40:33George?
00:41:03What's the matter, Mr. Norton?
00:41:22Mr. Langton may still be at home. Would you see if you can get him?
00:41:30Morning, Mr. Langton. Yes.
00:41:33I've got Mr. Norton for you.
00:41:39I'm glad I caught you, sir.
00:41:41Something's happened.
00:41:44Something terrible.
00:41:49Yes, Harry, I'm still here.
00:41:52Do nothing. Let no one in the room.
00:41:56I'll call the police myself.
00:41:57I wish to speak with Commander Adam Dalgleish.
00:42:17This is Hubert St. John Langton.
00:42:24Yes, I'm afraid it's much more than urgent.
00:42:26It's Ud.
00:42:36Yeah.
00:42:37Yeah.
00:42:38Yeah.
00:42:41Yeah.
00:42:45Yeah.
00:43:17Who could believe?
00:43:36She was a woman of great dignity.
00:43:38She wouldn't want...
00:43:40What I mean is the press, Chambers, and all else...
00:43:43Yes, I know.
00:43:44I'm aware of the attention the press gave her in life,
00:43:46and I'm sure it won't be any different in death.
00:43:48What the hell's going on, Hubert? Is this all true?
00:43:57This is Commander Dalgleish, Desmond Ulrich.
00:44:01Oh, I was going to make a bad joke about my blood.
00:44:04I'm glad I didn't.
00:44:07Your blood?
00:44:08Yes, yes, it's for a minor operation.
00:44:11I always like using my own blood.
00:44:12It was kept in the refrigerator.
00:44:14Somebody took it.
00:44:15I was going to suggest that if you needed something to investigate.
00:44:20Who else knew the blood was there?
00:44:22A number of people.
00:44:25Mr Norton, our chief clerk.
00:44:28Valerie, the secretary.
00:44:30Mrs Carpenter.
00:44:33She's one of the cleaners.
00:44:34I didn't like the refrigerator cleaned while the blood was there.
00:44:40I take it that you are going to treat this as a suspicious death.
00:44:44Mr Ulrich, I should be treating this as murder.
00:44:46Well, the blood certainly isn't hers.
00:44:58Either it was poured over the wig within the last three hours,
00:45:01or it contains an anticoagulant.
00:45:02Yes, well, we can be fairly sure where it comes from.
00:45:05Indeed?
00:45:07You have the better of me there, Commander.
00:45:09It'll need matching, of course.
00:45:12Ah.
00:45:12Er, Riegel, well-developed.
00:45:18Probably died about eight o'clock last night.
00:45:22No obvious wound to the head, but, er...
00:45:26I imagine you've already spotted theirs.
00:45:30And the whip?
00:45:31Long, thin, rabia-like.
00:45:33Both sides sharp.
00:45:36At least four inches long.
00:45:37He was either very lucky or very skilled.
00:45:39A thrust straight to the heart.
00:45:42Er, I'll confirm it on the table, but, er...
00:45:45Death must have been instantaneous.
00:45:47Closed?
00:46:12Closed?
00:46:12Now, me and Aunty did it.
00:46:27I mean, I worked out the pattern, but it was like, oh, I did.
00:46:35It's crazy.
00:46:42But it's wonderful.
00:46:45It goes all about the landing as well.
00:46:48I mean, look, I was going through the ceiling, but I don't know, I just never got around to it, you know what I mean?
00:46:52I don't know.
00:47:12That was her place.
00:47:21Everything going down there.
00:47:25And you had to photograph it?
00:47:27Yeah.
00:47:33Is that why she was murdered?
00:47:34Come on.
00:47:43There's something else I want to show you.
00:47:54You took it?
00:47:56Yeah, before the police came.
00:47:57I always took photos of her on Aunty Van.
00:48:01She knew what a good photographer I was.
00:48:04That's why she would have wanted.
00:48:26If you or your mates get over that fence again, the next time I'll cut.
00:48:30Do you understand?
00:48:31It's all right, mate.
00:48:34Kids, what are they like, eh?
00:48:42I mean, they're just all barbarians today, ain't they?
00:48:50God, you look terrified.
00:48:53Are you okay?
00:48:54Who did you think it was?
00:49:05The police.
00:49:10I tore up the picture.
00:49:13I flushed it down the loo.
00:49:16I was afraid they'd find it.
00:49:17I'm sorry.
00:49:17I'm sorry.
00:49:17You don't need to test me.
00:49:31Look, if people are going to let you down, it's just nice to know.
00:49:39I'm not going to let you down.
00:49:41I'm going to let you down.
00:50:05It's just fine.
00:50:06I'm afraid of me.
00:50:07now we can go back
00:50:12well now
00:50:22it was obviously someone in chambers
00:50:26who else knew where the full bottom wig was
00:50:29let alone my blood
00:50:31I don't believe anyone here could commit
00:50:33no one in this building could have done such a thing
00:50:35your remarks are tasteless
00:50:38and unhelpful
00:50:39the police wouldn't find them unhelpful
00:50:41and unless the commander is
00:50:43dimmer than his reputation suggests
00:50:46he'll come to the same conclusion
00:50:48good morning gentlemen
00:50:54I'm sorry about the disruption
00:50:57my officers will be taking statements
00:50:59from all of you in due course
00:51:01wouldn't you be better looking
00:51:03outside rather than inside
00:51:05it's clear that someone broke in
00:51:07the trouble with the murder investigation
00:51:09mr. Lord is that you have to begin at the end
00:51:11the end is here
00:51:12I'd like to base myself at Paula Court
00:51:15and set up an incident room here if I may
00:51:17is that really necessary
00:51:19who tries to hold you shut up
00:51:21you're not head of chambers yet
00:51:22the commander can pretty much do as he likes
00:51:24in the circumstances
00:51:25Norton I'm sure we can sort something out
00:51:28we can arrange for the commander and his team
00:51:30for a room
00:51:31that won't be a problem sir
00:51:32miss Aldridge's death is going to attract a great deal of media attention
00:51:35it certainly isn't going to attract a great deal of new custom
00:51:39it's not funny Desmond
00:51:41Venetia's body is still upstairs
00:51:44oh I am so sorry Simon
00:51:47I was forgetting how close you and she were
00:51:49yeah Mr. Norton
00:51:50sir
00:51:51the wig that Miss Aldridge was wearing
00:51:55where did it come from
00:51:57oh that's normally kept in the other room sir through there
00:51:59would you show Inspector Miskie
00:52:02yeah certainly
00:52:02well it's usually kept in there
00:52:09right well
00:52:11I need to have a look up there
00:52:12oh
00:52:13allow me
00:52:15who is the next of kin
00:52:18there's a daughter Octavia
00:52:20but I'm afraid with the shock
00:52:22we hadn't thought about her
00:52:23what about the husband
00:52:25Venetia was divorced
00:52:28over 15 years ago
00:52:29he was some sort of artist
00:52:32there's been no contact since
00:52:33do you know where the daughter lives
00:52:35she's just moved into the basement flat
00:52:37at her mother's place
00:52:39perhaps one of you would prefer to break the news to her
00:52:44yeah
00:52:45perhaps we should
00:52:46well none of us knows the girl
00:52:49I think it might be better
00:52:51if one of your people told her
00:52:53yes
00:52:53there's something I should mention
00:52:56Octavia has taken up with a young man
00:52:59Gary Ash
00:53:00Venetia recently defended him
00:53:02you may remember he was tried for the murder of his aunt
00:53:06yes yes I do
00:53:07Venetia was sure he was after money
00:53:10she was talking about trying to
00:53:11buy him off
00:53:12I think
00:53:13she believed man was dangerous
00:53:16oh well done
00:53:17Drysdale
00:53:18a convenient suspect
00:53:20and on a plate
00:53:21but I still don't see how either he
00:53:23or Octavia could have known about the blood
00:53:25in the refrigerator
00:53:27or the old wig
00:53:29Gary Ash was accused of murder
00:53:31this is murder
00:53:32I'm sorry Drysdale
00:53:34wasn't Mr. Ash found not guilty
00:53:37right
00:53:47well I need to get some prints taken of course
00:53:50but it's always been here
00:53:53oh yes yes
00:53:54the wig has always been kept up there
00:53:56as long as I've been here
00:53:57it belonged to Mr. Lagton's grandfather
00:54:00the last time it was used
00:54:02about two years ago
00:54:03that would be when Mr. Montague took silk
00:54:06Mr. Costello had it down on Wednesday didn't he
00:54:10he was trying it on
00:54:11oh
00:54:12why was that
00:54:13well Mr. Costello will be the next member of Chambers to take silk
00:54:18we were talking about it
00:54:19he asked me if it was still there
00:54:20I took it down
00:54:21he tried it on
00:54:23it was intended as a humorous gesture
00:54:25thank you sir
00:54:28did you like Miss Aldridge?
00:54:36well she was a very fine lawyer
00:54:37and a respected member of Chambers
00:54:38I know of no one who wished her ill
00:54:43sir
00:54:47venetia aldridge
00:55:03did she
00:55:05did she suffer
00:55:08no I'm sure she didn't
00:55:12are you alright?
00:55:18are you alright?
00:55:22are you alright?
00:55:26look
00:55:26don't worry
00:55:27alright?
00:55:29I'm in now
00:55:30you're gonna be fine
00:55:30do you hear me?
00:55:32yeah?
00:55:36okay
00:55:36the only reason you're here is to see if I've got an alibi in it
00:55:42I haven't said so Mr. Ash
00:55:45oh
00:55:46you can't pin anything on Gary
00:55:48not like last time
00:55:49we were here all night
00:55:51Mrs. Buckley saw us
00:55:53I see
00:55:55why don't you ask our lover Mark Ralston MP
00:55:58ask him what they were arguing about the other night
00:56:01we should be talking to everyone who had contact with her
00:56:05but at this moment I'm more concerned with how you are
00:56:08but you don't even know me
00:56:14oh leave me alone
00:56:18there's more confusion in the stock exchange today
00:56:23with the FTSE index down 64 points of the close of trading
00:56:26in London
00:56:28the death of the prominent QC
00:56:29Venetia Aldridge
00:56:30Mrs. Carpenter
00:56:44yes
00:56:46I'm Detective Inspector Miski
00:56:47I understand you're a cleaner at Mr. St. John Langton's chambers
00:56:51so how was your alibi Simon?
00:56:55do they really think we're the sort of people who go out murdering our colleagues
00:56:59and pouring blood over there?
00:57:00yes it was extraordinarily insensitive
00:57:02it was not particularly pleasant having one's blood taken
00:57:05I very much dislike the needle
00:57:06I shall have to cancel my operation
00:57:08I'll start all over again
00:57:10for God's sake Desmond
00:57:11what does your pint of blood matter?
00:57:13we've got a murder in chambers
00:57:15I know Drysdale
00:57:16it would have been more convenient if she'd been murdered somewhere else
00:57:19we're taking her away
00:57:22thank you
00:57:31thank you
00:57:35thank you
00:57:41thank you
00:57:45thank you
00:57:49Yes, sir?
00:58:04Mrs Carpenter.
00:58:08Tell me what happened when you got here last night.
00:58:13Well, there were no lads showing in any of the rooms, only in the hall.
00:58:17And the front door was locked.
00:58:20What time was that?
00:58:21Eight o'clock.
00:58:22Did you see Miss Aldrich?
00:58:24I didn't think anyone was in chambers.
00:58:28What about our room?
00:58:30Oh, the door was locked.
00:58:32And no light was visible?
00:58:33No.
00:58:35Did you know that Mr Ulrich had a bag of his own blood in the refrigerator?
00:58:39Yes.
00:58:41Well, was it there last night?
00:58:43I don't know.
00:58:44Oh, he made such a fuss about the blood.
00:58:49I decided not to clean out the fridge till it was gone.
00:58:54Has Mr Ulrich's blood got something to do with Miss Aldrich?
00:58:59Mrs Carpenter, I'd like you to think carefully.
00:59:02While you're cleaning here, could anyone leave the building without you noticing?
00:59:05Well, I suppose someone who was in the basement when I was upstairs could have left.
00:59:12I drew the basement last.
00:59:16Oh.
00:59:19Someone had been in the ladies not long before I went down.
00:59:23Really?
00:59:26How do you know?
00:59:27The sink takes a long time to drain away.
00:59:29I have spoken to Mr Norton about it, but nothing's been done.
00:59:35There was still some water.
00:59:38I thought it was probably Miss Aldrich before she left.
00:59:46Miss Aldrich didn't leave, did she?
00:59:49No, the murderer made very sure of that.
00:59:55Murderer?
00:59:55Well, I'm sorry, Mrs Carpenter, didn't you know?
00:59:59Miss Aldrich has been murdered.
01:00:06So, who could have been in chambers last night?
01:00:10The secretary of Valerie Corbel?
01:00:12No, she was out at a club with friends.
01:00:15What about the chief clerk?
01:00:17What's his name?
01:00:18Oh, Harry Norton.
01:00:19Harry Norton.
01:00:19Yeah, the first of many to tell us what a fine lawyer Vanessa Aldrich was.
01:00:22It seems everyone's shorthand for not liking it very much.
01:00:26She wouldn't have kept him on after retirement age if she'd become head of Chambers.
01:00:30True.
01:00:31But he was back home by 7.40.
01:00:35Simon Costello.
01:00:37He left early.
01:00:39His wife got in just after six.
01:00:42They had a meal and watched television.
01:00:44Mrs Costello confirms that.
01:00:45But my friend Valerie says that Costello had a row with Venetia that afternoon.
01:00:50Costello didn't remember the argument until I reminded him.
01:00:52He said he slipped his mind.
01:00:54He claimed Venetia Aldrich wanted his support, but he was more inclined to give it to Lord.
01:00:59It was the other way around, I think.
01:01:01Lord wanted to stop her taking the job.
01:01:03That's why he was with her later.
01:01:05Discussion about the future, he called it.
01:01:07I'd say another row.
01:01:09Opinion seems to be that Lord wanted head of Chambers very badly.
01:01:13Badly enough to kill?
01:01:15Well, he expected to get it until she threw her hat in the ring.
01:01:19What about Lord's Alibi?
01:01:21Does it stand up?
01:01:22He said he was at the theatre.
01:01:24Mm, the Savoy.
01:01:25Alone.
01:01:26It's not a long walk from Chambers.
01:01:31Ulrich also spent the evening alone.
01:01:33He left Chambers at 7.15 and went home to drop off his briefcase and then went to a restaurant
01:01:39to rules in Maiden Lane for dinner.
01:01:41It was his birthday and apparently that's what he always does.
01:01:45And Langton was home in Kensington by 7.
01:01:47That too is confirmed by his wife.
01:01:50So the only person we know for certain was in the building at the time of death was the
01:01:54cleaner Mrs Carpenter.
01:01:55So did anyone else come into Chambers?
01:01:58Someone we don't know.
01:01:59The killer knew the place, knew about Ulrich's blood, knew where the wig was.
01:02:05She was stabbed with her own paper knife and died instantly.
01:02:08The killer was either lucky or just knew what he was doing.
01:02:11The head was then decorated with the wig and the blood from the refrigerator.
01:02:15There's something about what was done to the body.
01:02:18Hmm?
01:02:19I find it more shocking than the murder itself.
01:02:24Do you know, there's a question we haven't asked.
01:02:27Is there necessarily a connection between the wig and the blood and the murder?
01:02:33Go on.
01:02:34Well, it speaks of a depth of hatred that's frightening.
01:02:41I mean, so far we've been looking at professional jealousies, rivalries.
01:02:46But the desecration of a body goes deeper than that.
01:02:48I think the truth's hidden.
01:02:53Hidden in a dark corner of someone's life.
01:03:18Look for something, sir.
01:03:25Watch them out, Valerie.
01:03:27Remember that the police want information, not gossip.
01:03:31I don't know what you mean, Mr Norton.
01:03:33I mean that the business of these Chambers is not their business.
01:03:36So just you be careful.
01:03:37Oh.
01:03:48Yes, can I help you?
01:03:54Um, Mr Norton wasn't here this morning when you got him, was he?
01:03:57Went for a walk, apparently.
01:03:59Sulking's closer to it.
01:04:01Huh?
01:04:02Why's that?
01:04:03Miss Aldridge gave him a ticking off yesterday.
01:04:06Called him an anachronism.
01:04:10Well, that's how she was.
01:04:12You know what she said to him once?
01:04:14What?
01:04:16Charles Dickens was a client here.
01:04:18Going back a bit.
01:04:20Right.
01:04:21Miss Aldridge reckoned if Charles Dickens came back from the grave,
01:04:24they'd think Mr Norton was the same chief clerk as last time he was here.
01:04:28So you liked her then?
01:04:31I don't know about like her.
01:04:33I like the way she got all the men here running around.
01:04:36She frightened the living daylights out of them.
01:04:40A night, Mr Langton.
01:04:48Ah, what is so...
01:04:49Let's go.
01:05:05There's not many of you that walk into a newsagent
01:05:35and ask for 50 quid's worth of magazines, no matter what they are.
01:05:38As long as they've got pictures.
01:05:41You should go real crazy.
01:05:43Yeah, well, I don't care what people think anymore.
01:05:46You see, we can do whatever we want now.
01:05:50It's all right, mate.
01:05:53Hold on.
01:05:55Here, chuck them on here.
01:06:02Here, give us a kiss.
01:06:03Oh, yeah.
01:06:06Oh, come on.
01:06:07Oh, come on.
01:06:33I don't know.
01:07:03I don't know.
01:07:33I don't know.
01:08:03I don't know.
01:08:04I don't know.
01:08:05I don't know.
01:08:06I don't know.
01:08:07I don't know.
01:08:08I don't know.
01:08:09I don't know.
01:08:10I don't know.
01:08:11I don't know.
01:08:12I don't know.
01:08:13I don't know.
01:08:14I don't know.
01:08:15I don't know.
01:08:16I don't know.
01:08:17I don't know.
01:08:18I don't know.
01:08:19I don't know.
01:08:20I don't know.
01:08:21I don't know.
01:08:22I don't know.
01:08:23I don't know.
01:08:24I don't know.
01:08:25I don't know.
01:08:26I don't know.
01:08:27I don't know.
01:08:28I don't know.
01:08:29I don't know.
01:08:30I don't know.
01:08:31I don't know.
01:08:32I don't know.
01:08:33I don't know.
01:08:34I don't know.
01:08:35I don't know.
01:08:37Look, it's just a place I went to when I was a kid.
01:08:40Well, you know, like, special place.
01:08:46See, one day I'll take you there, if you want.
01:09:02It was the right speech, darling.
01:09:26Absolutely right.
01:09:28So, not a great speech, hmm?
01:09:30A great speech about primary school sports facilities.
01:09:34Save it till the Prime Minister gives you a proper job.
01:09:37Mr Rolston.
01:09:39Commander Dal Gleish and Detective Inspector Miss Skin, Scotland Yard.
01:09:43I spoke to your secretary.
01:09:45I've been too busy to get back to you.
01:09:47I thought perhaps it would be more convenient to come down to the house.
01:09:50I'm sure I can answer your questions, Commander.
01:09:54This is my wife, Lucy.
01:09:56Mrs Rolston.
01:09:57Anything you need to say can be said to both of us.
01:09:59We have no secrets.
01:10:01Well, perhaps we should make a path for the Honourable Members, hmm?
01:10:09I, er...
01:10:10I did see Venetia.
01:10:13But you know that.
01:10:15Well done.
01:10:18The affair ended almost a year ago.
01:10:22It was she who ended it.
01:10:24If she hadn't, I would have taken the initiative.
01:10:29And there was no bitterness?
01:10:31Absolutely none.
01:10:33Did you know her, Mrs Rolston?
01:10:35Not well.
01:10:37We met from time to time, mainly at law functions.
01:10:40She had a beautiful speaking voice.
01:10:43I always wondered if she was a singer.
01:10:45Did she sing, darling?
01:10:47I never heard her.
01:10:55You went to see her at her home the other night.
01:10:57Why was that?
01:10:59She said she had something urgent to discuss.
01:11:01Fine speech, Rolston.
01:11:04Well, it seemed she wanted to talk about trying for the bench and whether or not it would help
01:11:12to take over his head of chambers.
01:11:14I decided that she probably wanted to talk about something else, but either she changed
01:11:20her mind or concluded that I couldn't help.
01:11:22You have no idea what it was?
01:11:24No.
01:11:26I see.
01:11:30Oh, by the way, why did you quarrel?
01:11:35Venetia was cynical about the new government and about me.
01:11:39She said I'd abandoned the socialist principles she herself loathed in pursuit of ambition.
01:11:46I said that was cool, coming from a woman who'd virtually abandoned her own child in pursuit
01:11:51of her career.
01:11:52Yes.
01:11:53It was then that we saw Octavia standing in the dining room.
01:11:59I do feel for the daughter.
01:12:03Where were you between 7.30 and 10 the night before last?
01:12:07I left my own chambers at Lincoln's Inn at about 6.
01:12:11I then met a journalist, Pete McGuire, with whom I had a drink at the Wigan Pen.
01:12:17I then came back to the house, where I met four of my constituents at 8.
01:12:20If you need to check, I shall expect tact.
01:12:25Of course.
01:12:26If your relationship with Miss Aldridge has nothing to do with my investigation, then no one
01:12:31need know.
01:12:31I don't want the malicious attentions of the press directed at my wife or telescopic lenses
01:12:36pointed at our windows.
01:12:42I believe that every single press baron has led a life of impeccable chastity before marriage
01:12:47and fidelity afterwards.
01:12:50Surely there must be a limit to hypocrisy.
01:12:53I haven't found one.
01:12:57Mr. Ralston.
01:13:09Ralston's a liar.
01:13:10Yes, but he's not a murderer.
01:13:13What about Gary Ash?
01:13:15He was at Pelham Place with the daughter Octavia.
01:13:20What do you make of Mrs. Carpenter?
01:13:23She's not the sort of woman you'd expect to work as a cleaner.
01:13:26Did Forensic check the sinker?
01:13:28The one in the ladies' lavatory?
01:13:30Yeah.
01:13:30Yeah, but they found nothing.
01:13:32But Valerie Caldwell told me Mrs. Carpenter sometimes does some cleaning at Pelham Place,
01:13:37helping out Mrs. Buffett.
01:13:38She seems to work very hard at her relationship with me at all.
01:13:44Our pick.
01:13:45Thanks.
01:13:55Talk to Mrs. Buckley about her.
01:13:57If she was so self-assured, why did the idea of murder come as such a surprise?
01:14:01Well, surprise was genuine enough.
01:14:03Surely that puts a low on the list of suspects.
01:14:05She's holding something back.
01:14:07Well, who isn't?
01:14:22So, Mrs. Carpenter has been working at the Inns of Court for over two years now.
01:14:25Yes.
01:14:27Janet started work at another chambers, then moved to Miss Aldridge's a few months later.
01:14:33Do you know anything about her background?
01:14:35Very little.
01:14:37She's a widow from Winchester.
01:14:40She moved to London when her husband died.
01:14:41She's a very private woman.
01:14:45I can't...
01:14:46I can't understand why you want to know all this.
01:14:50It gives me a clearer picture, Mrs. Buckley, that's all.
01:14:54So how did she come to work here?
01:14:57Well, I'm not sure.
01:14:58I wasn't really looking for anyone.
01:15:00Oh, I remember.
01:15:01She asked Miss Aldridge if we ever needed an extra pair of hands.
01:15:06She said if we did, she'd be happy to help out.
01:15:10Oh, so the suggestion was hers?
01:15:11Oh, yes.
01:15:13Oh, wait a minute.
01:15:13I didn't know you, Lucy.
01:15:15I suppose you want to speak to Octavia?
01:15:16No.
01:15:17No, not at the moment.
01:15:18Good.
01:15:19Well, just leave it, eh?
01:15:20Because, I mean, she can't tell you anything, you know, and you're upset.
01:15:22Oh, you ain't got any decent scissors on you, have you?
01:15:24These ones are ready.
01:15:26I'll find some and bring them down.
01:15:28Yeah, well, I don't take all day about it, will you?
01:15:30Well, don't suppose you're afraid of how it is, do you know, have you?
01:15:33We're working on it.
01:15:34Yeah.
01:15:35Means you ain't got no bloody idea, innit?
01:15:39Don't feel comfortable with that man in the house.
01:15:43There's something about him, I...
01:15:45But Octavia won't hear a word against him.
01:15:49She's besotted.
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