A Promise of Bed. (1969 film)

deaddogsdam

A fading actress seduces a producer's son for a role.  Victor Spinetti - George Vanessa Howard - Barbara Dennis Waterman - Photographer Vanda Hudson - Susan Stress John Bird - Taxi Driver Gordon Sterne - Producer (as Gordon Stearne) Peter Kinsley - Wilbur Roy Brannigan - Jeffrey Valerie Leon - Bath Girl Heather Barber - Exposure Girl Alexandra Bastedo - Angie Christopher Mitchell - Carl Yutte Stensgaard - Taxi Girl (as Yutte Stensgard) Angela Grant - Flower Girl (as Angie Grant) Cleo Goldstein - Hands Girl Michel Durant - Young Playboy Larry Taylor - Policeman Sue Cole - Jo Sheila Ruskin - Snake Girl Siobhan Taylor - Party Girl Robin Courbet - Jimmy Bill Jarvis - Party Man Gregory Reid - Party Man  Director - Derek Ford

Transcript

00:00:00This is the way that you said it's always been

00:00:03And this is the way that you said it's gonna stay

00:00:08That is the wrong thing and this is the right thing

00:00:13Me is the queer thing and it's not the right thing to do

00:00:17But that's the past and that's the last I wanna hear

00:00:22You keep us saying this and you keep us saying that

00:00:28You got me never knowing just where I'm at

00:00:34Indactination, repatriation, what's your vocation?

00:00:39We're just a nation asleep

00:00:41But that's the past and that's the last I wanna hear

00:00:46Yes sir, that's the past and that's the last I wanna hear

00:00:52So be after me, be after me, be after me

00:01:01I had enough of this, I had enough of that

00:01:05And now the others leave

00:01:08You try to tell me yes sir, no sir, yes sir

00:01:12I had enough of this

00:01:15This is the way that you said it's always been

00:01:21And this is the way that you said it's gonna stay

00:01:27Right is the wrong thing and this is the right thing

00:01:31Me is the queer thing and it's not the right thing to do

00:01:35But that's the past and that's the last I wanna hear

00:01:40Yes sir, that's the past and that's the last I wanna hear

00:01:45What we got here is the generation gap

00:01:52You see, what we got is a story about a mature woman

00:01:59Who takes a young boy and, well, to make no bones about it

00:02:04And she, uh, she matures in, okay?

00:02:07Okay

00:02:09Now what I gotta convince myself is that

00:02:11You are the actress who can do that for me

00:02:15In my story

00:02:17Right

00:02:18You see, it, uh, calls for an actress of, uh, subtlety

00:02:23Of wit, charm, intelligence, awareness, uh, and, of course, a good figure

00:02:29Well, the question is

00:02:31Do you have it?

00:02:35The figure?

00:02:36No, the appeal

00:02:37You see, the essential mystique that, uh, speaks across the generation gap

00:02:42Gap?

00:02:46Gap

00:02:46You see, it's a, uh, it's a pretty important decision

00:02:52Are you interested in photography, Mr. Tate?

00:02:56Oh, no, no, this is my boy's stuff

00:02:58He thinks he might like to buy it

00:03:00Will you excuse me a moment, please?

00:03:05Thank you

00:03:06Weber?

00:03:09What do you think of her?

00:03:11Frankly, Pop, she just hasn't got it

00:03:13What hasn't she got?

00:03:15Teenage appeal

00:03:15In other words, no good?

00:03:18Exactly

00:03:19Oh, uh, are you going to get all that photographic equipment back to the store?

00:03:24Later

00:03:25Mistress, I've, uh, I've got to think about it all

00:03:31I'll tell you what, we'll be in touch

00:03:35I'm sure I can play Carlotta in your movie, Mr. Tate

00:03:38Well, that's just what I've got to think about, little lady

00:03:40Where are you staying?

00:03:43Down the hall, the Empress suite

00:03:44Oh, pretty pricey, huh?

00:03:47And bigger, too

00:03:47Oh, crap, crap, cholera, Jasna

00:03:58Now they use kids to cut the pictures, cholera

00:04:02Not teenager, too

00:04:04No

00:04:05I'll get this stuff right back to the store, huh?

00:04:19Uh, no, I can manage, thanks

00:04:33You take pictures?

00:04:46Well, it's just a hobby

00:04:51Come in, I want to talk to you

00:04:53Have a drink

00:05:17What kind of pictures do you take?

00:05:24Um, well, most, uh, landscapes, mostly

00:05:28Put it down

00:05:32Relax

00:05:34Cheers

00:05:42Cheers

00:05:44Bring you a drink

00:05:48Why don't you photograph me?

00:06:05You?

00:06:07What's the matter?

00:06:16Am I not good enough for you?

00:06:20Oh, no, it's not that

00:06:23It's just, um, well, of so little, it

00:06:26Time

00:06:27Well, experience, really

00:06:30Silly boy

00:06:31I have enough for both of us

00:06:34You've got such lovely equipment

00:06:38Thank you

00:06:41Just get it ready

00:06:43While I change into something more

00:06:44Photogenic

00:06:46Just be ready when I get back

00:07:11I want to give you a bit better

00:07:12Please

00:07:19Give me a doute

00:07:20It's so beautiful

00:07:21I bet I can be

00:07:21But I can

00:07:23Pre-be

00:07:24It's so very uh

00:07:25It's always

00:07:27I gotta do

00:07:28Not

00:07:29The

00:07:30I'm

00:07:32I can

00:07:34I'm

00:07:35You

00:07:36You

00:07:38You

00:07:40Get

00:07:40Hey, where are you?

00:07:53Just coming.

00:08:10I'd better get some of this.

00:08:40I'd better get some of this.

00:09:10I'd better get some of this.

00:09:40I'd better get some of this.

00:10:10I'd better get some of this.

00:10:40I'd better get some of this.

00:11:10I'd better get some of this.

00:11:40I'd better get some of this.

00:12:10I'd better get some of this.

00:12:40I'd better get some of this.

00:13:10I'd better get some of this.

00:13:20I'd better get some of this.

00:13:22I'd better get some of this.

00:13:24Oh, well, actually...

00:13:26I'd better get some of this.

00:13:28I'd better get some of this.

00:13:30I'd better get some of this.

00:13:32How about another drink?

00:13:34another drink?

00:13:36Yes?

00:13:37I'd better get some of this.

00:13:39I'd better get some of this.

00:13:41I'd better get some of this.

00:13:43I'd better get some of this.

00:13:45I'd better get some of this.

00:13:47I'd better get some of this.

00:13:51I'd better get some of this.

00:13:52I'd better get some of this.

00:13:53I'd better get some of this.

00:13:54No, no, honestly, you see, the store closes, and I've got to go, or else I'll get...

00:13:58Oh!

00:14:00Oh, how clumsy of me.

00:14:02Now, let me do it.

00:14:03No, no, let me do it.

00:14:04No, it's all right, really.

00:14:05Now, stay still.

00:14:07No, it'll be all right.

00:14:09Now, give me your trousers.

00:14:11No, thanks.

00:14:11Come on!

00:14:13Now, don't be silly.

00:14:14They'll be dry before you know it.

00:14:18All right, then I'll turn my back.

00:14:24Go now.

00:14:35While they drank the photograph, me.

00:14:37In the bathroom.

00:14:54Ready?

00:15:10Ready?

00:15:24Don't drop that lamp.

00:15:26You may fuse something.

00:15:32Well?

00:15:35What's that?

00:15:37An exposure meter.

00:15:39You need that to measure my exposure.

00:15:44Listen, then.

00:15:45I think there's something you ought to know.

00:15:47What?

00:15:48There's no film in my camera.

00:15:58Well, there's really no point.

00:16:02Listen, don't laugh at me.

00:16:18Now, listen, young man.

00:16:22This was just a game.

00:16:29Just till my show dries.

00:16:31I think that's how I take this.

00:16:34Come on.

00:16:44Oh!

00:16:52Oh!

00:16:53¶¶

00:17:23Now, listen, young man, this whole thing was simply to...

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00:22:08Hey, what in hell are you...

00:22:17Tell him.

00:22:18What is this?

00:22:20Are you afraid to tell him?

00:22:23And you are telling me about the generation gap.

00:22:26Your own son is afraid to tell you what happened.

00:22:28Wilbur?

00:22:29Wilbur. In my own suite.

00:22:33Exactly what did happen in your suite?

00:22:36Did he say that I wasn't sexy enough to seduce him?

00:22:40Well, I proved him wrong.

00:22:42Go on, tell him. Tell him what happened.

00:22:44He was there too?

00:22:46Why, of course he was there too.

00:22:48Do you think I did it on my own?

00:22:50Well, you mean you and Wilbur and...

00:22:52Oh, my God.

00:22:54Come on, tell him what happened.

00:22:57What was it like with a real woman?

00:23:00Well, um...

00:23:01Speak.

00:23:03Very nice.

00:23:05Very nice?

00:23:06Very nice.

00:23:07What do you mean, very nice?

00:23:09Now, uh, listen to me, young lady.

00:23:11I don't know what you're talking about.

00:23:12No, you don't know, but I know that your son is so stupid

00:23:15that he doesn't know how to talk straight.

00:23:18My son seems to have a lot to answer for.

00:23:21Right.

00:23:21Wilbur!

00:23:22What are you shouting for?

00:23:23He's right here.

00:23:25Yes, Pops?

00:23:26What have you been doing with this lady?

00:23:31That's Wilbur.

00:23:39Imposter!

00:23:40Did you get the equipment back to the store okay?

00:23:43Equipment?

00:23:45You are from the photographic store?

00:23:48And I thought he was your son, and I...

00:23:51Oh, mamma mia!

00:23:53Now, now, now, don't be upset.

00:23:56Now, uh, maybe, uh, well, just maybe we could think again.

00:24:02How about Carlotta?

00:24:07Well, after all...

00:24:13Uh, I was wondering if there's anything else.

00:24:19No, thank you.

00:24:20Um, uh, thanks very much.

00:24:34Yeah.

00:24:38Anytime.

00:24:39My face pressed up against the window

00:24:50Bane, I feel still there is no feeling

00:24:55Windows made for all

00:24:59See through my life

00:25:01I've been on the outside

00:25:04Looking in

00:25:06Looking in

00:25:09Oh, I can't touch what is real

00:25:11Now my lust is a seal of pain

00:25:15Oh, I can't touch what is real

00:25:18Now my lust is a seal of pain

00:25:22The window pane

00:25:36I can't touch what happens

00:25:38I can't touch what?

00:25:41I can't touch what is real

00:25:42I can't touch what is real

00:25:42Now my lust is seinen

00:25:43And my lust is as if you are

00:25:45With a charm

00:25:45But someone who is beautiful

00:25:47referenced

00:25:47I have a charm

00:25:48I know

00:25:48I have a gift

00:25:50And he is really

00:25:52Kone

00:25:54He is really

00:25:55He is really

00:25:55A natural

00:25:56And I've been

00:25:58And his

00:25:59He is really

00:26:00And when he gets

00:26:00And

00:26:01This

00:26:03Me

00:29:06But who's Claudia?

00:29:11Is that 45 Elm Park Muse?

00:29:14Yes, yes.

00:29:15Yes, this is 45 Elm Park Muse.

00:29:19And you say you don't know Claudia?

00:29:21For heaven's sake, everybody knows Claudia.

00:29:24Oh, um, how do you spell it, please?

00:29:27Spell it.

00:29:28C-L-A-U-D-I-A.

00:29:32Yes, yes, that's...

00:29:33Yes, that's...

00:29:34Claudia.

00:29:34Hold on while I get a pencil.

00:29:40Are you mad?

00:29:41Asking me to spell Claudia?

00:29:43Oh, never mind.

00:29:44I mean...

00:29:45Oh, really?

00:29:47Who shall I say...

00:29:48Cold.

00:29:55Cold.

00:29:55Oh, I'll be...

00:30:00Oh, my God.

00:30:03Oh, my God.

00:30:06Oh, my God.

00:30:17I'm not sure.

00:30:18At the third stroke, it will be 10, 29, and 40 seconds.

00:30:28At the third stroke, it will be 10, 29, and 50 seconds.

00:30:38At the third stroke, it will be 10, 30, precisely.

00:30:43At the third stroke, it will be 10, 30, and 10 seconds.

00:31:43Is anybody there?

00:32:10Don't go away.

00:32:11I'm coming.

00:32:13It's the door.

00:32:15It seems to be stuck.

00:32:35Am I the first?

00:32:37The first?

00:32:40Yes, yes.

00:32:42The first.

00:32:46Can I smell gas?

00:32:49Oh, gas.

00:32:50Yes, well, I lit the fire, you see, and it went out.

00:32:54Isn't Claudia here, either?

00:32:57Claudia?

00:32:59Ah.

00:33:00No, no.

00:33:01No, not yet.

00:33:06Oh, sorry.

00:33:10Could I get you a drink?

00:33:12Great.

00:33:13Great.

00:33:20Nice place.

00:33:25Uh, I seem to be, uh...

00:33:28Anything will do.

00:33:30Red wine, be all right?

00:33:41My favorite.

00:33:46How about some music?

00:33:47Hmm?

00:33:48Oh, yes, sir.

00:33:49Over there.

00:33:50Okay.

00:33:50...

00:34:12Stereo.

00:34:15Hobby of mine.

00:34:16I didn't break anything, did I?

00:34:23No, no, no.

00:34:27Gas.

00:34:30Give it five minutes.

00:34:37Red wine?

00:34:40No glasses.

00:34:41I'll get you one.

00:34:48And one for yourself.

00:34:50Thank you very much.

00:35:11Love in you was my first mistake and everything went wrong.

00:35:20Things I put my trust in, but just I couldn't have been too strong.

00:35:29Things I was a part of, I didn't see a fallout.

00:35:34I didn't see a fallout.

00:35:37I didn't see a fallout.

00:35:40I didn't see a fallout.

00:35:42Things I was a part of, I didn't see a fallout.

00:35:47I didn't see a fallout.

00:35:51Everything you made.

00:35:56Poor it was yellow.

00:35:59Bright colours on the sea.

00:36:01I can't.

00:36:02Just move.

00:36:05Do you live here alone?

00:36:06Oh, yes, I have.

00:36:08Couldn't share.

00:36:09I mean, no wife.

00:36:13No girl either.

00:36:15It's a big place for one person.

00:36:18Well, you see, there were three of us at first.

00:36:21Then just mother and me and she died.

00:36:25I'm sorry.

00:36:28No need to be.

00:36:30There was a lot of pain at the end and...

00:36:33Oh.

00:36:35Since then.

00:36:37For how long have you known Claudia?

00:36:43Not long, really.

00:36:51I was wondering what that was for.

00:36:54A blanket?

00:36:55Oh, well, uh...

00:36:57Well, you see, uh...

00:36:59It's a theme.

00:37:01Yes, um...

00:37:03You see, every party should have a...

00:37:06theme.

00:37:08And I thought that...

00:37:10Suicide?

00:37:11Yes.

00:37:12That's the theme.

00:37:13Yes.

00:37:14Everybody has to pretend to be a suicide.

00:37:16Well, only pretend, mind you.

00:37:17It's a fantastic idea.

00:37:18Great.

00:37:19Now, what can I be?

00:37:22I know.

00:37:23Where's the kitchen?

00:37:24Through there.

00:37:34How's that?

00:37:37Lovely.

00:37:38Fantastic idea.

00:37:41That'll be lovely.

00:38:00Now, listen, everybody.

00:38:02Everybody's got to be a suicide.

00:38:03All different.

00:38:04That's the theme.

00:38:05Super.

00:38:06So, come on.

00:38:07Everybody think of something.

00:38:09What, for instance?

00:38:11Oh, Geoffrey, you've got to think.

00:38:13Bloody bore.

00:38:14Let's move the furniture.

00:38:15You!

00:38:27Loose!

00:38:28Dead boy, Hattie!

00:38:30What'll I be?

00:38:31What'll I be?

00:38:45I'm with?

00:38:46How do you?

00:38:47How do you do?

00:38:48I'm angry.

00:38:51How do you do?

00:38:52Everybody's suicidal in there.

00:38:54Madly gay.

00:38:59Any idea with a phone?

00:39:01Um...

00:39:03It's in the lounge, actually.

00:39:04Everybody's suicidal in there. Madly gay.

00:39:10Any idea with the phone?

00:39:12Um, it's in the lounge, actually.

00:39:18In what?

00:39:20The lounge.

00:39:22Oh, how boring.

00:39:24How many of them in there?

00:39:28Many what?

00:39:32How many of your friends came?

00:39:36My friends, darling, wouldn't be seen dead here.

00:39:46What do you think?

00:39:48Revolting.

00:39:52Where's the bathroom?

00:39:54Come on.

00:40:02Oh!

00:40:10Whoa!

00:40:11Bye.

00:40:25I'll feed everybody to death by drowning.

00:40:28Ophelia, who's your friend?

00:40:33Hamlet.

00:40:34You can talk then.

00:40:35What's your death supposed to be?

00:40:37Alcoholic poisoning.

00:40:41That's it!

00:40:44Death by exposure!

00:40:47I was wondering where you were.

00:40:50What's that?

00:40:51Oh, well, there wasn't much in the flat, you see, and I thought...

00:41:03Carol's taking her clothes off as usual.

00:41:05Honestly, darling, it's so boring.

00:41:18I'm with Geoffrey.

00:41:20Well, exactly.

00:41:25Listen, why don't I take a cab and come over there?

00:41:28Listen, friend, what's your game?

00:41:29What suicide are you on, then?

00:41:33Carl, he's got the greatest.

00:41:34Haven't you noticed the whole pad's done over for gassing?

00:41:38Windows, doors, everything.

00:41:39Yeah, and he's even green under the gills.

00:41:43Great thingy-man.

00:41:44The great.

00:41:45Have a drink.

00:41:46Have a drink.

00:41:47Have a drink on me.

00:41:48Have a drink on me.

00:41:49See you.

00:41:50See you.

00:41:51See you.

00:41:52See you.

00:41:53See you.

00:41:54See you.

00:41:55See you.

00:41:56See you.

00:41:57See you.

00:41:58See you.

00:41:59See you.

00:42:00See you.

00:42:01See you.

00:42:02See you.

00:42:03See you.

00:42:04See you.

00:42:05See you.

00:42:06See you.

00:42:07See you.

00:42:16This is the way that you said it's always this

00:42:26And this is the way that you said it's always this

00:42:30That is the wrong thing and this is the right thing

00:42:35Here's the clear thing and it's not the right thing to do

00:42:39But that's the past and that's the last I wanna hear

00:42:44You keep us saying this and you keep us saying that

00:42:50You got me never know just where I'm at

00:42:56Inracination, repatriation, what's your vocation?

00:43:01We're just a nation on sea

00:43:04That's the past and that's the last I wanna hear

00:43:08That's the past and that's the last I wanna hear

00:43:14So brightful apartment

00:43:32No, he hasn't exactly got plaster ducks on the wall

00:43:36But I'm sure he's saving hard for them

00:43:38Look, tell you what, I'll come over there

00:43:47Now don't get Alexandra out of your sight, all right?

00:43:53Oh, hello, lovely party must fly

00:43:56Got any more glasses, old man?

00:44:05Oh, I'll just wash some

00:44:06What's this?

00:44:18It's addressed to the world

00:44:19We're the world

00:44:21Shall I read it?

00:44:22Yes, why not?

00:44:24Might be interesting

00:44:25Listen to this, everyone

00:44:34Listen

00:44:35Dear world

00:44:37As you and your millions have made amply clear

00:44:41You have no use for me

00:44:42And I have decided

00:44:44I have no further use for you

00:44:47It is best that we part on a note of indifference

00:44:51Listen

00:44:52And not hold bitterness one to the other

00:44:55Anybody understand it?

00:45:00If I have caused any inconvenience

00:45:03Either by my life or my death

00:45:05Then I can only apologize

00:45:07I am not certain of the law pertaining to my possessions

00:45:12There is no one

00:45:14Nor anything to whom I can leave them

00:45:16I trust they will be put to use

00:45:19By someone who will appreciate

00:45:21My debris is not much

00:45:25And trust that it, like my body

00:45:27Will cause no one a moment's pause

00:45:29My remains are those of George Tomlin Makepeace

00:45:34Goodbye

00:45:35Who wrote this?

00:45:37Who's George Tomlin Makepeace, for Christ's sake?

00:45:41He's our host

00:45:42What?

00:45:44That guy wrote this?

00:45:46It's a theme, idiot

00:45:47Part of his costume

00:45:50Really gets into the thing

00:45:55I understood it

00:46:04Just a last little touch, you know

00:46:07Let's dance

00:46:25Where's Angie?

00:46:52What have you done with Angie?

00:46:54Ignore

00:46:56Leave it

00:46:58Come on

00:46:59Angie!

00:47:11See you!

00:47:21Thank you

00:47:22I'm not sure

00:47:24You are not sure

00:47:25You are not sure

00:47:25I'm not sure

00:47:26I've been so lucky

00:47:27But I'm sure

00:47:28You are not sure

00:47:28He's coming

00:47:28Come on

00:47:29Come on

00:47:30Come on

00:47:31Come on

00:47:32Come on

00:47:33Come on

00:47:34Come on

00:47:35Come on

00:47:36Come on

00:47:37Luddy Roof

00:47:38Passed

00:47:39I found her now, I've not found her yet

00:48:09I found her when i was at home and I saw her.

00:48:12I'm gonna give her my leg to pick up a little.

00:48:17I'm gonna give her a little bit.

00:48:24In the middle of the street, she looks like a little bit more.

00:48:27There she is.

00:48:29I just wanna give the look.

00:48:32I'll give her a little bit more.

00:48:34I'll maybe give.

00:48:35Even if I was not looking for a little bit more now.

00:52:47Well, I've got a fare for you.

00:52:49Pick up 23 on Park News.

00:52:51Go out to Surrey.

00:52:52Should keep you out of trouble for an hour or two.

00:52:54I'll just go.

00:52:56Get going.

00:53:04I'm here.

00:53:06I'm here.

00:53:08I'm here.

00:53:12Who's where?

00:53:20I'm here.

00:53:21I'm here.

00:53:22I'm here.

00:53:23I'm here.

00:53:24I'm here.

00:53:25I'm here.

00:53:26I'm here.

00:53:27I'm here.

00:53:28I'm here.

00:53:29I'm here.

00:53:30I'm here.

00:53:31I'm here.

00:53:32I'm here.

00:53:33Who's where.

00:53:34Report properly.

00:53:35Hello, Control. This is Sky Blue 24. I'm at 23 Elb Park, Mews. Park and waiting.

00:53:42Well, what do you want me to do?

00:53:44I thought you might be interested, that for you.

00:53:46I love you, Sky Blue, too. Just you wait one day out, really.

00:53:50Thank you, Control. Your message received and timed at 12.55 hours. Out.

00:54:02Bedwood Park. Do you know it?

00:54:05The reflections of my dreams coming.

00:54:12Truly, I say, what about me?

00:54:18And every time I grab a piece of life just seems to slip away.

00:54:26Slip away, slip away.

00:54:31I can't touch what is real and my lust in the sea from the bay.

00:54:38I can't touch what is real and my lust in the sea from the bay.

00:54:44The wind of pain.

00:54:55Here. What about my fare?

00:55:14The wind of pain.

00:55:15The wind of pain.

00:55:16The wind of pain.

00:55:17The wind of pain.

00:55:19The wind of pain.

00:55:20The wind of pain.

00:55:21The wind of pain.

00:55:22The wind of pain.

00:55:23The wind of pain.

00:55:24The wind of pain.

00:55:25The wind of pain.

00:55:26The wind of pain.

00:55:27The wind of pain.

00:55:28The wind of pain.

00:55:29The wind of pain.

00:55:30The wind of pain.

00:55:31The wind of pain.

00:55:32The wind of pain.

00:55:33The wind of pain.

00:55:34The wind of pain.

00:57:05Here, me fair.

00:57:08Me 25, home.

00:57:35Here, me 25, home.

00:58:05Here, me 25, home.

00:58:35Here, me 25, home.

00:59:05Here, me 25, home.

00:59:10Here, me 25, home.

00:59:12Here, me 25, home.

00:59:42I say, I say, it's me, it's me fair, I'm sorry, I'm sorry to interrupt, I'm in private.

01:00:12I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I say, I

01:00:42I don't know.

01:01:12I don't know.

01:01:42I don't know.

01:02:12I don't know.

01:02:42I don't know.

01:03:12I don't know.

01:03:42I don't know.

01:04:12I don't know.

01:04:42I don't know.

01:05:12I don't know.

01:05:42I don't know.

01:06:12I don't know.

01:06:42I don't know.

01:07:12I don't know.

01:07:42I don't know.

01:08:12I don't know.

01:08:42I don't know.

01:09:12I don't know.

01:09:42I don't know.

01:10:12I don't know.

01:10:42I don't know.

01:11:12I don't know.

01:11:42I don't know.

01:12:12I don't know.

01:12:42I don't know.

01:13:12I don't know.

01:13:42I don't know.

01:14:12I don't know.

01:14:42I don't know.

01:15:12I don't know.

01:15:42I don't know.

01:16:12I don't know.

01:16:42I don't know.

01:17:12I don't know.

01:17:41I don't know.

01:18:11I don't know.

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