40:05I think I would like to talk to you about it.
40:18I tell you...
40:28I'm going to talk to you about it.
40:31I'm going to help you.
40:35What is it?
40:41Mr. Srin. You need help me.
40:45What?
40:51It's better than the boss.
40:53I've been here.
40:55I'm going to walk out for you.
40:57What is it?
40:59What are you doing?
41:05You don't have to do anything like this.
41:07That's right.
41:09Two of you have two people.
41:13What are you doing?
41:15But if I'm looking for you,
41:17I'm looking for you for someone else.
41:19I'm looking for you.
41:21That's right.
41:23That's right.
41:25Why are you looking for me?
41:27You're going to ask me more about what you like?
41:29You're going to ask me.
41:31Well, my mother,
41:33Mr. Kauk,
41:35if my father isn't making me reimagine me,
41:37I'm thinking that you won't be any person.
41:39I think that you can't,
41:41I'm not sure and don't.
41:43Yes, after you say it,
41:45Mr. Kauk,
41:47Mr. Kauk will tell you that you are very good.
41:51Mr. Kauk will tell me to help you.
41:55I'll be back with you.
42:01My husband?
42:03I'll be back with you.
42:17I'll be back with you.
42:19I'll help you.
42:21Well...
42:22...n'a...
42:22...choy n'o'y.
42:24Chui phía n'o'y, k'a kéo.
42:27N'a.
42:51It's time to go back to the house.
42:55Your...
43:02What is it?
43:06What is it?
43:15What is it?
43:17It's time to go back to the house.
43:20I'll give you a chance.
43:23I'll give you a chance.
43:25I'll give you a chance.
43:28Gale!
43:30I'll give you a chance.
43:32What's this?
43:38Wait a minute.
43:41I'm going to take you back to the house.
43:43It's so bad.
43:46I'm going to help you.
43:51Why?
43:53Why do you want to go back to the house?
43:56Why do you have to go back to the house?
43:58I don't want to go back to the house.
44:00I don't want to go back to the house.
44:02I'm going back to the house.
44:03Why do you want to go back to the house?
44:04What do you want?
44:05Why do you want to go back to the house?
44:06Why don't you have to go back to the house?
44:09What do you want?
44:10You can go.
44:14I can.
44:21Mom...
44:27Mom, Your stuff?
44:36Mom?
44:37Do you want to hear me?
44:50You!
44:55Do you want to hear me?
45:00Did you hear me?
45:04And... I don't know if I saw anyone.
45:10I'm walking around here and I'm going to die.
45:13That's right.
45:17Is there anything?
45:19Let's go to the house again.
45:26Listen!
45:28Listen!
45:29Listen!
45:30What's wrong with you?
45:32What?
45:33What is this?
45:34What?
45:35There's something bigger.
45:36What?
45:37What?
45:40What?
45:41What?
45:42You can't hear me?
45:43You can't hear me.
45:45Mm-hmm.
45:47And why don't you hate me?
45:49How do you hate me?
45:51I know that when I'm in my head,
45:53I'm in my head.
45:55And I'm in my head.
45:57Where are you?
45:59Go ahead.
46:01Go ahead.
46:03Go ahead.
46:05Go ahead.
46:07Go ahead.
46:13What happened?
46:15Why?
46:31Why?
46:37I think there is someone who is in this place.
46:44There is someone who is in this place.
46:46Why do you think that person is like this?
46:49Why do you need to do something like this?
46:52Why do you need to do something?
46:54There is something to do.
46:56What do you need to do here?
46:58I see the boss who is in this room.
47:01What is there?
47:02What is the house?
47:04What is the house?
47:06Who is this?
47:08How do you come to this house?
47:10What is your house?
47:12What is my house?
47:14I want to see the house.
47:16The house is a house.
47:18The house is a house.
47:21This house is a house.
47:23It is somebody.
47:25Dude, I don't have it yet.
47:28The house is still alive.
47:29The house's Workshop Master is alive.
47:30It's a house.
47:31The house is also alive.
47:32You see...
47:35I don't know.
47:36I may have enough chambers now
47:39it has no idea.
47:40Yeah, it's not hard...
47:42It's as still not yet.
47:43okojoojoojoojoojoojoojoojoojoojoojoojojoojoojoojoojoojoojoojoojoojoojoojoojoojoojoojoojoojoojoojoojoojoojoojoojoojoojeejoojoojoojoojoojoojoojoojoojoojoojoojoojoojoojoojoojoojoojoojoojoojoojoojoojohaahal Chita Janganiss pointless important .--- które THEM IMPER DLE
47:46But like I am about to try so many projects
47:48Oh, time and a mess watched in Kyr Condor centers
47:50Boa Satin Seli
47:50I have a tree in the middle of the sky.
47:53There is a tree in the house that has been fulfilled.
47:56It's a tree.
47:58That's a tree.
47:59I want to ask the questions for the people.
48:01I want to ask the students to come to the house right here.
48:06Let's go.
48:10I'm going to see the tree.
48:12I'm going to die.
48:13I'm going to die.
48:15I'm going to die.
48:17I'm too hungry.
48:19It's like a man.
48:21It's like a man.
48:33Is there anyone there?
48:35Is there anyone there?
48:37Is there anyone there?
48:39What are you doing?
48:41I'm going to go to my aunt.
48:43I'm going to see you on my desk,
48:45I'm going to find you on my website.
48:47I lost my wife's wife.
48:49This is my wife.
48:51You're a friend.
48:53If you are your wife,
48:54you're a friend.
49:01Mom!
49:03Don't get me right now!
49:05Mom!
49:07Mom!
49:09Don't move!
49:11Don't move!
49:13Don't move!
49:15Don't move!
49:21Don't move!
49:23Don't move!
49:25Don't move!
49:31How long is he going to get here?
49:33I'm going to go to work
49:35house.
49:37I am not...
49:49This is the movie.
49:52When I was at home, I was becoming more Possibly.
49:57I was almost there.
50:00I was like a movie.
50:02I was just like a movie.
50:05The homeless.
50:07I have no idea what to do
50:11I have two people every day
50:13I have two children
50:15I have two children
50:25Are you okay?
50:27Are you okay?
50:29Are you okay?
50:31Are you okay?
50:33I have two children
50:35You can change the road
50:37You can change the road
50:39You can change the road
50:40You have three children
50:42After that, I can change the road
50:44Yes
50:46You can change the road
50:48You are waiting for the road
50:50This road is so fast
50:52If you change the road
50:54It's going to be a fan
50:55It's like a super fun
50:58I'm going to go for a long time, so I'm going to go for a long time.
51:04I'm going to go for a long time.
51:06He's not actually good too.
51:07Because I don't see him all the time.
51:08I can't tell him should be a city guard.
51:09Instead I can't tell him I can't tell him well.
51:10And to do something I just can't tell him well.
51:13The tackle is a big idea since I was on my Trick-Torpe.
51:20I have a running.
51:24I'm going to do an ordinary class.
51:26This is my trois виделry because I've been trying to win.
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