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#Dracula 🧛♂️ tot aber glücklich von 1995
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00:00:00Music
00:00:30Music
00:01:00Music
00:01:30Music
00:02:00Under such cramped conditions
00:02:18It pains me intensely to introduce myself to you.
00:02:20I am Thomas Ranfield, Esquire.
00:02:22Lawyer from London.
00:02:24Oh, Englishmen.
00:02:25Well, my wife and I love the English, don't we, darling?
00:02:28Yes.
00:02:29I confess, I am not used to these noisy Transivan roads.
00:02:35Yes, I feel quite queasy.
00:02:36Oh, wow. I'll be right to tell him to drive slower.
00:02:42Okay, Mr. Giant.
00:02:45The sun is setting. We need to be in the city before nightfall.
00:02:49Fast fast.
00:02:51Oh, faster, faster.
00:02:55Grappeln.
00:02:59Grappeln.
00:03:00Grappeln.
00:03:01Hold on tight, Englishmen.
00:03:03No.
00:03:12Oh no.
00:03:14No.
00:03:14Well, I understand that perfectly.
00:03:22Hey, you say, coachman.
00:03:25Could you perhaps drive a little slower?
00:03:27Yes!
00:03:32Thank you very much!
00:03:51Thank you very much as well.
00:03:53Oh, coachman, don't take my luggage down.
00:03:56I'm continuing on to the Borgo Pass today.
00:03:58Yes!
00:04:01But what are you doing there?
00:04:03Too dark.
00:04:04I cannot drive any further.
00:04:06From here you can walk.
00:04:10Do you really want to continue tonight?
00:04:13Yes, because I want to go to the castle.
00:04:14Oh, coachman, oh, to the castle.
00:04:17Yes, I have a meeting with Count Dracula tonight.
00:04:21Dracula?
00:04:22Dracula?
00:04:23Dracula!
00:04:23Dracula!
00:04:24A meeting?
00:04:26Yes, I want to do business with the Count.
00:04:30No, no, no, no, no!
00:04:32You are not allowed to go there!
00:04:34Why not?
00:04:35Well, you know, because we mountain dwellers believe.
00:04:38Vampires live upstairs in the castle.
00:04:41Vampires?
00:04:42Yes, they are the undead.
00:04:45They climb out of their coffins at night.
00:04:51Yes.
00:04:52Yes.
00:04:54They take on the form of wolves or bats and bite holes in the throats of their victims with their teeth and drink their blood.
00:05:04But that's just superstition, absolutely certain.
00:05:11No.
00:05:12Madame Ospenskaya is absolutely right.
00:05:15Please, my son, take this cross.
00:05:19Oh no, thank you very much.
00:05:20Oh, take the cross.
00:05:22His holy love and everlasting benevolent spirit.
00:05:26They will protect you from the lurking danger.
00:05:35Oh, no, no, really no, thank you very much.
00:05:38Damn it, just take the cross already.
00:05:40Of course, of course.
00:05:41That makes 15 copies.
00:05:44Very well.
00:05:46Thank you, Chanel.
00:06:07Well, if I have to walk, then I have to walk.
00:06:09No, don't go.
00:06:14Please, I beg you, sir.
00:06:18But you don't seem to understand.
00:06:20I am expected.
00:06:21Okay then, bye bye.
00:06:39Oh, no, no, no.
00:06:51Oh no.
00:06:53Subtitles by ZDF, 2020
00:07:23Subtitles by ZDF, 2020
00:07:53Subtitles by ZDF, 2020
00:08:23Subtitles by ZDF, 2020
00:08:53Subtitles by ZDF, 2020
00:09:22Subtitles by ZDF, 2020
00:09:52Oh, a little dusty, isn't it?
00:09:57Yes, just the way I like it.
00:09:59And you draw here.
00:10:04And here.
00:10:06And there we have it.
00:10:09Well, congratulations.
00:10:10They are now the owners of Carfax Abbey.
00:10:12One copy for you and one copy for me.
00:10:17Oh.
00:10:19Is anything wrong?
00:10:20I only cut myself on paper.
00:10:21Oh, you dear thing.
00:10:27Oh, don't worry, I have a tissue somewhere here.
00:10:31Where did I get it from?
00:10:33Oh, how clumsy of me.
00:10:36It's worse than I thought.
00:10:37I must have mixed up a blood vessel.
00:10:51Oh, don't worry, I have a tissue here.
00:11:07Oh, don't worry.
00:11:09Oh, don't worry.
00:11:11My goodness.
00:11:31Goodness, what are you doing with the furnishings?
00:11:48What is this supposed to mean? I don't understand any of it.
00:11:52Who are you, ladies?
00:11:54I would like to point out that this is my knee that you are clamping down.
00:11:58Stop it immediately.
00:12:00Aha! No, that's not proper. It's not proper.
00:12:05It's not proper, do you understand? It's...
00:12:07It ge...
00:12:08It ge...
00:12:09Befits me, tames me, ensnares me until my ears flop.
00:12:14Ouch!
00:12:16Ua! Ua! Ua! Ua!
00:12:19Yes!
00:12:20Nothing!
00:12:23Zamorit!
00:12:24What's going on here?
00:12:33Do you think something like this makes me proud of you?
00:12:37Here we go. I want to make him my slave.
00:12:47And stop with the nonsense!
00:12:49Well, Renfield, do you feel better now? You had a nightmare, you see.
00:13:01A nightmare? But it was so real, so true.
00:13:05Two voluptuous women. Raging, raging.
00:13:08How can I possibly describe this?
00:13:09Have you ever been to Paris?
00:13:11Yes.
00:13:14Let me show you an old Transylvanian relaxation method.
00:13:20Look deep into my eyes.
00:13:24Your eyelids feel heavy. You feel...
00:13:29Renfield, you fell asleep too early.
00:13:33I have more to tell you. Open up.
00:13:37Okay, and now you feel sleepy.
00:13:45What an ingenious spy.
00:13:50Renfield, you can forget about the sleeping.
00:13:53Listen to me carefully.
00:13:55From this moment on, you will only listen to my voice; you are my slave.
00:14:00You will make every conceivable sacrifice for my well-being.
00:14:03And as a reward, I will give you many lives.
00:14:09Not a great, significant life.
00:14:11Insects, flies, spiders.
00:14:15I damaged a ship that is taking us to England.
00:14:18We will leave tomorrow evening.
00:14:21I now command you,
00:14:23Watch over the well-being of my coffin.
00:14:26Yes, Master.
00:14:28Yes, Master.
00:14:58Master, master, master, do not be afraid.
00:15:14I will help you.
00:15:15Now I have you, Master.
00:15:29You look pathetic, Master.
00:15:47They are completely dried out.
00:15:49Here, you should drink some fluids.
00:15:51Yes you are right.
00:15:52I think I'll start with the Boatsmart.
00:15:59Captain's body found on abandoned ship.
00:16:02Sole survivor, gripped by a raging madness.
00:16:22I absolutely love going to the opera.
00:16:32I love this temple of art and beauty.
00:16:35Oh yes, my dear.
00:16:36Opera is something amazing.
00:16:39The music is overflowing with love, hate, sensuality, and unbridled passions.
00:16:45These are all things that I consistently suppress in my life.
00:16:48I am heartbroken that I am late, my love.
00:16:52We were already worried, Thread.
00:16:54I'm sorry.
00:16:55Sit down, sit down.
00:16:57I have been detained at my institution.
00:16:59A truly extraordinary lunatic was admitted today.
00:17:01He was the sole survivor on the schooner, which was adrift and unruly in Rydby harbor.
00:17:05I'd say it's bizarre.
00:17:06Oh, good evening.
00:17:07Can I help you, sir?
00:17:09Yes, you might actually be able to do that.
00:17:11Dr. Seward is sitting next to each other in the box.
00:17:14It is of utmost importance that I meet with him in private.
00:17:19You go to him and tell him that a message has been left for him in the foyer.
00:17:24A message for Dr. Seward was left in the foyer.
00:17:28Okay, now go.
00:17:30A message for Dr. Seward was left in the foyer.
00:17:35And you won't remember anything I told you.
00:17:41Very unusual.
00:17:53Oh, good evening.
00:17:54Can I help you, sir?
00:17:56Can I help you, sir?
00:17:58What's wrong with you?
00:17:59Why didn't you tell him?
00:18:01What exactly did you say?
00:18:02Oh, about the message downstairs in the foyer.
00:18:05For whom, please?
00:18:06Not important.
00:18:08Then I'll just tell him myself.
00:18:10And you'll get nothing for your truly pathetic performance.
00:18:14Not a single kopek.
00:18:15What? No kopeks?
00:18:17Oh, of course you won't forget that.
00:18:21Let's see what we're talking about today.
00:18:27Excuse me please.
00:18:28Are you Dr. Seward, whose sanatorium is located in Whitby?
00:18:32Uh, yeah.
00:18:33I recently acquired Carfix Abbey.
00:18:36And I was told that it borders your property.
00:18:39Oh wow. And you are?
00:18:41Oh, please forgive me.
00:18:43I am so well-known in my home country that I sometimes actually forget to introduce myself.
00:18:49I am currently...
00:18:50Dr. Seward, a message has been left for you in the foyer.
00:18:56And don't drink any kopeks.
00:18:58Good heavens, that's really annoying.
00:18:59Excuse me please.
00:19:00Dracu!
00:19:02Blah!
00:19:02Uh, very pleased to meet you, Count Dracula.
00:19:05Um, I'm Jonathan Harker, Dr. Seward's assistant.
00:19:09This is Lucy Westenra.
00:19:10And this is my fiancée, Dr. Seward's daughter, Mina.
00:19:14Count Dracula, it will certainly be a relief for us,
00:19:17Lights will soon be seen again in the now so dark windows of Carfix Abbey.
00:19:20Oh yes, Abby always reminds me of that old song.
00:19:24You know, when the forests lose their green, the stubble fields turn yellow.
00:19:28and then glows with the blazing leaves, colored like my young blood.
00:19:32A truly excellent association, my dear.
00:19:36This is truly one of my favorite topics.
00:19:38We should meet again and discuss the matter in great detail.
00:19:42Very, very detailed.
00:19:45And now I may say goodbye.
00:19:47I am expected at a very urgent matter.
00:19:50Uh, Count Dracula?
00:19:57Forgive me, my dear, but you have such a magical Sorbilia Marfonensis.
00:20:04What is that?
00:20:08That one.
00:20:10Oh thank you.
00:20:15And now I may say goodbye.
00:20:20This man has something about him that seems not of this world.
00:20:28That sends shivers down his spine.
00:20:30Oh yes, me too.
00:20:32Oh, Count Dracula.
00:20:49I wish we could have this very, very detailed conversation right now.
00:20:54Oh yes, me too.
00:21:19Subtitles. BR 2018
00:21:49Aaaaaah!
00:22:19Oh, please forgive me, my dear.
00:22:29Oh, Dr. Seward. Jonathan, I was already asleep.
00:22:34Yes, we are really sorry, but there was a noise under your window and we thought it might be a loiterer.
00:22:38Yes, would you mind if we took a look around a bit?
00:22:41No, please do.
00:22:42No, there's nothing out there.
00:22:49I didn't find anything unusual here either.
00:22:51Oh, what a relief!
00:22:53I am now absolutely convinced that you are in no danger here whatsoever.
00:23:02Sorry for disturbing you, my child.
00:23:04We searched everywhere. No one forced their way in.
00:23:07Okay. Good night.
00:23:08Good night.
00:23:10Oh, there's something wrong with that bargain.
00:23:12Yes, but don't worry. I'll just slam the door shut.
00:23:16Oh, with the bargain Rossi!
00:23:46Redfield!
00:24:16Yes!
00:24:17I can't take it anymore. Can you?
00:24:19The lights, the whining, those crazy faces that are always staring at me.
00:24:23I'm telling you, I can't breathe here anymore.
00:24:25I mean, I need to get out as soon as possible.
00:24:27Supervisor! Get back to work!
00:24:29Yes, sir!
00:24:43Well, come along then, Redfield.
00:24:46You may have tea with the director today.
00:24:48Finally!
00:24:49Now you'll know, Martin.
00:24:51Dr. Seward will believe me that I'm not crazy.
00:24:53I wouldn't bet my last shilling on that.
00:24:56Let's go!
00:25:09Seat!
00:25:14Dr. Seward?
00:25:15Yes?
00:25:16Mr. Renfield is here.
00:25:18Oh good, send him here, Martin.
00:25:20Oh, McManus, the patient in the west wing.
00:25:23Yes?
00:25:24He's become quite messed up.
00:25:26Oh, give him an enema.
00:25:29I'm going to give myself an enema.
00:25:31Yes, it gives him the feeling of having accomplished something.
00:25:34Yes, sir.
00:25:35Oh, uh, yes.
00:25:36Oh, Renfield, it's lovely to have you here.
00:25:39Good day.
00:25:40Yes, good day.
00:25:41Nothing to see you, old boy.
00:25:42How are we feeling today?
00:25:43Normal, perfectly normal.
00:25:44Excellent, excellent.
00:25:45Yes?
00:25:46Dr. Seward, may I ask why I was placed in this sanatorium?
00:25:50Oh, we would like to conduct some tests with you, if you don't mind.
00:25:53No, no, not at all.
00:25:54As you can see, I'm feeling excellent again now.
00:25:57Absolutely, definitely.
00:25:58Oh, are you hungry?
00:25:59Absolutely massive.
00:26:00Go for it.
00:26:01Yes, lots of good things.
00:26:02Yes.
00:26:05I just said that the other day.
00:26:08What was that?
00:26:09What?
00:26:10They were chatting amongst themselves.
00:26:12Not at all.
00:26:13Yes, I saw it, you put something in your mouth.
00:26:15I think it was an insect.
00:26:17Oh, that was a blackberry.
00:26:19Blackberry? There aren't any blackberries here.
00:26:22Then it was definitely a raisin that fell out of the raisin tart.
00:26:25There, you see, one is missing.
00:26:26One is missing.
00:26:27One is missing.
00:26:28Yes, there you can see the hole.
00:26:29Something like that, really.
00:26:30Well, if you say so.
00:26:31Oh my...
00:26:33How silly of me.
00:26:34You must have really let my imagination run wild...
00:26:36You just did it again.
00:26:38They put an insect in their mouth.
00:26:40I think it was a spider.
00:26:41No I have not.
00:26:42You did.
00:26:43I haven't.
00:26:44You did.
00:26:45I haven't.
00:26:46You did.
00:26:47I haven't.
00:26:48I tell you, I saw you snatch a spider out of the air and eat it.
00:26:51A spider?
00:26:53How absurd.
00:26:54What?
00:26:55Oh, I dropped my fork.
00:26:57Fallen?
00:26:58They hurled the port.
00:26:59I don't understand you.
00:27:00Mr. Renfield, I must ask you, what are you doing down there?
00:27:01Mal, fork found.
00:27:02Their behavior is highly improper.
00:27:03I don't think you...
00:27:04My God, man.
00:27:05They eat insects that they catch on the ground.
00:27:06How did you even come up with something like that?
00:27:07Because I see one trying to free itself from your mouth.
00:27:08He doesn't ask that.
00:27:09What is my mouth?
00:27:10Yes, from your mouth.
00:27:11Yes, from your mouth.
00:27:12From your mouth.
00:27:13It's still wiggling around.
00:27:14If you're not being silly, it wiggles.
00:27:15If you're not being silly, it wiggles.
00:27:16I will not be silly in any way.
00:27:17It's wriggling around like crazy.
00:27:18The poor thing is fighting for its life.
00:27:19I don't know what you're talking about.
00:27:20If you keep babbling like this, I'm leaving.
00:27:21I'm babbling.
00:27:22She's chattering.
00:27:23Hello, you sweet thing.
00:27:24Hello, you sweet thing.
00:27:25Oh my God, man.
00:27:26Oh my God, man.
00:27:27They eat insects as they catch them on the ground.
00:27:28How did you even come up with something like that?
00:27:29Because I see one trying to free itself from your mouth.
00:27:30He doesn't ask that.
00:27:31What is my mouth?
00:27:32Yes, from your mouth.
00:27:33Yes, from your mouth.
00:27:34The poor thing is fighting for its life.
00:27:38I don't know what you're talking about.
00:27:39If you keep babbling like this, I'm leaving.
00:27:41I'm babbling.
00:27:42She chattered.
00:27:43Hello, you sweet thing.
00:27:45Don't be afraid.
00:27:46Disgusting.
00:27:48Now he's finally losing his mind.
00:27:50I'm not going to hurt you.
00:27:52I'm going to crush you.
00:27:53Nothing more.
00:27:54No, no, oops.
00:27:56Martin!
00:27:58Martin!
00:28:00Put him in a straitjacket and give him an enema.
00:28:03Wait.
00:28:04First you give him an enema, then you put him in a straitjacket.
00:28:08Yes, for...
00:28:09Life!
00:28:10Life!
00:28:16Oh Lucy, you lazy thing.
00:28:18It's already past 10 o'clock.
00:28:19The horses are saddled and waiting for us.
00:28:26Oh, Mina.
00:28:28I probably won't be able to get out of bed today.
00:28:31I had such a terrible dream.
00:28:36I feel so drained somehow.
00:28:38Yes, you are also terribly pale.
00:28:40You look completely grim.
00:28:42The best thing is probably that Father is looking after you.
00:28:44You might be right about that.
00:28:45Father.
00:28:46Yes?
00:28:47It's because of Lucy.
00:28:48What about you?
00:28:49Well, I don't know.
00:28:50She is so terribly pale and weak.
00:28:51Pale?
00:28:52Weak?
00:28:53Yes, I'll take a look at that.
00:28:54I gave you a little laudanum, my child.
00:28:55Then you'll be able to sleep better.
00:28:56Well, no signs of infection.
00:28:57And you really don't know where these marks come from, my child?
00:28:59From an insect?
00:29:00Maybe a spider.
00:29:01Do you know if they were bitten?
00:29:02No, but I had a dream.
00:29:03Oh, really?
00:29:04Yes, I don't know.
00:29:05She is so terribly pale and weak.
00:29:06Pale?
00:29:07Weak?
00:29:08Yes, I'll take a look at that.
00:29:10I gave you a little laudanum, my child.
00:29:12Then you'll be able to sleep better.
00:29:14Well, no signs of infection.
00:29:16And you really don't know where these marks come from, my child?
00:29:19From an insect?
00:29:20Perhaps a spider?
00:29:22Do you know if they were bitten?
00:29:23No, but I had a dream.
00:29:27Oh, really?
00:29:29What kind of dream was that?
00:29:31I can't remember anything.
00:29:38Oh, she's asleep now.
00:29:41I must confess, I'm completely clueless.
00:29:43I think the best thing would be for me to contact Professor Abraham von Helsing.
00:29:46From Helsing?
00:29:47I thought he was some kind of metaphysician and philosopher.
00:29:50And a Doctor of Medicine.
00:29:51He understands more about unknown diseases than any other scholar.
00:29:54He may be the only one who can help us.
00:29:56Oh yes, consult him, Father.
00:29:58Consult him immediately.
00:29:59Yes.
00:30:12Gentlemen, you are about to witness your first autopsy.
00:30:17And I would like to point out that it is not unusual for some first-year students to feel a little dizzy during this procedure.
00:30:24This means that we are now beginning to separate our future doctors from those who just want to play doctor.
00:30:32Well then.
00:30:33Always one thing at a time.
00:30:35First, we'll reveal the Leichtner.
00:30:39We will now make an incision from the groin to the upper chest area.
00:30:48So.
00:30:49And now, if I open the abdominal wall here, pay close attention, you will find that the internal organs have changed color from a beautiful, healthy piglet pink to a disgusting frog pink.
00:31:06Now we need to examine the intestines for any possible pathological findings.
00:31:11So?
00:31:16Here, take this further.
00:31:18Don't worry, there's always enough for everyone.
00:31:29It looks like there aren't any left standing now.
00:31:32Hello, you seem to have forgotten about me, Professor van Helsing.
00:31:37Ah, Woodbridge, that's right.
00:31:41Come closer, Woodbridge.
00:31:43Respect, my boy.
00:31:45Zeher Bursche.
00:31:47Why don't we take a look at the brain?
00:31:52First, let's crack open the skull.
00:31:58So.
00:31:59And there it is, the naked human brain.
00:32:06Examine it.
00:32:12Have a good meal.
00:32:13A decent amount of work for one morning.
00:32:18In.
00:32:19Oh, Professor, it's nine again.
00:32:27Yes, the old codger can still do it.
00:32:30I have a message for you from Dr. Seward.
00:32:33You have a message from Dr. Seward?
00:32:34Forward, read on.
00:32:35He wants you to come to Whitby as soon as possible.
00:32:38"An exceptional case," he says.
00:32:40Aoi's take-case, he says?
00:32:43Mhm.
00:32:44Yes, sir. Aoi's takeaway case, he says.
00:32:46Mhm.
00:32:48Mhm.
00:32:50Mhm.
00:32:51Okay, awake again.
00:33:03I'm awake in broad daylight. What's going on here?
00:33:06I can't be awake in daylight.
00:33:09Uh.
00:33:10That's surely due to Miss Lucy's young blood.
00:33:12Her blood is in my bloodstream.
00:33:15Is it perhaps possible that this young blood has healed me?
00:33:19Uh.
00:33:22Yes.
00:33:24I am healed.
00:33:25From now on I can walk on earth, day and night.
00:33:32It's so wonderfully bright.
00:33:35So many colors.
00:33:38And the sun is so warm.
00:33:41It's wonderful to be alive.
00:33:44I couldn't help but smell your delicious picnic.
00:33:47May I presume to ask you for a bite of your chicken?
00:33:50With pleasure, sir.
00:33:52A glass of wine, sir?
00:33:54No, I never drink wine.
00:33:58Oh well, what the heck. I'll just give it a try.
00:34:06Excellent.
00:34:08Master, master.
00:34:10Renfield, look at me.
00:34:11I drink wine and eat chicken.
00:34:14Master, what are you doing out here in broad daylight?
00:34:16Calm down, Renfield. Just think, I'm cured.
00:34:19No, no, you are not. Just look.
00:34:21I have healed myself. I must quickly return to my sand.
00:34:38It is night, pitch-black night. It didn't happen at all.
00:34:43That was just an alpine daydream.
00:34:53Three small puncture holes on your neck.
00:34:59Three?
00:35:03Two.
00:35:05Two small puncture holes on your neck.
00:35:09What does that mean, Professor?
00:35:13Gentlemen, what I am about to say will shake to the very foundations of all the medical doctrines that you hold dear.
00:35:23With what has happened here, we have entered the realm of the supernatural.
00:35:27Oh, the supernatural?
00:35:31The realm of the supernatural.
00:35:34Lucy was attacked by a creature that rises from its grave at night and feeds on the blood of the living to prolong its own disgustingly unholy existence.
00:35:46This creature we are dealing with here is a vampire.
00:35:53Vampire?
00:35:54Vampire? What do you say to that?
00:35:57I say, vampire.
00:35:59But, Professor, modern science denies the existence of such imaginary beings.
00:36:04Modern science, papalapap!
00:36:06She lost quite a lot of blood, Jo?
00:36:09Yes.
00:36:10Look, look, where has all that blood gone? Look at the sheet, the pillowcase, your nightgown.
00:36:18Do you see anything? How does your marvelous modern science explain this? It leaves you speechless, doesn't it? And you too are speechless.
00:36:25I understand, I'm truly speechless.
00:36:27I'm speechless.
00:36:28Everyone is speechless!
00:36:31Do you really expect us to believe that some strange creature simply fluttered in through the window until it bit Lucy?
00:36:37To drink liters of your blood?
00:36:39Exactly that!
00:36:41And tonight, the hideous creature will return.
00:36:47It will feast on her lifeblood until she is drained dry, down to the very last drop.
00:36:55And when she dies as a victim of this indescribable creature, she herself becomes such a being!
00:37:08What?
00:37:10Then she herself will become such a being!
00:37:15What can we do to protect you from this monster?
00:37:19Stuart?
00:37:20Yes?
00:37:21Do you own any books on occultism?
00:37:25Here, you must say.
00:37:27Do you have any Transylvanian folklore?
00:37:30N/a?
00:37:31Do you have a theory and theology of the common undead?
00:37:34N/a?
00:37:36Have you found the vampires of Prague?
00:37:38N/a?
00:37:40Do you have Nosferatu?
00:37:41Yes!
00:37:42We have Nosferatu!
00:37:44We have Nosferatu!
00:37:46Starting today!
00:37:47It probably came in through the chest!
00:37:48Give it to me!
00:37:49Fast!
00:37:51Yes!
00:37:52Yes!
00:37:53Yes!
00:37:54Here!
00:37:55There is a way to protect you!
00:37:57How?
00:37:58This creature shies away from garlic!
00:38:01Its purifying effect is an abomination to the black soul of the vampire!
00:38:07I either have to move the coffin or rehang the chandelier!
00:38:26We brought you down here because you're closer to us here, my love!
00:38:33We're just over there in the study!
00:38:35You need to get a good night's sleep so you can regain your strength, my child!
00:38:39This is the only way to make you healthy!
00:38:42Or would an enema help?
00:38:43Come, you!
00:38:44Come, you!
00:38:45We have to go!
00:38:46Come on, go!
00:38:47Sleep well, Miss Lucy!
00:38:48Garlic will only protect you!
00:38:49Oh!
00:38:50Oh!
00:38:51Oh!
00:38:52Craziness!
00:38:53Oh!
00:38:54We must initiate quan!
00:38:55No
00:39:01Uh!
00:39:03Oh!
00:39:12Oh, one, one, two, three!
00:39:17Oh, garlic!
00:39:47Renfield!
00:39:59Renfield!
00:40:00Master!
00:40:02It is time for you to be at your master's service.
00:40:07Come!
00:40:08Yes, Master.
00:40:09These stupid idiots!
00:40:12They want to prevent me from entering Miss Lucy's bedchamber.
00:40:15I want you to...
00:40:18Wait, wait, Master.
00:40:29Here's how it works. Continue speaking.
00:40:32You have hung Knobloch garlands in your room.
00:40:36What should I do, Master? I cannot possibly leave this cell.
00:40:39Do you really think I can't get you out of here if I want to?
00:40:42Do you really think these silly bars can stop me?
00:40:46Just a second, sir. I think I'm having sudden hearing loss.
00:40:49Oh, how dare you try to outdo me in cunning?
00:40:53Me, who commanded the powers of darkness.
00:40:56Me, who summoned the demons of the night to fight for me.
00:41:00Me, who has destroyed every one of my enemies for centuries.
00:41:04I want...
00:41:05Renfield, I'm talking to you.
00:41:10Forgive me, Master.
00:41:13Come.
00:41:15We have a lot to do.
00:41:17And even less time to do it.
00:41:28Renfield, axe yourself.
00:41:29Rennfield, the idea was that you would climb down the gutter.
00:41:45I can fly, you can't.
00:41:48How could I have forgotten that?
00:41:49Come on now.
00:41:50He can fly, I can't.
00:41:52He can fly, I can't.
00:41:54He can fly, I can't.
00:41:59He can fly, I can't.
00:42:29Renfield, you idiot.
00:42:57Catch him, hacker.
00:43:02I am weak, I am weak, I have flailed.
00:43:05What did he do, Lucy?
00:43:06I caught him lifting the blanket and staring at me.
00:43:09Oh, so just a small, perverted scumbag, huh?
00:43:12Martin, ah, there you are.
00:43:14Put him back in his cell and give him a, you know what.
00:43:18No, no, not another enema, no.
00:43:22But again and again, until you finally come to your senses.
00:43:26I'm closing the window.
00:43:27Yes, yes.
00:43:36Excellent.
00:43:37Are you well, my child?
00:43:38Oh yes, I'm fine, Dr. Suart.
00:43:40Aside from that disgusting garlic.
00:43:42I'm sorry, my love, but von Helsing insists.
00:43:45Oh God.
00:43:52Lucy, I command you, open the window.
00:43:59Come.
00:44:02Once with you, you degenerate fatso.
00:44:05I have not seen anything.
00:44:06I have not seen anything.
00:44:07I've seen everything, absolutely everything.
00:44:12Lucy, someone has attacked you.
00:44:37Wait here.
00:44:37How is she?
00:44:47She is dead.
00:44:48Dead?
00:44:49Then the vampire sucked all her blood out.
00:44:53I told her not to move away from the protective garlic.
00:44:56No, no, no, no, no.
00:45:08That's completely absurd.
00:45:09And I tell you, we need to drive a wood chip through her heart.
00:45:13Otherwise, she will rise from her grave and seek the blood of the living.
00:45:17Lucy was my ward.
00:45:19I will not allow her body to be weeped in such a shameful manner.
00:45:22That is a sacrilege.
00:45:23But Dr.
00:45:24Stuart, shouldn't we at least keep watch at Lucy's grave for a while, just to be absolutely sure?
00:45:29No.
00:45:30I have my doubts about this whole vampire theory anyway.
00:45:33Good heavens.
00:45:34You can let your imagination run wild as much as you like.
00:45:37Who in Great Britain should be a vampire?
00:45:39Count Dracula.
00:45:41Yes, maybe that one.
00:45:44What is?
00:45:46What do you have there?
00:45:48Oh, oh, Count Dracula.
00:45:49We were just talking about him.
00:45:50Only to their advantage, of course.
00:45:52Please excuse the interruption.
00:45:53But I have just been informed of the tragic passing of Miss Lucy.
00:45:58I would like to express my condolences.
00:46:01Thank you.
00:46:02We are all deeply saddened.
00:46:03Yes.
00:46:04Oh, Count Dracula.
00:46:05Allow me to introduce Professor Abraham van Helsing, University of London.
00:46:09He is a specialist in rare diseases and holds doctorates in theology and philosophy.
00:46:12And gynecology.
00:46:14Ah, I didn't realize you had your fingers in that pie too.
00:46:16From Helsing.
00:46:19A name that has an excellent reputation even in wild Transylvania.
00:46:23Count Dracula.
00:46:25Hmm, strange.
00:46:27Are you a descendant of Vlad Teppesch, the first Dracula?
00:46:31Carpets?
00:46:32Yes.
00:46:33That's what the impaler means.
00:46:35He was a bloodthirsty butcher who inflicted unimaginable suffering on his subjects.
00:46:40He chopped off their hands and feet, gouged out their eyes, and then had their bodies impaled.
00:46:46On iron stakes.
00:46:49But you deserved it.
00:46:53Then I would like to know what crime you have committed to deserve such barbaric and inhumane treatment.
00:46:58We have a proverb in our homeland.
00:47:00Noshtoi vlekle den moi pusta.
00:47:04It is also called Staniska ploftoi.
00:47:08Gag moi per gefahr gefutzt.
00:47:10I am very impressed by Helsing.
00:47:12They speak the old Moldovan language.
00:47:14Palletalle Dinka.
00:47:18Wobblei.
00:47:19Well, gentlemen, I would like to take my leave then.
00:47:26As I see from Helsing, you are a man who likes to have the last word.
00:47:31But I certainly won't get involved with such children's series.
00:47:35Gelding goy.
00:47:38It is completely irrelevant to me who has the last word here.
00:47:42Well-endowed, thick.
00:47:44It's already quite late.
00:47:47I suggest we continue our conversation another time.
00:47:50Good night.
00:47:52Good night.
00:47:55But Lutzer.
00:47:58What arrogance!
00:47:59It is therefore no wonder that this decadent aristocracy is slowly dying out in this part of the world.
00:48:08Fuster.
00:48:10Gentlemen, our work is not yet finished.
00:48:14The vampire is still among us.
00:48:16You mustn't forget that he's cunning.
00:48:18He possesses the wisdom of centuries.
00:48:20And most importantly of all, he is someone who never gives up.
00:48:23Goodbye, yes.
00:48:25Oh.
00:48:26This person.
00:48:28He simply never gives up.
00:48:32He never gives up.
00:48:35What are you thinking about right now, Professor?
00:48:37When did Count Dracula move in over there?
00:48:39About a month ago.
00:48:41And when did Miss Lucy's symptoms first appear?
00:48:44Around the same time.
00:48:45Are you saying that Count Dracula is our vampire?
00:48:48Yes.
00:48:50And no.
00:48:51So what do you want to say?
00:48:51I say no.
00:48:52But I'm inclined to say yes.
00:48:55So, you say yes then.
00:48:56No.
00:48:56Then no.
00:48:57Not necessarily no.
00:48:58That sounds kind of unclear.
00:48:59No, I have no doubts.
00:49:00But what about?
00:49:00Based on my theory.
00:49:01And what is it, please?
00:49:02The theory of yes or no.
00:49:05No.
00:49:05Well, good night tonight, lady.
00:49:18May the voices of marriage sing you to sleep.
00:49:23Help me.
00:49:25What's that supposed to mean?
00:49:28Help me.
00:49:30It's so dark in here.
00:49:33They're in here.
00:49:35I'm still alive.
00:49:37They trampled me alive.
00:49:41Heaven is on our side.
00:49:43Don't worry, miss.
00:49:45I'm coming.
00:49:49Oh my God, how awful.
00:49:52You made a mistake.
00:49:53A terrible mistake.
00:49:55Oh, please help me.
00:49:57It's so terribly cold in here.
00:50:00It will all be alright again.
00:50:02They're still alive.
00:50:05Oh, oh, oh.
00:50:06Oh, oh.
00:50:09Oh.
00:50:16Oh, oh.
00:50:19Yes, well, Jonathan.
00:50:21What are you doing there?
00:50:23For tonight only.
00:50:25I will go and keep watch at Lucy's grave.
00:50:27as the professor suggested.
00:50:28You surely don't believe this vampire nonsense.
00:50:31I don't know what to believe.
00:50:34But in the unlikely event that Van Helsing is right,
00:50:37I would never forgive myself if I hadn't been prepared.
00:50:39Okay, okay, go ahead, go ahead, but I think you're wasting your time.
00:50:43Hmm, all that nonsense.
00:50:58God-righteous.
00:51:28Oh, come, walk ahead with me, Jonathan.
00:51:58I know how much you have always desired me.
00:52:03And I have always desired you.
00:52:05Now we can finally be together.
00:52:08But Lucy, I'm engaged to Mina.
00:52:12And you are dead.
00:52:14I am not dead.
00:52:17I am undead.
00:52:20Well, unfortunately I'm not unengaged.
00:52:24Thank you.
00:52:25Jonathan, I want to kiss you.
00:52:29I want to show you the deep, raw desire of unbridled sexual ecstasy.
00:52:37Uh, uh, but Lucy, I'm English.
00:52:40These are the ones too.
00:52:43Lucy!
00:52:44Together forever.
00:52:50Forever and ever.
00:52:52Get out of the way!
00:52:57Soft, unholy demon of the night.
00:53:05Let's follow her.
00:53:06This is your opportunity.
00:53:08For what?
00:53:08To destroy them, my dear boy.
00:53:10She fled back into her crypt.
00:53:12Come!
00:53:12My God.
00:53:23Now she is dead.
00:53:24No, she isn't.
00:53:26What?
00:53:27Is she still alive?
00:53:27She is Nosferatu.
00:53:30Is she Italian?
00:53:31No.
00:53:32That means undead.
00:53:33She is doomed to spend all eternity in darkness.
00:53:36And to hunt the living like a wild predator.
00:53:39What should we do now?
00:53:40For the sake of her immortal soul, we must destroy her.
00:53:45And the only way to achieve this is to drive your wooden priest through your heart.
00:53:51Oh, that's terrible.
00:53:53Isn't there any other option?
00:53:55Yes, one.
00:53:56We could chop off her head, stuff her mouth full of garlic, and tear off her ears.
00:54:04Give me the stake.
00:54:07Oh no.
00:54:08No, I can't do it.
00:54:10You'd better do it.
00:54:11But it must be done by someone who loved you while you were alive.
00:54:14I really liked you.
00:54:15That's enough for now.
00:54:18Bravo.
00:54:18In order.
00:54:19They'll manage it.
00:54:20They'll manage it.
00:54:20In order.
00:54:21Here.
00:54:21You must place the tip of the stake directly above your heart.
00:54:25In order.
00:54:25Hit them.
00:54:26As hard as you can.
00:54:30Wait.
00:54:35Now.
00:54:35Oh my God.
00:54:45So much blood.
00:54:48She hadn't eaten at all.
00:54:52She's still alive.
00:54:54Then you have another go.
00:54:55No no.
00:54:57I can't do that.
00:54:57How much blood can she possibly still have in her body?
00:55:01Come on.
00:55:05Now she is almost dead.
00:55:17She's dead enough.
00:55:23That is...
00:55:24That's awful.
00:55:27Yes.
00:55:27You are right.
00:55:29They should have put out some newspapers.
00:55:32What have I done?
00:55:33What have I done here?
00:55:36Poor Lucy.
00:55:38They freed them, my dear boy.
00:55:40Now she rests here in peace.
00:55:43For all time.
00:55:44Here.
00:55:45Here.
00:55:45Wipe yourself with it.
00:55:46Thanks.
00:55:49Poor Lucy.
00:55:50Poor...
00:55:51Poor Lucy.
00:55:55Here.
00:55:58You can keep it.
00:55:59Essi.
00:56:16Essi.
00:56:17Essi.
00:56:19Your eyelids feel very heavy from tiredness.
00:56:23You want to sleep.
00:56:26Sleep.
00:56:26Sleep.
00:56:29Mina.
00:56:33Mina.
00:56:34Open your eyes.
00:56:39Rise, Mina.
00:56:45And now go to the door.
00:56:55Mina.
00:56:56Mina.
00:56:57You are in the closet.
00:56:59Open the door and come out.
00:57:10And now you go to the porch door.
00:57:14Pay attention to the foot.
00:57:20Benches.
00:57:23Stand up.
00:57:25Not you.
00:57:26Sit down.
00:57:27No, not you.
00:57:29You should sit down.
00:57:30And you stand up.
00:57:31No, sit down.
00:57:33No, you stand up.
00:57:35You go to the veranda door and you go back to sleep.
00:57:39Caution!
00:57:39Wait.
00:57:40I'm coming to you.
00:57:47Turn off all lights.
00:57:50I don't want anyone to see me.
00:57:59You will be my bride until the end of time.
00:58:02We share the infinite passion of immortal love.
00:58:06Oh, I can't wait any longer.
00:58:08Not you.
00:58:13You will be my bride until the end of time.
00:58:16We share the infinite passion of immortal love.
00:58:19Oh, my dear boy.
00:58:22What a night.
00:58:24Ha!
00:58:24Ha!
00:58:25What a night.
00:58:27Ha!
00:58:28My God, man.
00:58:29What happened to you?
00:58:31Absolutely everything.
00:58:32Professor van Helsing was absolutely right.
00:58:35Lucy rose from her grave and attacked me.
00:58:38And now, finally, she rests in deep peace.
00:58:44You mean Lucy has actually become a vampire?
00:58:47Yes.
00:58:47Yes.
00:58:48Where is Mina?
00:58:49She is doing well and sleeping soundly.
00:58:51She keeps watch at her bedside.
00:58:53Oh, good.
00:58:54I will, I will even sit myself in front of her door.
00:58:57Yes, don't you think you should clean yourself up first, old chap?
00:59:00Oh yes, of course.
00:59:01Would you mind using the servants' entrance?
00:59:05Thanks, old chap.
00:59:07I don't understand.
00:59:08He's covered in blood from head to toe, and you haven't gotten a single drop on him.
00:59:11How come?
00:59:12I've been through a great many crashes.
00:59:15You need to know where to position yourself.
00:59:17It's like with houses.
00:59:18A good location is a good location is a good location.
00:59:22Yes.
00:59:23Yes.
00:59:24OK.
00:59:24And now, my glorious one,
00:59:53Let's dance the dance of love.
01:00:23You dance wonderfully!
01:00:31And now, my glorious one,
01:01:01And now, my glorious one,
01:01:03And now, my glorious one,
01:01:07And now, my glorious one,
01:01:09And now, my glorious one,
01:01:13And now, my glorious one,
01:01:15And now, my glorious one,
01:01:23And now, my glorious one,
01:01:25But don't give me a hickey.
01:01:52Mina?
01:01:55Oh, Jonathan.
01:01:59Shhh.
01:02:05Shouldn't we wake them up?
01:02:07Yes, maybe you're right.
01:02:09Essie?
01:02:10Oh, I must have dozed off.
01:02:13Oh my goodness, it's morning!
01:02:15Oh, I'll just keep an eye on things for a moment and I'm wide awake.
01:02:18and in the next one I have the feeling,
01:02:20as if a dark cloud completely enveloped me.
01:02:24Is everything alright?
01:02:26Oh, yes.
01:02:27Well, it seems we're all safe and sound.
01:02:29It's already late, so I'd better make breakfast.
01:02:32Ow, ow, ow.
01:02:33Where did I suddenly get that from?
01:02:37Jonathan, I had the most incredible dreams last night.
01:02:42I feel so, so changed.
01:02:45You look different too, Mina.
01:02:51Come.
01:02:54Sit next to me.
01:02:57Closer.
01:03:03Closer.
01:03:03Ah, you silly fellow.
01:03:07Darling, we both know each other incredibly well.
01:03:09And yet we have never truly explored and investigated each other.
01:03:14Thank God.
01:03:16Jonathan, I've changed.
01:03:17I am no longer the Mina you knew.
01:03:19What do you mean by "dearest"?
01:03:21I want you to do something for me.
01:03:23Something I've never asked you to do before.
01:03:25Of course, my darling.
01:03:27Whatever you want.
01:03:28Good.
01:03:29Touch that area.
01:03:30I won't let that happen twice.
01:03:32Mina, what are you talking about?
01:03:35Okay, then just don't touch anywhere.
01:03:39Where am I going to touch you?
01:03:40No!
01:03:41Mina, you will stop immediately.
01:03:45What came over you?
01:03:47I'd rather go.
01:03:48No, please don't go.
01:03:50You're right.
01:03:52There's something wrong with me.
01:03:53It has taken over my senses
01:03:55and makes me say things,
01:03:56which I would otherwise never say
01:03:58and doing things I would never do.
01:04:00Jonathan, please help me.
01:04:02Please.
01:04:03Help me.
01:04:03Oh, Mina.
01:04:04Mina, yes.
01:04:05What can I possibly do?
01:04:07Touch me there.
01:04:09Good morning, Mina.
01:04:10How did you hit?
01:04:12Hook.
01:04:14Jonathan, take your hands off me immediately.
01:04:17Yes Yes Yes.
01:04:18Take your hands away from me.
01:04:20I'm very sorry, sir.
01:04:22They should really be ashamed of themselves.
01:04:23But she forced me to, sir.
01:04:25What am I hearing here, Mina?
01:04:27No, Father.
01:04:28Suddenly, without me knowing what was happening to me,
01:04:30He started sharing a job.
01:04:32But she told me to touch her.
01:04:34Hook.
01:04:35She degenerated a horrible little thing.
01:04:37I took her into my home.
01:04:39She ate my bread, she drank my wine,
01:04:41But all of this doesn't seem to be enough for them.
01:04:43And that's after she was with my daughter
01:04:44They have only been engaged for five years.
01:04:46And they already have the audacity to touch them here.
01:04:49Get out of here.
01:04:50But sir...
01:04:51"Get out," I said.
01:04:53May I ask what's going on here?
01:04:55Terrible things.
01:04:57I caught the young hacker in the act,
01:04:58how he groped my daughter.
01:04:59But she forced me to, sir.
01:05:01She behaves very strangely the whole time.
01:05:03It seems to me as if she is under some kind of spell.
01:05:07Magic?
01:05:09That's such a delightful scarf!
01:05:11the one you are wearing, Miss Mina.
01:05:13Oh, yes.
01:05:14I was cold this morning.
01:05:17Please forgive me.
01:05:18May I take a look at this?
01:05:23Exactly as I thought.
01:05:26Like with Lucy.
01:05:28Oh, that's nothing to worry about.
01:05:30I pricked myself when I fastened my headscarf.
01:05:32Oh, really?
01:05:34I have something for you, Miss Mina.
01:05:36Perhaps a gift?
01:05:38Something similar.
01:05:39Please hold out your hand.
01:05:41Here.
01:05:44Mina!
01:05:45Well, take a look at this.
01:05:50What is that?
01:05:52This is the proof, my unfortunate friend,
01:05:55that your daughter is under the corrupting influence
01:05:57has fallen prey to evil, to a vampire.
01:06:00We must find this vampire immediately.
01:06:02before Mina suffers the same fate as Lucy.
01:06:04But who is this vampire?
01:06:05Van Helsing suspects Count Dracula.
01:06:08But it could also be Renfield.
01:06:09The man sucks the blood out of insects.
01:06:11and bends the bars of his cell,
01:06:12as if they were made of cheese.
01:06:13It could be anyone.
01:06:16There is a method,
01:06:17an unquestionable method,
01:06:19to expose him,
01:06:21this vampire.
01:06:22I'm putting on a brave face, Van Helsing.
01:06:41but I find it utterly uncouth,
01:06:43to hold a ball now.
01:06:45Lucy hasn't even been dead for 14 days.
01:06:46and Mina's health is on a knife's edge.
01:06:48The ball has been in play for over an hour now.
01:06:50It doesn't look like Count Dracula is coming.
01:06:53I hope you are somewhere, my dear boy.
01:06:55Especially tonight
01:06:56I had hoped for Count Dracula's demise.
01:06:58I wonder,
01:06:59whether he might have become suspicious.
01:07:00Good evening.
01:07:00Did I perhaps frighten you?
01:07:04No no no.
01:07:04No, no, no, not at all.
01:07:08May I remove your cloak, sir?
01:07:10No, not my cloak.
01:07:11But perhaps you can alleviate my distress.
01:07:16Thank you very much.
01:07:16Yes, well, we were already afraid of that.
01:07:21that you would not come.
01:07:23I'm certainly not going to miss out on such a celebration.
01:07:26I make a point of keeping my evenings free.
01:07:27for new, educational experiences.
01:07:31Ah, Miss Mina.
01:07:34She looks especially enchanting tonight.
01:07:37If you were excessively jealous,
01:07:39What if I were to ask you to dance?
01:07:41Well, to be extremely honest,
01:07:43not at all.
01:07:44Thank you very much.
01:07:49Shh, Master!
01:07:51You are here, you are...
01:07:53Shh!
01:07:54Not here, you don't call me master here.
01:07:58What are you actually doing here?
01:07:59I don't know either, they invited me.
01:08:01That smells like a lazy rat.
01:08:04Oh!
01:08:05Filter.
01:08:07If you catch on to me,
01:08:10We must flee.
01:08:11Yes, I'm disappearing.
01:08:12and we'll meet at Parfax.
01:08:13That would be too dangerous.
01:08:15That would be the first thing you would ask of us.
01:08:17Listen, I'm with my coffin
01:08:19into the abandoned chapel
01:08:20moved high up on the cliffs.
01:08:23When you come, be sure,
01:08:24that nobody follows you.
01:08:25Did you understand that?
01:08:26Yes, Master.
01:08:27You are not to call me Master here.
01:08:28Yes, Master.
01:08:29Good evening, Miss Mina.
01:08:45May I ask you for the next dance?
01:08:48I must insist, sir.
01:08:49I'm having a drink with Miss Mina right now.
01:08:51You have already finished your glass.
01:08:53Yes, I actually did.
01:08:58Come, Miss Mina.
01:09:00Come, Miss Mina.
01:09:30I can't see him.
01:09:36How is that even possible?
01:09:38No vampire is to be seen.
01:09:41in a mirror.
01:09:42She's doing very well without him,
01:09:53Don't you think so too?
01:09:57How strange, you can't see him at all.
01:10:00Hey, we need to be really good.
01:10:03Let's show them now
01:10:04Something really worth staring at.
01:10:06Play your Chardash!
01:10:07Jardash!
01:10:09They are certain.
01:10:37Come to the grand finale.
01:10:48How should time be?
01:11:07You are a wise man, Van Helsing.
01:11:34For someone who hasn't even lived a single human life.
01:11:57Lina, grab him!
01:11:59Master, master!
01:12:06I mean, mister, mister!
01:12:10Hey you! Where do you think you're going?
01:12:13Professor!
01:12:15We must find him before sunrise.
01:12:18Why before sunrise?
01:12:19Because the sun's rays would destroy him.
01:12:21He has to hide during the day.
01:12:23Come, or Mismina will be lost to us forever.
01:12:26Thank you, you old loser!
01:12:29We've searched Carfax from top to bottom. No trace of you.
01:12:33What should we do, Professor? Where could that guy be?
01:12:36I don't know it.
01:12:39Renfield! We must free Renfield.
01:12:41He is our only hope.
01:12:43He called Dracula Master.
01:12:46I thought he said, Mister.
01:12:48That was just a deception to mislead a few completely idiotic lunatics.
01:12:52No offense.
01:12:53Now I understand. Renfield will rush straight to Dracula.
01:12:56Yes! And we will follow him.
01:12:58Come!
01:13:04You'll stew in here until you turn black!
01:13:11So! Go wherever you want!
01:13:13Go wherever I want? Why? How?
01:13:16Good leadership, Renfield.
01:13:17But I was only here for a tiny moment.
01:13:19Yes, but for that brief moment your leadership was truly flawless.
01:13:22Oh right!
01:13:23Let's go!
01:13:27Caution!
01:13:30I'm coming, Master!
01:13:34I know what you're counting on. You think I'll lead you to the master?
01:13:38I must mislead you terribly.
01:13:40I've left them behind.
01:13:56Gentlemen, we are in luck.
01:13:58How come?
01:13:59He's a complete idiot.
01:14:00Come!
01:14:01Come!
01:14:02Come!
01:14:02Master, here I am!
01:14:28You've escaped, are you sure no one followed you?
01:14:33Yes, I sent them in the wrong direction, they have no idea where I am!
01:14:37He went to jail!
01:14:39Did you lead them straight to me, you idiot who's completely oblivious?
01:14:42I didn't notice! I'm sorry, Master, punish me!
01:14:45No, no, go! Listen to them for me, I don't have time!
01:14:48No, you must punish me, do me a favor, I deserve it!
01:14:51Not now!
01:14:52But I have let you down, Master!
01:14:54I am a worthless, pathetic fool who betrayed you!
01:14:58You must hurt me!
01:15:00All good!
01:15:03Good, Master!
01:15:05Good Good!
01:15:09Okay, that's really enough now!
01:15:13Why?
01:15:22There he is!
01:15:23It's locked!
01:15:36Break them open! You must throw yourself against them!
01:15:39Go ahead and do it!
01:15:39They're too late!
01:15:52Soon you will be my bride for eternity!
01:15:55Unstpper!
01:15:56Unstpper!
01:15:57Yes!
01:15:57Unstpper!
01:15:58Come and see the saph khod in!
01:16:00And.
01:16:01And.
01:16:03And.
01:16:04And.
01:16:05And.
01:16:07We have the Writete!
01:16:07They are them!
01:16:09älь!」
01:16:10Schiemen!
01:16:10Jaz?
01:16:14Yes!
01:16:16Oh!
01:16:17Oh!
01:16:18Emergency Year!
01:16:20Oh!
01:16:21Oh!
01:16:21Oh!
01:16:21Oh!
01:16:22Oh!
01:16:22That's a Holter!
01:16:38Back!
01:16:39Jonas, Jonas, get a path or a pointed piece of wood or anything.
01:16:44Back!
01:16:46Good Good.
01:16:48And now you're pushing this thing into the country!
01:16:50Oh dear!
01:16:54In front of you!
01:17:11Oh my god, that's where it comes from!
01:17:15Yes, and now the best wine in my world.
01:17:18and you will never leave that attic alive.
01:17:23I will destroy you
01:17:25and then I will possess the one you love above all else.
01:17:29There is nothing, absolutely nothing in the world, that you can do.
01:17:33to prevent me from doing so.
01:17:41For that, you will watch me with your beloved Mina.
01:17:45I am consummating the marriage at this very moment.
01:17:48toy.
01:18:04I can do it.
01:18:06Grab him, he's fishing us out, grab him
01:18:33Where is he, where is he, up there he is
01:18:36We have to catch him, otherwise everything is lost.
01:18:41Master, this way
01:18:46Stamp, you asshole
01:18:53Where am I? And what happened to Dracula?
01:19:06He is dead, yes
01:19:07And you are free
01:19:09Oh thank God
01:19:10You are my sweet, innocent Mina again, just like before.
01:19:14Oh, and for that I have only you to thank, my beloved Jonathan.
01:19:20And now, my dearest
01:19:23Let me take you home
01:19:27Master
01:19:40I'm sorry
01:19:48Time
01:19:50Well, I have to say, now you're almost back to your old selves.
01:20:02Her master has left her forever, Mr. Renfield.
01:20:11Now you are a free man
01:20:13Oh no, really?
01:20:15Yes
01:20:15No one will ever rule over you again.
01:20:17You are right
01:20:19Good
01:20:19Come, Renfield
01:20:21Yes, Master
01:20:22Yes, Master
01:20:22Yes, Master
01:20:22Yes, Master
01:20:23Yes, Master
01:20:37Puska
01:20:38Yes, Master
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