- 5 months ago
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00:00:00The End
00:00:30The End
00:01:00The End
00:01:30What time is it?
00:01:49Say, are you going to keep asking me that every ten minutes?
00:01:53It's exactly nine minutes since the last time I told you.
00:01:58Seems like 90.
00:02:00Oh, you birds all act that way the day you're getting out.
00:02:04Like an old horse heading for home.
00:02:09They're coming for you now.
00:02:10Good-bye.
00:02:23Come back again when you get more time.
00:02:26Have it to all fully want on me, Pally.
00:02:29Johnny doesn't live here anymore.
00:02:31Buy down, wise guy.
00:02:33So long, Bradley.
00:02:34Be careful of the traffic, kid.
00:02:38Here's your wallet, Bradley.
00:02:40And here's the customary money the state gives each outgoing prisoner.
00:02:44Thanks, Warden.
00:02:45You can keep that and give it to some guy who needs it more than I do.
00:02:48Thank you, I will.
00:02:50Then put this with it, please.
00:02:52For the welfare fund?
00:02:53That's where it'll do the most good.
00:02:54I can't say that I'm sorry to see you go, Bradley.
00:02:58Neither can I, Warden.
00:03:00Your record here has been good.
00:03:01I hope it'll be the same way on the outside.
00:03:03If they'll let me alone, it will.
00:03:05You're not altogether free.
00:03:08You've got to watch your step.
00:03:10It's hard on a man who's been a loser, even a one-time loser.
00:03:14I've had enough bars.
00:03:16You've watched every minute of the day and night.
00:03:18Oh, I know how you feel.
00:03:20I'll have to admit you've got a tough break.
00:03:22You never belonged here.
00:03:24But I don't make the Lord's.
00:03:26I wish you did.
00:03:28The man you hit in that brawl died.
00:03:31And the Lord says you've got to pay for that crime.
00:03:34I paid, all right.
00:03:36Watch your temper, Bradley.
00:03:39Watch it.
00:03:40I've seen you hold on to it when things were tough.
00:03:45What are you going to do now?
00:03:47I'm going back to Denton.
00:03:49I got a little cabin there.
00:03:51It's out in a grove of tall trees.
00:03:53And the air is good.
00:03:55I won't have to breathe it in through bars.
00:03:58Friends?
00:04:00I'll find out if I've got any friends left soon enough.
00:04:03Don't let it beat you if you find out you haven't.
00:04:06Stay clear of pipes.
00:04:09And watch that temper.
00:04:10I'll watch it.
00:04:12Well, so long, old man.
00:04:14And good luck.
00:04:15Goodbye, Warden.
00:04:15I'll see you next time.
00:04:45Hmm.
00:04:53Bachelor Hall.
00:04:55What is it, Father?
00:04:57John Bradley's turned country gentleman on us.
00:05:00I wouldn't be so hard on him, Father.
00:05:02He's behaving himself.
00:05:04Yes, he better behave himself.
00:05:06As long as I'm peace officer in this county, he'll find himself back in Bachelor Hall where he belongs.
00:05:12John's always been a good boy.
00:05:15Just a little independent.
00:05:16You seem to forget he's an ex-convict.
00:05:19You always seem to think well of his father.
00:05:21Oh, you're talking about a man.
00:05:24Bob Bradley, one of the finest men to ever live.
00:05:27Came to have a son like that one.
00:05:28For the life of me, I can't figure it out.
00:05:31It's a time like this when a man needs all his friends.
00:05:35Speaking of his friends, where's Helen?
00:05:38At the Benson's.
00:05:39She's had dinner there.
00:05:40Oh, yes.
00:05:41Nice folks, the Benson's.
00:05:43I'm glad that daughter of ours is getting some sense.
00:05:46Well, of course.
00:05:47It's high time she forgot that jailbird.
00:05:50If I catch her hanging around John Bradley, I'll...
00:05:52Now, Fred, she's forgotten all about.
00:05:56Helen promised me she'd never see Bradley again.
00:06:02Helen, you're getting to be a pest.
00:06:04I don't like the idea of your coming here.
00:06:06Well, I like it.
00:06:07And I'm going to keep coming here.
00:06:10This place needs a woman's touch.
00:06:13Next time, I'm going to put some new drapes up over those windows.
00:06:16Well, right now, you're going to put on your coat and go home.
00:06:18Oh, let me stay and talk for you for a while.
00:06:21Well, you used to let me have my own way.
00:06:23Yeah.
00:06:23That's what got me into the mess.
00:06:26I've told you how sorry I am.
00:06:28After all, I didn't know a little flirting was going to end in a fight.
00:06:31But it did.
00:06:33The fight ended in a boy's death.
00:06:36It put me behind bars for three long years.
00:06:41You don't seem to realize what that meant.
00:06:51I don't know.
00:07:05And Myra Benson and her mother tried every trick they knew to make George propose.
00:07:28But he just wouldn't.
00:07:30Smart fella.
00:07:31Oh, but he'll come around.
00:07:33Helen, someday you're going to become one of the best back fence dirt dishes in the county.
00:07:38But don't start practicing on me. Now your time's up. Come on.
00:07:41Oh, but I haven't told you the hottest piece of news yet.
00:07:43Hot or cold? You're going right now.
00:07:45Remember that woman I was telling you about?
00:07:47Well, Tony Robeson certainly went a step too far when he brought her right into his house.
00:07:51Honestly, it was the most shameless thing he could have done.
00:07:54And what do you think happened next?
00:07:56The next thing is that you're going home right now.
00:07:58Well, I haven't finished yet.
00:07:59That's what you think.
00:08:00Come on now. Your five minutes was up ten minutes ago. First thing I know, you'll be here for breakfast.
00:08:05All right.
00:08:12Cut it out.
00:08:13Aren't you even going to kiss me goodbye?
00:08:15Don't be silly.
00:08:16Why not? I'm not a kid anymore.
00:08:18That's just it. You're a woman now. Show some sense.
00:08:21Well, if I were a man who hadn't seen a girl for three years and she was crazy about him and wanted to kiss him.
00:08:34That's probably your father. Get in the kitchen, quick.
00:08:41Come in.
00:08:42I said come in.
00:08:43I'm sorry to intrude.
00:09:00It's all right.
00:09:01I was trying to get to the railroad station when I slipped and fell. You see, I've got to get away.
00:09:14You're traveling in those clothes?
00:09:17I left in a hurry. I had to.
00:09:20Oh.
00:09:25Hey, Helen.
00:09:30This is Helen. Miss, uh, I didn't quite get your name.
00:09:33Louise Laurie.
00:09:36How do you do?
00:09:38Hurt yourself?
00:09:40Better sit down.
00:09:42I'm just leaving. I'll be glad to drop you at the station. It's on my way home.
00:09:45Oh, thank you.
00:09:46No need to hurry. There isn't a train until six.
00:09:49In the morning?
00:09:50Six a.m.
00:09:51It's a long time to stand up. You'd better sit down.
00:10:05Can we do something about the leg?
00:10:08What'll I do?
00:10:10I don't know. Tie it up or something.
00:10:11Oh, don't bother. It's nothing to fuck over.
00:10:13Let me look at it.
00:10:21Oh, you've got a bad cut on your knees.
00:10:28Your ankle's swollen.
00:10:30You sit still. I'll get something to fix it.
00:10:34I'm sorry to put you into all this trouble.
00:10:37That's a woman's mental name.
00:10:39What is?
00:10:40Trouble.
00:10:42Is that how you feel about women?
00:10:44Exactly.
00:10:45Oh, that's grand. Thank you.
00:10:49Did I understand you to say there wasn't a train until morning?
00:10:52That's right.
00:10:53Oh, dear. That does make it awkward.
00:10:54Oh, dear.
00:10:55That does make it awkward.
00:10:56Oh, dear. That does make it awkward.
00:10:57All right.
00:10:58All right.
00:10:59All right.
00:11:00All right.
00:11:01Come in.
00:11:02Come in.
00:11:04Come on, come in.
00:11:06Oh, look.
00:11:07Oh, what a good thing.
00:11:08Oh, see, I don't know.
00:11:09I love you.
00:11:11Oh, look.
00:11:12Oh, no.
00:11:13I love you.
00:11:14Oh, look.
00:11:15Oh, dear.
00:11:16Oh, look, what a good thing.
00:11:20I love you.
00:11:21All right, come in.
00:11:37Hello, Robson. Hello, Conroy.
00:11:44I see you didn't get very far, dear.
00:11:48Uh-oh, you hurt yourself.
00:11:50How?
00:11:51I fell.
00:11:53There, you see.
00:11:54If you hadn't been in such a hurry, this wouldn't have happened.
00:11:59Somebody did a neat job.
00:12:01I suppose you were the doctor, Bradley.
00:12:03No. No, he didn't do it. I did.
00:12:07Oh, hello, Miss Grant.
00:12:08Hello.
00:12:09Hey, what do you fellows want here?
00:12:12Oh, nothing to be upset about.
00:12:13I've just come to take my...
00:12:15my houseguest home.
00:12:18I'm not coming back.
00:12:20You're not serious.
00:12:21But I am. I'm leaving as soon as I can get a train out of here.
00:12:26All right, dear, Lieutenant.
00:12:27Surely you don't intend to go in those clothes.
00:12:30Just as I am.
00:12:32And what do you propose to do until morning?
00:12:35I might sit right here, if Mr. Bradley would or not.
00:12:38It's okay with me.
00:12:42Your mind's made up?
00:12:43Yeah, it's quite.
00:12:46Well, you usually know what you want.
00:12:52Come on, Conroy.
00:13:00Need some money?
00:13:02No, thanks, Dick.
00:13:03Conroy, come on.
00:13:04Good luck, Louise.
00:13:07I hope the lady doesn't prove too much trouble.
00:13:09She's very good company.
00:13:11When she wants to be.
00:13:12I'd lock that door if I were you.
00:13:33I don't like locked doors.
00:13:37Nice friendly little visit.
00:13:39They've been drinking.
00:13:41Sounds like a good idea.
00:13:42Want to get them, Helen?
00:13:44All right.
00:13:45All right.
00:13:45I'm sorry about all this.
00:13:59It's your business, not mine.
00:14:01Yes, but it was embarrassing.
00:14:03And I'd like to explain.
00:14:04Save it.
00:14:05You don't have to apologize.
00:14:07But I do owe you an explanation.
00:14:09You see, Robeson...
00:14:11Robeson's no stranger to me.
00:14:12Not by reputation, anyway.
00:14:14How well do you know him?
00:14:16Well enough to guess the rest of the story.
00:14:22It was partly my fault, but then...
00:14:25You see, I was in a...
00:14:26In a tough spot.
00:14:28I know.
00:14:28I just got out of one myself.
00:14:30I hope yours was easier to get out of than mine.
00:14:33Maybe not easier, but it took longer.
00:14:37You wanted drinks?
00:14:39Oh, thanks, Helen.
00:14:43Never mind.
00:14:59I'll take it.
00:15:00Hello?
00:15:02Yes?
00:15:08She's where?
00:15:10Was that...
00:15:12What?
00:15:14All right. Just thought you ought to know, Sheriff.
00:15:16Not that it's any concern of mine.
00:15:18You bet I ought to know.
00:15:20I'll fix her and him, too.
00:15:22What is it, Pop?
00:15:24What is it?
00:15:26What is it, Pop?
00:15:28What is it?
00:15:30Fine kind of a mother you are.
00:15:32Don't even know where your own daughter is.
00:15:34She's at the Benson's, is she?
00:15:36Well, she isn't.
00:15:38She's at Bradley's. Is that where she is?
00:15:40Where are you going, Father?
00:15:42Where do you suppose I'm going?
00:15:56Well, that will give Bradley something of his own to worry about instead of my affairs.
00:16:06That's a rather dirty trick.
00:16:08It's a little late for you to be getting noble, isn't it?
00:16:12I wouldn't have gotten it, Bradley, that way.
00:16:14Oh, you wouldn't. Well, that's my way. And when I want to know yours, I'll ask it.
00:16:18Until then, keep your mouth shut.
00:16:20I've kept quiet about a lot of things so far, but only because I had to.
00:16:24Someday I hope... Someday you hope what?
00:16:29You only work for me because you're a weakling.
00:16:31Don't try to be anything you're not.
00:16:33I wouldn't like it.
00:16:39Yes?
00:16:42All right.
00:16:45Goodbye.
00:16:48That was Mother.
00:16:49Robeson just telephoned home. Said I was here.
00:16:51Dad's on his way out now.
00:16:53I've got to get out of here, quick.
00:16:54Hold on a minute.
00:16:55You can't go out there.
00:16:56You'd meet your dad on the road.
00:16:57Yes, but I can't stay here.
00:16:58Now, listen.
00:16:59I'll put your car out back.
00:17:00You stay here.
00:17:01The minute you hear your father knocking, you beat it out to the kitchen door.
00:17:03You'll probably get home before he gets through squawking.
00:17:09Oh, dear. I hope you won't get into any trouble.
00:17:12I hope he won't.
00:17:14You're very fond of him, aren't you?
00:17:16Yes, but what good is it to me?
00:17:19He thinks I'm just a kid.
00:17:21I'm awfully sorry.
00:17:22I'm afraid to have Dad come here.
00:17:24Whatever happens, don't let John fight.
00:17:26Well, I won't if I can help him.
00:17:29You see, I got him into trouble once before.
00:17:35Everything's okay.
00:17:36Now, you'd want out into the kitchen in case your dad dropped in unexpectedly.
00:17:38All right.
00:17:39Goodbye, Miss Lawrence.
00:17:40Goodbye, dear.
00:17:41Daddy, get home safely.
00:18:02Where's Helen?
00:18:03Hello, Mr. Grant.
00:18:05Where is she?
00:18:06Helen's not here.
00:18:11Oh, sorry, Sheriff.
00:18:12You don't know Miss...
00:18:13I know her.
00:18:14I know all about her.
00:18:15Most everyone does.
00:18:16He's telling the truth, Mr. Grant.
00:18:17Helen isn't here.
00:18:18Yes.
00:18:19A convict's word backed up by her, by yours.
00:18:20No one would believe with a pair like you say.
00:18:21I'd be careful of what I said if I were you, Sheriff.
00:18:22What are you doing?
00:18:23Threatening me?
00:18:24No, warning you.
00:18:25What are you doing?
00:18:26Threatening me?
00:18:27No, warning you.
00:18:28What are you doing?
00:18:29I'm sorry, Sheriff.
00:18:30I'm sorry, Sheriff.
00:18:31You don't know Miss...
00:18:32I know her.
00:18:33I know her.
00:18:34I know all about her.
00:18:35Most everyone does.
00:18:36He's telling the truth, Mr. Grant.
00:18:37Helen isn't here.
00:18:41Look, you're not going to fight.
00:18:44I don't want to, but...
00:18:45But you're not to fight.
00:18:47No, you're right.
00:18:48It's the last thing I want to do.
00:18:50It'll land me right back where I came from.
00:18:53Well, just remember that.
00:18:54I will.
00:18:56For the last time, I'm telling you to stay away from my daughter.
00:19:01Next time, I won't talk.
00:19:11The old fox sensor she's been here.
00:19:17She's pretty smart.
00:19:19Do the people around here think about me like he does?
00:19:24I haven't any idea.
00:19:26I haven't been around here in some time.
00:19:28I'm practically a stranger here myself.
00:19:30Mm-hmm.
00:19:33Well, I guess I'd better go out and see if the kid got away all right.
00:19:36I hope she did.
00:19:41I'm in here.
00:20:09My, but you were quick.
00:20:14I didn't think...
00:20:24What do you want?
00:20:27Bradley in there?
00:20:28What do you want?
00:20:32Well, darling, it's like this.
00:20:34You're coming home with me.
00:20:36I gave you my answer when you were here before.
00:20:39Still...
00:20:41You're coming home.
00:20:42Oh, it's no use, Tony.
00:20:43It won't work.
00:20:44I'll never go back with you.
00:20:46Better come along, Louise, before there's any trouble.
00:20:51If I have to carry you, you're...
00:20:54You leave me alone.
00:20:55Well, don't stand there.
00:20:56Get rid of that dog.
00:21:01Oh, Daniel!
00:21:02No, no, you don't.
00:21:14What is this, open house or visitor's day?
00:21:17We won't intrude any longer.
00:21:19Miss Loring's decided to come home with us.
00:21:21That's all right with me.
00:21:22That's all right with me.
00:21:23But I'm not going.
00:21:26That's all right with me, too.
00:21:31Who did this?
00:21:38Oh, look out!
00:21:40Let go!
00:21:41Come on!
00:21:49Try that again, baby.
00:21:50Now break your arm!
00:22:03He's all right.
00:22:05Take him and get out of here.
00:22:12Come on, Dick, wake up.
00:22:13We're going home.
00:22:14I'm all right.
00:22:15Come on.
00:22:16Get him out of here.
00:22:17The air will bring him, too.
00:22:41Come on.
00:22:57Conroy will be a sorry boy when he sobers up and realizes what he's done.
00:23:01I should think he might.
00:23:03Robeson made him do it.
00:23:05He handles him like a child.
00:23:11Come on.
00:23:29Cigarette?
00:23:33Believe it or not, this place used to be known as one of the quietest in the county.
00:23:37Probably would have remained so if I hadn't come along.
00:23:39Oh, you've frightened things up a bit.
00:23:42It's beginning to get pretty monotonous.
00:23:48It's going to be a long wait for that train.
00:23:51Oh, I don't mind.
00:23:53Getting away is too important.
00:23:55And after you get away?
00:23:57Well, first thing will be to get some clothes.
00:24:00Clothes?
00:24:02Doesn't a woman ever think past getting some clothes?
00:24:04Very seldom.
00:24:05I don't mind.
00:24:08May I turn on the radio?
00:24:10Help yourself.
00:24:11You don't look like the type of person who gets mixed up with a man like Robeson.
00:24:30Men like Robeson know women rather well. You might call it their business.
00:24:34They wait for a time when a woman needs friendship and sympathy.
00:24:39And then they're very kind and gentle.
00:24:42I've never discovered anything kind or gentle about Robeson.
00:24:46You're not a woman.
00:24:48Well, when I first knew him...
00:24:51Welcome home, stranger.
00:24:54When did you get in?
00:24:55Only an hour ago. I've still got my feelings.
00:24:58Why didn't you cable me?
00:24:59Oh, too thrilled, too excited, I guess.
00:25:02I've got a head just spinning with plans.
00:25:04Sit down or you'll have mine spinning too.
00:25:07What are they?
00:25:08Well, wonderful things.
00:25:11Am I in them?
00:25:12Oh, no.
00:25:13Oh, come now, Louise.
00:25:14Surely you've forgiven me that...
00:25:16that clumsy attempt in Paris.
00:25:18Of course I have.
00:25:19Would I be here if I hadn't?
00:25:21I guess not.
00:25:22How's the music?
00:25:23Simply trembling to burst out of me.
00:25:25I'll have you know I'm the finished product of the finest conservatory in Europe.
00:25:29All set to knock the American public cold, huh?
00:25:31All set.
00:25:32What's the approach?
00:25:33Well, I'm going on a concert tour.
00:25:35Ready for it?
00:25:36I mean, you must realize that it takes something more than just enthusiasm.
00:25:39Yes, I know that.
00:25:40I may have to teach first.
00:25:42Interest people. It's done, you know.
00:25:45You have interested one people.
00:25:47Me.
00:25:48Oh, thank you, Tony.
00:25:49I'm glad you believe in me.
00:25:50It's more than just a belief, Louise.
00:25:54You have the talent.
00:25:56All you need is the money.
00:25:57I can supply that.
00:25:59Oh, but, Tony, I have some pride, you know.
00:26:01Oh, pride's nothing to do with it.
00:26:02It'll be a loan.
00:26:03You'll need money if you're going to succeed.
00:26:05Money, influential friends, many things.
00:26:08I have all that.
00:26:12The idea sounded great at the time.
00:26:16A shortcut to fame, eh?
00:26:18Yes, only in my case it wasn't fame.
00:26:22When my season finished in Boston, I went up to see him again.
00:26:28I've come to tell you that.
00:26:29I know all about it.
00:26:30I've been watching the papers.
00:26:32The concert in Boston was what we'd call an artistic success.
00:26:36Not a box office yet.
00:26:37I'm glad you understand.
00:26:38More than you think, dear.
00:26:41That makes it easier to tell you.
00:26:43What?
00:26:44I've been a bad risk.
00:26:45All this money, I...
00:26:46I didn't know it was so much until now.
00:26:48Forget the money.
00:26:49I can't.
00:26:50It was a loan.
00:26:52It was an investment.
00:26:54Why didn't you tell me that?
00:26:55I never would have accepted it.
00:26:56I wanted you to have it if you couldn't sing a note.
00:26:59There are so many things I want to give you.
00:27:06Oh, but...
00:27:08It's yours.
00:27:11Forget your career for a while.
00:27:13We'll go away somewhere.
00:27:15Don't fight me off again, please.
00:27:18There's so much I want to do for you.
00:27:20I've waited such a long time.
00:27:22Well...
00:27:28That's the whole stone.
00:27:33Very interesting.
00:27:45Hmm.
00:27:46Pretty.
00:27:53All right, all right.
00:27:55If you don't want to play, you don't.
00:27:58No.
00:27:59I don't want to play.
00:28:03Bradley, eh?
00:28:05Just what I expected.
00:28:08Fighting again.
00:28:10All right, I'll be right over to square out of one of them.
00:28:13All right, all right.
00:28:15What happened, Pa?
00:28:17Bradley's got himself in another mess.
00:28:19Fighting over that woman I saw up there.
00:28:22What she'd do is fighting in the daytime.
00:28:25It's getting me up in the middle of the night.
00:28:39Westport, 7-4-6-0.
00:28:42Here.
00:28:44I should think you'd understand.
00:28:45I've just been telling you about Robeson.
00:28:50Am I a Robeson type?
00:28:54Yes.
00:28:55Worth.
00:28:58I'll admit I'm not very gentle.
00:29:00I wish you'd believe it.
00:29:02Does it make any difference?
00:29:05Excuse me.
00:29:06Hello?
00:29:14Oh, hello, kid.
00:29:15I'm glad you got home all right.
00:29:16What's on your mind?
00:29:18Speak louder.
00:29:20I don't dare talking about this one.
00:29:23What?
00:29:26Sure, I'll leave here right away.
00:29:28I'll be at Logan's.
00:29:29Tommy Logan's in the city.
00:29:30Try and get word to me there tomorrow.
00:29:31His address is...
00:29:32All right, I'll call you tomorrow.
00:29:36Now be careful, kid.
00:29:37Don't ask for me.
00:29:38I mentioned my name over the phone.
00:29:40All right.
00:29:41Thanks a lot, honey.
00:29:42Goodbye.
00:29:44Conroy's got a fractured skull.
00:29:45When he fell, he hit his head.
00:29:46Robeson's torn out a woman for my arrest.
00:29:47Oh.
00:29:48That means they're gonna drag me back again.
00:29:49Back?
00:29:50What do you mean?
00:29:51I'm out on parole.
00:29:52I was up once before for the same thing.
00:29:53They call it manslaughter.
00:29:54This time, if Conroy dies, they'll make it murder.
00:29:55But I could explain how it happened.
00:29:56I'm afraid your word wouldn't help.
00:29:57Oh, I see.
00:29:58If he dies, I haven't a chance.
00:29:59I've got to get out of here.
00:30:00I'll drop you at the station.
00:30:01All right.
00:30:02The cops may give us a chase, you afraid?
00:30:03No.
00:30:04Well, I'll get your coat.
00:30:05All right?
00:30:06All right.
00:30:07All right?
00:30:08Yes.
00:30:09Come on, let's go.
00:30:10Come on.
00:30:12Let's go.
00:30:14Come on.
00:30:15She's trying to get your hair.
00:30:16All right.
00:30:17Come on.
00:30:18Fine, let's go.
00:30:24Yeah.
00:30:26All right?
00:30:27Yes.
00:30:28Come on, let's go.
00:30:29All right.
00:30:30Okay.
00:30:31All right.
00:30:33Frightened?
00:30:45No.
00:30:50Are you cold?
00:30:53Not very.
00:31:01Faint.
00:31:03Well, the police call is probably out by now, but if we can cross the county line before
00:31:12morning, we still have a chance.
00:31:27There they are.
00:31:28Steady.
00:31:29Drive slower.
00:31:30Well, it looks like it's up.
00:31:47Well, well, what have we here?
00:31:49You seem to be in a great hurry.
00:31:51Not particularly.
00:31:52I didn't realize you were going so fast.
00:31:54You didn't, there.
00:31:55Well, you'd better slow up.
00:31:56There's a bridge out three miles ahead.
00:31:57You'll have to detour.
00:31:58Take it easy.
00:32:00Thanks.
00:32:00I will.
00:32:00How's your heart?
00:32:17Pretty badly shaken up.
00:32:19Well, you're all right, you know.
00:32:20They don't want you.
00:32:22I wasn't thinking of that.
00:32:23We'd better pull off this main road and lay low in the morning.
00:32:29When the police call goes out, that cop will report where he saw us and they'll probably
00:32:32think we're a great deal further on.
00:32:34Anyway, we could do with a few hours sleep.
00:32:36All right.
00:32:36We're only a few miles from the station.
00:32:46If we leave by daylight, we ought to be able to make it by train time.
00:32:49You can't take me to the station.
00:32:51It's too dangerous.
00:32:52Where else?
00:32:56Where are you going?
00:32:57To Tommy Logan, a friend of mine.
00:32:59We shared the same cell.
00:33:00Take me with you.
00:33:01No, you better get out of all this.
00:33:03But I doubt it is.
00:33:04That's not the point.
00:33:07I'd rather stay with you.
00:33:08Help if I can.
00:33:10I'll sell these if you need any money.
00:33:13Thanks, but I don't need any.
00:33:15But I can stay.
00:33:19All right.
00:33:33You better sleep in back.
00:33:35Why do I disturb you?
00:33:38Yeah.
00:33:39Come on.
00:33:41Well, but I'll be cold back there.
00:33:44No, you won't.
00:33:44Come on.
00:33:45Ankle hurt?
00:33:55Yes, a little.
00:33:56You all right?
00:34:18Yes, thank you.
00:34:21Good night.
00:34:22Good night.
00:34:31Good night.
00:35:06Are you asleep?
00:35:10No.
00:35:12As long as you're still awake, I might as well turn on the radio and see if the police are sending out any calls about us.
00:35:17Mm-hmm.
00:35:20Calling all home. Calling all home.
00:35:23Before you go to bed tonight, make sure you sleep on a Flanagan suspension bed.
00:35:27A Flanagan suspension bed is built on the same principle as the Brooklyn Bridge, but with just a little more sprinkling.
00:35:33If you've never slept on a Flanagan suspension bed, it's only been laying down.
00:35:38Now the Flanagan food stores will play their theme song.
00:35:42Police, beautiful police.
00:35:43Oh.
00:35:48Oh.
00:35:48Oh.
00:37:49Oh, now, Lil.
00:37:50Oh, now, Lil.
00:37:51I said, give me that wine.
00:37:53Lil, cut it out now.
00:37:54You know I got a weak liver.
00:37:56Come here, you worm.
00:37:57I'll teach you to rob your own wine.
00:37:59Oh, Lil, please don't.
00:38:01Oh, don't hit me with that.
00:38:02You know, your mother gave you that.
00:38:04Oh, yeah.
00:38:05Well, you're going to get it right back.
00:38:07Who is it?
00:38:16It's Bradley.
00:38:17Open up.
00:38:20Can't you see me?
00:38:21Kids, you know, I was just talking to the missus about you the other day and wondered what had happened to you.
00:38:25You know that...
00:38:25Tommy Logan, Miss Laurie.
00:38:26Oh, how do you do, Miss?
00:38:29How do you do?
00:38:30Won't you sit down?
00:38:31Yes, thank you.
00:38:33Oh.
00:38:36Oh, oh, oh, Lil.
00:38:37Lil.
00:38:38Tommy.
00:38:41Baby, this is John Bradley.
00:38:43I certainly feel as if I knew you.
00:38:45Tommy's always talking about you.
00:38:47I guess that goes two ways.
00:38:48Yeah, you know, he...
00:38:48Oh, and this is his girlfriend, Mr. Rob...
00:38:51Miss Laurie.
00:38:52Laurie, yes.
00:38:53How do you do?
00:38:54So this is John Bradley.
00:38:57Is he just like I told you?
00:38:58Looks all right to me.
00:38:59Thanks.
00:39:00I guess I got you to thank that Tommy ever got out of the cooler.
00:39:03He wasn't a bad boy up there.
00:39:04No.
00:39:05If you hadn't watched him, he would have stolen everything, including the warden's back teeth.
00:39:11Doesn't she say the cutest thing, John?
00:39:14You folks must be hungry.
00:39:15You're a mind reader, all right.
00:39:17I'll see what I can do about it.
00:39:18Uh, won't you, uh, take off your coat, Miss Laurie?
00:39:21Yes, thank you.
00:39:23Long distance.
00:39:24Hurry that call, will you, please?
00:39:26167 West Street.
00:39:29That's right.
00:39:30Logan.
00:39:31L-O-G-A-N.
00:39:33No, L, as in love.
00:39:35That's right.
00:39:40Oh, hello, Dad.
00:39:47Long distance.
00:39:48This is Sheriff Grant speaking.
00:39:53There was a mistake in that address my daughter just gave me.
00:39:56Read it back, please.
00:39:58167?
00:40:01Yes.
00:40:02167 West Street.
00:40:06That's right.
00:40:07And the name?
00:40:09L-O-G-A-N.
00:40:11You better cancel that call.
00:40:20What's on your mind?
00:40:21Trouble?
00:40:22I slapped a guy down last night.
00:40:24Yeah, and when you slap him, they stay slapped.
00:40:26We're hoping he's not badly hurt.
00:40:28He'll get the best of attention in the Denton Hospital.
00:40:31Sure.
00:40:31Have a drink.
00:40:32No, thank you.
00:40:34Here's a bite.
00:40:35Maybe this will hold you until we can get some food together.
00:40:37Get on the phone, will you, and get someone to bury my car.
00:40:41It's down in front.
00:40:42Sure.
00:40:42We'll need some clothes, too.
00:40:44Got any cash?
00:40:45A little.
00:40:50Hey, there's plenty of cash.
00:40:51There's nothing phony about those things.
00:40:54I know a fellow that...
00:40:55There's no rush.
00:40:56You don't have to fence that stuff.
00:40:57It's not hot.
00:40:58Oh.
00:41:00Get off to that car, will you?
00:41:01All right.
00:41:03I think I've got some clothes I could fix for you.
00:41:05Oh, thank you.
00:41:05I would like to get out of this dress.
00:41:07Won't take no time at all.
00:41:09Don't give that jewelry to Lobin.
00:41:12Why not?
00:41:12I'll need the money.
00:41:13I've got plenty for now.
00:41:14He's jipped you.
00:41:15But he's your friend.
00:41:16You trust him.
00:41:17When it comes to jewelry, that's where he flops.
00:41:19In the first place, he'd sell it to a fence.
00:41:21He wouldn't get a third of what they're worth.
00:41:22By the time hizzling in, you'd better hang him to them.
00:41:24Just as you say.
00:41:25Would you like to clean up, Tommy?
00:41:30I'd like it.
00:41:31Sure, here's a rope for you.
00:41:33Well, it's pretty.
00:41:35Yeah, Tommy fell in love with me in that rope.
00:41:38I mean...
00:41:39That's all right.
00:41:40We understand.
00:41:41Am I embarrassed?
00:41:45Well, it's not much, but it holds water.
00:41:48Well, that's all that's necessary.
00:41:54Yeah.
00:41:54Well, that's it.
00:41:56The ride's standing outside of my joint.
00:41:59Stash it.
00:42:00That's the idea.
00:42:02And you'd better change the license plates, too.
00:42:05Right away.
00:42:07Make it snappy.
00:42:08You know.
00:42:09It's okay.
00:42:10Good.
00:42:11Then what about Krause?
00:42:13Hadn't we better get him over?
00:42:14He's a bad head.
00:42:15Well, he's a shark lawyer.
00:42:16You're in a spot.
00:42:18All right, all right.
00:42:21How is he, doctor?
00:42:23Looks very serious.
00:42:24Yes.
00:42:29Hello.
00:42:30Yes, just a moment.
00:42:31Mr. Robesmith, for you.
00:42:33Thanks.
00:42:36Hello?
00:42:37Well, hello, Sheriff.
00:42:39Good.
00:42:39I hope they get him.
00:42:42Yeah, when I see this poor kid lying here, I...
00:42:45Fine.
00:42:46They've got a line on Bradley.
00:42:51Expect to arrest him any minute.
00:42:53Good.
00:42:53Good.
00:42:53Well, don't you know I'm in here?
00:43:11Sure.
00:43:12Well, I've got the dress.
00:43:16Why don't you dress in the bathroom?
00:43:19Have you seen the bathroom?
00:43:21No.
00:43:22Dress here.
00:43:23I won't peek.
00:43:25Who is this supposed to be?
00:43:27You all don't mind?
00:43:29I think it's the Logan's idea that it ought to belong to both of us.
00:43:33Oh.
00:43:34Well?
00:43:41Perfectly all right.
00:43:42I won't bother you.
00:43:44I wasn't afraid you would.
00:43:48How's your ankle?
00:43:49Oh, better.
00:43:50I've taken the bandage off.
00:43:51Good.
00:43:52Well, here's hoping you've got willpower.
00:44:03You want me to have willpower?
00:44:07I like you better the way you were in the car last night.
00:44:12I'm getting to be a softie.
00:44:15Maybe I'll even end up by being kind and gentle.
00:44:19You still don't believe me, do you?
00:44:21About Robeson, I mean.
00:44:23Does it matter?
00:44:26Yes.
00:44:29Say, don't carry this modesty business too far.
00:44:31You know, I can't see a darn thing out this window but a brick wall.
00:44:35Well, you can look now.
00:44:39Thanks.
00:44:51This is it.
00:45:10Ask him if they can use some ham and eggs.
00:45:12Hey, John.
00:45:13What?
00:45:14The conference.
00:45:15Beat it out that window.
00:45:16There's a fire escape below.
00:45:17Go away.
00:45:18Go away.
00:45:19Come away.
00:45:20Come away.
00:45:21Come away.
00:45:22Come away.
00:45:23Come away.
00:45:24Come away.
00:45:25Come away.
00:45:26Come away.
00:45:27Come away.
00:45:28Come away.
00:45:29Come away.
00:45:30The conference.
00:45:31Hey, John.
00:45:32What?
00:45:33The conference.
00:45:34Beat it out that window.
00:45:35There's a fire escape below.
00:45:36Go on.
00:45:37Beat it, will you?
00:45:38Lil and I'll take care of her.
00:45:39Sure.
00:45:40Hey, got any dope?
00:45:41Yeah.
00:45:42I'll be seeing you.
00:45:43Hey, come on, you dames or your tip is missed.
00:45:45Better open up or they'll be making toothpicks out of the landlord's best door.
00:46:08Where's he at?
00:46:33Who?
00:46:34Quit stalling and make it snappy, will you?
00:46:36I ain't had breakfast yet.
00:46:37Come on.
00:46:38Tell me where he's gone.
00:46:39Go.
00:46:40If I knew I would tally your face, Dale.
00:46:43Go on.
00:46:44Block me again.
00:46:50How about it, Blake?
00:46:52I plugged him and Ryan's after him.
00:46:55Lay off, Ed.
00:46:56It's okay.
00:46:58Come on.
00:46:59I want you back at Denton's.
00:47:01What, Paul?
00:47:02I don't know.
00:47:03Something about some jewelry that belonged to some guy's mother and you copied him.
00:47:06When you left.
00:47:07That's not true.
00:47:08Yeah?
00:47:09That's the junk there, isn't it?
00:47:10You better give it to me.
00:47:11Those are mine.
00:47:12They were bought to me.
00:47:13Come on.
00:47:14Hand it over.
00:47:15But I'm trying to tell you.
00:47:16Tell it to the judge.
00:47:17Say you.
00:47:18Lay off her.
00:47:19She ain't done nothing.
00:47:20Shut up.
00:47:21Come on, will you?
00:47:22I'm getting hungrier by the minute.
00:47:23I can't thank you enough for all you've done for me.
00:47:24Now, remember.
00:47:25No matter what happens, don't talk until you've seen Krauss.
00:47:26He's Tommy's lawyer.
00:47:27Do you think he'll take my case?
00:47:28Sure.
00:47:29We'll send him right over.
00:47:30Will you come on before I pass out?
00:47:31Come on, Ed.
00:47:32Well, there goes the jewelry.
00:47:33I told you so.
00:47:34I had a hunch.
00:47:35Now, you see...
00:47:36Oh, shut up.
00:47:37Say what the...
00:47:38I'll do.
00:47:39I'm getting hungrier by the man.
00:47:40I'll do.
00:47:41I'll do.
00:47:42Well, we'll go.
00:47:43You can't take my case.
00:47:44Sure.
00:47:45We'll send him right over.
00:47:46Will you come on before I pass out?
00:47:48Come on, Ed.
00:47:49Well, there goes the jewelry.
00:47:50I told you so.
00:47:51I had a hunch.
00:47:52Now, you see...
00:47:53Oh, shut up.
00:47:54Say what the...
00:48:08Here's that dame they wanted dentin, Sergeant.
00:48:19Here's the stuff.
00:48:22Not bad.
00:48:24I mean, nice stuff.
00:48:26Did you get the guy?
00:48:28He stopped a slug. I guess he's in the hospital.
00:48:31Oh, how is he?
00:48:32Can't someone tell me how he is?
00:48:34Your guess is as good as mine, sister.
00:48:38Come on.
00:48:43Oh, look.
00:48:48Put her in the royal suit, and if you don't like that, take her to the Ritz.
00:48:53All right, Sergeant.
00:48:55Come on, man.
00:49:08You know, Sergeant, I've got to go on a diet.
00:49:12You should.
00:49:13Have my lawyer come here?
00:49:25Have my lawyer come here?
00:49:39Quit asking me the same question.
00:49:41Here you are, boy.
00:49:42We're taking you back to Denton.
00:49:48Not until I've seen my lawyer.
00:49:49Come on.
00:49:50Don't give us no trouble.
00:49:51We won't give you none.
00:49:53Get your hat.
00:49:54Look, if you'll only tell me how John, John Bradley is, I'll go like a lamb.
00:49:59You'll go like a lamb anyway.
00:50:01But please...
00:50:02Say, listen.
00:50:03We ain't bothering you with a lot of questions, so don't you bother us.
00:50:07Here.
00:50:09Come on.
00:50:09I'll get your bail all fixed, and I'll have you out of here as soon as I've asked you a few questions.
00:50:29But I've got to tell you the answers first.
00:50:33Certainly it's a relief to have you here, Mr. Krause.
00:50:35It was more than good of you to come.
00:50:37Oh, that's all right.
00:50:38Anything I can do for a friend of Bradley.
00:50:41You've got money, haven't you?
00:50:42Nothing but my jewels.
00:50:45You haven't got that now.
00:50:47Well, Bradley's good for it.
00:50:50Good for what?
00:50:51The bail, my fee, everything.
00:50:54Let's hear all about it.
00:50:56Shoot the works.
00:50:58What do you want to know?
00:51:00Everything.
00:51:01True.
00:51:02No song and dance.
00:51:05Begin at the beginning.
00:51:07Well, we had an understanding, Robeson and I.
00:51:11It was pretty low of him to say I stole those songs.
00:51:13He must have been angry because I left them.
00:51:16That's easy to understand.
00:51:18Ouch!
00:51:19Hey, what's the matter with you?
00:51:21Something you don't like you can say, Sir Panchen.
00:51:23I did.
00:51:24I went to Robeson's house because...
00:51:27If it wasn't for Bradley, you could take your troubles to another lawyer.
00:51:32Well, go on.
00:51:32Let's hear it.
00:51:33Nobody knows I'm here today, Doc.
00:51:54Why, no, of course not.
00:52:00Just stay quiet there for a while.
00:52:03We can take him now, can't we, Doc?
00:52:08You through with him?
00:52:09He's pretty weak.
00:52:10He's lost a lot of blood.
00:52:11I'll let him stay here for 24 hours.
00:52:13Okay, we can arrange that.
00:52:16Forget about Conroy being a nice fellow except when he's drunk.
00:52:19Just emphasize that he killed the dog when the dog was trying to protect you.
00:52:23Get me?
00:52:23Yes.
00:52:24Well, let's go.
00:52:25And don't forget any of the answers.
00:52:27I won't.
00:52:28Oh, to think that I'll be able to get out of here tonight and go back to town.
00:52:31We might not be able to go back tonight.
00:52:33We could stay at the inn and go back in the morning.
00:52:36Come on.
00:52:37Can't we do something?
00:52:55Can't we at least find out if John needs help?
00:52:59Everything in time.
00:53:01No hurry.
00:53:02That's me.
00:53:14Hello.
00:53:15Hello.
00:53:15Have you seen John?
00:53:16Sure.
00:53:17Is he all right?
00:53:18Certainly.
00:53:18The doc says if he's serious, he'll get well.
00:53:21Oh, I'm so glad.
00:53:27That dirty sawbones tipped off the cops and they're covering the joint.
00:53:31Well, then I've got to go to him right away.
00:53:33Let's go back.
00:53:33Wait a minute.
00:53:34You can't do that.
00:53:36You're not in the clear yet.
00:53:38You're nearly out on bail.
00:53:39Well, if you go to Bradley now, you'll both be implicated.
00:53:43The smart move is to stay here tonight.
00:53:46He's right.
00:53:50Hey, where's the rocks?
00:53:52Rock?
00:53:53The stones, the jewelry.
00:53:55Oh, the police are holding it.
00:53:59Uh-huh.
00:54:00See there?
00:54:01I told you to give them to me.
00:54:03I knew they'd fall in the wrong hands.
00:54:08You two wait here a minute.
00:54:09I'll go and arrange for the room.
00:54:14Hey.
00:54:16Room.
00:54:16Okay.
00:54:18Is he being taken good care of?
00:54:20I'll tell you later.
00:54:21I just thought of something, too, if you'll excuse me.
00:54:25Say, Mr. Smith, would you mind making that Mr. Brown?
00:54:41Just for my sake.
00:54:43Wise guy, eh?
00:54:44Well, the house is full of Smiths.
00:54:45I can't keep my book straight.
00:54:49Is 405 and 406 close enough?
00:54:52All right.
00:54:53Okay.
00:54:55Hey, what's the idea of adjoining room?
00:54:57Bradley will kick your head off.
00:55:00Keep your nose out of this.
00:55:01I know what I'm doing.
00:55:03Oh, yeah?
00:55:04Does Bradley know?
00:55:05No.
00:55:21Hello.
00:55:21Hello.
00:55:21Hello.
00:55:25I suppose I'm a fool to want you back.
00:55:27But I do.
00:55:29Knowing the way I feel about you.
00:55:31I might even get a kick out of that, all the ways.
00:55:34If you come back to me, we'll drop this case against you.
00:55:36I'll say I was drinking when I swore out the warrant and that the bracelet and ring are really yours.
00:55:41And if I don't?
00:55:45Well, that's your worry.
00:55:47I'm going to give up.
00:55:59The only thing I did from that year. Just the pose. What about Bradley?
00:56:22Why are you so interested in Bradley? You only met him last night.
00:56:26Well, that's not the point. He didn't mean to hurt Conroy so badly.
00:56:31Perhaps not. But Conroy's dying and Bradley's responsible.
00:56:35You could help him if you wanted to.
00:56:38What can I do? He's already served one term for manslaughter.
00:56:43But why all this concern about Bradley? You're in rather a tough spot yourself.
00:56:49Hasn't your little taste of jail been enough? Why don't you get smart?
00:56:54I just can't see it your way, Tony.
00:56:59Well, think it over.
00:57:02Oh, Louise! They told me that I'd find you here.
00:57:21Yes, Helen. I can only stay a moment. I thought you ought to know.
00:57:25Father says that John Bradley isn't seriously hurt. He's going to get well.
00:57:29Yes, I know. But he's under arrest. He'll face a murder charge if Conroy dies.
00:57:35Yes, but if I hadn't have phoned the Logan, the police wouldn't have found him.
00:57:38Tell me, how badly is Dick Conroy hurt? Is he really dying?
00:57:43Yes, but Father says that Robeson's doing everything he can for him. Day nurse, night nurse.
00:57:49What do you mean Robeson's doing? Isn't Dick in the hospital?
00:57:52No, it was too dangerous to move him. So Robeson kept him at his house.
00:57:55Oh, I see. Well, I've got to go now. Goodbye, Louise.
00:57:59Goodbye, Helen. It was very sweet of you to come.
00:58:02Who's the dame? Well, a friend of mine. Sheriff's daughter.
00:58:11What do you have to say? Nothing important.
00:58:14Well, I guess you're pretty tired. Would you like to turn in?
00:58:17I'm going back to Robeson. What? What did you say?
00:58:32Why, that dirty, double-crossing little clerk.
00:58:38Yes, sir. Cancel our room.
00:58:41Oh! Sorry you couldn't stay longer, Mr. Smith. Uh, Brown?
00:58:49All right. Can you tell me what really happened?
00:58:52How many times have I got to tell you? The bull took her back to Denton on a jewelry ride.
00:58:57Well, what did you do? Didn't you get Krause?
00:58:59Sure, sure. Everything's been taken care of. Will you relax?
00:59:10Just a minute. Just a minute. Where do you think you're going?
00:59:13In there.
00:59:14Nobody's allowed in there.
00:59:15Well, but my wife's in there with my best friend.
00:59:17That's too bad. But those things sometimes happen.
00:59:20Now, I knew of a case once where a fellow in his...
00:59:22Oh, I know. I know. But, see, I've got to get in there.
00:59:24You can't. It's room.
00:59:26What kind of a deal is this? Ain't there one rule for rich or poor, husband and wives?
00:59:35All right. I'll give you five minutes.
00:59:39Thanks.
00:59:44Johnny, I've got this thing all figured out. It's a cinch to break out of here.
00:59:48Listen. There's a rain pipe leading from that window right down to the street.
00:59:51Tell me what happened to her, will you, Tommy?
00:59:53All right. All right.
00:59:55I was on a pleasure trip, see? And you said,
00:59:59Was your wife with you? And I said, No.
01:00:01It was a pleasure trip.
01:00:03Ha, ha, ha, ha, ha. I thought...
01:00:06Cut it, will you? Tell me what happened to her.
01:00:08She's okay, I tell you. Now, you just take it easy and you'll...
01:00:10Quit stalling. Where is she?
01:00:11I wouldn't worry about it, sir. You know how dames are. When things get tough, they can't take it.
01:00:18What do you mean?
01:00:19Well, as soon as Kraus from her, Ropson showed up and she went back with her.
01:00:23Forget her, Johnny. She ain't worth a headache. Cut it out, we'll cut it out.
01:00:28Tommy, get the car around. We'll stop and get some clothes.
01:00:31Are you nuts? You'll never make it.
01:00:34I know a man who shaves 40 times a day. He said poo. And I said a barber.
01:00:44Ha, ha, ha, ha, ha, ha. I mean, you know...
01:00:48Listen, Hal, we've got plenty of time today.
01:00:50No, I'm going tonight.
01:00:55All right.
01:00:56Will, you talk to that cop outside and keep him busy.
01:00:59Come on, Will.
01:01:00I was just trying to cheer the patient up.
01:01:05Not for those gags.
01:01:07Oh, boy, what a sense of humor you've got.
01:01:09Ha, ha, ha.
01:01:10Well, big boy, you still hungry?
01:01:12Hungry? I could go for a barbecued suitcase, handled and all.
01:01:18Well, you're going to take me up on it, are you?
01:01:20No, but you can have what's in it.
01:01:30You know?
01:01:33One thing I like about bananas is they've got no bones in them.
01:01:37It's just too bad you have to throw the skins away.
01:01:40Huh?
01:01:41Ha, ha, ha.
01:01:44Only a fruit, huh?
01:01:46And I know a guy who wants his diet to eat with too much fruit.
01:01:50He's a vegetarian.
01:01:51That made his wife a grass widow.
01:01:55Boy, are you funny.
01:02:00Johnny?
01:02:01You're an awful sap with this.
01:02:02You're only putting your sap in a spot.
01:02:03Cut it, Tommy.
01:02:04Let's get going.
01:02:05Johnny?
01:02:06You're an awful sap with this.
01:02:07You're only putting your sap in a spot.
01:02:09Cut it, Tommy.
01:02:10Let's get going.
01:02:30Let's get going.
01:02:31Let's get going.
01:02:32But, Ronnie.
01:02:33Let's get going.
01:02:35This is a story of the
01:02:50T-Rod.
01:02:54There's a story of the
01:02:59Where are you going, dear?
01:03:06Well, I felt rather tired.
01:03:09I thought I might be tired.
01:03:11Oh, it's early yet.
01:03:13Come on down.
01:03:19You don't look very well.
01:03:21Headache still bothering you?
01:03:23Yes.
01:03:24Yes, it is.
01:03:26Well, let me give you some brandy.
01:03:29Hmm?
01:03:44Yeah, maybe this will pick you up.
01:03:46It may.
01:03:50You know, Louise, I've been worrying about you.
01:03:53I mean, I've been trying to cheer you up and you seem to want to avoid me.
01:03:56You seem so morbid.
01:03:57Oh, it's not that, Tony.
01:03:58I just feel a bit depressed.
01:04:00Well, is that the way I affect you?
01:04:02No, of course not.
01:04:03But I keep thinking about poor Dick upstairs.
01:04:06Isn't there any chance for him at all?
01:04:08The doctor doesn't seem to think so.
01:04:10Hasn't he come to at all?
01:04:13Not for a moment.
01:04:14Not for a moment.
01:04:15That's what makes the case so hopeless.
01:04:16But supposing he does.
01:04:17I mean, even for a little while.
01:04:18Don't you think the police ought to be here to get a statement from him?
01:04:22What good would a statement do?
01:04:24It would clear Bradley.
01:04:26I'm sure Dick would realize that Bradley didn't mean to hurt him.
01:04:30There you go.
01:04:31Thinking about Bradley again.
01:04:32Oh, it's not that.
01:04:33But I feel the same about anybody who was mixed up in a mess like that.
01:04:37So would I.
01:04:38Anybody else but Bradley.
01:04:39Mr. Roxton, come quickly.
01:04:41He's regained consciousness.
01:04:42Get the doctor.
01:04:43No, no, you stay here.
01:04:45But please, can I?
01:04:46I said stay here.
01:04:47I mean, slightly slightly biteful fatal.
01:05:03John.
01:05:05What are you doing here?
01:05:07I thought you were in the hospital.
01:05:08They told me you were.
01:05:09They told me you were here.
01:05:11I had to see for myself.
01:05:12But you don't understand.
01:05:13I understand well enough.
01:05:15And if I didn't, that would explain anything I wanted to know.
01:05:18John, you don't think I came back here because of Roxton?
01:05:20No, of course not.
01:05:22Please, you must let me explain.
01:05:23Oh, no.
01:05:24I listened to your stories once before and was sap enough to believe in you.
01:05:28I had you pegged right the moment I met you.
01:05:30You're nothing but a cheap little...
01:05:31Stop it.
01:05:32If you'd only listen to me.
01:05:41You stay out of this, John.
01:05:43You're only getting yourself into a worse death.
01:05:45You got it off of your chest.
01:05:46Now, come on.
01:05:47Let's get out of here before the cops catch up with you.
01:05:49It's a saint they're attending.
01:05:51John!
01:05:52I told you to stay out of here.
01:06:06John!
01:06:08John!
01:06:09Come on!
01:06:36Hey, John, scram! The bulls are here!
01:06:39All right, Bradley. Back to the hospital.
01:06:45This time, you're gonna have a room with bars on the window.
01:06:49Have it your own way.
01:06:52Wait! There's something you don't know.
01:06:54Now, you keep out of this, lady.
01:06:57He's trying to say something. You've got to listen.
01:07:00He'll tell you what happened.
01:07:02What have you done?
01:07:04Don't let him hit me again. Please.
01:07:06Don't let him hit me again.
01:07:08What do you mean?
01:07:09Robeson.
01:07:10Robeson?
01:07:11He won't hit you again.
01:07:13He hit me.
01:07:15Robeson did? When?
01:07:17Just after we left the cabin.
01:07:19After you left my cabin?
01:07:21Yes.
01:07:22Why did he do that?
01:07:23We argued.
01:07:24I threatened him to talk.
01:07:26Thought our business.
01:07:28Certain deals we had made.
01:07:30He was through with me.
01:07:33Wait, I...
01:07:35Don't let him come near me.
01:07:37You'll be all right, son.
01:07:39Hey, that's...
01:07:41That's not bad with one hand.
01:07:43But you're pretty good with two.
01:07:45Ed.
01:07:46Throw some water or something on that guy so we don't have to carry him down to the station.
01:07:48Okay.
01:07:49Now, do you understand where I came back yet?
01:07:50Don't rub it in.
01:07:51The minute I heard Conroy was in his house, I felt something was wrong.
01:07:52I understand, honey.
01:07:53Now wait.
01:07:54Wait.
01:07:57I'll go...
01:07:59Bye.
01:08:00Bye.
01:08:01I'll go.
01:08:02Come and see.
01:08:03Hey, come and tell me.
01:08:06What?
01:08:07I'll go.
01:08:08What was the last one?
01:08:09How is it the last one?
01:08:11What did you get, son?
01:08:13I'm sorry.
01:08:14We're all right.
01:08:15How is it?
01:08:16My husband?
01:08:18I'm what I'm sorry.
01:08:19How many are you?
01:08:20Hey, Logan, I'm here.
01:08:43You better come downstairs with me.
01:08:45I know, but...
01:08:46Applesauce.
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