- 2 days ago
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00:00:00The End
00:00:30The End
00:01:00For the 20th time
00:01:14For the 19th time
00:01:16You want to be accurate
00:01:17Every morning with the ship's first plunge
00:01:20Every afternoon at tea
00:01:22Every evening at dinner
00:01:23And again when we say goodnight
00:01:26Oh, it's four times a day
00:01:28We've been out of Cherbourg five days
00:01:30Oh, that makes sense
00:01:32For the 20th time, Miss Merritt
00:01:37Will you marry?
00:01:41I think not
00:01:42I don't quite understand
00:01:45I know that you're the most perfect woman in the world
00:01:53But you lawyers are generally so technical
00:01:56Always looking for flaws
00:01:58Will you marry me?
00:02:03I think not
00:02:04No, it's nothing
00:02:06Just madness, I guess
00:02:08The music, champagne
00:02:10From the last night on ship
00:02:12Why have you never married, Stephen?
00:02:17Because I never met you
00:02:18Until five days ago, my dear
00:02:19Ah, you're a darling
00:02:21But tell me the real reason
00:02:22You come to my stateroom for a cocktail
00:02:25Then I'll tell you
00:02:26All right
00:02:28All right, Trill
00:02:30You know, Stephen
00:02:31I don't think I could sleep unless you proposed
00:02:35You'd be like something left out of a perfect day
00:02:37Of course
00:02:43You know, I'm just an amateur at this
00:02:45An amateur?
00:02:48Are you sure that you weren't a pre-Volstead bartender?
00:03:00Thank you
00:03:01Sweetheart
00:03:05I'm drinking to you
00:03:07Do you think the gentleman would mind
00:03:11Very much
00:03:11If the lady kissed him
00:03:13Just out of appreciation
00:03:14With a very happy voice
00:03:16And you say you don't love me
00:03:26I don't recall ever having said
00:03:29That I didn't love you
00:03:30Just why did you come here?
00:03:42Why?
00:03:44Oh, let me see
00:03:45Oh, I think it was out of a deep curiosity
00:03:48To know why you never married
00:03:50I've been watching marriage from the sidelines
00:03:54For over 15 years
00:03:55Ever since a boyhood friend of mine
00:03:58Broke with his wife
00:04:00Oh, were you so interested in the lady?
00:04:06Never saw her
00:04:07I never wanted to see her
00:04:09The wife was beautiful
00:04:11At least so I've heard
00:04:13So beautiful that men swarmed about her like bees
00:04:16Flattered her
00:04:18And sold her when her husband's business kept in late at his office
00:04:22Made her think she was being intentionally neglected
00:04:25I think I understand the rest of that story
00:04:30She started running around with other men
00:04:32Ceased loving her husband
00:04:33Maybe she thought she had a good reason
00:04:37Well, maybe she did
00:04:38But that doesn't excuse her
00:04:41Walking out on her husband
00:04:42And abandoning her child
00:04:43Tell me, Stephen
00:04:47Why you took such an interest in a woman that you never saw?
00:04:50I was coming to that
00:04:51Her husband felt that he was
00:04:54Going to pieces
00:04:55She asked me to become the child's guardian
00:04:58And you did?
00:05:00Yes, I engaged the governess for her
00:05:02Brought her up as a sort of kid sister
00:05:05Constance is now 18
00:05:07You still have her?
00:05:10Well, what's become of her father?
00:05:13He went away
00:05:14Died on a debauch
00:05:17A South American died
00:05:19I suppose that
00:05:22Left your faith in women
00:05:24Made you think they were all that sort
00:05:26Yes, I'm afraid it did
00:05:29Until I met you
00:05:32Back to see Connie's picture
00:05:35Oh, I'd love to
00:05:37Oh, she's beautiful
00:05:51Her baby picture is inside
00:05:53Of course, I couldn't expect anyone else to be as interested as I am
00:06:09She's really lovely
00:06:15Won't you let me see her sometime
00:06:18Let you see her?
00:06:21And all the time I've been begging you to marry me and
00:06:24Take her mother's place
00:06:26What's the matter, dear?
00:06:31Nothing, it's all right
00:06:32It's just getting late
00:06:34I think I'd better get back to my own room
00:06:35I'll see you to your stateroom
00:06:36No, no, thanks
00:06:37I'll see you in the morning
00:06:39Before we dock
00:06:40Good night
00:06:41Good night
00:06:41Good night
00:07:51Mr. Stephen Kennedy, please.
00:08:18Hello?
00:08:20Hello, Stephen.
00:08:25Stephen, you forgot something.
00:08:29Yes, you did.
00:08:30You forgot to pose to me again.
00:08:32Yes, you did.
00:08:34You forgot to pose to me again.
00:08:37So I did, my dear.
00:08:39Will you please forgive me and marry me?
00:08:44Of course I will you, Bruce.
00:08:46You know I will.
00:08:48You will?
00:08:49You will?
00:08:51Oh, say that again, darling.
00:08:54I think I must be dreaming.
00:08:57Of course I'll marry you.
00:09:00And I don't care how soon.
00:09:02Did you hear what I said?
00:09:05I'll be right over.
00:09:07Oh, no, you won't.
00:09:08No, I'll call the captain and have you put off the ship for disturbing a passenger.
00:09:13What on earth did you change your mind so quickly?
00:09:16Well, there are two reasons, darling.
00:09:19One is because I love you, Stephen.
00:09:22And the other, because Connie's mother was such a rocker.
00:09:28Good night.
00:09:29Good night.
00:09:30Good night.
00:09:31Good night.
00:09:32Good night.
00:09:49Good morning, Mr. Durkin.
00:09:53Skyler!
00:09:54Good morning, Connie.
00:09:55Too early.
00:09:56Stephen hasn't arrived yet.
00:09:58Well, that's quite all right, my dear.
00:10:00There's something I want to say to you.
00:10:02That you didn't want Stephen to hear?
00:10:04Quite right.
00:10:05Something I didn't want Stephen to hear.
00:10:07I'm expecting him any minute.
00:10:11You know, Connie,
00:10:12Steve may not understand our feelings toward each other.
00:10:15I get you, Skyler.
00:10:17He wouldn't like to hear that I've been going about with you in his absence.
00:10:20Right-o.
00:10:22Steve still regards you as an infant.
00:10:24Hmm.
00:10:25Perhaps it's a good thing that I'm going away, Skyler.
00:10:27Cruise to the South Seas will give me a chance to think things over.
00:10:30A chance to think over your proposal, and others.
00:10:36Are you seriously considering somebody else?
00:10:38Oh, no one in particular.
00:10:39I've had half a dozen offers.
00:10:40Some good ones, some bad ones, and one or two in different.
00:10:45You know, Connie, we may not have much chance to talk confidentially here.
00:10:50So, perhaps it would be as well if you came to my place.
00:10:54No one to interrupt, you know.
00:10:56There'll only be tonight, Skyler.
00:10:58The yacht sails at dawn.
00:11:03Oh.
00:11:04Then there are others?
00:11:06Oh, I've been collecting them for months, Skyler.
00:11:08A young girl in New York never knows when she may need a friend.
00:11:11This is Hank Freeman.
00:11:13This is Barry Norton.
00:11:15This is Ruddy Kramer.
00:11:17And this one?
00:11:18Oh, let's see.
00:11:20Oh, I've forgotten the name of the owner.
00:11:22But it fits the Yale lock and Park Avenue.
00:11:25And I thought you were just a kid.
00:11:32Who, me?
00:11:33A kid?
00:11:35And carrying keys to some of the most eligible bachelor apartments in little old New York.
00:11:41You've used them, of course.
00:11:44Not yet.
00:11:46But one can never tell in this age, Mr. Durkin.
00:11:50Snowstorm may blow little Connie right into bad man's place some night.
00:11:55You'd let her stay and get warm, wouldn't you?
00:11:59You bet I would.
00:12:01And I'll wear my red flannel, in case you feel botanic.
00:12:04Save them for the tropics, baby.
00:12:07You little hellion.
00:12:09I'm crazy about you.
00:12:11Hello, James.
00:12:13Welcome home, Mr. Stephen.
00:12:15Stephen!
00:12:16Call his daughter.
00:12:21How are you, Skyler?
00:12:22How are you, Steve?
00:12:23I'm fit as a fiddle.
00:12:24I'm sorry I slept too late to get down to the boat.
00:12:27Well, that's all right.
00:12:28I was busy.
00:12:29Oh, man or woman?
00:12:31I'll leave you to guess.
00:12:32Woman, am I right?
00:12:33I've never known you to be wrong.
00:12:35Mary?
00:12:36Who, me?
00:12:38No.
00:12:39Parisian model, or just a mignonette?
00:12:41No, and not even an actress.
00:12:43Now tell Connie all about it.
00:12:47No, I want to hear about you first.
00:12:49The same old speakeasy, same old gang, and the same old cocktail.
00:12:54You're not holding anything back, are you?
00:12:57Poor proposals and half a dozen propositions.
00:12:59Of course you, you turn them all down.
00:13:02They're proposals.
00:13:04The propositions, I'm thinking over.
00:13:07Get up, you vamp.
00:13:10I thought you were going to look after her while I was away.
00:13:13Well...
00:13:14Oh, come on.
00:13:15Tell us all about it.
00:13:17Keep your secret.
00:13:18Well, if I like her, don't you think you can?
00:13:20Like her?
00:13:21I'll love her.
00:13:23I think I'd better run along.
00:13:24Have an appointment that won't keep.
00:13:26Redhead?
00:13:27Well, she'd be redheaded if I'm late.
00:13:29Don't forget to drop by this evening.
00:13:30I'm sailing at dawn.
00:13:31Sailing?
00:13:33Yes, with the Randolphs.
00:13:35For years, cruise around the world.
00:13:37You said I could go when you got back from Europe.
00:13:39Yes, but I didn't think you were going so soon.
00:13:41Well, Mr. Randolph's been holding up the trip a whole week,
00:13:43just so I could say goodbye to you.
00:13:45Is, uh, Mrs. Randolph going?
00:13:48An old and little Randolph.
00:13:50In fact, it's going to be so respectable,
00:13:52I'm afraid it'll be boring.
00:13:54How about dining with us tonight?
00:13:56Thanks.
00:13:57Suppose I phone you later.
00:13:58All right.
00:13:59Bye.
00:14:00Goodbye.
00:14:02Think you're fooling me about that woman?
00:14:04There is one.
00:14:05Come on, consent.
00:14:08Well, I met her on the boat.
00:14:09The first day out from the share board.
00:14:10And you engaged before the ship dock.
00:14:12Marvelous, grand.
00:14:13They always said that you'd be a fast worker
00:14:15if you ever got started.
00:14:16Well, of course she did.
00:14:17She held out as long as she could.
00:14:19No woman can hold out long against you, see.
00:14:22You're the finest man in the world.
00:14:24Yes.
00:14:25Now, what are you after?
00:14:26I want you to take me to meet her.
00:14:28I want to find out if she's good enough for you.
00:14:30Who is she?
00:14:31Miss Manners.
00:14:32Miss Joan Manners.
00:14:33Manners?
00:14:34She doesn't have any manners in our set.
00:14:35Oh, she spends most of her time abroad.
00:14:36She was here last year, but she didn't go out much socially.
00:14:37Conserving her strength for a trip abroad, eh?
00:14:38Hmm.
00:14:39Can't you be serious for more than one minute at a time?
00:14:40I don't want to be serious.
00:14:41I want to laugh and dance and be gay.
00:14:42That's right.
00:14:43Get it out of your system before you think of marriage.
00:14:44Or a proposition.
00:14:45Shh.
00:14:46Take me to see Joan tonight.
00:14:47I want to meet her.
00:14:48All right.
00:14:49We'll drop in on her for a moment or so.
00:14:50On your way to the yacht.
00:14:51I know I like her.
00:14:52But the person she doesn't like me.
00:14:53Oh.
00:14:54Oh.
00:14:55Oh.
00:14:56Oh.
00:14:57Oh.
00:14:58Oh.
00:14:59Oh.
00:15:00Oh.
00:15:01Oh.
00:15:02Oh.
00:15:03Oh.
00:15:04Oh.
00:15:05Oh.
00:15:06Oh.
00:15:07Oh.
00:15:08Oh.
00:15:09Oh.
00:15:10Oh.
00:15:11Oh.
00:15:12Oh.
00:15:13Oh.
00:15:14Oh.
00:15:15Oh.
00:15:16Oh.
00:15:18Oh.
00:15:19Oh.
00:15:20Oh, yeah.
00:15:21Oh.
00:15:22Oh boy.
00:15:24Oh.
00:15:42Oh.
00:15:43Oh.
00:15:44Oh, yeah.
00:15:45Madame is the king.
00:15:46Thanks, sir. Then I'll wait.
00:15:48I have orders not to admit to anybody.
00:15:50Hmm.
00:15:52Especially Skylar Durkin, eh, Marie?
00:15:54Oh, your name wasn't mentioned, sir.
00:15:57How the great have fallen.
00:15:58Not even mentionable.
00:16:00You may go, Mary.
00:16:01Return in an hour.
00:16:07Good morning, Skylar.
00:16:09Aren't you a little early?
00:16:12Welcome home, Joan.
00:16:13Thanks.
00:16:15What?
00:16:16Oh, please, Skylar.
00:16:17No kisses.
00:16:22I hardly know how to be gifted.
00:16:25And so you began with the door lock.
00:16:28You might have asked me for the key.
00:16:30New locks cause money.
00:16:32Men accept keys more readily than they give them up.
00:16:36Now, you're not going to tell me that you've really fallen in love.
00:16:41You've guessed it, Skylar.
00:16:42Married?
00:16:43Nothing less.
00:16:48Have you told him about us?
00:16:53Taking no chances.
00:16:55Hmm.
00:16:56I've an idea that he likes his women.
00:16:59Like his whiskey.
00:17:00Straight.
00:17:01Would an offer of marriage from me change anything?
00:17:20Not at this late date.
00:17:21You'd better spread your cards on the table.
00:17:33Well, men don't dig up their pasts for the women they love.
00:17:37Suppose somebody else digs up your past for him.
00:17:40But you're the only one who knows my past.
00:17:44Oh, my dear.
00:17:45My dear.
00:17:46Oh, you wouldn't tell, Skylar.
00:17:48You wouldn't tell.
00:17:49My dear, I've never even mentioned our friendship.
00:17:52Thanks.
00:17:54That helps.
00:17:57May I inquire the fortunate man's name?
00:18:01Well, I suppose you'll have to know sooner or later.
00:18:03He's a young attorney.
00:18:04Oh, stop laughing.
00:18:16Stephen Kennedy.
00:18:19Stephen Kennedy.
00:18:20Well, what's the matter with Stephen Kennedy?
00:18:23Oh, not a thing.
00:18:25Great fellow.
00:18:26Honorable to a folk.
00:18:28Abhors dishonesty in others.
00:18:30You know him?
00:18:31I was born next door to him.
00:18:33Bunked with him through school.
00:18:35Kindergarten to college.
00:18:41It'll be amusing.
00:18:44Dining with you and Steve once a week.
00:18:46Oh, you wouldn't.
00:18:50Take my advice, lady.
00:18:58Put your cards on the table.
00:19:01Oh, promise me you won't tell, Skylar.
00:19:03Promise me.
00:19:05Oh, that letter that I wrote you from Paris.
00:19:07Will you give it to me?
00:19:08Oh, no.
00:19:09That's my souvenir.
00:19:11Oh, but Skylar, you don't understand.
00:19:19Very nice.
00:19:20So, you're really going to become a Benedict soon.
00:19:26You're guessing, aren't you?
00:19:27No.
00:19:28Connie let the cat out of the bag before dinner.
00:19:30She said you'd ask her to call on your fiancée.
00:19:34Connie's a little devil.
00:19:37You know, I meant to keep you in the dark.
00:19:40I didn't want you arguing for a...
00:19:43formal wedding.
00:19:44Oh, no.
00:19:46I never argue for any kind of wedding.
00:19:48Yes.
00:19:49So a lot of ladies complain.
00:19:51So far, I've been lucky.
00:19:54I used to tell myself that.
00:19:56Until I met.
00:19:57Just what do you know about this girl?
00:19:59Her past.
00:20:00Right.
00:20:01Her past doesn't concern me.
00:20:03It's her future I'm thinking of.
00:20:06Our future.
00:20:06Looked her up in the social register?
00:20:11Why, I wouldn't care if they even left her out of the telephone book.
00:20:15Nor on the police blotter.
00:20:19Don't be impreterent.
00:20:21You don't even know her name.
00:20:23Her name is Joan Manners.
00:20:25What are you suggesting?
00:20:32Or are you just, uh, trying to be funny?
00:20:35If Joan were going to marry any man in the world except Steve Kennedy,
00:20:38I'd keep a close mouth and hope that everything would come out all right.
00:20:43What I'm going to say is tough on you.
00:20:46And it's not too easy on me, either.
00:20:49But maybe if you know the whole thing from the beginning,
00:20:51it won't pop up later and slap you in the face.
00:20:53Joan's a fine girl in many ways.
00:20:56You bet she's a fine girl.
00:20:58In every way.
00:21:01You better get out of here, Skyler.
00:21:02That is, if you intend to continue on this subject.
00:21:11She's had the luck changed since she met you.
00:21:15I won't be using this key again.
00:21:18You know, I ought to kick you out of this house.
00:21:20That's the way it's done, in books.
00:21:25Get out of here, Skyler.
00:21:27Now.
00:21:28She's a fine girl, Steve.
00:21:30In love with you and on the level with her.
00:21:33I'll keep her way.
00:21:34Oh, here I am, all pretty up for the occasion.
00:21:36Hey, what's that, an autopsy?
00:21:41Where's the court?
00:21:43Oh, you better run along now, Connie.
00:21:46I've changed my mind about going out tonight.
00:21:49But I'm all ready.
00:21:51You promised to take me.
00:21:53I'm obliged to be, Constance, by leaving us alone.
00:21:56Well, I'm still waiting for you to get out.
00:22:14Joan's a charming woman, Stephen.
00:22:17Think it over.
00:22:18Think it over.
00:22:18Well, now that we're alone, tell me all about it.
00:22:36I'm sorry, darling, but there's nothing to tell.
00:22:40You're taking me to meet Joan?
00:22:41Well, at least you'll go down to the yacht for the farewell party.
00:22:50Oh, I feel too rotten.
00:22:53You better take a taxi, dear.
00:22:55I'm better off alone tonight.
00:22:59Come on, Steve.
00:23:00Snap out of it.
00:23:01I'll have to drop you off at Joan.
00:23:03She'll cheer you up.
00:23:04Yes, but the Fairfax Arms is not on your way to the yacht.
00:23:08The Fairfax Arms?
00:23:09That's Joan's place.
00:23:11Well, goodbye, Steve, for a whole year.
00:23:17I won't be getting any mail from you, nose-out-of-the-way places.
00:23:21But I'll be thinking of you, big boy.
00:23:38You're Joan.
00:23:39I'm Miss Manners, I mean.
00:23:42Yes, I'm Joan Manners.
00:23:44Won't you come in?
00:23:53I'm Connie.
00:23:55Stephen's kid sister.
00:24:00Connie.
00:24:01Oh, I'm so glad.
00:24:02Won't you sit down?
00:24:02Will Stephen be up and take a minute?
00:24:06Oh, I'm so glad.
00:24:06Oh, I'm so glad.
00:24:10Oh, I'm so glad.
00:24:11Oh, I'm so glad.
00:24:15Oh, I'm so glad.
00:24:15Oh, I love you.
00:24:15Oh, I love you.
00:24:17Hey, you're swell.
00:24:19I'm crazy about you.
00:24:21Oh, I'm so glad.
00:24:24Won't you sit down?
00:24:27Well, is Stephen be up in just a minute?
00:24:30He promised to bring me here.
00:24:32What do we need?
00:24:33Oh, well, probably he had some very important business to attend to.
00:24:38These in a blue haze that you couldn't cut with a knife.
00:24:42A blue haze?
00:24:43I'm sailing tonight for a year of cruise.
00:24:46I just had to see it.
00:24:48Tonight?
00:24:49For a whole year?
00:24:52Sure.
00:24:53He'll give you and Stephen time for a nice long honeymoon without the disadvantage of his
00:24:58sisters.
00:24:59I'll...
00:25:00We'll miss you, Connie.
00:25:02Thanks.
00:25:03More than I can say for Stephen.
00:25:06Why?
00:25:07What happened?
00:25:08Oh, I don't know.
00:25:10Something Skylar Durkin said that tumbled one of Steve's pet castle.
00:25:15Skylar Durkin?
00:25:17Yes.
00:25:18Oh, was it about me, Connie?
00:25:22Well, yes and no.
00:25:25He said that he didn't think that Stephen should marry a girl he knew nothing about.
00:25:30Did he say anything more than that, do you know?
00:25:34Oh, but you'll get used to Skylar, and you've known him as long as I have.
00:25:38Oh, he's a bit free with propositions, but it's easy to put off if you know how.
00:25:45Connie, you mustn't become involved with a man like that.
00:25:48Involved?
00:25:49It involves him right now.
00:25:53There's his key.
00:25:59But I haven't used it yet.
00:26:06I just thought I'd keep him on his toes.
00:26:08Oh, Connie, you shouldn't have keys to men's apartments.
00:26:11They're just souvenirs, my dear.
00:26:14That's what I thought.
00:26:18Joan, if you have any soil linen, you'd better send it to the laundry tonight.
00:26:33Durkin's been talking.
00:26:38Connie, would you help me keep a secret, even from Stephen?
00:26:46If we women didn't stick together, it would be a man's world.
00:26:49But Stephen's your brother.
00:26:52I carry keys to men's apartments, even if I don't use them.
00:26:57And I'm still a good girl.
00:27:00You will always be a good girl, Connie.
00:27:03That's what Stephen says.
00:27:05He thinks I'm an angel.
00:27:08I guess that's one reason I fought it out with old man Temptation.
00:27:15If I did slip, don't think I wouldn't try for a comeback.
00:27:20Oh, but if I'd only told Stephen.
00:27:23He'd forgive you and forget you, too.
00:27:26Men are like that.
00:27:30Oh, but I love him.
00:27:33Connie, I love him.
00:27:35Get over to the house and have it out with Stephen.
00:27:38Skyler slash George Floyd, take a slice out of here.
00:27:46If you love Stephen, don't admit anything.
00:27:50Fight for him.
00:27:54You're right, Connie.
00:27:56You're right.
00:27:58But what if I do convince Stephen?
00:28:01Skyler has evidence in his apartment.
00:28:06And I've got the key to his apartment.
00:28:08And I've been dying to use it.
00:28:12Connie, give it to me and I'll stop there on the way back from Stephen's.
00:28:15Oh, no.
00:28:16I go where Key go.
00:28:18You're not going to leave me out of this party.
00:28:20Oh, very well.
00:28:22Have you time to stay here until I get back?
00:28:24Sure.
00:28:25Good.
00:28:26The Warwick Man at this avenue.
00:28:34We'll be right down.
00:28:35Thanks.
00:28:50Hello, Joan.
00:28:51Hello, Stephen.
00:28:53You didn't come for me, so I came for you.
00:28:57I was just trying to put on my best face for you.
00:29:01You look very beautiful.
00:29:04They do say that handsome is as handsome does.
00:29:09Sit down, Joan, won't you?
00:29:16You don't seem very glad to see me, Stephen.
00:29:19Well, it's just that your visit was so unexpected.
00:29:22No, you haven't even kissed me.
00:29:30Oh, not like that, Stephen.
00:29:32That isn't the kind of a kiss I want to remember as your last kiss.
00:29:37Last kiss?
00:29:41Stephen.
00:29:43Stephen.
00:29:47I've come here to break our engagement.
00:29:50To ask you to release me.
00:29:52What?
00:29:53For your happiness.
00:29:56And mine.
00:29:58You know, I'd rather remember the love of those perfect days on board ship
00:30:03than to endure a life's petty jealousy.
00:30:06There can be no true happiness in a home where the wife's worst enemy is the husband's best friend.
00:30:16Meaning who?
00:30:18Skylar Durkin.
00:30:19I've known Skylar Durkin for years.
00:30:24First as a friend until I found out what sort he is, and then as an enemy.
00:30:29Six months ago, when I went to Europe, it was to escape his unwelcome attention.
00:30:34Do you know that I had to have the lock changed on my door because he'd stolen the key?
00:30:39You should have called the police.
00:30:41I thought of that, but I didn't welcome a scandal.
00:30:44And he's the type that would have said I'd given him the key.
00:30:47You're right. Half the town would believe him.
00:30:51And today he forced himself past my maid and demanded that I marry him.
00:30:56Had you told him that we were engaged?
00:30:58Of course I told him.
00:31:00I told him how I loved you.
00:31:02That there never would be another man.
00:31:04Oh, I hoped that would end things, but it didn't.
00:31:07Skylar Durkin said that you were his very best friend.
00:31:11And that you would believe anything that he chose to tell you about me.
00:31:15And that even if you did marry me, he'd have access to our home, that he'd always come between us.
00:31:21He was my best friend.
00:31:23I had every faith in him.
00:31:25Treated him as one of the family.
00:31:28But now...
00:31:30No, don't try to mend things, Steven.
00:31:33There'd always be times when you'd believe that Durkin was right.
00:31:37No, no.
00:31:39This must be the end.
00:31:41Say goodbye.
00:31:43No, it's not goodbye.
00:31:45Then...
00:31:47You mean you won't release me?
00:31:49You bet I won't.
00:31:51I'll see Skylar Durkin in the morning.
00:31:53This isn't the end.
00:31:55It's the beginning.
00:31:57I'm not lost...
00:31:59I don't know.
00:32:00I'm not going to die.
00:32:01I'm not going to die.
00:32:02I'm not going to die.
00:32:03Or...
00:32:04I don't know.
00:32:05Let's...
00:32:06I'm not going to die, dear.
00:32:07You're not going to die.
00:32:08Connie!
00:32:09Connie!
00:32:10Connie!
00:32:12Connie!
00:32:14Connie!
00:32:15Connie!
00:32:16Connie, are you all right, dear?
00:32:19Connie, are you all right, dear?
00:32:27Sure I'm all right.
00:32:29Connie, I've seen Stephen, and I lied about Durkin.
00:32:35You don't think he'll find out to you?
00:32:39There's a letter in Skyler Durkin's apartment.
00:32:42Oh, I've got to get it before he sees Stephen.
00:32:47Gosh, the paper.
00:32:49Lady in distress must get back discriminating dashers.
00:32:54Connie, will you give me the key to Skyler Durkin's apartment?
00:32:59It's the first chance I've had for excitement in months, and you want to leave me out.
00:33:05But you mustn't go there, dear, and I want to get the letter. Please give me the key.
00:33:12All right.
00:33:19There you are.
00:33:35I could get into a lot of men's apartments for that bunch of keys.
00:33:39Oh, what are you doing with these?
00:33:41I'm sure I am.
00:33:43Oh, Connie, you shouldn't have keys to men's apartments. Throw them away.
00:33:49Say, you're going to be a good influence on me.
00:33:54Oh, Connie, listen.
00:33:56Tell me about your mother.
00:34:02Do you know where she is?
00:34:05Nope.
00:34:06And I don't care where she is.
00:34:09She's a writer.
00:34:10Well, maybe she wasn't all bad.
00:34:18Oh, yes, she was.
00:34:19And I'm going to be just like her if I don't get her mother to watch over me.
00:34:25Oh, poor little Connie.
00:34:31Connie,
00:34:32if I marry Stephen...
00:34:36You'd be a swell mother.
00:34:42Oh, Connie.
00:34:48You know, you've got to get down to that yard.
00:34:50Would you like me to take you down?
00:34:52Oh, no.
00:34:53Stephen, may we let him come?
00:34:54Wouldn't do for him to see us stand together.
00:34:59Oh, but Connie, I hate to have you go along, dear.
00:35:02Oh, I'm used to it.
00:35:03Don't you worry about me.
00:35:06Donnie,
00:35:10I'll be thinking of you every minute.
00:35:14Have a beautiful time, darling.
00:35:18Goodbye, sir.
00:35:19Goodbye.
00:35:36Bye.
00:35:52Bye.
00:35:53Bye.
00:35:53Bye.
00:35:53Bye.
00:35:54Bye.
00:35:54Bye.
00:35:56Well, look who's here.
00:36:26Well, hurry up, before it gets away from us.
00:36:56I don't know the number, but you get it for me, please, and hurry.
00:37:10Joe Manister.
00:37:15Hello?
00:37:20Hello?
00:37:21Hello?
00:37:22Connie!
00:37:23Oh, Connie, you're not in Durkin's apartment.
00:37:27I'd fun, I ain't, baby.
00:37:28I'm after this document.
00:37:29Any idea where they are?
00:37:31Who are you phoning?
00:37:33I'm after this document.
00:37:34Any idea where they are?
00:37:37Who are you phoning?
00:37:40Oh, just telephonitis.
00:37:45Hello, hello, Connie!
00:37:47Hello?
00:37:48Sure has a kick.
00:37:5020 more of it?
00:37:54I'll show you.
00:37:56Bring some more ice for it, Skylar.
00:37:58Looks like a big night.
00:38:00I wish we were in Greenland where the nights are six months long.
00:38:07haters.
00:38:08Oh, my goodness!
00:38:09I'll show you.
00:38:10Bring some more ice for it, Skylar.
00:38:11Looks like a big night.
00:38:12I wish we were in Greenland where the nights are six months long.
00:38:16Oh, I was just looking for some cigarettes and that thing, fellas.
00:38:45Well, there's cigarettes in that box, on the table.
00:38:48Oh, of course.
00:38:52There you are.
00:38:53Thanks.
00:39:02Goodbye.
00:39:03So are you.
00:39:12You don't know how happy I am that you came.
00:39:15Thank you, dear.
00:39:26You know, I've been waiting for this evening for two years.
00:39:32Connie, you don't know how happy I am.
00:39:35Really?
00:39:36Am I?
00:39:37Now look what you've done. I'm going.
00:39:51I'm going.
00:39:59Well, what did you expect coming to a man's rooms after midnight?
00:40:02I thought you were a gentleman.
00:40:03You can get away with that stuff, with kids, but...
00:40:07But...
00:40:18Please leave me alone!
00:40:19No, you...
00:40:20You can't let me...
00:40:21Get away or I'll shoot!
00:40:22Connie!
00:40:23Connie!
00:40:24Connie!
00:40:25Connie!
00:40:26Connie!
00:40:27Connie!
00:40:28Connie!
00:40:29Connie!
00:40:30Connie!
00:40:31Oh, what's happening?
00:40:32It's John.
00:40:33Oh, but it's Tony!
00:40:34Oh!
00:40:35It's you!
00:40:36You!
00:40:37What do you do?
00:40:38It was an accident.
00:40:53Connie!
00:40:54Oh, Connie, what's happening?
00:40:58It's John.
00:41:00Oh, Miss Johnny!
00:41:01Oh, Miss Johnny, I'm in you here!
00:41:04Connie, darling, what's happening?
00:41:06He tried to take the gun away from me.
00:41:08He kind of went off.
00:41:09Oh, Connie, dear, you must get away from here quickly.
00:41:11I won't.
00:41:12You can't take the blame for something that I did.
00:41:14It's just a scratch.
00:41:16I'll be all right.
00:41:18Hey, darling, he's going to be all right.
00:41:20Come on, now, you go down and get aboard the yacht.
00:41:22Go ahead, Connie.
00:41:23Forget it.
00:41:25There you are, darling.
00:41:26He's going to be all right.
00:41:27Come on, you go down to the yacht and get away.
00:41:30Goodbye, little girl.
00:41:33Be a good little girl.
00:41:34Thanks, John.
00:41:38Goodbye, darling.
00:41:39Oh, boy, I...
00:41:39What's that?
00:41:43You heard a shot at Mr. Durkin's apartment.
00:41:46I'll report it right away.
00:41:49Is it serious enough to call the doctor?
00:41:51No.
00:41:52But you might hand me a drink.
00:41:55It's just one of those things.
00:42:06You're lucky it wasn't worse.
00:42:10I...
00:42:11I always was lucky.
00:42:14Until you met Steve Kennedy.
00:42:18You thought the daughter was as foolish as the mother, didn't you?
00:42:24Connie?
00:42:24Your daughter?
00:42:28Yes.
00:42:29I just found her tonight.
00:42:31And you tried to take her away from me.
00:42:33After trying to poison Stephen Kennedy with the truth about us.
00:42:36So that I never could see her again.
00:42:38You...
00:42:39Open that door!
00:42:42Open the door!
00:42:44Open the door!
00:42:51What's going on here?
00:42:52Who shot this man?
00:43:10It was just an accident.
00:43:12He's quite all right.
00:43:14I think that he isn't.
00:43:15Are you hurt badly?
00:43:20Hey!
00:43:20Skylar!
00:43:21Skylar!
00:43:21Skylar!
00:43:22Skylar!
00:43:23Skylar!
00:43:24Skylar!
00:43:25Skylar!
00:43:26Skylar!
00:43:27Skylar!
00:43:28Skylar!
00:43:29Skylar!
00:43:36Dad!
00:43:37Hello, Joan.
00:43:48Hello, Stephen.
00:43:51I know you need a counsel.
00:43:54I'd like to defend you if you haven't made other arrangements.
00:43:56Well, that's awfully good of you, Stephen, but I guess I haven't much of it since.
00:44:03Well, you're through talking, Mr. Kennedy.
00:44:05Call the guard.
00:44:06I'll be outside.
00:44:07Would you please tell me what happened that night, after you left my home?
00:44:21There's nothing that I can say that would do me any good.
00:44:24We must make the best defense we can.
00:44:27There must be some mitigating circumstance.
00:44:29You're very sure that I went right from your arms to the apartment of another man and shot him in cold blood, aren't you, Stephen?
00:44:39I don't like to think that, Joe.
00:44:42But if you won't talk, what else can I think?
00:44:46You're right, Stephen.
00:44:48You're only a man, after all.
00:44:51I wish I were anything but a man.
00:44:54That would help me change my mind.
00:44:56I don't care to make any defense, Stephen, but I did not kill Leslie.
00:45:02That's the truth.
00:45:05I believe you, Joe.
00:45:07But I want you to help me make the jury believe you.
00:45:11Well, I can say this much.
00:45:13I went to Schuyler's apartment in an effort to make things easier for you and me.
00:45:19And he had been shot before I arrived.
00:45:23And you know who did it?
00:45:26He died without saying who fired the shot.
00:45:32Is that all the help that you can give me?
00:45:36I'll free you if I can.
00:45:38I'll tell you one thing, Joe.
00:45:41I'm going to fight this case as I've never fought one before.
00:45:44In the case of the People v. Joan Manners, accused of the murder of one Schuyler Durkin,
00:45:55we intend to show by the testimony of at least three reliable witnesses
00:45:59that she was found in the room with the body of the murdered man, the gun lying on the floor.
00:46:04The state will show that the defendant had ample time after firing the fatal shot to wipe away her fingerprints,
00:46:13before police and apartment attaches burst into the room and found her with the body.
00:46:18The state will prove that when confronted by officers of the law, who were summoned by neighbors to the death apartment,
00:46:25Joan Manners cunningly and deceitfully tried to conceal the death of her victim.
00:46:31We will expose the relationship between the deceased and the defendant in order to establish the motive for her crime.
00:46:38The defendant is represented in this court by a very shrewd and capable criminal lawyer, Stephen Kennedy,
00:46:46who will appeal to your chivalry where the life of a woman is at stake.
00:46:50I warn you, ladies and gentlemen of the jury, not to be fooled by his pseudo-chivalry
00:46:55or by his manly display of tenderness towards his guilty client.
00:46:59The defendant will be represented to you as a charming and comely young woman,
00:47:04and I admit her comeliness, and grant you that if Scarlett Durkin were alive today,
00:47:10he could testify to her charms.
00:47:13I ask you to turn deaf ears to his pleading in behalf of a woman with the face of an angel and the heart of a monster.
00:47:21Stephen Kennedy's whole interest is a matter of counsel fees,
00:47:24and what personal satisfaction he might gain were he able to trick you into a verdict of not guilty.
00:47:34I gather, ladies and gentlemen of the jury,
00:47:39from the eminent district attorney's remarks,
00:47:41that it is I who am on trial,
00:47:45and not the defendant, Miss Joan Manners.
00:47:51In the course of a long and complex career as a criminal lawyer,
00:47:55I must confess that I have never yet been engaged in any case as
00:47:58completely baffling as this.
00:48:01The defendant, Joan Manners,
00:48:03whose character is above reproach,
00:48:06has, I regret to say,
00:48:08not fully given me her confidence in this matter.
00:48:13The district attorney will tell you that it is because of a
00:48:16guilty conscience,
00:48:18but knowing her character to be as impeccable as it is,
00:48:22I will assure you that her silence is based upon one of two things.
00:48:29Either she is completely ignorant as to who killed Skylar Durkin,
00:48:34or else she is shielding someone
00:48:36who is very dear to her.
00:48:42Knowing district attorneys and their habits,
00:48:46I do not hesitate to prophesy that
00:48:49this very able prosecutor is simply
00:48:52itching to have me put the defendant in the witness stand
00:48:54so that he may
00:48:56tear her reputation
00:48:58to shreds.
00:49:01I want to assure him
00:49:02here and now,
00:49:05but I have no fear
00:49:06of putting her in the witness chair
00:49:07to face even his
00:49:10caustic cross-examination.
00:49:16You heard the testimony of the elevator operator yesterday
00:49:23that he took you to the third floor of the apartment house
00:49:27in which the deceased lived
00:49:28at the unconventional hour of midnight.
00:49:32Will you tell the jury your reason
00:49:33for calling on Skylar Durkin at his apartment
00:49:35at an hour when no decent woman
00:49:38would dare to call on chaperone?
00:49:43Well, I was afraid that
00:49:45he was going to come between me and
00:49:47the man to whom I had become engaged.
00:49:50And I thought that...
00:49:52Well, go on.
00:49:54Proceed with the testimony.
00:49:58Well, I thought that
00:49:59if I could talk to him myself,
00:50:01perhaps I could persuade him
00:50:03not to say anything detrimental to my...
00:50:05to my character.
00:50:06Oh, so he knew something detrimental to your character.
00:50:09He resented the fact that
00:50:11I refused to marry him
00:50:13and said that
00:50:14he would come between me
00:50:15and anyone that I might marry.
00:50:17Did he want to marry you?
00:50:20That is it.
00:50:22Isn't it a fact, Miss Manners,
00:50:24that Skylar Durkin had no intention of marrying you?
00:50:27That a marriage ceremony, in his estimation,
00:50:29was entirely unnecessary?
00:50:30No, no, that's not true.
00:50:32So, your relationship was
00:50:35just the tonic, eh?
00:50:37Yes.
00:50:41Hmm.
00:50:43Did you...
00:50:44Did you ever see this letter before?
00:50:48It's a love letter from you to Skylar Durkin.
00:50:50Yes, I...
00:50:55I wrote that letter.
00:50:57I object, Your Honor.
00:50:59On the grounds that the Counsel for the Defense
00:51:00has had no...
00:51:01The defendant has already admitted under oath
00:51:03that the letter is a communication
00:51:04between herself and the deceased.
00:51:06I intend to prove that its recovery
00:51:07motivated the crime.
00:51:14The clerk of the court
00:51:15will read the letter into the evidence.
00:51:20Paris, France, June 6, 1932.
00:51:28My dear Skylar,
00:51:30what a thrill when your letter arrived
00:51:31and what a bitter disappointment
00:51:33when I read
00:51:33you will be unable to join me here.
00:51:36Seems as though everyone in Paris
00:51:38is gay except your Joan.
00:51:40Love is in the air here, Skylar,
00:51:42and lovers are everywhere I turn.
00:51:45If you were only here to hold me tightly
00:51:47in your arms and caress me,
00:51:49Paris would be perfect.
00:51:52If I were only the kind of woman
00:51:53who could turn to another man
00:51:55even temporarily,
00:51:56I might find more happiness
00:51:58in this city of romantic dreams.
00:52:02I used to think all men alike,
00:52:05but that was before I met you.
00:52:07Now I know there can be no happiness
00:52:09without you,
00:52:10even though I pay the price.
00:52:12Come to me soon, my dearest,
00:52:15or permit me to return to you
00:52:17lovingly, your Joan.
00:52:20Now that your relationship
00:52:21with the deceased
00:52:22has been irrefutably established,
00:52:24Miss Manners,
00:52:25we will go into the matter
00:52:27of your latest fiancée's identity.
00:52:31Would you mind stating to the court
00:52:33the name of this very mysterious man?
00:52:34I'll tell you,
00:52:37if you really want to know.
00:52:39I'm the man.
00:52:40Oh, no.
00:52:41No.
00:52:42I'm finished with the witness.
00:52:51Swear the witness.
00:52:55Do you swear to tell the truth,
00:52:56the whole truth,
00:52:57and nothing but the truth
00:52:58so I'll be God?
00:52:58I do.
00:53:03State your name.
00:53:05Stephen Kennedy.
00:53:06Occupation.
00:53:07Lawyer.
00:53:09Present,
00:53:10counsel for the defense.
00:53:12On the night of the murder,
00:53:14you were the fiancée
00:53:14of the defendant?
00:53:16I was Miss Manners' fiancée
00:53:18the night Mr. Durkin was shot.
00:53:21When did you last see
00:53:22the defendant before the killing?
00:53:24She came to my house
00:53:25about ten o'clock.
00:53:26Tell the court what happened.
00:53:30She came to the house
00:53:31to break the engagement.
00:53:33She said that happiness
00:53:34was impossible
00:53:35with Durkin,
00:53:36my friend,
00:53:36and her enemy.
00:53:38I refused to release her.
00:53:41I told her I didn't care
00:53:42what her past relationship
00:53:43with Durkin was.
00:53:44I insisted on
00:53:45an early marriage.
00:53:47What else?
00:53:49I told her I'd see Durkin
00:53:50in the morning
00:53:51and settle things.
00:53:53She didn't tell you
00:53:54she'd see Durkin first
00:53:55and settle with him?
00:53:56She had no reason to.
00:53:58I had told her
00:53:59that I loved her.
00:54:00You loved her?
00:54:01Tell me,
00:54:02do you still love her?
00:54:04I refuse to answer
00:54:05that question on the ground
00:54:06that it's irrelevant,
00:54:07immaterial.
00:54:08The witness does not
00:54:09have to answer the question.
00:54:11Witness excused.
00:54:11they say that lawyers
00:54:16make very bad witnesses,
00:54:18Mr. Kennedy.
00:54:19You have proved
00:54:19no exception to the rule
00:54:20and I want to thank you
00:54:22for your testimony.
00:54:23Testimony that may
00:54:25send your client
00:54:26to the electric chair.
00:54:28Confine your remarks
00:54:29to the case.
00:54:29If your honour pleases,
00:54:40I will ask for a short recess
00:54:41in order to produce
00:54:43a witness who will testify
00:54:44that a much younger girl
00:54:46than the defendant
00:54:47was seen entering
00:54:48Skylar Durkin's room
00:54:50one hour before
00:54:51he was found dead.
00:54:52I want to change
00:54:54my plea to guilty.
00:54:56I killed
00:54:57Skylar Durkin.
00:55:01Order in the court!
00:55:04Order in the court!
00:55:22You know,
00:55:48that's the first time
00:55:49I ever prepared
00:55:50a woman for the chair.
00:55:52It sure gives me the creep.
00:55:54Sure, sir.
00:56:11Hey, miss.
00:56:13We know your job manners
00:56:15and we're all for you.
00:56:17Look up, sister.
00:56:19Don't be scared.
00:56:22Keep up your nerves, sister.
00:56:35They ain't gonna burn
00:56:36no woman.
00:56:38Quiet, you mugs.
00:56:41She don't want to be disturbed.
00:56:42Buck up, sister.
00:56:43And remember,
00:56:48we're all your friends here.
00:56:52Thanks, boys.
00:56:57Hello, Jane.
00:56:58Well,
00:56:59welcome home, Miss Constance.
00:57:02Where's Mr. Stevens?
00:57:03Where's Jones?
00:57:04Mr. Stevens out of the city.
00:57:06He's been gone two weeks.
00:57:07He's married, of course.
00:57:09And Jones with him.
00:57:09Well, I, uh,
00:57:10shall I shake you up a stimulant?
00:57:14You won't believe it, James,
00:57:16but I'm on the wagon.
00:57:19I guess Miss Manners
00:57:20before me.
00:57:22Miss Manners?
00:57:23Yes.
00:57:24Why not?
00:57:25Why?
00:57:27She's the lady
00:57:28they're executing.
00:57:31Manners?
00:57:32Joe Manners?
00:57:33What for?
00:57:35Tell me, tell me.
00:57:38She murdered
00:57:39Mr. Durkin
00:57:40the night you went away.
00:57:47Get the district attorney's
00:57:48home right away.
00:57:49I've got to talk to him.
00:57:52Well, go on.
00:57:53Yes, ma'am.
00:57:53Yes, ma'am.
00:58:05The governor won't
00:58:16ground her a freeze
00:58:16without new evidence.
00:58:21There is no new evidence,
00:58:23Steven.
00:58:28You're holding something back.
00:58:31You're shielding someone.
00:58:33We've been all through
00:58:36that before.
00:58:38I can't believe you did it.
00:58:42I know another girl
00:58:43visited Durkin's apartment
00:58:44that night.
00:58:47Who was it?
00:58:54It was just a year ago
00:58:56tonight that we met
00:58:57on the Berengaria,
00:58:58Steven, you remember?
00:59:01I fell in love then.
00:59:03And I've loved you
00:59:05ever since, Steven.
00:59:08Then tell me
00:59:09who killed Durkin.
00:59:11There's only one hour left.
00:59:15If you let them execute
00:59:17Joan Manners,
00:59:18you're nothing short
00:59:19of a murderer.
00:59:20Miss Kennedy,
00:59:21I can't get excited
00:59:22every time someone
00:59:23comes to me
00:59:23and says they committed
00:59:24a crime for which
00:59:25someone else
00:59:25has been convicted.
00:59:27She's innocent,
00:59:28I tell you.
00:59:28She's innocent.
00:59:30Oh, you must do
00:59:31something to stop this.
00:59:32I'll go into court
00:59:34and tell everything
00:59:35just as it happened.
00:59:37If you were present
00:59:38when Durkin was shot,
00:59:39you must remember
00:59:40the position of the body
00:59:41and where you left
00:59:41the death gun.
00:59:44Durkin was sitting
00:59:44in a chair when I left.
00:59:46The gun was on the floor
00:59:47where it fell
00:59:47after it went off.
00:59:48The gun was on the floor.
00:59:50Hello, Jim.
00:59:52Get me the files
00:59:53in the Manners case.
00:59:55We'll see if what you say
00:59:56corresponds with the
00:59:57transcript of the evidence.
00:59:59Joan.
01:00:00Joan.
01:00:01It's almost time
01:00:02for the warden.
01:00:04Aren't you going to talk?
01:00:09There's nothing
01:00:10I could say now.
01:00:12Then you do know
01:00:13something you haven't told me.
01:00:15You're right,
01:00:17Miss Kennedy.
01:00:18What you say
01:00:19agrees with the
01:00:19officer's testimony.
01:00:21Then you'll phone the warden.
01:00:23Hello.
01:00:24Get me the warden.
01:00:25It's Sing Sing
01:00:26immediately.
01:00:26Rush this call through.
01:00:28Get Judge Johnson
01:00:29on the phone
01:00:29in the next room.
01:00:30Tell him to phone the governor.
01:00:31It's urgent
01:00:31that we stop
01:00:31the execution
01:00:32of Joan Manners.
01:00:34Send a couple
01:00:35of the boys in here.
01:00:36Hello.
01:00:37How about that
01:00:38Albany call?
01:00:39Busy?
01:00:40We'll call
01:00:41the chief operator.
01:00:42Cut her to keep
01:00:42the line open.
01:00:44Official business.
01:00:45It's a matter
01:00:45of life and death.
01:00:49I hope you're
01:00:50telling me the truth,
01:00:51Miss Kennedy.
01:00:52It won't go well
01:00:53with you if you're not.
01:00:55I tell you
01:00:55every word I told
01:00:56is the truth.
01:00:57Durkin grabbed me.
01:00:59He told my dress.
01:01:00He struggled.
01:01:02And then the gun
01:01:03went off accidentally.
01:01:04Then why did you
01:01:05run away?
01:01:06Durkin said
01:01:07it was only a scratch.
01:01:09I even wish
01:01:10me one voyage.
01:01:12It would have been
01:01:13easy to clear you
01:01:14had you come into court
01:01:15and stated the facts.
01:01:17Joe,
01:01:18call the garage.
01:01:19Have a car ready
01:01:19to take me to the airport.
01:01:20Fastest driver you've got.
01:01:22Get a motorcycle escort.
01:01:23We want our way
01:01:23cleared through traffic.
01:01:24Okay.
01:01:25Hello?
01:01:26Hello?
01:01:27You've got the line
01:01:28but they don't answer.
01:01:30Well, keep on trying.
01:01:31Don't let them stop.
01:01:33What do we do now?
01:01:34You leave it to me.
01:01:42May I pray with you?
01:01:49It may be a comfort to you.
01:01:51We'll just stand.
01:01:52O Father of mercies
01:02:07and God of all comfort,
01:02:09we fly unto thee
01:02:11for succor
01:02:11in behalf of this
01:02:13thy servant
01:02:13who is now
01:02:15under the sentence
01:02:16of condemnation.
01:02:17The day of her calamity
01:02:19is at hand
01:02:20and she is accounted
01:02:22as one of those
01:02:23who go down
01:02:23into the pit.
01:02:25Blessed Lord,
01:02:26remember thy mercy,
01:02:28look upon her infirmity
01:02:30and hear the voice
01:02:31of her complaint
01:02:32through Jesus Christ
01:02:34our Lord.
01:02:36Amen.
01:02:38Amen.
01:02:39May I
01:02:43read a little?
01:02:50If thou seekest
01:02:59the Lord thy God
01:03:00thou shalt find him
01:03:03if thou seekest him
01:03:05with all thy heart
01:03:06and with all thy soul.
01:03:09When thou art
01:03:11in tribulation
01:03:12and all these things
01:03:14come upon thee
01:03:15even in the latter days
01:03:17if thou turn
01:03:18to the Lord thy God
01:03:20and shall be obedient
01:03:22unto his voice.
01:03:24For the Lord thy God
01:03:26is a merciful God.
01:03:34The Lord bless you
01:03:36and keep you.
01:03:37The Lord make his face
01:03:38to shine upon you
01:03:39and be gracious unto you.
01:03:40The Lord lift up
01:03:41the light of these countenance
01:03:42upon you
01:03:43and give you peace
01:03:44both now
01:03:45and forevermore.
01:03:48Amen.
01:03:55Time to go.
01:04:15There's
01:04:18one thing more
01:04:20I'd like to say
01:04:21to Mr. Kennedy.
01:04:23Then I'll
01:04:23be ready.
01:04:25You may.
01:04:33There's
01:04:33something I want to
01:04:35tell you
01:04:36before I go, Steve.
01:04:38something that
01:04:42may harden you
01:04:44against me
01:04:45but it
01:04:46may make it
01:04:47easier
01:04:48for you to forget.
01:04:53Nothing will ever
01:04:54harden me
01:04:54against you, Joan.
01:04:56I shall always
01:04:57believe you
01:04:58innocent.
01:05:01Even
01:05:02promise
01:05:04that you'll
01:05:06always
01:05:07protect
01:05:08Carmen.
01:05:13That you'll
01:05:14keep her
01:05:15away from
01:05:16unscrupulous men
01:05:17so that
01:05:20she can't
01:05:21follow in the
01:05:23footsteps
01:05:24of her mother.
01:05:25David, it would
01:05:34help a lot
01:05:35if you could
01:05:36walk a little
01:05:37way back to me.
01:05:38May I?
01:05:39in the midst
01:05:55of life
01:05:55we are in
01:05:56death.
01:06:02Yet, O
01:06:03Lord God
01:06:03most holy,
01:06:05O
01:06:05Lord most
01:06:06mighty,
01:06:07O
01:06:08holy and
01:06:08merciful
01:06:09Savior,
01:06:10thou
01:06:11most
01:06:11worthy
01:06:11judge
01:06:12eternally,
01:06:13suffer us
01:06:14not at
01:06:14our last
01:06:15end,
01:06:16for any
01:06:17pains of
01:06:17death
01:06:18to fall
01:06:19from
01:06:19thee.
01:06:22Shut
01:06:23not thy
01:06:23merciful
01:06:24gears
01:06:24to our
01:06:25prayers,
01:06:26but spare
01:06:27us,
01:06:28Lord most
01:06:29holy,
01:06:31O
01:06:31God
01:06:32most
01:06:32mighty,
01:06:34O
01:06:34holy and
01:06:35merciful
01:06:35Savior.
01:06:38O
01:06:39holy and
01:06:44merciful
01:06:44Savior,
01:06:46thou
01:06:46most
01:06:47worthy
01:06:47judge
01:06:48eternal,
01:06:50deliver us
01:06:51not into
01:06:52the bitter
01:06:52pain of
01:06:54eternal
01:06:54death.
01:06:55O
01:06:56holy and
01:06:56merciful
01:06:57Savior,
01:06:57thou
01:06:58most
01:06:58worthy
01:06:59judge
01:07:00eternal,
01:07:00deliver us
01:07:03not into the
01:07:0483
01:07:05pardoning,
01:07:11sayes
01:07:12you must
01:07:12delay
01:07:12execution.
01:07:14Paa
01:07:15?
01:07:16Pardon ?
01:07:18Oh, see ya.
01:07:38Mother.
01:07:39Joey, darling.
01:07:48.
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