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02:32No, no, no, no, no.
03:02No, no, no, no, no, no, no, no.
03:32No, no, no, no, no.
03:34No, no, no, no.
03:36And, you know, if you do get it sorted, you could shimmy on down to the bistro later.
03:44Sorry.
03:45What's about?
03:46We're having to cancel our plans for today.
03:48Well, no, it's not a problem.
03:50Yeah, well, I just can't say no to looking after Leila, you know?
03:54Yes, I completely understand.
03:57Anyway, I was thinking of going back to the choir later.
04:01Are you in a choir?
04:02Yes, I am, Dev.
04:03And I have huge plans on how to make it bigger and better.
04:08Yes.
04:08I am very gung-ho, me, if you must know.
04:11She has an amazing singing place, I swear down.
04:16Yeah, really?
04:17Well, you know, I'm very good in the shower.
04:21No, actually, I do remember it from the wedding, so...
04:24Well, go on then, honey, won't you sing something for me now?
04:26Eh?
04:27Yeah, go on.
04:28Go.
04:29Oh, no.
04:31Is he a bit serious?
04:32Mm-hm.
04:32Of course he is.
04:33So, you want me to sing in middle at corner shop?
04:38Oh, go on, why not, eh?
04:40You only live once, don't you?
04:42Right.
04:44Hold me handbag, Ronald.
04:46Should I sing a high one or a low one?
04:48Whatever you want.
04:49OK.
04:50I'm a bit nervous now.
04:52Don't be.
04:56Sally,
04:57Don't ever wonder
05:04Away from the alley and me
05:12Sally,
05:18Sally,
05:21Marry me, Sally
05:23And happy
05:26Forever
05:28It's my microphone
05:31I'll be
05:33Woo!
05:38Finished.
05:39Yes.
05:40Is that right?
05:40Oh, it's beautiful.
05:41Oh, it's beautiful.
05:45Keep your money, man.
05:47Two partners on me.
05:48If I get freebies every time I open my mouth, I'll do you the whole of Rigoletto.
05:56Thanks, Dev.
05:56Thank you.
05:57I enjoyed that.
05:58I'm available.
06:00Yeah.
06:00For bookings.
06:02Bye, Dev.
06:03Bye.
06:03Don't worry, love.
06:12I can see it.
06:14Don't love me, Kit Green.
06:18You're like an old married couple, you two.
06:20Bicker, bicker, bicker.
06:21Or can you not cope with the fact that she's engaged now?
06:25Is she the one that got away?
06:26Oh, please.
06:27I've got taste, sir.
06:29Why don't you just go and shave your back and give us a break, yeah?
06:32Ladies, ladies.
06:34You've come a long way recently, Swain.
06:37Thank you, sir.
06:39I knew you'd be back.
06:40Firing on all cylinders after a stint on the desk.
06:44And, er, well, I'm here.
06:48Congratulations on your engagement.
06:49Oh, thank you.
06:51She said yes.
06:52I know.
06:53I saw it on your socials.
06:54There's nothing like a bit of good news
06:56to perk up the morale of the station.
06:59So thanks for that.
07:01Nice one.
07:09That was a bit sus, wasn't it?
07:12What?
07:13All him treating you like a big potato.
07:16Eh?
07:17Buttering you up.
07:24Oh, my days.
07:33Were you red carpet ready or what?
07:35Oh, hush.
07:36This old thing.
07:37Uh-huh.
07:38No one dressed this fly at this time of the day unless...
07:43Has Deven opened a big cake hole again?
07:45Come on, then.
07:45Eh?
07:46Come on.
07:46Spill the tea.
07:47Well, yeah.
07:50I am seeing someone.
07:51Kind of.
07:52But we'll keep it on the down.
07:53Huh?
07:54Is he a bit of a closet case?
07:56No, no, no.
07:56It's just a bit of fun.
07:58I just want to keep the motor oil.
08:02See you in a bit.
08:03Oh.
08:04No, if I see you first, Tiger.
08:06Well, Carla recommended the walk-in physio clinic at the hospital.
08:15As for Marek, he's got magic fingers.
08:17No one well.
08:21Eh?
08:22Heated your feelings.
08:23I'm sorry that came out wrong.
08:26Oh, maybe I am.
08:28Don't know.
08:30Todd's not speaking to me.
08:33I can't say I blame him.
08:34I tried making amends, but...
08:36Oh, look.
08:37That's one way of putting it.
08:39I do love him.
08:40If this doesn't feel right for him,
08:42it's no wonder he's putting walls up.
08:46Starting therapy this afternoon.
08:49Yeah.
08:50I've, um, gone private.
08:52I don't care how much money I've got to chuck at it.
08:54Need to sort my head out.
08:56Maybe leave, um...
08:58Maybe leave certain things in the past.
09:00You know, become the man Todd deserves.
09:02Look, um...
09:04I know secrets aren't healthy,
09:06but maybe don't mention anything about the therapy just yet.
09:08Well, I won't be shouting from the rooftops.
09:11Cheers.
09:11Appreciate that, Billy.
09:12I don't care.
09:14Cheers.
09:28Cheers.
09:29No, no, no, no.
09:59The waitresses are giving us daggers and, you know, we're chomping at the bit to actually order,
10:03so if you could call me back and let me know that you're coming, that'd be great.
10:06OK, thank you.
10:09Hey, what's remulard again?
10:10Oh, who put the rem in a remulard, lad?
10:14It's just it's cold sauce, Ryan.
10:16OK.
10:17Yeah, well, she never misses a cookery programme, does she, this one?
10:21Nickers will go and stitch for years to come,
10:22cos she's far too busy watching Andy Oliver boot off her chef for having a lumpy puree.
10:27Mm, that woman's a goddess.
10:29Hey, all right, all right, bring it in, future wife and man.
10:32It's time and a place.
10:33Hey, hey, listen to this.
10:34Hand-a-dive scholar.
10:37Who's hand-diving for them, Toya?
10:40She get a bleeding, aren't we?
10:42Well, maybe it was me.
10:44Maybe I've got a new hobby, you know.
10:46Congratulations on your engagement, by the way.
10:48Thank you.
10:48Thank you.
10:48Let's hope this marriage lasts longer than ours did.
10:51Yeah, don't be too much, should it?
10:53I don't know.
10:54How long did that last?
10:56Half an hour.
10:57What?
10:58Mm-hm.
10:59She hasn't texted you, has she?
11:01Darling, stop stressing, she'll be here.
11:04Do you know what?
11:04I'm just going to nip home and check if it's OK.
11:06Oh, OK.
11:08We'll get some olives and bread for you.
11:10Hand-dive dollars.
11:12Hand-dive dollars.
11:13Right, I won't be long.
11:14See you.
11:14Ah, Father Mayhew.
11:21So what do we owe this pleasure?
11:22Well, sorry to interrupt you while you're at work.
11:25I just wanted to check in on you.
11:28And also, I, um, I saw Theo earlier.
11:33Lucky you.
11:34You should try speaking to him, you know.
11:36He knows whatever he did.
11:37It was a mistake.
11:39And he's doing everything he can to make sure it never happens again.
11:42Oh, what, is he going to anger management classes, then?
11:44He's not, is he?
11:48Well, he, he asked me not to tell you.
11:50I love the sudden allegiance to him over me.
11:53All right, well, yeah, it's something along the lines of anger management.
11:57Yeah, so, but he's trying.
11:59What is it, then?
12:00Counselling and that?
12:01I'm not meant to say.
12:02Wow, you are rubbish at keeping secrets.
12:06I feel terrible now.
12:07He's having therapy, then?
12:11Bit of a game changer, hmm?
12:14All right, I can't stand here all day yapping to you.
12:18Places to go, people to see.
12:20Banks to rob, grannies to mug.
12:22Mm.
12:22Well, if I stand in this school any longer, I'll get trench foot.
12:26Well, you sure do you know how to sweet, huh?
12:28Yeah, I can kiss and all.
12:31Don't even think about it.
12:32You're supposed to be shuddering food in your god, but it's not the lad next door.
12:36Shit, later, bitch.
12:41Well, that wasn't embarrassing at all.
12:46Great.
12:47Oh, am I on?
12:53Oh.
12:55Ta, very much for allowing me the magic microphone, Maureen.
13:00And it's lovely to get the chance to have my say.
13:04Yeah, so, first of all, thank you for welcoming me so warmly into the fold.
13:11That's a very nice cardio on you, that, Daphne.
13:15It really...
13:15Come on, call, Daphne.
13:16Whoa, whoa, whoa, whoa, whoa.
13:18I've got the magic microphone, Daphne.
13:20Yes?
13:22If you want to say anything, you need this.
13:24Yeah, please.
13:26Now, I hope this doesn't sound too forward, because I don't like to brag, but I was Northwest
13:35Businesswoman of the Year.
13:38Maureen?
13:38Yes, I was.
13:39Twice.
13:40Running.
13:40Yeah, so I do know a thing or two about knocking a group of people into shape.
13:46I think we need to reinvigorate our song choices.
13:52And yes, there is always a place for retro in the Trevor.
13:57Yeah?
13:58But is Chattanooga choo-choo really the best we can do?
14:03Now, let's talk about your social media presence.
14:07Oh, we don't do social media...
14:08No!
14:08Whoa, whoa, whoa, whoa, whoa, whoa.
14:09Who's got the magic microphone, Maureen?
14:14I think you'll find it's me.
14:16So, uh, if you want it, if you want to do a bit of chitty-chatting, put your hand up and, uh, just wait your turn, yeah?
14:24Now, where was I?
14:25Oh, yeah.
14:27Stick this choir on Instagram, yeah?
14:30And watch yourselves fly.
14:32And one last thing.
14:37Outfits.
14:39You might only be playing the Sheila Delaney Shopping Centre, but why turn up looking like a bunch of bad people?
14:45Eh?
14:46Riff raff.
14:47We don't want that, do we?
14:48Yeah.
14:49Let's coordinate a colour scheme.
14:52Orange, blues, pinks.
14:55Yeah?
14:56Now, we might all have dementia, yeah?
15:02But I'll tell you what else we've got.
15:05Standards!
15:06Yeah?
15:07Whoa!
15:08Standards!
15:10Yes, Maureen?
15:11Can I have the magic microphone?
15:14Because it's not really a magic microphone, is it?
15:18It's Annabelle's inhaler.
15:22No, but it's just a concept, Maureen, you know, like...
15:25Now, can I have a word, please, Debbie?
15:28In private.
15:33I'm glad I've got you on your own.
15:34Oh.
15:35Why?
15:36You're not trying to have your wicked way with me, are you, George?
15:38I've just buried myself.
15:39No, no.
15:41I'm joking.
15:44But, erm...
15:46It's true that, erm...
15:50The way I feel about you...
15:53It's not exactly...
15:56Purely platonic.
15:58And as such...
16:01I'm gonna take a step back.
16:04You need space.
16:07Right.
16:08Well, do you know what?
16:09It's funny you should say that, because...
16:10Well, do you know what?
16:11It's funny you should say that, because...
16:13...the way that I feel about you is not...
16:15...strictly platonic, either.
16:17It's just my head's smashed at the moment.
16:19It's just my head's smashed at the moment.
16:21It's all.
16:22Oh.
16:23Oh.
16:24Who's paying?
16:25Oh, I'll get these.
16:26It's the least that I can do.
16:27Here's my guy.
16:28Ta-da!
16:29Cheers, my dears.
16:34Do you...
16:35Do you want to try that again?
16:36Er...
16:37Yeah.
16:38Yeah, sorry.
16:39Just, erm...
16:40There you go.
16:44Sorry.
16:53No, look, it's fine.
16:55I'll pay you.
16:56Come here, Glenda.
16:57It's fine.
16:58Shh.
16:59I mean, do they purposely make this stuff over complicated?
17:14Because, I'm telling you, I am a highly intelligent woman,
17:17and this signage is a bit of a challenge to me,
17:20so you can imagine what it'll be to other people.
17:22Hey, Rory!
17:23Eh?
17:26Oh, that.
17:27Frida Kahler.
17:28Hiya.
17:29Not really.
17:30I mean, she's...
17:31She's meant to be, but, er...
17:35What are you doing here?
17:36Er...
17:37Waiting to see the physiotherapist.
17:39Er...
17:40Well, me.
17:41I'm the designated adult for my fellow students.
17:44And, er, they're never out of A&E.
17:47No.
17:48What with the bobsleighing down the hall stairs
17:51on an upturned coffee table,
17:53or trying to squeeze into the drum of a washing machine.
17:57Yeah.
17:58I had to get a fire brigade out for that one.
18:00And then, today,
18:02Madam decides it would be a very good idea
18:05to climb on the fridge and do some high kicks.
18:08I told you didn't have Frida Kahlo was a portrait artist,
18:13not a can-can girl.
18:14I have no idea what she's done to her ankle.
18:17It'll be Kwame's midnight pirouette disaster all over again.
18:22Why are you seeing a physio?
18:24My back.
18:25Oh.
18:26Now, have you thought about bobbing about on a big beach ball?
18:32It's all the rage in halls.
18:34I mean, nobody sits on a chair to work anymore.
18:37They all just wobble about on these inflatable balls.
18:41What? Do you?
18:42Don't be ridiculous.
18:46Why's she dressed as Frida Kahlo?
18:48Well, it's fresh as fancy dress Friday.
18:52So, what have you come as?
18:56Helen Shapiro.
19:00Really?
19:01No, Roy, not really.
19:02I am the designated adult in this situation.
19:06Would you like a mint?
19:11I'm not supposed to be here, you know.
19:13I booked an appointment with a therapist.
19:15But when I got to the tram, I couldn't do it.
19:18I don't want to talk to a complete stranger about me problems.
19:21But I got them in a can of worms, you know what I mean?
19:24I'd be worried that once I start, I wouldn't be able to stop.
19:27You know, a bit gibbering wreck.
19:29I'm not joking.
19:31Not laughing, mate.
19:32And I know that all I go on about would be nowhere.
19:35And I'm trying to move past all that, but...
19:37It's dead hard, cos every time I close my eyes, he's just there.
19:45I've only got a crisp in my teeth.
19:49What am I like?
19:55Anyway...
19:58I don't know what to do, lad.
20:00I don't want to be around it, and I don't want Todd to see me like this.
20:03Well, let's go for a swift one in town, then. Get a cab.
20:05Yeah?
20:06Yeah.
20:07Oh, great.
20:08Yeah, let's broaden our horizons.
20:11Yeah, all right. Something like that.
20:17Mate...
20:18Do you want this old banger here?
20:19Shut up.
20:23Come on, mate.
20:38Shh.
20:43What do you think you're doing?
20:48Yeah, well, it's a good job I arrived when I did, cos he'd have had his tongue halfway down the throat.
20:53Oh.
20:54Not fair. You mind in the gutter? We just chat over the garden fence every now and again.
20:58Since when?
20:59Since we moved in.
21:00Look, will you just chill out? I am a grown-up.
21:02No, you're not 18 until tomorrow.
21:04I'd rather you weren't in a relationship with Kit Green's son.
21:09You taking my name in vain?
21:10It doesn't really sound like it's a relationship, though.
21:13No, exactly. It's just a situation-ship.
21:17What's going on?
21:18OK, this is the Barolo. It's silky. Lingers on the tongue.
21:21Ooh, nice. Very nice. Yeah, yeah, we'll have that.
21:25Are you Lisa?
21:27Hmm?
21:28Well, you had a stripper ground.
21:29I said that all loud. Sorry.
21:30It's not the 80s. You can't say things like that.
21:33Your neighbour David said I'd find you here.
21:36My name's Tia Wardley.
21:39I believe you were looking for me.
21:41I used to hang out with Logan and Matty Radcliffe.
21:47Nice company, Kit.
21:48I said used to. I went to see Logan in prison and he mentioned your name.
21:53Yeah, well, I've changed since then. Gone legit.
21:54Course you have.
21:55My brother said someone would have been asking about me.
21:56Peggy Swain's name came up.
21:57Do you know?
21:58I did. Yeah. In what capacity?
21:59Shall we turn my life around? She could see I was on the wrong track.
22:02Out of my depth. And what happens?
22:03I wanted to make change.
22:04I wanted to make change.
22:05I said used to.
22:06I said used to.
22:07I went to see Logan in prison and he mentioned your name.
22:09Yeah, well, I've changed since then. Gone legit.
22:11Course you have.
22:12So what exactly did she do for you?
22:13Put me in touch with the right people.
22:14Encouraged me to get help.
22:15Gave me money.
22:16Gave me money.
22:17I did.
22:18I did.
22:19I did.
22:20Yeah.
22:21In what capacity?
22:22She helped me turn my life around.
22:25She could see I was on the wrong track.
22:28Out of my depth.
22:29And what happens?
22:30I wanted to make changes.
22:32But I didn't know where to start.
22:34So what exactly did she do for you?
22:36Put me in touch with the right people.
22:38Encouraged me to get help.
22:41Gave me money.
22:42And what did she want in return?
22:44Absolutely nothing.
22:46She really encouraged me.
22:48It made me try harder because I was desperate not to let her down.
22:52There's one thing that I don't get.
22:55Why would Logan bring up your name?
22:58Yeah.
22:59I had to let go of my old life and everyone in it.
23:01And Logan was a part of that.
23:03So I ghosted him.
23:05He never forgave me.
23:07I'm really glad Becky helped you.
23:11She'd be very proud of you.
23:13Without her I'd be rotting in prison now.
23:17Basically, she saved my life.
23:20Good old Becky, eh?
23:22Why are you dobbing us in?
23:23What's it to you?
23:24Yeah, come on mate.
23:25Don't.
23:26Just do and then keep walking.
23:27Look, my dad and they lost his head when they were in that STC.
23:29You should have thought about that before you broke into someone's car.
23:31Ah, look around you.
23:32There is not a camera in sight.
23:33It'd be your word against ours.
23:34Fair enough.
23:35Let's see who they believe.
23:36Ah, me?
23:37Whoa, whoa, whoa, what's going on here?
23:38Oh, it's all kicking off.
23:39He's dropping his right in it.
23:40Have you seen the state of that lock on that car door?
23:41Honestly, I can fix this in a couple of hours, no problem.
23:43Yeah, but why would you?
23:44It's a decent thing to do.
23:46You two, promise you won't do a daft thing like this again.
23:48Yeah, I promise.
23:49I didn't want to be here in the first place.
23:51Oh yeah, sorry mate.
23:52Seriously James, I'll sort a car and then I'll deal with these jokers later.
23:53James, please.
23:54I've got this.
23:55There you go, love.
23:56There you go, love.
23:57Oh.
23:58Oh, you've got to be here.
23:59You've got to be here.
24:00I've got to be here.
24:01I've got to be here.
24:02I've got to be here.
24:03No problem.
24:04Yeah, but why would you?
24:05It's a decent thing to do.
24:06You two, promise you won't do a daft thing like this again.
24:07Yeah, I promise.
24:08I didn't want to be here in the first place.
24:10Oh yeah, sorry mate.
24:11Seriously James, I'll sort a car and then I'll deal with these jokers later.
24:15James, please.
24:18I've got this.
24:19There you go, love.
24:24Oh, thank you.
24:25Don't worry, it's clean.
24:27More or less.
24:31You alright?
24:33Do I look like Alice Cooper caught in a rainstorm?
24:37Is she the woman who works at the Abattoir?
24:39Always wears that knitted onesie.
24:41No.
24:42I mean, have I got mascara all over my face?
24:46Since you ask, a quick tickle with a moistened white wouldn't go amiss.
24:51I'll cost my bed back, I think, somewhere.
25:00You can think of everything, don't you?
25:02I've made a red show of myself, haven't I?
25:07No.
25:08Bereavement will do that to you.
25:11Unleash the emotions.
25:13For some folk it's just like a steady dribble of the licky tap.
25:17And for others it's like a raging tsunami.
25:22Anyway, it's all fine now.
25:24Fine, I'm sorted.
25:26I've got an even keel.
25:27You don't have to put a break, pay some for me, you know.
25:30Talk about anything.
25:32Come on.
25:33Out with it.
25:34To be honest, erm, I don't know how I'm going to live.
25:42Tom hasn't left me a bean.
25:46What, nothing?
25:47No.
25:48I've seen his last will and testament.
25:49I mean, he didn't have much, but whatever he did had,
25:51he's left of a donkey century.
25:54I could lend you some money.
25:59No, no.
26:00Just to tide you over.
26:02You're very kind.
26:05You're very kind, but it's not your job to worry about me.
26:08No, I know it's not, but still.
26:11Thank you for today, George.
26:13You have been an absolute tower of strength.
26:17No, no, no.
26:18Don't go.
26:19Have another drink.
26:20Maybe a pickled egg, cos you've not eaten for hours.
26:23I told you.
26:25Thank you again.
26:35I feel that bad now, bitching about her, behind her back.
26:39Poor cow.
26:41See?
26:42I told you there was another side to her.
26:45Hmm.
26:47I'm not sure I'd go that far.
26:52Oh, sorry.
26:53I didn't see you there.
26:54No worries.
26:55Six trainers.
26:56Crepe soles.
26:57Quiet as a mouse.
26:58Right, you done?
26:59Yeah.
27:00Where's Frida?
27:01Oh, yeah, they weren't worried about her ankle.
27:02She's had an allergic reaction, and her face has fallen up to twice its normal size, so they're keeping her in on a trolley overnight.
27:19What's she allergic to?
27:20Glue.
27:21Glue.
27:22You know, the glue that she stuck her monobrow on with.
27:26Ahem, ahem.
27:27Right.
27:28I'm parched.
27:30You can buy me a nice cup of lukewarm tea and a two-day-old bun if you want.
27:34As tempting as that may sound, I'm afraid I already have a prior social engagement.
27:39Oh, well, the lesser long-eared fruit bat back in town, is it?
27:44Well, sadly no, it's Carla and Lisa's engagement dinner at the Bistrop.
27:50Engaged?
27:51Oh, that's nice.
27:54What are you having?
27:55I don't know, is it?
27:56A la carte.
27:57Right, well, I think they'd probably expect me to drop in, you know?
28:02Just raise a glass for the happy couple.
28:05Well, I don't think that I'm at liberty to invite you.
28:08It's not my celebration.
28:10I'm just gonna bob in, say hello, and bob out.
28:13Come on, Roy, chop chop.
28:21One last thing before you go.
28:23Um, have you ever crossed paths with Detective Inspector Costello?
28:28Never heard of her.
28:30Never mind.
28:32Right.
28:33Are we done?
28:34Listen, thank you for coming to find me and explaining all that.
28:37It makes sense now.
28:39You've taken a weight off my mind.
28:40Right.
28:42And we're gonna see you next time.
28:44Okay.
28:45Listen, sorry it's not much of an engagement party.
28:48I'll be here in a minute.
28:49Yeah.
28:53Wow.
28:54We really balls that one, huh, don't we?
28:56How could we both be so wrong?
28:58I don't know.
28:59Everything Costello told us totally stacks up.
29:04Imagine if we'd be seated at this.
29:06Both our careers would have been ended.
29:09Yeah, but I knew, though.
29:12I knew with all my heart that Becky was a good person,
29:14and yet there I was.
29:16Honestly, Kate, she'd be turning in a grave.
29:18Here they are, Laster, they're big time villains.
29:19What were you thinking in broad daylight?
29:20Why didn't you just wait till dark?
29:21I just wanted to get on with it and get the job done.
29:22This is not a game.
29:23You're not characters out of GTA 5.
29:24Well, I did tell him it was stupid.
29:25You carry on nice and end up in big boy prison.
29:27See how you like that?
29:28What's James said?
29:29He took some persuading, but it'll be all right, man.
29:30Oh, he's going to attack my dad then, aren't he?
29:31Oh, shut up about your dad.
29:32The police have got way more power than him.
29:33Don't worry about James.
29:34I'll sort him out.
29:35Yeah, I know, but you're not going to batter him, are you?
29:36I mean, he's a good bloke at the end of the day.
29:37No, I'm not going to batter him, but take this as a warning.
29:38What were you thinking in broad daylight?
29:39Why didn't you just wait till dark?
29:40I just wanted to get on with it and get the job done?
29:41This is not a game.
29:42You're not characters out of GTA 5.
29:43Well, I did tell him it was stupid.
29:44You carry on nice and end up in big boy prison.
29:45See how you like that?
29:46You all right, man?
29:47Oh, he's going to attack my dad then, aren't he?
29:48Oh, shut up about your dad.
29:49The police have got way more power than him.
29:51Don't worry about James.
29:52I'll sort him out.
29:53Yeah, I know, but you're not going to batter him, are you?
29:55I mean, he's a good bloke at the end of the day.
29:56No, I'm not going to batter him, but take this as a warning.
29:59In future, don't just wade in.
30:01Think.
30:02So you're not been in as often?
30:04One more chance, but that's your lot.
30:07Now, I've heard a fair bit of belly aching from you.
30:11You're either in or you're out.
30:13Which one is he?
30:15I mean, what happened exactly?
30:20Well, first of all, I implemented some order into the proceedings.
30:29Yeah?
30:30With a magic microphone.
30:32The person holding it gets to speak.
30:35Everyone else has to keep still.
30:38I mean, you don't want people piping up willy-nilly, do you?
30:41It's a big chaos.
30:42Well, they didn't even understand that concept.
30:45You're too radical for your own good, Debs.
30:47Maureen, the choir leader, she said I was too domineering.
30:53I mean, me.
30:55You know what that is, don't you?
30:57She obviously feels threatened by you.
31:00Ronnie, I've had that all my life.
31:03I mean, I can't help it, can I?
31:05If I've got drive, passion, you know, years of business experience.
31:09They could have accessed that for free, but no.
31:12Do you know what they did?
31:15Sent me packing.
31:17Wait, what, wait, hold on a minute.
31:20Are you telling me that they barred you?
31:24Yeah.
31:26Barred me.
31:27Hmm?
31:28The trouble is,
31:30I'm a Maserati Gran Turismo
31:33in a community centre full of Reliant Robins.
31:36Oh, aye, yeah, good shower that, Gazza.
31:37Going to town, brilliant.
31:38How come you back so early?
31:39Do I sense trouble in paradise?
31:41Look, I find it dead loud in them bars, all right?
31:42I can hardly hear myself think.
31:43Spoken like a true grandad, eh?
31:44Yeah, you're the one going on about the lighting.
31:45Oh, it's so dark in here, I keep thinking I'm going blind.
31:46Listen to you two, scrubbing like a pair of martyr teenagers.
31:49It's quite sweet, really.
31:50Yeah, and on that bombshell, I think I'll swerve that pint and get back to my wife.
31:52Oh, no, you're not dumping me and all, eh?
31:53Don't stay out too late, yeah?
31:54Bright-eyed and bushy-tailed for work to me.
31:55Oh, come on, Gazza, don't you...
31:56It's alright, I'll leave.
31:57Yeah, no, it's alright, I'll go.
31:58No, I'll leave you to it.
31:59I'll leave you to it.
32:16Oh, come on, Gazza, don't you...
32:19It's alright, I'll leave it.
32:20Yeah, no, no, it's alright, I'll leave you to it.
32:25Bueno, en ese caso, voy a tomar dos pints, por favor, Glenda Lovell.
32:35Sí, lo haré. Muy bien, tú dos.
32:39¿Cómo se ha ido?
32:41¿Cómo se ha ido?
32:43No hay nada más en el bosque, ¿vale?
32:45Sé que has ido a la sesión de la sesión.
32:49¡Unbelievable! Eso es la última vez que he encontrado en Billy.
32:51No te preocupes en Billy.
32:52Yo tenía que traerlo de él.
32:55I'm dead impressed.
33:00Seriously.
33:02You're more of a man than me.
33:16Come on then, Costello.
33:17Time to cough up.
33:18Well?
33:28I gave him the full Meryl Streep.
33:30Really milked it.
33:32Like the blonde mum was going to cry.
33:34So they definitely believed her?
33:36They didn't have a clue what the real Tia Wardley looked like.
33:39So, yes.
33:41And they asked about you.
33:42And?
33:46Said never clapped eyes on you.
33:52Come on then, hand it over.
33:54I've earned every penny.
33:54Don't you trust me?
34:06What do you think?
34:11You've only told me half a tail.
34:13Why did you need them to stop digging into Becky's case?
34:16Oh, well.
34:20Worth a try.
34:21Thank you.
34:37Hey.
34:38Still haven't told us what that was all about?
34:40Yeah.
34:40Who was that woman?
34:41I know.
34:42Oh, she was just someone.
34:44She was sharing some information about a case, that's all.
34:47Then how come Carla was in on it, eh?
34:50You an undercover cop now or what?
34:52No, you got me.
34:53I can't wait to get my hands on her taser gun.
34:55Oh.
34:55Right, now that's my cue to leave.
34:57I'm going to go see some mates.
34:58Yeah, some mates, sure.
35:00And you have to meet that reprobate Brody, aren't you?
35:03How come you're always choosing the bad boys?
35:05No.
35:05I don't choose the bad boys.
35:07He was just sort of there.
35:09Yeah, well, we should choose someone else.
35:11Oh, I wouldn't be too quick to get rid of Brody.
35:13I mean, you know.
35:15I know Mason will always have a special place in your heart,
35:18but it's good if you're starting to think about moving on, maybe.
35:23I'm going to...
35:25Oh.
35:25I'm going to go.
35:26That's...
35:27No, it's honestly fine.
35:28It's fine.
35:29Hey, sweet.
35:30You're the best.
35:32Oh, good!
35:33You made it.
35:34How was the hospital?
35:36Oh, they gave me some exercises.
35:38Hey, you want to get planking, Roy?
35:40That'll sort you out, man.
35:42Yes, we bumped into each other in the hospital waiting room.
35:45Oh, nothing serious, I hope, either.
35:47No, no, not me.
35:49Frida Kahler, she sort of overextended herself.
35:52You know what it's like.
35:53It's one of the consequences of freshest fancy dress Friday, isn't it?
35:56Oh.
35:58Mind you, actually, now you mention...
35:59Are you all right, then?
36:01I've got a bit of a dry throat.
36:03Oh.
36:04Right, can I get you a drink?
36:05Oh, right, yes.
36:06Well, I'll have a double brandy, then, for medicinal purposes only.
36:10Oh, I'd...
36:11Could I have a pineapple juice, please?
36:13Stick it on the tag, mate.
36:15Mind you, I don't know, really.
36:17Should I have a drink on an empty stomach?
36:19Okay, well, I mean, why don't I get you a menu, yeah?
36:21Oh, yes, well, you know, that would be lovely.
36:25Cos you don't want me passing out, do you?
36:26That would put a damper on your nice little party, wouldn't it?
36:29Yeah, it would.
36:33I love autumn.
36:36The season of mists and mellow fruitfulness.
36:40James Keats, if you please.
36:42It's John Keats.
36:44Does that say, er, two pounds, or does it say two pounds sixty?
36:49Two pound sixty.
36:51Oh.
36:59Dev can be very expensive.
37:02Suppose you're paying for the convenience, aren't you?
37:05I'll be living off the smell of an oily rag next.
37:09Why don't you let me sub you?
37:12You'll pay me back when you've got a job.
37:14Do you know what, George?
37:15There was a time when I would have practically bitten your hand off.
37:18I would have taken everything that you had to offer, and more.
37:20But I don't want to live like that.
37:28Sick in the sight of myself.
37:31Looked at myself, and I thought, ooh, Christina, you're a...
37:34You're a waste of skin.
37:37Come on.
37:38That's harsh.
37:40You've got very nice skin.
37:42Lovely hair.
37:45And your eyes, er...
37:49Sorry.
37:50I need to change, George.
37:55I need to create a life of my own, you know?
38:01My own merit.
38:02Well, good for you.
38:06That's very commendable.
38:08Oh, you've got an excellent way with words.
38:10What?
38:11You're very masterful in that regard.
38:13I'll tell you what, I could do with your help judging up my CV.
38:18Yeah.
38:19Yeah.
38:19Any time.
38:20Maybe I'll give you a bell.
38:23I'll sharpen me pencil.
38:24Creative differences, was it?
38:27Hey, we've all been there, Chuck.
38:28Have we?
38:29Well, yeah, yeah, yeah, yeah.
38:30You're right not to compromise your artistic integrity.
38:33You should start your own choir.
38:35Show them how it's done.
38:36Yeah, that'll be a lot to take on.
38:38Yeah.
38:39Bit of a faff, that.
38:41Hey.
38:42Could do a collab.
38:44Me and you.
38:45Oh, yeah, yeah.
38:46I could teach you some vocal warm-ups, if you like.
38:48You know, brrrrrrrrrrrrrrrr.
38:51We could do some trust-building exercises.
38:53Hey, we could even add in a dance routine.
38:55Oh, hey.
38:56Oh, hey.
38:57Hey, how you talking?
38:59We'd make a great team.
39:00I can see it now.
39:02Show tools.
39:03Oh.
39:04Yeah.
39:04We could do a bit of Bonnie Tyler, eh?
39:06Bit of Abba.
39:08You'll not be singing Chattanooga Choo Choo in my choir.
39:10Our choir.
39:12Hey.
39:14Can't have been easy.
39:16I know you hate dredging up all that stuff.
39:19Talking about your feelings.
39:21Seriously Theo, I am so proud of you.
39:26I'm sorry.
39:28I've given up my whole life for you.
39:30I've sacrificed my family and I'm doing this therapy for us, for our future.
39:38To prove how sorry I am.
39:42About the other night.
39:44That's right, it's not all down to you.
39:48I'm sorry too.
39:53So Royston, you didn't tell us you were bringing a date?
39:56This is not a date.
39:58Oh, now it tells me.
40:01And here's me, sitting here all hopeful.
40:04I've even bobbed on a bit of lippy.
40:06Suzie.
40:07Yeah, it does.
40:07It's got colouring in that.
40:09Quite a gathering, this, isn't it?
40:10You know, sophisticated, I mean.
40:12For Weatherfield.
40:15Got loads of lesbians at uni.
40:17In fact, gay weddings are too a penny.
40:19A month ago, we had a thruple hand fasting.
40:24Yeah, that was nice.
40:26Mipple?
40:27No, I can't be doing with olives, but I like a fancy crisp.
40:30Thank you.
40:31Well, you know, if everything goes all right with you and Roy, then you guys could mix it up a little bit.
40:35Maybe have a double wedding.
40:37Over my dead body.
40:38I'm not having Evelyn upstaging me and Carla.
40:41Can I just point out that we are not a couple?
40:47Roy.
40:48You're that easy to wind up.
40:49I mean, it would be rude not to, wouldn't it?
40:51Come on.
40:51Yeah.
40:52You dropped that off, little Doran from number nine.
40:56Ah, honey.
40:58You're in a good mood.
40:59Yeah, because someone gave me a really cool business proposition.
41:02Oh, yeah, Betsy's hit it big time.
41:03He's going to be a trolley collector at Freshco's.
41:06Actually, I'm going to be loaded, so I'm going to take you somewhere really nice.
41:11Right.
41:12Yeah, she is proper interested, pal.
41:15It's my 18th tomorrow.
41:16If you're in the money, surprise me.
41:18You got any plans?
41:19No, not really.
41:20Anyway, I'm going to go because I don't want to spend the night with you two losers.
41:24Hey, Betsy, Edson!
41:26Hey!
41:27All right, quick run.
41:28If you lose it, Doran will bat you.
41:32Honestly, it's like being back at school.
41:34When a lad fancied you, he'd kick the ball at you or chuck a can at your head.
41:39You think he's trying too hard?
41:40Maybe you reckon.
41:43Can you blame him?
41:47When's your next appointment?
41:48Not sure I found.
41:49I made a note on my phone.
41:52I'm so proud of you.
41:53I know what you've said.
41:55And as much as I'm going to enjoy milking it, let's just park it for now.
41:59Yeah, of course.
42:00I'm sorry, I just...
42:02I've got a really good feeling about this.
42:05I think it could be the making of us.
42:06Oh!
42:11Aye, aye.
42:13Nice to see you two looking all lovey-dovey again.
42:15Yeah, we've kissed the maid up.
42:17Ah, I'm glad to hear it.
42:19Everyone loves a happy ending.
42:20It's so good now that we can actually finally put this Tia Wardley stuff to bed.
42:30Oh, it's just like a weight's been lifted, isn't it?
42:32Mm-hm.
42:33Yeah, and now we can concentrate on me and you and our wedding.
42:37You do know I'm going to turn into Bridezilla, don't you?
42:41Yeah.
42:42Do you know what?
42:42I should stop you watching those reality shows and fill in your head full of mad ideas.
42:46No, you don't.
42:47You'll love it anyway.
42:48What?
42:49Remember that episode where that really brattish girl made her ancient dad drive like 500 miles
42:55to go and get a bribe with the shoes?
42:56Yeah.
42:56Oh, she was a piece of work.
42:58Yeah.
42:59And then when he got back, she went berserk because they weren't...
43:01Yeah!
43:01Was it the perfect shade of peach?
43:04Well, that is going to be me, but worse.
43:08Do you like the challenge?
43:09Mm-hm.
43:09Don't I?
43:16What's up?
43:18I don't know.
43:19It felt like someone just walked over my grave.
43:21Oh.
43:23Same.
43:25I don't know.
43:55I don't know.
43:56I don't know.
43:57I don't know.
43:58I don't know.
43:59I don't know.
44:00I don't know.
44:01I don't know.
44:02I don't know.
44:03I don't know.
44:04I don't know.
44:05I don't know.
44:06I don't know.
44:07I don't know.
44:08I don't know.
44:09I don't know.
44:10I don't know.
44:11I don't know.
44:12I don't know.
44:13I don't know.
44:14I don't know.
44:15I don't know.
44:16I don't know.
44:17I don't know.
44:18I don't know.
44:19I don't know.
44:20I don't know.
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