- 1 week ago
The series tells the story of a university professor named Masoud who has long wanted to marry his cousin, Samaneh, but family disputes and the opposition of Samaneh's mother have prevented this marriage. Meanwhile, the revelation of a secret about Masoud's past changes his life. It starts with showing the life of Masoud and his father. He lives a healthy life, exercises, and is a candidate for the university faculty; although he avoids doing interviews. The story of the series actually begins when, during Samaneh's proposal meeting, the father faints and later tells Masoud the truth in the hospital: he is not the real son of this family.
Years ago, when Masoud's parents were desperate to have children, they bought Masoud from a man named Navid Menqar. The revelation of this secret motivates Masoud to search for his real family. The search begins with finding the child's broker, Navid Menqar. He tells Massoud about "Nasser Sink" and enlightens him a little. Massoud arrives in the old neighborhood and finds out the address of Nasser Sink's house. After talking to his father for a while, Massoud leaves; of course, with the address of Nasser's wife, his real mother, Houri. Houri sews teddy bears and her daughter is an excellent student. Massoud slowly tells his real family the truth and convinces them to take a DNA test: yes, he is their real son.
Series
Current
The Household
The series tells the story of a university professor named Masoud who has long wanted to marry his cousin, Samaneh, but family disputes and the opposition of Samaneh's mother have prevented this marriage. Meanwhile, the revelation of a secret about Masoud's past changes his life. It starts with...
2025-11-20 More... Comments
Trailer
Years ago, when Masoud's parents were desperate to have children, they bought Masoud from a man named Navid Menqar. The revelation of this secret motivates Masoud to search for his real family. The search begins with finding the child's broker, Navid Menqar. He tells Massoud about "Nasser Sink" and enlightens him a little. Massoud arrives in the old neighborhood and finds out the address of Nasser Sink's house. After talking to his father for a while, Massoud leaves; of course, with the address of Nasser's wife, his real mother, Houri. Houri sews teddy bears and her daughter is an excellent student. Massoud slowly tells his real family the truth and convinces them to take a DNA test: yes, he is their real son.
Series
Current
The Household
The series tells the story of a university professor named Masoud who has long wanted to marry his cousin, Samaneh, but family disputes and the opposition of Samaneh's mother have prevented this marriage. Meanwhile, the revelation of a secret about Masoud's past changes his life. It starts with...
2025-11-20 More... Comments
Trailer
Category
📺
TVTranscript
00:00.
00:30We can get the help of our family.
00:32We can get the doctor's doctor's doctor.
00:34We can get the doctor's doctor.
00:36We can get the doctor's doctor.
00:38If you don't have a friend,
00:40and you'll be able to get the doctor's doctor,
00:42then you'll be able to get the doctor's doctor.
00:48Oh, my God!
00:50The world is so much better.
00:52It's a very good thing.
00:54Oh, my God!
00:56No, my God!
00:58You don't have to be different.
01:00You're on a runaway.
01:02You don't have to be without me.
01:04You...
01:06You're on a runaway.
01:09I forgot to ask you.
01:12You shouldn't tell me.
01:14No, no, my brother...
01:16I can't...
01:18I'll go to my house until...
01:20I'll wait to go to the doctor's office.
01:22My husband is the director of my husband.
01:25You are a great man.
01:27I am.
01:29Do you want a problem?
01:31You have to do something that makes you sick.
01:34Something nothing...
01:37It's a bad guy that has come from.
01:41Does this mean a bad guy?
01:43You have to pay the police?
01:45We will have to pull.
01:47Yes, yes, yes, I'll be back to the house.
01:50I'll be back to the house.
01:53I'll be back to the house.
01:55Yes, I'll be back.
02:00I'm getting rid of them.
02:04I'm getting rid of them.
02:06I'm getting rid of them.
02:12I've got my thoughts.
02:15I want to find my own home.
02:18Yes, my own home is mine.
02:22My own home is my mother.
02:26Yes, I can do everything.
02:29But...
02:31I can't do anything in my heart.
02:35If I can't do anything, I can't do anything.
02:40No, I don't miss anything.
02:47I just wanna get it.
02:51I can't do anything else.
02:55I can't do anything.
02:57I can't do anything.
03:00I can do everything in my own.
03:03So all my own home.
03:06I don't know the name of him.
03:08I remember that he was in the middle of the city.
03:12He was...
03:14Afrosia...
03:16...or Murad...
03:18...or Camiar.
03:20He didn't have any respect to him.
03:22Yes.
03:24He was a name called Mengar.
03:28Mengar.
03:30Mengar?
03:36Yes.
03:38Yes.
03:40Yes.
03:42Yes.
03:44Yes.
03:46Yes.
03:48You can't say that.
03:50I'm not sure what you say.
03:52You can say it.
03:54But you know when I'm in my head,
03:58I'll give you my head to my head.
04:00Yes.
04:02The shocker you have been shown to me.
04:04Yes.
04:06I'm not sure what you said.
04:08You're a real person.
04:10It's a real person.
04:12I'm a real person.
04:14I'm a real person.
04:16I'm a real person.
04:18I'm a real person.
04:20Are you always told me to come to see you something like you?
04:24I'm going to try.
04:26I can't find you.
04:28I have my own person.
04:30I have my own person.
04:32I can't believe that my feelings are.
04:35I won't do any relationship with you.
04:37I don't know what you have to do with you.
04:49Mr. Kahn.
04:50Mr. Kahn.
04:52Mr. Kahn.
04:53Mr. Kahn.
04:54Mr. Kahn.
04:55Mr. Kahn.
04:56Mr. Kahn.
04:57Mr. Kahn.
04:58Mr. Kahn.
04:59Mr. Kahn.
05:00Mr. Kahn.
05:01What did you do?
05:09What happened to you?
05:10It's been a bit awkward.
05:11What happened to you?
05:13What happened to you?
05:15I think that's what happened to you.
05:17I'm going to pass this one to the other one.
05:19I don't know anything about it.
05:21What happened to you?
05:22It's a very complicated situation.
05:25I've been shocked that I had to do this for you.
05:28Are you coming?
05:29Do you have any AUTOMAT to go to a machine?
05:31What is your åndings?
05:33You're just right there.
05:34It's like a machine that give me the automatic product.
05:36You have to go to a machine.
05:38If you smile, your eyes are the same.
05:40Your eyes are the same to you.
05:42Do you want to go to the spare?
05:43It's just like the first thing to go.
05:45Should I have left?
05:47You have to go.
05:48Your hands, all you have to go with the machine.
05:50Your hands on a machine.
05:52My hands on a machine.
05:54Fill in your hands?
05:55Your hands on a machine.
05:56Your hands on a machine.
05:57You can't wait for the first time.
05:58You can't wait for the rest of the rest of your confidence.
06:00Are you looking for three and four?
06:02Well you have 3 and four.
06:03Tomorrow?
06:04Actually, you have 4 or 5.
06:06How do you get it?
06:08If you try to reduce your confidence,
06:10let me tell you!
06:11You're going to lose it.
06:13So you can't win!
06:14Do you want me to beat that?
06:16Oh, yeah.
06:18Oh, that's the person.
06:19Is it ok?
06:20Is it ok?
06:22If you are wearing a mask,
06:24I'm going to wash away my mask.
06:26Go for it.
06:30Don't go, don't go.
06:32You can say something.
06:36You can just go.
06:42You can go this card.
06:44It's a gift.
06:46Please, I'll give you a gift.
06:48It's a gift.
06:50I'll give you a gift.
06:52I'll give you a gift.
06:53Do you want to give me a gift?
06:54I'll be able to get my phone.
06:56I'll give you my phone, I'll give you my phone.
06:58You're off, you're off.
07:00I'll give you my phone.
07:02I'll give you my phone.
07:04You'll just leave your phone.
07:06You're going to leave the phone.
07:08You'll send a card.
07:10Okay?
07:12I'm going to go.
07:20You're welcome.
07:24Satsang with Mooji
07:54Y'e dune'e anar da dune'e anar
07:57Nusrat,
07:58To faqhah n'e yattike'a ro badat bi bkhu?
08:00I'e yattike'a bora h'ma aramhe chuda.
08:02H'haa, khe'ili bai doei.
08:03Y'e tiki zanet bbepurts ha?
08:05Bepurts.
08:05Ha khe waqh nashige zanet puri,
08:07cher'e tlaq is?
08:08To mi-dooné sik-ke di-dooné chande,
08:10Mi-dooné harmaad,
08:11Dut-to sik-ke boberi durekhoon zanet,
08:13Mi-dooné harmaad,
08:14Kho-hb vakti biaat khone,
08:15It's better.
08:16But do you think it's a good job?
08:18Where are you?
08:19It's a good job.
08:20It's a good job.
08:22If it's a good job, it's a good job.
08:26It's a good job.
08:27Oh, my God.
08:29Oh, my God.
08:30I'm so proud of you.
08:34I'm so proud of you.
08:37I'm so proud of you.
08:40I'm so proud of you.
08:44I'm so proud of you.
08:46I am so proud of you.
08:49I'll leave your work to work.
08:49We'll provide you a little bit.
08:51Who do you need to do your work?
08:53No, I'm so proud of you.
08:54Keep it up.
08:55If you don't see your work too,
08:58your work's done by a good job.
09:00I can't get the work.
09:02What's your work for?
09:04I can't help you.
09:06I can tell you something.
09:08Yes.
09:11I do work with Aqa Mahsoud.
09:13Is it Mr. Khakipur?
09:15My name is the director of the director.
09:17Can you tell me about it?
09:19Madam, I'm going to be here.
09:21I'm going to be here.
09:23I'm going to be here.
09:25Do you help me with the director of the director?
09:28That's why I can't control it.
09:35Do you want to come here?
09:37Tell me about it.
09:39Your name is Mr. Khakipur.
09:41No, I don't know if my friend of mine is My name.
09:43I don't know why my friend of mine is pregnant.
09:45And I can continue working.
09:47Why you do the job?
09:49Tell me that Mr. Khakipur is a woman.
09:51I'm going to say that Mr. Khakipur.
09:53You're a woman, Mr. Khakipur.
09:55Make your own man.
09:57Ms. Khakipur.
09:59Tell me that Mr. Khakipur should be here.
10:01My mother is a woman saying that it's me.
10:03But Mr. Khakipur has broken her face.
10:05You're a woman saying that it's me.
10:07I'm sorry.
10:09I'm sorry.
10:10I'm sorry.
10:11I'm sorry to help you.
10:13I'm sorry.
10:15I'm sorry.
10:17I'm sorry to have a problem.
10:19I'm sorry to have a problem.
10:21I'm sorry to have a problem.
10:23I don't know what's going on.
10:26This is a man who is a man.
10:28If you think about it, I'll go.
10:31I'll find something else.
10:34But this man is very strong.
10:37I'm afraid I'll be in pain.
10:39I'm very happy to have a problem.
10:41This is a problem.
10:42You don't want to be able to see it.
10:44I'm very grateful.
10:46I'm very grateful.
10:47I'm very grateful.
10:53I'm sorry.
10:54I'm sorry.
10:55I'm sorry.
10:56I'm sorry.
10:57I'm sorry.
10:58I'm sorry.
10:59I'm sorry.
11:00I'm sorry.
11:01I'm sorry.
11:02I'm sorry.
11:03I'm sorry.
11:04I'm sorry.
11:05I got it.
11:06I'm sorry.
11:07I'm sorry.
11:08I had them.
11:09I don't have any support.
11:11I couldGE it.
11:12I had it.
11:13I had to leave them.
11:14Look.
11:15I think they won't even know.
11:17I'm sorry.
11:18I can't.
11:19You're sorry.
11:21I don't have to know.
11:22That's it.
11:23I don't know.
11:24I don't know.
11:25I don't know.
11:26I've been asking you.
11:27I've been calling you.
11:28I don't know.
11:29I don't know.
11:30First of all I will make my mind immediately.
11:32So what do you think?
11:34Stay with me.
11:36Malachous.
11:37Malachous.
11:38Malachous.
11:40If you don't want to give me a time to be your father and father,
11:42then you would ask that.
11:44Go ahead.
11:45I don't want to judge you.
11:47I think we should understand.
11:49We're seeing how we understand.
11:51We've been doing it.
11:53It's a change.
11:55We will not get to get our message.
11:58And then we'll go through the precise number.
11:59Master, Master,
12:00you'll do some kind of questions.
12:02I'll say you want to see a line in the wrong time.
12:04Or.
12:04Then you tell me something again!
12:06The line is not the line.
12:08Nothing like this.
12:09The line is the line of the line.
12:10My lines are the line.
12:11But then you need to move on.
12:12Master, you can do this as a little bit.
12:14If you make money,
12:14you can charge and see,
12:16you can just hear it quickly.
12:17Depending on the line.
12:20Even like...
12:21You got a phone call,
12:24not a phone call.
12:25You can do that.
12:27It's a real thing that's a hard work.
12:29It's very open to me and that's what the other thing is.
12:32Do you want to do it?
12:34Ustad, ustad!
12:35No, I'll do it!
12:36I'll do it!
12:37It's an anointing.
12:38You can do it, it's anointing.
12:39It's anointing.
12:40You don't want to do it, you could.
12:43I'll do it.
12:44I'll do it, Ustad.
12:44I'll do it, Ustad.
12:47It's anointing.
12:49Ustad, it's anointing.
12:50You're a 수�oon.
12:54You're going to go and do it?
12:56Let's go to the south. I'm a good friend.
12:59Oh, you've got a friend. I've got a friend.
13:01I've got a friend.
13:03Hey, stop!
13:04Stop!
13:05Do you want me?
13:06Do you want me to go?
13:07No, I don't want you.
13:09I don't want you to go.
13:10I'm going to go to Iran.
13:17It's good to have a friend.
13:20If you have a friend, you'll have a friend.
13:22You'll have to go.
13:23Come here, that's a friend.
13:26Okay?
13:27The other one, the other one.
13:29The other one, the other one.
13:32Good to have you.
13:33Good all of you.
13:34Hello, sir.
13:35You've got someone who gave you a Weise,
13:38because you've seen him a form,
13:40you've found a band name.
13:42It's because of the other people.
13:45You're speaking very closely.
13:47Yes, I understand.
13:49Until then, do you see a band name?
13:52No, why don't you go to the house?
13:54No, no.
13:56No, no.
13:58You don't have to go to the house to the house.
14:00Karim Chagdi, I'll tell you what you're saying.
14:04Hello.
14:06Hello.
14:08Hello.
14:10You have to go to the house of the house.
14:12I'm going to show you the people who are looking for the house.
14:15Yes.
14:16It's a very nice.
14:18It's a very nice.
14:20I'm with you.
14:22No, no.
14:24It's not my husband.
14:26It's a house.
14:28You say it's a house?
14:30It's a house.
14:32I'll do it.
14:34It's a house.
14:36I'll tell you what your house is.
14:38You feel it's the house that's good.
14:40You feel it's a house you can walk.
14:42Yeah, it's my house.
14:44It's a house you can walk.
14:46I'm sorry.
14:47I'm sorry.
14:48If you want to get your own money, please go to your own money.
14:55I can't get your own money.
14:58I can't get your own money.
15:00I can't get your own money.
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