- 16 hours ago
Die Watching (1993) - Full Movie Uncut
Category
🎥
Short filmTranscript
00:00:00I
00:02:00Hello?
00:02:07I'm here for the shoot.
00:02:21Is anybody there?
00:02:28Hello?
00:02:30Hello?
00:02:37Hello?
00:02:39What's your name?
00:02:46What was that?
00:02:48What's your name?
00:02:50Sheila.
00:02:52Sheila Walsh.
00:02:54I was scheduled for six o'clock.
00:02:59You look different than your picture.
00:03:01Well, my headshot's about five years old.
00:03:03I really need to get a new one.
00:03:10Don't get me wrong.
00:03:11I didn't meant to say that it looked bad.
00:03:13You look better than your picture.
00:03:18And you are?
00:03:19Mike.
00:03:20Mike.
00:03:21Mike.
00:03:22Please.
00:03:26Mike.
00:03:27Mike.
00:03:28Mike.
00:03:29Mike.
00:03:31Mike.
00:03:32Mike.
00:03:33Mike.
00:03:34Mike.
00:03:36Mike.
00:03:37Mike.
00:03:38Mike.
00:03:39Mike.
00:03:41Mike.
00:03:42Mike.
00:03:44Mike.
00:03:45I mean, you've been Woody.
00:03:47æ™” and Sally.
00:03:48fish.
00:03:49She's a great lady.
00:03:50So?
00:03:51Am I the only one who showed up?
00:03:52Just the last one.
00:03:54No one else wanted to come this late.
00:03:55You said you're a stripper?
00:03:58Exotic dancer.
00:04:02A dancer, yes.
00:04:05Sorry.
00:04:08Sheila, can you look into the camera, please, and repeat your name?
00:04:14Sheila Walsh.
00:04:17I take it, Sheila, that you don't have a problem with nudity.
00:04:22The only thing I have a problem with is not paying the rent.
00:04:32That's good.
00:04:35That's very good.
00:04:38Can you be sexy for me, Sheila?
00:04:42Got any music?
00:04:52All right, baby.
00:05:02You can watch.
00:05:03Oof!
00:05:04Oh, oh, oh, oh!
00:05:05As you can see, you did do this, you got all the things.
00:05:07What?
00:05:08I like you.
00:05:09Oh, oh, oh!
00:05:11Oh!
00:05:12Oh, oh, oh.
00:05:13Oh!
00:05:14Oh, oh, oh.
00:05:15Oh, oh.
00:05:16Oh, oh, oh.
00:05:17Oh, oh, oh!
00:05:19Oh, oh oh, oh.
00:05:21Oh, oh, oh.
00:05:22Oh, oh.
00:05:23Oh, oh, oh, oh.
00:05:25Oh, oh!
00:05:26Oh, oh, oh, oh.
00:05:27Oh, oh, oh, oh.
00:05:29Oh, my God.
00:05:59Hey, what are you doing?
00:06:07God, you look great.
00:06:10Look, are you going to let me unlock the getty?
00:06:12You want to stand out here all night?
00:06:13Well, that might not be such a bad idea.
00:06:15There's nobody around.
00:06:16We could do it right here against the fence.
00:06:23Hey, pal.
00:06:24Take a hike or something.
00:06:25Get lost.
00:06:27Get out of here.
00:06:29You are such an asshole.
00:06:31What did I do?
00:06:32You never know when to shut up.
00:06:33Well, who was that guy anyway?
00:06:35He's my new next-door neighbor.
00:06:36He shoots video.
00:06:37Wow.
00:06:37Oh.
00:06:38Oh.
00:06:47Oh.
00:06:47Oh, oh, oh, oh, oh.
00:07:17Good morning, Nola.
00:07:31God, you were great last night.
00:07:34Hey, nice art.
00:07:36See you around.
00:07:47Oh, oh, oh.
00:08:17Oh, oh, oh.
00:08:47Oh, oh, oh.
00:08:51Body was found out of the dumpster at 7 a.m. by the garbage man.
00:08:53We're getting a statement from him now.
00:08:56A lot of good that'll do.
00:08:57She was killed somewhere else and dropped here just like the others.
00:09:01You think it's the same guy?
00:09:02Same M.O.
00:09:03Knee, body, dropped in the dumpster.
00:09:05Always strangled or asphyxiated.
00:09:08We've got a real sickle on our hands.
00:09:09Coffee?
00:09:17Ain't gonna be it there for you, Pally.
00:09:20All right.
00:09:20Let's see what you got there.
00:09:22Yeah, between the cheeks, too.
00:09:24That's a good one.
00:09:25See it three times myself, you know?
00:09:26You got damn right.
00:09:28Hey, happy viewing, eh?
00:09:29Oh, if it ain't the boy wonder.
00:09:30How you doing, Mikey?
00:09:32It's got for me today.
00:09:33I tell you, I love this shit.
00:09:35You watch.
00:09:35Next week, he'll be in with his wife looking for something with Meryl Streep in it.
00:09:39Love the shit out of this job.
00:09:41Are we alone?
00:09:42Are we alone?
00:09:44Yeah, you and me and 10,000 other videos in here.
00:09:46What do you think?
00:09:47All right.
00:09:49We got here.
00:09:49Debbie, Claudia, Lisa, Judy, and...
00:09:53What's this?
00:09:55Ooh, Roxanne, eh?
00:09:56Okay, I'll tell you, I can hardly wait.
00:10:02That damn cocksucker.
00:10:04Hey, tell me, Mikey.
00:10:05Do these broads here got any, uh, any hairy armpits?
00:10:09What?
00:10:11Hair.
00:10:11Under the arms.
00:10:12You know, hairy bits.
00:10:13No.
00:10:15Well, some guy was in there last week asking.
00:10:17I just thought maybe...
00:10:19Never mind.
00:10:20All right, kid.
00:10:21There you go.
00:10:22Hey, you gonna have more for me next week?
00:10:26I don't know.
00:10:51Julie, tell me this is going well.
00:10:53Fabulously, darling.
00:10:54I'd hate to think I was doing all this smiling for nothing.
00:10:58Oh, relax, Nola.
00:10:59I handpicked everyone on the list,
00:11:01so your show here would be a raging success.
00:11:04Oh, great. A papered house.
00:11:06That's not what I meant.
00:11:07There are some very important people here
00:11:09who love you and your work.
00:11:12Smile.
00:11:13Okay, it's not the money.
00:11:15And, you know, look at me.
00:11:17What are you staring at?
00:11:18All right, so anyway, if it's not the money,
00:11:20just go and get yourself another model,
00:11:22because you obviously don't respect me or my work.
00:11:24And then we can't promise you.
00:11:29Look at the depth of emotion.
00:11:32You definitely show some promise,
00:11:34but I tend to prefer the neorealists, don't you?
00:11:38I don't really know that much about painting.
00:11:40No?
00:11:42You don't have to know anything about it.
00:11:45What is it that you like?
00:11:46I'm partial to clowns.
00:11:48Clowns?
00:11:49You know, the ones painted on black velvet.
00:11:54Well, how goes it, Adam?
00:11:58Having a good time?
00:11:59Oh, yeah.
00:12:00Wonderful.
00:12:01You should be proud of Nola.
00:12:02It shows a hint.
00:12:03I sure am.
00:12:05These people are out to watch.
00:12:07Tell me about it.
00:12:08How long before we can kick them out?
00:12:10Adam, this is my career we're talking about.
00:12:14Yeah, well, I don't have to like it, do I?
00:12:17Nola, great party.
00:12:21Is that everything all right?
00:12:23Adam's just feeling out of his element.
00:12:26God, he's really hitting the bottle, isn't he?
00:12:27He just walked in.
00:12:38Late arrival.
00:12:40Hey!
00:12:41Hey!
00:12:42Visit the man from next door.
00:12:44Come to see the show.
00:12:46Come in!
00:12:47Come in!
00:12:48Nola wants to make sure everybody sees her paintings.
00:12:51You do like art, don't you?
00:12:52Everybody else here does.
00:12:54I don't understand how to do that.
00:12:58That's okay, pal.
00:12:59Neither do I.
00:13:00Come here.
00:13:01Come here.
00:13:05There it is.
00:13:06An original Nola Carlisle.
00:13:09What do you think?
00:13:10I think it's very nice.
00:13:14You're right, pal.
00:13:16Not like these other things.
00:13:17Hey, just don't let Nola hear you call her stuff nice.
00:13:21Nothing short of brilliant or magnificent will do.
00:13:24Hey, you want a drink or something?
00:13:26No.
00:13:27Oh, come on!
00:13:28Stay a while.
00:13:29Let me take your bag.
00:13:30No!
00:13:35Another weirdo.
00:13:37Please excuse me for a minute.
00:13:39Nola, there's some people that I want you to meet.
00:13:42Tell them I'll be there in just a second.
00:13:44I've got to go.
00:13:44Does somebody matter?
00:13:45No.
00:13:46No.
00:13:46No.
00:13:46No.
00:13:46No.
00:13:47No.
00:13:47No.
00:13:47No.
00:13:47No.
00:13:48No.
00:13:48No.
00:13:48No.
00:13:49No.
00:13:49No.
00:13:50No.
00:13:50No.
00:13:51No.
00:13:52No.
00:13:53No.
00:13:53No.
00:13:54Hey.
00:13:58Hey, wait a minute.
00:14:01I saw Adam talking to you in there,
00:14:03and I don't know what he said,
00:14:06but I'm sure it was something really stupid.
00:14:07No, it was nothing.
00:14:08Well, I still feel like I have to apologize.
00:14:10You see, he's not a big fan of the art scene,
00:14:13and he's had a lot to drink.
00:14:14I understand, really.
00:14:15Just forget it.
00:14:16It's okay.
00:14:17um i'm nola nola carlisle i'm sorry i'm mike hi hi
00:14:31could i come in for a minute
00:14:47oh god look at all this gear
00:14:58i hope you're insured this isn't the greatest neighborhood you know
00:15:02i mean i don't have to worry not about burgers anyway who wants to rob an unknown artist but all
00:15:09this i really like your paintings really want to buy one just kidding
00:15:17no i would if i if i could afford it i just spend all my money on equipment yeah no kidding
00:15:24would you like something to drink sure what you got water juice coke diet coke diet coke
00:15:31so what do you do with all this stuff
00:15:39i shoot industrial films documentaries training tapes really does it pay well
00:15:44sometimes yes sometimes no thanks
00:15:53trying to get the coke over here quick oh sorry
00:15:56it's okay you must be excited for you get to travel around be creative
00:16:02well i don't get a chance to be that creative i basically just point the camera and shoot
00:16:11don't be so hard on yourself it's not about the subject it's about how you see it
00:16:15any form of self-expression is valid there you are never gonna wonder where the hell you disappeared
00:16:24to tell julian i'll be right there tell her yourself i've had enough of your
00:16:29bullshit for one night
00:16:42Oh, my God.
00:18:12So you're a cop?
00:18:19What do you think?
00:18:42Oh, let me get this straight.
00:18:52You mean to tell me that it just took off when he knew what an important night this was for you?
00:18:58It was my own fault. I ducked out and left him alone. I mean, what was he supposed to do?
00:19:02Noah, stop making excuses for this guy. He's an insensitive asshole. If somebody did that to me, I would dump him in a heartbeat.
00:19:12Yeah, well, that's you. You've always got a million guys knocking down your door.
00:19:16That's because I can't find one that's worth a damn.
00:19:20You know, there are times when Adam can be very sweet.
00:19:22Mm-hmm. And I'm sure he's going to make a wonderful husband for some yuppie chick.
00:19:26But, you know, what does he make you happy?
00:19:29Sometimes.
00:19:31Well, not that much anymore.
00:19:34I'm telling you, just dump him. Dump him. You don't need the aggravation.
00:19:40I don't know. I guess I just don't like the idea of being alone.
00:19:47Oh, that's my Nola. Always playing the suffering artist.
00:19:52Are you ready? Yes.
00:19:54Go.
00:20:10You want to come here and get some iced tea?
00:20:29Okay.
00:20:33Oh, that's my next door neighbor.
00:20:40Hi.
00:20:43Hi.
00:20:44Are you just getting back?
00:20:46Back?
00:20:47Yeah, I heard you got out really late last night.
00:20:49Oh, yeah. Yeah, I got called to do some night shooting.
00:20:53Um, this is my friend Gabrielle. She's a model.
00:20:56This is my next door neighbor, Michael. He shoots video.
00:20:59Hi.
00:21:00Hi.
00:21:00Maybe you two can work together sometime.
00:21:02That'd be fun.
00:21:03Yeah, yeah, maybe.
00:21:05Uh, I'm really in a rush. I've got to go. Please, excuse me.
00:21:10Geez, he sure was friendly.
00:21:15Not.
00:21:19He must have had a real long night.
00:21:20Geez, he must have.
00:21:21Two in one a week.
00:21:47Our boy's been busy.
00:21:49Yeah, Hollywood Division just came up with a positive idea of our last victim.
00:21:52And?
00:21:53You were right.
00:21:54She fits the pattern.
00:21:55Sheila Waltz.
00:21:56Stripper, part-time actress.
00:21:58I'll get the picture.
00:21:59Got an address on her?
00:22:00She had an apartment over on Bronson.
00:22:02Well, let's go check it out.
00:22:04What about this one?
00:22:06The lab boys will take care of her.
00:22:08I hope to God we can get a line on this guy.
00:22:10Yeah.
00:22:34what about this guy?
00:22:35Hello?
00:22:58Hello?
00:22:59Hi.
00:23:01Who is it?
00:23:03It's Nola from next door.
00:23:09Hi.
00:23:10Hi.
00:23:11I hope I'm not disturbing you.
00:23:13No, I was just working at the console.
00:23:15I can come back later if it's a bad time.
00:23:19No, no. Come on in.
00:23:22Thanks.
00:23:27After I came over here last night, I've been thinking about you,
00:23:30and about all this equipment you have here.
00:23:33And, uh, I've been trying to figure out a way to use your video to promote my art.
00:23:38You see, Julie, and that's my agent, she's been trying to get me a real exhibition,
00:23:42and she's been taking slides around all the galleries like every other artist does,
00:23:46and I just want to do something different.
00:23:49You mean you wanted to use my camera to make your art come alive?
00:23:54Yeah, your camera and your editing.
00:23:56I don't know. I want to do something... something wild.
00:24:01You mean like an ADO and a paint box and special effects and...
00:24:06Whatever. I'm not the expert. Can you do that kind of stuff?
00:24:09Yeah. Yeah, I can do that and a lot more.
00:24:13I have to warn you, I'm a starving artist and I can't afford to pay much.
00:24:17No, I won't take any money.
00:24:19No, I can't let you do that.
00:24:20Nola, I want to do this for you. And for me.
00:24:23Really, I think it could be a great opportunity for the both of us.
00:24:27Are you sure?
00:24:28Yes!
00:24:29This is great. I'm so glad you're so excited about this.
00:24:32Where can you start?
00:24:34Now.
00:24:35Now?
00:24:36Now!
00:24:37Just put that down where you want it. Okay.
00:24:52Okay, now just get ready.
00:24:54Okay.
00:25:05Okay.
00:25:06Now, do you use these?
00:25:09Yeah.
00:25:10This and this.
00:25:12Okay.
00:25:13Uh, these?
00:25:15Sometimes.
00:25:16Okay.
00:25:17There you go.
00:25:18Do you sit down?
00:25:19No.
00:25:20Okay.
00:25:21Alright, that's good.
00:25:28That's so funny.
00:25:30No, but I was just thinking about something.
00:25:32Yeah, what?
00:25:34About how I finally got to meet my mysterious next door neighbor.
00:25:39Mysterious?
00:25:40Well, you never talk to anyone.
00:25:42And I see you coming and going at all hours of the morning.
00:25:45I mean, for all I know, you're an assassin from the CIA.
00:25:49Okay.
00:25:50Can you turn that canvas a little more to the left, please?
00:25:52Alright.
00:25:57What's that?
00:25:58It's okay.
00:26:02Okay, now what?
00:26:03Now?
00:26:04We should keep working.
00:26:05Alright, we'll get some up in the scenario.
00:26:08Alright.
00:26:09You ready?
00:26:10Yeah.
00:26:20Pay.
00:26:21Now you.
00:26:22Show me that face again.
00:26:23Okay.
00:26:24Go ahead.
00:26:25Take it off.
00:26:26Take it off.
00:26:27That's good.
00:26:28That's good.
00:26:29Take this.
00:26:30No, pay.
00:26:31Come on, come on.
00:26:32No.
00:26:33Put it on your side.
00:26:34No.
00:26:35It's gonna be a little heavy.
00:26:36It's gonna be great.
00:26:37Just wait.
00:26:38Alright.
00:26:39Alright.
00:26:40Alright.
00:26:41Alright.
00:27:07Cut it out.
00:27:08What are you doing?
00:27:25Goddamn bitch died old.
00:27:26Need two months' rent, too.
00:27:28Yeah.
00:27:29Nice place you got here.
00:27:30Hey, you like it?
00:27:31I got an apartment available deeper.
00:27:32Furnished, too.
00:27:33Joey!
00:27:34Turn the music down!
00:27:37You got a minute?
00:27:39There you go.
00:27:40Hey, thanks.
00:27:41We'll lock it up.
00:27:42Yeah, yeah.
00:27:46Hello.
00:27:49Snow Queen.
00:27:51One thing's for sure.
00:27:52She wasn't killed here.
00:27:55Look.
00:27:56We know this guy's into hookers and strippers.
00:27:59That's the pattern.
00:28:00What we don't know is how he finds him.
00:28:02Chance meetings?
00:28:03Random, maybe?
00:28:04Maybe.
00:28:05But this guy's too methodical for that.
00:28:08He finds him someplace and takes his time killing them.
00:28:11Dumbs the body one place and their cars, when there are cars,
00:28:14turn up somewhere else to wipe clean the prints.
00:28:17That takes him advanced planning.
00:28:20Personal ads?
00:28:22You may not be too far off.
00:28:24Huh?
00:28:26Check this out.
00:28:27Oh, you're shooting me.
00:28:28Check this out.
00:28:29Oh, you're shooting me.
00:28:57You're shooting me.
00:29:15I don't know.
00:29:45I don't know.
00:30:15We're done.
00:30:17Just laying down a little black at the end.
00:30:19Michael, I don't know I'm ever going to thank you.
00:30:22Don't worry about it.
00:30:22It was something that I wanted to do.
00:30:24Still means a lot to me.
00:30:28Leave a message.
00:30:29I'll call you back.
00:30:30Michael, this is Marie.
00:30:32I hope I'm not calling too early.
00:30:33I just wanted to confirm I'll be at the stage around 9.
00:30:36Bye.
00:30:37Bye.
00:30:37Michael, what's wrong?
00:30:45Nothing.
00:30:46I just forgot I had a shoot this morning.
00:30:48Oh, God.
00:30:49And I kept up on that.
00:30:50I'm really sorry.
00:30:51That's okay.
00:30:52Don't worry about it.
00:30:52I have to just get ready to go.
00:30:54Okay.
00:30:55How long will the shoot take?
00:30:56I don't know why.
00:30:58Well, I wanted to ask my agent and some friends over for the premiere screening.
00:31:02I was hoping you could make it.
00:31:03I don't know if I can, really.
00:31:06Michael, this is as much yours as it is mine.
00:31:09I could make it another night.
00:31:10No, tonight's fine.
00:31:13Tonight's fine.
00:31:13How old are you?
00:31:137 o'clock?
00:31:147 o'clock.
00:31:19Home a sign?
00:31:20Who?
00:31:21That's not important.
00:31:22What we want to know is, did you place this ad?
00:31:28That's a kid.
00:31:30I run him the stage from time to time.
00:31:33Kid.
00:31:35What kid?
00:31:41Kid's what I call him.
00:31:42Michael Terrence is his name.
00:31:44How often do you run him the stage?
00:31:47Once or twice a month.
00:31:48He's kind of like family.
00:31:50You know, whenever it's not busy, he even has his own key to the place.
00:31:55You wouldn't know if he's coming anytime soon, do you?
00:31:57Well, he called yesterday about coming in this morning.
00:32:10He's running a little late.
00:32:29Frankly, I think you guys are barking up the wrong tree.
00:32:32Why do you say that?
00:32:34Because this kid wouldn't hurt a fly.
00:32:37He walks around here, he's afraid of his own shadow.
00:32:39Oh, Mike.
00:32:43Michael, come on over here.
00:32:44These two gentlemen, detectives, want to talk to you.
00:32:47This is Detective Barry and Lewis.
00:32:51All right.
00:32:52They wanted to ask you a few questions.
00:32:54Thank you very much.
00:32:54We'll take you from here.
00:32:56Okay.
00:32:58Did you place this ad?
00:33:02Yes.
00:33:03Yes, I did.
00:33:03What for?
00:33:05You mean, why do I want the girls?
00:33:07Yeah.
00:33:09I make adult videos.
00:33:11Solo girls, dancing, stripping, that kind of thing.
00:33:15Kind of sleazy, isn't it?
00:33:18What do you mean?
00:33:20Well, that's not exactly family entertainment, is it?
00:33:22Well, there's a market for it.
00:33:26There's nothing illegal about it, is there?
00:33:28That all depends on if that's how you're doing.
00:33:30You recognize this girl?
00:33:34No.
00:33:35You sure?
00:33:36Yeah.
00:33:37Then how come she circled your ad?
00:33:39I don't know.
00:33:41She might have sent me her picture.
00:33:42But it's kind of hard to tell from that photo.
00:33:45I mean, she's dead there, isn't she?
00:33:46No, she's taking a fucking nap.
00:33:49A lot of girls send me their pictures, but I don't always use them.
00:33:53She might have sent me her photo, but I can't tell for sure.
00:33:56If she did, would you still have it?
00:33:58No, I'd throw them out if I don't use them.
00:34:00And you're positive this girl never modeled for you?
00:34:03Sheila Walsh.
00:34:04That name isn't familiar to you at all.
00:34:08These videos you make, what do you do with them?
00:34:11I sell them to a local distributor.
00:34:13And who might that be?
00:34:14Argosy Video and Fountain.
00:34:16A guy named Jake Setzer buys all my stuff.
00:34:20Okay, Mr. Terrence.
00:34:22Thank you for your time.
00:34:24Is that all?
00:34:25That's all for now.
00:34:27We'll be in touch.
00:34:34What do you think?
00:34:41I don't know.
00:34:42He seems a bit nervous, but the old guy said he's always like that.
00:34:46Maybe we can check out the distributor.
00:34:48If she's in any of those tapes, we got our boy.
00:34:51What if she's not?
00:34:52Well, we've got no way to connect him to the Walsh girl, let alone any of the others.
00:34:57I don't know, maybe.
00:34:58But there's something weird about the guy.
00:34:59And I got a feeling about him.
00:35:01He's fucking weird.
00:35:01Well, if he's our boy, we need more than a hunch to nail him.
00:35:25Jesus Christ, what's the idea of leaving me out there with the camera, Renny?
00:35:29Just leave me alone.
00:35:31Get out of here.
00:35:32Buck, what is your problem?
00:35:35I said, just leave me alone.
00:35:39Oh, God, are you all right?
00:35:40Will you just leave me alone?
00:35:42Just leave me alone!
00:35:43Just leave me alone!
00:35:44Just leave me alone!
00:36:01Just leave me alone!
00:36:45Well, what did you think?
00:36:55I loved it.
00:36:58Nola, if I can't get you a show with that, the entire art world is in a coma.
00:37:02You really did that in one day.
00:37:04Well, Michael did it in less than a day.
00:37:06Oh, man's a bloody genius. Why isn't he here?
00:37:09Yeah, why is that mysterious stranger of yours?
00:37:11Well, he said he tried to come. His shoot must have run long.
00:37:14I really want to meet him.
00:37:16Okay. Adam, what did you think?
00:37:20Uh, well, it looked fine to me, but what do I know about art?
00:37:23All that video work must have cost a fortune.
00:37:26Well, actually, Michael refused to take any money for it.
00:37:29He did all that for free?
00:37:31What do you know? A true artist, just like Nola.
00:37:33What he lacks in business sense, he makes up for in talent.
00:37:36I was thinking we could do something more with this, you know, like a multimedia piece.
00:37:40No, I couldn't do it without Michael.
00:37:42Oh, of course not. The two of you'd work together.
00:37:45You supply the creativity and leave the rest to me.
00:37:47Copy of the tape?
00:37:48Yeah, right here.
00:37:50Sounds great to me. I'll have to talk it over with him, though.
00:37:52Terrific. Gotta go.
00:37:54I gotta go, too.
00:37:55I have an early breakfast meeting tomorrow morning.
00:38:00Listen, when you see Michael, be sure to tell him how impressed we are with the work.
00:38:03I will.
00:38:13Bye.
00:38:14Good night, you guys.
00:38:15Good night, you guys.
00:38:15I can't believe you sometimes.
00:38:26You can't believe me?
00:38:27You're the one who spent all night in the guy's apartment.
00:38:29We were working.
00:38:30According to you.
00:38:31Yeah, right.
00:38:32We had sex right on top of his editing console.
00:38:35That tape just produced itself.
00:38:36At such a bargain price, no less.
00:38:38You must have cut him quite a deal.
00:38:41You make me sick.
00:38:42You have to lower everything to the crudest level.
00:38:44You don't think anyone can feel passion above the waist.
00:38:47Unless this guy's a flaming faggot.
00:38:49You can't tell me that he doesn't want to fuck your brains out.
00:38:51Michael's not like that.
00:38:53He's very sensitive.
00:38:54Oh, and you're saying that I'm not?
00:38:56I'm beginning to wonder if you know the meaning of the word.
00:38:59You are a self-centered, arrogant prick.
00:39:06Noah, I'm sorry.
00:39:07I didn't mean to do that.
00:39:09I'm sorry.
00:39:09What are you?
00:39:14Michael.
00:39:36Michael.
00:39:36We missed you tonight.
00:39:49You are, um...
00:39:50I'm Gabrielle. I'm Nola's friend.
00:39:52Oh, yeah, yeah. I remember. Hi.
00:39:55Hi.
00:39:56I saw your tape. I was impressed.
00:39:59Thank you. Thank you very much.
00:40:01Aren't you going to invite me in?
00:40:03Well, now's not really a good time.
00:40:05Oh, Michael, I'm not going to bite you unless you ask me to.
00:40:23You do have a lot of equipment.
00:40:27Video equipment, that is.
00:40:28So, is this where you work your magic?
00:40:37Yes.
00:40:39All these tapes. What's on them?
00:40:43Um, stock footage, mostly.
00:40:48Oh, and who are Nicole, Diane, and Sheila?
00:40:50Just models.
00:40:53Oh, yeah?
00:40:55What kind of models?
00:40:57Do they model with their clothes on or...
00:41:00Oh, fuck.
00:41:05So, that's it.
00:41:06You're a pornographer.
00:41:08Or should I say a maker of adult videos?
00:41:11It's just something I do for money. I'm not proud of it.
00:41:13You don't have to be ashamed, Michael.
00:41:16Lots of people get their start that way.
00:41:19Come on, show me one.
00:41:21How about Sheila?
00:41:22She looks interesting.
00:41:26No.
00:41:27Not this one.
00:41:30You don't want me to see it because you're in it, is that it?
00:41:34Michael,
00:41:35it can't be that bad.
00:41:37And I'm not a prude.
00:41:41Ooh.
00:41:42What do we have here?
00:41:48Do you use these in your video too, Michael?
00:41:52Sometimes.
00:41:56Good.
00:41:58Because I'm not leaving until I see one.
00:42:07How about this one?
00:42:27I made this one this morning.
00:42:28I made this one this morning.
00:42:37Who's the girl?
00:42:48It's Marie.
00:42:50You think she's pretty?
00:42:53Yeah.
00:42:55What a trashy sort of way.
00:43:07What are you doing?
00:43:25Taping you watching a video.
00:43:28Do you mind?
00:43:31No.
00:43:37Do you like this?
00:43:48I love it.
00:43:54Isn't that your fantasy?
00:43:57Just to make love to both of us.
00:44:00Oh, yeah.
00:44:01Yeah.
00:44:07No.
00:44:14No.
00:44:24Michael?
00:44:26Michael, is that you?
00:44:29Michael?
00:44:37I don't think so.
00:44:58I don't know.
00:44:58I don't know.
00:45:00Let's go.
00:45:30Well, this is becoming an everyday occurrence.
00:45:34Yeah, we've got to find this guy in soon.
00:45:37What a waste.
00:45:44Well, well, well, Vinny and Audi doody.
00:45:46Well, when you kid look like you got a hat, maybe with a blow dryer.
00:45:49What job you got for me?
00:45:52Just one? What the hell is this bullshit?
00:45:54It's the last one, Jake.
00:45:56Oh, yeah? For how long?
00:45:58For good.
00:46:00I'm not doing it anymore. I'm getting out of it.
00:46:02Oh, really?
00:46:03Well, this wouldn't happen to have anything to do with the little visit I got from the cops now, would it?
00:46:07What cops?
00:46:08Yeah, yesterday, two detectives came in here asking me about you and your tapes.
00:46:11What's the matter, kid? You in some kind of trouble?
00:46:13Huh?
00:46:14No, I'm just quitting, that's all.
00:46:16Well, what the hell are you going to do now?
00:46:19I'm going to do something that I can be proud of, something respectable.
00:46:23Yeah, right, kid. Well, I'll tell you what. I'll look for you in the next Academy Awards. How's that, huh?
00:46:30Do you want the tape or not?
00:46:32Yeah, sure I want the tape. What do we got here?
00:46:35Marie, huh? Tell me, kid. Is she my kind of girl or what?
00:46:40She doesn't have hairy armpits, but I think I'll find her satisfactory. Now, can I have my money, please?
00:46:44All right, all right. Hold your horses.
00:46:47I don't know, kid. I can't believe you're up and quitting like that.
00:46:52Good-bye, Jake. You're making a big mistake, kid. Working out in a sweet deal.
00:47:03A little shit.
00:47:09Hey, wait a minute, you dumb son of a bitch! You gave me the wrong tape!
00:47:12Ah, you shit.
00:47:22I'm sorry.
00:47:23I'm sorry!
00:47:24You're the same.
00:47:25You're dealing with my mind, you're the same.
00:47:26I'm sorry.
00:47:27I'm sorry, baby.
00:47:28I'm sorry, buddy.
00:47:29It's alright.
00:47:30I just had to know how to get one.
00:47:31I'll probably have to do this.
00:47:32Can I just take a moment?
00:47:33I'll do this.
00:47:34Good-bye, you're ready.
00:47:35I'll try well.
00:47:36Good-bye, no, no, no!
00:47:37No, no, no, no, no.
00:47:41Don't die.
00:47:43I'll do it.
00:47:44You must be a little boy.
00:47:46I'll do it.
00:47:47I can't wait a minute, it'll be a little boy.
00:47:48Let's go.
00:48:18Let's go.
00:48:48Let's go.
00:49:18Let's go.
00:49:19Let's go.
00:49:21Let's go.
00:49:22Let's go.
00:49:23Let's go.
00:49:24Julian thinks that we should work together.
00:49:25She says that we could be L.A.'s hottest multimedia artists.
00:49:29What do you think?
00:49:31I'd really...
00:49:32I'd really...
00:49:36I'd really like to.
00:49:38Well, I know that you have other stuff to do.
00:49:40I just thought you could do this on the side.
00:49:42No.
00:49:43It's not that.
00:49:44Okay.
00:49:45I just thought that you and I...
00:49:49I just need a little spark.
00:49:51I'm having a really rough week.
00:49:52Are you okay?
00:49:53You sure?
00:49:54Yeah.
00:49:55Do you have a fight without him?
00:49:56You could call it that.
00:49:57Well, I'm...
00:49:58I'm sure it'll be okay.
00:49:59I don't know much about relationships, but if there's anything I can do...
00:50:00Michael, you're so sweet.
00:50:01Thank you for being so concerned about me.
00:50:02Yeah.
00:50:03I just want to take you out of my head.
00:50:04You can give me another one.
00:50:05Thank you all my love.
00:50:06What do you do?
00:50:07I don't have any powers.
00:50:08You can tell me that.
00:50:10I'm having a happyби.
00:50:11You can tell me that.
00:50:12You sure?
00:50:13Yeah.
00:50:14Do you have a fight without him?
00:50:15You could call it that.
00:50:16Well, I'm...
00:50:17I'm sure it'll be okay.
00:50:18I don't know much about relationships, but if there's anything I can do...
00:50:25Michael, you're so sweet.
00:50:27Thank you for being so concerned about me.
00:50:32You are so different from him.
00:50:57It's hard to put into words.
00:51:17I was wondering why some people are allowed to be happy while others are chosen to suffer.
00:51:27It's an odd thing to say. What made you think about that?
00:51:33I think about it a lot. Why some people are blessed and others are cursed.
00:51:45I never bought into the idea that there was some all-powerful being that was in charge of our lives.
00:51:53I think we're all free to choose.
00:51:57That's what you'd like to believe.
00:52:03Maybe some people are.
00:52:06But some people are born into certain situations they didn't ask for.
00:52:18Michael, what's wrong?
00:52:19Is it me? Is it something I said? Is it something I did?
00:52:24Then what? What is it?
00:52:28What? What is it?
00:52:40You have to understand.
00:52:42Sex has always been very difficult for me.
00:52:48Difficult?
00:52:51One day, many years ago, my mother picked me up from school early to take me to a doctor's appointment.
00:53:04Oh, baby.
00:53:05Oh, baby.
00:53:06Oh, baby.
00:53:07Oh, baby.
00:53:08Oh, baby.
00:53:09Oh, baby.
00:53:10Oh, baby.
00:53:11Oh, you too.
00:53:13Oh, baby.
00:53:14Oh, baby.
00:53:15Oh, baby.
00:53:16Oh, baby.
00:53:18Mmm, oh baby!
00:53:29Ooh, new toys!
00:53:48Oh, my God.
00:53:54Michael, I'm so sorry.
00:54:08Andrea.
00:54:14Good morning. How are you?
00:54:16You haven't heard.
00:54:19About what?
00:54:21Sit down, darling.
00:54:34You have such lovely hands for an artist.
00:54:38It's bad, Nola.
00:54:42Gabrielle was murdered night before last.
00:54:46What?
00:54:51What?
00:54:55Who the hell?
00:54:57They say she was suffocated, somehow.
00:55:01It must have happened right after we left your place.
00:55:06I asked her if she wanted to go for a nightcap and talk about your wonderful work.
00:55:11But she said she had something else to do.
00:55:14If she'd gone with me, she'd be alive.
00:55:17Why would someone want to do that to her?
00:55:27Oh, the police don't seem to know or they're not telling. I don't know.
00:55:32Nola, I gave them your name and your address. They may want to talk to you, too.
00:55:36She was so good.
00:55:37She was so good.
00:55:50She was so beautiful.
00:55:54She was so beautiful.
00:56:05Nola, you shouldn't be alone right now.
00:56:06No, I'll be fine.
00:56:15It's just life and death, darling.
00:56:19That's all.
00:56:20That's all.
00:56:22That's all.
00:56:23That's all.
00:56:24That's all.
00:56:54Hey, surprise, what the hell happened to you? Your blow dryer take a shit on you?
00:57:10What do you want, Jake?
00:57:11You gonna invite me in or what?
00:57:13Nice toilets you got here.
00:57:15You know, kid, I gotta tell you something.
00:57:17I knew something was going on with you in a minute the cops showed up, but, uh, I gotta admit, I had no idea how goddamn big it was.
00:57:25I don't know what you're talking about.
00:57:26The, uh, Gabriel?
00:57:29You know, kid, you gotta be more careful.
00:57:31You gotta make sure you put the right tapes in the right box.
00:57:39What do you want from me, Jake?
00:57:40Aw, come on, kid, knock off the bullshit.
00:57:42Now, look, I came by to make a little business proposition for you.
00:57:45Now, in case you haven't heard, there's a hell of a market out there for this kind of shit.
00:57:49Now, granted, it's illegal and underground, but, uh, very profitable. You know what I'm saying?
00:57:55What are you talking about?
00:57:58Come on, kid, cut out this shit.
00:58:01Look, you've had all the fun making the tapes. Why don't you let somebody else enjoy them, huh?
00:58:04I mean, Christ, the girls sure as hell can't complain.
00:58:07Come on, what do you say, kid? I'll even split the profits with you.
00:58:09No, no, I won't do-
00:58:10Now, look, you little cocksucker. As far as I can see, you really don't have a choice in the matter.
00:58:14So, either you cooperate with me so we can make a lot of sweet, goddamn money, I'm gonna turn your ass over to the police.
00:58:19In case you forgot, they don't gasp people anymore.
00:58:22They just put little shits like you away for a long goddamn time.
00:58:25As far as I can see, a little sweet thing like you'd be pretty goddamn popular in prison.
00:58:29Come on, kid, what do you say?
00:58:30You're gonna spend the next 50 years here like being a pig boy and sing sing, do you?
00:58:36No.
00:58:37Hey, right!
00:58:39What do you say, you pop that puppy in there we think again, huh?
00:58:44You know, I gotta add it to you, kid. I didn't think you had it, didn't you?
00:58:48As a matter of fact, you gotta be more careful where you get your girls the next time, you know?
00:58:52You gotta afford getting your sweet little ass busted.
00:58:54Okay.
00:58:56After I distribute it easy, you take your camera and your cute little ass out and make some more.
00:59:01Business, kid, supply and demand, supply and demand.
00:59:06I have some more right over there.
00:59:08Go get them, let's go think again, huh?
00:59:13Goddamn it, kid, this is great.
00:59:16Look at her face, we're gonna make a fortune.
00:59:20Goddamn.
00:59:25Jake?
00:59:26Yeah?
00:59:27Do you play baseball?
00:59:28Huh?
00:59:50Michael!
00:59:55Michael, it's me, Noah!
01:00:03Michael!
01:00:08Michael!
01:00:15Michael!
01:00:16Are you okay?
01:00:17Michael!
01:00:19Are you okay?
01:00:21Yeah, why?
01:00:22Where'd all this blood come from?
01:00:24Oh, I was moving some equipment and I spilled some crop blood.
01:00:25It's pretty gross, huh?
01:00:27Are you okay?
01:00:29Come on, come have a seat.
01:00:30Do you want to talk to me about something?
01:00:31Michael, it's Gabrielle.
01:00:32What about her?
01:00:33Do you want to talk to me about something?
01:00:34Michael, it's Gabrielle.
01:00:35What about her?
01:00:36What about her?
01:00:37She, uh...
01:00:38She, uh...
01:00:39...
01:00:40...
01:00:42...
01:00:43...
01:00:44...
01:00:45...
01:00:46...
01:00:47...
01:00:58...
01:00:59...
01:01:02...
01:01:03...
01:01:04...
01:01:05...
01:01:07...
01:01:08Can you just excuse me for one second?
01:01:10I'll be right back.
01:01:38So now you know.
01:01:57Michael, you killed her.
01:02:04Why?
01:02:06Why?
01:02:08Why did I kill her?
01:02:10Why did I kill any of them?
01:02:14I don't know.
01:02:18Oh, my God.
01:02:20You're sick.
01:02:22You need help.
01:02:24Oh, come on.
01:02:26It's a little late for that.
01:02:28Just like it's a little late for them.
01:02:30And it's a little late for us.
01:02:32Would you like something to drink?
01:02:34Michael, no.
01:02:36Why don't you sit down and I'll explain it all to you.
01:02:38No.
01:02:39Come on, go ahead.
01:02:40Sit down.
01:02:42Come on, go ahead.
01:02:44Sit down.
01:02:48Come on.
01:02:54I never wanted to stop before.
01:02:56I didn't have a reason to.
01:02:58I never wanted to stop before.
01:03:12Didn't have a reason to.
01:03:16Till I met you.
01:03:28But now that's all changed.
01:03:35Can you hand me that tape, please?
01:03:39Michael, no.
01:03:42Hand me the tape.
01:03:58No!
01:03:58No!
01:04:02You can either make this easy or you can make it difficult.
01:04:04It depends on you.
01:04:15It could never be the same now that you know.
01:04:22Michael, it's me, Nola.
01:04:25I'm still the same.
01:04:27I just want to help you.
01:04:34I won't let anyone hurt you.
01:04:35I promise.
01:04:37You promise?
01:04:40You promise?
01:04:41How can you promise?
01:04:44How can anyone promise me?
01:04:48Huh?
01:04:53Nola, it's Adam.
01:04:55Nola?
01:04:55Nola?
01:04:57Michael, don't, please.
01:05:02Don't you remember last night?
01:05:07Doesn't it mean anything to you?
01:05:10Seems like such a long time ago.
01:05:13But it wasn't.
01:05:15Don't you understand?
01:05:17I just want to help you.
01:05:18Just let me go.
01:05:22Just let me go.
01:05:22I don't know.
01:05:23I don't know.
01:05:23No.
01:05:25I don't know.
01:05:25No.
01:05:26No.
01:05:27No.
01:05:27No, no.
01:05:46No.
01:05:47Open up my car, I know she's in there!
01:05:50No, no!
01:05:56What the fuck?
01:06:03Dick.
01:06:04No!
01:06:16I'm getting blood on my new floor!
01:06:19Oh!
01:06:33Busy, busy day.
01:06:49No, I'm sorry, but Adam just won't be joining us today.
01:07:40Lewis!
01:07:42Everybody alright?
01:07:45He's a lion.
01:07:46I told you there was something weird about this Terrence guy.
01:07:50Let's brace this puke.
01:08:00I made them all watch what happened to him.
01:08:02After all, it was only fair.
01:08:10After all, they deserved it.
01:08:14Every last one.
01:08:16Will you quit trying?
01:08:26Underneath, they're all just a bunch of evil, lustful bitches!
01:08:38Police!
01:08:40Thank God.
01:08:44Spirits! Spirits!
01:08:46Spirits!
01:08:48Spirits!
01:08:50Spirits!
01:08:52Spirits!
01:08:54Spirits!
01:09:00Oh, my God.
01:09:30Oh, my God.
01:09:46Barry!
01:09:51Michael Terran!
01:09:52Step away from the edge of the roof!
01:09:54Do it now!
01:09:55No!
01:10:00No!
01:10:01Michael, no!
01:10:02No!
01:10:03No!
01:10:04No!
01:10:05No!
01:10:06No!
01:10:14Michael, no!
01:10:15No!
01:10:16No!
01:10:17No!
01:10:19No!
01:10:20No!
01:10:22No!
01:10:24Oh, my God.
01:10:54Oh, my God.
01:11:24Oh, my God.
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