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00:00:00And you don't stop, and you don't quit.
00:00:25Now I'm the man with the plan, and the b-boy stance, and all the ladies in the jam know who I am, with the power to make it move, when I write a groove, I don't snooze, I kick it off nice and smooth, and when the beat goes down, feet hit the ground, the breakers start spinning all round and round, and everybody don't stop, cause we don't stop, we just rock, you feel it, we don't need those drops.
00:00:55Move!
00:01:07Move!
00:01:09Move!
00:01:10Move!
00:01:12Leave her alone!
00:01:13Move!
00:01:14Leave her alone!
00:01:19Hey!
00:01:20Don't talk to her!
00:01:21It's your fault.
00:01:22I'm gonna kill you!
00:01:23Stop!
00:01:25No, Lisa!
00:01:26Stop!
00:01:27Stop!
00:01:28Stop!
00:01:29He's hurting your mommy.
00:01:30No, he's calling the cops.
00:01:31No!
00:01:32Lisa, I won't do that to your father.
00:01:51Man, I hate moving.
00:02:00Daddy's gonna be pissed that we gone.
00:02:02Hey, grab those boxes and put them in the living room.
00:02:04We gotta get the truck back in an hour, so hurry up.
00:02:06Take those damn headphones off.
00:02:09Didn't you learn your lesson about having those things on?
00:02:11You're not my father.
00:02:12You weren't even there.
00:02:13Why do you think we're moving now?
00:02:14And I was working.
00:02:15Yeah, you're always working, Eladio.
00:02:17Because I got to.
00:02:18Maybe I wouldn't have to if our pops was worth the damn, huh?
00:02:20Who's gonna take care of this family if not me?
00:02:22You?
00:02:25I do what I got to to help mommy.
00:02:27And the best way you can help is to stop daydreaming
00:02:29and think about how you can pitch in around here.
00:02:31I'm not gonna have mommy working three jobs
00:02:33while you're in La La Land.
00:02:35It's falling pretty.
00:02:36You're in La La Land....
00:02:39Anyway, my mom says they go home now and they will come out of my city and come out.
00:04:12Last time I got into trouble because of you.
00:04:14Please, I know a place where we can make double what we were making before.
00:04:18I need the money.
00:04:20I know you do too.
00:04:25One hour.
00:04:26But that's it, okay?
00:04:28Okay, okay.
00:04:29Oh, we're getting drunk.
00:04:30We're getting star, feet on the ground, hands to the sky.
00:04:38Oh, do you wanna dance with me tonight?
00:04:42Pop DJ is playing that song.
00:04:45The mood is right.
00:04:47Oh, do you wanna dance with me tonight?
00:04:51Follow me on the floor.
00:04:53Under flashing lights.
00:04:55Thank you, thank you.
00:05:00We'll be here all night.
00:05:02I gotta go.
00:05:03My brother told me to pick up stuff for dinner, and he's gonna kill me.
00:05:06Okay.
00:05:07All right.
00:05:08Oh, my gosh.
00:05:09Use you.
00:05:21Go.
00:05:22Go.
00:05:29Mira, voy a cocinar hoy un arroz con habichuelas.
00:05:32¿Tú piensas comer?
00:05:33Thank you, mommy.
00:06:03You don't worry about this, you hear me?
00:06:13We came here to start fresh, okay?
00:06:20One day I'll be so rich, mommy.
00:06:22I'm gonna take care of you.
00:06:23I'm gonna buy you a new car.
00:06:25Mamita, the only thing I want you to do is to take care of yourself.
00:06:32Don't ever count on anybody taking care of you, okay?
00:06:37Yeah.
00:06:39But if you just so happen to be rich, I want to come first.
00:06:43I gotta go.
00:06:47You come straight home after work, okay?
00:06:49I love you, mommy.
00:06:51I love you.
00:06:57I hear your boys are jelly bean.
00:07:02Yeah, we go way back.
00:07:04What was jelly bean?
00:07:06It's the main DJ at the boombox basement.
00:07:08Where that is?
00:07:09He just got Madonna.
00:07:10Oh.
00:07:11What is fun?
00:07:12Can you introduce me?
00:07:13The jelly?
00:07:14No, Deron Reagan.
00:07:15Yeah.
00:07:16It's her thing, but you know in this city, nothing's free, especially when it comes to jelly bean.
00:07:21What do you want?
00:07:22Hell no.
00:07:23Jelly bean's always got a funny talent.
00:07:24Besides, Guy won't go unless he comes with us.
00:07:25I don't even like him like that.
00:07:26Girl, who said you're gonna be into him?
00:07:28Just pretend it's an extra long trip in the stock room.
00:07:29Is your brother even gonna let you go?
00:07:30Of course he will.
00:07:31Why wouldn't he?
00:07:32Girl, I run the show at home.
00:07:33Hell no.
00:07:34Why?
00:07:35Heladio, please?
00:07:36No!
00:07:37You know how many pervs and weirdos go to places like that to pick up on young girls?
00:07:41You're gonna be with me.
00:07:42It's a bar.
00:07:43You're 15.
00:07:44It's 29.
00:07:45There won't be an alcohol.
00:07:46Heladio, stop and listen to me.
00:07:49Why?
00:07:50Why do you want to be with me?
00:07:52You're going to be with me.
00:07:53You're going to be with me.
00:07:54It's a bar.
00:07:55You're 15.
00:07:56It's Dina, there won't be an alcohol.
00:07:57Heladio, stop and listen to me.
00:07:59You don't want to be with me.
00:08:01You're going to be with me.
00:08:02And listen to me, I ain't gonna live and die
00:08:06in this neighborhood and never be nothing.
00:08:10I wanna take care of mommy one day.
00:08:12What's that got to do with this club?
00:08:13There are gonna be people there who can help me.
00:08:16Give me a shot at singing.
00:08:18There you go, head in the sky again.
00:08:20I'll take out the trash for a month.
00:08:25We can make it, we can make it work.
00:08:32We're over there!
00:08:54Sahem, can you introduce me?
00:08:57I don't know him like that.
00:09:01I thought you said he was your...
00:09:02I don't know who he is.
00:09:04After the set.
00:09:05Try to get us into the green room.
00:09:07Gone!
00:09:10Figure out myself.
00:09:12I'm going home, I got homework to do.
00:09:19Damn, my bad.
00:09:26Jelly beans!
00:09:27Jelly beans!
00:09:28Oh my God!
00:09:30Oh my God!
00:09:31DJ, we play, we stay calm.
00:09:33Drop beats like bars when you're playing my song.
00:09:35Johnny, my man, what's up?
00:09:36We don't mind the talking.
00:09:37Parlay all day, I went offense.
00:09:39We play offense, y'all on defense.
00:09:41False and you pretend, I'm getting equal.
00:09:43Get rockin'.
00:09:44Beat boys in the place, getting dabs at the bucket
00:09:46and another cruise face.
00:09:47Get rockin'.
00:09:48One time song, going from the late night
00:09:50to the early morning.
00:09:51Get rockin'.
00:09:52No time for the chat.
00:09:54I'm doing my dance all across the map.
00:09:55Get rockin'.
00:09:56I go C-K-I-N-G and I suggest she don't mess with me.
00:10:02You're gonna sneak backstage, take the tray.
00:10:04What?
00:10:05Take the tray.
00:10:12I mentioned it.
00:10:17How much?
00:10:18Duh.
00:10:19Duh, come on.
00:10:20Duh, come on.
00:10:21Those are the prices.
00:10:23Inflation, my man.
00:10:24You got better options.
00:10:25I suggest you get to it.
00:10:26I got business going on here.
00:10:40I hear you help singers.
00:10:43Singers?
00:10:45Nah.
00:10:46I help artists.
00:10:48If they're worth it.
00:10:50Well, I'm worth it.
00:10:52The best damn pipes, you're here all night.
00:10:55Hey, shawty.
00:11:00Let's say you blow.
00:11:02I got sunshine, light in my way.
00:11:06You're trying to be the clown, but just float away.
00:11:10Don't matter about the sticks and the stones, you say.
00:11:13Cause your world's about to flood and you're in my way.
00:11:16Cause I'm rolling.
00:11:18Rolling.
00:11:19Rolling.
00:11:20Sounds good.
00:11:21Try to stop us.
00:11:22We just keep going.
00:11:23Ooh, ooh, ooh, ooh.
00:11:31All right.
00:11:33Fresh.
00:11:34I see ya.
00:11:36What's your name?
00:11:37Lisa.
00:11:37Lisa Velez.
00:11:38Lisa Velez.
00:11:39All right, Lisa.
00:11:40Lisa Velez.
00:11:41How old are you?
00:11:4218.
00:11:43Who's bugging?
00:11:45Come on now.
00:11:4515.
00:11:4615.
00:11:47Hmm.
00:11:47All right, Lisa.
00:11:48Leave me a digits.
00:11:49Leave me a little bit.
00:12:05Get back to.
00:12:06I see.
00:12:07Oh, man, I just need a couple of intros.
00:12:11That's all.
00:12:12I told you, Mamita.
00:12:14Ain't no way.
00:12:15Yeah.
00:12:16How old are you?
00:12:17I told you, Mamita.
00:12:18Ain't no one lookin' for a singer with your look.
00:12:23What you mean, what's wrong with my look?
00:12:25Look, I love you the way you are,
00:12:29but these record executives,
00:12:30they start buggin' about silly things
00:12:32like looks and image.
00:12:34But you know I can sing my ass off.
00:12:37I know it, but they don't.
00:12:40And you don't get past the record label
00:12:42without them thinking about your image or theirs.
00:12:45And besides, these record labels,
00:12:48they're full of whack-ass scam artists
00:12:50just waiting to take advantage of a young buck like you.
00:12:53Well, I ain't exactly no young buck.
00:12:55You still workin' with your pops?
00:12:58Sampling the product?
00:13:00It's homey.
00:13:02Dealing only leads down one path.
00:13:04So help me get another path.
00:13:06There's a path.
00:13:13Thank God, yes.
00:13:17Yo, Shorty.
00:13:19I heard you singin' over there.
00:13:21It was fresh.
00:13:22You from around here?
00:13:23We're on the way.
00:13:24Hell's Kitchen.
00:13:25Word.
00:13:26Well, look, I got this joint
00:13:27that I've been workin' on for a minute.
00:13:28Hey!
00:13:29Don't be pushin' over there.
00:13:30Whoa!
00:13:31I'm tryin' to talk to her.
00:13:32You know what I'm sayin'?
00:13:33Guys.
00:13:34We ain't even tryin' to holler at you.
00:13:35Look, bro.
00:13:36Homie.
00:13:37I got a band,
00:13:38and we need a lead singer.
00:13:39Jelly Bean told me that you was lookin'.
00:13:42Got a few producers that are interested,
00:13:43you know, if you wanna audition.
00:13:45My name's Mike Hughes.
00:13:46Here's my number and address to the recording studio.
00:13:49Play drums.
00:13:51Maybe we can make some music together.
00:13:53Just music, man.
00:13:54Time to go.
00:13:58You ain't goin' to no audition with that guy.
00:14:00No, of course not.
00:14:02I know that.
00:14:04Hey.
00:14:05Hey.
00:14:06Hey.
00:14:07There's someone I want you to meet.
00:14:08Come over here.
00:14:09This is Rocco.
00:14:10He's the manager.
00:14:11Hi.
00:14:12Rocco, we just need five minutes.
00:14:13You got three, Mike.
00:14:14Okay, Lisa, come on.
00:14:15I have someone I want you to meet.
00:14:16This is Spanador.
00:14:17Nice to meet you, Spanador.
00:14:18Hey.
00:14:19Nice to meet you, Spanador.
00:14:20I heard you can sing.
00:14:21I heard you can play.
00:14:22Yeah, yeah, let's go.
00:14:23Um, did you practice a song?
00:14:24Mike wrote it.
00:14:25Yeah, I worked in the last night.
00:14:26Ready?
00:14:27Yeah.
00:14:28Let's go.
00:14:29Yeah.
00:14:30When do you think you're going to record the song?
00:14:31Ah, no booth.
00:14:32One mic.
00:14:33See what you got.
00:14:34The booth.
00:14:35Come on, man.
00:14:36Guys, hey.
00:14:37Just listen to him.
00:14:38Come on.
00:14:39Ah.
00:14:40Ah.
00:14:41Ah.
00:14:42This is Spanador.
00:14:43This is Spanador.
00:14:44Nice to meet you, Spanador.
00:14:45Hey.
00:14:46Nice to meet you, Spanador.
00:14:47Hey.
00:14:48I heard you can sing.
00:14:49I heard you can play.
00:14:50Yeah, yeah, let's go.
00:14:51Um, did you practice a song?
00:14:52Mike wrote it.
00:14:53Yeah, I worked in the last night.
00:14:54You ready?
00:14:55Let's go.
00:14:56Yeah.
00:14:57When do you think you're going to record the song?
00:14:59Ah.
00:15:00No booth.
00:15:01One mic.
00:15:02See what you got.
00:15:03The booth.
00:15:04Come on, man.
00:15:05See what you got.
00:15:06Ahhh.
00:15:30Thanks.
00:15:31I'm going to let you know.
00:15:33Come on man.
00:15:34Let's get up with the room.
00:15:35We gotta go. We got other stuff to do.
00:15:37Hey.
00:15:39Why don't you play a song you know?
00:15:41Something you're comfortable with.
00:15:43Hey, guys.
00:15:45Back her up, whatever she wants.
00:15:47Yeah, of course.
00:15:49So what you want to sing?
00:15:51Hey, guys, look. Let's give another shot.
00:15:53Something she know.
00:16:05Ooh.
00:16:07Ooh.
00:16:09Ooh.
00:16:11Ooh.
00:16:13Ooh.
00:16:15Uptown, downtown, the funk is on the move.
00:16:19Cartier and Louis V is sure to set the mood.
00:16:27When we're alone in your mind,
00:16:33only a fool would ever try to hide.
00:16:38Let your holder struggle again,
00:16:40leave me in the air feeling high.
00:16:48Ha, ha, ha.
00:16:50Yeah.
00:16:51What about Hell's Kitchen's trio?
00:16:53Wow.
00:16:54No, that sounds like my abuelo's band or something like that.
00:16:56Wow.
00:16:57I didn't think you could get any worse than your last suggestion,
00:16:59but what?
00:17:00It's gotta be slick.
00:17:01It's gotta be, you know, something that screams we're all about culture, hip-hop, and music.
00:17:06And that we can jam.
00:17:07Yeah.
00:17:10Cult jam?
00:17:11That's fly.
00:17:12Mm-hmm.
00:17:13I got it.
00:17:15Lisa and cult jam.
00:17:17Okay.
00:17:18I'm feeling it.
00:17:19All right, but it needs that extra flavor, you know?
00:17:22Because Lisa ain't your everyday girl.
00:17:24That's what I'm saying.
00:17:25Mm-hmm.
00:17:26Mm-hmm.
00:17:27No.
00:17:28She's not.
00:17:29Oh.
00:17:30No.
00:17:31Lisa.
00:17:32Ain't your everyday girl?
00:17:33She's uniquely blessed.
00:17:35How about...
00:17:37Lisa...
00:17:38Lisa...
00:17:40and cult jam?
00:17:42Yo.
00:17:43That's fresh?
00:17:44Right?
00:17:45Don't you think, Lisa?
00:17:47Yeah, it's a joint.
00:17:48I'm down.
00:17:49We got a name.
00:17:51Lisa, Lisa and cult jam!
00:17:53I wonder if I take you home
00:17:55Would you still be in love, baby?
00:17:58Because I need you tonight
00:18:00I like the bass and that progression
00:18:02I wonder if I take you home
00:18:03You're welcome
00:18:04Would you still be in love, baby?
00:18:06Because I need you tonight, oh-oh-oh-oh
00:18:14Brothers are some of the best producers in town.
00:18:17This is great, Barry.
00:18:18Thank you so much.
00:18:19Yes.
00:18:20Lisa!
00:18:22Sweetheart!
00:18:23You're incredible.
00:18:25That sound is amazing.
00:18:28The men...
00:18:29The men are going to go gaga for you.
00:18:33I told you.
00:18:34Yeah, you did.
00:18:35So what's next?
00:18:37Tour?
00:18:38Let's not get ahead of ourselves.
00:18:41Typically, we test the song.
00:18:43See how it lands in different markets
00:18:45Before we actually sign an artist.
00:18:48How do you do that?
00:18:50We send the record to a few friendly DJs in the UK.
00:18:54And we'll be right back with Radio FM UK.
00:19:03The label better not have sent me rubbish like the last time.
00:19:06That was pure yank nonsense.
00:19:10I mean, if it hits, we start talking contracts.
00:19:13If not, you know the music world is littered with one hit wonders.
00:19:18Who is this again, mate?
00:19:22A lot of them crash and burn.
00:19:24Don't worry.
00:19:25Rocco here is gonna make sure everything runs smoothly.
00:19:29Isn't that right, Rocco?
00:19:30Yep.
00:19:31So it's my job to book you gigs, find the producers, and work on promotions.
00:19:36Hey, Mommy!
00:19:37Did you find it all right?
00:19:38Yeah.
00:19:40Hello, man.
00:19:43Hello, Mom.
00:19:44Pleasure to meet you.
00:19:45Me too.
00:19:46Barry Connor.
00:19:47I just have a few papers that need your signature.
00:19:50Let's step out for a second.
00:19:52Okay.
00:19:54I'll catch right up to you.
00:19:57Okay.
00:19:58Turn it back on, bro.
00:19:59Maybe, uh...
00:20:00You know that we can't proceed unless she signs, right?
00:20:04I mean, it's just too much risk with an underage artist.
00:20:07So walk her through it, okay?
00:20:10Oh, yeah.
00:20:12Do we need a lawyer or anything?
00:20:14No.
00:20:15The contracts are standard.
00:20:16New artists usually sign as is.
00:20:18Oh, cool.
00:20:22Let's run this.
00:20:23I love a beat.
00:20:26But what?
00:20:27I don't know what it is.
00:20:30Please, Mommy.
00:20:32No.
00:20:33I don't know him.
00:20:35I don't know what I'm signing.
00:20:36What if something happens?
00:20:37Nothing is gonna happen.
00:20:38I do, Nena.
00:20:40I see how they look at you.
00:20:42I know what these men want.
00:20:44And it's not just your voice.
00:20:45No, you don't know what they want, Mommy.
00:20:47Look!
00:20:48Lisa!
00:20:50Everything okay?
00:20:51Yeah.
00:20:52We're almost done.
00:20:53I'm a singer.
00:20:54I need to be singing.
00:20:55I can move us to a better neighborhood.
00:20:56And you won't even have to work anymore.
00:20:57Lisa, that's not your job.
00:20:58You once told me to never count on someone to take care of me.
00:20:59Hmm?
00:21:00You said to do it yourself.
00:21:01So this is me doing it myself.
00:21:03And I can't do it myself.
00:21:04And I can't do it myself.
00:21:05I can't do it myself.
00:21:06I can't do it myself.
00:21:07I can't do it myself.
00:21:08And I can't do it myself.
00:21:09And you won't even have to work anymore.
00:21:10Lisa, that's not your job.
00:21:11You once told me to never count on someone to take care of me.
00:21:13Hmm?
00:21:15You said to do it yourself.
00:21:17So this is me doing it myself.
00:21:21All right, we need to get you guys back in the studio right away.
00:21:47Contracts are signed.
00:21:51You go home, celebrate, tomorrow we get to work.
00:21:56Come on, go, motherfucker.
00:21:57Listen, hotness, kid.
00:21:58That's what I'm talking about.
00:22:00Come on.
00:22:01Hey, sweetheart.
00:22:02Sweetheart.
00:22:03Lisa.
00:22:04Can I talk to you a second?
00:22:05Yeah.
00:22:06There's a lot of work, time, and money that goes into making you a star.
00:22:10I need to make sure I'm not wasting any of that, so you're not pregnant or nothing, right?
00:22:16Pregnant?
00:22:18I'm 15.
00:22:19Well, like I said, there's a lot that goes into young stars.
00:22:22I need to make sure I'm not wasting it.
00:22:25I don't need a pregnant teenager on the road.
00:22:27You got me?
00:22:28Well, you don't have to worry about me, Mr. Khanna.
00:22:30I'm locked in.
00:22:31Good answer.
00:22:33And call me Barry.
00:22:36Yes, sir.
00:22:38Uh, Barry.
00:22:41I gotta go.
00:22:43My mom's waiting for me.
00:22:44Okay.
00:22:45Yo, Lisa, you ready?
00:22:46We gotta go.
00:22:47Yo, Lisa, we gotta go.
00:22:49Yo, Lisa, we gotta go.
00:22:51Yeah, yeah, I'll be right there.
00:22:53Hi.
00:22:54Hurry up.
00:22:55We gotta get going.
00:22:56Let's get now.
00:22:57I know.
00:22:58Huh?
00:22:58Oh, that's what was taking you so long, huh?
00:23:03Wow.
00:23:04Yo, Lisa, in a month, every girl's gonna be covering her eyes trying to look just like you.
00:23:25Baby, I know you're wondering why I won't go over to your place.
00:23:35In California, Governor Jerry Brown won the Democratic nomination on the 160th day of 1982,
00:23:40in case you're coming.
00:23:41Time that some people were reminded that actors are people.
00:23:46So what does this mean for AIDS patients in this country?
00:23:49Pittsburgh beat the New York Mets.
00:23:51Hello, Pittsburgh.
00:23:526-2.
00:23:53And the Los Angeles Lakers won their second national basketball championship.
00:23:58Three in six years.
00:24:00L.A. comes to Boston and wins the world title.
00:24:05Oops!
00:24:06Oops!
00:24:07What you know about that stuff, man?
00:24:09You know the slider, though?
00:24:10I know!
00:24:11I know!
00:24:12Yo, ain't that the band on TV?
00:24:14Oh, I was that snazy.
00:24:16Oh, uh, what's up?
00:24:18Hi.
00:24:19Oh, thank you so much.
00:24:20Uh-huh.
00:24:21Yeah.
00:24:22What's up, baby?
00:24:23What's your name?
00:24:24What's up?
00:24:25You're looking mad good.
00:24:26My name's Javi.
00:24:27Take my number.
00:24:28What, you got a problem with it?
00:24:29What?
00:24:30What?
00:24:31What, you got a problem with it?
00:24:32What?
00:24:33What?
00:24:34Put lines wrapped around the block.
00:24:35Lisa, Lisa, Lisa, in a cold jam, a catapult and freestyle.
00:24:36From New York's underground clubs into mainstream.
00:24:37You got a problem with it?
00:24:38What?
00:24:39What?
00:24:40You got a problem with it?
00:24:41What?
00:24:42You got a problem with it?
00:24:43What?
00:24:44What?
00:24:45What?
00:24:46What?
00:24:47You got a problem with it?
00:24:48What?
00:24:49We got a problem with it, what?
00:24:56Put lines wrapped around the block,
00:24:58Lisa Lisa in a cult jam, a catapult and freestyle.
00:25:02From New York's underground clubs into mainstream fame,
00:25:05and they are about to go national, baby,
00:25:07on Top American Countdown,
00:25:09a show that has taken some of the hottest stars of today
00:25:12and catapulted them into the stratosphere.
00:25:14And today is Lisa Lisa's turn.
00:25:16This is That Lover.
00:25:17You already know what it is.
00:25:19Back to you.
00:25:19Come on, make some noise on it.
00:25:22Come on.
00:25:22Come on, Lisa Lisa, baby.
00:25:25Every home in America watches the bands on this show,
00:25:28and Chuck Ryder is a titan of the industry here.
00:25:31If you don't screw up tonight,
00:25:33America will love you by tomorrow.
00:25:37Hey, where's Crafty at?
00:25:41All right, starlings.
00:25:43It's showtime.
00:25:44It feels like someone died in here.
00:25:50I'm just nervous, that's all.
00:25:53Are you ready?
00:25:57Yeah, we're right here.
00:26:00Oh, we got it.
00:26:00Yeah, come on.
00:26:01Oh, okay, I meant just you.
00:26:05Chuck likes a little personal touch,
00:26:07a little pre-show interview.
00:26:09I'm sorry, fellas,
00:26:11but don't worry,
00:26:12you can watch her right here on the live feed.
00:26:15No, but we're a band.
00:26:16And you'll play as one.
00:26:17Just a quick chat before with you.
00:26:22Let's go.
00:26:28Ladies and gentlemen,
00:26:30from Lisa Lisa and Cult Jam,
00:26:32please welcome Lisa Lisa.
00:26:34Welcome to the show.
00:26:48So, how are you doing today, Lisa?
00:26:50Well, I'm great.
00:26:50Very excited to be here.
00:26:52And how does it feel to be in this position?
00:26:54Well, it's a dream come true.
00:27:04Tony, I thought you weren't dealing.
00:27:10Look, I'm not, man.
00:27:11I'm networking.
00:27:12You never know where the next gig's gonna come from.
00:27:14Besides, I think this dude right here,
00:27:15he knows some record execs.
00:27:17Right.
00:27:18Sure.
00:27:22Got a line on a gig.
00:27:24Word, an audition.
00:27:26New band looking for backup singers.
00:27:29Man, I'm not backup.
00:27:30Tony, no.
00:27:32But look where you are.
00:27:34It's gotta be this game.
00:27:37Hey, you wanna spend your whole life
00:27:39looking over your shoulder?
00:27:40Just because it didn't work out last time
00:27:42doesn't mean you quit.
00:27:44Doesn't mean you stop trusting people.
00:27:47It's show business.
00:27:49It's the music game.
00:27:50And the music game
00:27:51takes time.
00:27:56Think about it.
00:27:57Think about it.
00:28:00All right.
00:28:01Peace.
00:28:02Peace.
00:28:04You ain't back.
00:28:08I ain't back.
00:28:09Not for long.
00:28:14Mike, listen, I got this.
00:28:15Figure it out.
00:28:16All right.
00:28:17Sponidor.
00:28:17Where's it gonna go with number two?
00:28:19No, number two is not gonna work, bro.
00:28:20We need another audition.
00:28:22She looks the best.
00:28:23It doesn't matter if she looks the best,
00:28:24but we need another audition.
00:28:25We don't have time for another audition.
00:28:27Well, I don't know what you want me to say,
00:28:28but not one of them blend with our sound.
00:28:30Word.
00:28:31What do we do, Alex?
00:28:32We're going tour in a month.
00:28:33Well, we keep searching.
00:28:35We already behind on schedule.
00:28:37We either pick a team today or we push.
00:28:40The label not waiting on us.
00:28:42We got bands lined up right now that's ready to go.
00:28:46All right, Rocco.
00:28:46Just give me another hour.
00:28:47I can find some ladies.
00:28:48I'll go around to fit that, Baptist.
00:28:50I'll find you a whole lot of girls who can sing best music.
00:28:52Make an executive decision.
00:28:53We're going with number two.
00:28:54No, we're not going with number two.
00:28:55Are we going with two?
00:28:56It's all good.
00:28:57Are we going with two?
00:28:58I think I've seen her landmark.
00:29:28Hey, pack your bags, folks, because we're going on tour.
00:29:37Cigarettes don't affect your voice?
00:29:39No.
00:29:40I mean, they actually give it a little raspy bass.
00:29:42I don't mind having it.
00:29:43Those things will kill you, you know.
00:29:44Well, whenever the government comes out with a study saying these are bad for you, I'll stop.
00:29:50I'm Lisa.
00:29:52Tony.
00:29:53How long are you visiting you for?
00:29:55I grew up sitting in those street corners.
00:29:58Ah, me too.
00:30:00Listen, you know it's not going to be what you think it is, right?
00:30:05What's that?
00:30:06I mean, this music industry.
00:30:08You know, it's just like the streets.
00:30:10Use it or it'll use you.
00:30:12So you've got to watch yourself.
00:30:13Everybody's going to try to take a piece of you, and you can't let them.
00:30:16Now, where are you going?
00:30:18Look, I mean, most of these dudes want a backup singer that's something to look at.
00:30:23And I'm not that.
00:30:25Then why'd you come?
00:30:26Because I promised a friend.
00:30:29But I know the game.
00:30:33Don't smoke these menthols on the road.
00:30:36They'll mess up with your boys.
00:30:37And I can't have that.
00:30:41Whatever.
00:30:42I was trying to quit anyway.
00:30:45Hey.
00:30:46Go home.
00:30:47Pack a bag.
00:30:48Because it's going to be a ride.
00:30:49Come on, baby.
00:30:58We're done, sir.
00:31:00Yeah, baby.
00:31:00A little longer, okay?
00:31:01You gotta go.
00:31:03Come on.
00:31:06I mean, what's this about?
00:31:08Come on, you know.
00:31:09Baby, no, no, no.
00:31:11They're going to have to, you know, check my makeup again.
00:31:14Stop.
00:31:15I thought we had dinner plans tonight.
00:31:17Yo, this city's so crazy sometimes.
00:31:20I almost had to scrap with a bunch of teenagers.
00:31:22Excuse me.
00:31:23Okay.
00:31:23Signatures.
00:31:25Okay.
00:31:25More promotional tours means more papers to sign.
00:31:30Again?
00:31:30Hey, that's the life of a big star.
00:31:33Jesus Christ.
00:31:34Wow, a commercial?
00:31:36Yeah.
00:31:38We rearranged a few things so, you know, you could sneak it in.
00:31:43Well, I was supposed to go home after this set.
00:31:47Mm-hmm.
00:31:47I haven't seen my family in a year.
00:31:50This is a national commercial.
00:31:52It's a lot of money.
00:31:54I just, it's been concert after concert.
00:31:58You said you wanted to be a star, right?
00:31:59This is the pace you have to work at.
00:32:02So, give her creative control.
00:32:05Yeah, that's not the way we do things around here, but thanks.
00:32:08Do it anyway.
00:32:10Yeah.
00:32:11I want creative control.
00:32:13Lisa.
00:32:14I want to start putting my stamp on this.
00:32:16I want to get involved in the creative.
00:32:19I want to help with the set design and the choreography and to pick up the dancers, right?
00:32:24Yeah, she does it anyway.
00:32:29Of course, you'll be involved.
00:32:37Let's go.
00:32:38Let's get to work.
00:32:39Yo, sweetheart, are you ready or what?
00:32:40In a minute, baby.
00:32:41The record label needs you, all right?
00:32:43This is not the other way around.
00:32:44I want you.
00:32:45All right, perfect.
00:32:45You know what?
00:32:46I want to go.
00:32:47Hurry up.
00:32:48Hold on, man.
00:32:49Lisa, come on.
00:32:49Here's your hand right here.
00:32:51Tyra, you ready?
00:32:51Come on.
00:32:52Let's go.
00:32:52Look at the camera.
00:32:53Three, two, one.
00:32:58Perfect.
00:32:58Hold on.
00:32:59Lisa, listen.
00:32:59All right, hold on.
00:33:00Hold on.
00:33:00Can I get an idea, please?
00:33:02No.
00:33:03My idea is something.
00:33:04Tell us kitchen tree, little girl.
00:33:06Are you for her?
00:33:06No.
00:33:07All right, bro.
00:33:08You know she's not part of this group, right?
00:33:10What do you mean?
00:33:11Yo, I'm right here.
00:33:12You could say it to my face.
00:33:13I'm talking to Lisa.
00:33:14What's your problem?
00:33:15The problem is we don't need any more voices offering their opinions on music, fashion, and photo
00:33:20shoots.
00:33:20Fellas, let's take a little break.
00:33:23What do you mean, break?
00:33:24Yeah, I had some fly spandex I wanted to flash, man.
00:33:27Nobody want to see you with no spandex.
00:33:30You know, we're just going to focus on a few shots of Lisa alone.
00:33:33Why don't you guys go to craft service, grab a coffee?
00:33:39Hey, yo.
00:33:40This was your band, Mike.
00:33:42You got two little girls telling you what to do.
00:33:44One is just the background segment.
00:33:50I know.
00:33:55All right, wait a second.
00:33:56Wait a second.
00:33:57Hey, you're good?
00:33:59You're good?
00:34:00Hey, man.
00:34:08Yo, Rick.
00:34:09Let me talk to you for a second.
00:34:12Of course.
00:34:13I just want to make sure you know that we're a band.
00:34:17I know Lisa is going to get all the attention since she's the lead singer.
00:34:21But anything that we should be doing, we should be doing together.
00:34:25Interviews.
00:34:26Photo shoots.
00:34:29Everything.
00:34:32All right.
00:34:34Is that all?
00:34:35Yeah.
00:34:41Good to hear.
00:34:43Catch up with you on tour.
00:34:45Keep up the great work, fellas.
00:34:48Fantastic shoot today.
00:34:51Fantastic.
00:34:54Hit the beat now.
00:34:57That's dope.
00:34:58Why does she have to redo it?
00:35:00Yeah, I mean, it still needs a final mix, but we're close, Tony.
00:35:02We're close.
00:35:03Come on.
00:35:03We got it.
00:35:04We got it.
00:35:04Sounding good.
00:35:10Sounding good.
00:35:12What's going on?
00:35:13Hey, Lisa.
00:35:15You're crushing that track.
00:35:18Come join us.
00:35:19Okay.
00:35:22Guys, the label's happy.
00:35:25So I'm happy.
00:35:26That's good.
00:35:28I know I don't have to tell you things are different now.
00:35:31We're playing in bigger venues.
00:35:32You guys are going to be on the road longer.
00:35:34That means more money.
00:35:36More money.
00:35:37Hey.
00:35:38So you have to stay focused.
00:35:40You're not stars yet.
00:35:42Speak for yourself.
00:35:43Ha!
00:35:44I'm a star.
00:35:44I don't speak a star.
00:35:46All right, guys.
00:35:47Hey.
00:35:47Great job today.
00:35:48Get out of here.
00:35:49See you tomorrow.
00:35:50Wait.
00:35:50Hey, I'm going to go to the county and get my tea.
00:35:54Hey, Lisa, do you have a moment?
00:35:56Yeah, sure.
00:35:58It's business.
00:36:02Baby, I'll see you in a car in a second, yeah?
00:36:03I'll get the car.
00:36:09Don't be long.
00:36:10Baby.
00:36:14So, Rocco, I think...
00:36:15So I picked up some papers.
00:36:17I just need you to go over some of it.
00:36:20If you need help, I can go over it with you.
00:36:24Yeah, I can take a look at it later.
00:36:27I should probably get over.
00:36:28Hey.
00:36:31I don't know what I asked you.
00:36:33Wait, Rocco, stop.
00:36:35That's looking good.
00:36:36Come here.
00:36:38Hey, what the hell are you doing, Rocco?
00:36:40Stop.
00:36:41No, stop, Rocco.
00:36:42You're playing too much.
00:36:44Hey, Rocco!
00:36:45Wait, stop!
00:36:47What are you doing?
00:36:49What's that all about?
00:36:50Stop playing.
00:36:52You stop doing...
00:36:53Rocco, stop.
00:36:54I've been thinking about you all the time.
00:36:56Stop!
00:36:57Rocco!
00:36:58You played too much.
00:37:02See you later.
00:37:10You good?
00:37:19Yeah.
00:37:21You sure?
00:37:22I said I'm good.
00:37:23Just leave me alone, okay?
00:37:24Right, all right.
00:37:24Whatever.
00:37:25Jeez.
00:37:25You ready to go spend some money?
00:37:42Hell yeah!
00:37:44Woo!
00:37:45Okay.
00:37:47Wow!
00:37:48No, this is it.
00:37:50One.
00:37:51Right?
00:37:52Oh, I love this car.
00:37:54What?
00:37:57I know.
00:37:58Do you take cash or check?
00:38:00Yeah, which one is it?
00:38:01I guess I pass the test.
00:38:03Doesn't matter.
00:38:04I love this.
00:38:08Woo!
00:38:09Oh, yeah!
00:38:10Yeah!
00:38:10Yeah!
00:38:11Yeah!
00:38:14But you had something in mind for us.
00:38:19When I look into your eyes, I can't stop the rhythm.
00:38:24Should have known it only was a daydream.
00:38:26What did I expect, giving you my heart, and just play it out for you?
00:38:35Hey, Lisa, let's get out of here, let's go.
00:38:39Come on, I don't got old things.
00:38:41Yo, this is fly.
00:38:42Right?
00:38:43What?
00:38:44Nikki, can you find me this and a medium, please?
00:38:47You look amazing.
00:38:49Oh, my God.
00:38:50Where's the guy?
00:38:51How's it happy?
00:38:52We gotta go.
00:38:53Oh, I'm sorry.
00:38:54I love you.
00:38:55Love you, too.
00:38:56I'm sorry.
00:38:57Hope you see everyone on my tour.
00:38:58Get back, get back, get back.
00:38:59Hey, get back.
00:39:00Chill, chill, chill.
00:39:01Watch out.
00:39:02Come on, come on.
00:39:03Sorry, guys.
00:39:04So nice to meet you.
00:39:07Wow.
00:39:10Please, I love you.
00:39:11It's the first time Mommy will come see me.
00:39:13No, just get on the train and come on.
00:39:20Mommy!
00:39:22Mommy!
00:39:24Hi, Mama.
00:39:25I'm so glad you're here.
00:39:27You're beautiful.
00:39:28Oh, my God.
00:39:29You lost weight.
00:39:30I've got a surprise for you.
00:39:31Yeah?
00:39:32I'll show you after the show.
00:39:33Come on.
00:39:34Okay.
00:39:39This is for you.
00:39:41What do you mean?
00:39:44It's yours.
00:39:47No, I can't believe this.
00:39:50Did you see what Lisa bought me?
00:39:51Oh, my God.
00:39:52Why did you do this?
00:39:53You know we were all saving up the bitch in and buy her car.
00:39:55I know.
00:39:56I know.
00:39:57I just wanted to do this for her.
00:39:58No, no.
00:39:59That's not the point.
00:40:00Why can't you just be proud of me?
00:40:01For once in your life, didn't you just say, I'm proud of you, Lisa?
00:40:04Why can't you do that?
00:40:06It kills you to think that I can leave and do something more and you're just stuck here?
00:40:09You don't know what you're talking about.
00:40:11Oh, my...
00:40:14Look at her.
00:40:15Just let her have this.
00:40:19Mommy, look at this.
00:40:22The power's here.
00:40:23Oh, and check the glove company.
00:40:25Yeah.
00:40:26Yeah.
00:40:34What is that?
00:40:35This...
00:40:36This...
00:40:37This isn't...
00:40:38What is it?
00:40:39This...
00:40:40Well, thank you, God.
00:40:43Thank you, God.
00:40:46Glory to God.
00:40:49I bought the house.
00:40:51It's yours, Mommy.
00:40:53Oh, my God.
00:40:54Forever.
00:40:56No one can take it away from you.
00:40:59You don't gotta worry about anything ever again.
00:41:03Oh, my God.
00:41:04My mommy.
00:41:05Well, everything's just perfect now, isn't it?
00:41:08Eladio.
00:41:11Eladio!
00:41:14I miss you.
00:41:15I love you, but I can't be sitting around waiting for you. You heard?
00:41:18Okay.
00:41:19You know how my job is.
00:41:21And I told you you can come on the road with me.
00:41:23You know?
00:41:24I'm not gonna follow you around like a little pet, okay?
00:41:26I'm a man.
00:41:27I know.
00:41:28I know you are.
00:41:29And I need to work.
00:41:30Okay?
00:41:31And I've been trying to be supportive.
00:41:34Let me tell you something.
00:41:35When you're gone, I feel like my only job is to wait on the phone.
00:41:40Mommy!
00:41:41And I mean what?
00:41:42That's the only thing I've been doing these past few months.
00:41:44I'm surprised you remember it was my damn birthday.
00:41:46Yeah.
00:41:47I told you.
00:41:48I'm working.
00:41:49Mm.
00:41:50I don't know how many times we have to have the same argument over and over again.
00:41:55Does working include letting a bunch of guys all up in your grill?
00:41:58What the hell are you talking about?
00:42:00Let them touch you, feel all over you.
00:42:03Is that what you like?
00:42:04Okay, I don't know where this is coming from, but you bugging me.
00:42:06Oh, yeah?
00:42:07I'm bugging?
00:42:11Stop.
00:42:12Javi, wait, wait!
00:42:13What?
00:42:14What do you want?
00:42:15What do you want?
00:42:16What do you want from me?
00:42:17You want to be with me?
00:42:18Of course.
00:42:21Marry me.
00:42:25I love you, okay?
00:42:27I do.
00:42:29But I don't want to sit here wondering if you're mine.
00:42:36Baby, I'm yours.
00:42:38Yeah.
00:42:39Then marry me.
00:42:40Marry me, or I'll go home, pack my things, and leave.
00:42:43Because as is, this isn't going to work.
00:42:51It's your choice.
00:42:54Okay.
00:42:57Okay.
00:42:59Really?
00:43:01Let's get married.
00:43:03It's okay!
00:43:04Stop it!
00:43:05What?
00:43:06What?
00:43:07We're getting married?
00:43:08You out of your mind?
00:43:09What is your problem?
00:43:10Lisa, you guys are 20 years old.
00:43:13How do either of you know what a commitment is?
00:43:16You guys are just two kids playing house.
00:43:18Don't do this.
00:43:19Wait until you're older and out of this game.
00:43:22You don't understand, Eladio.
00:43:23All the time it's the same thing.
00:43:24No, no, no, no.
00:43:25I understand plenty.
00:43:26You trust people when you shouldn't.
00:43:28Mami, say something, por favor.
00:43:30Mamita, please.
00:43:31Why?
00:43:32Why do you want to get married so young?
00:43:37I love him, Mami.
00:43:38Oh, you know it's love.
00:43:41Nana, you will find someone who will love you.
00:43:48You will.
00:43:49No.
00:43:50I saw it in my dreams.
00:43:52A man who will love you.
00:43:54Who you will have children with.
00:43:59But it's not Javi.
00:44:00Yi yi change.
00:44:03Yei!
00:44:06tera!
00:44:07How do you feel?
00:44:12How do you feel?
00:44:13Wow!
00:44:14Well, hello!
00:44:16Visible with the drummer.
00:44:18Thanks a lot.
00:44:20We talking to Keitha tooth,
00:44:21Fine.
00:44:22Yes.
00:44:24Will you feel great?
00:44:25Can't be bekannt.
00:44:26I live in your bed.
00:44:29Lisa Lisa of Lisa Lisa and the Colt Jam began simply as Lisa, a young Puerto Rican girl who
00:44:51dreamed of being a singing sensation. That dream started to come true in 1985 when a music producer
00:44:57group when looking for a female lead and stumbled across the 16-year-old singing. In that same year,
00:45:03they renamed the band Lisa Lisa and Colt Jam, producing three top-selling hits which brought
00:45:09the band to platinum status. Both Lisa and the band attribute their success to their streetwise sound.
00:45:20Lisa Lisa has been compared with other top-selling artists such as Debbie Gibson, Paula Abdul,
00:45:24and even Madonna. Their most recently released album is purposefully called Straight to the Top,
00:45:32a place where Lisa Lisa and Colt Jam hope to be for a very long time.
00:45:38Man, I'm glad I ain't got no sisters. Wake up. There they are.
00:45:44Okay, listen. Shaving is like farming. You better start with little strokes and go up each side.
00:46:00Like that. I can't believe you never did this before. Don't you have sisters?
00:46:06No.
00:46:07You got me now. Hello? Oh, hey, babe. Of course, I'm in my hotel room. Where else would I be?
00:46:21Oh.
00:46:28All right.
00:46:29Well, I'll be home in two weeks.
00:46:35Okay.
00:46:37I love you.
00:46:47He's going out with his boys again, huh?
00:46:50Yeah.
00:46:53It's the third time this week.
00:46:55I think it's funny, huh? He always wants to know where you're at,
00:46:57but you never ask him where he's going.
00:47:00No need.
00:47:01I trust him.
00:47:03Javi!
00:47:05I'm home!
00:47:16Baby!
00:47:16Baby!
00:47:27You know, if Barry finds out...
00:47:34I know.
00:47:34You know, if Barry finds out...
00:47:36I know.
00:47:36Are you sure it was positive? Like, does your mom know? What'd she say?
00:48:02She said not to have his child.
00:48:14She said that he reminded her of my dad, and...
00:48:17And reminded me what a mistake it was to marry him.
00:48:22I don't know.
00:48:22Maybe I loved him because I wanted a man to love me.
00:48:31But my father didn't do it.
00:48:33Why don't you ever talk about your family?
00:48:47Ain't nothing to talk about.
00:48:52What do you do when you go back home? Where do you go?
00:48:54I got places.
00:48:55Look, I mean, most kids...
00:49:01Most kids have memories of being a kid.
00:49:05Like, happy memories of love and their parents and family, and...
00:49:10I just don't got that.
00:49:13And I'm okay with it.
00:49:16That's why I enjoy moments like this.
00:49:19Making new memories.
00:49:21Time with you.
00:49:22One of my best friends.
00:49:23One of your best friends.
00:49:27I better be at the top of that very short list.
00:49:30Look, see, that's...
00:49:31Miss Tony.
00:49:32That's why I should have never said nothing.
00:49:35Aw, you call me your best friend.
00:49:37You're so cheesy.
00:49:38That's why I don't open up to people, okay?
00:49:42Seriously, though.
00:49:44What are you gonna do?
00:49:48I can't have a baby.
00:49:51They'll lose everything, Tony.
00:49:53I'm gonna help you.
00:50:04Can you just...
00:50:05Can you just leave me on it for a minute?
00:50:07Like it is...
00:50:09The more I think about
00:50:13How much I let me down
00:50:17I need a new day to start fresh
00:50:21Time to get back to me
00:50:24Gotta go
00:50:25Yes, I know it
00:50:27Hey, but you see Shorty over there?
00:50:36You think I'll get her a little drink?
00:50:38I mean, she look good, but I mean, it's up to you, really.
00:50:41Come on.
00:50:41Yo, what up, Tony?
00:50:42What's up?
00:50:43Damn.
00:50:44Girl, you look busted.
00:50:45You go get some sleep.
00:50:47Trying to, then.
00:50:49Needed a little something.
00:50:50How's Lisa?
00:50:52I know she wasn't feeling well.
00:50:53She's good.
00:50:54You sure?
00:50:55Yeah, she's tired.
00:50:56That's all.
00:50:57So I think Javi's on the outs.
00:50:58Thank God.
00:51:00Hated that dude.
00:51:01Yo, what can I get for you?
00:51:03Bartender, let me get, um, uh...
00:51:04Let me get a whiskey.
00:51:06Double.
00:51:07Oh, damn.
00:51:09You drink like a dude.
00:51:10You flirt like one, too.
00:51:28Excuse me, fellas.
00:51:30That's some business to take care of.
00:51:38Oh, no.
00:51:39Come on.
00:51:40Oh, come on.
00:51:41Damn.
00:51:43Oh, Mike.
00:51:45Mike, man.
00:51:45She's stealing your girl.
00:51:47Again.
00:51:49I gotta use a baffle.
00:51:51Mary, snap out of it.
00:51:53Why am I paying a tab on time?
00:51:56I got it, I guess.
00:52:06Under the pale moon rising
00:52:08A minute to midnight
00:52:11Yeah, we know
00:52:13Time is running out
00:52:15Never mind
00:52:19Keep on smiling
00:52:21Now, Lisa, it's important
00:52:23Now, Lisa, it's important that you
00:52:24Listen to what I have to say, okay?
00:52:26Okay.
00:52:27We just got your results back
00:52:29And, uh, it says that you have
00:52:33Reductal carcinoma breast cancer
00:52:35You'll need to start treatment right away
00:52:39Have work
00:52:41I have to travel for a few concert dates
00:52:45I'm afraid that's not possible
00:52:47I'm afraid that's not possible
00:52:47If you don't treat it now
00:52:48The chances of it spreading rapidly increase
00:52:51Limiting the chances of survival
00:52:53Survival?
00:52:56Mm-hmm
00:52:57I can't stop touring
00:53:02I lose everything
00:53:05Is there someone we can call?
00:53:07No
00:53:08No one
00:53:09No, no, I don't want anyone
00:53:11To know about this
00:53:13Doctor, can we prepare a travel kit
00:53:18For her to do treatments?
00:53:19Yeah
00:53:19I can coordinate with the hospitals
00:53:23In the cities that she's traveling to
00:53:25And we can monitor her that way
00:53:26That works
00:53:27We can start your treatment tomorrow
00:53:31A word with you, please
00:53:35That is my face
00:53:43Do you understand?
00:53:46Okay, I understand
00:53:47Alright
00:53:48I understand
00:53:48Hey, mamita
00:54:00I know
00:54:03If I stop touring
00:54:06It all stops
00:54:07The music
00:54:10The sponsorships
00:54:11And I just paid off my mom's car
00:54:16Her house
00:54:18You know, I took advancements to
00:54:20I took advancements to make that happen
00:54:26And I can't
00:54:27I can't stop
00:54:28My mommy
00:54:31My mommy's just gonna
00:54:32She was so happy
00:54:34She was so happy
00:54:37I can't stop
00:54:40Do you understand?
00:54:41I can't stop
00:54:42We're gonna fix it
00:54:44We're gonna fix it
00:54:45So that you don't have to stop, okay?
00:54:48You're gonna be okay
00:54:49You're gonna be okay
00:54:52We're gonna pray for you
00:54:54Here, mama
00:54:55Here, here, take this
00:54:57Oh, yes
00:54:58You're gonna be okay
00:55:03You're gonna be okay
00:55:04By the way
00:55:09My daughter
00:55:10She loves your music
00:55:12She does
00:55:16She looks up to you so much
00:55:19A lot of little Latinas look up to you
00:55:22Listen, mama
00:55:26You got this, okay?
00:55:29You're gonna be okay
00:55:30You hear me?
00:55:34Hey, come here
00:55:56We need to have a meeting
00:55:58I've been looking over the contracts
00:56:00And something seems off
00:56:01You notice your pay?
00:56:03Uh, yeah, yeah
00:56:05It's been a little life
00:56:05I haven't thought about it
00:56:07I'm exhausting
00:56:07We talk about it later
00:56:08Tony said that we should
00:56:10Tony's not a part of this band
00:56:12We need to have a conversation between us
00:56:16And just us, Lisa
00:56:18I gotta go, Mike
00:56:19We need to do it soon
00:56:21Look, I'm sick and tired of this, Alex
00:56:26Tony
00:56:27What is this?
00:56:30It's your paycheck
00:56:31Thought I'd hand delivery
00:56:33Why?
00:56:34What do you want?
00:56:35You're not one to beat around the bush
00:56:37Maybe you are
00:56:39I wanted to ask about friendship with Lisa
00:56:42What am I friendship?
00:56:44The reporter was prying the other day
00:56:46Assuming she's a lesbian
00:56:48You know, I corrected her, of course
00:56:49But having those kinds of questions
00:56:52It doesn't benefit anyone
00:56:54It doesn't
00:56:55Back off, Lisa
00:56:58You down?
00:57:02Yeah
00:57:02Yeah, I think so
00:57:04Thanks
00:57:16Hey, you got a lighter on you?
00:57:24Yep
00:57:24Let's make time for a chat
00:57:28Over the break
00:57:29I don't want to see everything slip away over one person
00:57:32We'll have lunch
00:57:35Okay
00:57:36Here for your check
00:57:48I'm gonna need an advance when those jobs rubbed were arranged
00:58:02Sure
00:58:03Got a few bills that popped up
00:58:05Um
00:58:06What upcoming jobs?
00:58:09I don't see anything
00:58:10Oh
00:58:10The commercial
00:58:11I signed the paperwork a while back
00:58:13Ah, here it is
00:58:20It seems like that deal fell through
00:58:23What?
00:58:25Yeah
00:58:25Did they say why?
00:58:28Client pulled out
00:58:29No
00:58:30No, that can be
00:58:32I-I
00:58:32I just spoke to them
00:58:33I had a whole creative
00:58:35Uh, conversation about
00:58:37About the commercial
00:58:38And what I wanted to do with it
00:58:39I-they were excited about us
00:58:41Look
00:58:44I heard Barry said
00:58:46He didn't agree with the creative
00:58:47And that was a deal breaker for them
00:58:49So
00:58:49He turned down the commercial
00:58:51Hmm
00:58:52I'm so sick of this
00:58:55I've had enough
00:58:56Whoa, whoa, whoa
00:58:56Get your hands off of me
00:58:58Mr. Barry
00:58:59How dare you?
00:59:02Uh, excuse me?
00:59:04We are the band
00:59:06You don't turn down a job
00:59:08Without letting all of us decide
00:59:10Okay
00:59:11This is how the industry works
00:59:15You sign the contract
00:59:17You belong to us
00:59:19We decide what's best
00:59:22Or we find another band
00:59:24Who will accommodate us
00:59:25As we need them to do
00:59:26Go home
00:59:33Get some rest
00:59:35You look like hell
00:59:36Yeah
00:59:39Hold on
00:59:40Lisa
00:59:40Remember
00:59:43There's plenty of girls waiting in line
00:59:46To take your place
00:59:47Hey
00:59:50Hey, yeah, no
00:59:52No, I just had to give someone
00:59:53A little attitude adjustment
00:59:54Uh-huh
00:59:55Do you have a phone I can use?
00:59:59Sure, baby
00:59:59It's right here
01:00:05Thank you
01:00:07Lucas
01:00:07We gotta talk
01:00:10I stopped by accounting
01:00:11I pulled up all contracts
01:00:14And?
01:00:15Barry and Rocco
01:00:16Turned down that commercial
01:00:17Man, what the hell are we gonna do?
01:00:20I think we should bring in Toni
01:00:21She's done this before
01:00:23She's a backup singer
01:00:24Period
01:00:24Okay, do you have a problem
01:00:25Without female schooling you?
01:00:26That's your problem
01:00:27Knock it off
01:00:28Both of you
01:00:29We need to figure out
01:00:30How to get out of these contracts
01:00:31Before we tear each other apart
01:00:33They the bad guys
01:00:35Not us, man
01:00:36Yeah
01:00:36Right
01:00:37I know a guy
01:00:39Who's done this before
01:00:40I'm gonna give him a call
01:00:42Oh, so we can't call Toni
01:00:43But we can't call a stranger
01:00:45We barely know
01:00:46Great
01:00:46Lisa
01:00:47Lovely
01:00:47Please
01:00:48We need to figure out
01:00:49What we're gonna do first
01:00:50Before we'll let him know
01:00:51Yeah
01:00:51What?
01:00:54There's a few execs at the label
01:00:55That are concerned with your friendship with Toni
01:00:57Who cares if I'm friends with Toni?
01:01:00You just listen to her way too much
01:01:01You don't like the fact
01:01:03That I'm close to her?
01:01:04Or that she's gay?
01:01:05What?
01:01:05That's ridiculous
01:01:06You know how many gay musicians are out there?
01:01:09A lot
01:01:09You have a lot on your plate
01:01:11You just don't need another voice in your head
01:01:14Giving you advice
01:01:15Yeah, come on, Lisa
01:01:17This is our band
01:01:19We started this together
01:01:20Lisa, hey
01:01:22I like Toni
01:01:23Okay?
01:01:25And I don't care what she does
01:01:26For her free time, you know
01:01:27But
01:01:27This
01:01:30This could hurt us
01:01:33No, it won't
01:01:34I won't
01:01:35Lisa
01:01:36She's like a sister
01:01:37She's my best friend
01:01:39Time is money
01:01:41Somebody do it
01:01:42Do it
01:01:43Listen
01:01:44Stop worrying about Toni
01:01:47And start looking into the contracts
01:01:49And how we keep losing money
01:01:51Because of these guys
01:01:52I don't need you, all right?
01:02:01This is not the other way
01:02:02I told you
01:02:03We don't need her
01:02:03She's wet
01:02:04Don't stab at me like that
01:02:05How to get out of these contracts
01:02:06Before we tear each other apart
01:02:08We just are our band's best
01:02:10Or
01:02:10We find another band
01:02:11Who will accommodate us
01:02:13And we need them to do
01:02:14Pet, okay?
01:02:15I'm a man
01:02:16There are plenty of girls waiting in line
01:02:17We started this together
01:02:19There's a few execs that can label better
01:02:20It's not what you want to do
01:02:21I see how they move
01:02:23The band's here to take you to the mall
01:02:27Lisa, come on
01:02:29Get on me right there
01:02:30Lisa, what are you doing?
01:02:33Rocco says the place is packed
01:02:35Thank you, me
01:02:36You're here
01:02:38No, my, me, me
01:02:39You're ready
01:02:40Yeah, I said I'll be right there
01:02:41I'll be so much, Rocco
01:02:44Hey
01:02:45This is a great turnout
01:02:51I can't do this anymore
01:02:59What?
01:03:00I need a break
01:03:01All right
01:03:01You'll get a break soon
01:03:02I promise
01:03:03No, now
01:03:04Girl, you better calm down
01:03:05I said you will get a break
01:03:08All right
01:03:09The sooner you start
01:03:10The sooner you will finish
01:03:12Get back to work
01:03:13Hey, I'm sorry about that
01:03:19That should never happen
01:03:27But, uh, you know
01:03:28That's right
01:03:29Hi
01:03:31Thank you so much for your patience
01:03:33Thank you
01:03:34Thank you
01:03:35Oh, this is such a good control
01:03:37Come on, Lisa
01:03:38I've been waiting all day
01:03:39Hey, can I please get a kiss?
01:03:40I'm sorry, no, it's not a kiss, okay?
01:03:40I'm sorry, no, it's not a kiss, okay?
01:03:42Fine, come on, Anita, please
01:03:43Sorry, just an autograph
01:03:44I said no, man
01:03:45Whoa, whoa, whoa, whoa
01:03:46Whoa, whoa, we good?
01:03:47We good?
01:03:48Oh, sorry
01:03:48What the hell are you doing, Tony?
01:03:51What?
01:03:51You can't be letting dudes get all grabby like that
01:03:53These are fans
01:03:53They're the reason why we're here
01:03:55We can't be handling things like this
01:03:57What the hell is that supposed to mean?
01:03:58It means how we gotta be more thoughtful
01:04:00How you handle situations, Tony?
01:04:02Not everything is a confrontation
01:04:04What the hell is the matter with you?
01:04:05You've never had an issue before, alright?
01:04:08You look tired and, I mean
01:04:09Okay, you don't want to talk
01:04:11You know what?
01:04:13I don't need this, alright?
01:04:15Because all I was doing was making sure you were alright
01:04:17Like I always do
01:04:18Oh, you don't!
01:04:19Don't check on me for once
01:04:21I already have a brother
01:04:22I don't need another one hovering over me
01:04:25You good?
01:04:48Yeah
01:04:49I'm good
01:04:50Just tired
01:04:52I know
01:04:55What's going on?
01:05:06Oh, man
01:05:07Riding in style
01:05:08That's nice
01:05:09Look at this, man
01:05:10That was, ah!
01:05:13What is lame-ass Tony riding with us to the show for?
01:05:15I don't know, man
01:05:16Ask Lisa
01:05:16I will
01:05:17What you asking me for?
01:05:20Not a mind reader?
01:05:20Why aren't you listening to Rocco?
01:05:31The label doesn't want her around
01:05:32And she's messing with our money
01:05:33I invited her, Mike
01:05:35Yeah, and that's the problem
01:05:36We keep making all these decisions without consulting the group
01:05:38And we're sick and tired of it
01:05:40Right, Alex?
01:05:41Guys, listen, look
01:05:42I'm a lover, not a fighter, alright?
01:05:43Can we just talk about it later?
01:05:45Right now we just need to focus
01:05:46No, we can't talk about it later
01:05:48I was going to keep this between just us
01:05:50But I had a lawyer look over everything
01:05:53And those contracts that we signed
01:05:55Put Rocco in charge of everything
01:05:58He screwed us
01:05:59Nah, you screwed yourself
01:06:01I already told you
01:06:03The music game
01:06:04You either hustle
01:06:04Or you get hustled
01:06:06And you got hustled
01:06:07Yeah
01:06:09Just like your daddy be hustling you, right?
01:06:12Who the hell are you talking to?
01:06:13I'm talking to you
01:06:13I'm talking to you
01:06:14No, no, no, no
01:06:14Chill, chill, chill
01:06:15Chill, chill, chill
01:06:17Back your ass up
01:06:18Dude, you need to be out of here
01:06:20Now, chill out
01:06:20Stop, Mike, stop dissing her
01:06:22This is the biggest night of our careers
01:06:27And you guys are wilding in a damn car
01:06:28Man, what are we going to do about these contracts?
01:06:42Nothing
01:06:42What do you mean, nothing?
01:06:43Those contracts are signed
01:06:45We signed them
01:06:47I just bought my mom a house
01:06:49My brother a car
01:06:50I'm paying for my sister's college
01:06:51That can all go away tomorrow like that
01:06:54Let's just ride this wave until we can renegotiate
01:06:58Because I ain't going back to folding sweaters in the stockroom
01:07:01You hear me?
01:07:28You can't fight everybody, Tony
01:07:35You're lucky Barry wasn't there
01:07:37Me?
01:07:37I don't care about Barry
01:07:39All right, he's the one that started
01:07:40Stop!
01:07:41Stop!
01:07:42I can't handle this!
01:07:43Handle what?
01:07:44The truth?
01:07:45I've been saying the same thing over and over and over
01:07:47Now it's happening
01:07:48Now it's a problem
01:07:49What is up with you?
01:07:51You've been acting different from once now
01:07:53You've never acted like this
01:07:54I always kept it real with you
01:07:56He, in fact, has been talking to me crazy
01:07:59And I'm not going to keep around with it
01:08:00Maybe you don't know what the hell you're talking about, Tony
01:08:03Okay
01:08:03Maybe I can stick up for myself
01:08:06Do it
01:08:07The rise of hip-hop and electronic dance music
01:08:13Is forcing the freestyle genre to fade
01:08:16I'll be back in a minute to check on you
01:08:36It's Lisa
01:08:40Lisa
01:08:41Hi
01:08:43She's killing it, right?
01:09:05Let me see what you got
01:09:06Yeah, that's it
01:09:11Nah, keep going
01:09:12What's up?
01:09:17I stopped out to get my chick
01:09:18Ain't no way to rehearsing
01:09:20Who was that?
01:09:21She's cute
01:09:23Tony
01:09:25Do you have a minute?
01:09:28Come on, me in a bit
01:09:29No way to perform
01:09:48I don't know
01:09:48I don't know
01:09:50I don't know
01:09:50But I don't know
01:09:51I don't know
01:09:52Look what the car truck is in.
01:10:22I need a job, man.
01:10:31Is that all you need?
01:10:37Hey!
01:10:39I told you.
01:10:43You'll be back.
01:10:44Let me show you how I feel.
01:10:58Oh, boy.
01:11:01We can make it, we can make it work.
01:11:05Hey, that was good.
01:11:06I want to do it one more time, okay?
01:11:07Hey, look who's back.
01:11:10It's so good to see you, Lisa.
01:11:12Lisa, you look terrible.
01:11:16You're not pregnant, right?
01:11:17Shut up, Spanador.
01:11:19Who's that?
01:11:22That is...
01:11:24Spanador?
01:11:27Mike.
01:11:28Mike!
01:11:30Lisa, hear me out.
01:11:32Where's Stoney?
01:11:34Where's Stoney?
01:11:38Lisa!
01:11:38Lisa!
01:11:42I told you.
01:11:48Barry!
01:11:50I'm gonna have to call you back.
01:11:52What happened to Stoney?
01:11:54I was gonna explain it to you.
01:11:56Who the hell set to let her go?
01:11:57It was a group decision.
01:11:58I'm a part of this group.
01:12:01Stoney's toxic, okay?
01:12:03She's violent.
01:12:04We do not need an individual like that on the road.
01:12:07She's a liability.
01:12:07I need her.
01:12:08I need her on the road.
01:12:10I want her back.
01:12:11No.
01:12:12What?
01:12:13It was a management decision.
01:12:15I'll just go bring her back here.
01:12:16You know, if you go after her,
01:12:18I have to believe that you are not serious about your career.
01:12:22You could lose everything you have worked for.
01:12:26And for what?
01:12:28Some lesbian?
01:12:28How dare you?
01:12:32What does it matter who she sleeps with or who she is?
01:12:38You don't like Stoney because she sees through your lives.
01:12:43Mm-hmm.
01:12:44You don't like her because she teaches me about snakes like you.
01:12:49I'm not gonna go on without her.
01:12:53Period.
01:12:54Whoa, whoa, whoa, whoa, whoa.
01:12:55You're from the ghetto.
01:12:57You never graduated from high school.
01:12:59You cannot make it in this business without someone like me.
01:13:11Watch me.
01:13:18Ha.
01:13:19Ha.
01:13:19Ha.
01:13:19Ha.
01:13:20Ha.
01:13:20Ha.
01:13:21Ha.
01:13:22Ha.
01:13:22Ha.
01:13:23Ha.
01:13:23Ha.
01:13:24Ha.
01:13:26Have you seen Tony?
01:13:27Can I get a picture?
01:13:28I'm so sorry, girls.
01:13:28I can't find you.
01:13:31Lisa?
01:13:33Why you looking for Tony?
01:13:35She using again?
01:13:36I didn't know she used.
01:13:37You don't want to know she used.
01:13:41Maybe not.
01:13:42Well, Pops, she's using again.
01:13:43She'll be with him.
01:13:44He's a drug addict pimp.
01:13:46Living somewhere in the projects.
01:13:48If you find him, you'll find her.
01:13:50Thanks.
01:13:52Hey, Lisa.
01:13:52You gotta save her.
01:13:54If she stays in a project, she'll end up just like her father.
01:13:59Music's all she has.
01:14:03Can we just get an autograph?
01:14:04Get out of the way!
01:14:05Hey, Lisa! Be careful!
01:14:08Project's no place for a girl after sunset.
01:14:12Yo, I don't think she's breathing.
01:14:14She'll be all right.
01:14:17I don't know, B. We need to do something.
01:14:20This your daughter, man.
01:14:23It's a grown-ass woman.
01:14:25She ain't did nothing she ain't wanna do.
01:14:27Tony!
01:14:28What the hell is that?
01:14:29Tony! Are you here?
01:14:30Hey, get the piece, man.
01:14:31Tony!
01:14:32Hold me down.
01:14:34What the hell you doing here?
01:14:38You hear me talking to you?
01:14:39Tony! Tony! Tony!
01:14:41Hey!
01:14:42Tony! Tony! Tony!
01:14:44No, no. Get up. Get up.
01:14:47She's barely breathing.
01:14:48She ain't going nowhere.
01:14:54She's gonna die.
01:14:55We all gotta go sometime.
01:14:57But you?
01:14:59You ain't going nowhere, Bodicua.
01:15:00There are off-duty police officers waiting for me outside.
01:15:14If they come over here, and they spot the pile of cocaine you got there,
01:15:19They're gonna pick you up for the multiple warrants you probably have, and you will die in prison.
01:15:25You hear me?
01:15:26You hear me?
01:15:35Come get outside.
01:15:39Having babies don't make you a father.
01:15:42Caring for them does.
01:15:45You ain't no father.
01:15:47Hey, Bodicua.
01:15:50Don't ever let her come back here.
01:16:01Come here.
01:16:02What day is it?
01:16:16Tuesday.
01:16:18You've been out all night.
01:16:19You've been out all night.
01:16:25Oh.
01:16:26This?
01:16:30It's the latest in accessories.
01:16:32The chemo pack.
01:16:36I've had her for a while.
01:16:37Doc told me after...
01:16:43Javi and I split up.
01:16:48But why?
01:16:50Why didn't you say anything?
01:16:52I didn't tell anyone, cause I was...
01:16:57Cause I was scared.
01:17:00Scared of what?
01:17:02Scared of losing everything.
01:17:04You know, when I was a kid.
01:17:08I would...
01:17:10Stand on a chair in the kitchen.
01:17:12And just dream I was on a stage singing.
01:17:15You know, that I was...
01:17:18The one coming out of Radio City Music Hall in a limo.
01:17:23That I would...
01:17:25Take care of mommy, and that I would make...
01:17:27Pelagio proud.
01:17:29They'd seen me all successful.
01:17:31For a while it felt like...
01:17:35Everything we were living...
01:17:38Was that dream.
01:17:42And the moment...
01:17:44Anyone said cancer, I would...
01:17:46I would just lose it all.
01:17:52That everything would be gone.
01:17:53You know, the tour, the bands, the money...
01:17:57You...
01:17:59I was terrified of losing you.
01:18:02And I was so angry at you.
01:18:04Why did you do that?
01:18:05I once...
01:18:07I asked a junkie...
01:18:11How did he start getting high?
01:18:13This guy was a track star.
01:18:15He...
01:18:17I don't know, he...
01:18:18I don't know.
01:18:20He...
01:18:22I don't know.
01:18:23He...
01:18:25I don't know.
01:18:26He...
01:18:28I don't know.
01:18:29He...
01:18:30I don't know.
01:18:31He...
01:18:32I don't know.
01:18:33He ended up...
01:18:36Strung out in the projects most nights.
01:18:39But he said when you...
01:18:41Spend your life...
01:18:43Being numb...
01:18:45Drugs help you to feel something.
01:18:50And I guess I just...
01:18:52I just wanted to feel something.
01:18:54I've been selling...
01:18:56Rock for my pops.
01:18:57It was never about the money.
01:18:59I just wanted him to love me.
01:19:01I just wanted him to love me.
01:19:04Tony...
01:19:06I guess I just...
01:19:08I gotta accept the fact that he'll never be able to do that.
01:19:15You can't force anyone to love you the way you want.
01:19:20I know that.
01:19:22Now.
01:19:23Do you?
01:19:26Do you?
01:19:36You're my best friend.
01:19:38My sister.
01:19:40My family.
01:19:43I don't ever want to lose you.
01:19:46You will ever lose me.
01:19:48You got that?
01:19:50What?
01:19:52Then no more secrets.
01:19:56No secrets.
01:19:58Because sisters don't keep secrets.
01:20:03Okay?
01:20:08No more secrets.
01:20:09I think there's one more person you need to tell.
01:20:16Lisa!
01:20:17You're my sister!
01:20:18You're a novel!
01:20:20Oh my...
01:20:22Oh my...
01:20:24It's been so long since I've seen you, baby.
01:20:27What are you doing here?
01:20:29I'm sorry, Mommy.
01:20:31I've been busy.
01:20:34I have so much to tell you.
01:20:35But...
01:20:36What are you doing Saturday night?
01:21:02We did it, Mom.
01:21:03We did it, Mom.
01:21:06Yes, we did.
01:21:08Oh!
01:21:15I will.
01:21:17I will.
01:21:19But I'll do it.
01:21:21I don't...
01:21:23I'll do it.
01:21:25Oh, hey.
01:21:29Hi, Mommy.
01:21:32Oh, hey!
01:21:33Mommy, I got you seats in the front row.
01:21:40We'll eat after, yeah?
01:21:41Mm-hmm.
01:21:43Yeah.
01:21:46Yeah, baby.
01:21:48So cute.
01:21:54Yeah?
01:21:57It's time.
01:21:58I'll see you later.
01:22:03Yeah.
01:22:05Hey.
01:22:06I got you something.
01:22:10What?!
01:22:13I thought I lost them!
01:22:15It was in some of the boxes from when you moved.
01:22:18I figured you might need it, since you never went anywhere without them.
01:22:34Lisa?
01:22:37It's not that I didn't think you could take the D train alone or pay for Mama's bills.
01:22:45Or do all of this.
01:22:48I just...
01:22:50I wanted to be the one to do that for you.
01:22:55So you didn't have it as tough as I did.
01:22:58I just...
01:23:00I wanted to be the one to take care of my little sister.
01:23:08I know.
01:23:09And if I never told you this...
01:23:15I've never been more proud of anyone in my entire life.
01:23:18I love you, sis.
01:23:22Oh, yeah.
01:23:23Oh, yeah.
01:23:47Hello, New York!
01:23:48Are you ready for that?
01:23:49Are you ready for that?
01:23:51Can you feel the beat within my heart?
01:23:53Can you see my love shine through the dark?
01:23:57Are you looking out?
01:23:59Can you feel the beat within my heart?
01:24:01Can you see my love shine through the dark?
01:24:03Can you see that you must be apart?
01:24:05Oh, that beat in my heart.
01:24:09That beat in my heart.
01:24:10Can you feel the beat in my heart?
01:24:20Oh, that beat in my heart.
01:24:22I'm Lisa.
01:24:23Tony.
01:24:24Let me hear you scream!
01:24:42After all that we've been through
01:24:49I can't seem to face the fact that, boy, I'm losing you
01:24:53We're gonna do this my way
01:24:56We're not at all
01:24:59Don't you have sisters?
01:25:11You got me now
01:25:23All this life, you're tired to go
01:25:28It's based here in love
01:25:31All my life, my life
01:25:34Aw, you're calling your best friend
01:25:36You're so cheesy
01:25:38Can we stay in love, New York?
01:25:40Are you ready for this?
01:25:41Can you feel the beat within my heart?
01:25:43Can you see my love shine through the dark?
01:25:45Can you feel the beat within my heart?
01:25:47Can you see my love shine through the dark?
01:25:49Can you see that you must be a part of that
01:25:52Tony! Tony!
01:25:53Get up! Get up!
01:25:55That beat in my heart
01:25:59That beat
01:26:00Let's go!
01:26:10You're my best friend
01:26:11I don't ever want to lose you
01:26:19You want to know about my life?
01:26:21Well, here you go
01:26:24This is how I hope you can be back
01:26:28And you'll never take it
01:26:32Oh yeah, you'll be back
01:26:37Fly, fly away
01:26:43Oh yeah, yeah
01:26:46You'll be back someday
01:26:48You're back인가
01:26:49You can be back
01:26:50I'll let you I Let me go
01:26:51You can be back
01:26:52I'll let you
01:26:56It will be
01:26:57Oh yeah, yeah
01:26:58It will be
01:26:58All yeah, yeah
01:26:58It will be
01:27:02O yeah, yeah
01:27:03It will be
01:27:06Where you can and to me
01:27:07Because I'm just joking
01:27:08You can't be all good
01:27:08I'm just joking
01:27:09Of you, I am butники
01:27:11What you're doing
01:27:12Do you should do
01:27:13你知道 the fire
01:27:14L rapid sale
01:27:15to the event
01:27:15Oh yeah, yeah
01:27:15I know your č aren't
01:27:16They'll be there
01:27:17You can't beП
01:27:17When you feel the world is taking over
01:27:33And it seems life is too much
01:27:38When it seems so hard to make tomorrow count
01:27:45When you feel the world is taking over
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