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đŸ“ș
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00:00What do you want to do now?
00:01I knew that it was more important to not fail your mother than to save our own.
00:04But it's not only for my mother, and you know perfectly.
00:07I know that her factory is much smaller than the of Don Ambrosio,
00:10but I'm staying with her enthusiasm when we put it aside from the project.
00:14Well, that's what we fund our pieces with enthusiasm.
00:17Both have fundamental arguments to refute their decisions,
00:21and, of course, the three what we want is
00:24the best manufacturer, the best manufacturer, the best needs of our project.
00:28And, of course, what do you like most?
00:30I think you should talk before with another person.
00:34How not be with the notary,
00:36to make a testament before playing with me the life of that way.
00:39I mean, I'm referring to the father of the creature.
00:42Insinuate that that person has had access to his recipes,
00:45he has copied and he has made it go to the newspaper.
00:48And I know that it's someone of The Promes, although I still don't know who is.
00:51And I have thought that maybe there is another explanation.
00:55What?
00:56A mí me sigue pareciendo extraño que Catalina no haya optado por otro modo de comunicación.
01:01Una llamada telefĂłnica, por ejemplo. Sobre todo si tan arrepentida estĂĄ.
01:05En lugar de tanta cartita, doña Catalina se tendría que plantar aquí y explicar qué es lo que le pasa.
01:10No sabemos qué estå pasando por su cabeza ni en las circunstancias que estå.
01:14AsĂ­ que no deberĂ­amos de juzgarla tan a la ligera.
01:17ÂżTe encuentras bien, Petra?
01:19Perfectamente, señora.
01:22DirĂ­a que te cuesta un mundo hacer tu trabajo.
01:25En absoluto.
01:30Luego muy gustosa, señora.
01:32Pues no sé qué quieres que te diga la verdad.
01:35Ángela es inteligente, simpåtica, tiene buena conversación.
01:39BeltrĂĄn, ÂżtĂș me estĂĄs intentando convencer a mĂ­ o a ti mismo?
01:44Que te conozco.
01:46¿Qué es lo que no me estås contando?
01:48No.
01:49No.
01:50No.
01:51No.
01:52No.
01:53No.
01:54No.
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