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00:00Standing at arrivals.
00:01You might have to wait a little longer.
00:04Didn't quite make it to the airport.
00:06I stopped to think about something.
00:08Guess that was yesterday.
00:09Aren't you meant to be in London?
00:11Is there something I should be concerned about as you're senior sergeant?
00:13I heard what you said about your feelings.
00:15Is that real?
00:17We had our chance, is what I'm saying.
00:18We're getting married.
00:19I know.
00:21Now whatever's stuck you're getting on that plane
00:23isn't something you just deal with overnight.
00:25What, so you're saying I'm stuck here?
00:28Again?
00:29I'm afraid so.
00:50Oh, come on, Stephanie.
00:52You love it.
00:59I know, I know.
01:02I'm so talented.
01:06And so good looking.
01:19Oh, please.
01:20Can you sign, please?
01:22Oh, I cannot believe you're back together.
01:25Yes, neither can I.
01:27Oh, my God.
01:29There you go, my lovely.
01:31Oh, thank you.
01:33Oh, my God.
01:37I'll have to do it.
01:39I'll take away.
01:41Oh, they're scared you are recording.
01:45Oh, good.
01:47See you tonight, gentlemen.
01:49Come on.
01:51Come on.
01:53Come on.
02:09All right.
02:11You looked at me.
02:13I saw a sign tonight.
02:17Oh, oh, oh, oh.
02:21Hey, somebody's going to get fired.
02:25Sorry, sorry, sorry, sorry.
02:27I think cable's just come loose.
02:29Awesome, awesome. First show in 20 years
02:31and no one's going to hear us sing.
02:33Forget about Luke's mic, Rob.
02:35No one wants to hear him sing anyway.
02:37You're probably right.
02:39Angel.
02:41Yeah, not working.
02:43Oh.
02:45All right, we can tell, mate.
02:47Just fix that.
02:51Thought you said he had experience, right?
02:53The whole point of Soundshake is to iron out the kinks.
02:55Oh, yeah.
02:57Just because you're satisfied with the bare minimum.
02:59True. I was with you for long enough.
03:01Okay, sorry, guys.
03:05It's going to be like 15 minutes or so.
03:07All right.
03:09Call me when the brains trust has got it sorted out.
03:11All right.
03:12What a surprise.
03:15Where is he going?
03:16Don't worry about it, mate.
03:17It gets like this with tech issues.
03:19Just give him a minute while we sort out the levels.
03:27Oh, um, I left a box of cables in the front row.
03:30Can someone run them up, please?
03:35Just help him out.
03:45Steph, can you play something for us?
03:49Yeah.
04:05Jimmy, maybe swap those cables over.
04:07The ones I've got there on the way out.
04:10Oi, Jimmy.
04:11Maybe swap them.
04:12Yeah, I can hear you, mate.
04:15First tour in 20 years and we're going in with crappy gear.
04:18Well, I've never had any issues with it.
04:28What do you reckon, Steph?
04:30Still a bit under.
04:34Needs a bit more go, you think?
04:35Yeah, that'd be great.
04:38Doing it now.
04:39How you going over there, Jimmy?
04:40Jimmy?
04:41You okay?
04:42Okay.
04:43We have nearly cracked it.
04:44How's that?
04:45Perfect.
04:46Got there in the end.
04:47Okay, I am ready when you guys are.
04:51Who's game to go and get Luke?
04:52Mm-mm.
04:53He's your brother.
04:54Who's game to go and get Luke?
04:55He's your brother.
04:56He's my brother.
04:57How's that?
05:02Perfect.
05:05Got there in the end.
05:10Okay, I am ready when you guys are.
05:14Who's game to go and get Luke?
05:19He's your brother.
05:20Okay, put the bottle away mate, sounds sordid.
05:50I'm ready.
05:53I'm ready.
05:56I'm ready.
05:59I'm ready.
06:02I'm ready.
06:06I'm ready.
06:08I'm ready.
06:10I'm ready.
06:14Victim?
06:15Luke Clybourne, lead singer of Point Rowan.
06:17Point Rowan.
06:18Joint lead singer with Stephanie.
06:20I didn't know Point Rowan was still around.
06:22I thought they hated each other.
06:23Oh, that is an oversimplification of a complicated domain.
06:26It was their first show in 20 years.
06:28They're on stage doing soundcheck.
06:30And they chose Dolphin Cove for their first show back.
06:33Mackenzie Hancock.
06:35Not my middle name.
06:36How can a daughter of this town not know?
06:39This is the birthplace of Point Rowan.
06:42We are on the cover up.
06:44Look.
06:45In misery.
06:47So Luke Clybourne wasn't happy to be back?
06:49He was being tongue in cheek.
06:52Besides, what else would he be doing?
06:54They're only really famous for that song from the Lou Roll commercial.
06:57You need to throw him off the case.
07:05What have we got?
07:06Blind force trauma.
07:08With that, his guitar.
07:10Looks like any prints are wiped off, but we're working on it.
07:13Back of the head?
07:14Yeah.
07:15Any defensive marks?
07:16Not visible.
07:17Okay.
07:18So, hit from behind by someone he didn't expect, or he turns to flee.
07:25Hmm.
07:26Fluff.
07:27Oh.
07:28From what?
07:29From that.
07:30He was wearing headphones when he was attacked.
07:31Explains why he didn't hear his killer.
07:32I had one of those.
07:33Back in high school.
07:34Yeah.
07:35I remember.
07:36Back in high school.
07:37Yeah.
07:38I remember.
07:39I remember.
07:40I remember.
07:41What?
07:42What?
07:43What?
07:44What?
07:45What?
07:46What?
07:47What?
07:48What?
07:49He was wearing headphones when he was attacked.
07:51Explains why he didn't hear his killer.
07:53I had one of those.
07:54Back in high school.
07:55Yeah.
07:56I remember.
07:57What was he listening to?
08:09Empty.
08:10Where's the tape?
08:12I haven't seen it.
08:14So, the killer took it?
08:15Why?
08:16Who was in the theatre?
08:19Just the band.
08:20Without Luke and nothing, he was my other heart.
08:25He was my other half.
08:28I loved him.
08:32Didn't you push him off stage once?
08:35Twice.
08:37Our relationship was complex.
08:41Deeper than maybe you can understand.
08:43Do you know anyone that might want to hurt him?
08:46Anybody who's ever tried to write a song.
08:50Incredible tunes just flowed out of him when he was old.
08:53I thought I wasn't in his band.
08:56I would have hated him.
08:57I was in his band and sometimes I did.
09:01Guess it's what you're most known for.
09:03Other than the toilet roll advert?
09:05I...
09:05You mean the fighting, the breakups, the rehab, the reunions, the breakups.
09:12Again, if it was so fractious, why reform?
09:20Ovarian cancer.
09:21I'm sorry to hear that.
09:24Yes.
09:25Too late for treatment.
09:26But I'm still feeling good.
09:28Steph laid it out for us.
09:30It was now or never.
09:33Um, can you take us through what happened this afternoon?
09:36Um, soundcheck started a bit before four.
09:41Sorry, what's your role exactly?
09:43Oh, soundtech.
09:45And tour manager.
09:45And the works.
09:48Rob.
09:50Brisbane.
09:51Like Stephanie.
09:52I hired my nephew, so what?
09:55We had a...
09:56We had a few sound issues, but it was fine.
09:57I was managing it.
09:58Come on.
09:59The sound was a mess.
10:01That's why Luke walked off.
10:03Nothing that set him off like bad sound.
10:05And he couldn't go half an hour without a whiskey.
10:08That's an exaggeration.
10:09What time did he walk off?
10:11A few minutes past four.
10:13And you three, you were in the theatre.
10:15Yep.
10:16You...
10:16You two on stage?
10:18Actually, I was in the booth giving Rob a hand.
10:21Wrangling cables like a work experience kid.
10:23Steph was on piano to get the levels right, playing perfectly as ever.
10:29But that's all the same.
10:32Valentine's Day.
10:33It's always been my favourite.
10:36Mine too.
10:39Oh, sorry.
10:42And then...
10:43Then I had to, um, go and get him, didn't I?
10:49There he was.
10:53What time was that?
10:58Sorry.
10:59Um, five plus four.
11:01I don't know exactly.
11:02No one else came into the theatre?
11:04Point Ruins, sound checks are always banned only.
11:09Did you...
11:10Did you see Luke with a Walkman?
11:12Or a tape, a cassette tape?
11:14I don't know.
11:16When's this...
11:16Is this relevant?
11:17I haven't seen him with a tape since 95.
11:23So, the famously volatile Point Ruiner back in Dolphin Cove, where it all began.
11:30And before they could even get on stage, Luke's dead.
11:35How would someone get in here?
11:36Uh, front door or back loading bay.
11:38Both locked.
11:40Uh, heaps of fans at the back.
11:41Yeah, bereft, most of them.
11:43They can't believe it.
11:44No one saw anyone come in or out.
11:47Is that it?
11:48Uh, a fire door in the corridor leads to the side lane.
11:51You can only open it up from the inside.
11:54So?
11:55Looks like it was one of the three in the theatre.
11:59But how?
12:02None of them left the theatre.
12:04They've essentially all alibied each other.
12:06Yet, somehow, one of them killed Luke Clybourne with his own guitar.
12:12Impossible.
12:17So you'd think.
12:29Point Ruin.
12:30Takes me back to the early 90s.
12:32What are you talking about?
12:34They were big in the 2000s.
12:36Well, granted, their high point was their second album.
12:39Sanctuary.
12:39Sanctuary.
12:401990, with their biggest tip, Valentine's Day.
12:44Luke.
12:45Signed.
12:46That's probably worth a fortune now with Luke gone and Stephanie's sick.
12:50Tonight, they were meant to reunite on stage,
12:52but someone killed Luke Clybourne before they got the chance.
12:56Sorry about this.
12:56I've got the media liaison, the press release.
12:59Again?
13:00Well, this is point Ruin.
13:01This is high profile.
13:03And just, let's just have a tight ship on this one, everyone.
13:07No one's speaking to anyone.
13:09Everything comes through me.
13:11I don't want any wild rumours going round.
13:13What rumour could be wilder than Luke potentially being murdered by his bandmates?
13:19Oh, you would be surprised.
13:21There was no shortage of them.
13:22Luke and Steph, a fiery love story for the ages.
13:26They broke up?
13:27Yeah, all the time.
13:28They haven't been together for about 20 years.
13:31Why?
13:31Well, it depends who you ask.
13:33Some say he cheated.
13:34Some say she did.
13:36Was she on drugs?
13:37Was he drinking too much?
13:38You never got the truth with point, Ruin.
13:40You only get the songs.
13:41Or the messages.
13:44These were deleted from Luke's phone.
13:46Have a look at them.
13:47Come to the theatre tomorrow after soundcheck.
13:50Four o'clock.
13:51Door in lane will be open.
13:52They reply, see you then.
13:55So whoever this was, was planning on meeting Luke after soundcheck?
14:00The number belongs to Claire Barnard.
14:03She's in Dolphin Cove.
14:04Miss Barnard?
14:05The music teacher?
14:06Oh yeah, well that makes sense.
14:08Why does that make sense?
14:10Because she used to be in Point Ruin.
14:12What?
14:13She got chucked out.
14:14It was very bitter.
14:16Oh, I'm sorry.
14:18I thought everyone knew that.
14:19No?
14:20Really?
14:21Come on, Colin.
14:23Oh.
14:24Oh, Luke.
14:39Thanks everyone.
14:41That last song was for my late ex-collaborator Luke Clybourne.
14:46Wherever you are, hope the whiskey's rye, mate.
14:49Thanks.
14:50Miss Barnard.
14:56Mackenzie Clark.
14:57Well, I heard you were back.
14:59What was your meeting with Luke Clybourne about?
15:02Never were one for chat, were you?
15:04Uh, no idea.
15:06He messaged me out of the blue, said he wanted to meet.
15:09I thought, why not?
15:10Maybe he wants to apologise.
15:11Because he kicked you out of the band?
15:13We wanted to go down different paths, musically speaking.
15:17Oh.
15:17He wanted to make records and you wanted to teach kids hot cross buns on the recorder.
15:22Oh.
15:24Uh, yeah.
15:25Well, there's more to life than fame and success.
15:27Since Point Ruin only ever had a little of each, I never really lost any sleep over it.
15:32What about their second album?
15:33That was successful.
15:35Sanctuary.
15:35Yeah, that whole album came out of one amazing weekend, actually.
15:41Just the four of us.
15:43And that old shack over on the headland, Luke writing all the songs and us all recording the demo.
15:48Here in Dolphin Cove.
15:50When was that?
15:5289.
15:53Steph was just back from rehab.
15:55No one had seen her in a month.
15:56She was transformed.
15:58And that whole weekend was true alchemy.
16:01The best songs of our careers.
16:03But you're not on the album credits.
16:06No.
16:06Well, you know, I, um, I decided to leave the band at the end of that weekend.
16:12And Luke went on a bender and lost the demo.
16:16So the band recorded it all again from scratch and, uh, yeah, I wasn't there.
16:22Is that what Luke wanted to talk about?
16:24Old times?
16:26No idea.
16:27I never made it to the theatre.
16:29Why not?
16:30It was a lamppost.
16:32Austin Street, around four.
16:34Uh.
16:34Anyone see it?
16:37Everyone.
16:38If you've seen, unfortunately, I'm sure they'll all remember.
16:44You seem nervous.
16:46Well, you know, I'm still a bit shaken.
16:48We're going to check your story, so don't go anywhere.
16:54You know, you had such a beautiful voice at school, Mackenzie.
16:58Pity he had the rhythm of a bag of grapes.
17:00Oh, you can't drive that.
17:04Why not?
17:05No, it's not road-worthy.
17:06I'll have to give you an infringement notice.
17:09Call a cab.
17:10A bit petty.
17:18I do.
17:19I have rhythm.
17:21Was that Miss Barnard?
17:23Did you know she used to be part of Point Ruin?
17:25Really?
17:26But she's so uncool.
17:28What else have I got you?
17:30I would be delighted to attend yours and Daisy's wedding.
17:33Great.
17:35The invitations are lovely.
17:36What are they, embossed?
17:38Ah, letterpress.
17:39Oh, classy.
17:40And handwritten envelopes.
17:42Reggie reckons calligraphy is a dying art.
17:45Her and Felix can't wait.
17:46Okay then, I'll leave you to it.
18:03Felix.
18:04Felix?
18:05I've been going through Luke's core records and a couple of days ago he ranked quite a few different numbers.
18:10Some people he never met before.
18:12And?
18:13They're all drummers.
18:16Luke was trying to replace you.
18:31He was calling drummers.
18:34Must have learned something else.
18:36One of the side projects.
18:38I saw he's got a few going on.
18:39Yeah, he was checking dates for the Point Ruin tour.
18:44Why would he want to replace me?
18:45Maybe it has something to do with your arthritis.
18:50That's to squeeze, doesn't it?
18:52Cold water.
18:53Good for inflammation.
18:56You can just get a warrant for your medical records.
18:59One weekend of rehearsals, he told me he wanted to replace me.
19:03Said I wasn't up to the level anymore.
19:05Nonsense.
19:05All those years waiting to get back together and then your own brother's going to replace you with a different drummer.
19:12Yeah.
19:13Said I could do one more gig.
19:15You had to form as well.
19:18Kicking people up the band.
19:19Claire Barnard?
19:20What'd she tell you?
19:22That it was mutual.
19:25Unlikely.
19:26Luke just kicked her out overnight.
19:28One minute we were playing her hides off and the next she's gone.
19:31She hung around at gigs for years and mooning at Luke.
19:34Didn't even acknowledge her.
19:35Mutual?
19:35It's just who he was.
19:37Luke Clybourne, voice of a generation.
19:40I shared a bedroom with him for nine years.
19:42I knew the real Luke.
19:45He had no respect for this band.
19:48The way he treated Steph.
19:49It was awful.
19:51She was his wife.
19:53What?
19:54Luke and Steph were married?
19:58How's he getting married?
20:00Keeping it a secret from everyone.
20:01First thing tomorrow, we need to find out if they are still married.
20:05If there's no will, she gets it all.
20:10We on?
20:12Trivia night.
20:13You going to join us?
20:15Hmm.
20:15Uh, uh.
20:18Look, that might not be the best idea.
20:20Why not?
20:21You're smart.
20:23I am extremely smart.
20:24However.
20:25Yes, on occasions I got competitive and shouted at my teammates.
20:30I've used them, really.
20:31Yes, but who doesn't know the capital of Honduras?
20:35Tegucigalpa.
20:38Okay, only one giant nerd per tribute table.
20:40Sorry, those are the rules.
20:43I'll go get us a form, think of a witty team name,
20:46and get on to birth, death and marriages first thing in the morning.
20:50Birth, death and marriages?
20:51No.
20:52Um, Steph and Luke from Point Ruin.
20:54They were married.
20:55Did I know that?
20:57No one did, apparently.
20:58I mean, they argued all the time.
21:00They broke up constantly.
21:01She pushed him off stage.
21:03Twice.
21:03I mean, why did they get married?
21:05They made great music.
21:07Must have been something there.
21:08Thank you for your kindness, by the way.
21:17Sparing me a wedding nightmare.
21:21What?
21:23Not inviting me to yours.
21:26Obviously, it would have been incredibly weird to have me there.
21:30I mean, unpleasant, really, for both of us.
21:31Not for me, especially, because I really hate weddings and talk with boring relatives.
21:37Not for me.
21:39I did invite you.
21:41Hmm?
21:43I'm not sparing you that nightmare.
21:44You're invited.
21:45No, Glenn, no.
21:47Um, you don't have to invite me.
21:50I am happy not to go.
21:52I'm not inviting you now.
21:53I did invite you.
21:55We posted the invitation.
21:58Yeah.
22:00Ah.
22:02Well, you know when I said, um, nightmare, I didn't mean, you know, nightmare, nightmare.
22:08Because, um, well, a nightmare, it's a type of dream, isn't it, Lee?
22:12La triviata.
22:13Hmm.
22:14One of my best, I think you'll agree.
22:15Goodbye, and good luck.
22:22Um, maybe you didn't hear me, but I've called us La triviata.
22:26No, yeah, good one, Colin.
22:28Yeah?
22:29Yes, definitely.
22:39Oh, our nightmares did have a dream, isn't it?
22:43Oh.
22:45No, no, you didn't.
23:12Excuse me, buddy.
23:13I think this is meant for me.
23:15I think this is meant for me.
24:15I'm guessing.
24:16I found some of Mum's odd tapes.
24:19Sanctuary.
24:20I was listening on the way over here.
24:22Valentine's Day is a banger.
24:25Oh.
24:25Oh, how nice are these?
24:28Letterpress.
24:29Blimey.
24:30What happened to this?
24:31Snails.
24:33They're a menace.
24:34Absolutely destroyed the basil I've got growing on my balcony at my place, overlooking the car park.
24:40Had to actually buy pesto.
24:42It's going to be a lovely day.
24:44Have you RSVP'd yet?
24:45I...
24:46I...
24:49Don't know.
24:54OK.
24:55OK.
24:55And now, I'm going to get ready for work.
25:03I'm not getting any less weird.
25:12Hi.
25:13Yeah, that's right.
25:22Cartwright.
25:23No, no, no, no, no.
25:24Don't search me.
25:25Don't.
25:27Hold again.
25:27That cassette turn up yet?
25:29Uh, not yet.
25:30Not ever.
25:31We searched the whole theatre, but I do have Luke's royalty statements.
25:37Wow.
25:38We should all be writing toilet paper commercials.
25:41So what's that tell us?
25:41Luke's worth a lot of money?
25:42Mm-hmm.
25:43And since we can find no trace of a will, the person who stands to inherit is his wife.
25:48Oh, and we took witness statements at the Austin Street shops.
25:51Claire Barnard definitely pranked her car and was on the phone for an hour or so after.
25:55I still got to talk to Tyler in the sports shop.
25:58That looks pretty solid.
25:59And I popped into DC Records on our canvassing too, and you should have seen the crowd.
26:04If you're in at a whole point ruined display and there was memorabilia, rarities, the works,
26:08just sort of walking out the door.
26:10No way.
26:12This is what just came on the whole music.
26:14Huh?
26:16Classy.
26:20Your wings are too weak.
26:22You know this beat?
26:23Yeah.
26:23Yeah.
26:23And I need the sky.
26:26A little bit higher?
26:27Oh, yeah.
26:28And I need the sky.
26:30Might have been too high.
26:31Yeah.
26:31Yeah.
26:32Really want to buy some Louvre on now.
26:34Come on.
26:35It's beautiful.
26:35The little bird.
26:36Your wings are too weak.
26:37I need the sky.
26:38R.I.P.
26:39Luke, you were a genius.
26:41Come on, Phil.
26:43And I don't want to leave you.
26:45Here it comes.
26:46It's sometimes day and I'm saying goodbye.
26:51Are you there?
26:53Oh.
26:54Hello.
26:54Hello.
26:55Yeah, no, still here.
26:56No way.
26:58Well, I mean, that's great.
27:00Can you send that over?
27:01Cheers.
27:04Well, you're right.
27:06Marriage took place in 1988.
27:07No record of a divorce.
27:10They're still married.
27:14We meant more to each other than any piece of paper could ever convey.
27:19Still, it's all yours.
27:22What's that, then?
27:24Some vintage records and a bunch of guitar picks.
27:28You earn somewhere in the ballpark of 1.4 million in royalties for Valentine's Day.
27:33Higher than I would have thought.
27:35Luke, you never share that number with you?
27:39Luke was...
27:42He kept that sort of thing to himself.
27:50You didn't get a share?
27:52Why would I?
27:53He wrote it.
27:54He deserved it.
27:56Look, why would I care about the money?
27:59Who knows?
28:01Could be dead in a month.
28:03No one to leave it to.
28:05Did you know that Luke was back in contact with Claire Barnard?
28:11Weren't angry or jealous?
28:16I didn't know.
28:18Claire and I weren't rivals.
28:21If I was going to kill him, I would have done it ages ago.
28:24He's given me plenty of reasons to over the years.
28:28I think that's what I'll miss the most.
28:32Hating him.
28:33I never hated him.
28:37I'll miss the energy between us.
28:40This was it.
28:43Our last chance to play together.
28:45To share some of that magic again.
28:48Before it.
28:51Instead, we're wasting our time talking to you.
28:54When anyone with a brain could tell you that none of us could have done it.
28:57The stage.
28:59The sound booth.
29:00Right there.
29:00We were all right in front of each other.
29:03So, Steph's there playing Valentine's Day.
29:16Rob here.
29:19And Jimmy.
29:21With the cables.
29:22Could one of us get to the green room?
29:25Maybe.
29:25If you were quick.
29:27Not without being seen.
29:30Hey, hey, hey.
29:51What are you doing?
29:51Just don't touch that.
29:53What's that?
29:57What's that from?
29:58What's that from?
29:58Is that tape?
30:00Yeah, I use it to mark my levels.
30:02How long have you been doing this?
30:06Not that long.
30:08Did a few of Steph's solo gigs.
30:10Yeah.
30:11And now your aunt's band's reunion tour.
30:14Well, I studied audio engineering, so...
30:16I know what I'm doing.
30:17Hmm, still.
30:18It's a big step up, though, isn't it?
30:20Maybe.
30:22Doing my best.
30:25Ooh.
30:26Results have come in at the lab.
30:28Hmm.
30:36Thank you for showing us around.
30:37Cranio-cerebral trauma resulting in deep contusions,
30:48skull fracture and internal hemorrhage.
30:51Guitars, definitely the murder weapon.
30:55That's it?
30:56Pretty much.
30:58He had psoriasis, if that's of interest.
31:01On his elbows, the alcohol would have made it flare up,
31:04but didn't kill him, obviously.
31:07I think it's important at this point to...
31:14reveal this.
31:17I told you.
31:18Mm-hmm.
31:19Where was it?
31:20Garden, obviously.
31:23Snails?
31:24Mm-hmm.
31:24Don't show Daisy.
31:26Those things were, like, $7 each.
31:28No, they are very nice.
31:30I know it's a nightmare.
31:32You hate weddings.
31:33My relatives are boring.
31:34I didn't say your relatives.
31:36Just relatives in general.
31:39If you could cope, we'd love to have you.
31:43Um, that's...
31:45That, uh...
31:46That's really kind.
31:51So, do I tick you off?
31:55That's the second journo today.
31:57Are we all okay here?
32:00Yes!
32:02Wait, wait, wait, wait.
32:03No, no.
32:05Uh, psoriasis.
32:06Any arthritis, like his brother?
32:08None, but the two conditions can be linked.
32:17Cheerio, then.
32:18Getting the impression that Luke was a bit of a bully.
32:25Mm.
32:26What would you kill for that?
32:28Well, Steph inherits it all.
32:30Motive for sure.
32:32Yeah.
32:33But still, they were all in that theatre,
32:36all of them busy.
32:37No way for any of them to get backstage.
32:40We still don't know where that tape went.
32:42There even was a tape.
32:43Of course.
32:50It's growing in me.
32:51Leave a bloody feather
32:53By your pillow to remind you
32:55What happens if I flip my wings at dawn
32:59Leave a bloody feather
33:03By your pillow to remind you
33:05What...
33:06Leave a bloody feather
33:11By your pillow to remind you
33:13What happens if I flip my wings at dawn
33:17Who... who was?
33:20I need to see some birds
33:21I want to leave you
33:23Told you you get into ornithology.
33:29Red feathers.
33:31Red feathers.
33:32Red feathers.
33:33Leave a bloody feather.
33:35Valentine's Day.
33:37All right.
33:37And I don't want to leave you.
33:39I still don't know why we're doing this.
33:40A hunch.
33:42Oh, look at that little fella.
33:44Rimsby Town colours.
33:45That is a male Scarlet Robin.
33:47Robin.
33:49It's what Rob's short for, right?
33:51Yes.
33:52Robin Stephen Brisbane.
33:53Uh-huh.
33:54What do we know about his mother?
33:56Steph's sister?
33:57Uh...
33:58Penny Brisbane.
33:59Lives in Orange.
34:00Rob's our only child.
34:01Father?
34:03None listed on the birth certificate.
34:05No, there wouldn't be.
34:07Don't want to leave you.
34:09Your wings are too weak and I need the sky.
34:11Robin.
34:12Stephen.
34:13Brisbane.
34:14Felix, what's his date of birth?
34:1614th of February, 1989.
34:20Valentine's Day.
34:21And I'm saying goodbye.
34:22Steph disappears late 88.
34:24No one sees her or hears from her for three or four months.
34:27Claire said she was in rehab, remember?
34:29She gets out of rehab early 1989, just after Rob is born.
34:33She's his mother.
34:34Then, Point Bruin have a magical weekend and Luke writes Valentine's Day, a song about saying
34:41goodbye and leaving a robin's feather behind.
34:44And he's the father.
34:45Who knew?
34:51At the time, only me and Luke.
34:54That weekend, we recorded the demo in Dolphin Cove.
34:57I told the others I'd just come back from rehab.
35:01When in reality, you were in Orange with your sister.
35:04Pregnant.
35:06Steph told me.
35:08Right before they announced three a year to her.
35:09She was dying and she couldn't keep it a secret any longer.
35:16It was a shock.
35:18It was time the truth came out.
35:22Rob coming with us on tour.
35:24Giving him a chance to get to know his father.
35:27A reason for them to spend time together.
35:29Weren't you angry?
35:31At first, yeah.
35:33They lied to me.
35:35It's not like Steph abandoned me.
35:37I had her mum.
35:39But not your dad.
35:41We'd just released the first album.
35:44We were gaining traction and we needed to capitalise on it.
35:48You can't take a baby on the road.
35:51Luke made that very clear.
35:53He wanted nothing to do with Robin.
35:56The rest was up to me.
35:58So you chose Luke and your career over your child?
36:03I did everything I could to let him know he was loved.
36:08What do you mean by that?
36:14I was a part of his life.
36:15I still am.
36:16Do I wish it was different?
36:17Yes.
36:18But I can't change it.
36:20All I can do is try to make it up to him.
36:22By making him the workhorse for the band.
36:24I wanted it that way.
36:26Nice special treatment.
36:28Did Luke know who you really were?
36:29That you were his son?
36:30Of course he knew.
36:33But he never acknowledged it.
36:36Luke didn't want anyone to know.
36:39Luke Clyde want untethered a free spirit.
36:43But he wrote Valentine's Day.
36:45Oh, it's beautiful.
36:47He's always a better musician than he was a human being.
36:49I think Luke was just a messed up guy.
37:07Couldn't handle his feelings.
37:08What about your feelings?
37:13Being treated like that by your father?
37:17He rejected you as a baby.
37:20He let you live your entire life not knowing who your father was.
37:23Not even trying to have a relationship with you.
37:25I didn't need him.
37:27And then when you and Steph tried to give him the chance to reconnect,
37:29he didn't want to know.
37:30Your own father.
37:31He wasn't my father.
37:33He did me a favour showing me who he really was.
37:35I never got anything from him and I never wanted it.
37:45Some people just aren't meant to be for others.
37:49Luke denied his existence.
37:51Denied him a family.
37:53And then humiliated him.
37:55Is he angry about it?
37:55Of course he is.
37:56But what does he gain?
37:58Revenge.
37:59Justice even.
38:01There is still no way he could get to the green room without being seen.
38:04None of them in the theatre could.
38:05And Claire had no time.
38:07And we are still missing a tape.
38:09Everyone.
38:11In here right now.
38:16Did I not stand before you yesterday and tell you to keep your mouth shut about this case?
38:22Uh, yeah.
38:23Tight ship on this one.
38:24I believe that is what I said.
38:26And that means you don't talk to anyone.
38:31And yet.
38:36Cops baffled by Point Ruin murder.
38:39That's by Clementine Clavelli.
38:42On another quote,
38:43the police have no idea how Luke would have been killed in the green room
38:47when all the suspects were together at the theatre at the time of the murder.
38:52Now who said that?
38:53That was...
38:54Viren Kumar.
38:57Dolphin Cove Records.
38:58I was reminiscing about Luke with Viren in his shop yesterday
39:04and I might have gotten a bit loose-lipped.
39:06Mm, yeah.
39:07I think you might have.
39:08So I'll go and have a word and get him to zip it.
39:10Yeah, no.
39:10I think we'd all appreciate it, babe.
39:12I am sorry, everyone.
39:16In my defence, I did tell him to keep it under his hat, so...
39:20Reggie.
39:21Going.
39:21I...
39:22I'm going.
39:22I'm going.
39:25Thank you, everyone.
39:29Nicely played yesterday, Mackenzie.
39:32What was that?
39:34Whatever you did to get out of the wedding.
39:37Oh.
39:38Uh, no.
39:39I didn't.
39:40I mean, I love my son.
39:41I want him to be happy.
39:42But that wedding, it has turned into an extravaganza.
39:46I just can't wait till it's over.
39:48They've got the happily ever after
39:49and I am in a quiet room with a gin and tonic.
39:53So, you...
39:58You think it's the right thing for me not to be there?
40:03I thought you didn't want to be there.
40:05Yeah.
40:05I just...
40:06Hypothetically,
40:10if a person like me
40:14was to go to the wedding of a person like Glenn,
40:20what would that mean?
40:23I expect it would mean
40:25they were gracious
40:28and supported the person
40:32who at one time
40:33meant a great deal to that person.
40:36Hypothetically.
40:39So it would be okay for this person to go?
40:41As long as this person
40:46didn't ruin it again.
40:52Mac,
40:53have a look at this.
40:59Noise complaint
41:00from the lady that lives next to Luke.
41:02Local station sent it over.
41:04What happened?
41:05A woman outside his house
41:07banging on the windows,
41:08threatening him.
41:10Went on for a couple of hours.
41:11Not the first time she's been there, apparently.
41:13Who was it?
41:14Well,
41:15yeah,
41:15they never found out.
41:17But the neighbour said
41:17the woman was wearing
41:18a black hat.
41:20Claire Barnard?
41:22She didn't used to be obsessed with him.
41:24She's stalking him now.
41:25Mm.
41:26But she was crashing her car
41:27down Austin Street
41:28at the same time.
41:30She couldn't have got to the theatre.
41:31Mm.
41:37It's Felix.
41:39Felix?
41:39She could have got to the theatre.
41:42Claire Barnard.
41:43I went back to Austin Street
41:44to talk to Tyler
41:45in the sports shop.
41:46His electric car was parked
41:47right across the road.
41:49The cameras?
41:50They filmed everything.
41:52And I watched the footage back
41:53and I reckon there's a gap
41:54where we can't account for her.
41:56How long?
41:5720 minutes.
41:58Is that enough time
41:59for her to get to the theatre and back?
42:01If you run.
42:02All I wanted was a chance
42:06to be back in the band.
42:08This isn't about the band.
42:10It's stalking.
42:12Stalking?
42:13Come on.
42:14We were old friends.
42:18You hung around at their gigs
42:20for years after they sacked you.
42:22Isn't that right?
42:23Yeah.
42:24To show my support.
42:25You were obsessed with Luke
42:26showing up at his house
42:27and he ends up dead.
42:29Except I never got to the theatre.
42:32I crashed my car, remember?
42:33There is a gap in your alibi.
42:3520 minutes.
42:36That's enough time
42:36to get to the theatre
42:37and murder Luke.
42:38Is that what happened?
42:40All right.
42:40So you honestly think
42:41I could just walk away
42:43from a car accident
42:43and kill Luke
42:44and then just waltz back
42:46like nothing happened?
42:47I think you wouldn't miss
42:49the chance to be
42:50in the same room as Luke
42:51after all these years
42:52and that you built up
42:54what that meeting might mean
42:55in your mind
42:56and maybe he rejected you
42:57and then the anger
42:57overtook you.
42:58No.
43:00No.
43:00All right.
43:01I loved Luke.
43:03Okay, fine.
43:04Hang me for it.
43:05I could never hurt him.
43:07Anyway, it doesn't matter
43:07because I never went
43:09anywhere near that theatre.
43:14So, I gave Viren
43:17one of the old
43:17Miss Rocco talking tos.
43:19He was very apologetic.
43:22He let me in
43:22on a little secret
43:23by way of apology.
43:25Guess who was in his shop
43:26a couple of weeks ago?
43:28Luke Clybourne.
43:29Very incognito.
43:30Didn't want anyone to know.
43:32Doing what?
43:33Well, Viren's a huge point.
43:34Ruin fan,
43:34he's got boxes of memorabilia.
43:36Luke was in town
43:37for rehearsal
43:37and he was dropping
43:38by his old haunts
43:39and he went in
43:40and bought a few things.
43:42So, what are we thinking?
43:44It all fits with Claire.
43:46But why would she do it?
43:48She was obsessed with him?
43:51Yeah.
43:52She said she was never here.
43:55Yes,
43:55but she doesn't have an alibi.
43:57Hmm.
43:57Okay, okay, okay.
43:59So,
44:00say Claire is lying
44:01and she did,
44:02she made it to the theatre,
44:03then someone would have
44:05seen or heard
44:08something.
44:11You're Stephanie,
44:12you're on stage,
44:13you're playing the piano,
44:14we'll imagine it.
44:15Jimmy, Rob, sound booth.
44:18Jimmy's helping Rob
44:18with the cables.
44:22Ooh.
44:24Wow.
44:24Not bad.
44:25I had lessons for years.
44:27So,
44:27if Claire
44:28did make it
44:30to the theatre.
44:32Sorry.
44:33That key's broken.
44:35Yeah,
44:35can you,
44:35can you avoid that one?
44:37Because it's,
44:37it's killing the vibe.
44:39No.
44:41Don't avoid it.
44:44Play it again.
44:48Play it again.
44:51Again.
44:53Again.
44:56Again.
44:59Ah.
45:00That piano,
45:01The Weeknd.
45:03Look,
45:04I've been on a bender
45:04and lost the demo.
45:06Valentine's Day.
45:07Huh.
45:14Reggie,
45:20what did he buy?
45:21Who?
45:21Luke.
45:22At the record store,
45:23the box of Old Point
45:23Ruin memorabilia
45:24wasn't a cassette tape.
45:26How do you know?
45:27We searched the band,
45:28didn't we?
45:29Yeah.
45:30And the theatre?
45:30Yeah.
45:31Ah.
45:33So where?
45:34There was only one place
45:54close enough.
45:58Hi, babe.
45:59What makes Point Ruin
46:10so legendary?
46:14It's the songs
46:15that could capture
46:16an era,
46:17the incredible live shows
46:20where anything could happen,
46:21but really,
46:23it's the fizzing tension
46:25between Steph
46:27and Luke.
46:30The push,
46:31pull,
46:32on,
46:32off,
46:33love,
46:33hate
46:34that elevated Point Ruin
46:36beyond just a great band
46:38to something
46:39magical.
46:43And that magic,
46:43it was coming back
46:45to where it all began,
46:46to Dolphin Cove,
46:48to this stage
46:49where Luke stormed off
46:51to the green room
46:52during sound check.
46:53Why was that again?
46:54The sound wasn't right.
46:54The sound wasn't right.
46:56Which Luke could never stand.
46:59So Luke walked off
47:00leaving just Jimmy,
47:01Steph and Rob
47:02in the theatre together
47:03at the moment of his murder.
47:06Or were they?
47:09Felix?
47:18This is what you played,
47:20isn't it?
47:21While Jimmy was helping Rob
47:22with the sound,
47:23while Luke was being murdered.
47:24The famous keyboard part
47:26to Valentine's Day.
47:28I think so.
47:28Yeah, it was.
47:30Jimmy heard it.
47:31Jimmy said that your playing
47:32was as perfect
47:33as it ever was.
47:35But that's all to say.
47:36What Jimmy didn't hear was...
47:40that...
47:42a broken key.
47:44Because you weren't playing.
47:47What?
47:47Of course I was.
47:48Of course I was.
47:50Everyone heard me.
47:50Well, you were.
47:52At least at the start.
47:54But with Jimmy out of the way,
47:56unable to see the stage,
47:57your accomplice provided your alibi.
48:01Rob.
48:02Your son.
48:03who faded up a recording
48:07of you playing
48:09the Valentine's Day intro
48:10to just the right volume
48:12marked with tape
48:13on the desk
48:14so it would sound seamless,
48:16giving you the chance
48:17to sneak backstage
48:18and murder Luke
48:19with his own guitar.
48:27But she was talking to her.
48:29Also pre-recorded
48:31and timed
48:31perfectly.
48:33What do you reckon, Steph?
48:35Still a bit under.
48:37Then you made your way
48:39back to the stage,
48:40Luke dead,
48:41and Rob faded down
48:42the recording
48:43so you could pick it up again.
48:45What Claire didn't know
48:47is that you were
48:48trying to frame her.
48:51She was the perfect candidate.
48:53Obsessed with Luke
48:54and stalking him.
48:56You sent the text to Claire
48:57so she would walk in
48:58on the body
48:59and look like the murderer.
49:01But Claire's car accident
49:03meant she never made it
49:04to the theatre.
49:05So the perfect set-up,
49:07suddenly not so perfect.
49:09Why would I kill Luke?
49:11I loved him.
49:12Because he took something
49:13that belongs to you.
49:17Valentine's Day.
49:19You wrote it
49:20about the most heartbreaking
49:23thing you ever did.
49:26Giving up your baby.
49:29Luke made you put the band
49:31ahead of your child.
49:32He had no interest
49:33in being a father.
49:34Why would he write
49:35such a tender goodbye?
49:40But when it came
49:41to recording it,
49:43Luke took all the credit.
49:44But why would I let him do that?
49:46Because that song
49:47broke your heart.
49:48I think you were fine
49:51with no one putting together
49:53what it was about
49:53or who wrote it.
49:56But then Luke sold it
49:59for a commercial.
50:00The most personal piece of art
50:03you ever made
50:04will ever make.
50:05Being used to flog toilet paper
50:07for a fortune.
50:09I'm dying.
50:10I don't need money.
50:12No, you don't.
50:13But Robin does.
50:15You abandoned him
50:16and this was your way
50:17of making it up to him.
50:18So when you found out
50:19that Luke had the one thing,
50:21the one thing
50:22that would prove
50:23that you wrote
50:24Valentine's Day,
50:25that would prove
50:25how you felt back then...
50:29What is it?
50:32The missing demo tape
50:33from that magical weekend
50:36in Dolphin Cove, 1989.
50:40Luke found it
50:42in Viren's record store
50:43a few weeks ago.
50:44Swore Viren to secrecy.
50:52Maybe someday
50:53it'll be too long
50:55You'll be up here beside me
50:58Won't care I was wrong
51:00And I don't want to leave you
51:03I don't want to leave you
51:07It's Valentine's Day
51:10And I'm saying goodbye
51:13What do you think, Luke?
51:19It's...
51:20It's perfect, Steph.
51:23There's nothing I can add to it.
51:28The one thing I can't figure out
51:30is how did you know
51:32about the demo tape?
51:33It's been missing
51:34for so many years.
51:35He showed me.
51:37Because the thing
51:38he loved most in this world
51:39was torturing me,
51:40having power over me.
51:42So you took it back.
51:46And you hid it in the car
51:47before we arrived
51:48knowing that
51:49if we found it on you
51:50it would incriminate you.
51:55And you didn't need
51:56much convincing to help
51:57did you, Rob?
52:00Not when your mum
52:01told you the truth
52:01about your dad
52:02that he made her
52:05give you up
52:05that he never wanted you
52:08that he put his music
52:11before his own son.
52:13He's my son!
52:14It's my song!
52:16It's all mine!
52:17And he took it!
52:19That's what he did
52:19every day
52:20we were in that band
52:21It's our band!
52:23He took everything!
52:25And now you have
52:26it all back.
52:28Was it worth it?
52:31Yeah.
52:32I should have done it
52:33years ago.
52:34Stephanie Brisbane.
52:36Robin Brisbane.
52:37I'm sorry, little bird
52:38for everything
52:39I've done to you.
52:41You're under arrest
52:42for the murder
52:42of Luke Clyburn.
52:43You don't have to say
52:44or do anything
52:45whether you do say
52:46or do
52:46may be used
52:47as evidence.
52:48Let's pray, please.
52:51Ah, it's death.
53:06Hey.
53:08I'm sorry,
53:09your idol turned out
53:10to be a murderer.
53:10It's just another thread
53:12in the Point Ruin tapestry.
53:14And I've still got the music
53:16and that is never
53:16going to change.
53:17Shall we, uh,
53:19shall we go for a drink?
53:21Yes.
53:21But only if there's a piano.
53:23I want to hear
53:23what this bloke's got.
53:26See you later, Mac.
53:28Surf club if you want to join.
53:31All right, so if we put
53:47Uncle Chris
53:48and Aunty Joan
53:48on the singles table,
53:50we might avoid them
53:51saying something
53:52that gets me cancelled.
53:53Why are they so obsessed
53:54with fluoride in the water?
53:56Oh.
53:56Oh, hey.
54:02Thank you for this.
54:03What happened to it?
54:06Snails.
54:07Obviously.
54:08Ugh, menace.
54:10Yep.
54:12Anyway.
54:12Glenn and Daisy,
54:16thank you for inviting me
54:18to your wedding.
54:19I would be
54:20delighted to attend.
54:23We would love
54:24to have you there.
54:25Oh, you can sit
54:26with Uncle Chris
54:27and Aunty Joan.
54:28Sure.
54:29Drink?
54:29What I said
54:40about weddings.
54:41It's...
54:42It's fine.
54:46Glenn,
54:47it won't be a nightmare.
54:50This one
54:50will be perfect.
54:53As you deserve.
54:55Have you RSVP'd?
55:02Mm-hmm.
55:04So that's everyone.
55:05We're all going?
55:06All going?
55:07Oh, brilliant.
55:09It is going to be
55:10a cracking day.
55:12I'm sure.
55:14You'll have to get a dress.
55:15No.
55:16A pantsuit.
55:17No.
55:17New waistcoat?
55:19Maybe.
55:20Sequins?
55:22I don't know.
55:23How about matching?
55:24I don't know.
55:25I don't know.
55:26I don't know.
55:32There is a ceremony
55:33that took place
55:33overnight.
55:35What sort of ceremony?
55:36Team building
55:36involving some sort
55:37of hallucinogenic tea.
55:39What's bestie?
55:40It's a dating app.
55:40Oh.
55:42Is that a bestie
55:43notification?
55:44No.
55:45No, it wasn't a trip.
55:46It was a trap.
55:47They all drank
55:48the same drink.
55:49I'm dying.
55:50Help!
55:50How did the killer do it?
55:52Oh.
55:53A match?
55:53No.
55:54I don't match
55:54with anyone.
55:55Why am I matching
55:55with someone?
55:56He's a lot better
55:57looking than his photos.
55:58It's great.
55:59Good on you.
56:00Drink.
56:00I'm not going to die.
56:02I'm not going to die.
56:03I'm not going to die.
56:04I'm not going to die.
56:05I'm not going to die.
56:05I'm not going to die.
56:06I'm not going to die.
56:06I'm not going to die.
56:06I'm not going to die.
56:07I'm not going to die.
56:07I'm not going to die.
56:08I'm not going to die.
56:09I'm not going to die.
56:09I'm not going to die.
56:10I'm not going to die.
56:11I'm not going to die.
56:12I'm not going to die.
56:13I'm not going to die.
56:13I'm not going to die.
56:14I'm not going to die.
56:15I'm not going to die.
56:16I'm not going to die.
56:17I'm not going to die.
56:18I'm not going to die.
56:19Oh, oh, oh
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