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Transcript
00:00I think she's alive
00:03Hello, and welcome to this special showcase of She's Leaving
00:15My name is Detective Kimberley, and I'll be your police escort for today
00:19So, what exactly is She's Leaving?
00:24Obviously I can't give you access to the report
00:26But I'm not saying too much, you'll experience a case grounded in grief and obsession
00:32And, unfortunately, how easy it can be for the two to blend into violence
00:38You'll follow the story of Charles Dalton
00:41I'm a forensic analyst who specializes in blood spatter
00:45Why am I in this godforsaken place, you ask?
00:49Because I want answers to a question that no one is asking
00:52If you come with me, you might hear a voice from my radio
00:57That would be...
00:59Annabella, I'm the voice of reason, of levity
01:03I'm here to make sure you don't go insane inside that decrepit relic
01:07Speaking of House Hayward, I'm sure Kimberley can tell you more
01:11House Hayward is a relic of the past
01:14Situated on the border of England and Wales
01:17It sits upon a storm-weathered mountain and...
01:20What?
01:21Going inside?
01:23Well, everything's far worse than death
01:27And that just might be one of them
01:33If you manage to get inside
01:36It's imperative that you keep your taser loaded and ready to fire
01:40I'm not at liberty to tell you why, but just trust me on this one
01:44Want to know when it's loaded and ready to go?
01:47Check your PlayStation controller
01:49See that light bar right there?
01:51If that's flashing red, you're defenseless
01:54But if it's blue, you're good to go
01:58For this case, we're doubling up on PlayStation exclusive features
02:01Your controller will also pick up any hostile sounds in the area
02:05Nervous to look around the next corner?
02:07No, listen carefully
02:08Tweety-me-
02:09That's your cue to get out of there
02:12Let's switch to a hypothetical
02:14What would happen if our blood spatter analyst, Charles
02:17Got inside and found what he was looking for?
02:42Oh, once that happened
02:54Liar
02:55Liar
03:25I think she's alive.
03:55There's something about this room, Charles. Let there be light.
04:19Lot, analyze it.
04:23There's got to be more.
04:28Let's find them.
04:53Oh, that's loud.
05:02Oh, that's loud.
05:18Introducing the history of Hayward.
05:23Oh, that's loud.
05:32Oh, that's loud.
05:38Oh, that's loud.
05:43Oh, that's loud.
05:47Oh, that's loud.
05:52Oh, that's loud.
05:56Oh, that's loud.
05:59Oh, that's loud.
06:04Oh, that's loud.
06:08Oh, that's loud.
06:11Oh, that's loud.
06:14Oh, that's loud.
06:33Oh.
06:34Contact pattern.
06:36Good or bad?
06:39It's blood.
06:40It's always bad.
06:42What I mean is, can you tell if the victim got away?
06:46Well, you see stains like this when the victim is struggling to stand up straight.
06:51They need to lean on something to regain themselves, you know?
06:55When I say if it's blood, it's bad.
06:58This is very bad.
07:28It's really bad.
07:38Come on...
07:41Ah!
07:43Ron!
07:44I am afraid...
07:49Well, that didn't end too well, did it?
08:11On December 2nd, you'll be able to infiltrate House Hayward yourself.
08:16Let's hope you don't end up like Charles.
08:19Let's hope you don't end up like Charles.
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