- 3 months ago
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00:00Interview with Mr. Ravjot Gulati, present are D.I. Buckley, D.C. Simmons, and solicitor for
00:22Mr. Gulati, Elliot Powell.
00:23Mr. Gulati, you are being interviewed in connection with drug dealing, taking place at 89C George
00:31Street, Walford, and two counts of individuals being held against their will.
00:39No comment.
00:43Were you part of the organized crime gang operating from this location?
00:47No comment.
00:48A simple yes or no would do.
00:51No comment.
00:52Are my client's fingerprints on any of the drugs you've retrieved from Mr. Rosari's
00:56flat, D.I. Buckley?
01:00Has Mr. Rosari himself named my client as being part of the outfit, you allege have been holding
01:06him against his will?
01:09A simple yes or no would do.
01:14So if you've nothing to charge my client with, there's nothing keeping us here.
01:17The transcript of an interview with Mr. Harrison Mitchell, who also lives at 89C George Street.
01:35Mr. Mitchell names Mr. Gulati as one of the two ringleaders of this crime gang, and one
01:41of the men principally responsible for the false imprisonment of himself and Mr. Asari.
01:47Who's son was kidnapped on Lake Tahoe and held to ransom?
01:59Frank Sinatra.
02:00How do you know that?
02:01It's so easy, mate.
02:01Everyone's going to know that.
02:02Listen, thinking about it, I think she probably needs a bit of space.
02:08Yeah.
02:09But all these things she says keeps happening, what if it's some sort of reaction?
02:14What do you mean to the shooting?
02:16No, before that.
02:16I know healthy because I've been there.
02:19I didn't give her away.
02:20She was always there, but it felt like it.
02:22I thought I was okay.
02:24Then the drinking and the grief I caused everyone, I thought it was just because I was a kid.
02:30But maybe it wasn't.
02:32Maybe she's the same.
02:33Well, that's a big maybe, isn't it?
02:35Maybe.
02:36Maybe she needs therapy, yeah?
02:39Just unlock a few things.
02:40Well, we'd have good luck with that then, yeah?
02:41It helped with Jean and Stacey.
02:43Yeah, but Kat, they were ill, darling.
02:45How do you know she ain't?
02:52Still nothing.
02:53What's that?
02:54From whoever's got Minnie Mo?
02:55Well, how do you know someone's got her?
02:56You just don't want to wear anything I've got to say, do you?
02:58Sorry.
02:59Listen.
03:00Anything you've got to say, say it, yeah?
03:02Don't keep it bottled up.
03:04Right, let's start now.
03:05What?
03:06You and me, coffee, calf, my treat.
03:08Let's brought this on.
03:09You can't say you don't want to hear what I've got to say and you don't want to talk.
03:13Okay, yeah, yeah.
03:14I'll just go and get me a phone, okay?
03:15Right.
03:20What are you doing?
03:21I told you, she needs to talk to somebody.
03:24Yeah, but she didn't actually say that.
03:27Hello, mate.
03:27It's unusual.
03:28Come on, buddy.
03:29This isn't a formal statement.
03:37No.
03:38That's going to have to wait till Mr. Mitchell has recovered a little more from his injuries.
03:43Injuries.
03:45Makes a change from no comment.
03:49Mr. Mitchell was induced into taking heroin during his own period of false imprisonment.
03:54When he attempted to escape, he suffered a serious attack resulting in an abdominal wall hematoma.
04:02He was finally free just as he was being taken to a different location where we believe an attempt would have been made on his life.
04:08So, as well as the exploitation of a vulnerable individual in Mr. Asari, the running of an organized drugs ring from the property of that same individual,
04:20and as well as certain financial irregularities we've uncovered as well,
04:26we're also looking at charges of grievous bodily harm and a potential charge of attempted murder.
04:33I just don't understand any of this.
04:40It's just a mix-up.
04:41This is all to do with Harry.
04:42It has to be.
04:43Well, then why are the police still holding Dad?
04:45It's the same old story around here, isn't it?
04:47Something happens and they look for the guy with form.
04:50Hang on.
04:52What's going on with Ravi?
04:54Oh, it's out of my hands.
04:55Oh, come on.
04:56You're a copper and he's in your nick.
04:58It's been handed over to specialist officers.
05:00Specialist officers?
05:01Well, they're people that are brought in.
05:02When there's evidence of a major drugs network.
05:05Whatever happened in there, it ain't got nothing to do with him.
05:08Well, come home, then.
05:09Put the kettle on.
05:10He'll be back before you know it.
05:12That shooting?
05:14The Slater girl?
05:15Ravi did you a favour there.
05:21What's he been saying?
05:22Enough for me to know their stuff.
05:24You really don't want going out.
05:26Well, that applies to us both.
05:28Yeah, difference is.
05:29He's banged up and you're walking around footloose and fancy free.
05:32So unless you want to join him...
05:33Look, even if, if what you're saying is right,
05:38because believe me, you do not know the full SP,
05:40do you seriously think they're going to let him go on my say-so?
05:45You can at least find out what's happening.
05:48And then we know what we're dealing with.
05:49So, yeah, basically, it's just a culinary course, but I look great on my uni application.
06:00Well, best not miss that, then.
06:02Only thing is, it's residential.
06:05Which course, yeah?
06:08Yeah.
06:09Darn him, how much?
06:10Gee, where are they holding this course?
06:17The Ritz?
06:18Wow.
06:20But, um, Kim's right.
06:22It'll be a game changer.
06:23Yeah?
06:24Yeah, book that.
06:25No problem.
06:25Appreciate that, though.
06:27Look at you, you little miracle maker, you.
06:30Making dreams come true, innit?
06:32Stop it.
06:36Phone, phone.
06:38Hello?
06:40Yeah, just a moment.
06:42Um, Anthony?
06:44Sorry, can I take a message?
06:48Sorry, who?
06:52Work on my clothes.
06:53Do all back at the flat.
06:55Give me the rest of my mind.
06:57Your clothes aren't going to fit me.
06:59I'm only in my toothbrush.
07:00Everything will be fine.
07:01Yeah, if you promise.
07:03Hodge?
07:08You haven't got help, mate.
07:10I don't know what would have happened.
07:11Some mate you turned out to be.
07:12He is my mate!
07:14Let's go, coach.
07:15It's all right.
07:16I'm sorry.
07:27You okay?
07:28You lie to me.
07:30That's okay.
07:31You ghost me.
07:32That's fine.
07:33But Kojo.
07:36You knew what was happening to him.
07:38You knew what those people were doing to him.
07:42And you just let them.
07:43It's me.
07:55What's happening?
07:56What is all this?
08:00I can't go into it right now.
08:01I bet the jungle drums have really beaten back on the square, yeah?
08:06Forget about them.
08:07You're the important one here.
08:09The one banged up for something he didn't do.
08:12We're going to get you out of there.
08:13Do you hear me?
08:14I ain't losing you.
08:15I ain't losing you.
08:16I can't.
08:18I love you.
08:22I love you too.
08:23You hang on to that.
08:28And whatever you have to do, you do it.
08:32I've already started.
08:36What's that, Min?
08:36This is for us, okay?
08:41This is for me and you and our kids.
08:49We don't work without you, yeah?
08:53None of us do.
08:56Speak soon, yeah?
08:57I've just tried them again.
09:05Just leave that for a bit, yeah?
09:06I just can't stop thinking about her locked up somewhere.
09:10Just feel like going off your head.
09:15Budger?
09:16What?
09:16Let Anthony sit down.
09:18It's packed in here, isn't it?
09:20You all right?
09:27It's okay.
09:31I hope this is okay, me turning up like this.
09:36Oh, if it's not convenient, you could have said when I texted.
09:38No, no.
09:39We've missed no problem at all.
09:41If this is about the references, we have got one from Lily Slater.
09:44Yeah, yeah, yeah.
09:45And we're still trying with my mum.
09:47I think I told you that we don't really see eye to eye.
09:49And there's other people I can't call.
09:51Actually, your mother already has.
09:52It's got to be someone local, someone who knows the layout of the place.
10:01I know I keep going on about this, but...
10:03It hurts.
10:04I get it.
10:05Yeah, when you lose something or someone, it's all you can think about.
10:08It's like a void you can't fill.
10:10We're just trying to get to the bottom.
10:11It's really going on here.
10:13What do you mean?
10:15Maybe this ain't about Minnie Mo at all.
10:17What is it, then?
10:18You've got all this going on with your boy, ain't you?
10:20And you can't get to him?
10:22And you've latched on to the cat.
10:24Instead, latched on.
10:26Sammy, you're obsessed.
10:27You have been, ever since you say she went missing.
10:30I say she went missing?
10:31What, you think I've made all this up?
10:33A story about a missing cat because I miss my son?
10:37Oh, that's why he's here.
10:39You think I need some sort of help.
10:42Maybe you do.
10:43Cat.
10:44That's it.
10:44I've heard enough.
10:45Hold on, I just want to talk to you.
10:46You say you care.
10:47You say you're on my side.
10:48I am.
10:49You just think I'm mentally ill.
10:50My daughter and motherhood are words that should never be in the same sentence.
11:02Eve, you just don't...
11:03Her lifestyle directly contributed to the death of her sister.
11:06Well, do you know, I'm not listening to that.
11:07And I would hate to see another life put at risk.
11:09Eve, your mother doesn't know you.
11:12She has never known you.
11:13She will never know you.
11:14All right, look.
11:16She looks at you and all she sees are her own faults, her own mistakes, and she wants
11:21to blame you for them.
11:23Yeah, you're not writing the reference, are you?
11:26And you're not reading it either.
11:29This is done for us, isn't it?
11:31Just because someone doesn't get on with their mother doesn't mean they can't be good mothers
11:35themselves.
11:36I'm not here to talk about Lily's reference, which is glowing, by the way.
11:42Or your mother's.
11:44Or that's for much further down the line.
11:46I'm not even here for another brownie.
11:50I'm here to tell you that your application to be taken on by the agency has been approved.
11:56And I'll be here to support you every step of the way.
11:59Here we go, one, two, testing, one, two.
12:09Right, that's it.
12:10Come and sit down, young man.
12:11Good evening, everybody.
12:14And welcome to the second charity quiz night here in the Queen Vic.
12:19Yay!
12:20Okay, a couple of things.
12:21Number one, let's remember why we're doing this, yeah?
12:24Yeah, it's like one of us gets to be landlord of the Vic for the thing, right?
12:26No, Harvey, so we can raise more money for some Lucy's charity.
12:31Yeah, yeah, but we'll still get a chance to run the Vic, right?
12:33No, Paddy, that was just a joke, all right, Joe?
12:34What?
12:35That was just a joke.
12:36There is a 50 quid prize, though.
12:38Oh, marvellous.
12:39Okay, anyway, so like I said, so nice concentration.
12:42Please turn your phones off.
12:44And here we go with question number one.
12:48Name the play where hell is described as other people.
12:52Didn't you ask that last week?
12:57I bet you any money someone's been googling ever since.
13:00Well, I'll hold your horse there, will you?
13:01Just hold it a second.
13:02I think Vicky's right.
13:04I think I've already asked that question.
13:05So give me a sec, because we're just going to find another one, all right?
13:08How are you talking about?
13:09How are you talking about?
13:10I'm going to make this.
13:11I know.
13:11I'm just going to make this.
13:12No, shut up.
13:12It might be...
13:13It's Mo.
13:13Mo, hello, darling.
13:14We're just in the middle of a quiz at the moment.
13:16Are you okay?
13:17Fine.
13:17Okay, I'll try to have them in your face.
13:18Hold on.
13:20Mo.
13:21Yep.
13:21All right, darling.
13:21I will do.
13:23All right, take care.
13:24Bye-bye.
13:25That's Mo.
13:26She said Lynn's got to have her on her leg, and Mo's going to have to take care of her
13:29for a while.
13:30How long for?
13:31No idea, sweetheart.
13:32No idea.
13:33Okay.
13:33Sorry about that.
13:34So, like I said, phone's on.
13:36Okay, so we're going to start again.
13:38So, question number one.
13:51Who's that?
13:56Who's that?
14:06Someone there?
14:06Any mo?
14:23Was that you?
14:26What?
14:26Was it you doing all this?
14:34Is it a book?
14:36No.
14:36What's the name of the troubled kid with a difficult past?
14:40Mum?
14:41What's that?
14:41It's Zoe.
14:42Oh, now what she's done.
14:44I heard her.
14:46I heard Minnie Moe.
14:47Only, it wasn't her, it was him, playing games.
14:51I wasn't, I was just messing about with Ernie.
14:53I don't know what she's talking about.
14:55She shouted at me, I thought she was going to hit me.
14:57I didn't do that.
14:59Look, if I got it wrong, I'm sorry, but I heard her, I know I did.
15:03And then I saw you and I just thought...
15:06What, you thought you'd terrify my kid, yeah?
15:08No.
15:08What do you mean, no arm?
15:09Come on.
15:10Look, I said I'm sorry, didn't I?
15:15Mum?
15:15You're going out?
15:29There's just something I need to sort.
15:32How you doing?
15:33There ain't something wrong, is there?
15:34No.
15:36Look, come here.
15:37What for?
15:38Can't I give you a hug every once in a while?
15:42No, there was trouble, wasn't there?
15:43No.
15:44Please, just come here.
15:55I love you.
15:58I love you, and I love Barney, and I just don't say enough.
16:02I love you, too.
16:09Ravi Gulati?
16:13Yeah, yeah, I've had a few run-ins with him ourselves.
16:16I was hoping this one was going to be a bit more terminal.
16:19Actually, he's just asked to see us.
16:23About?
16:24Hang around.
16:26You can find out the same time we do.
16:27The duty sergeant said you wanted a word?
16:49Are we waiting for your brief?
16:55This is for your ears only.
16:57And I don't want this recorded, none of them.
17:04Go on.
17:07What was going down in that...
17:18What was going down in that flat, I was involved.
17:21At the start, anyway.
17:23I know you know that, and I know you can make it stick.
17:25Is this a confession, Mr. Gulati?
17:29I had no choice.
17:31The people behind this can be very persuasive, particularly when you've kind of...
17:34I still know where all that runs are.
17:49Who do you have got in their pockets, where all the bodies are buried?
17:56I can give you the names of the people who really matter, not just in Walford, but all over London.
18:05And in exchange?
18:06I walk.
18:10I walk.
18:10I walk.
18:25So, what happened?
18:26Where did Annie find her?
18:27I curled up under Zoe's bed, in the carrier.
18:30Well, either someone took her and brought her back, or...
18:33Well, she's hiding herself and spinning us a line.
18:39Sorry, I'm late.
18:40You ain't miss much.
18:42Apart from an incident with Zully.
18:44Yeah, but Kim did say you missed her call, though.
18:46From the surgery?
18:47Yeah, man, they tried calling you mobile,
18:50but you just wasn't picking it up.
18:51I put it on silent in the caf.
18:54And then you'll get...
19:00How's it going, Jo?
19:10Look, I'm sorry, okay?
19:12We all are.
19:14But it's all Harry's talked about since we got him home.
19:18They really are the best of mates, George,
19:20and I'd hate for this to wreck all that.
19:24I know Harry tried to do the right thing in the end.
19:27But that doesn't undo what he did at the start.
19:31This all started because your brother flushed those drugs.
19:34No.
19:35This started because Harry didn't do what he should have done
19:38when he found them.
19:39Just call the police.
19:40Well, what's done is done, right?
19:42It's over.
19:43And we've all got to live on this square.
19:45Right, Harry and Kojo and...
19:48me and you.
19:50I mean, we can't just pretend that never happened.
19:55I can.
19:57So, I'm a thief, I'm a liar, I've done people wrong,
20:13but why would I do something like this?
20:15I did the same with you, all right?
20:18I couldn't have what I wanted, I couldn't have you.
20:21Not the way I wanted, anyway.
20:23I ended up doing all sorts to fill the gap, I suppose.
20:26So you do think that's what I've been doing?
20:27This cat has become everything to you.
20:29It's not the same, I know,
20:30but because you can't have what you really want,
20:33why would I hide her away all the time?
20:34It doesn't make any sense.
20:36There ain't none.
20:38But sometimes nothing makes sense, does it?
20:42Don't matter what I say or do, does it?
20:44You're always just going to see me as some stupid kid
20:46who got in too deep and who can't get out.
20:52All right, we've got two minutes left on the picture, Anne,
20:54and then it's sports.
20:58Yeah?
21:02Hey, Anton here.
21:03What's wrong?
21:04Nothing's wrong.
21:05Why the surgery wanted to talk to you, then?
21:10Is there bad news?
21:11It's just something I didn't want to tell you.
21:13Not until I knew.
21:15Knew what?
21:16I've applied for a job down here.
21:20Had my final interview today.
21:21They're going to call me back.
21:23Let me know.
21:24That's what the message was about.
21:26And?
21:27It's a yes.
21:28Oh, so you will be staying with us both times?
21:31Fantastic.
21:32And Sophie and the children,
21:34you will be seeing them, though, won't you?
21:35Of course.
21:36I told you, it's all very amicable.
21:38I'm going to get back as often as I can.
21:40And they can come here.
21:41We will always make room for them.
21:43Just let us work things out first, Jess.
21:46Hang on, man.
21:47I told you you said they already had.
21:49I'd better give her a call.
21:51Let her know, too.
21:55All right!
21:57We've got one minute left, all right?
22:00So he ain't getting any better, is she?
22:02Hey?
22:04Alfie, she's trouble.
22:05Oh.
22:06Always has been, always will be.
22:09It'd be better for everyone, probably even better for her,
22:11if she just took the hint and went.
22:12I took the hint?
22:12What are you on about?
22:14Take a look at all these faces around you.
22:17How much more of a hint do you need?
22:18I know I messed up with the photos.
22:29I was just so desperate for someone to take me seriously.
22:32Now it's like no one does.
22:33I feel even less part of things.
22:36What does that mean?
22:38Well, being here, being part of the family.
22:40You are part of this family, all right?
22:42You're just in a bit of a mess at the minute.
22:45And that's why I thought, you know,
22:46it would help with Anthony to talk to someone.
22:48Anyone but you, yeah?
22:49No, I didn't mean it like that.
22:51I meant a professional.
22:52I don't need a professional.
22:54I need you.
22:56Okay?
22:57Look at me in the eye and swear you are telling me the truth.
23:02I swear.
23:09It's me.
23:10Yes, I know I'm not supposed to be calling, but...
23:15I've told Dad about the job.
23:18No, of course I haven't told him anything else.
23:21So if he calls, don't answer.
23:28There's the least we can do, don't you think?
23:30Protect him from what's really going on.
23:35All right.
23:36So what are we going to do, then?
23:38Because I'll tell you right now,
23:40Kat, she's way beyond having a meeting with a shrink.
23:45Come on, what's wrong with her?
23:48Why is she doing this, eh?
23:50Yeah, that's what she said.
23:51Who?
23:52My mum.
23:53When I told her about Harry.
23:57Why are you saying all this?
23:58What's wrong with you?
23:59You're not right in the head or something.
24:00Okay, come on, darling.
24:01You know what happened to you back then?
24:02It's very different to what's happening to Zoe now.
24:05She was just sitting on the stairs.
24:07Like I used to back then.
24:09She showed me the text.
24:10She's really scared.
24:14Oh.
24:15I was thinking about that.
24:16You know, when, um...
24:18When me and...
24:20Stace found Zoe at the flat.
24:23She'd have received a text.
24:24Then she, she did.
24:25She looked terrified.
24:27Then we found out that she'd sent it to herself.
24:30This is different.
24:31Is it?
24:31She's telling the truth, all right?
24:33Someone is out to hurt my little girl, and I'm going to find out who.
24:35Well?
24:48Well?
24:49I've talked to my DCI.
24:50And we might be able to do a deal.
24:58I'm going to need that in writing.
24:59I ain't going on just your say-so.
25:02But you'll need to do a bit better than just giving us names.
25:07What's that mean?
25:08Names are useful.
25:10But a man on the inside, feeding us info on the main man, your boss.
25:15Now that's gold.
25:16That's the only deal my DCI is interested in.
25:19Take it or leave it.
25:21Oh, but hold on, hold on.
25:23You can't be serious.
25:26Well, you want me...
25:28to be an informant?
25:29What have you been?
25:45You've been gone ages.
25:46I thought we were both sticking close to Harry today.
25:48I ran into George.
25:49And?
25:50Well, the usual.
25:52Balled me out for not telling him about Kojo.
25:54Well, I can't blame him for that, I suppose.
25:56You didn't tell me, or the rest of us, neither.
25:58And what would you have done, Teddy?
26:00Eh?
26:00Ridden in like the Lone Ranger.
26:02This is you all over, isn't it?
26:04Terminator Teddy.
26:05You think you can sort everything, make everything right,
26:09but all you do is make a bigger and bigger mess
26:11and drag everyone else down with you.
26:29but it's just a bit more so you can see the same level.
26:30I don't know.
26:31But it's now moving.
26:31I don't know.
26:32It's just a bit more real.
26:32I don't know.
26:32But it's a bit more than I can do.
26:33I don't know.
26:34I've done it.
26:34I don't know.
26:35I don't know.
26:35I don't know.
26:36I don't know.
26:37You, I don't know.
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