- 2 months ago
EastEnders 6th November 2025 Full Episode | EastEnders 6th November 2025 | EastEnders 6 November 2025 | EastEnders 11-06-2025 | EastEnders Thursday 6th November 2025 | EastEnders 06-11-2025 |
Category
📺
TVTranscript
00:00Interview with Mr. Ravjot Gulati, present are D.I. Buckley, D.C. Simmons and solicitor for Mr.
00:22Gulati, Elliot Powell. Mr. Gulati, you are being interviewed in connection with drug dealing
00:29taking place at 89C George Street, Walford, and two counts of individuals being held against
00:35their will. No comment. Were you part of the organized crime gang operating from this location?
00:47No comment. A simple yes or no would do. No comment. Are my clients fingerprints on any
00:54of the drugs you've retrieved from Mr. Rosari's flat, D.I. Buckley? Has Mr. Rosari himself
01:02named my client as being part of the outfit, you allege have been holding him against his
01:07will? A simple yes or no would do. So if you've nothing to charge my client with, there's nothing
01:16keeping us here. What's that? The transcript of an interview with Mr. Harrison Mitchell,
01:32who also lives at 89C George Street. Mr. Mitchell names Mr. Gulati as one of the two ringleaders
01:38of this crime gang and one of the men principally responsible for the false imprisonment of himself
01:45and Mr. Asari.
01:48Who's son was kidnapped on Lake Tahoe and held to ransom? Frank Sinatra. How do you know
01:59that? Too easy mate, everyone's gonna know that. Listen, thinking about it, I think she probably
02:07needs a bit of space. Yeah. But all these things she says keeps happening, what if it's some sort
02:13of reaction? What do you mean to the shooting? No, before that. I know healthy because I've
02:17been there. I didn't give her away, she was always there, but it felt like it. I thought
02:22I was okay. Then the drinking and the grief I caused everyone, I thought it was just because
02:28I was a kid. But maybe it wasn't. Maybe she's the same. Well, that's a big maybe, innit?
02:34Maybe. She needs therapy, yeah? Just unlock a few things. Well, good luck with that then, yeah?
02:40It helped with Jean and Stacey. Yeah, but Kat, they were ill, darling. How do you know she ain't?
02:47Still nothing. What's that? From whoever's got Minnie Moe? Well, how do you know someone's
02:55got her? You just don't want to wear anything I've got to say, do you? Sorry. Listen, anything
03:00you've got to say, say it, yeah? Don't keep it bottled up. Right, let's start now. What?
03:05You and me, coffee, Kath, my treat. What's brought this on?
03:09You can't say you don't want to hear what I've got to say and you don't want to talk.
03:12Okay, yeah, yeah. I'll just go and get my phone, okay? Right.
03:19What are you doing? I told you, she needs to talk to somebody.
03:23Yeah, but she didn't actually say that.
03:26Hello, mate. It's unusual.
03:28Come on, buddy. Cheers, Al.
03:35This isn't a formal statement.
03:37No. That's going to have to wait till Mr. Mitchell has recovered a little more from his injuries.
03:43What injuries?
03:45Makes a change from no comment.
03:49Mr. Mitchell was induced into taking heroin during his own period of false imprisonment.
03:55When he attempted to escape, he suffered a serious attack, resulting in an abdominal wall hematoma.
04:02He was finally freed just as he was being taken to a different location where we believe an attempt would have been made on his life.
04:08So, as well as the exploitation of a vulnerable individual in Mr. Asari, the running of an organised drugs ring from the property of that same individual,
04:21and as well as certain financial irregularities we've uncovered as well,
04:26we're also looking at charges of grievous bodily harm and a potential charge of attempted murder.
04:33I just don't understand any of this.
04:39It's just a mix-up.
04:41This is all to do with Harry. It has to be.
04:42Well, then why are the police still holding Dad?
04:45It's the same old story around here, isn't it?
04:47Something happens and they look for the guy with form.
04:50Hang on.
04:52What's going on with Ravi?
04:54Oh, it's out of my hands.
04:55Oh, come on. You're a copper and he's in your nick.
04:58It's been handed over to specialist officers.
05:00Specialist officers?
05:01Where there are people that are brought in when there's evidence of a major drugs network?
05:05Whatever happened in there, it ain't got nothing to do with him.
05:08Well, go home then.
05:09Put the kettle on. He'll be back before you know it.
05:12That shooting?
05:14The Sator girl?
05:15Ravi did you a favour there.
05:20What's he been saying?
05:22Enough for me to know there's stuff you really don't want going out.
05:26Well, that applies to us both.
05:27Yeah, difference is, he's banged up and you're walking around footloose and fancy free.
05:32So unless you want to join him...
05:33Look, even if, if what you're saying is right,
05:37because believe me, you do not know the full SP.
05:40Do you seriously think they're gonna let him go or might say so?
05:45You can at least find out what's happening.
05:46And then we know what we're dealing with.
05:56So yeah, basically it's just a culinary course, but I look great on my uni application.
06:00Well, best not miss that then.
06:02Only thing is, it's residential.
06:05Which course, yeah?
06:06Yeah.
06:08Yeah.
06:09Go on then, how much?
06:14Jeez.
06:16Where are they holding this course? The Ritz?
06:18Wow.
06:20But, um, Kim's right.
06:22It'll be a game changer.
06:23Yeah?
06:24Yeah, book that, no problem.
06:25Appreciate that, darling, thank you.
06:26Mm-hmm.
06:27Look at you, you little miracle maker, you.
06:30Making dreams come true, innit?
06:35Stop it.
06:36Phone, phone, phone.
06:38Hello?
06:40Yeah, just a moment.
06:42Um, Anthony!
06:44Sorry, could I take a message?
06:48Sorry, who?
06:52I've got my clothes.
06:53Do all back at the flat.
06:54Get the rest of my mind.
06:57Your clothes aren't gonna fit me.
06:59And I need my toothbrush.
07:00Everything will be fine.
07:01Yeah.
07:02We promise.
07:03Coach?
07:08If you haven't got help, mate, I don't know what would've happened.
07:11Some mate you turned out to be.
07:12He is my mate!
07:14Let's go, coach.
07:16Sorry.
07:25You okay?
07:27You lie to me.
07:29That's okay.
07:31You ghost me, that's fine.
07:33But Kojo!
07:35You knew what was happening to him.
07:38You knew what those people were doing to him.
07:41And you just let them.
07:42It's me.
07:43What's happening?
07:44What is all this?
07:46I can't go into it right now.
07:47But the jungle drums have really beaten back on the square, yeah?
07:48Forget about them.
07:49You're the important one here.
07:50The one banged up for something he didn't do.
07:51We're gonna get you out of there.
07:52Do you hear me?
07:53I ain't losing you.
08:14I can't.
08:16can't. I love you. I love you too. You hang on to that. And whatever you have to do, you
08:31do it. I've already started. What's that mean? This is for us. Okay? This is for me and you
08:44and our kids. We don't work without you. Yeah? None of us do. Speak soon, yeah? I've just tried
09:04them again. Just leave that for a bit, yeah? I just can't stop thinking about her locked
09:08up somewhere. Just feel like going off your head. Budge up. What? Let Anthony sit down.
09:17It's packed in here, isn't it? You all right? It's okay. I hope this is okay, me turning up
09:33like this. Oh, if it's not convenient, you could have said when I texted. No, no. We've
09:39missed no problem at all. If this is about the references, we have got one from Lily Slater.
09:45Yeah, yeah, yeah. And we're still trying with my mum. I think I told you that we don't really
09:49see eye to eye. And there's other people I can't call. Actually, your mother already has.
09:52It's got to be someone local, someone who knows the layout of the place. I know I keep
10:02going on about this, but... It hurts. I get it, yeah? When you lose something or someone,
10:06it's all you can think about. It's like a void you can't fill. We're just trying to get
10:11to the bottom. It's really going on here. What do you mean? Maybe this ain't about Minnie
10:16Moe at all. Well, what is it then? You've got all this going on with your boy, ain't
10:20you? And you can't get to him. And you've latched on to the cat. Instead, latched on.
10:26Sammy, you're obsessed. You have been ever since you say she went missing. I say she
10:30went missing? What, you think I've made all this up? A story about a missing cat because
10:35I missed my son? Oh, that's why he's here. You think I need some sort of help. Maybe
10:42you do. Cat. That's it. I've heard enough. Hold on, I just want to talk to you. You say
10:47you're on my side. I am. You just think I'm mentally ill. My daughter and motherhood
11:00are words that should never be in the same sentence. Eve, you just don't... Her lifestyle
11:04directly contributed to the death of her sister. Well, do you know, I'm not listening to that.
11:07And I would hate to see another life put at risk. Eve, your mother doesn't know you.
11:11She has never known you. She will never know you. All right, look. She looks at you and
11:18all she sees are her own faults, her own mistakes, and she wants to blame you for them.
11:23Yeah, you're not writing the reference, are you? And you're not reading it either. This
11:29is done for us, isn't it? Just because someone doesn't get on with their mother doesn't mean
11:34they can't be good mothers themselves. I'm not here to talk about Lily's reference, which
11:40is glowing, by the way. All your mothers. All that's for much further down the line.
11:47I'm not even here for another brownie. I'm here to tell you that your application to be
11:52taken on by the agency has been approved. And I'll be here to support you every step of
11:59the way. All right. All right. All right.
12:06Here we go. One, two, testing. One, two. Right, that's it. Come and sit down, young man. Lovely.
12:11Right. Good evening, everybody. Good evening. And welcome to the second charity quiz night
12:18here in the Queen Vic. Yay. Okay. A couple of things. Number one, let's remember why we're
12:23doing this, yeah? Yeah. It's like one of us gets to be landlord of the Vic for the day,
12:26right? No, Harvey, so we can raise more money for some Lucy's charity. Yeah, but do we not
12:31still get a chance to run the Vic, right? No, Paddy, that was just a joke, all right,
12:34Joe? What? That was just a joke. There is a 50 quid prize, though.
12:38Oh, marvellous. Okay. Anyway, so, like I said, so, nice concentration. Please turn your
12:43phones off. And here we go with question number one. Name the play where hell is described
12:51as other people. Didn't you ask that last week? I bet you any money someone's been Googling
12:59ever since. Well, I'll hold your horse there, will you? Just hold it a second. I think Vicky's
13:04right. I think I've already asked that question. So, give me a sec, because we're just going
13:07to find another one, all right? How are you talking about? I'm not going to make this.
13:11I know. Shut up. It might be. It's Mo. Mo, hello, darling. We're just in the middle
13:15of a quiz at the moment. You okay? Fine. And I'll try to have a new face. Hold on. Mo.
13:21Yep. All right, darling. I will do. All right. Take care. Bye-bye. That's Mo. She said
13:26Lynn's got to have her on her leg, and Mo's going to have to take care of her for a while.
13:30How long for? No idea, sweetheart. No idea. Okay. Okay. Sorry about that. So, like I said,
13:35phone's on. Okay, so, we're going to start again. So, question number one.
13:41Who's that?
13:56Someone there?
14:07Any Mo?
14:24Was that you?
14:26What?
14:27Was it you doing all this?
14:28That's a book. No. What's the name of the troubled kid with a difficult past?
14:40Mum?
14:41What's that?
14:41It's Zoe.
14:42Oh, now what she's done. I heard her. I heard Minnie Mo. Only, it weren't her. It was him,
14:50playing games.
14:51I wasn't. I was just messing about with Ernie. I don't know what she's talking about. She
14:55shouted at me. I thought she was going to hit me. I didn't do that. Look, if I got it
15:00wrong, I'm sorry, but I heard her. I know I did. And then I saw you, and I just thought...
15:06What, you thought you'd terrify my kid, yeah?
15:08No.
15:08What do you mean, no arm?
15:09Oh, come on.
15:10Look, I said I'm sorry, didn't I?
15:15Mum?
15:15You're going out?
15:30There's just something I need to sort. What are you doing?
15:33There ain't something wrong, is there?
15:34No. Look, come here.
15:37What for?
15:39Can't I give you a hug every once in a while?
15:42No, there was trouble, wasn't there?
15:43No. Please, just come here.
15:55I love you.
15:58I love you, and I love Barney, and I... I just don't say enough.
16:04I love you, too.
16:09Ravi Gulati?
16:10Yeah. Yeah, I've had a few run-ins with him, ourselves.
16:17I was hoping this one was going to be a bit more terminal.
16:20Actually, he's just asked to see us.
16:23About?
16:25Hang around.
16:26You can find out the same time we do.
16:27The duty sergeant said you wanted a word?
16:49Are we waiting for your brief?
16:51This is for your ears only, and I don't want this recorded, neither.
17:04Go on.
17:07What was going down in that...
17:09What was going down in that flat, I was involved.
17:21Had to start, anyway.
17:24I know you know that, and I know you can make it stick.
17:27Is this a confession, Mr. Gulati?
17:29No, I had no choice.
17:30The people behind it's going to be very persuasive, particularly when you've kind of...
17:35When you've got a family.
17:47I still know where all that runs are.
17:49Who'd have got in their pockets?
17:53Where all the bodies are buried.
17:56I can give you the names of the people who really matter, not just in Walford, but all over London.
18:05And in exchange?
18:09I walk.
18:10So, what happened?
18:26Where did Annie find her?
18:28Curled up under Zoe's bed, in the carrier.
18:31Maybe someone took her and brought her back, or...
18:33Well, she's hiding herself and spinning us a line.
18:39Sorry I'm late.
18:40You ain't miss much.
18:42Apart from an incident with Zoe.
18:44Yeah, but Kim did see you missed a call, though.
18:46Hmm, from the surgery.
18:47Yeah, man, they tried calling you mobile, but you just wasn't picking it up.
18:51I put it on silent in the caf.
18:54Under here, under here, okay.
19:07Nice coucher.
19:08Look, I'm sorry, okay?
19:12We all are.
19:13But it's all Harry's talked about since we got him home.
19:19They really are the best of mates, George, and I'd hate for this to wreck all that.
19:22I know Harry tried to do the right thing in the end, but that doesn't undo what he did at the start.
19:31This all started because your brother flushed those drugs.
19:34No.
19:35This started because Harry didn't do what he should have done when he found them.
19:39Just called the police.
19:40Well, what's done is done, right?
19:42It's over.
19:42And we've all got to live on this square.
19:45Right, Harry and Kojo and...
19:48Me and you.
19:50I mean, we can't just pretend that never happened.
19:52I can't.
19:56So, I'm a thief, I'm a liar, I've done people wrong.
20:13But why would I do something like this?
20:15I did the same with you, all right?
20:18I couldn't have what I wanted.
20:19I couldn't have you.
20:21Not the way I wanted, anyway.
20:23I ended up doing all sorts to fill the gap, I suppose.
20:26So you do think that's what I've been doing?
20:28This cat has become everything to you.
20:30It's not the same, I know, but...
20:31Because you can't have what you really want,
20:33why would I hide her away all the time?
20:35It doesn't make any sense.
20:37There ain't none.
20:38But sometimes, nothing makes sense, does it?
20:42It don't matter what I say or do, does it?
20:44You're always just going to see me as some stupid kid
20:46who got in too deep and who can't get out.
20:52All right, we've got two minutes left on the picture, Anne,
20:55and then it's sports.
20:58Yeah?
21:01Hey, aunt in here.
21:03What's wrong?
21:04Nothing's wrong.
21:06Why the surgery wanted to talk to you, then?
21:10Is there bad news?
21:11It's just something I didn't want to tell you.
21:13Not until I knew.
21:15Knew what?
21:17I've applied for a job down here.
21:20Had my phone in the interview today.
21:22They're going to call me back.
21:23Let me know.
21:24That's what the message was about.
21:26And?
21:27It's a yes.
21:28Oh, so you will be staying with us four times?
21:31Fantastic.
21:33And Sophie and the children, you will be seeing them, though, won't you?
21:35Of course.
21:36I told you.
21:36It's all very amicable.
21:39I'm going to get back as often as I can.
21:40And they can come here.
21:41We will always make room for them.
21:43Just let us work things out first, Jess.
21:46That's great.
21:46Hang on, man.
21:47I told you said they already had.
21:49I'd better give her a call.
21:51Let her know, too.
21:54All right!
21:57We've got one minute left, all right?
22:00Zoe ain't getting any better, is she?
22:02Eh?
22:02Alfie, she's trouble.
22:05What?
22:06Always has been.
22:07Always will be.
22:09And it'd be better for everyone.
22:10Probably even better for her if she just took the hint and won't.
22:12I took the hint?
22:13What are you on about?
22:14Take a look at all these faces of Angela.
22:15How much more of a hint do you need?
22:26I know I messed up with the photos.
22:29I was just so desperate for someone to take me seriously.
22:32And now it's like no one does.
22:34I feel even less part of things.
22:36What does that mean?
22:38Well, being here, being part of the family.
22:40You are part of this family, all right?
22:43You're just in a bit of a mess at the minute.
22:44And that's why I thought, you know, it would help with Anthony to talk to someone.
22:48Anyone but you, yeah?
22:49No, I didn't mean it like that.
22:51I meant a professional.
22:53I don't need a professional.
22:54I need you.
22:56Okay?
22:57Look at me in the eye and swear you are telling me the truth.
23:02I swear.
23:09It's me.
23:11Yes, I know I'm not supposed to be calling, but...
23:14I've told Dad about the job.
23:19No, of course I haven't told him anything else.
23:21So if he calls, don't answer.
23:28That's the least we can do, don't you think?
23:30Protect him from what's really going on.
23:32All right.
23:37So what are we going to do, then?
23:39Because I'll tell you right now, Cash is way beyond having a meeting with a shrink.
23:46Come on, what's wrong with her?
23:48Why is she doing this, eh?
23:50Yeah, that's what she said.
23:51Who?
23:52My mum.
23:53And I told her about Harry.
23:57Why are you saying all this?
23:58What's wrong with you?
23:59You're not right in the head or something.
24:00Yeah, come on, darling.
24:02You know, what happened to you back then is very different to what's happening to Zoe now.
24:05She was just sitting on the stairs, like I used to back then.
24:09She showed me the text.
24:10She's really scared.
24:14Oh.
24:15I was thinking about that.
24:16You know, when, um...
24:18When me and Stace found Zoe at the flat,
24:23she'd have received a text and she, she did, she looked terrified.
24:27Then we found out that she'd sent it to herself.
24:30This is different.
24:31Is it?
24:31She's telling the truth, all right?
24:33Someone is out to hurt my little girl and I'm going to find out who.
24:35Well?
24:49I've talked to my DCI.
24:51And we might be able to do a deal.
24:58I'm going to need that in writing.
25:00I ain't going to just your say-so.
25:02But you'll need to do a bit better than just giving us names.
25:05What's that mean?
25:09Names are useful.
25:10But a man on the inside, feeding us info on the main man,
25:14your boss, now that's gold.
25:17That's the only deal my DCI is interested in.
25:19Take it or leave it.
25:21Oh, but hold on, hold on.
25:23You can't be serious.
25:26Well, you want me...
25:28to be an informant?
25:35What have you been?
25:45You've been gone ages.
25:46I thought we were both sticking close to Harry today.
25:48I ran into George.
25:50And?
25:50Oh, the usual.
25:52Balled me out for not telling him about Kojo.
25:54Well, I can't blame you for that, I suppose.
25:56You didn't tell me or the rest of us neither.
25:58And what would you have done, Teddy?
26:00Eh?
26:00Ridden in like the Lone Ranger?
26:02This is you all over, isn't it?
26:04Terminator Teddy.
26:04You think you can sort everything, make everything right,
26:09but all you do is make a bigger and bigger mess
26:11and drag everyone else down with you.
26:13No, no, no, no, no, no.
26:43No, no, no, no, no, no, no.
Be the first to comment