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00:30So, on endurance tests, two of your copies, three and five, are giving very good data.
00:46Actually, I came because I thought you might do with a more current version of myself.
00:50Because the sample I gave you may have been, um...
00:54Hmm. Severe inhibition of pleasure responses.
00:58So, uh, with my improved attitude, I think I...
01:02We've everything we need from you.
01:03Well, how about royalties? There's a certain question of property rights involved. Potentially...
01:08Property rights!
01:10Trouble, boss?
01:12Right here. Take it out.
01:14Too bad about their shutting down this section.
01:31No one knew about that corridor.
01:34Maybe a double agent?
01:35I don't understand why you keep using this one, Scavandra.
01:40Just remember to watch your feet.
01:42You lost them here? I like the transplants, by the way.
01:45Yes. So do I.
01:47You will need me for the return?
01:50Of course.
01:51Wait for me at that point in three days.
01:54Ready?
01:54I won't see.
02:24Scafandra!
02:28Scafandra!
02:54I don't know what a knife.
03:01You want to kill him?
03:05All right.
03:15I think we're ready to start.
03:18You caused way too much, buddy.
03:21You're one tough little cookie.
03:24Let's see how crusty. What do you say?
03:27Eat it!
03:28Now, take it easy!
03:31Scafandra, you're overdoing it, you know.
03:34I mean, you could die of this sort of thing.
03:37Now you know we can't do that, Twaker.
03:40Our friend here knows things.
03:43How about I keep a copy of her and I let you?
03:49Well, you can mark up your original as long as I've got a clean copy.
03:54You really make me sick. Untie her.
03:59Eon, you're in on this.
04:04No, Scafandra.
04:05She knows you're not.
04:06Scafandra, we'll talk later.
04:07You're in on this.
04:09You really make me sick. Untie her.
04:24Eon, you're in on this.
04:29No, Scafandra.
04:31She knows you're not.
04:33Scafandra, we'll talk later.
04:35She's already a double agent. Why do you object to her becoming one literally?
04:38Just hurry up.
04:41Pathetic.
04:55Your operation is finished.
04:57My work offends you. Why? Human beings are not so unique.
05:02Just a random arrangement of amino acids.
05:05It suits me.
05:07Yes, it does.
05:08These people you're copying are already superfluous.
05:11You're trafficking in excess.
05:13The issue is not excess, but access.
05:17Others take away reproductive rights. I grant them.
05:20How very progressive.
05:22So you can go gleefully multiplying yourself into oblivion.
05:26Well, why not?
05:29Although since you're here, the standard method of procreation does suddenly seem appealing.
05:34You are so charming, Trevor.
05:45Eon, this doesn't concern you.
05:49You're not going to interfere with my work.
05:51What makes it so important?
05:55I'm a doctor.
05:56My reasons are confidential.
05:58Fine.
05:58Then you'll know why I'm shutting you down.
06:00You're not going to interfere with my work.
06:01I'm a doctor.
06:07Yeah.
06:07I don't know.
06:37I have you any way anyone could ever imagine.
07:07Make yourself presentable.
07:10I have you any way anyone could ever imagine?
07:22He did a good job.
07:33Yes.
07:34You're me.
07:35Lovely.
07:36How do you feel?
07:40And what about the lab?
07:42I'm fine.
07:43The lab is easy.
07:45Waiting for you for three days will be hard.
07:47These things take time, crush his soul, impale him upon his own ego.
07:54Are you ready to do this?
07:59I am.
08:00I am.
08:01You better be.
08:02When I'm done, kill you.
08:07I am.
08:08I am.
08:09I am.
08:10I am.
08:11I am.
08:12I am.
08:13I am.
08:14This is interior control.
08:25You are five increments from bullying status.
08:29And counting, three, two, one.
08:50Nothing that happens between us matters.
08:53I've heard that one before.
08:55That sofa is very comfortable, don't you find?
09:02Yes. It's amazing.
09:05I copied you, but you know that.
09:08You may as well enjoy the luxury of letting go.
09:11You can afford to. You're extraneous.
09:13And in the end, disposable.
09:16Am I behaving atrociously?
09:18Perhaps.
09:20But no one need ever know.
09:25Eon, I want you.
09:35Come on, lover. I know what you want.
09:38Or is this?
09:39What's the matter? Is it my clothes? I'll change.
09:49You have changed.
09:52This is all wrong.
09:54Trevor, I don't know what to say.
09:56Good. Because I don't want to hear it.
09:58Take me, Trevor.
10:07Do it.
10:12Oh.
10:13Just don't be here in the morning when I wake up.
10:25What is it?
10:26She's different.
10:28Did something go wrong?
10:30No, it's not possible.
10:32But what else could it mean?
10:33No.
10:56I don't know why.
10:56Oh, my God.
10:59What's the word?
10:59Oh, my God.
11:29You don't know what I want.
11:35That makes two of us.
11:39It's good not to be scared, isn't it?
11:43I wouldn't want you any other way.
11:47You still don't trust me.
11:51Should I?
11:52Do you?
11:59Do you?
12:29Eon, Eon, Eon.
12:49She's out there somewhere, isn't she?
12:51Yes.
12:52What do you think she's doing right now?
12:54She's probably planning to destroy me utterly.
13:01Or is that your job?
13:03I don't know anymore.
13:06You're her, aren't you?
13:09You're the real Eon.
13:13Why did you make the switch?
13:14Trevor, it's over.
13:18It's over.
13:24Damn you, Trevor.
13:52You wretched egotist.
14:03How dare you subject me to this?
14:05Don't flatter yourself, you freak.
14:07So?
14:08I'm not the only one playing both sides of the street.
14:11Damn it!
14:22Get out of the street.
14:34Go away.
15:40I need you and you need me.
15:46Impossible. Here?
15:48But what's this? Give me my gun.
15:50Now get out of here!
15:57Here! Thank God!
16:13What are you doing here?
16:15What do you mean? You told me to come. You said to bring this.
16:23Yes, of course. I had to be sure. That you weren't a copy.
16:27But you said...
16:28Yes, I know.
16:29Well? Are you ready to go?
16:34I'm ready.
16:36These things take time.
16:39Cross the border with this.
16:41Then kill her.
16:42Did you bring my gun?
16:48You don't need it. Come on. It's time.
16:50Oh, my God.
16:57You don't need it.
17:00Oh, my God.
17:03Oh, my God.
17:08Oh
17:38So I thought I was going to have to come get you. Why didn't you cross with Scafandra? Now you're stuck here. You forgot our plan. I'm crossing with you. No, I'm not finished with him yet. What is it?
18:01The stars in your eyes, they're stolen. Things have changed, Trevor. You were supposed to mess with his head. His desire is not his alone. If you won't cross with me, I'll kill you here. Maybe it's better that way.
18:27Scafandra was supposed to give you something. This.
18:39Huh? There are things you don't know. I know that you won't kill me. You'd kill me. That was the plan. Yes, yours to begin with. To make him hurt.
18:52What? Take a stand.
19:00Okay, pretty one. Watch that.
19:09Bye.
19:10What do you mean you can't reprogram? I want turret 12 shut down now.
19:23Well, find the codes, damn it. There's no time.
19:32No.
19:33Stop the guns, I tell you. Stop the guns!
19:58The guns!
20:01Malchores!
20:01No!
20:02Wait a minute!
20:03It's over.
20:03Wait.
20:03...
20:04Wait.
20:05There.
20:06Ah-ha-ha-ha-ha!
20:08Ah!
20:09Oh!
20:10Ah!
20:11Ah!
20:11What?
20:12That's three?
20:12Oh!
20:13Ah!
20:13Oh!
20:14Oh!
20:14Oh!
20:14Oh!
20:15Oh!
20:15Oh!
20:16Oh!
20:17Oh!
20:17Oh!
20:18Oh, oh!
20:19Oh!
20:20Oh!
20:20Oh!
20:21Oh, oh!
20:21Oh!
20:22Oh!
20:23Oh!
20:24Oh!
20:25Oh!
20:25Oh!
20:25Oh!
20:25Oh!
20:26Oh!
20:26Oh!
20:26Oh!
20:28Oh!
20:28Oh!
20:28Turret 12 is now offline, sir, but we have the fugitive in our sights.
20:44Let her go.
20:46Let her go.
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